RE: (313) roll call?
Still here in the underworld of Detroit From: roowl...@gmail.com [mailto:roowl...@gmail.com] On Behalf Of Roland Meijer Drees Sent: Friday, November 30, 2012 3:09 AM To: maxphi...@gmail.com Cc: mar...@nomorewords.net; list 313 Subject: Re: (313) roll call? Still here, checking in from work in Utrecht. Not sure since how long I'm subscribed (10, 12 years?) but still like to check the 313 mails on a weekly basis! On 28 November 2012 12:57, maxphi...@gmail.commailto:maxphi...@gmail.com wrote: I'm still here - writing from a train on the way from Hamburg to Berlin. Anyone else? m50 At 2012.11.28 11:47, Marsel van der Wielen wrote: how many subscribers are left anyway? and will there be a 20 years anniversary party? Op 28-11-2012 11:46, Philip McGarva schreef: btw i haven't been lurking for like 5 years - i just resubbed. it's good to be back!
RE: (313) Twitter to open small office in Detroit
Twitter did indeed open an office, there are two twitterees working there. The Madison is also the entrepreneur hotspot in Detroit they have lots of networking events there. Tim From: Denise Dalphond [mailto:denisedalph...@gmail.com] Sent: Tuesday, July 17, 2012 11:13 PM To: Odeluga, Ken Cc: 313@hyperreal.org Subject: Re: (313) Twitter to open small office in Detroit Very cool. I didn't know about this. They are certainly right about Detroit. Denise On Tue, Jul 17, 2012 at 7:33 PM, Odeluga, Ken ken.odel...@dowjones.commailto:ken.odel...@dowjones.com wrote: I'm probably late on this - but I hope it's still interesting to some. The news seems to represent a broader trend too, apparently. Ken http://www.crainsdetroit.com/apps/pbcs.dll/article?AID=/20120404/FREE/120409958template=mobile -- Denise Dalphond www.schoolcraftwax.comhttp://www.schoolcraftwax.com
RE: (313) ANOTHER Mills album (and the future of Music Formats??)
The CD does play I popped it in the deck to see if it Actually played, but I have not had time to really Check it out yet. tim The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it. From: irid...@gmail.com [mailto:irid...@gmail.com] On Behalf Of ja...@iridite.com Sent: Sunday, June 06, 2010 9:13 AM To: 313 list Subject: (313) ANOTHER Mills album (and the future of Music Formats??) Got another Mills album in - The Occurance and I've never seen anything like it. It's a CD. But you turn it over and it's a mini-vinyl disk. With music on it. That you play on a normal record player. So that's two formats for the price of one - anyone ever seen anything like this before? Wow - he's The Man From Tomorrow alright! I've been a bit too scared to put the CD in my computer to listen to the album (it looks a wee bit thicker than a normal CD but that could be an illusion) so I can't give any reports on it yet! cheers Jason
RE: (313) Releasing new vinyl -- advice wanted
For timing Ron would always suggest a maximum of 17min per side your correct this allows the bass to be increased to the proper levels. Most people try to make long tracks 6, 7 minutes. I recall Ron telling me that he wished the artist would make 3-4 minute tracks. Tim The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it. From: david smith [mailto:bassline...@gmail.com] Sent: Friday, April 16, 2010 10:25 AM To: 313@hyperreal.org Subject: Re: (313) Releasing new vinyl -- advice wanted With the way the USD is it might be cheaper to manufacture the records in Detroit and import them to Europe. I worked with Ron one time and these are the only notes I kept: Just remember to keep your bass centered and not panning from channel to channel, it can disrupt the needle. In general the shorter the track the louder it can be pressed and 45 rpm is a higher resolution than 33. Acetate will last as long as vinyl so long as keep hand-oil/contamination free from the surface. On Fri, Apr 16, 2010 at 3:34 AM, ja...@iridite.com ja...@iridite.com wrote: I'm right here - not on the list as much as I'd like but happy to help if I can Jason On 13 April 2010 18:27, Matt Kane's Brain mkb.dirty...@gmail.com wrote: Maybe you should track down Jason Brunton at Iridite. I'm not sure if he still reads the list. On Tue, Apr 13, 2010 at 13:24, David Powers cybo...@gmail.com wrote: Yeah, I'm in touch with him, my real point is I want to especially hear the overseas perspective, and also from more than one person's experience, as that may not be enough to generalize into a general strategy. -- matt kane's brain http://hydrogenproject.com capoeira in boston http://capoeirageraisboston.com aim - mkbatwerk ; y! - mkb218 ; gtalk - mkb.dirtyorg I need your sounds! http://nynex.hydrogenproject.com
(313) event - Destruktion@ the works Sat Mar 28
Destruktion Saturday 3/28/2009 Room2 Sassmouth HEJ records - London Tim Vandyke Planet Detroit Cignal to Noise (Live) Planet Detroit C-Rah aka Raskalz Room1 Casey Phear Planet Detroit Jungle Division Twizzler Dis3cted-Detroit Jesse James Nightsneak Detroit Darkcube Detroit Techno Militia The Works 1846 Michigan Ave. Detroit, MI $5 before 2am $10 after Ages 18+ --- The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) 4 more Movement acts
Out of those acts Punisher is definitely The good one. Her dj skills are tight. Tim / Planet Detroit The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it. From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Monday, April 21, 2008 11:56 AM To: Thomas D. Cox, Jr. Cc: 313@hyperreal.org Subject: Re: (313) 4 more Movement acts well, if I had to pick one out of them all I'd go with Punisher I've come around to some of her tunes (when I'm in the mood for harder stuff) granted I haven't witnessed her DJ MEK Thomas D. Cox, Jr. [EMAIL PROTECTED] wrote on 04/21/2008 10:30:11 AM: On Mon, Apr 21, 2008 at 11:27 AM, [EMAIL PROTECTED] wrote: Mark Farina Lawnchair Generals Miles Maeda Punisher good god - for every one good act they add three crap ones which is the good one?? inquiring minds want to know. tom
RE: (313) Bloc
I'm a bit late on this but in the defense of Juan I thought I would chime in Juan shows up for shows when he is booked properly. (I have not had any no-show issues) There are several booking agents out there booking him And tons of promoters who like to drop names on flyers To make a profit. And no offense to anyone but Ferndale / Madison Heights etc.. That is not Detroit that's the burbs Tim / Planet Detroit The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it. From: kent williams [mailto:[EMAIL PROTECTED] Sent: Friday, March 21, 2008 12:04 PM To: list 313 Subject: Re: (313) Bloc I don't know the origin of some of Juan's no shows. I do know that he was having some major health problems, and looked unhealthily skinny a few years back when I saw him walking around at the festival... One thing about him, that Terrence Parker said to me a few years back when I asked about Juan. Terrence said that it's one thing to make a few records and show up to DJ at parties and have a few people know who you are. It's quite another to be in the position of being a founding artist in a whole new genre, whose early work attained mythic status in the scene. He thought Juan felt that pressure keenly. There's the man Juan who is showing up to play a show, and there's this giant mythical beast following him around like a shadow. Some people -- i.e. Derrick -- can surf the wave of their reputation and enjoy the ride. Others like Kevin Saunderson, are grounded in family and church, and let the crazy stuff slide. Juan is in a third category. Don't know those guys, can't speak for them, just my impressions from the outside. It is extremely good news to me that he appears to be in better health and has been turning up regularly for his shows. On Wed, Mar 19, 2008 at 9:21 AM, [EMAIL PROTECTED] wrote: yeah right, like Juan Atkins is going to show up, only to turn around and see him walking directly behind me. Nice. look who is being uninvited from Juan's next birthday party ;-) MEK
(313) DEMF Afterparty - Saturday
ADVANCED TECHNOLOGIES Saturday May 26th 10pm-10am Fi-Nite Gallery 1420 Plum st/brooklyn lofts Detroit 18+ $10.00 infoline: 313.971.7340 3 floors Kikoman, Shawn Rudiman, Mike Dearborn, Archetype, Avex Axiom, Tim Baker, Rob Rage, The Ghoulies, Red Pill:Blue Pill, Cignal to Noise, Dennis Cox, Blue Legoon, Aaron Carl, Tek.User, Jesse James, DJ Woody, Module 8, Hakim Murphy, Hammer Brothers, TS-1, Jwon Allen, Sonic Disturbance, Zeroxxx Raskalz, Bumble Bee, The Disciple, Gweedo Sarduchi, Borja, INDYSC4, Secret Electro, Joe Cool. - The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) odd that I should have to ask this...
