(313) EBradio beltran/reeves
due to constant downloads, tripod has temp closed the site. so, i made a second one, to ease the flow both http://www.plaztikjezuz.com/radioshow.html or directly to the new one http://313electrocity.tripod.com -scotto lansing, mi. plaztikjezuz.com
Re: (313) Retrovert details - Blake Baxter
Fabrizio Nahum wrote: I heard Robert Owens do a similar thing early this year, singing over stuff like I'll Be Your Fruend but also over stuff like Can You Feel It? thats what miss kittin did during her set last week. she sang over some records and she also danced and generally moved around. those who attended said it was quite entertaining. I saw her last year in Brooklyn at some big electroclash-ish party singing over the music. She did a bit of singing over the top of Spastik. Not amazing or anything, but I guess it atleast gave things a little bit of variety.
(313) stacey pullen in oz ?
anyone got the skinny on a visit by stacey in june ? ta
RE: (313) SEARCHIN'
Ack, I did no such thing. This was a delayed-reaction thread anyway as I made my original post days ago. k ::)ack, no read recipes when sending to the list please.
Re: (313) SEARCHIN'
no prob ken, it was s mcgill sorry I didnt make this clear. -Joe - Original Message - From: Odeluga, Ken [EMAIL PROTECTED] To: [EMAIL PROTECTED] Org 313@hyperreal.org Sent: Friday, May 09, 2003 2:33 AM Subject: RE: (313) SEARCHIN' Ack, I did no such thing. This was a delayed-reaction thread anyway as I made my original post days ago. k ::)ack, no read recipes when sending to the list please.
Re: (313) stacey pullen in oz ?
anyone got the skinny on a visit by stacey in june ? Don't know about Oz, but he'll certainly be in Glasgow in June - here's the info for the Scottish listmembers: Traxxevents present: Melting Pot Room Danny Krivit (Body and Soul, NYC) Scottish Debut (4 hour set) with Billy Woods (Melting Pot) Traxx Room Stacey Pullen (Black Flag Recordings, Detroit) (3 hour set) Kirk Degiorgio (Ubiquity, ART) with Tom Churchill (Emoticon / Headspace Recordings) Death Disco Room Ladytron (DJ set) The Freelance Hellraiser (DJ set) with residents DJ Mingo-go Onna X (bis) Saturday 21st June 03 The Arches, Midland Street, Glasgow Tickets £15 in advance 11pm 'til 4am Tickets Available in advance from the Arches box office tel. 0901 022 0300 In Person: 253 Argyle Street, Glasgow more info: w: www.traxxevents.com e: [EMAIL PROTECTED] tickets will go on sale soon
Re: (313) More deleted records to sell
Whatever happened to Wild Planet? Their album on 430 West was cracking WINDELL STORM - Welcome To Chicago (Djax) MEMORY FOUNDATION - Heated Heads (Central) WILDPLANET - Genetic Remixes (430 West) HAWTIN HARDTRAX - Hardphunk (Probe) DAMON WILD - Subtractive Synthesis VI Rmxs Auto-Relist (Synewave) EQUINOX - Pulzar: Jeff Mills Remixes (Death) DJ RECTANGLE - Ultimate Battle Weapon Vol 2 DJ RECTANGLE - Ultimate Battle Weapon DAMON WILD - Avion / Red Dog / Rotary (Synewave) Peace, Benn -- Benn Glazier [EMAIL PROTECTED] http://www.royaltech.net http://dj.royaltech.net ** The information in this e-mail is confidential and may be legally privileged. It is intended solely for the addressee. Access to this e-mail by anyone else is unauthorised. If you are not the intended recipient, any disclosure, copying, distribution, or any action taken or omitted to be taken in reliance on it, is prohibited and may be unlawful. Please note that emails to, from and within RTÉ may be subject to the Freedom of Information Act 1997 and may be liable to disclosure. **
(313) Radio Jatkoaika Strikes Back 9.5. (stream)
http://byrokratia.org/radio ( 9.5.2003 19.00 - [+2h UT/GMT] ) 2000-luvun alkupuolella suurten rakennusprojektien lisääntyminen vei kipeästi kaivattuja lisätiloja muun muassa Oulun yliopistolta joten laajentamista jatkettiin maan alle. Pian katakombimaisten rakennelmien valmistumisen jälkeen yliopiston valtias, Lordi Lajunen, jakaantui kahtia valkeaksi Lordi Kehitykseksi ja mustaksi Lordi Kulutukseksi. Suurin osa asujaimistosta pakeni kauhun vallassa. Ne jotka eivät päässeet karkuun orjuutettiin laajentamaan rakennelmia yhä syvemmälle, tai heidät muutettiin pimeydessä vaelteleviksi kammotuksiksi. Nyt, vuosikymmeniä myöhemmin, neljän seikkailijan ryhmä lähtee tutkimaan raunioita valmiina taistelemaan siellä vaanivia degeneroituneita teekkareita, geenilaboratorioiden tuottamia gerbiililohikäärmeitä ja pohjakerrosten pimeää valtiasta vastaan... Stiff O'Malley - The Gulper Otto Bosch - Smoker of Tuira Tann Safari - The Watercooker Gennaro Burbero - The Tarsier of the Deep http://byrokratia.org/radio ( 9.5.2003 19.00 - [+2h UT/GMT] ) In the beginning of the 21st century massive new building projects started taking badly needed space from, among others, the University of Oulu. It was decided to continue expanding underground. Soon after the completion of these catacomb like structures ruler of the university, Lord Lajunen, divided into the white Lord Progress and the black Lord Consumption. Most of the inhabitants fled in terror. Those who didn't escape were enslaved into expanding these structures even deeper or they were changed into hideous creatures that roam in the darkness. Now, decades later, team of four explorers leaves to explore these ruins ready to battle its lurking degenerate engineering students, gerbil dragons produced by the genetic laboratories and the dark lord of the underground... Stiff O'Malley - The Gulper Otto Bosch - Smoker of Tuira Tann Safari - The Watercooker Gennaro Burbero - The Tarsier of the Deep J -- [EMAIL PROTECTED] Metaprogram yourself.
(313) Every Dog 4
Only 3000 copies in the uk, I hear (but it will be reprinted, maybe). Boomkat.com has some. £18.99 k
Re: (313) Every Dog 4
Russhour is the winner: only 17,50 EURO! This is the cheapest copy of an Every Dog Has Its Day ever, I presume. Cheers, Maarten
Re: (313) Every Dog 4
www.vinylunderground.co.uk has em at £12.99pretty good robin... Russhour is the winner: only 17,50 EURO! This is the cheapest copy of an Every Dog Has Its Day ever, I presume.
RE: (313) Every Dog 4
Blimey, a proper market in Every Dog records! That's virtually the price of an ordinary LP. In fact that *is* the price of an ordinary LP! k -Original Message- From: robin pinning [mailto:[EMAIL PROTECTED] Sent: Friday, May 09, 2003 12:33 PM To: 313@hyperreal.org Subject: Re: (313) Every Dog 4 www.vinylunderground.co.uk has em at £12.99pretty good robin... Russhour is the winner: only 17,50 EURO! This is the cheapest copy of an Every Dog Has Its Day ever, I presume.
RE: (313) Every Dog 4
Another Every Dog... is it worth getting? And on the Axis tip... I heard about this Claude Young record on Axis? Only 100 copies worldwide available? What;s the story on this? -Original Message- From: Odeluga, Ken [mailto:[EMAIL PROTECTED] Sent: vrijdag 9 mei 2003 13:37 To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) Every Dog 4 Blimey, a proper market in Every Dog records! That's virtually the price of an ordinary LP. In fact that *is* the price of an ordinary LP! k -Original Message- From: robin pinning [mailto:[EMAIL PROTECTED] Sent: Friday, May 09, 2003 12:33 PM To: 313@hyperreal.org Subject: Re: (313) Every Dog 4 www.vinylunderground.co.uk has em at £12.99pretty good robin... Russhour is the winner: only 17,50 EURO! This is the cheapest copy of an Every Dog Has Its Day ever, I presume.
Re: (313) Every Dog 4
i just got it the other day so i havent heard it much yet - that said, i feel there are only 2 tracks that really stand out while the others are in the typical millsart everydog/metropolis style. which is still good, but its nothing groundbreaking. i love the plain turqouise packaging though :) at moment im seriously into the subrurban knight on peacefrog and the new monobox double on logistic, so these are my reccommendations for this week alogn with the new aroy dee on newworldaquarium. fab. - Original Message - From: Wibo Lammerts [EMAIL PROTECTED] To: 'Odeluga, Ken' [EMAIL PROTECTED]; [EMAIL PROTECTED]; 313@hyperreal.org Sent: Friday, May 09, 2003 2:04 PM Subject: RE: (313) Every Dog 4 Another Every Dog... is it worth getting? And on the Axis tip... I heard about this Claude Young record on Axis? Only 100 copies worldwide available? What;s the story on this? -Original Message- From: Odeluga, Ken [mailto:[EMAIL PROTECTED] Sent: vrijdag 9 mei 2003 13:37 To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) Every Dog 4 Blimey, a proper market in Every Dog records! That's virtually the price of an ordinary LP. In fact that *is* the price of an ordinary LP! k -Original Message- From: robin pinning [mailto:[EMAIL PROTECTED] Sent: Friday, May 09, 2003 12:33 PM To: 313@hyperreal.org Subject: Re: (313) Every Dog 4 www.vinylunderground.co.uk has em at £12.99pretty good robin... Russhour is the winner: only 17,50 EURO! This is the cheapest copy of an Every Dog Has Its Day ever, I presume.
(313) Sonar again....
