[313] unpaid DEMF bills (was: Never mind the bollocks...)

2002-02-19 Thread marc christensen

Anyone know whether this is true, that the sound bill hasn't been paid?

If true, can anyone give me a contact name  # for that company.

I'm also looking for verifiable cases where acts had to shell out 
their own cash for hotel rooms, etc., which were to have been covered 
by the DEMF/PopCulture folks.


In short -- if the media hasn't mentioned this yet, we can correct that, folks.

Email me privately, please.

-marc christensen


At 11:53 AM -0500 2/18/02, scotto you know wrote:

From: Kent williams [EMAIL PROTECTED]

Interesting to see if they can get anyone to do sound, since they
apparently haven't paid the bill yet for the last two years.  Not
to mention all the artist reimbursements that slipped their minds.


I'm very curious as to why the media has not menchened this?
maybe the city should hire a cpa? see where the money for the artist has gone.

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RE: [313] DEMF 2002: The Sexy Adventures of Carol Marvin

2002-02-19 Thread diana potts

--- Dan Sicko [EMAIL PROTECTED] wrote:
 I knew people'd jump all over whoever ended up on
 the board.
 
 They haven't even been officially announced and
 they're being 
 DEnounced already?
 
 Cut 'em a little slack, eh?
 
 -d

 agreed!! so much drama. as the old Detroit saying
goes just relax, and wait and see...and as the other
saying goes..if you don't like what's on...turn it
off. It seems I'm doing that a bit too much with this
list lately.

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Re: [313] can't we all just get along?

2002-02-19 Thread neontsetse

 race has been talked into the fuggin ground as well, because yes it is a 
 very essential and important subject. i'm not sure what is being argued 
 here. actually, i see nothing being said at all, aside from some quotes
from 
 mainstream hiphop.. yes there is racism inherent in all societies and it
is 
 deeply entrenched in techno. and?? digging deeper..?? what are the 
 issues being discussed, i missed something

ok, you want to know, what the issues were before ?

the main issues still are, that there are big race-problems in the US, 

(also on the whole globe) and the problems get reflected in some of
313-music, 

in titles, lyrics, samples, artwork, in interviews - 

but many people do ignore those messages, that artists do make 

to be heard - to communicate -  

- I got some mails here by some of the people with great taste 

(being writers, making music-pages, etc) saying that they just don´t care, 

what the messages are like - 

Also many reactions in the past showed up that many people 

do not agree at all that a strong fundament of 313-techno-music is based 

on black-culture and so they tried to proove that this is not true by 

highlighting many influences of white musicians in the world of music 

Then, also some people showed up they felt offended when it was about 

blackness, black artists black music etc... for various reasons ... 

some called it boring,  crap

some seemed to have a good motivation, that they don´t want to make any

differences, based on the colour of the skin  

but I think it needs sometimes people to explain the messages to them 

that this is not the way the world order*  keeps going on in reality  - 

(* world order incl. about 50 % black soldiers in the us-army ? 

/correct me,  damn me, if I am posting wrong numbers/ 

over 80 % of the killed soldiers in Vietnam were black ? 

- just another xample - put this into the relation of how

many black people are locked in prison and how many 

black people are dying in the streets every day in the US) 


- theese were some of  the main issues I think that have been 

discussed here, but not at all in a way that you could say - 

it´s all clear now - 


also J.T., I think it´s good when the people do bring themselves 

and their history intoo the frame, their own perspectives and experiences 


about myself - I feel that my english and knowledge actually 

wouldn´t be good enough to to enter this discussion, 

but I did feel the need to speak up, cauze some people 

somehow keep trying to wipe out those issues from the list -  


I do know it´s a heavy case and I can´t sleep, work and 

stop thinking about it as soon as I concentrate on it myself... 

- when I talk with some black friends about this ...

 (just imagine, it could only be one word that would seperate us 4 ever) 

- when I wonder how much they can take, when I see the ignorant reactions

- when I remember how some storys about intelligence tests, spreaded by 

  respectabled university professors used to make me believe black people 

  wouldn´t be as intelligent as white people, when I was a teenager 

- when there was the biggest nazi-demonstration since the end 

  of the second world war, marching through Berlin last year 

- I worry, when I put postings about this subject on the list, because 

  I think I might be doing some harm to 313-culture cauze of talking shit - 

- and on and on - I do know it´s a heavy case - 

- but I was told, my worries ain´t a tiny bit as heavy, as it is to 

  be black and living in Oakland, Brooklyn etc... or some areas in DETROIT 

 
m 
planetz2002 


-- 
LoveThemPlanetZ
peoplez
plantz
peaze
pluz
m   

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Re: [313] DEMF 2002: The Sexy Adventures of Carol Marvin

2002-02-19 Thread Erin Bate



I'm very pleased with the comittee line up..  With people like Huckaby, 
Oldham and Grant we will see some Detroit history come out this year..


I can't wait!!

~E


yeah what the hell
if the people on the committee were actually playing the festival i'd 
be pumped...sure sound like promising choices to me. alan oldham 
even!...i think these are all smart, appropriate people.


i dont understand why people are assuming the worst already...so who 
would you rather see on the committee? ok, kevin, derrick..dan sicko! 
:)...or the return of carl craig, but...c'mon..sounds promising 
enough, and like they are being awfully conscientious (sp) and careful 
so hold up you skeptical mfs!





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[313] Carl At The Camilian

2002-02-19 Thread (Truth Be Told)

Did anyone check out Carl's five hour set?

Truth


I wouldn't have believed it if I didn't see it for myself...


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[313] Steve Bug

2002-02-19 Thread Grammenos, Peter

He's doing a 5 hour set tonight in nyc. Has anyone heard him spin?

I love his production work ...

Thanks in advance for any info


-Pete

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Re: [313] Fwd: STOP PRESS NEWS FROM DETROIT

2002-02-19 Thread glyph1001

Uh...how quickly we take sides without hearing the truth from BOTH sides.

--g

MD wrote:


How quickly ppl forget..



The committee was formed by DEMF founder Carol


Marvin.



md


--- Lorie R [EMAIL PROTECTED] wrote:





From: [EMAIL PROTECTED]
To: undisclosed-recipients:;
Subject: STOP PRESS NEWS FROM DETROIT
Date: Mon, 18 Feb 2002 13:59:23 EST


FOR IMMEDIATE RELEASE--ALAN OLDHAM  TO SERVE ON


ARTISTIC COMMITTEE FOR DEMF


2002

DETROIT-- Former WDET-FM program host,

international DJ, Generator/Pure 


Sonik
Records producer/owner and most recently, Pure

Comics 


writer/artist/publisher
Alan Oldham (also known by his stage name of DJ


T-1000) has officially been


invited by Pop Culture Media, the producer of DEMF,


to sit on the


seven-member Artistic Committee of the 2002 Detroit

Electronic Music 


Festival.