The milner is not as bad as the leland Your correct the leland is the ex-ramada inn But it was not a true ramada, they got busted And had to change the name. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Friday, April 20, 2007 10:25 AM To: Fred Heutte Cc: 313@hyperreal.org Subject: Re: (313) odd that I should have to ask this... Fred Heutte [EMAIL PROTECTED] wrote on 04/20/2007 05:50:25 AM: I actually looked at reviews of the Milner and Leland (ex-Ramada) but even if I was desperate I wouldn't stay there. Isn't the Leland the place that used to be calling itself a Ramada but wasn't really a Ramada? I recall reading some hairy situations from customers who booked themselves in and when they saw the hotel and the rooms they checked themselves right back out. Some things like room doors that don't lock, unidentified dark stains on carpet and walls, holes in walls, junkies in the hallways and lobby hitting people up for money, screaming in the middle of the night, etc. here's one quote from TripAdvisor.com My stay at the Leland Hotel was the most fun I've ever had. First off this is not a good hotel for families with small children because they might need phsycological help when they get home and also not a good choice for fans of teams other than Detroit to stay either, because you'll probablly get mugged or killed. If you want a taste of the real Detroit stay here and you won't be disappointed. Out of the 6 elevators 1 works and it has a smell that is unlike any other I've smelt before. There is also a goth night club right down in the lobby that blasts music all night on the weekends. Even if you are curious DO NOT go into the club because there is a chance you will run into the devil himself. In the hotel there are people who rent out rooms and live there year round, we met a guy there named Dre and he showed us where the liquer store was and fended off homeless people for 20 bucks and a pack of cigarettes. Make sure you bring cash and treat a couple brotha's to a 40oz. and some vodka. The rooms are okay but the couch was soiled, the window was broken, the smoke detector was ripped off the wall and the T.V. was broken. A great hotel in the greatest city in the world! DETROIT! REPRESENT LOL come to think of it - I think that's where the All Access party was at Here's another one This is the most disgusting place I ever stayed, and I am far from a soccer mom (see previos post). This place is absolutely disgusting. I lived on the streets of the Bronx, homeless for 3 years before putting myself together and I can say, honestly, that this is the worst place I ever stayed at in my life. The manager even offered me a complimentary night, and I still left a day early. You need to be buzzed into the elevators (FROM THE LOBBY!!!) to keep out homeless people. There were bloodstains on the ironing board, the carpets were wet and moldy, the bathrooms had pubic hair everywhere, along with wet, dirty towels. When I informed the manager (this is just the tip of the iceberg-email me for ictures I took in case I ended up in court to get my money back AND so I can warn people without a libel suit) she told me good help is hard to find yet 2 blocks away is a Holiday Inn and MGM Grand that my fellow travellers loved. SHe then put me in the suite which was just as bad. Steer clear of this place. quite an endorsement MEK The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) rooms
Here is another option for hotel rooms It's not as close but you can walk or cab it From here, they did some remodeling and its better Than the leland and milner. Tim / Planet Detroit Days Inn Detroit Downtown 3250 E. Jefferson Ave. E. Jefferson Woodward Ave. Detroit, MI, 48207 Phone: 313-568-2000 Fax: 313-568-0624 Tim / Planet Detroit The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) odd that I should have to ask this...
Also you have: Hilton Garden Inn 351 Gratiot Avenue Detroit, MI 48226 (313) 967-0900 Holiday Inn express 1020 Washington Blvd Detroit, MI 48226 (313) 965-4307 Both nice and walking distance, better than the shorecrest and cheaper Than the rencen marriott Tim / www.planetdetroit.net -Original Message- From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED] Sent: Thursday, April 19, 2007 12:29 PM To: 313@hyperreal.org Subject: Re: (313) odd that I should have to ask this... On 4/19/07, kent williams [EMAIL PROTECTED] wrote: The Shorecrest! Though they may be sold out by now. It's definitely downmarket from the RenCen, but the rooms are clean, the staff are wonderful, and the Clique will fill you up proper for a long day on your feet. amen. tom The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
(313) Club Nght featuring Blake Baxter K-Hand
Club Night featuring Blake Baxter - K-HAND Blake Baxter (Save The Vinyl), (Mix Inc.), (The Sound Republic) , Blake has done work on (UR) , (Tresor) Recent projects What Happen EP 12 inch with Abe Duque and also in Germany (In the Club) on systematic records with Marc Romboy In jan it was number 3 on the German club dance charts his deejay style is Classic house , Acid and tech house K-HAND: Acacia Records, Detroit visit me @ myspace myspace.com/khanddetroit plus, K-Hand mix cd's will be available for sale accompanying them will be Planet Detroit Residents TS-1 Cignal to Noise Hammer Brothers - playing live tracks off their first release on planet detroit records Casey Phear with a special late night jungle set Fi-nite Gallery March 17th$5 before 12midnight $10 after for info [EMAIL PROTECTED] at Finite Gallery 2370 Plum St., Detroit, Michigan The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) Jeff Mills - One Man Spaceship
You can pick up the CD from the axis website They have been offering it since early January. The CD concept and compilation of tracks is pretty Awesome, hopefully I can catch it performed live This summer. Tim - -Original Message- From: simon dennis [mailto:[EMAIL PROTECTED] Sent: Monday, February 05, 2007 4:08 PM To: 313@hyperreal.org Subject: Re: (313) Jeff Mills - One Man Spaceship Amazon.co.uk are quoting this cd as being released on 12th February for £15.99, so maybe it's getting a wider release everywhere. The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) what's up with the festival?!?!?!
I would say there are a few nice stories about Compuware. But the word for the festival is Better sound they are Having 4 stages maybe eliminating the underground stage And the sound being designed by funktion one of the UK. Tim -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Friday, February 02, 2007 12:33 PM To: Matt Kane's Brain Cc: Joel Gajewski; robin; Aidan O'Doherty; 313@hyperreal.org Subject: Re: (313) what's up with the festival?!?!?! Can't comment personally on Compuware. I'm sure there is a level of dissatisfaction with all places and certainly I wouldn't absolve General Motors either. Big business is big business, but a part of what's needed for Detroit to come back too, right? I don't want to launch into politics or anything like that nor am I naive about it either. Just hoping for a thriving Detroit rather than a dead one ;). Guess I'm encouraged that people want the same thing. -- Original message -- From: Matt Kane's Brain [EMAIL PROTECTED] On Feb 2, 2007, at 12:09, [EMAIL PROTECTED] wrote: Compuware Oy, I wouldn't be so happy about that. Several of my coworkers escaped form there with some nice stories :) -- matt kane's brain http://hydrogenproject.com aim - mkbatwerk [EMAIL PROTECTED] The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) what's up with the festival?!?!?!