Sorry to bother, but which (unknown) artists would you recommend on this festival (with a little description of the kind of music they play)? I would like to hear some things that I've never heard before, because that's what festivals are about I guess.. I read something about the soft pink truth? For the electronic people I would recommend Christ (contributed to Boards of Canada'sTwoism) and also the guys from Spezial Material will do shows on parties around the festival!!! Remco
(313) New Movement artists
We noticed that there are some new artists on the DEMF line-up today, also saw an artist called Timespace, anyone know who that is? Any connection to the Transmat Time:space compilation maybe :)) [EMAIL PROTECTED]
(313) V I R T U A L F U T U R E M U S I C
Dear friends, Here are the details on the latest Virtual FM show. You can listen to the program here at: http://www.totallyradio.com/show_pages/shows.php?show=64 SHOW SUMMARY Paula Temple offers yet more techno stormers with new records from DJ Rush, Diego, Frederic Galliano, Christian Wunsch and Shufflemaster. Ben Sims is in session this week with a superb percussive DJ mix. PLAYLIST TECHNO SELECTION DJ Rush ' The Family Remixes' DJ Bam Bam Mix (DJax - 360) Mark EG Chrissi 'Process' (Taken from the Internal Flux EP - Uppercut - cut02) Diego 'Sacrament' (Taken from the Instant Reality album - Kanzleramt - KA85) Christian Wunsch 'Master Avalanche' (Integrale Muzique - IM001) John Thomas 'Working Night' Rolando Remix (Taken from Blackstage reworks EP Logistic - LOG26) Takaaki Itoh 'Number' (Taken from Components II EP - Electracom - ECOM17) DJ Shufflemaster 'City Lights' Adam Beyer/Henrik B Remix (Subvoice - SUBV25) Frederic Galliano and the African Divas 'Woulai' Josh Brent Remix (F Com - F177) Techno DJ mix by Ben Sims (Hardgroove/Theory) DJ performance recorded live in Barcelona, Spain No tracklisting available FUTURES PAST Space DJz 'Side On' (Infonet - info25) Suburban Knight 'Nocturbulous Behaviour' (Underground Resistance - UR11) ELECTRONIC MELTDOWN Oliver Dodd - Feelslike (Xylophone Jones - XJR402) Dr Derek F 'Chrome Fear' (Label unknown - Skam ?) -- V I R T U A L F U T U R E M U S I C -- Techno Electronic Music Radio Show Representing the Future Listen now on www.totallyradio.com http://www.totallyradio.com Info on www.virtualfuturemusic.com http://www.virtualfuturemusic.com -- Virtual FM PO Box 1774 Sheffield S2 5YP Tel/Fax: +44 (0)114 2701127 Email: [EMAIL PROTECTED] --
Re: (313) New Movement artists
On vrijdag, mei 9, 2003, at 14:56 Europe/Amsterdam, Klaas Jan Jongsma wrote: We noticed that there are some new artists on the DEMF Excuse me... that should read Movement Festival ofcourse.. doh! line-up today, also saw an artist called Timespace, anyone know who that is? Any connection to the Transmat Time:space compilation maybe :)) [EMAIL PROTECTED] [EMAIL PROTECTED]
Re: (313) stacey pullen in oz ?
Yes, he's in Australia in late June. He's playing the Hi-Fi Bar in Melbourne - venue TBC. Six hour set. -- From: Tom Churchill [EMAIL PROTECTED] To: 313 313@hyperreal.org Subject: Re: (313) stacey pullen in oz ? Date: Fri, 9 May 2003 5:44 PM anyone got the skinny on a visit by stacey in june ? Don't know about Oz, but he'll certainly be in Glasgow in June - here's the info for the Scottish listmembers: Traxxevents present: Melting Pot Room Danny Krivit (Body and Soul, NYC) Scottish Debut (4 hour set) with Billy Woods (Melting Pot) Traxx Room Stacey Pullen (Black Flag Recordings, Detroit) (3 hour set) Kirk Degiorgio (Ubiquity, ART) with Tom Churchill (Emoticon / Headspace Recordings) Death Disco Room Ladytron (DJ set) The Freelance Hellraiser (DJ set) with residents DJ Mingo-go Onna X (bis) Saturday 21st June 03 The Arches, Midland Street, Glasgow Tickets £15 in advance 11pm 'til 4am Tickets Available in advance from the Arches box office tel. 0901 022 0300 In Person: 253 Argyle Street, Glasgow more info: w: www.traxxevents.com e: [EMAIL PROTECTED] tickets will go on sale soon
Re: (313) New Movement artists
Timespace ... yes, the same artist(s) that played the first festival. At the time, the lineup was: Aril Brikha, Tony Drake and Jeremy Ellis! (I'm probably forgetting someone). I've seen them play with Neil Ollivierra on drums too! Awesome sets. -d On Friday, May 9, 2003, at 08:56 AM, Klaas Jan Jongsma wrote: We noticed that there are some new artists on the DEMF line-up today, also saw an artist called Timespace, anyone know who that is? Any connection to the Transmat Time:space compilation maybe :)) [EMAIL PROTECTED]
RE: (313) Every Dog 4
i feel there are only 2 tracks that really stand out while the others are in the typical millsart everydog/metropolis style. which is still good, but its nothing groundbreaking. that's sort of the way I felt about vol. 3 myself. Don't get me wrong -- what Mills does in this style is better than a lot of the crap out there diluting the market with average techno -- , but I'd rather have fewer tracks that are just... well... more memorable or something. Or when the best of Every Dog vols. 1 thru 6 comes out let me know. ;) I feel like I keep buying the same tracks. That said there are some standouts, to be sure! peace, Matt MacQueen
RE: (313) Every Dog 4
Point. As soon as the release number exceeds that of police academy movies, people should boycot the artist :-) -Original Message- From: Matthew MacQueen [mailto:[EMAIL PROTECTED] Sent: 09 May 2003 15:34 To: Fabrizio Nahum; Wibo Lammerts; Odeluga, Ken; [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) Every Dog 4 i feel there are only 2 tracks that really stand out while the others are in the typical millsart everydog/metropolis style. which is still good, but its nothing groundbreaking. that's sort of the way I felt about vol. 3 myself. Don't get me wrong -- what Mills does in this style is better than a lot of the crap out there diluting the market with average techno -- , but I'd rather have fewer tracks that are just... well... more memorable or something. Or when the best of Every Dog vols. 1 thru 6 comes out let me know. ;) I feel like I keep buying the same tracks. That said there are some standouts, to be sure! peace, Matt MacQueen
Re: (313) Every Dog 4
that's sort of the way I felt about vol. 3 myself. Don't get me wrong -- what Mills does in this style is better than a lot of the crap out there diluting the market with average techno -- , but I'd rather have fewer tracks that are just... well... more memorable or something. Or when the best of Every Dog vols. 1 thru 6 comes out let me know. ;) I feel like I keep buying the same tracks. That said there are some standouts, to be sure! THe 2 and the 4 have their moments. The 1 and 3 are a bit boring IMHO. The 2 is in my opinion the best. Check the B1 track! Derrick May back alive! Also on the 4 is a really good track. I think it is the C1. Cheers, Maarten
(313) sans soliel?
Can someone please tell me who sans soliel is on the movement lineup?
RE: (313) Every Dog 4
M McQueen what Mills does in this style is better than a lot of the crap out there diluting the market with average techno -- , but I'd rather have fewer tracks that are just... well... more memorable or something. Or when the best of Every Dog vols. 1 thru 6 comes out let me know. ;) I feel like I keep buying the same tracks. That said there are some standouts, to be sure! Could I ask whether you don't think there is a utilty for a dj in *all* the tracks of each volume as a whole? (i.e. fewer tracks is fewer to play with, more is greater freedom to be more varied in how you program/mix). Genuine q fr som1 who's not a dj, only plays records together (sometimes well.) k
Re: (313) Every Dog 4
I disagree with the following views expressed, the more tracks the merrier especially when your dealing with techno and the DJ tools factor. When I shop for techno i keep two things in mind when determining if a record is worthy of purchase: #1. how it sounds #2. utilization and incomparability for mixing purposes That being said I have yet to buy an Every Dog record (not high on my priority list) even though I been tempted to buy several volumes. on 5/9/03 9:36 AM, Ryan Snowden at [EMAIL PROTECTED] wrote: Point. As soon as the release number exceeds that of police academy movies, people should boycot the artist :-) -Original Message- From: Matthew MacQueen [mailto:[EMAIL PROTECTED] Sent: 09 May 2003 15:34 To: Fabrizio Nahum; Wibo Lammerts; Odeluga, Ken; [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) Every Dog 4 i feel there are only 2 tracks that really stand out while the others are in the typical millsart everydog/metropolis style. which is still good, but its nothing groundbreaking. that's sort of the way I felt about vol. 3 myself. Don't get me wrong -- what Mills does in this style is better than a lot of the crap out there diluting the market with average techno -- , but I'd rather have fewer tracks that are just... well... more memorable or something. Or when the best of Every Dog vols. 1 thru 6 comes out let me know. ;) I feel like I keep buying the same tracks. That said there are some standouts, to be sure! peace, Matt MacQueen
RE: (313) Every Dog 4
When I shop for records, I keep just one thing in mind: does it sound good? -Original Message- From: spw [mailto:[EMAIL PROTECTED] Sent: Friday, May 09, 2003 2:29 PM To: 313@hyperreal.org Subject: Re: (313) Every Dog 4 I disagree with the following views expressed, the more tracks the merrier especially when your dealing with techno and the DJ tools factor. When I shop for techno i keep two things in mind when determining if a record is worthy of purchase: #1. how it sounds #2. utilization and incomparability for mixing purposes That being said I have yet to buy an Every Dog record (not high on my priority list) even though I been tempted to buy several volumes. on 5/9/03 9:36 AM, Ryan Snowden at [EMAIL PROTECTED] wrote: Point. As soon as the release number exceeds that of police academy movies, people should boycot the artist :-) -Original Message- From: Matthew MacQueen [mailto:[EMAIL PROTECTED] Sent: 09 May 2003 15:34 To: Fabrizio Nahum; Wibo Lammerts; Odeluga, Ken; [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) Every Dog 4 i feel there are only 2 tracks that really stand out while the others are in the typical millsart everydog/metropolis style. which is still good, but its nothing groundbreaking. that's sort of the way I felt about vol. 3 myself. Don't get me wrong -- what Mills does in this style is better than a lot of the crap out there diluting the market with average techno -- , but I'd rather have fewer tracks that are just... well... more memorable or something. Or when the best of Every Dog vols. 1 thru 6 comes out let me know. ;) I feel like I keep buying the same tracks. That said there are some standouts, to be sure! peace, Matt MacQueen # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
Re: (313) Every Dog 4
When I shop for records, I keep just one thing in mind: does it sound good? Me too, also because im not a dj and sitting at home listining to dj tools can get a bit tedious after a while fab. - Original Message - From: Robert Taylor [EMAIL PROTECTED] To: spw [EMAIL PROTECTED]; 313@hyperreal.org Sent: Friday, May 09, 2003 6:31 PM Subject: RE: (313) Every Dog 4 When I shop for records, I keep just one thing in mind: does it sound good? -Original Message- From: spw [mailto:[EMAIL PROTECTED] Sent: Friday, May 09, 2003 2:29 PM To: 313@hyperreal.org Subject: Re: (313) Every Dog 4 I disagree with the following views expressed, the more tracks the merrier especially when your dealing with techno and the DJ tools factor. When I shop for techno i keep two things in mind when determining if a record is worthy of purchase: #1. how it sounds #2. utilization and incomparability for mixing purposes That being said I have yet to buy an Every Dog record (not high on my priority list) even though I been tempted to buy several volumes. on 5/9/03 9:36 AM, Ryan Snowden at [EMAIL PROTECTED] wrote: Point. As soon as the release number exceeds that of police academy movies, people should boycot the artist :-) -Original Message- From: Matthew MacQueen [mailto:[EMAIL PROTECTED] Sent: 09 May 2003 15:34 To: Fabrizio Nahum; Wibo Lammerts; Odeluga, Ken; [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) Every Dog 4 i feel there are only 2 tracks that really stand out while the others are in the typical millsart everydog/metropolis style. which is still good, but its nothing groundbreaking. that's sort of the way I felt about vol. 3 myself. Don't get me wrong -- what Mills does in this style is better than a lot of the crap out there diluting the market with average techno -- , but I'd rather have fewer tracks that are just... well... more memorable or something. Or when the best of Every Dog vols. 1 thru 6 comes out let me know. ;) I feel like I keep buying the same tracks. That said there are some standouts, to be sure! peace, Matt MacQueen # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