Each member of the Committee, which also includes

Godfather of Detroit 


Techno
Juan Atkins and Moods and Grooves owner/DJ Mike

Grant among tohers, will 


have
the opportunity to submit the names of people that

they think should 


perform
at this year's DEMF, discuss reasons why, and

eventually vote 


democratically
on the results.

What a difference a year makes ! says a


visibly-excited Oldham. Needless


to say, I'm honored to have been sought out and

asked to participate. I 


look
forward to working together with all of my fellow


Committee members to help


map out the creative direction of this year's


DEMF.


What DJs and/or live acts are Oldham planning to


propose to the committee ?


Well, it's a little too soon to divulge that


specific info, but I will say


that my emphasis will be on a few Detroit people


like myself who were


overlooked in years past. Also, my personal


criteria and logic is that you


must have records out, or if you're a non-Detroit


artist, you must have


recorded for or have some connection to a Detroit


label. I'd consider


lesser-known talents also. Of course, that's just


me. There are six other


very esteemed opinions to take into account.

And will DJ T-1000 finally get to rock the DEMF as


a performer ?


I'm proud to say that I'll be finally taking the


stage as a DJ at the DEMF


this year. It's been a long time coming.I've played

big European parties 


like
Mayday, Astropolis,Tribal Gathering and Love


Parade, but this is home. I


can't wait to bang it.

Also due to this news, Oldham's new artist CD on


Pure Sonik as DJ T-1000,


Neutra, originally scheduled for late March, will


be delayed to debut


exclusively at the DEMF in May. The Neutra EP,


the three-track vinyl


preview of the album, is out on schedule in late


February.


All other details about this year's DEMF will be


announced shortly by Pop


Culture Media. On the web at:


electronicmusicfest.com.


For information about Alan Oldham, contact Pure

Sonik Records at 


313-417-4471
or on the web at: www.puresonikrecords.net

--Achmed el-Gibar for Pure Sonik Records Detroit

--30--







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RE: [313] touch:feb21:christian smith:matthew dear

2002-02-19 Thread Grammenos, Peter

everyone , if you can, see and hear christian smith. great dj...

-Original Message-
From: Barbara Deyo [mailto:[EMAIL PROTECTED]
Sent: Monday, February 18, 2002 3:44 PM
To: 313@hyperreal.org
Subject: [313] touch:feb21:christian smith:matthew dear


:touch /v/ to leave a mark or impression
:thursday:[february 21]
:
:christian smith
:matthew dear   
: 
:the ghostly glass room: 
:sam valenti IV
:rob theakston  
:   
:the necto
:516 e. liberty, ann arbor
:18+ 9p
:www.thenecto.com
:
:coming up:
:feb 28: heckle  jeckle
:mar 07: misstress barbara

 

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[313] Current 02.16.02

2002-02-19 Thread Mike Taylor

Hello,

Last week CJAM had a pledge drive. This has been a dilemma for me for
the last couple weeks because I had to directly ask for money for the
music I was playing. It got me thinking about why public radio is
important for the community at large and for music in general. The
reason why public radio is important is that individuals are actually
in control of the culture. I make my own decisions about what I am
going to play, if I feel that a recording is important, it will hit
the air. My playlists are not determined by soundscan sales figures,
commerical interests, or demographic market research. If I feel it,
it is going to hit the air.

Recently, sections of the international music press has been
reporting that Detroit Garage Rock is saving Rock music. Last month
Mojo put Detroit locals The White Stripes on their cover and said
that they were the best live band in the world. The BBC has reported
that Detroit Garage Rock has caused the biggest stir in the rock
scene since Punk exploded in 1977. Strangely enough, there has been
hardly any notice of this in the mainstream press in Detroit.

I devoted the first hour of my show to records that you should never
play on an electronic music show. It might not be my format, but I
played them to make a point. Public radio gives me the freedom to
play what I feel is important without the restrictions placed upon
DJ's on the corporate radio stations. You might not listen to Current
to hear the MC5, but you should be thankful that you can hear
something like that on the radio, because WDVD and WDRQ certainly do
not allow their DJ's the opportunity to do adventurous radio.

I want to say thank you to everyone in Detroit who is listening to
the show and who thinks that music is more imporant than business. I
have been wondering if people are feeling what I am playing, and this
week I found out that they are. Most shows with better time slots
were lucky to reach half their expected pledge quotas. Current hit
its quota with just US contributions, and went well beyond that with
Canadian contributions. That is amazing for a show that late at
night, at the very end of the pledge week. Once again, thanks for
supporting the music.

Anyway, enough of my jabbering...

430 West recording artists Octave One will be appearing on the show
next week. They have been on the scene since Techno 2 comp on
10/Virgin records. It should prove to be an interesting interview. I
hope you will join us.

Current Playlist 02.16.02:

Hour One:

White Stripes-Hotel Yorba (Hotel Yorba) LX Records
Eddie Cochran-Teenage Heaven (Eddie Cochran Vol. 1)EMI
Patsy Cline-I fall to Pieces (Greatest Hits) MCA
Hank Williams-Cold, Cold Heart (Greatest Hits) Candlelight
Eddie Cochran-Nervous Breakdown (Eddie Cochran Vol.1) EMI
MC5-Rambling Rose (Kick Out The Jams) Electra
The Stooges-TV Eye (Funhouse) Electra
Dead Boys-Sonic Reducer (Young, Loud, and Snotty) Sire
The Stooges-Search and Destroy (Raw Power) Columbia
Wire-12xu (Pink Flag) Harvest
Velvet Underground-Heroin (The Velvet Underground and Nico) Verve
Pere Ubu-Final Solution (Termial Drive) DGC
13th Floor Elevators-You're Gonna Miss Me (Psychedelic Sounds of...)
International Records
The B-52's-Planet Clare (B-52's) Warner Bros
The Clash-This Is Radio Clash (Clash On Broadway) Sony/Epic
My Bloody Valentine-What You Want (Loveless) Warner Bros.