A press release is scheduled for Feb 15 -Original Message- From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED] Sent: Friday, February 02, 2007 12:52 PM To: 313@hyperreal.org Subject: Re: (313) what's up with the festival?!?!?! On 2/2/07, Steward, Tim [EMAIL PROTECTED] wrote: I would say there are a few nice stories about Compuware. But the word for the festival is Better sound they are Having 4 stages maybe eliminating the underground stage And the sound being designed by funktion one of the UK. good sound is nice. how much is admission going to be though? that sucks. i liked the free aspect of it best! tom The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
(313) Event Updates
Planet Detroit continues The Impact Series This Friday Sept 29th, 2006 With Rob Hood presenting The Grey Area The Grey Area showcases the internationally renowned, Unique style of Robert Hood's own productions remixes And his labels catalogue from M-Plant, Duet, Drama and Hardwax. Giving you the minimal originators own true Detroit experience, Spanning rhythmic House Techno Also on the lineup will be Planet Detroit Residents Cignal to Noise (live) TS-1 (dj ) Hammer Brothers (live) Fri 10pm-Late $10 door $5adv recordtime-ferndale Fi-Nite Gallery 2233 Brooklyn @Plum street Detroit MI info contact - [EMAIL PROTECTED] 313 The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
(313) DEMF afterparty I
IMPACT sponsored by Planet Detroit Saturday May 27, 2006 Visuals VJ Jon Hudson - Technovision Detroit House/DnB Room Hakim Murphy - Random Access Recording / Planet Detroit Darkcube - Detroit Techno Militia Bumblebee - Planet Detroit / Chicago Twizzler - Planet Detroit D'Classified The Sensor -Vanpower Records Detroit Techno Room Alan Oldham aka DJ T-1000 - www.alanoldham.com Tim Baker - Real Estate Records / www.elephanthaus.com Henry Chow - www.henrychow.com Arthur Oskan- Cratesavers Muzik (live) Adam Winick - Format Recordings / Toronto(live) Cignal to Noise - Planet Detroit (live) TS-1- Planet Detroit Hammer Brothers - Planet Detroit (live) Labyrinth 1701 Cass Ave 10pm - 6am all ages Pre-sales $5.00 $10 door www.groovetickets.com www.planetdetroit.net Info - [EMAIL PROTECTED] The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
(313) DEMF After Party
IMPACT sponsored by Planet Detroit Saturday May 27, 2006 House/DnB Room Hakim Murphy - Random Access Recording / Planet Detroit Darkcube - Detroit Techno Militia Bumblebee - Planet Detroit Techno Room Alan Oldham aka DJ T-1000 - www.alanoldham.com Tim Baker - Real Estate Records Henry Chow - www.henrychow.com Arthur Oskan- Cratesavers Muzik (live) Adam Winick - Format Recordings / Toronto(live) Cignal to Noise - Planet Detroit (live) TS-1- Planet Detroit Hammer Brothers - Planet Detroit (live) Labyrinth 1701 Cass Ave 10pm - 6am Pre-sales $5.00 www.groovetickets.com www.planetdetroit.net Info - [EMAIL PROTECTED] The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) Detroit Events
Planet Detroit continues with the Impact Series, reflecting on the history of the Detroit Techno and the Impact it has had on our lives, We launched the series with Juan Atkins the Godfather of Techno and James Pennington a.k.a Suburban Knight. Part 2 of the series brings the legendary SCAN 7 to the stage joined by dj Surgeon a label mate of Scan 7's on Cratesavers Muzik. Also on the bill will be house sounds by John Collins of UR along with residents of Planet Detroit - dj TS1 and the Hammer Brothers. http://www.planetdetroit.net/impact2/impact_purpleb.gif Stay Tuned For Impact part 3 on May 27th Thanks Tim / Planet Detroit info: [EMAIL PROTECTED] The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) Detroit Events Saturday April 15
*** IMPACT *** part 2 DJ Surgeon - Cratesavers Muzik 1:00 SCAN 7 - Cratesavers Muzik 12:00 DJ John Collins - UR 10:45 Hammer Brothers - PlanetDetroit 10:00 DJ TS-1 - PlanetDetroit 9:30 Labyrinth- 1701 [EMAIL PROTECTED] Saturday April 15, 2006 $7 door 930pm info: [EMAIL PROTECTED] -Original Message- From: Steward, Tim Sent: Tuesday, April 11, 2006 10:50 AM To: '313@hyperreal.org' Subject: RE: (313) Detroit Events Planet Detroit continues with the Impact Series, reflecting on the history of the Detroit Techno and the Impact it has had on our lives, We launched the series with Juan Atkins the Godfather of Techno and James Pennington a.k.a Suburban Knight. Part 2 of the series brings the legendary SCAN 7 to the stage joined by dj Surgeon a label mate of Scan 7's on Cratesavers Muzik. Also on the bill will be house sounds by John Collins of UR along with residents of Planet Detroit - dj TS1 and the Hammer Brothers. http://www.planetdetroit.net/impact2/impact_purpleb.gif Stay Tuned For Impact part 3 on May 27th Thanks Tim / Planet Detroit info: [EMAIL PROTECTED] The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it. The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
(313) Planet Detroit Upcoming Events
ImPacT Series Part 1 Saturday March 18th - Labyrinth 1701 Cass, Detroit Juan Atkins - Metroplex James Pennington - UR PlanetDetroit Residents - TS-1 - Hammer Brothers Live $5adv $10 door 10pm-late *** ImPacT Series Part 2 Saturday April 15th - Labyrinth 1701 Cass, Detroit SCAN 7 DJ Surgeon - more to come $7 door 10pm-late *** The lineup for Part 3 will be coming soon *** Info [EMAIL PROTECTED] www.planetdetroit.net - - - The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) Planet Detroit Upcoming Events
This is the surgeon from Detroit. -Original Message- From: Matt Kane's Brain [mailto:[EMAIL PROTECTED] Sent: Friday, March 17, 2006 10:09 AM To: Steward, Tim Cc: '313' Subject: Re: (313) Planet Detroit Upcoming Events On Mar 17, 2006, at 8:52, Steward, Tim wrote: DJ Surgeon is the the british surgeon or the one from detroit? -- matt kane's brain http://hydrogenproject.com aim - mkbatwerk || mkbwriu [EMAIL PROTECTED] The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) Planet Detroit Upcoming Events
For info on DJ Surgeon check out http://www.cratesavers.com/ -Original Message- From: v12 [mailto:[EMAIL PROTECTED] Sent: Friday, March 17, 2006 11:55 AM To: Odeluga, Ken; Matt Kane's Brain; Steward, Tim Cc: 313 Subject: Re: (313) Planet Detroit Upcoming Events I'll bet it's the US Surgeon. Tony Child (the UK guy) is simply referred to as 'Surgeon' rather than 'DJ Surgeon'. I could be wrong... ^www.dj-surgeon.com i heard that the us surgeon is called the surgeon rather than dj surgeon but - ive never been there so... maybe it's none of them? ;) The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) Impact -Detroit part 1
*** * Impact * *** Saturday March 18th Juan Atkins - Metroplex James Pennington - UR PlanetDetroit Residents TS-1 / Hammer Brothers Live Saturday March 18th 10pm - late Labyrinth-Detroit 1701 [EMAIL PROTECTED] $5adv at recordtime Ferndale $10 door 18+ For info contact [EMAIL PROTECTED] The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) (OT) Melb Record Store Help
Seth is one of the hot upcoming dj's in Detroit He also does work with Beretta Music. -Tim -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Tuesday, January 03, 2006 3:04 PM To: 313@hyperreal.org Subject: Re: (313) (OT) Melb Record Store Help I'm not too familiar with Seth Troxler's music yet but this is a nice mix he did for Brian Kage's show http://66.221.205.118/kage/djsets/detroitsessions_episode4.mp3 I guess he met Omar through working at Melodies and memories in Detroit. Quoting Thomas D. Cox, Jr. [EMAIL PROTECTED]: On 1/3/06, Tristan Watkins [EMAIL PROTECTED] wrote: Huh. I passed on it. From the clip it didn't seem much different than Gusto's Disco's Revenge or something - not that I don't like that track, it just didn't strike me as special. Does it do something nutty later on? its just kind of a nutty track altogether. i thought the sample on emporium50 sounded decent, but i just always order omar's tunes so i got it and gave it the first listen all the way through last night, and its just bonkers. its so simple and hypnotic and nasty. its a serious banger. I finally just got the FXHE Compilation #1 myself. That Jus-Ed tack is the freekin' chn. The whole thing is tight though. LATE, I know. yeah i need to get a copy of that dood's new 12 as well. i liked the young seth tune on there best though, very understated. tom The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) Fw: Carl Craig returns - win his new mix CD!