RE: (313) Every Dog 4
I think to myself.. Along the lines of.. the rest of the sh1t was a pile of crock, so why should this one be any different .. Sorta High tower will back me up on this one -Original Message- From: Robert Taylor [mailto:[EMAIL PROTECTED] Sent: 09 May 2003 17:32 To: spw; 313@hyperreal.org Subject: RE: (313) Every Dog 4 When I shop for records, I keep just one thing in mind: does it sound good? -Original Message- From: spw [mailto:[EMAIL PROTECTED] Sent: Friday, May 09, 2003 2:29 PM To: 313@hyperreal.org Subject: Re: (313) Every Dog 4 I disagree with the following views expressed, the more tracks the merrier especially when your dealing with techno and the DJ tools factor. When I shop for techno i keep two things in mind when determining if a record is worthy of purchase: #1. how it sounds #2. utilization and incomparability for mixing purposes That being said I have yet to buy an Every Dog record (not high on my priority list) even though I been tempted to buy several volumes. on 5/9/03 9:36 AM, Ryan Snowden at [EMAIL PROTECTED] wrote: Point. As soon as the release number exceeds that of police academy movies, people should boycot the artist :-) -Original Message- From: Matthew MacQueen [mailto:[EMAIL PROTECTED] Sent: 09 May 2003 15:34 To: Fabrizio Nahum; Wibo Lammerts; Odeluga, Ken; [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) Every Dog 4 i feel there are only 2 tracks that really stand out while the others are in the typical millsart everydog/metropolis style. which is still good, but its nothing groundbreaking. that's sort of the way I felt about vol. 3 myself. Don't get me wrong -- what Mills does in this style is better than a lot of the crap out there diluting the market with average techno -- , but I'd rather have fewer tracks that are just... well... more memorable or something. Or when the best of Every Dog vols. 1 thru 6 comes out let me know. ;) I feel like I keep buying the same tracks. That said there are some standouts, to be sure! peace, Matt MacQueen # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
Re: (313) Every Dog 4
It is my observation there is favoritism towards song based format techno over track based techno form regular mailing list contributors. This would explain the interest in pop music, deep house, pre-techno retro music and a dislike of techno genres such as Swedish techno. on 5/9/03 10:05 AM, Odeluga, Ken at [EMAIL PROTECTED] wrote: M McQueen what Mills does in this style is better than a lot of the crap out there diluting the market with average techno -- , but I'd rather have fewer tracks that are just... well... more memorable or something. Or when the best of Every Dog vols. 1 thru 6 comes out let me know. ;) I feel like I keep buying the same tracks. That said there are some standouts, to be sure! Could I ask whether you don't think there is a utilty for a dj in *all* the tracks of each volume as a whole? (i.e. fewer tracks is fewer to play with, more is greater freedom to be more varied in how you program/mix). Genuine q fr som1 who's not a dj, only plays records together (sometimes well.) k
RE: (313) Every Dog 4
No sh!t Sherlock. What's wrong with disliking Swedish techno and liking Nick Holder or Yello? -Original Message- From: spw [mailto:[EMAIL PROTECTED] Sent: Friday, May 09, 2003 2:42 PM To: Odeluga, Ken; 313@hyperreal.org Subject: Re: (313) Every Dog 4 It is my observation there is favoritism towards song based format techno over track based techno form regular mailing list contributors. This would explain the interest in pop music, deep house, pre-techno retro music and a dislike of techno genres such as Swedish techno. on 5/9/03 10:05 AM, Odeluga, Ken at [EMAIL PROTECTED] wrote: M McQueen what Mills does in this style is better than a lot of the crap out there diluting the market with average techno -- , but I'd rather have fewer tracks that are just... well... more memorable or something. Or when the best of Every Dog vols. 1 thru 6 comes out let me know. ;) I feel like I keep buying the same tracks. That said there are some standouts, to be sure! Could I ask whether you don't think there is a utilty for a dj in *all* the tracks of each volume as a whole? (i.e. fewer tracks is fewer to play with, more is greater freedom to be more varied in how you program/mix). Genuine q fr som1 who's not a dj, only plays records together (sometimes well.) k # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
Re: (313) Every Dog 4
It is my observation there is favoritism towards song based format techno over track based techno form regular mailing list contributors. This would explain the interest in pop music, deep house, pre-techno retro music and a dislike of techno genres such as Swedish techno. ..must not reply to troll dammit...it's friday please forgive me robin...
Re: (313) Every Dog 4
-- Original Message -- From: spw [EMAIL PROTECTED] It is my observation there is favoritism towards song based format techno over track based techno form regular mailing list contributors. This would explain the interest in pop music, deep house, pre-techno retro music and a dislike of techno genres such as Swedish techno. wow, youre like, so observant or something, dude. tom andythepooh.com
(313) bone
If DJ Bone is on the list, email me privately. or if anyone simply has his email address ... thanks! d
RE: (313) Every Dog 4
Count me out of this coming 'discussion'. I've never made a case for any (faux) sub-genre over any other. Nor anyone's right to like what they like. All I know is crap music and good music. That exists in every genre, time space. -Original Message- From: spw [mailto:[EMAIL PROTECTED] Sent: Friday, May 09, 2003 3:42 PM To: Odeluga, Ken; 313@hyperreal.org Subject: Re: (313) Every Dog 4 It is my observation there is favoritism towards song based format techno over track based techno form regular mailing list contributors. This would explain the interest in pop music, deep house, pre-techno retro music and a dislike of techno genres such as Swedish techno. on 5/9/03 10:05 AM, Odeluga, Ken at [EMAIL PROTECTED] wrote: M McQueen what Mills does in this style is better than a lot of the crap out there diluting the market with average techno -- , but I'd rather have fewer tracks that are just... well... more memorable or something. Or when the best of Every Dog vols. 1 thru 6 comes out let me know. ;) I feel like I keep buying the same tracks. That said there are some standouts, to be sure! Could I ask whether you don't think there is a utilty for a dj in *all* the tracks of each volume as a whole? (i.e. fewer tracks is fewer to play with, more is greater freedom to be more varied in how you program/mix). Genuine q fr som1 who's not a dj, only plays records together (sometimes well.) k
(313) line up for may 23rd
??? Andrew Ahrendt Steve Roy Kataconda Christian Bloch Wraith Kaku Tristan Watkins Minimalistik @ Detroit Contemporary presented by ASR Detroit 11pm-Dawn hope to see you there TJJ ~in a perfect world, nothing is perfect~ http://www.acidsonicresearch.com PeoplePC: It's for people. And it's just smart. http://www.peoplepc.com
Re: (313) Every Dog 4
oh, it's more than favoritism -- it's a conspiracy! DJ Fox Mulder On Friday, May 9, 2003, at 10:41 AM, spw wrote: It is my observation there is favoritism towards song based format techno over track based techno form regular mailing list contributors. This would explain the interest in pop music, deep house, pre-techno retro music and a dislike of techno genres such as Swedish techno.
Re: (313) Every Dog 4
I think we should actually have a thread on this. it seems to be one of spw's pet peeves :) to me the answers lie in different factors: age. let's be honest, we get old and our tastes change. some of us here were into grind and death metal besides hard acidic techno. now we dig metro area and theo, moodyman etc. let's say there's an evolution taking place. also, and this is related to the age thing, a lot of us dont go clubbing as much as we used to. those of us that used to take chemical dance enhancers probably dont anymore, and certain types of music just dont sound the same no more. another factor is that 313 techno, at least to me and generally speaking, is characterized by harmony and melodics - not just a pounding looped groove. oh, dont interject with references to mills, hood, oldham et al., im speaking in general terms here. there is a definite song structure there that other types of techno just dont have. this leads to the appreciation of the types of music that spw is singling out. these are some of my opinions on the subject - please excuse any perceived superficiality in my post, im at work and writing a 4 page essay on 313 users musical preferences isnt exaclty what i get paid for ;-) btw, i agree with ken, theres either good music and bad music, regardless of genre, type or style. have a nice weekend all of you fab. - Original Message - From: spw [EMAIL PROTECTED] To: Odeluga, Ken [EMAIL PROTECTED]; 313@hyperreal.org Sent: Friday, May 09, 2003 4:41 PM Subject: Re: (313) Every Dog 4 It is my observation there is favoritism towards song based format techno over track based techno form regular mailing list contributors. This would explain the interest in pop music, deep house, pre-techno retro music and a dislike of techno genres such as Swedish techno. on 5/9/03 10:05 AM, Odeluga, Ken at [EMAIL PROTECTED] wrote: M McQueen what Mills does in this style is better than a lot of the crap out there diluting the market with average techno -- , but I'd rather have fewer tracks that are just... well... more memorable or something. Or when the best of Every Dog vols. 1 thru 6 comes out let me know. ;) I feel like I keep buying the same tracks. That said there are some standouts, to be sure! Could I ask whether you don't think there is a utilty for a dj in *all* the tracks of each volume as a whole? (i.e. fewer tracks is fewer to play with, more is greater freedom to be more varied in how you program/mix). Genuine q fr som1 who's not a dj, only plays records together (sometimes well.) k
(313) Lab Rat XL (Was : New Drexciya album out!)
At 23:04 8-5-2003, Arne Weinberg wrote: A Drexciya album on the label of the Advent? Surprise of the day, if you ask me! Yes, it took a while for me to realise that it's Drexciya. Otherwise I would not checked that one out because I don't like The Advent. :-) There's another (and last?) Drexciya storm coming up soon: Lab Rat XL - Mice Or Cyborg Going to be released on Clone (Clone-30lp/cd). And Yup!...it's Stinson too! R. --- http://www.funxiun.com .dark.elektronix.
RE: (313) Lab Rat XL (Was : New Drexciya album out!)
Dribble - and I still haven't heard the Shifted Phases, Transillusion and the latest Drexciya that came out on Clone. -Original Message- From: Roland van Oorschot [mailto:[EMAIL PROTECTED] Sent: Friday, May 09, 2003 4:07 PM To: [EMAIL PROTECTED] Cc: 313 Mailing List Subject: (313) Lab Rat XL (Was : New Drexciya album out!) At 23:04 8-5-2003, Arne Weinberg wrote: A Drexciya album on the label of the Advent? Surprise of the day, if you ask me! Yes, it took a while for me to realise that it's Drexciya. Otherwise I would not checked that one out because I don't like The Advent. :-) There's another (and last?) Drexciya storm coming up soon: Lab Rat XL - Mice Or Cyborg Going to be released on Clone (Clone-30lp/cd). And Yup!...it's Stinson too! R. --- http://www.funxiun.com .dark.elektronix. # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
Re: (313) Lab Rat XL (Was : New Drexciya album out!)