Hour Two:

Section 25-From A Hilltop (From The Hip) Polygram
Drexciya-Digital Tsunami (Harnessed The Storm) Tresor
Adult-Nasea (Nausea EP) Ersatz Audio
I-F-Floating Away In a Hole Darker Than Yours (Man From PACK) Disko B
Boards Of Canada-An Eagle In Your Mind (Music The The Right...) Warp
Monolake-Cubicle (Cinemascope) Imbalance Computer Music/EFA
Arovane-Icol Verne (Icol Distan) Din

Current is a radio show dedicated to promoting the finest electronic
music from Detroit and  across the globe. Current broadcasts in the
Detroit/Windsor metropolitan area on Saturday evenings from Midnight
to Two AM on CJAM 91.5 FM. Current can be heard across the planet in
streaming format at: http://zeus.uwindsor.ca/cjam/index.html

Thanks again to everyone who supports underground electronic music in
Detroit.

Take care,
Mike Taylor
[EMAIL PROTECTED]




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[313] Liberators

2002-02-19 Thread Michael D Tyrer
I have much respect for the Liberators:

The first club night I attempted to promote was in London in early 1996.
I had Dave Clark and Chris Liberator as the two guests for the night.
We had about 120 paying customers turn up - that's all.

When Chris came in he refused to take any money and still played his whole
set.
Clarky boy who was already on the decks sent his missus to speak to me and
offered to play a 1-1/2hr set for £550 instead of the original 2hrs for
£750.  Chris also filled in his extra half-hour.

Some months later when my finances had improved I came upon Chris at a squat
party and offered him some dosh to make up for the let down previously.  He
absolutely refused to take any money.  The most he would let me give him was
a can of Stella.

Interestingly enough - I had Tanith booked for the 3rd night and after
demanding 5* hotel, chauffeured car from airport he failed to turn up and
called the chauffeur at the airport half and hour after his flight landed to
say he had locked his record box in the boot of his car and couldnt open it.
I was pissed off to say the least.  I demanded he repay the deposit I'd paid
his agents, and refund the cost of the chauffeur and hotel.  I then heard
that my name was all over the German techno press as disreputable c*nt who
no one should deal with.

For what its worth, Ben Sims stood in to play that night.  It was the first
time he had ever played in a 'commercial club'.  The wheel obviously came
full circle when he started recording for Tresor.

(ps - im not a disreputable c., I think i;m fairly honourable ...)


- Original Message -
From: Super Coffee Beans [EMAIL PROTECTED]
To: Cyclone Wehner [EMAIL PROTECTED]; 313 Detroit
313@hyperreal.org
Sent: Sunday, February 17, 2002 12:19
Subject: Re: [313] Liberators


 i am not too crazy about their muszika but i must say aaron liberator
played
 acid techno set in a very underground party in the forrest of jerusalem.
 that means this dude is cool :)
 y.
 - Original Message -
 From: Cyclone Wehner [EMAIL PROTECTED]
 To: 313 Detroit 313@hyperreal.org
 Sent: Friday, February 16, 2001 5:57 AM
 Subject: Re: [313] Liberators


  Yes, to this day Chris Liberator adores Alan Oldham because he came up
to
  them and laughed about it - something like, I'm from Detroit, I'm
  intelligent and I'm  'avin' it.
 
  Rightly or wrongly, the idea behind the title according to the guys was
a
  dig at the UK dance press, not Detroit, which at the time was very
 snobbish
  about counterpointing the US music against rave culture. (Oh how soon
that
  evaporated, with the rise of that old UK imperialism.)
 
  Most of those guys, especially Chris, have backgrounds in punk music.
They
  have a good allegiance with Carl Cox too.
 
  Until lately those guys' scene, the squat party/acid techno scene, was
  ignored by the UK press but apparently their records have been supported
 by
  the hard house contingent.
 
  Until lately Chris was living in a council flat, so they are humble
guys.
 
  I think there was an article in Seven in which they cited an
appreciation
  for early UR stuff.
 
  They come out to Australia a lot.
 
  --
  From: Odeluga, Ken [EMAIL PROTECTED]
  To: Tim Maughan [EMAIL PROTECTED], [EMAIL PROTECTED] Org
 313@hyperreal.org
  Subject: [313] Liberators
  Date: Fri, 15 Feb 2002 7:33 PM
  
 
   'for those that don't know, the liberator DJs are part of London's
   underground rance scene. they once did a mix CD called its not
from
   Detroit and its not intelligent but its f*cking banging.
  
   i think that says it all really.' -Eric Scuccimarra
  
   Me, I actually LIKE the Liberators! They know how to rock a crowd and
 keep a
   positive vibe going. It's true, it's not brain food (mostly - I heard
   'Moonraker' by the Foremost Poets first dropped by them - the original
 mix)
   but it's damned good fun!  Most importantly, they've still got this
idea
   about dance being something like a unifying and catalytic social
force.
   (Naive, I agree, but I'm a sucker for sincere idealists and triers).
And
   underpinning the compilations of medieval acid, is always a push to
get
   people involved in their environments and take control of their
lives -
   usually politically.
  
   Sound familiar, Detroit?
  
   I had a laugh recently when I read a track title on one of Chris'
latest
   mixes 'Hackney Council Are A Bunch of C*nts'! I think the Nuclear Free
 Zone
   parties are still running at 414 (Brixton)... I'd recommend them.
  
   K
  
  -Original Message-
  From: Tim Maughan [mailto:[EMAIL PROTECTED]
  Sent: Thursday, February 14, 2002 3:34 PM
  To: Ploegmakers, Joost; 313@hyperreal.org
  Subject: Re: [313] re- gary numan
  
  
  yeah that was it. well spotted.
  
  on 14/2/02 3:11 pm, Ploegmakers, Joost at [EMAIL PROTECTED] wrote:
  
   F*cking 'avin' it was actually the last part of the title.
  
   Well at least they're honest about themselves...
  
  
   -Original 

[313] Lost - Easter Sunday

2002-02-19 Thread Toby Frith
Mr Derrick May back for his annual visit.


www.lost.co.uk




RE: [313] DJ Sneak in Ann Arbor tonight.

2002-02-19 Thread Gary_Girard

I think DJ Sneak is an excellent DJ, one of my favourites actually. I've
always liked his style of mixing, the way he likes to 'bang' a tune in.
Another aspect of Sneak's mixing that i enjoy is when he takes an old 80's
pop record (usually something you haven't heard for years) and lays down a
house beat over it - this always gets a party rocking! He has some great
records up his sleeve, all the filtered disco House and Latino flavas, and
it's great when he decides to play some of the Cajual / Relief harder style
Chicago House. I've even heard him drop 'The Bells' which went down a treat
=)  (313 link!)
 Sneak is also a very good producer and remixer. I recently picked up his
remix of Giorgio Moroder 'The Chase' which I only learned of after a tip of
from this list, and I'm more than happy with my purchase (I'm told it's
quite hard to find now, I paid £8.99 for it.)
Yep, I've heard Sneak many a time and although sometimes the mixing is
slightly out I'd still rate him as my favourite House DJ.