The E is for Earth hope someone can win the CD -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Friday, December 09, 2005 3:50 AM To: 313@hyperreal.org Subject: (313) Fw: Carl Craig returns - win his new mix CD! - Forwarded by Alex Bond/UK/INF/PwC on 09/12/2005 08:49 - |-+ | | Superconductor | | | [EMAIL PROTECTED]| | | usic.co.uk | | || | | 08/12/2005 19:18 | | || | || | || |-+ --- ---| | | | To: Undisclosed-Recipient:;@me.freeserve.com | | cc: | | Subject: Carl Craig returns - win his new mix CD! | --- ---| ::latest news:: SUPERCONDUCTOR NEXT WEEK - FRIDAY 16th DECEMBER @ MISSION Our Christmas party in December sees the return of the one and only Carl Craig, fresh off the back of his latest mix CD for Fabric... A true pioneer, artist and musical visionary, Carl Craig is back at SC for the simple reason that he works so damn well with the SC vibe! If you haven't heard this guys music before this will be unmissable, if you have we'll see you there... Expect the finest in Electronic music - no musical boundaries, prejudices or preconceptions - in the true spirit of the Detroit style... CARL CRAIG (Planet E - Detroit) ANDREA PARKER (Touchin'Bass/K7! - UK) Dan Moore, Alex Bowen Daz Quayle (SC) Venue: Mission, Heaton's Court, Leeds 1. Doors: 22:00-05:00 Entry: £10 Members/before 11 £12 Otherwise ***WIN CARL'S NEW MIX CD FOR FABRIC*** We have 5 copies of Carl Craig's new mix CD to give away to our members. Just answer the following question: Carl's record label is called Planet E recordings - what does the E stand for? A: Earth B: Egg C: Ecstasy Entries to be in by next Wednesday - winners will be picked at random, best of luck! Here are details of the best value NYE party you are going to see this year in Leeds... SAT 31st DECEMBER - NEW YEAR'S EVE SUPERCONDUCTOR present the MUSIC BOX @ Arch 54... Our New year's Eve party this year sees the UK's finest joining us at Arch 54 (next to Mission) for a no holds barred take on Electronic Music... Both of our guests have played at SC before and both are back for the obvious reason of being very bloody good! Kirk and Ian are responsible for putting the soul and funk back into UK Techno, much in the vein of their cross Atlantic influences in Detroit, such as Carl Craig, Underground Resistance and Octave One... In the intimate surroundings of Arch 54 we will be hosting a NYE party with a difference; far removed from the usual anti climatic, money spinning disappointments that are all so often the norm. Arch 54 is without doubt one of the nicest venues you will come across in Leeds and boasts a fine sound system too! At £8/£10 you won't find a better deal anywhere else this NYE! Expect pure music for the party... KIRK DEGIORGIO (Versatile/Ubiquity/New Religion) IAN O'BRIEN - LIVE/DJ (Peacefrog) Dan Moore, Alex Bowen Daz Quayle (SC) Plus more guests in Room 2 covering all bases: Disco Annie | Echo Chamber DJ Set | Mash n' Gurn | Mark Hepworth Venue: Arch 54, Heaton's Court, Leeds 1 (Next to Mission) Doors from 8pm... Entry: £8 before 9pm /£10 after With Visuals Free Shots FREE AFTER PARTY! Further Info plus DJ mixes recorded live at Superconductor: www.superconductormusic.co.uk _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring. The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) my morning mischief
So true, why don't people dance at gigs in Detroit A couple months ago I was at a gig in detroit and I was dancing to the music and people looked at me Like I didn't belong there, when I feel the music I dance. Maybe because I'm an oldhead. -Original Message- From: skkatter [mailto:[EMAIL PROTECTED] Sent: Wednesday, December 07, 2005 7:15 AM To: 313@hyperreal.org Subject: Re: (313) my morning mischief Yeah, I always thought dance music was for dancing to! :) A friend of mine who DJed a few times in the states but is based in the UK told me how when he played a few places in the states nobody would dance. They all liked the music, clapped at the end or whatever, but kept perfectly still despite the dance music he was playing. With techno/electro/house I usually think it's the DJs job to get people to dance. I suppose if it's weird chin strokey musique concrete or whatever then it's more acceptable to stand around and have a bit of a shoe gaze (I always try to have a dance anyway, if I like what's being played). Must be a states thing, check out Cylob's rave photo page, he also talks about how nobody in the US dances at gig: http://www.cylob.com/rave_photos/ravephotos.html -skkatter On 07/12/05, Kent Williams [EMAIL PROTECTED] wrote: A party with a bunch of anoraks standing around is a party with no vibe. -- http://www.skkatter.net The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) Turn the volume down....
I agree with you, I made the investment about 1 year ago And now I would not be caught at a club without them. And they were only around $150 bucks US Tim -Original Message- From: Dennis DeSantis [mailto:[EMAIL PROTECTED] Sent: Friday, November 18, 2005 11:03 PM To: 313@hyperreal.org Subject: Re: (313) Turn the volume down They're a bit pricey, but a good pair of custom earplugs with a flat frequency response is probably the best gear investment you can make if you spend a lot of time around amplified music. I bought a pair when I was a gigging drummer and use them now for electronic shows. I wouldn't dream of going to a club without them. -- Dennis DeSantis www.dennisdesantis.com Mailing List: [EMAIL PROTECTED] darnistle wrote: I can definitely see the dangers in excessive volume at clubs. I've been to shows where my hearing has been considerably comprimised for several days afterwards. On the other hand, some of the best shows I've been to have been almost excuciatingly loud and I would not have had them any other way. The last Koxbox show I saw definitely falls into that category. If anything, I think clubs should do a better job of tailoring the EQ to fit the space. Too many times I've been to shows where all I could hear is thudding bass and weak high hats and couldn't really make out any of the midrange. Or at other places its been all midrange without enough bass or treble to give any sense of power or vitality. With better sound equalization, there shouldn't be the need to overcompensate by cranking the bass. Plus, I think the sense of immersion in the music comes across more readily when the sound is balanced. That said, I expect the volume to be CRANKED when I got out!! I don't want to be able to easily hear the conversations of the people around me. If they want to chat without having to raise their voices, they should hang near the bar/lounge, go to the local greasy spoon or maybe stay at home. Blaauw, Martijn de wrote: UK CLUBS TO TURN IT DOWN It's not everyday that DJs are told to turn the music down, especially not by politicians but now 365Mag can reveal that has just happened. The UK government is set to reduce the level of noise in British clubs by up to 5% from April 2006 with a law that is intended to protect the hearing of those in the music industry. When the new levels are passed by parliament in the Spring, employers in clubs and venues will be expected to protect their staffs hearing with a reduction in volume and a decrease in time spent exposed to excessive noise. Lawrence Waterman, President of the Institution of Occupational Safety and Health (IOSH) says: We need to help employs who work in the music industry to understand the risks of noise exposure. According to UK Heath and Safety statistics, around 170,000 people suffer from work related tinnitus, deafness or other ear-related problems. DJs who suffer from damaged hearing are Rocky from X-press 2 fame, Laurent Garnier and Tall Paul, who consulted a specialist in the late 90s, only to be told he had done irreparable damage to his hearing. This law raises the question of the use of ear filters once again. DJs such as Roger Sanchez, Jeff Mills, Laurent Garnier, Sander Kleinenberg and Erick Morillo all use custom-built earplugs to protect the ears from those dangerous high frequencies coming out of the monitors. Maybe the familiar ringing in the ears the next morning after a club-night could about to become a thing of the past for those on the dancefloor too after purchasing these plugs, or is that 'whistling' sound simply an integral part of a good night out? The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) Saturday in Detroit Psycho dynamics Live Tour
AdamX - Monolith - Psycho dynamics Live Tour Adam X- Live Monolith - Live Lady Wraith - Live Domination Action T.Linder TS-1 Nov 19th. @ Labyrinth. 400 [EMAIL PROTECTED] 18+ $10 10pm-3am for info [EMAIL PROTECTED] www.planetdetroit.net - The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313)The Evolution Of Sound
I may be a little late on this, but just received my copy today And a little bias since I'm a mills fan. But it's an excellent pick. Definitely worth buying for any/all collectors. The tracks are a classic instrumentation of the future of electronic music. When I say future, I mean the concept/storyline of the CD. He always attempts To open the portal of our minds. -Tim -Original Message- From: David Smith [mailto:[EMAIL PROTECTED] Sent: Tuesday, November 01, 2005 12:28 AM To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: RE: (313) New Mills cd, etc. This is an excellent CD well worth the extra effort to find--it is out there ;-D From: Wojtek [EMAIL PROTECTED] To: 313@hyperreal.org Subject: (313) New Mills cd, etc. Date: Mon, 24 Oct 2005 16:21:34 -0700 Does anyone have info on this relaease? http://www.discogs.com/release/544601 Is it availble outside of Japan yet? The discogs notes say that it's a US release, but it doesn't seem to be available from any known outlets. Also, some nice pics of Mills live with a 909 and Scion (does this mean that a new release of theirs is in the works?) performing can be found here http://blog.excite.co.jp/jeff05 wojtek The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) kelly hand