At 18:07 9-5-2003, Roland van Oorschot wrote: Going to be released on Clone (Clone-30lp/cd). Correction: Clone-31 (lp/cd) R. --- http://www.funxiun.com .dark.elektronix.
(313) Re: Sonar again....
Remco Doorewaard wrote: Sorry to bother, but which (unknown) artists would you recommend on this festival (with a little description of the kind of music they play)? I would like to hear some things that I've never heard before, because that's what festivals are about I guess.. I read something about The Soft Pink Truth? The Soft Pink Truth is Drew Daniel, who is half of Matmos (those 2 Bay Area blokes that have been Bjork's backing band, among other things). He has a *wonderful* album out called Do You Party? It's really sonically varied - from the fractured Funk of Soft Pink Missy (my favorite track) to the Ghettotech send-up of Big Booty Bitches to the Ladytron-meets-Kraftwerk Electroclash of Make Up to the cut-up sampladelic Coat Check. One of my favorite albums of this year and I'm really looking forward to his set at Sonar. Ob313: Where are all the meta-thoughts on the DEMF/Movement lineup? No comments on the For Tha Headz nature of this year's festival? Will the lack of big-name non-Detroit people cause attendance to drop (the I-can-see-these-people-anytime syndrome for locals; the I-hardly-see-anyone-I-recognize syndrome for people elsewhere)? Discuss. - Greg
RE: (313) Lab Rat XL (Was : New Drexciya album out!)
At 19:10 9-5-2003, Robert Taylor wrote: Dribble - and I still haven't heard the Shifted Phases, Transillusion and the latest Drexciya that came out on Clone. Shifted Phases is a must have! Absolutely brilliant! The Transllusion L.I.F.E. album is something I don't dig and the Grava 4 album on Clone is (IMHO) the weakest Drexciya release. But that Shifted Phases albumwoooaaa! R. --- http://www.funxiun.com .dark.elektronix.
(313) Aril Brikha
Hey all Is Aril still on the list? Can you hit me back with your current e-mail? Cheers Cyclone
Re: (313) New Movement artists
Timespace ... yes, the same artist(s) that played the first festival. At the time, the lineup was: Aril Brikha, Tony Drake and Jeremy Ellis! (I'm probably forgetting someone). Yes, they played with Aril during the second half of his set, if I remember correctly. You should be able to hear it on Groovetech. Cheers!Protect your PC - Click here for McAfee.com VirusScan Online
RE: (313) Lab Rat XL (Was : New Drexciya album out!)
-- Original Message -- From: Roland van Oorschot [EMAIL PROTECTED] Shifted Phases is a must have! Absolutely brilliant! The Transllusion L.I.F.E. album is something I don't dig and the Grava 4 album on Clone is (IMHO) the weakest Drexciya release. But that Shifted Phases albumwoooaaa! i also didnt really think that the grava 4 LP was all that great. it was just too mediocre for those guys. shifted phases is very nice indeed, and the LIFE LP was pretty nice and melodic as well. tom andythepooh.com
RE: (313) Lab Rat XL (Was : New Drexciya album out!)
I liked Grava 4 - it was unusually relaxed but I wouldn't say it was weak.. -Original Message- From: Roland van Oorschot [mailto:[EMAIL PROTECTED] Sent: Friday, May 09, 2003 4:13 PM To: Robert Taylor Cc: 313 Mailing List Subject: RE: (313) Lab Rat XL (Was : New Drexciya album out!) At 19:10 9-5-2003, Robert Taylor wrote: Dribble - and I still haven't heard the Shifted Phases, Transillusion and the latest Drexciya that came out on Clone. Shifted Phases is a must have! Absolutely brilliant! The Transllusion L.I.F.E. album is something I don't dig and the Grava 4 album on Clone is (IMHO) the weakest Drexciya release. But that Shifted Phases albumwoooaaa! R. --- http://www.funxiun.com .dark.elektronix. # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
(313) Back :)
Hi! I'm back btw... after a few months absense. I guess nobody missed me tho ;-D R. (The man who deciphered the Shari Vari lyrics for the 313 FAQ :) --- http://www.funxiun.com .dark.elektronix.
Re: (313) sans soliel?
He's on Transmat - so i guess you might want to check out their site. I know he's currently living in Toronto - cuz i bumped into him on the street with his daughter Zoe. :) Cheers! G Quoting [EMAIL PROTECTED]: Can someone please tell me who sans soliel is on the movement lineup?
Re: (313) Lab Rat XL (Was : New Drexciya album out!)
Wow ... I believe this is possibly their *best* release! On Friday, May 9, 2003, at 12:13 PM, Roland van Oorschot wrote: the Grava 4 album on Clone is (IMHO) the weakest Drexciya release.
RE: (313) Lab Rat XL (Was : New Drexciya album out!)
Robert Taylor
Dribble - and I still haven't heard the Shifted Phases,
Transillusion and the latest Drexciya that came out on Clone.
It's hard to keep up isn't it! A little joke on by Stinson?! :o)
Here's my potted opines:
Grava 4 : Clone - Deep, immeadiate ace. Potentially classic(?)
Translustion: (Warp)- Deep. Not so immeadiate. Well weird but wise.
Rupert J Rosinthrope (Tresor) - Deep, some weaker points but some spell
binders
(Like 'Lonely Journey Of Planet Bopp')
Other People Place
('Sunday [EMAIL PROTECTED] Laptop Cafe')
(Clone) - You need this mate!
PP Roy - Seven Up (Warp) - Fun sad. Least 'Drexciya-like'
Drexciya
*** (Kombination Res.)- I dunno yet
(Clone) - I dunno yet
Re: (313) Every Dog 4
I was just stating an observation. To answer your question my only objection to the criticism of Swedish techno for example, is the generalization of a country's techno movement without being specific about an artist or label. on 5/9/03 11:43 AM, Robert Taylor at [EMAIL PROTECTED] wrote: No sh!t Sherlock. What's wrong with disliking Swedish techno and liking Nick Holder or Yello?
RE: (313) Best Drexciya
Hmmm... I personally find that my favourite Drexciya release of all time is Bubble Metropolis. In fact I would go so far as to say that the opening ten/twenty seconds of Aqua Worm Hole are possibly the most perfect segment of sound to emerge from the Drexciyan labs... in fact I could wax poetic about some of the tracks on that EP all day, but as it's not track-based techno I sense I would be treading on certain people's sensibilities! -Original Message- From: Dan Sicko [mailto:[EMAIL PROTECTED] Sent: 09 May 2003 17:21 To: Roland van Oorschot Cc: Robert Taylor; 313 Mailing List Subject: Re: (313) Lab Rat XL (Was : New Drexciya album out!) Wow ... I believe this is possibly their *best* release! On Friday, May 9, 2003, at 12:13 PM, Roland van Oorschot wrote: the Grava 4 album on Clone is (IMHO) the weakest Drexciya release.
RE: (313) Lab Rat XL (Was : New Drexciya album out!)
Sorry, to avoid confusion here's the full ref for Shifted Phases: Shifted Phases: The Cosmic Memnoirs of Rupert J Rosinthrope (Tresor-number I-dunno, 20003) k
RE: (313) Lab Rat XL (Was : New Drexciya album out!)
PP Roy? Are you sure that's Drexciya? I've spotted PP Roy on the bill of many a
Rephlex party - I was under the impression that it was a few anonymous English
producers who have recorded other material on Rephlex. The mystery deepens!
With you on OPP - possobly my favourite bar Neptune's Lair. And The Quest.. And
oh sod it!
The sheer amount of quality material is astounding - reminds me of the
story/myth of AFX having 1000s of hours of sublime material recorded but that
he refuses to release.
-Original Message-
From: Odeluga, Ken [mailto:[EMAIL PROTECTED]
Sent: Friday, May 09, 2003 4:24 PM
To: Robert Taylor; Roland van Oorschot; [EMAIL PROTECTED]
Cc: 313 Mailing List
Subject: RE: (313) Lab Rat XL (Was : New Drexciya album out!)
Robert Taylor
Dribble - and I still haven't heard the Shifted Phases,
Transillusion and the latest Drexciya that came out on Clone.
It's hard to keep up isn't it! A little joke on by Stinson?! :o)
Here's my potted opines:
Grava 4 : Clone - Deep, immeadiate ace. Potentially classic(?)
Translustion: (Warp)- Deep. Not so immeadiate. Well weird but wise.
Rupert J Rosinthrope (Tresor) - Deep, some weaker points but some spell
binders
(Like 'Lonely Journey Of Planet Bopp')
Other People Place
('Sunday [EMAIL PROTECTED] Laptop Cafe')
(Clone) - You need this mate!
PP Roy - Seven Up (Warp) - Fun sad. Least 'Drexciya-like'
Drexciya
*** (Kombination Res.)- I dunno yet
(Clone) - I dunno yet
#
Note:
Any views or opinions are solely those of the author and do not necessarily
represent
those of Channel Four Television Corporation unless specifically stated. This
email
and any files transmitted are confidential and intended solely for the use of
the
individual or entity to which they are addressed. If you have received this
email in
error, please notify [EMAIL PROTECTED]
Thank You.
#
RE: (313) Lab Rat XL (Was : New Drexciya album out!)
In fact Discogs says PP Roy is a bloke called David Nicholls
-Original Message-
From: Robert Taylor
Sent: Friday, May 09, 2003 5:31 PM
To: Odeluga, Ken; Roland van Oorschot; [EMAIL PROTECTED]
Cc: 313 Mailing List
Subject: RE: (313) Lab Rat XL (Was : New Drexciya album out!)
PP Roy? Are you sure that's Drexciya? I've spotted PP Roy on the bill of many a
Rephlex party - I was under the impression that it was a few anonymous English
producers who have recorded other material on Rephlex. The mystery deepens!
With you on OPP - possobly my favourite bar Neptune's Lair. And The Quest...
And oh sod it!
The sheer amount of quality material is astounding - reminds me of the
story/myth of AFX having 1000s of hours of sublime material recorded but that
he refuses to release.
-Original Message-
From: Odeluga, Ken [mailto:[EMAIL PROTECTED]
Sent: Friday, May 09, 2003 4:24 PM
To: Robert Taylor; Roland van Oorschot; [EMAIL PROTECTED]
Cc: 313 Mailing List
Subject: RE: (313) Lab Rat XL (Was : New Drexciya album out!)
Robert Taylor
Dribble - and I still haven't heard the Shifted Phases,
Transillusion and the latest Drexciya that came out on Clone.
It's hard to keep up isn't it! A little joke on by Stinson?! :o)
Here's my potted opines:
Grava 4 : Clone - Deep, immeadiate ace. Potentially classic(?)
Translustion: (Warp)- Deep. Not so immeadiate. Well weird but wise.
Rupert J Rosinthrope (Tresor) - Deep, some weaker points but some spell
binders
(Like 'Lonely Journey Of Planet Bopp')
Other People Place
('Sunday [EMAIL PROTECTED] Laptop Cafe')
(Clone) - You need this mate!