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[313] (OT) paging robin porter

2002-02-19 Thread daweed
Hi, sorry for the OT. I'm trying to contact Ronbin Porter. I can't get into 
inmigrant webpage, and lately there have been some changes in the domain.. and 
some of my mails bounce. Anybody has a working e-mail adress for him?

Please respond privately.

Thanks in advance 

daweed


[313] good cds?

2002-02-19 Thread Super Coffee Beans
any good cd`s this month? 
anything will do:)
y


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[313] DEMF...Dare i ask

2002-02-19 Thread Nicole Slavin
having trawled through months of is it or isn't it on, to days of does it have 
credibility anymore, it seems that the mails are becoming more positive in the 
event's favour. i too have been shocked by the idea that many have still not 
been paid for their efforts, however, i am, until further bad news appears, 
going on the idea that if there is no festival, the only loser will be Detroit.
On this note, i would like help in planning my first trip to the festival and 
Detroit. 
Is there anyone who could help me with suggestions for cheap/ish accommodation, 
car hire, flights and general info, or point me in the right direction. this 
may seem premature, but i am on holiday this week and it's now or possibly 
never. also, could past attenders from the uk let me know if they will let me 
hire a car, wrong side of the road and all.
thanks in advance, reply off list so as not to annoy all the oldtimers who know 
this stuff.
N


[313] Rob Hood mix CDs?

2002-02-19 Thread Tom Robbins/Tom Magic Feet
Anyone know of any Robert Hood mix CDs released in the past, prior to this
new one on Logistic?


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RE: [313] good cds?

2002-02-19 Thread Jernej Marusic
- Drexciya - Harnessed The Storm CD (Tresor)
Some people on this list didn't like this one that much, but I like it a
lot :) Sounds  like a mixture between Neptune's Lair and The Other
Peoples Project)

Dynamo - Aussen For CD (Din)
Great CD compilation of Dynamo releases.

Random Logic - Numrebs (Tehnika)
I'm not sure if this came out this month or if it's coming out next
month outside of Slovenia. Here it's been available since December.
Really nice clicks'n'cuts stuff. Sounds like ~scape meet's Mike Ink's
Studio 1.

Jernej
SoundOfLJ.com

-Original Message-
From: Super Coffee Beans [mailto:[EMAIL PROTECTED] 
Sent: Tuesday, February 19, 2002 1:06 PM
To: 313@hyperreal.org
Subject: [313] good cds?


any good cd`s this month? 
anything will do:)
y


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Re: [313] DEMF...Dare i ask

2002-02-19 Thread rob webb

Nicole Slavin:


having trawled through months of is it or isn't it on, to days of does


 snippety snip 


thanks in advance, reply off list so as not to annoy all the oldtimers


didn't someone set-up a website or a Yahoo group for DEMF last year with 
some of the info (accomodation, flights, etc etc) that Nicole's after?




rob


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Re: [313] DEMF...Dare i ask

2002-02-19 Thread Phonopsia
- Original Message -
From: rob webb [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Tuesday, February 19, 2002 8:01 AM
Subject: Re: [313] DEMF...Dare i ask


 Nicole Slavin:

 having trawled through months of is it or isn't it on, to days of does

  snippety snip 

 thanks in advance, reply off list so as not to annoy all the oldtimers

 didn't someone set-up a website or a Yahoo group for DEMF last year with
 some of the info (accomodation, flights, etc etc) that Nicole's after?

Kelli Kavenaugh put up an excellent, extremely thorough FAQ for DEMF last
year, which is up here still: http://music.hyperreal.org/demf/demf.rtf

You should be able to rent a car in the US with a valid UK drivers license.
I can attest that driving on the wrong side of the road is quite a
challenge though, from my experiences clipping side-view mirrors in the UK.
:) You may want to opt for a cab (all of which is discussed extensively in
the FAQ and the listgeeks archive below).

The list that Gil set up last year for DEMf discussion is
[EMAIL PROTECTED] which can be subscribed to at
http://groups.yahoo.com/group/listgeeksatdemf01/  Rob's definitely right
that this is a great place to go to search the archives, if the FAQ is not
enough. Hell, it might not be a bad idea if we try to divert some of this
DEMF banter back over there until at least late March or whenever the lineup
will be announced this year.

Mmmm... DEMF After-parties. Aa. :)

Tristan
--
http://www.mp313.com - Music
http://www.metrotechno.net - DC techno + more
http://www.metatrackstudios.com - DC DJ/Production studios
http://phonopsia.tripod.com - Hub
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RE: [313] good cds?

2002-02-19 Thread Giles Dickerson
Vladislav Delay
Naima
LIVE at the ARS Electronica
Mille Plateaux

--

Vladislav Delay
Pthalo
Sistol 15

- Giles

D I G I T A S // B O S T O N
--
Giles Dickerson
Art Director
800 Boylston Street
Boston, MA
02199
--
mobile 617 899 9635
office 617 369 8601


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[313] Fancy playing?

2002-02-19 Thread s mcgill
Somebody offered the opportunity for anyone to play over in Belgium if any
313 peeps were about.

I would also like to extend the offer from Liverpool (UK). If anyone is in
the area in future then let me know, we can provide your environment.  All
calibre (caliber for the US citizens) of djs welcome, we'll work something
out accordingly.

SM

PS. I hope Mike Grant is on holiday soon. ;o)


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Re: [313] good cds?

2002-02-19 Thread Toby Frith
Geogaggi - Boards of Canada -Warp

Not sure yet of this, although its embryonic shuffling melodies will
probably grow on me soon enough.


- Original Message -
From: Jernej Marusic [EMAIL PROTECTED]
To: 'Super Coffee Beans' [EMAIL PROTECTED]; 313@hyperreal.org
Sent: Tuesday, February 19, 2002 12:42 PM
Subject: RE: [313] good cds?


 - Drexciya - Harnessed The Storm CD (Tresor)
 Some people on this list didn't like this one that much, but I like it a
 lot :) Sounds  like a mixture between Neptune's Lair and The Other
 Peoples Project)

 Dynamo - Aussen For CD (Din)
 Great CD compilation of Dynamo releases.