kelly hand is on deck this weekend in detroit Below is the info After Glow @ Johansen Charles Gallery Saturday Oktober 15, 2K5 K-HAND Acacia Records/Detroit Tim Baker Elephanthaus Rec./Real Estate Rec. Chicago/Detroit DJ 3000 Motech Records/ U.R Hakim Murphy Random Access Recording / Planet Detroit Hammer Brothers (Live) / Planet Detroit TS-1 soultraxx Records/Planet Detroit 1345 Division St. @Eastern Mkt - Detroit $10 Cover www.planetdetroit.net The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) Record Time
Not to be confused, Recordtime still sells vinyl They only moved the vinyl out of the dance room Into the main room.(There was always vinyl in the Main room, just not dance music). -Original Message- From: Renegade808 [mailto:[EMAIL PROTECTED] Sent: Monday, October 10, 2005 6:25 PM To: Svagr, Jodie Cc: 313@hyperreal.org Subject: RE: (313) Record Time errr.i'm not starting any rumour's here. i have said basically what alot of people on this list said...that record time (roseville) CLOSED the dance room and its a shame. im not pushing anyone out of a job, i believe its recordtime, and lack of record sales doing that. michael I'm a bit confused over all this talk that Record time has 'packed up' the dance room... I know Mike was in the Record Time Roseville... and it is definitely a bit of a shock that he no longer works there... but saying that they've 'packed up' the dance room is going to hurt the dance music sales they will still do from the Record Time Ferndale location... Don't push the rest of the guys like Vince Patricola out of a job by starting rumours that there will no longer be dance music sales!! Jodie -Original Message- From: Renegade808 [mailto:[EMAIL PROTECTED] Sent: 06 October 2005 22:17 To: Fred Heutte Cc: 313@hyperreal.org Subject: RE: (313) Record Time Yea i have to agree. Mike Huckaby was a big force behind alot of the music at record time. When he called me a week or so ago to let me know he was done there, i thought he was kidding at first. I hope Mike moves on to better things. He really deserves it. I know record time was never the end all be all record source, but i picked up many gems out of that place. as well as met loads of people there...I used to do mail order from record time back around 94 and have alot of great records because of it. i loved those days I am sad that they have packed the dance room up. alot of history there. but i guess its just a sign of the times...or something... michael www.renegaderhythms.com wow . . . I never did all that well shopping at RT but unquestionably it was a highlight of many of my visits to the D (I met Terrence Parker there for the first time in 1995, just to name one example), and a hugely important connecting point for those serious-about- the-music. Plus it seems like at least half of y'all in town worked there one time or another :) Give it up for Mike Huckaby. I hope he lands at a good spot. In my observation, nobody has done more than Mike to keep the music going. Fred The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
(313) After Glow Oktober15 Detroit
After Glow @ Johansen Charles Gallery Saturday Oktober 15, 2K5 K-HAND Acacia Records/Detroit Tim Baker Elephanthaus Rec./Real Estate Rec. Chicago/Detroit DJ 3000 Motech Records/ U.R Hakim Murphy Random Access Recording / Planet Detroit Hammer Brothers (Live) / Planet Detroit TS-1 soultraxx Records/Planet Detroit 1345 Division St. @Eastern Mkt - Detroit $10 Cover www.planetdetroit.net The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
(313) After Glow Saturday Oktober 15, 2K5
After Glow @ Johansen Charles Gallery Saturday Oktober 15, 2K5 K-HAND Acacia Records/Detroit Tim Baker Elephanthaus Rec./Real Estate Rec. Chicago/Detroit DJ 3000 Motech Records/ U.R Hakim Murphy Random Access Recording / Planet Detroit Hammer Brothers (Live) / Planet Detroit TS-1 soultraxx Records/Planet Detroit 1345 Division St. @Eastern Mkt - Detroit $10 Cover www.planetdetroit.net The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
(313) fuse after party
visit www.planetdetroit.net The Invasion @ Labyrinth 400 bagley at cass a short walk from hart plaza Saturday May 28th, 10pm -5am$7.00 all night dj Quadlow, forward:detroit330-500a dj Adam X, sonic groove NY 130-330a vj juLiE mEitZ detroit 130-330a dj Minx women on wax,m-nus, hitgirl 1230-130 dj Bumblebee chicago, dark intelligent DnB 11-1230 dj TS1 soultraxx detroit,10-1100 -steward The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
(313) Fuse-in Detroit
This Wed. or Thurs. Fuse-in Detroit will be releasing a general press release. The meat and potatoes of information will be released at a press Conference on May 3rd. Information on the ability to charge, Line-up and all the other goodies will be released sometime between 10am and 2pm on Tuesday May 3rd. -Tim The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) lake shore drive
In Detroit, Jefferson ave turns into lake shore drive as you enter grosse pointe, st clair shores etc.. there you will find tons of mini/mansions some not so mini. Michigan ave is the road that run all the way to Chicago. -Original Message- From: Martin Dust [mailto:[EMAIL PROTECTED] Sent: Monday, April 18, 2005 8:42 AM To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: Re: (313) lake shore drive Isn't it the drive that leads north to Chicago On 18 Apr 2005, at 13:08, lee herrington wrote: Lake Shore Drive The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) Re: On Topic: Movement 2005?
Yes they were there twice -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Friday, December 10, 2004 4:22 PM To: Martin Dust Cc: 313@hyperreal.org; [EMAIL PROTECTED] Subject: Re: (313) Re: On Topic: Movement 2005? Didn't Slum Village already appear at one of the previous DEMFs? MEK Martin Dust [EMAIL PROTECTED] com To [EMAIL PROTECTED], 12/10/2004 03:01 [EMAIL PROTECTED] PM cc 313@hyperreal.org Subject Please respond to Re: (313) Re: On Topic: Movement Martin Dust 2005? [EMAIL PROTECTED] com Another fact is that the sound of Detroit has been changing all of this time and it has not been reflected in the festival What sound of Detroit is the festival not covering? I wouldn't mind seeing Slum Village and Premier Cru at DEMF 2005... Martin The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
(313) The Future Is Coming
Future Friday July 30th Tavern on the Park 1570 Woodward Avenue Detroit, MI Cost:Free 10pm-2am for more info email [EMAIL PROTECTED] The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) Theo P
this would be a good reason, tons of people just watch the dj's hands and try to determine what record is playing next, instead of dancing with anticipation -Original Message- From: placid [mailto:[EMAIL PROTECTED] Sent: Tuesday, June 29, 2004 10:19 AM To: 313@hyperreal.org Subject: RE: (313) Theo P I always thought it was to stop trainspotters and just to get people to dance and listen to the music instead of watching / worshipping the dj... -Original Message- From: Martin Dust [mailto:[EMAIL PROTECTED] Sent: 29 June 2004 14:56 To: 313 Subject: (313) Theo P Does anyone know the real reason why he always plays behind a screen? The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) Freefloats and feedback.
I always do a little vibration test to decide if I need them, there are times when I was without and wish I had them. -try stomping on the floor in front of the djbooth/table and see if your record skips, or bumb the booth/table. The floats may be wierd looking but they absorb the vibration. But if you buy some try them out at home first so you know exactly how much air to put in them if you put too much the center can make your deck be un-balanced. Anytime your playing outside with a raised staged you should use them Tim -Original Message- From: Jason Brunton [mailto:[EMAIL PROTECTED] Sent: Thursday, June 17, 2004 9:17 AM To: Jari Tolkkinen Cc: 313 Subject: Re: (313) Freefloats and feedback. We sell them at Rub A Dub and they are proving quiet popular at the mo (I'm pretty sure its a Dutch company that designed them)- seem to be getting lots of use at big festivals- they were everywhere at Movement and Soma just bought a couple of pairs for their Sonar parties cheers Jason They seem to be big thing in Holland. I played there a gig couple of weeks ago and the venue had Freefloats under their decks. AFAIK they were invented in Holland for the Dancevalley event (correct me if I'm wrong). Couple of points. I correct my mixes when the both channels are playing on top of eachother with the pitch fader. That felt really odd at first since the deck was wobbling back and forth. This was due to the fact that the decks were quite new and the pitches were very tight. How ever the needle didn't jump once during my 2,5h. Hmm, that was actually just one point :D Any hoo, I ordered couple of those from a friend of mine. I like to play without the 'floats but there are couple of places where they are more than welcome. -- Jari Tolkkinen | dj ken-guru | http://www.ken-guru.net -- The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) Freefloats and feedback.