PP Roy - Seven Up (Warp) - Fun sad. Least 'Drexciya-like'
Drexciya
*** (Kombination Res.)- I dunno yet
(Clone) - I dunno yet
#
Note:
Any views or opinions are solely those of the author and do not necessarily
represent
those of Channel Four Television Corporation unless specifically stated. This
email
and any files transmitted are confidential and intended solely for the use of
the
individual or entity to which they are addressed. If you have received this
email in
error, please notify [EMAIL PROTECTED]
Thank You.
#
#
Note:
Any views or opinions are solely those of the author and do not necessarily
represent
those of Channel Four Television Corporation unless specifically stated. This
email
and any files transmitted are confidential and intended solely for the use of
the
individual or entity to which they are addressed. If you have received this
email in
error, please notify [EMAIL PROTECTED]
Thank You.
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RE: (313) Lab Rat XL (Was : New Drexciya album out!)
Robert Taylor PP Roy? Are you sure that's Drexciya? I'm getting my info on that from a TMF review of PP Roy - Seven Up (Warp) late 02 in Jockey Slut. He identified it as Stinson. If I'm smoking crack on this, I'm sure, TMF will er, pipe up. k
RE: (313) Lab Rat XL (Was : New Drexciya album out!)
The Transllusion L.I.F.E. album is something I don't dig True that it's not consistent, but the Dimensional Glide track is awesome! One of my fave electro tracks. Never heard about Shifted Phases, can anyone fill me in on this? Label, style, availability etc? Thanks Dan
Re: (313) Every Dog 4 (correction)
on 5/9/03 10:24 AM, spw at [EMAIL PROTECTED] wrote: I was just stating an observation. To answer your question my only objection to the criticism of Swedish techno for example, is the generalization of a country's techno movement without being specific about an artist or label. I just realized I made the same generalizations about Swedish techno in a previous post which should be more like (not read because of grammar errors to conceal my identity/ access to classified information): It is my observation there is favoritism towards song based format techno over track based techno form regular mailing list contributors. This would explain the interest in pop music, deep house, pre-techno retro music and a dislike of techno genres such as Swedish techno like Adam Bayer - Drumcode.
RE: (313) Every Dog 4 (correction)
Whatever -Original Message- From: spw [mailto:[EMAIL PROTECTED] Sent: Friday, May 09, 2003 3:46 PM To: 313@hyperreal.org Subject: Re: (313) Every Dog 4 (correction) on 5/9/03 10:24 AM, spw at [EMAIL PROTECTED] wrote: I was just stating an observation. To answer your question my only objection to the criticism of Swedish techno for example, is the generalization of a country's techno movement without being specific about an artist or label. I just realized I made the same generalizations about Swedish techno in a previous post which should be more like (not read because of grammar errors to conceal my identity/ access to classified information): It is my observation there is favoritism towards song based format techno over track based techno form regular mailing list contributors. This would explain the interest in pop music, deep house, pre-techno retro music and a dislike of techno genres such as Swedish techno like Adam Bayer - Drumcode. # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
RE: (313) Best Drexciya
My personal favourite is their S.I.D. release and also Journey home on Warp!! Absolutely alltime classics! Cheers, Arne Brendan Nelson [EMAIL PROTECTED] schrieb: Hmmm... I personally find that my favourite Drexciya release of all time is Bubble Metropolis. In fact I would go so far as to say that the opening ten/twenty seconds of Aqua Worm Hole are possibly the most perfect segment of sound to emerge from the Drexciyan labs... in fact I could wax poetic about some of the tracks on that EP all day, but as it's not track-based techno I sense I would be treading on certain people's sensibilities! -Original Message- From: Dan Sicko [mailto:[EMAIL PROTECTED] Sent: 09 May 2003 17:21 To: Roland van Oorschot Cc: Robert Taylor; 313 Mailing List Subject: Re: (313) Lab Rat XL (Was : New Drexciya album out!) Wow ... I believe this is possibly their *best* release! On Friday, May 9, 2003, at 12:13 PM, Roland van Oorschot wrote: the Grava 4 album on Clone is (IMHO) the weakest Drexciya release. -- °°° www.arneweinberg.de KEYNOTE Rec. DOWN LOW MUSIC STARBABY Rec. NATIVE Rec. °°°
RE: (313) Lab Rat XL (Was : New Drexciya album out!)
The sheer amount of quality material is astounding - reminds me of the story/myth of AFX having 1000s of hours of sublime material recorded but that he refuses to release. Oh yeah, like the armoured car story and the not sleeping for 3 months during the making of SAW2 story and the owning that weird silver cuboid building in the middle of Elephant Castle roundabout story. What a genius! Dan P.S. Thanks for the shifted phases info Ken, your timing is immaculate as usual.
RE: (313) Best Drexciya
Yes! I've changed my mind again! Black Sea has to be my favourite track. No, hang on, it's Antivapor Waves or is that Hydro Cubes. I give up! -Original Message- From: Arne Weinberg [mailto:[EMAIL PROTECTED] Sent: Friday, May 09, 2003 4:47 PM To: 313 Mailing List Subject: RE: (313) Best Drexciya My personal favourite is their S.I.D. release and also Journey home on Warp!! Absolutely alltime classics! Cheers, Arne Brendan Nelson [EMAIL PROTECTED] schrieb: Hmmm... I personally find that my favourite Drexciya release of all time is Bubble Metropolis. In fact I would go so far as to say that the opening ten/twenty seconds of Aqua Worm Hole are possibly the most perfect segment of sound to emerge from the Drexciyan labs... in fact I could wax poetic about some of the tracks on that EP all day, but as it's not track-based techno I sense I would be treading on certain people's sensibilities! -Original Message- From: Dan Sicko [mailto:[EMAIL PROTECTED] Sent: 09 May 2003 17:21 To: Roland van Oorschot Cc: Robert Taylor; 313 Mailing List Subject: Re: (313) Lab Rat XL (Was : New Drexciya album out!) Wow ... I believe this is possibly their *best* release! On Friday, May 9, 2003, at 12:13 PM, Roland van Oorschot wrote: the Grava 4 album on Clone is (IMHO) the weakest Drexciya release. -- °°° www.arneweinberg.de KEYNOTE Rec. DOWN LOW MUSIC STARBABY Rec. NATIVE Rec. °°° # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
RE: (313) Best Drexciya
Yeah, I am torn between Journey Home and Bubble Metropolis... another historically-significant, epoch-defining Drexciya moment being the introduction of the strings on Black Sea! -Original Message- From: Arne Weinberg [mailto:[EMAIL PROTECTED] Sent: 09 May 2003 17:47 To: 313 Mailing List Subject: RE: (313) Best Drexciya My personal favourite is their S.I.D. release and also Journey home on Warp!! Absolutely alltime classics! Cheers, Arne Brendan Nelson [EMAIL PROTECTED] schrieb: Hmmm... I personally find that my favourite Drexciya release of all time is Bubble Metropolis. In fact I would go so far as to say that the opening ten/twenty seconds of Aqua Worm Hole are possibly the most perfect segment of sound to emerge from the Drexciyan labs... in fact I could wax poetic about some of the tracks on that EP all day, but as it's not track-based techno I sense I would be treading on certain people's sensibilities!
(313) New Movement artists
I just noticed a few additions to the Movement lineup: Dabyre (sic) Dykehouse Ectomorph Midwest Product Todd Osborne What's going on, are they putting up a Ghostly stage? ;) I'm glad to see Dabrye on the lineup and was surprised he wasn't on originally. -dave (been off 313 for about 2 yrs, and just finally got back on)
RE: (313) Every (Swedish Techno Record Is A) Dog
I was just stating an observation. To answer your question my only objection to the criticism of Swedish techno for example, is the generalization of a country's techno movement without being specific about an artist or label. But surely everybody knows that all Swedish techno is bad, regardless of artist or label?!? . Nice weekend everyone, I'm gittin outta here :o) (Maria, Rupini, any other Swedes, you know I don't mean it!) Peace, k
RE: (313) Every Dog 4 (correction)
Yeah - it's funny how everyone on this list tends to favour Detroit house and techno. Strange even. -Original Message- From: spw [mailto:[EMAIL PROTECTED] Sent: Friday, May 09, 2003 3:46 PM To: 313@hyperreal.org Subject: Re: (313) Every Dog 4 (correction) on 5/9/03 10:24 AM, spw at [EMAIL PROTECTED] wrote: I was just stating an observation. To answer your question my only objection to the criticism of Swedish techno for example, is the generalization of a country's techno movement without being specific about an artist or label. I just realized I made the same generalizations about Swedish techno in a previous post which should be more like (not read because of grammar errors to conceal my identity/ access to classified information): It is my observation there is favoritism towards song based format techno over track based techno form regular mailing list contributors. This would explain the interest in pop music, deep house, pre-techno retro music and a dislike of techno genres such as Swedish techno like Adam Bayer - Drumcode. # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
Re: (313) Every (Swedish Techno Record Is A) Dog
I was just stating an observation. To answer your question my only objection to the criticism of Swedish techno for example, is the generalization of a country's techno movement without being specific about an artist or label. But surely everybody knows that all Swedish techno is bad, regardless of artist or label?!? definitely. especially that aril guy.
(313) Movement Sponsors
I see that XM Satellite Radio will be sponosoring Movement this year. Does anyone know if they will broadcast it? rh
Re: (313) Every Dog 4
those are logical conclusions and I agree for the most part although i would be careful in implying track based techno is immature it's more about peoples brains maturing and their taste changing (becoming more conservative) in the process. Part of it is conforming to the system as they stop the rebellion phase, anti social behavior of adolescence and the natural maternal mode once a human passes their sexual prime. I recall you being Italian maybe you can briefly tell me how the 313 techno scene or techno in general is in Northern Italy, if not disregard my email, thanks. on 5/9/03 11:00 AM, Fabrizio Nahum at [EMAIL PROTECTED] wrote: I think we should actually have a thread on this. it seems to be one of spw's pet peeves :) to me the answers lie in different factors: age. let's be honest, we get old and our tastes change. some of us here were into grind and death metal besides hard acidic techno. now we dig metro area and theo, moodyman etc. let's say there's an evolution taking place. also, and this is related to the age thing, a lot of us dont go clubbing as much as we used to. those of us that used to take chemical dance enhancers probably dont anymore, and certain types of music just dont sound the same no more. another factor is that 313 techno, at least to me and generally speaking, is characterized by harmony and melodics - not just a pounding looped groove. oh, dont interject with references to mills, hood, oldham et al., im speaking in general terms here. there is a definite song structure there that other types of techno just dont have. this leads to the appreciation of the types of music that spw is singling out. these are some of my opinions on the subject - please excuse any perceived superficiality in my post, im at work and writing a 4 page essay on 313 users musical preferences isnt exaclty what i get paid for ;-) btw, i agree with ken, theres either good music and bad music, regardless of genre, type or style. have a nice weekend all of you fab.