 Random Logic - Numrebs (Tehnika)
 I'm not sure if this came out this month or if it's coming out next
 month outside of Slovenia. Here it's been available since December.
 Really nice clicks'n'cuts stuff. Sounds like ~scape meet's Mike Ink's
 Studio 1.

 Jernej
 SoundOfLJ.com

 -Original Message-
 From: Super Coffee Beans [mailto:[EMAIL PROTECTED]
 Sent: Tuesday, February 19, 2002 1:06 PM
 To: 313@hyperreal.org
 Subject: [313] good cds?


 any good cd`s this month?
 anything will do:)
 y


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Re: [313] Fancy playing?

2002-02-19 Thread Jonny McIntosh
Yep, this was Red D a while back. We just had him over in London this
weekend just gone for our party. A great time was had by all, I hope. I'm
due out there in early March for the 3rd time and really recommend it if
anyone gets the chance: great people and great, cheap beer ;)

Similarly, I'd like to offer the same for here in London. I'm much lazier
than Red D or, I presume, Scott, and so our parties are less frequent. But
basically, if anyone's about on a holiday, give me a shout in advance and
I'll see what I can do. At the very least it's great to hook up with folk as
one of the nice things about the list is finally putting faces to names.

Jonny.

 Somebody offered the opportunity for anyone to play over in Belgium if any
 313 peeps were about.

 I would also like to extend the offer from Liverpool (UK). If anyone is in
 the area in future then let me know, we can provide your environment.  All
 calibre (caliber for the US citizens) of djs welcome, we'll work something
 out accordingly.

 SM

 PS. I hope Mike Grant is on holiday soon. ;o)



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RE: [313] good cds?

2002-02-19 Thread Gwendal Cobert
Excellent stuff, probably even better than the first one, a tad more wicked,
more weird...
Gwendal

 -Original Message-
 From: Toby Frith [mailto:[EMAIL PROTECTED]
 Sent: Tuesday, February 19, 2002 3:20 PM
 To: 313@hyperreal.org
 Subject: Re: [313] good cds?


 Geogaggi - Boards of Canada -Warp

 Not sure yet of this, although its embryonic shuffling melodies will
 probably grow on me soon enough.


 - Original Message -
 From: Jernej Marusic [EMAIL PROTECTED]
 To: 'Super Coffee Beans' [EMAIL PROTECTED]; 313@hyperreal.org
 Sent: Tuesday, February 19, 2002 12:42 PM
 Subject: RE: [313] good cds?


  - Drexciya - Harnessed The Storm CD (Tresor)
  Some people on this list didn't like this one that much,
 but I like it a
  lot :) Sounds  like a mixture between Neptune's Lair and The Other
  Peoples Project)
 
  Dynamo - Aussen For CD (Din)
  Great CD compilation of Dynamo releases.
 
  Random Logic - Numrebs (Tehnika)
  I'm not sure if this came out this month or if it's coming out next
  month outside of Slovenia. Here it's been available since December.
  Really nice clicks'n'cuts stuff. Sounds like ~scape meet's
 Mike Ink's
  Studio 1.
 
  Jernej
  SoundOfLJ.com
 
  -Original Message-
  From: Super Coffee Beans [mailto:[EMAIL PROTECTED]
  Sent: Tuesday, February 19, 2002 1:06 PM
  To: 313@hyperreal.org
  Subject: [313] good cds?
 
 
  any good cd`s this month?
  anything will do:)
  y
 
 
 
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RE: [313] Carl At The Camilian

2002-02-19 Thread Dennis Donohue
I went to see Carl, as I was up from Chicago.

Synopsis:
First of all, it wasn't free (as I was expecting it to be), but no biggie -
$5 to see Carl Craig.  When my wife and I first got there, there were hardly
20 people there and Carl was spinning some seriously old hip-hop.  It was a
very nice hodge-podge of songs for the first hour or hour and a half, as
Carl went through old hip-hop and disco, and mixed in some jazz.  It was
almost like he was at home showing someone his record collection, as he
would frequently stop the record in the middle of play and take it off the
turntable and go and grab another record while there was silence.  If
someone really wanted to find a problem with Carl that could have been their
gripe, but he was just having so much fun!  About two hours into it, the
camillian cafe was full to the gills (but it's very small - which means
about 50 people were there).  A few people started dancing, and it really
caught on.  At this point Carl was playing strictly old house tunes from the
late 80's for all of his friends that had come out to chat and say hi.  80%
of the people in there knew all the words to all these songs, most of which
I'd only heard once or twice before, the rest I'd never even heard.  Really
cool mixing, really nice crowd.  I'd say that most of the people in the
place were at or around 30 years old - so  it made for a cool atmosphere.

We ended up leaving at around one, and the place was still packed, the music
was still fresh, and the sandwiches were out of this world!  Absolutely
splendid tasting sandwiches.

Cheers,
Dennis

-Original Message-
From: (Truth Be Told) [mailto:[EMAIL PROTECTED] 
Sent: Monday, February 18, 2002 7:54 PM
To: 313@hyperreal.org
Subject: [313] Carl At The Camilian

Did anyone check out Carl's five hour set?

Truth


I wouldn't have believed it if I didn't see it for myself...


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RE: [313] good cds?

2002-02-19 Thread Grammenos, Peter

nanoloop gameboy v1.0 [ entire cd done w/ the gameboy!] - tracks from delay
http://www.disco-bruit.de/

montreal smoked meat - force. a compilation of some up and coming techno
artists from montreal, canada. 

deepchord dc15 




-Original Message-
From: Giles Dickerson [mailto:[EMAIL PROTECTED]
Sent: Tuesday, February 19, 2002 8:52 AM
To: Super Coffee Beans; 313@hyperreal.org; Jernej Marusic
Subject: RE: [313] good cds?


Vladislav Delay
Naima
LIVE at the ARS Electronica
Mille Plateaux

--

Vladislav Delay
Pthalo
Sistol 15

- Giles

D I G I T A S // B O S T O N
--
Giles Dickerson
Art Director
800 Boylston Street
Boston, MA
02199
--
mobile 617 899 9635
office 617 369 8601


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Re: [313] Carl At The Camilian

2002-02-19 Thread Jason Brunton
 At this point Carl was playing strictly old house tunes from the
 late 80's for all of his friends that had come out to chat and say hi.  80%
 of the people in there knew all the words to all these songs, most of which
 I'd only heard once or twice before, the rest I'd never even heard.  Really
 cool mixing, really nice crowd.  I'd say that most of the people in the
 place were at or around 30 years old - so  it made for a cool atmosphere.
 