the decks will still move, but the needle won't jump But it's a matter of your preference, the floats I can easily just pop into my bag, and pull them out in the venue causes for them. If you play a venue that already has decks then you only pack your records, and if the dj ahead of you had the skipping/ vibration going on it will only take you a few minutes to slide in and setup your floats without stopping the groove. Tim -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Thursday, June 17, 2004 10:19 AM To: 313@hyperreal.org Subject: (313) Freefloats and feedback. They were using those Orange cushion things at the Movement Festival, and in my opinion they didn't seem to work too well. They still make the decks bob up and down, like you are at sea. What I would recommend is to go buy those foam pads that go under monitor speakers and use those. They work far better at reducing unwanted vibrations. Still, your decks will be raised up about 4 inches, so be prepared for that. e Incidentally for the gig I just mentioned in a previous post I've purchased a pair of those Freefloat things (bright orange, weirdly shaped inflatable cushions you put your decks on) in an attempt to reduce feedback which seems to the limiting factor with our set up at the venue we're playing. Does anyone know if they work for this purpose? The makers reckon you should be able to turn your system up 20 - 30 dB more (so I guess they must provide 20 - 30 dBrw?). What other measures do people find effective to combat feedback (foam vs. inner tubes vs. paving slabs vs. water vs. combinations vs. something I haven't heard of etc.) and what does anyone know about the phenomenon? I've heard that Technics 1200s/1210s may be particularly susceptible to vibrating at a frequency which I've heard quoted as both round 60Hz and 40Hz. Francis The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) Re: *** Spam? *** RE: (313) stuff
If they release in the worldwide then everyone would order via the web from the US, and just order multiple things pay a cheap shipping cost for example a US released 12inch 6.99 average plus 5.00 shipping equals 11.99 one imported 12inch in the US is 11.99 base price... Tim -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Wednesday, June 16, 2004 11:11 AM To: 313@hyperreal.org Subject: (313) Re: *** Spam? *** RE: (313) stuff Is the Japanese fanbase bigger or more likely to buy? seems weird doesn't it? i.e. why not just release things worldwide like everyone else does? I presume there's a good reason, I have no idea what it is though. anyone? _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) Future of Movement
I agree with Lisa, Kent and many of the other comments made. I support Derrick and his company, but for the festival I think there needs to be a few adjustments to make it happen. 1 a project manager, not an artist running the project but a skilled project manager to make sure it comes together. 2 a detailed budget, face it nothing is free 3 a massive marketing campaign/team 4 Understand that running a festival is like a business, the CEO (Derrick) can only be a success if he surrounds himself with a successful/positive team . Tim -Original Message- From: lisa [mailto:[EMAIL PROTECTED] Sent: Friday, June 04, 2004 1:46 PM To: Kent williams Cc: 313 list Subject: Re: (313) Future of Movement Hiya Kent - your post has me thinking a few things ... I give Derrick credit for driving around as he did that day, asking for donations. My impression of it was somewhat grassroots and showed that he was willing to do pretty much anything to make this work. I'll never fault anyone for caring. No matter what went on behind the scenes to bring this about, it was both sad and inspiring to see someone do this. I would suggest to those involved (planners, artists, sponsors, etc.) that it would be a good idea to sit down and hold a formal private retrospective for Movement 04. That's where you review your original goals/objectives against what really happened. People get to have a say as well (it's important to talk about what went well what didn't in equal measure). At this time you would also talk about ideas for what might be done differently or occur next time. It would be a good idea to have someone experienced in facilitation run the session who was not involved in the festival, that way they can be objective and help keep it balanced. As you might imagine, these sessions can easily get out of hand. I can tell you there is always a debate (amongst those who do this kinda stuff) about how this should be done. Should the planner know the content/project intimately or be an outsider? My opinion is that it works best if the person is an outsider *but* someone able to understand just about anything that goes on (i.e., you can ask the right questions) and make it happen. The best arguments for an objective person is that they can see things that others cannot, if only because they are an outsider and they don't let ego and politics get in the way (if they're good, that is - LOL). Another argument for having a person dedicated to planning/management is that others can focus on doing what it is that they want to or are supposed to be doing, instead of wearing so many hats that their head is spinning and it ends up being an unpleasant time for all (at no fault of anyone other than the situation itself). Of course there has to be status meetings and such, otherwise things get out of hand. Sorry if this is kinda geeky, but I think that if it can work for complex, multi-million dollar projects, then some of the ideas can help with any large undertaking, like a festival. Lisa Kent williams wrote: We can go on and on about Movement, and I don't intend to do that here, but I have a few things to say on the subject: 1. There has been much criticism of Movement '04, some of it valid and constructive, but every picture I took at the Festival had people smiling in it. There was a vibe there that is rare. That, to me, is the most precious thing about the Festival. 2. Without discounting in any way the time, money, and heart Derrick May put into the festival, the disorganization and last-minute drama didn't help. There needs to be someone involved with the festival who can sell it to large-dollar sponsors, manage logistics, and get ahead of the curve. Booking the lineup is the fun part, and only about 1% of the job. Kevin Saunderson seems to be poised to take on this role. I don't know Kevin personally, but in the press conference he seemed calm, articulate, and tactful. The fact remains that these guys are at the top of their game in the studio or in the DJ booth, but the skills required to put on a 3 day festival are completely different. Beyond that, everything I have to say about the festival has already been said by Brian Mccollum in the Free Press. http://www.freep.com/entertainment/music/move1_20040601.htm The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) my personal experience at movement
Yes the city does help out with some of the other festivals But there is also tons of sponsors at other events, the booth rental rates were too much for a small business to jump on at least for me. These were the cost $200.00 to the city for license $2200 for the 10x10 booths with no sides $3700 for the 12x12 booth with sides. so on the low end a small business would need to sell $2400 worth of merchandise just to break even. So for me it was not in my budget. There were no major sponsors at all, a couple years ago Ford was a major sponsor, and I work for a big computer company that moved downtown last year and nobody approached them. These are they type of sponsors they need the clothing stores are cool, but they don't have the same level of money to put up. The economy is bad, yes but all the resources need to be tapped. Now we have the pontiac techno house music festival july 11-12 which I plan to attend, but the real question why start a new festival instead of joining forces with the movement festival. And maybe it's just me but the name change from demf/movement needs to be properly communicated-did anyone notice that some restaurants/bars had old demf signs up. I know that's petty but I noticed it. Also I think everyone in the city with a small record label needs to contribute so that a city wide effort is put forth. The logistics were poor, mainly due to city politics there were politics involved last year, but this year they interfered with the festival, so it was out in the open not behind the scenes like last year. Derrick,(Transmat,High Tech)Kevin(KMS) worked hard to give us a good show. So I send them one big Techno Thank You.. Overall I enjoyed the movement 04, I played on Sunday afternoon @nikkis with negative-saucer which was a cool small set. Tim -Original Message- From: Redmond, Ja'Maul [mailto:[EMAIL PROTECTED] Sent: Wednesday, June 02, 2004 9:09 AM To: [EMAIL PROTECTED]; Erin Bate Cc: 313@hyperreal.org; /0 Subject: RE: (313) my personal experience at movement I still can't believe that the city doesn't pay a dime. Down here (charlotte) the city pays for most of the chessy music festivals we have and they don't draw anywhere near a million + people. Do any of you guys in Detroit know whether the city helps for other festivals in the city. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Tuesday, June 01, 2004 4:17 PM To: Erin Bate Cc: 313@hyperreal.org; /0 Subject: Re: (313) my personal experience at movement Well, it's not just Derrick, Kevin Saunderson is part of it as well. So what part of the business do they need to run better? Is it the getting sponsors to support them during a crappy economy part? Is it the trying to convince the politicians/city to cough up some cash part? Is it the part about putting up even more of your own personal money or getting monstrous loans just to throw an event and go into major debt? I'd like to know... Derrick can take all the business classes in the world but if nobody is going to give up some money to support Movement - it ain't going to happen again. How long do we hold onto our checks before there isn't another festival? MEK Erin Bate [EMAIL PROTECTED]To: /0 [EMAIL PROTECTED] thms.comcc: 313@hyperreal.org, [EMAIL PROTECTED] Subject: Re: (313) my personal experience at movement 06/01/04 02:51 PM I would hold on to your check until derrick takes some business classes. ~E From the outside, Movement 2004 looked like a success. But Movement 2005 is in a precarious spot. Detroit can't let this slip away. this is an excellent article - really says it like it is. I think everyone who has ever enjoyed Movement or the DEMF should read this I didn't go this year but I'd like to make some donations so I can go again next year where do I send my check? The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) my personal experience at movement
I'm not saying anything negative about the Derrick,Kevin and co.. it's my city Detroit I'm talking about the city does not support the music like they do other events, just a couple weeks ago they had the hip hop summit, which was supported. The city sees our event as a chance to milk us listeners for the money, but not kick out any... These are the same reasons why many artist have left the city... -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Wednesday, June 02, 2004 10:48 AM To: Steward, Tim; 313@hyperreal.org Subject: RE: (313) my personal experience at movement was Red Bull there this year? I can't even remember if it was last year -doh!- but Red Bull in Europe do alot for clubs/events etc they really go out of there way to help...but as you say blue chips would be good as well as bigger brands also Vestax are good for events but off course you gotta use Vestax's thru and thru which aint bad ..I am sure they tried all avenues but to be honest I find it hard ebough myself just dealing with family/work/djing and producing net along trying to organise a free event for the masses so hats off to Derrick, Kevin and Co... -Original Message- From: Steward, Tim [mailto:[EMAIL PROTECTED] Sent: Wed 02/06/2004 15:38 To: 313@hyperreal.org Cc: Subject: RE: (313) my personal experience at movement Yes the city does help out with some of the other festivals But there is also tons of sponsors at other events, the booth rental rates were too much for a small business to jump on at least for me. These were the cost $200.00 to the city for license $2200 for the 10x10 booths with no sides $3700 for the 12x12 booth with sides. so on the low end a small business would need to sell $2400 worth of merchandise just to break even. So for me it was not in my budget. There were no major sponsors at all, a couple years ago Ford was a major sponsor, and I work for a big computer company that moved downtown last year and nobody approached them. These are they type of sponsors they need the clothing stores are cool, but they don't have the same level of money to put up. The economy is bad, yes but all the resources need to be tapped. Now we have the pontiac techno house music festival july 11-12 which I plan to attend, but the real question why start a new festival instead of joining forces with the movement festival. And maybe it's just me but the name change from demf/movement needs to be properly communicated-did anyone notice that some restaurants/bars had old demf signs up. I know that's petty but I noticed it. Also I think everyone in the city with a small record label needs to contribute so that a city wide effort is put forth. The logistics were poor, mainly due to city politics there were politics involved last year, but this year they interfered with the festival, so it was out in the open not behind the scenes like last year. Derrick,(Transmat,High Tech)Kevin(KMS) worked hard to give us a good show. So I send them one big Techno Thank You.. Overall I enjoyed the movement 04, I played on Sunday afternoon @nikkis with negative-saucer which was a cool small set. Tim -Original Message- From: Redmond, Ja'Maul [mailto:[EMAIL PROTECTED] Sent: Wednesday, June 02, 2004 9:09 AM To: [EMAIL PROTECTED]; Erin Bate Cc: 313@hyperreal.org; /0 Subject: RE: (313) my personal experience at movement I still can't believe that the city doesn't pay a dime. Down here (charlotte) the city pays for most of the chessy music festivals we have and they don't draw anywhere near a million + people. Do any of you guys in Detroit know whether the city helps for other festivals in the city. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Tuesday, June 01, 2004 4:17 PM To: Erin Bate Cc: 313@hyperreal.org; /0 Subject: Re: (313) my personal experience at movement Well, it's not just Derrick, Kevin Saunderson is part of it as well. So what part of the business do they need to run better? Is it the getting sponsors to support them during a crappy economy part? Is it the trying to convince the politicians/city to cough up some cash part? Is it the part about putting up even more of your own personal money or getting monstrous loans just to throw an event and go into major debt
RE: (313) movement CD
Did anyone pick up the movement CD ? if so how is it? Tim The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) Movement schedule?