(313) Rare - Drexciya captured on film
With all this talk of Drexciya, I thought the list would like to know that a rare archival photo has surfaced of the Drexciayns collaborating together deep inside the Bubble Metropolis: http://news.yahoo.com/news?tmpl=story2u=/030508/241/4014c.htmle=16ncid=996
Re: (313) Rare - Drexciya captured on film
At 19:18 9-5-2003, Matthew MacQueen wrote: With all this talk of Drexciya, I thought the list would like to know that a rare archival photo has surfaced of the Drexciayns collaborating together deep inside the Bubble Metropolis: http://news.yahoo.com/news?tmpl=story2u=/030508/241/4014c.htmle=16ncid=996 James looked nicer on his wedding pictures :) R. --- http://www.funxiun.com .dark.elektronix.
RE: (313) Movement Sponsors
And now ladies and gentlemen you really really can call me paranoiac if you want to..but was warning the list a couple of day ago, and didn't know yet what RH just told us... That was just so predictable.! Tristan you are on your way to US, news will reach you sooner or later unfortunately.. Clear Channel, Direct TV, General Motors a private investment group take combined $250 million stake in XM satellite radio (1999) Learn more at http://www.xmradio.com/newsroom/screen/press_release_1999_06_08.html another one http://www.digitalaudioguide.com/features/satellite_radio.htm And they still want me to believe that artists who will play at the festival cannot be paid because no sponsor has been seriously take a commitment??? Calling all propaganders around, now you really really must have a deep think about where you are going to...with that... |-Original Message- |From: rh [mailto:[EMAIL PROTECTED] |Sent: Friday, May 09, 2003 7:10 PM |To: '313@hyperreal.org' |Subject: (313) Movement Sponsors | | | |I see that XM Satellite Radio will be sponosoring Movement this year. Does |anyone know if they will broadcast it? | |rh | |
Re: (313) Movement Sponsors
i think in the spirit of the music, the fact that no one is being paid works out well. they are covering transportation costs and thats it afaik. I'd rather have a festival full of people doing it for the love of the music than a bunch of guys playing because the price is right. we'll hopefully end up with some really heartfelt DJ and live sets. see you all there :) -Joe - Original Message - From: Sylvia [EMAIL PROTECTED] To: rh [EMAIL PROTECTED]; 313@hyperreal.org Sent: Friday, May 09, 2003 1:26 PM Subject: RE: (313) Movement Sponsors And now ladies and gentlemen you really really can call me paranoiac if you want to..but was warning the list a couple of day ago, and didn't know yet what RH just told us... That was just so predictable.! Tristan you are on your way to US, news will reach you sooner or later unfortunately.. Clear Channel, Direct TV, General Motors a private investment group take combined $250 million stake in XM satellite radio (1999) Learn more at http://www.xmradio.com/newsroom/screen/press_release_1999_06_08.html another one http://www.digitalaudioguide.com/features/satellite_radio.htm And they still want me to believe that artists who will play at the festival cannot be paid because no sponsor has been seriously take a commitment??? Calling all propaganders around, now you really really must have a deep think about where you are going to...with that... |-Original Message- |From: rh [mailto:[EMAIL PROTECTED] |Sent: Friday, May 09, 2003 7:10 PM |To: '313@hyperreal.org' |Subject: (313) Movement Sponsors | | | |I see that XM Satellite Radio will be sponosoring Movement this year. Does |anyone know if they will broadcast it? | |rh | |
RE: (313) Movement Sponsors
Looking at the big sponsors around I do believe it's unfair I'm not selfish and I think about these artists who have just this job to put food on their table. Plus I don't like when people lie to me with no reason. Should be a win/win situation for everyone who is a part of that. Plus we all know where we'll be with Clear Channel around.. |-Original Message- |From: ::) [mailto:[EMAIL PROTECTED] |Sent: Friday, May 09, 2003 7:33 PM |To: [EMAIL PROTECTED]; rh; 313@hyperreal.org |Subject: Re: (313) Movement Sponsors | | |i think in the spirit of the music, the fact that no one is being |paid works |out well. they are covering transportation costs and thats it afaik. | |I'd rather have a festival full of people doing it for the love of |the music |than a bunch of guys playing because the price is right. we'll hopefully |end up with some really heartfelt DJ and live sets. | |see you all there :) | |-Joe | | |- Original Message - |From: Sylvia [EMAIL PROTECTED] |To: rh [EMAIL PROTECTED]; 313@hyperreal.org |Sent: Friday, May 09, 2003 1:26 PM |Subject: RE: (313) Movement Sponsors | | | | And now ladies and gentlemen you really really can call me paranoiac if |you | want to..but was warning the list a couple of day ago, and |didn't know yet | what RH just told us... That was just so predictable.! | | Tristan you are on your way to US, news will reach you sooner or later | unfortunately.. | | Clear Channel, Direct TV, General Motors a private investment |group take | combined $250 million stake in XM satellite radio (1999) | Learn more at | http://www.xmradio.com/newsroom/screen/press_release_1999_06_08.html |another | one http://www.digitalaudioguide.com/features/satellite_radio.htm | | And they still want me to believe that artists who will play at the |festival | cannot be paid because no sponsor has been seriously take a commitment??? | Calling all propaganders around, now you really really must have a deep | think about where you are going to...with that... | | | | |-Original Message- | |From: rh [mailto:[EMAIL PROTECTED] | |Sent: Friday, May 09, 2003 7:10 PM | |To: '313@hyperreal.org' | |Subject: (313) Movement Sponsors | | | | | | | |I see that XM Satellite Radio will be sponosoring Movement this year. |Does | |anyone know if they will broadcast it? | | | |rh | | | | | | |
Re: (313) Best Drexciya
deep sea dweller - first track on inside out side of the record, what a great bass line. started off one of my mixes with this track. -scotto lansing, mi. plaztikjezuz.com
RE: (313) Harmonie Park records
I don't think it has had a regular release yet...soon though...like this summer is what I was told. -Original Message- From: Mark S. Krüx [mailto:[EMAIL PROTECTED] Sent: Tuesday, May 06, 2003 6:01 PM To: 313 Subject: Re: (313) Harmonie Park records Ahhh so it was actually released then?? I have one of the white labelsdidn't know it got a releaselet alone on HP... Lates, m* - Original Message - From: a [EMAIL PROTECTED] To: 313 313@hyperreal.org Sent: Tuesday, May 06, 2003 1:51 PM Subject: Re: (313) Harmonie Park records Im talking about the DP record release on Harmony Park, not the label. On Tuesday, May 6, 2003, at 17:47 Atlantic/Reykjavik, Mark S. Krüx wrote: Deep Transpotation is Mike's label, not Rick's. That release contains an unreleased track by Mike originally intended for Harmonie Park, Radiatedafaik. It's damn nice too... More info on Harmonie Park: http://www.rickwade.com/ Lates, m* - Original Message - From: a [EMAIL PROTECTED] To: Matthew MacQueen [EMAIL PROTECTED] Cc: [EMAIL PROTECTED] org [The Music Institute] (E-mail) 313@hyperreal.org Sent: Tuesday, May 06, 2003 12:52 PM Subject: Re: (313) Harmonie Park records Mike Huckaby Deep Transportation vol 1. I think its the 2nd release. On Tuesday, May 6, 2003, at 16:45 Atlantic/Reykjavik, Matthew MacQueen wrote: I only have the first one... Rick Wade - Late Nite Basix vol. 1? How are the others? I've never heard the Huckaby records on that label. Any must haves ? Some of Rick Wades stuff can sound same-y IMHO, (not bad per se, just kind of formulaic) but there are definitely some killer ones... I like his record on Elevate, for example. cheers, Matt MacQueen
RE: (313) Claude Young-Thoughts of Phutura / AXIS 033 ???
It sold out rather quickly. I was lucky and managed to secure 2 copies...1 for me and one for a friend. It is pretty good...I was suprised to see some USER type behavior out of Claude Young, but he gets a little crazy with it at times. I like it alot! Jeff -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Thursday, May 08, 2003 6:48 PM To: 313 Mailing List Subject: (313) Claude Young-Thoughts of Phutura / AXIS 033 ??? Anybody has any infos on that release? Claude Young - Thoughts of Phutura / Axis 033 I found that in the Axis homepage online shop and it's sold out. there seem to exist only 100 copies Does anybody know what's up with that? Claude Young the first artist than Jeff Mills (and Rob Hood formerly) on Axis? Whew! I want to hear that Infos please! Cheers, Arne P.S.: The new Every dog has it's day part 4 is excellent by the way! -- °°° www.arneweinberg.de KEYNOTE Rec. DOWN LOW MUSIC STARBABY Rec. NATIVE Rec. °°°
RE: (313) Best Drexciya
Pinpointing my favorite Drexciya track/release is impossible. That's like deciding which of your children you love the most. However, I can narrow it down 1. Astronomical Guidepost (Grava 4) 2. Dr Blowfins' Black Storm Stabilizing Spheres (Harnessed The Storm) 3. Drexciya - Wave Jumper - (Origins of a Sound Compilation//Submerge) 4. Dance of the Celestial Druids (Cosmic Memoirs) 5. Lonely Journey Of the Comet Bopp (Cosmic Memoirs)
Re: (313) Best Drexciya
My fave Drexciya track: Davy Jones Locker Released on the (rare?) comp. True People on the React label. Beautiful piano (!) riff, haunting bassline. Play this on my funeral, please... R. --- http://www.funxiun.com .dark.elektronix.