 We ended up leaving at around one, and the place was still packed, the music
 was still fresh, and the sandwiches were out of this world!  Absolutely
 splendid tasting sandwiches.
 
 Cheers,
 Dennis
 


I must be getting old- this sounds like my idea of a great night out (except
going home at 1 AM!!)

Jason Brunton

Iridite


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[313] Re: DEMF 2002: The Sexy Adventures of Carol Marvin313

2002-02-19 Thread (Truth Be Told)

Why would it be necessary to have promoters? Don't they bring in their
favorites anyway or do they bring in big names for a big payday? If you look
at the first statement if the Free Press article: A seven-member board of
longtime Detroit techno musicians will choose the artist lineup... the
panel is there only to choose the talent they don't need to know how it
works (festival producer/promoter = Pop Culture Media). I would think that
traveling and developing relationships with other DJs/artists, they are more
then qualified to choose a lineup. The fact there are 7 shows there will be
checks and balances where someone couldn't just bring in their buddies
(perhaps as before). Plus, most of them have been around almost 20 years and
know who was there from the start.
I'm hopeful too that they'll produce a good lineup and keep the spirit
alive.

Truth

I wouldn't have believed it if I didn't see it for myself...






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Re: [313] Re: DEMF 2002: The Sexy Adventures of Carol Marvin313

2002-02-19 Thread glyph1001
I'll even say further that Pop Culture themselves has experience in 
organizing (or have been involved in) huge events and festivals in the 
past (i.e. as far as I know, the 'World Party' and the Jazz Festival) so 
that's the 'promoter' component there.  As if Carl had previous 
experience in putting together a huge festival on his own. To be quite 
frank, it seems to me alot of 'buddies' were picked to play the last two 
years.  


Flame, flame,

--G.

(Truth Be Told) wrote:


Why would it be necessary to have promoters? Don't they bring in their
favorites anyway or do they bring in big names for a big payday? If 
you look

at the first statement if the Free Press article: A seven-member board of
longtime Detroit techno musicians will choose the artist lineup... the
panel is there only to choose the talent they don't need to know how it
works (festival producer/promoter = Pop Culture Media). I would think that
traveling and developing relationships with other DJs/artists, they 
are more
then qualified to choose a lineup. The fact there are 7 shows there 
will be

checks and balances where someone couldn't just bring in their buddies
(perhaps as before). Plus, most of them have been around almost 20 
years and

know who was there from the start.
I'm hopeful too that they'll produce a good lineup and keep the spirit
alive.

Truth

I wouldn't have believed it if I didn't see it for myself...






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Re: [313] Re: DEMF 2002: The Sexy Adventures of Carol Marvin313

2002-02-19 Thread Dan Sicko
I'll even say further that Pop Culture themselves has experience in 
organizing (or have been involved in) huge events and festivals in 
the past (i.e. as far as I know, the 'World Party'


Let's not forget what a huge flop the World Party was ...

I haven't been to a jazz festival since Branford Marsalis was 
supporting his Crazy People Music album, so I don't know how well 
that's been handled ...


-d

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Re: [313] Re: DEMF 2002: The Sexy Adventures of Carol Marvin313

2002-02-19 Thread glyph1001
That doesn't matter.  Experience only adds to the knowledge of doing 
better next time.


--G.

Dan Sicko wrote:

I'll even say further that Pop Culture themselves has experience in 
organizing (or have been involved in) huge events and festivals in 
the past (i.e. as far as I know, the 'World Party'



Let's not forget what a huge flop the World Party was ...

I haven't been to a jazz festival since Branford Marsalis was 
supporting his Crazy People Music album, so I don't know how well 
that's been handled ...


-d





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RE: [313] Re: DEMF 2002: The Sexy Adventures of Carol Marvin313

2002-02-19 Thread Dan Sicko

 but I thought that this particular event (DEMF) is supposed to be a
reflection of what is at the core of dance music in Detroit


I don't think that's exactly the intent ... dance isn't in the title.  :)

-d

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RE: [313] Re: DEMF 2002: The Sexy Adventures of Carol Marvin313

2002-02-19 Thread Altitude
Oh, I forgot.
We don't dance anymore..

I put on the table that we change dance music to stand around and stare
at the DJ music
-r

-Original Message-
From: Dan Sicko [mailto:[EMAIL PROTECTED]
Sent: Tuesday, February 19, 2002 2:22 PM
To: 313@hyperreal.org
Subject: RE: [313] Re: DEMF 2002: The Sexy Adventures of Carol Marvin313


  but I thought that this particular event (DEMF) is supposed to be a
reflection of what is at the core of dance music in Detroit

I don't think that's exactly the intent ... dance isn't in the title.  :)

-d

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RE: [313] Re: DEMF 2002: The Sexy Adventures of Carol Marvin313

2002-02-19 Thread Holly MacDonald-Korth
well, we all know what a great success World Party was!

what credibility!!

-Original Message-
From: glyph1001 [mailto:[EMAIL PROTECTED]
Sent: Tuesday, February 19, 2002 11:03 AM
Cc: 313@hyperreal.org
Subject: Re: [313] Re: DEMF 2002: The Sexy Adventures of Carol Marvin313


I'll even say further that Pop Culture themselves has experience in 
organizing (or have been involved in) huge events and festivals in the 
past (i.e. as far as I know, the 'World Party' and the Jazz Festival) so 
that's the 'promoter' component there.  As if Carl had previous 
experience in putting together a huge festival on his own. To be quite 
frank, it seems to me alot of 'buddies' were picked to play the last two 
years.  

Flame, flame,

--G.

(Truth Be Told) wrote:

 Why would it be necessary to have promoters? Don't they bring in their
 favorites anyway or do they bring in big names for a big payday? If 
 you look
 at the first statement if the Free Press article: A seven-member board of
 longtime Detroit techno musicians will choose the artist lineup... the
 panel is there only to choose the talent they don't need to know how it
 works (festival producer/promoter = Pop Culture Media). I would think that
 traveling and developing relationships with other DJs/artists, they 
 are more
 then qualified to choose a lineup. The fact there are 7 shows there 
 will be
 checks and balances where someone couldn't just bring in their buddies
 (perhaps as before). Plus, most of them have been around almost 20 
 years and
 know who was there from the start.
 I'm hopeful too that they'll produce a good lineup and keep the spirit
 alive.

 Truth

 I wouldn't have believed it if I didn't see it for myself...






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RE: [313] Re: DEMF 2002: The Sexy Adventures of Carol Marvin313

2002-02-19 Thread Dan Sicko

Heh.