Still no schedule, and it appears they have added more names since the last time I checked. Originally they didn't want to have a lot of Detroit DJ's but they are slowly adding a few. -Tim -Original Message- From: lisa [mailto:[EMAIL PROTECTED] Sent: Thursday, May 27, 2004 12:08 AM To: (313) Subject: (313) Movement schedule? hmmm ... anyone seen it yet? as of right now (12am EST, Thurs) there isn't anything on the movementfestival site under the 'schedule' section. ah, the suspense ... lisa The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) why lie on your bio (Tim Baker)
The detroit music scene spread throughout the entire metro detroit area, Most of us college kids from the Ypsilanti/Ann Arbor area would come back to Detroit to party, But I can tell you for a fact that the overall support from the music community was not present in Detroit. I am from Detroit and I know that each time I came home for the weekend/summer the people in my neighborhood wanted me to turn off my tapes they didn't want to hear the music. It's not a matter of Where Tim Baker is from, but the spirit by which he produces. So it's ok with me if he says Detroit, because he is not just a new kid on the block, he been around for a long time. Tim Steward -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Monday, May 24, 2004 12:17 PM To: 313@hyperreal.org Subject: (313) why lie on your bio (Tim Baker) I was on the Tim Baker website the other day and it says he grew up in Detroit. Now that is not true. I work in Ann Arbor, an I work with someone who went to middle school and high school with him. At first I didn't believe him until they just showed me yearbook pictures from his middle school (scarllet) and High School (Ann Arbor Huron class of 85) Pictures. Detroit and Ann Arbor are two different cites socially and geographic why do people lie just to say the are from Detroit? The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
(313) movement passes
What's the thought on the movement VIP passes 50 / 200 Tim TS-1 -Original Message- From: John Coleman [mailto:[EMAIL PROTECTED] Sent: Tuesday, May 18, 2004 9:58 AM To: 313@hyperreal.org Subject: RE: AW: (313) no (ellen) alliens in nyc Security at Federal buildings is equally inconsistent. I'm a contractor with the DoD right now, and the other day I got stopped and questioned on the way in from lunch because there was a fork in my lunch bag. The same fork I strolled right through security with on the way in that morning. I guess forks are a major potential security risk. I know if I were to attack a large federal building my first choice of tools would be a fork. :) john. The moral of the story is that it's all smoke and mirrors. The stern glances from the ex-janitors running border security are supposed to make you feel like It's All Under Control. None of these people have a clue what's going on, which is why seemingly arbitrary decisions like the situation with Ellen are commonplace in The New America. [Ken Odeluga] Oh well, at least it makes you feel reassured that no terrorist will ever be able to penetrate the United States through the inland borders. k The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) mp3(13) ...
On the Kevin Saunderson' site kmsproductions.com you can find 1 mp3 for sell, and that was just added within the past couple of weeks. So it might catch on soon around the 313 TS-1 -Original Message- From: Marc Langsman [mailto:[EMAIL PROTECTED] Sent: Tuesday, May 18, 2004 3:48 PM To: 313@hyperreal.org Subject: (313) mp3(13) ... Does anyone know what decent labels have started selling mp3s online ? So far Ive only found warp and k7 - is there anything in the 313 department or anythng else worth checking ? [Id have thought submerge might be leading the technolgical underground on this one but no such luck :\ ] peace, marc The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) Movement Thoughts
It will happen for sure, If D.May said he would produce the line-up this week then he will keep his word. Dealing with the City of Det. is very difficult especially for an event of this magnitude. TS-1 -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Monday, May 03, 2004 12:47 PM To: 313@hyperreal.org Subject: (313) Movement Thoughts Is it just me? But it seems like they should have had the movement line up set months ago. I mean with less than a month to go we don't know anything. Is this a sign of being unorganized in doing events like this? Will it even happen? The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) Re: () SIX NINE represses?