Re: (313) Every Dog 4
There's good techno coming out of Sweden and there's bad techno - or maybe I should say techno that's not as good as others - also coming out of Sweden. The two big names of course are Lekebusch and Beyer. Personally, I prefer Lekebusch - there is more diversity in his work. He explores dub, hip-hop, house(ish) sounds, electro. Beyer tends to keep to the 909 drum kick techno - a few tracks when first listened to are cool but after that I think they get boring. I used to be a huge Swedish techno fan (and was on Stjartlapp as much as I am on this list now) - had practically every Beyer and Lekebusch record made but after a while I found the sounds and compositions getting repetitive (no pun intended). I sold most of those records because I had no use for them anymore. I've kept Lekebusch's Mr. Barth material because I thought it was the most interesting - everything else was just a loong exploration of the same sounds record after record. I lost interest in it. That goes as well for people like Thomas Krome, Henrik B, David Roiseux, Johan Bacto, Hardcell, Mhonolink - I was into all of them big time for years and years but then I just found that their music wasn't very diverse. Yeah, I was getting older but I think my taste in music was becoming more deep. I used to think that harder faster darker was the best - and it seems like the majority of Swedish tech is like this. From a talent side - I found that the tunes had mostly a heavy drum pattern, then there was the hook, maybe it was some twisted little break down or a couple of synth stabs and then back to the drum pattern. And I never found the drum patterns by themselves very interesting - they just kicked. It was usually the hook that got me to by the record. As time went on I found the hooks to be more gimmicky - one person would do some new kind of filter affect and then you'd hear it in several other records coming from the same stables. Krome would do some weird distortion, then maybe a week later you'd get Bacto doing it and so on. It got to be predictable - Air Frog anyone? That to me was closer to pop music mentality than anything coming out of Detroit. Today I can't really tell the difference between most of these artists anymore - they should just all get together and be one big Swedish Super Group and play one big f*ck off kick drum loop and then go off and try something different for a change. ;) MEK spw [EMAIL PROTECTED]To: Odeluga, Ken [EMAIL PROTECTED], 313@hyperreal.org gy.net cc: Subject: Re: (313) Every Dog 4 05/09/03 09:41 AM It is my observation there is favoritism towards song based format techno over track based techno form regular mailing list contributors. This would explain the interest in pop music, deep house, pre-techno retro music and a dislike of techno genres such as Swedish techno. on 5/9/03 10:05 AM, Odeluga, Ken at [EMAIL PROTECTED] wrote: M McQueen what Mills does in this style is better than a lot of the crap out there diluting the market with average techno -- , but I'd rather have fewer tracks that are just... well... more memorable or something. Or when the best of Every Dog vols. 1 thru 6 comes out let me know. ;) I feel like I keep buying the same tracks. That said there are some standouts, to be sure! Could I ask whether you don't think there is a utilty for a dj in *all* the tracks of each volume as a whole? (i.e. fewer tracks is fewer to play with, more is greater freedom to be more varied in how you program/mix). Genuine q fr som1 who's not a dj, only plays records together (sometimes well.) k
(313) Frictional 003?
I noticed on Discogs that there is not a third release listed for Shakes label. It skips from 002 to 004. Was this catalog # skipped? Didn't receive a proper release?
RE: (313) Every Dog 4
im seriously into the subrurban knight on peacefrog me too man, wicked album although a little cheated by some tracks ie been here on 12's but hey that's a small price to pay :) -Original Message- From: Fabrizio Nahum [mailto:[EMAIL PROTECTED] Sent: 09 May 2003 13:19 To: Wibo Lammerts; 'Odeluga, Ken'; [EMAIL PROTECTED]; 313@hyperreal.org Subject: Re: (313) Every Dog 4 i just got it the other day so i havent heard it much yet - that said, i feel there are only 2 tracks that really stand out while the others are in the typical millsart everydog/metropolis style. which is still good, but its nothing groundbreaking. i love the plain turqouise packaging though :) at moment im seriously into the subrurban knight on peacefrog and the new monobox double on logistic, so these are my reccommendations for this week alogn with the new aroy dee on newworldaquarium. fab. - Original Message - From: Wibo Lammerts [EMAIL PROTECTED] To: 'Odeluga, Ken' [EMAIL PROTECTED]; [EMAIL PROTECTED]; 313@hyperreal.org Sent: Friday, May 09, 2003 2:04 PM Subject: RE: (313) Every Dog 4 Another Every Dog... is it worth getting? And on the Axis tip... I heard about this Claude Young record on Axis? Only 100 copies worldwide available? What;s the story on this? -Original Message- From: Odeluga, Ken [mailto:[EMAIL PROTECTED] Sent: vrijdag 9 mei 2003 13:37 To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) Every Dog 4 Blimey, a proper market in Every Dog records! That's virtually the price of an ordinary LP. In fact that *is* the price of an ordinary LP! k -Original Message- From: robin pinning [mailto:[EMAIL PROTECTED] Sent: Friday, May 09, 2003 12:33 PM To: 313@hyperreal.org Subject: Re: (313) Every Dog 4 www.vinylunderground.co.uk has em at £12.99pretty good robin... Russhour is the winner: only 17,50 EURO! This is the cheapest copy of an Every Dog Has Its Day ever, I presume. --- Incoming mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.476 / Virus Database: 273 - Release Date: 24/04/03 --- Outgoing mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.476 / Virus Database: 273 - Release Date: 24/04/03
Re: (313) Movement Sponsors
On 5/9/03 1:26 PM, Sylvia [EMAIL PROTECTED] wrote: Clear Channel, Direct TV, General Motors a private investment group take combined $250 million stake in XM satellite radio (1999) Learn more at http://www.xmradio.com/newsroom/screen/press_release_1999_06_08.html another one http://www.digitalaudioguide.com/features/satellite_radio.htm And they still want me to believe that artists who will play at the festival cannot be paid because no sponsor has been seriously take a commitment??? Calling all propaganders around, now you really really must have a deep think about where you are going to...with that... I might be missing something, but what does corporate sponsorship of XM in 1999 have to do with XM sponsoring Movement in 2003? Surely there's no conspiracy here. Some guesses at the reasons for sponsoring XM: Direct TV potentially shares infrastructure, GM is factory-installing satellite radio players, and Clear is hedging it's bets on competing technology. None of these companies has anything to do with XM deciding to support the festival. For XM, it's just a good local marketing opportunity. I just don't smell the rat here. -- im
RE: (313) V I R T U A L F U T U R E M U S I C
Thanks for that Martin ! Sims does the biz on the guest mix :) and a lovely track by Frederic Galliano.. -Original Message- From: Martin [mailto:[EMAIL PROTECTED] Sent: 09 May 2003 14:58 To: 313 Hyperreal. Org Subject: (313) V I R T U A L F U T U R E M U S I C Dear friends, Here are the details on the latest Virtual FM show. You can listen to the program here at: http://www.totallyradio.com/show_pages/shows.php?show=64 SHOW SUMMARY Paula Temple offers yet more techno stormers with new records from DJ Rush, Diego, Frederic Galliano, Christian Wunsch and Shufflemaster. Ben Sims is in session this week with a superb percussive DJ mix. PLAYLIST TECHNO SELECTION DJ Rush ' The Family Remixes' DJ Bam Bam Mix (DJax - 360) Mark EG Chrissi 'Process' (Taken from the Internal Flux EP - Uppercut - cut02) Diego 'Sacrament' (Taken from the Instant Reality album - Kanzleramt - KA85) Christian Wunsch 'Master Avalanche' (Integrale Muzique - IM001) John Thomas 'Working Night' Rolando Remix (Taken from Blackstage reworks EP Logistic - LOG26) Takaaki Itoh 'Number' (Taken from Components II EP - Electracom - ECOM17) DJ Shufflemaster 'City Lights' Adam Beyer/Henrik B Remix (Subvoice - SUBV25) Frederic Galliano and the African Divas 'Woulai' Josh Brent Remix (F Com - F177) Techno DJ mix by Ben Sims (Hardgroove/Theory) DJ performance recorded live in Barcelona, Spain No tracklisting available FUTURES PAST Space DJz 'Side On' (Infonet - info25) Suburban Knight 'Nocturbulous Behaviour' (Underground Resistance - UR11) ELECTRONIC MELTDOWN Oliver Dodd - Feelslike (Xylophone Jones - XJR402) Dr Derek F 'Chrome Fear' (Label unknown - Skam ?) -- V I R T U A L F U T U R E M U S I C -- Techno Electronic Music Radio Show Representing the Future Listen now on www.totallyradio.com http://www.totallyradio.com Info on www.virtualfuturemusic.com http://www.virtualfuturemusic.com -- Virtual FM PO Box 1774 Sheffield S2 5YP Tel/Fax: +44 (0)114 2701127 Email: [EMAIL PROTECTED] -- --- Incoming mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.476 / Virus Database: 273 - Release Date: 24/04/03 --- Outgoing mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.476 / Virus Database: 273 - Release Date: 24/04/03
RE: (313) Movement Sponsors
And do you know EXACTLY how much XM are donating? They could have just given $1000 - they could have given nothing but the broadcast service and not money up front... Hell, if they broadcast it then you could listen in your car as you drive around town - pretty damn cool. MEK Sylvia sylvie_da_silva@To: ::) [EMAIL PROTECTED] wanadoo.fr cc: 313@hyperreal.org Subject: RE: (313) Movement Sponsors 05/09/03 12:40 PM Please respond to sylvie_da_silva Looking at the big sponsors around I do believe it's unfair I'm not selfish and I think about these artists who have just this job to put food on their table. Plus I don't like when people lie to me with no reason. Should be a win/win situation for everyone who is a part of that. Plus we all know where we'll be with Clear Channel around.. |-Original Message- |From: ::) [mailto:[EMAIL PROTECTED] |Sent: Friday, May 09, 2003 7:33 PM |To: [EMAIL PROTECTED]; rh; 313@hyperreal.org |Subject: Re: (313) Movement Sponsors | | |i think in the spirit of the music, the fact that no one is being |paid works |out well. they are covering transportation costs and thats it afaik. | |I'd rather have a festival full of people doing it for the love of |the music |than a bunch of guys playing because the price is right. we'll hopefully |end up with some really heartfelt DJ and live sets. | |see you all there :) | |-Joe | | |- Original Message - |From: Sylvia [EMAIL PROTECTED] |To: rh [EMAIL PROTECTED]; 313@hyperreal.org |Sent: Friday, May 09, 2003 1:26 PM |Subject: RE: (313) Movement Sponsors | | | | And now ladies and gentlemen you really really can call me paranoiac if |you | want to..but was warning the list a couple of day ago, and |didn't know yet | what RH just told us... That was just so predictable.! | | Tristan you are on your way to US, news will reach you sooner or later | unfortunately.. | | Clear Channel, Direct TV, General Motors a private investment |group take | combined $250 million stake in XM satellite radio (1999) | Learn more at | http://www.xmradio.com/newsroom/screen/press_release_1999_06_08.html |another | one http://www.digitalaudioguide.com/features/satellite_radio.htm | | And they still want me to believe that artists who will play at the |festival | cannot be paid because no sponsor has been seriously take a commitment??? | Calling all propaganders around, now you really really must have a deep | think about where you are going to...with that... | | | | |-Original Message- | |From: rh [mailto:[EMAIL PROTECTED] | |Sent: Friday, May 09, 2003 7:10 PM | |To: '313@hyperreal.org' | |Subject: (313) Movement Sponsors | | | | | | | |I see that XM Satellite Radio will be sponosoring Movement this year. |Does | |anyone know if they will broadcast it? | | | |rh | | | | | | |
RE: (313) HOOD
Just so everyone knows, Rob Hood will NOT be at recordtime tonight, as per a post on www.detroitluv.com. -Original Message- From: Kookie [mailto:[EMAIL PROTECTED] Sent: Friday, May 02, 2003 2:01 PM To: Pryor, Ryan N; 313@hyperreal.org Subject: Re: (313) HOOD For the Detroiters out there, Hood will be playing at Recordtime May 9th @ 8pm for 3 hours. DJ set with live elements.