Well, I was kind of joking about DJ worship, but what I was really 
hinting at is that techno, house, electronic music, what have you ... 
are in an entirely different context at an event like DEMF.  It's not 
a club, not an outdoor rave, ... it's a concert festival.  How many 
local promoters have tackled one of those?


-d



Oh, I forgot.
We don't dance anymore..

I put on the table that we change dance music to stand around and stare
at the DJ music
-r


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Re: [313] good cds?

2002-02-19 Thread Moe Fuzz

From: Super Coffee Beans [EMAIL PROTECTED]
To: 313@hyperreal.org
Subject: [313] good cds?

any good cd`s this month?
anything will do:)


My favorite new CD right now is the new Aardvarck on Delsin!
I'm also digging the new Dynamo cd on Din

I'm looking forward to getting the Boards Of Canada, I'm sure it's good.
Oh, and the new Soul Designer on FCommunications also looks interesting, 
haven't seen in shops yet.



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[313] boards of canada

2002-02-19 Thread Greg Lee



I'm looking forward to getting the Boards Of Canada, I'm sure it's good.


Promo of Geogaddi rocks.  Got it from warpmart yesterday.  However as is 
often the case with Warp music, I find it funny that mp3's via audiogalaxy 
(and the lot) of the promo are mostly recorded at the damn wrong speed.  It 
sounds GREAT at 45.


I as well can't wait to get my copy of the full release.

greg

Gregory B. Lee
659 Dunrobin Drive
Kamloops, BCV1S 1W2

RE: [313] Re: DEMF 2002: The Sexy Adventures of Carol Marvin313

2002-02-19 Thread Altitude
Oh,
they should not be on the logistics end of it. When I say promoters get
involved, I mean from a creative angle. Obviously the reason PMC is in on
all of this is they know how to handle an event this size.  But of course
just because an event is big does not mean it is any good.  Incorporating
some of the aspects of the Detroit scene on an event this size would
definitely be something best handled by people who have done it first hand.
A lot of the people involved throwing events here work their brains out on
those events and I have no doubt would do the same given the opportunity to
do it right. And yes I know several promoters who have worked on and are
qualified to work on concert festival size events.

-Original Message-
From: Dan Sicko [mailto:[EMAIL PROTECTED]
Sent: Tuesday, February 19, 2002 2:40 PM
To: 313@hyperreal.org
Subject: RE: [313] Re: DEMF 2002: The Sexy Adventures of Carol Marvin313


Heh.

Well, I was kind of joking about DJ worship, but what I was really
hinting at is that techno, house, electronic music, what have you ...
are in an entirely different context at an event like DEMF.  It's not
a club, not an outdoor rave, ... it's a concert festival.  How many
local promoters have tackled one of those?

-d


Oh, I forgot.
We don't dance anymore..

I put on the table that we change dance music to stand around and stare
at the DJ music
-r

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Re: [313] boards of canada

2002-02-19 Thread Catherine Eberhardt
Promo of Geogaddi rocks.  Got it from warpmart yesterday.  


Yuck, I do not like the new promo for BOC.  I've only heard the full album 
twice, but I didn't like it as much as MHTRTC.  It's definately weird, maybe it 
will grow on me.

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Re: [313] DEMF...Dare i ask

2002-02-19 Thread Mxyzptlk

At 07:01 AM 2/19/2002, you wrote:

Nicole Slavin:


having trawled through months of is it or isn't it on, to days of does


 snippety snip 


thanks in advance, reply off list so as not to annoy all the oldtimers


didn't someone set-up a website or a Yahoo group for DEMF last year with 
some of the info (accomodation, flights, etc etc) that Nicole's after?


Yes. It was called listgeeks or something like that.
jeff


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[313] Carl Craig / Planet E

2002-02-19 Thread Moe Fuzz
Does anyone know if Carl Craig has any new material coming out?  It seems 
like it's been a long time since his last release.  I'm hoping :)


What about Planet E?  I know there's the Recloose album.



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Re: [313] Re: DEMF 2002: The Sexy Adventures of Carol Marvin313

2002-02-19 Thread TJ Johnson
I just hope they still have the electric bull in the middle of hart plaza
this year.  That was my favorite part of the festival.  Nothing can top
getting bucked off the bull to the pleasant chant of Autecre.  I can't wait!
! ! !


- Original Message -
From: Altitude [EMAIL PROTECTED]
To: Dan Sicko [EMAIL PROTECTED]; 313@hyperreal.org
Sent: Tuesday, February 19, 2002 2:07 PM
Subject: RE: [313] Re: DEMF 2002: The Sexy Adventures of Carol Marvin313


 Oh,
 they should not be on the logistics end of it. When I say promoters get
 involved, I mean from a creative angle. Obviously the reason PMC is in on
 all of this is they know how to handle an event this size.  But of course
 just because an event is big does not mean it is any good.  Incorporating
 some of the aspects of the Detroit scene on an event this size would
 definitely be something best handled by people who have done it first
hand.
 A lot of the people involved throwing events here work their brains out on
 those events and I have no doubt would do the same given the opportunity
to
 do it right. And yes I know several promoters who have worked on and are
 qualified to work on concert festival size events.

 -Original Message-
 From: Dan Sicko [mailto:[EMAIL PROTECTED]
 Sent: Tuesday, February 19, 2002 2:40 PM
 To: 313@hyperreal.org
 Subject: RE: [313] Re: DEMF 2002: The Sexy Adventures of Carol Marvin313


 Heh.

 Well, I was kind of joking about DJ worship, but what I was really
 hinting at is that techno, house, electronic music, what have you ...
 are in an entirely different context at an event like DEMF.  It's not
 a club, not an outdoor rave, ... it's a concert festival.  How many
 local promoters have tackled one of those?

 -d


 Oh, I forgot.
 We don't dance anymore..
 
 I put on the table that we change dance music to stand around and
stare
 at the DJ music
 -r

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[313] club-sites?

2002-02-19 Thread Yair Etziony
any of you got a good site about clubs?
y

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[313] Auckland list members

2002-02-19 Thread Hugo Sweet
Are there any Auckland list members out there?
Are any of you going to Derrick May on Friday night at Fu?

Hugo


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Re: [313] club-sites?

2002-02-19 Thread Mephist
Check out DetroitClubScene.com.

It is a new site, and welcomes intelligent conversation about clubs.  There 
are also Forums dedicated to individual music genres.