Re: (313) Every Dog 4
-- Original Message -- From: spw [EMAIL PROTECTED] those are logical conclusions and I agree for the most part although i would be careful in implying track based techno is immature it's more about peoples brains maturing and their taste changing (becoming more conservative) in the process. thats funny, i see it the entire other way around. the abstract value of a pounding kick style techno is nearly nil. its power on the dancefloor value is high. very conservative. on the other hard, detroit techno and house have high abstract value, and lesser mainstream dancefloor appeal. its much more challenging. its like listerning to glenn miller vs. sun ra. Part of it is conforming to the system as they stop the rebellion phase, anti social behavior of adolescence and the natural maternal mode once a human passes their sexual prime. i certainly dont see any conformity in listening to music that has as little to do with strictly dancefloor techno at all. but then again i dont think i need to point out that you have no idea what youre talking about. tom andythepooh.com
(313) Robert Hood Appearance CANCELLED
For those of you planning on attending the M-PLANT 10 Year anniversary tonight @ Record Time in Roseville, it has been cancelled.
RE: (313) Best Drexciya
-- Original Message -- From: Pryor, Ryan N [EMAIL PROTECTED] Pinpointing my favorite Drexciya track/release is impossible. That's like deciding which of your children you love the most. However, I can narrow it down good choices. here's mine: 1. Under Sea Disturbances (Harnessed the Storm) 2. Journey Home (Journey Home EP) 3. Organic Hydropoly Spores (Neptune's Lair) 4. Lonely Journey of the Comet Bopp (Shifted Phases) 5. Eye Contact (Other People Place LP) 6. Denki No Zuno (Dopplereffekt) tom andythepooh.com
RE: (313) Movement Sponsors
If it is it will be the more ridiculous deal have never heard about... I won't lose my soul for $ 1.000. |-Original Message- |From: [EMAIL PROTECTED] |[mailto:[EMAIL PROTECTED] |Sent: Friday, May 09, 2003 8:09 PM |To: [EMAIL PROTECTED] |Cc: 313@hyperreal.org; ::) |Subject: RE: (313) Movement Sponsors | | | |And do you know EXACTLY how much XM are donating? They could have just |given $1000 - they could have given nothing but the broadcast service and |not money up front... | |Hell, if they broadcast it then you could listen in your car as you drive |around town - pretty damn cool. | |MEK | | | | | | Sylvia | | sylvie_da_silva@To: ::) |[EMAIL PROTECTED] | wanadoo.fr cc: |313@hyperreal.org | | Subject: RE: (313) |Movement Sponsors | 05/09/03 12:40 PM | | Please respond to | | sylvie_da_silva | | | | | | | | | | |Looking at the big sponsors around I do believe it's unfair |I'm not selfish and I think about these artists who have just this job to |put food on their table. |Plus I don't like when people lie to me with no reason. |Should be a win/win situation for everyone who is a part of that. |Plus we all know where we'll be with Clear Channel around.. | | | ||-Original Message- ||From: ::) [mailto:[EMAIL PROTECTED] ||Sent: Friday, May 09, 2003 7:33 PM ||To: [EMAIL PROTECTED]; rh; 313@hyperreal.org ||Subject: Re: (313) Movement Sponsors || || ||i think in the spirit of the music, the fact that no one is being ||paid works ||out well. they are covering transportation costs and thats it afaik. || ||I'd rather have a festival full of people doing it for the love of ||the music ||than a bunch of guys playing because the price is right. we'll hopefully ||end up with some really heartfelt DJ and live sets. || ||see you all there :) || ||-Joe || || ||- Original Message - ||From: Sylvia [EMAIL PROTECTED] ||To: rh [EMAIL PROTECTED]; 313@hyperreal.org ||Sent: Friday, May 09, 2003 1:26 PM ||Subject: RE: (313) Movement Sponsors || || || || And now ladies and gentlemen you really really can call me paranoiac if ||you || want to..but was warning the list a couple of day ago, and ||didn't know yet || what RH just told us... That was just so predictable.! || || Tristan you are on your way to US, news will reach you sooner or later || unfortunately.. || || Clear Channel, Direct TV, General Motors a private investment ||group take || combined $250 million stake in XM satellite radio (1999) || Learn more at || http://www.xmradio.com/newsroom/screen/press_release_1999_06_08.html ||another || one http://www.digitalaudioguide.com/features/satellite_radio.htm || || And they still want me to believe that artists who will play at the ||festival || cannot be paid because no sponsor has been seriously take a |commitment??? || Calling all propaganders around, now you really really must have a deep || think about where you are going to...with that... || || || || |-Original Message- || |From: rh [mailto:[EMAIL PROTECTED] || |Sent: Friday, May 09, 2003 7:10 PM || |To: '313@hyperreal.org' || |Subject: (313) Movement Sponsors || | || | || | || |I see that XM Satellite Radio will be sponosoring Movement this year. ||Does || |anyone know if they will broadcast it? || | || |rh || | || | || || || | | | | | | |
Re: (313) Every Dog 4
- Original Message - From: [EMAIL PROTECTED] Today I can't really tell the difference between most of these artists anymore - they should just all get together and be one big Swedish Super Group and play one big f*ck off kick drum loop and then go off and try something different for a change. ;) MEK beyer is working on it. check out the ignition key album and/or any of the other things about to come out on truesoul. http://www.truesoulrecords.com/ (the henrik b album advertised there is ambient)
RE: (313) Movement Sponsors
My point is XM satellite radio is a part of Clear Channel conglomerate. I smell the rat here, knowing Clear Channel policy..unfortunately |-Original Message- |From: Ian [mailto:[EMAIL PROTECTED] |Sent: Friday, May 09, 2003 8:05 PM |To: [EMAIL PROTECTED]; rh; The Music Institute |Subject: Re: (313) Movement Sponsors | | |I might be missing something, but what does corporate sponsorship of XM in |1999 have to do with XM sponsoring Movement in 2003? Surely there's no |conspiracy here. | |Some guesses at the reasons for sponsoring XM: Direct TV potentially shares |infrastructure, GM is factory-installing satellite radio players, and Clear |is hedging it's bets on competing technology. None of these companies has |anything to do with XM deciding to support the festival. For XM, it's just |a good local marketing opportunity. | |I just don't smell the rat here. |-- |im | |
RE: (313) Movement Sponsors
-- Original Message -- From: Sylvia [EMAIL PROTECTED] If it is it will be the more ridiculous deal have never heard about... I won't lose my soul for $ 1.000. i cant even grasp what youre afraid of here. do you think that now suddenly clear channel is going to start losing money putting on techno shows? are you kidding? im sure clear channel already does a large market in trance shows with big name crap headliner deejays. ditto with XM radio which i bet plays a ton of mainstream trance on their electronic stations. what i imagine is that theyre simply not smart enough to tell the difference between said trance and 313 techno, and that they have no idea what theyre doing. in which case, i dont think its detrimental to take their money at all. in fact, i think its hilarious. tom andythepooh.com
Re: (313) Every Dog 4
-- Original Message -- From: [EMAIL PROTECTED] beyer is working on it. check out the ignition key album and/or any of the other things about to come out on truesoul. i just heard ignition key for the first time this week. while its not the best thing ive ever heard, its certainly pretty decent and interesting. much better than what ive heard beyer deejay. maybe some of those guys will come around to making more interesting music, that would be nice. tom andythepooh.com
Re: (313) Movement Sponsors
no kidding, this boils down to the integrity of the promoters of the festival, which I have the utmost confidence in. just because you take someone's money doesn't necessarily mean that you're selling out. regardless, this is pretty OT and could be taken private or moved elsewhere. - Original Message - From: Thomas D. Cox, Jr. [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Friday, May 09, 2003 2:37 PM Subject: RE: (313) Movement Sponsors -- Original Message -- From: Sylvia [EMAIL PROTECTED] If it is it will be the more ridiculous deal have never heard about... I won't lose my soul for $ 1.000. i cant even grasp what youre afraid of here. do you think that now suddenly clear channel is going to start losing money putting on techno shows? are you kidding? im sure clear channel already does a large market in trance shows with big name crap headliner deejays. ditto with XM radio which i bet plays a ton of mainstream trance on their electronic stations. what i imagine is that theyre simply not smart enough to tell the difference between said trance and 313 techno, and that they have no idea what theyre doing. in which case, i dont think its detrimental to take their money at all. in fact, i think its hilarious. tom andythepooh.com
RE: (313) Movement Sponsors
Tom, I guess you haven't really followed up this thread, my last post was in reply of MEK comment, re check it. All in all we must keep this thread private now...I assume we bother people with it |-Original Message- |From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED] |Sent: Friday, May 09, 2003 8:37 PM |To: 313@hyperreal.org |Subject: RE: (313) Movement Sponsors | | |-- Original Message -- |From: Sylvia [EMAIL PROTECTED] | |If it is it will be the more ridiculous deal have never heard |about... |I won't lose my soul for $ 1.000. | |i cant even grasp what youre afraid of here. do you think that now |suddenly clear channel is going to start losing money putting on |techno shows? are you kidding? im sure clear channel already does |a large market in trance shows with big name crap headliner |deejays. ditto with XM radio which i bet plays a ton of mainstream |trance on their electronic stations. what i imagine is that |theyre simply not smart enough to tell the difference between said |trance and 313 techno, and that they have no idea what theyre |doing. in which case, i dont think its detrimental to take their |money at all. in fact, i think its hilarious. | |tom | | |andythepooh.com | | | | |
Re: (313) Movement Sponsors
oh please. I bet Ford plopped down a LOT more money than all of this year's sponsors combined. -d On Friday, May 9, 2003, at 01:26 PM, Sylvia wrote: Clear Channel, Direct TV, General Motors a private investment group take combined $250 million stake in XM satellite radio (1999) Learn more at http://www.xmradio.com/newsroom/screen/press_release_1999_06_08.html another one http://www.digitalaudioguide.com/features/satellite_radio.htm And they still want me to believe that artists who will play at the festival cannot be paid because no sponsor has been seriously take a commitment??? Calling all propaganders around, now you really really must have a deep think about where you are going to...with that...
Re: (313) Best Drexciya
Oh, we're talking tracks now ... I meant Grava 4 was their best album IMHO. My favorite track is still Depressurization off their first EP on Shockwave. -d On Friday, May 9, 2003, at 02:23 PM, Thomas D. Cox, Jr. wrote: -- Original Message -- From: Pryor, Ryan N [EMAIL PROTECTED] Pinpointing my favorite Drexciya track/release is impossible. That's like deciding which of your children you love the most. However, I can narrow it down good choices. here's mine: 1. Under Sea Disturbances (Harnessed the Storm) 2. Journey Home (Journey Home EP) 3. Organic Hydropoly Spores (Neptune's Lair) 4. Lonely Journey of the Comet Bopp (Shifted Phases) 5. Eye Contact (Other People Place LP) 6. Denki No Zuno (Dopplereffekt) tom andythepooh.com
Re: (313) Frictional 003?
I noticed on Discogs that there is not a third release listed for Shakes label. It skips from 002 to 004. Was this catalog # skipped? Didn't receive a proper release? As far as I know there is no 003 - I've never seen it and I have all the other Frictional releases... If Shake's lurking on the list maybe he can confirm? Cheers, Tom