Like I said, it is a new site so it is still in the growing process. I 
encourage you to check it out!
   --Mephist


Re: [313] Re: DEMF 2002: The Sexy Adventures of Carol Marvin313

2002-02-19 Thread Michael . Elliot-Knight

Yeah, and the Dunk the DJ thing - I want to see Pete Tong get dunked - he
is playing DEMF this year isn't he?




  TJ Johnson  

  [EMAIL PROTECTED]To:   313@hyperreal.org   

  oplepc.com   cc: 

Subject:  Re: [313] Re: DEMF 
2002: The Sexy Adventures of Carol Marvin313   
  02/19/02 04:24 PM 









I just hope they still have the electric bull in the middle of hart plaza
this year.  That was my favorite part of the festival.  Nothing can top
getting bucked off the bull to the pleasant chant of Autecre.  I can't
wait!
! ! !


- Original Message -
From: Altitude [EMAIL PROTECTED]
To: Dan Sicko [EMAIL PROTECTED]; 313@hyperreal.org
Sent: Tuesday, February 19, 2002 2:07 PM
Subject: RE: [313] Re: DEMF 2002: The Sexy Adventures of Carol Marvin313


 Oh,
 they should not be on the logistics end of it. When I say promoters get
 involved, I mean from a creative angle. Obviously the reason PMC is in on
 all of this is they know how to handle an event this size.  But of course
 just because an event is big does not mean it is any good.  Incorporating
 some of the aspects of the Detroit scene on an event this size would
 definitely be something best handled by people who have done it first
hand.
 A lot of the people involved throwing events here work their brains out
on
 those events and I have no doubt would do the same given the opportunity
to
 do it right. And yes I know several promoters who have worked on and
are
 qualified to work on concert festival size events.

 -Original Message-
 From: Dan Sicko [mailto:[EMAIL PROTECTED]
 Sent: Tuesday, February 19, 2002 2:40 PM
 To: 313@hyperreal.org
 Subject: RE: [313] Re: DEMF 2002: The Sexy Adventures of Carol Marvin313


 Heh.

 Well, I was kind of joking about DJ worship, but what I was really
 hinting at is that techno, house, electronic music, what have you ...
 are in an entirely different context at an event like DEMF.  It's not
 a club, not an outdoor rave, ... it's a concert festival.  How many
 local promoters have tackled one of those?

 -d


 Oh, I forgot.
 We don't dance anymore..
 
 I put on the table that we change dance music to stand around and
stare
 at the DJ music
 -r

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[313] Re: DEMF 2002: The Sexy Adventures of Carol Marvin313

2002-02-19 Thread Matthew L. Thompson
At the risk of maybe stepping on some toes here, I, for one, don't think
promoters are necessary.  The atmosphere and line-ups at the first two
DEMF's pretty well speak for themselves, in my opinion.  When you have
people on the advisory board like the group that has been assembled for this
year, I would think they could contact and deal with the artists/performers
directly, rather than adding a middle man acting as an agent who's going to
add his own fee into the cost and further add to the expenses.  I'd also be
concerned about a promoter possibly pushing or attempting to book another
performer under his umbrella that probably wouldn't fit into the DEMF
lineup, just for the sake of the almighty dollar.

But all of that aside, I agree that the panel (its make-up in particular) is
a step in the right direction.  I believe the DEMF's future will be okay
(maybe even bright, perhaps?), but we shall see what unfolds this year. :)

Matt
E-mail: [EMAIL PROTECTED]
Web Site: http://www.magicmattkelly.com

 Date: Tue, 19 Feb 2002 09:00:07
 To: 313@hyperreal.org
 From: (Truth Be Told) [EMAIL PROTECTED]
 Cc: [EMAIL PROTECTED]
 Subject: Re: DEMF 2002: The Sexy Adventures of Carol Marvin313

 Why would it be necessary to have promoters? Don't they bring in their
 favorites anyway or do they bring in big names for a big payday? If you
look
 at the first statement if the Free Press article: A seven-member board of
 longtime Detroit techno musicians will choose the artist lineup... the
 panel is there only to choose the talent they don't need to know how it
 works (festival producer/promoter = Pop Culture Media). I would think that
 traveling and developing relationships with other DJs/artists, they are
more
 then qualified to choose a lineup. The fact there are 7 shows there will
be
 checks and balances where someone couldn't just bring in their buddies
 (perhaps as before). Plus, most of them have been around almost 20 years
and
 know who was there from the start.
 I'm hopeful too that they'll produce a good lineup and keep the spirit
 alive.

 Truth

 I wouldn't have believed it if I didn't see it for myself...



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Re: [313] Re: DEMF 2002: The Sexy Adventures of Carol Marvin313

2002-02-19 Thread Michael . Elliot-Knight

But all of that aside, I agree that the panel (its make-up in particular)
is a step in the right direction.  I
believe the DEMF's future will be okay (maybe even bright, perhaps?), but
we shall see what unfolds this year. :)

I hope at least Groovetech (or another capable web based broadcaster) will
be able to stream video/sound this year. Ford did a f*cking miserable job
at it last year (eventhough I was there I'd like to be able to relive Eddie
Fowlkes', Kenny Larkin's, and DJ D'jital's sets on the smaller stages).

MEK





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[313] re: public radio and CJAM

2002-02-19 Thread kenneth taylor



Hey all--

Regarding Mike Taylor's post, you can still pledge CJAM at www.cjam.ca

cheers!

ken taylor (nope, we ain't related)

_
Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp.


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[313] how was kooky at motor?

2002-02-19 Thread jenn without the -ifer
i went there around midnight and there was a huge line that i 
didn't want to wait in so i didn't go in.  how was it?

--jenn without the -ifer

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Re: [313] Carl Craig / Planet E

2002-02-19 Thread Phonopsia
- Original Message -
From: Moe Fuzz [EMAIL PROTECTED]
To: 313@hyperreal.org; [EMAIL PROTECTED]
Sent: Tuesday, February 19, 2002 4:21 PM
Subject: [313] Carl Craig / Planet E


 Does anyone know if Carl Craig has any new material coming out?  It seems
 like it's been a long time since his last release.  I'm hoping :)

 What about Planet E?  I know there's the Recloose album.

If I recall from a not-too-distant Planet E newsletter, he's working on a
new Shop album while fulfilling many other obligations. There was the track
he helped do on the Herbie Hancock album, and Tweak It Yourself was recently
released, although this is from '93, and for my record buying dollar, only
really has collectors value.

Tristan
--
http://www.mp313.com - Music
http://www.metrotechno.net - DC techno + more
http://www.metatrackstudios.com - DC DJ/Production studios
http://phonopsia.tripod.com - Hub
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