I agree with J.T. just think $17 for the record today with 1-4 tracks then a CD tomorrow with 8 plus tracks will end up priced at $34 this absolutely squeezes out the small labels. I think the reason behind this is If and artist is hot today, there is no guarantee he/she will be hot tomorrow so they make as much money as they can today. But if we keep buying they will keep selling TS-1 -Original Message- From: J. T. [mailto:[EMAIL PROTECTED] Sent: Wednesday, April 14, 2004 1:53 PM To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) Re: () SIX NINE represses? what?? there's no reason for a gd repress to be $17. f that. i aint buying it. i'll wait to pick up a dozen other classics for the same money at a secondhand place. there's loads of other classics out there... i dont think there are many positive ramifications of pricing records this way. it is supply and demand yes, high price to make as much profit as possible because demand is not that great. those who want it want it bad enough to pay the retarded price. it's a kinda shady way to hype your product: it costs a lot -- it must be good! it's worth it! well maybe, but it's not worth 3 times the price of other new records, especially not for a repress. even from a collector standpoint..all glory is to the original pressing, traditionally represses arent worth much, they even devalue. you cant put a price on good music, but there is a standard price for records so... overall i think this trend stinks. leaves buyers with a smaller budget for other new records, gives these high-priced classics, new peacefrogs etc, somewhat undue priority with your wallet. nice marketing trick but makes the vinyl market even more exclusive, and harder for smaller labels to stay in the game. generally takes some joy out of buying new records. whatever. props to clone for repressing glass domain with a normal pricetag. its supply and demand. even @ $10 and up from US distros, all the distros were out within hours of getting them in. i know my demand for the record was well over $17 (what i paid for it from submerge) but well under what a used copy goes for on ebay. ill be happy to get the other 69 records for the same price as well. now carl needs to repress those retroactive records and a couple more early planet e joints to make me happy. tom andythepooh.com _ Limited-time offer: Fast, reliable MSN 9 Dial-up Internet access FREE for 2 months! http://join.msn.com/?page=dept/dialuppgmarket=en-usST=1/go/onm00200361ave/ direct/01/ The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) Movement 2004 Lineup
no word yet I tried to send a email to the contact mail from the movement site last week and - still no response. TS -1 -Original Message- From: robin [mailto:[EMAIL PROTECTED] Sent: Tuesday, April 13, 2004 9:00 AM To: 313 Subject: (313) Movement 2004 Lineup so 6 weeks to go and no line up yet? anyone know when it's gonna be finalised? ta robin... The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) Pin up Girls Take me Away dubbed up mix pin up girl s records
That's right it's a Jeff Mills classic with Brigette Grace a must have for house heads. Most people didn't know it was a mills track so you may be able to find it. Sorry I can't sell my copy TS-1 -Original Message- From: Stewart Caig [mailto:[EMAIL PROTECTED] Sent: Tuesday, April 13, 2004 11:35 AM To: placid Cc: 313@hyperreal.org Subject: Re: (313) Pin up Girls Take me Away dubbed up mix pin up girls records I have this on Network records. Its by Jeff Mills and James Pennington if I remember correctly. Massive housey club anthem from back in the day. There was also a Nexus 21 remix on it. Stewart - Original Message - From: placid [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Tuesday, April 13, 2004 4:31 PM Subject: (313) Pin up Girls Take me Away dubbed up mix pin up girls records Wonder if anyone has any info on this... it is on 'pin up girls' label and has 3 very Detroit sounding mixes.. Take me away pin up girls remix Tech me away Take me away - dubbed up mix Cant find it on discogs... For anyone that has the sting on acid ep, it looks like the same label as that Cat # tma 001.. Any help much appreciated... It could be nexus 21 mixes but there is no credits or anything at all... The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) new Mills
There is no way you can say mills is a lightweight, Music production is an art, and art is a form of expression if you choose not to buy it that's your choice, but call him a lightweight when he is a true artist..It appears to me that he is able to continually re-create himself and capture his audience. If you take a look around the industry there are many people that copy the things he does, for example without naming names - who just recently copied his See The Light idea...and who will copy the dvd concept next.. The art of DJing is not easy we all know, but the art of music production is not easy either (believe me) In order for the techno (electro,house,jungle,trance etc...) scene to survive more people have to constantly step out on the edge and try to re-create themselves. TS-1 (Deep in the 313) Where music evolves from the soul of the city -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Thursday, April 08, 2004 1:27 PM To: Blackman, Ryan (UKEKT) Cc: 'Robert Taylor'; Andrew; 313@hyperreal.org Subject: RE: (313) new Mills you want a concept? buy a friggen Nation of Ulysses record. Now they had f**kin concepts. Mills is a lightweight. On Thu, 8 Apr 2004, Blackman, Ryan (UKEKT) wrote: Right, right, I see...it's diss Mills time again!! At the end of the day, take it or leave it. If that's how HE chooses to do things, and you don't get it, then don't worry about it!! Take from it what you want. At the end of the day, the concepts don't sell the records to me, at all - but I certainly wouldn't attempt to belittle the ideas by imposing my opinion on others. Better than conceptualising about drug monkeys in a nightclub anyway - because that is just not challenging, in the slightest. -Original Message- From: Robert Taylor [mailto:[EMAIL PROTECTED] Sent: 08 April 2004 1:12 To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org Subject: RE: (313) new Mills A concept that is somewhat lacking if it takes a load of highfaluting nonsense to explain it. -Original Message- From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED] Sent: Thursday, April 08, 2004 11:07 AM To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org Subject: RE: (313) new Mills That he's composed a piece of music based specifically around an idea, a concept. -Original Message- From: Robert Taylor [mailto:[EMAIL PROTECTED] Sent: 08 April 2004 1:06 To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org Subject: RE: (313) new Mills My arse exists on more levels than the purely conceptual, Ryan. What do you mean by conceptual? -Original Message- From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED] Sent: Thursday, April 08, 2004 11:05 AM To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org Subject: RE: (313) new Mills No, it's obviously conceptual. -Original Message- From: Robert Taylor [mailto:[EMAIL PROTECTED] Sent: 08 April 2004 1:04 To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org Subject: RE: (313) new Mills My arse -Original Message- From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED] Sent: Thursday, April 08, 2004 11:03 AM To: Robert Taylor; Andrew; 313@hyperreal.org Subject: RE: (313) new Mills To you, maybe. To Mills it's obviously conceptual. -Original Message- From: Robert Taylor [mailto:[EMAIL PROTECTED] Sent: 08 April 2004 1:02 To: Andrew; 313@hyperreal.org Subject: RE: (313) new Mills But it's just a record -Original Message- From: Andrew [mailto:[EMAIL PROTECTED] Sent: Thursday, April 08, 2004 10:58 AM To: 313@hyperreal.org Subject: RE: (313) new Mills Sorry to pile in here...philosophy background coming into play ;-) Mills chose the symbolic colour of white as the vinyl colour in the design to represent an unknown destination in space and/or time This is actually justified conceptually by thinking about a situation where you are in space which is completely white - no other information is being received by you. You therefore have no sense of change in your environment other than your inner sense of space and/or time, and so in an limited sense these things cease to exist. Philosophically I call this a 'white room' scenario, actually a very interesting situation which highlights certain things about how we perceive and know anything at all. So there! Peace, Andrew # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You.
RE: (313) new Mills
Let us see you step up to the plate, what's the title of your latest cut - let me go pick it up and see who the lightweight is... 313 - TS-1 -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Thursday, April 08, 2004 1:45 PM To: 313@hyperreal.org Subject: RE: (313) new Mills you want a concept? buy a friggen Nation of Ulysses record. Now they had f**kin concepts. yes, go buy a Nation of Ulysses record because their concepts are the best concepts in this whole world that way once you've bought a Nation of Ulysses record you will never have to buy another record by anyone trying to pull ideas together into a complete package their concepts are more valid than Jeff Mills' concepts so Jeff, if you're reading any of this - stop right now because Nation of Ulysses is better than you and, even though you are addressing totally different issues and with different styles of music, you can't beat them no matter how hard you try same goes for those Underground Resistance guys, that Richie Hawtin character, and Kraftwerk - what a bunch of lightweights MEK The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) new Mills
It was for yussel, but I don't think I need to argue about this anymore, because we each have our own opinions... But I will read a NoU CD booklet, and my point will still stand that mills is not a lightweight. And I won't call NoU lightweights either because I respect what each artist does. TS-1 -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Thursday, April 08, 2004 2:02 PM To: Steward, Tim Cc: 313@hyperreal.org Subject: RE: (313) new Mills easy sparky. i said when it comes to concepts- mills is a lightweight. read a NoU CD booklet and see what i'm saying. On Thu, 8 Apr 2004, Steward, Tim wrote: There is no way you can say mills is a lightweight, Music production is an art, and art is a form of expression if you choose not to buy it that's your choice, but call him a lightweight when he is a true artist..It appears to me that he is able to continually re-create himself and capture his audience. If you take a look around the industry there are many people that copy the things he does, for example without naming names - who just recently copied his See The Light idea...and who will copy the dvd concept next.. The art of DJing is not easy we all know, but the art of music production is not easy either (believe me) In order for the techno (electro,house,jungle,trance etc...) scene to survive more people have to constantly step out on the edge and try to re-create themselves. TS-1 (Deep in the 313) Where music evolves from the soul of the city -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Thursday, April 08, 2004 1:27 PM To: Blackman, Ryan (UKEKT) Cc: 'Robert Taylor'; Andrew; 313@hyperreal.org Subject: RE: (313) new Mills you want a concept? buy a friggen Nation of Ulysses record. Now they had f**kin concepts. Mills is a lightweight. On Thu, 8 Apr 2004, Blackman, Ryan (UKEKT) wrote: Right, right, I see...it's diss Mills time again!! At the end of the day, take it or leave it. If that's how HE chooses to do things, and you don't get it, then don't worry about it!! Take from it what you want. At the end of the day, the concepts don't sell the records to me, at all - but I certainly wouldn't attempt to belittle the ideas by imposing my opinion on others. Better than conceptualising about drug monkeys in a nightclub anyway - because that is just not challenging, in the slightest. -Original Message- From: Robert Taylor [mailto:[EMAIL PROTECTED] Sent: 08 April 2004 1:12 To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org Subject: RE: (313) new Mills A concept that is somewhat lacking if it takes a load of highfaluting nonsense to explain it. -Original Message- From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED] Sent: Thursday, April 08, 2004 11:07 AM To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org Subject: RE: (313) new Mills That he's composed a piece of music based specifically around an idea, a concept. -Original Message- From: Robert Taylor [mailto:[EMAIL PROTECTED] Sent: 08 April 2004 1:06 To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org Subject: RE: (313) new Mills My arse exists on more levels than the purely conceptual, Ryan. What do you mean by conceptual? -Original Message- From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED] Sent: Thursday, April 08, 2004 11:05 AM To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org Subject: RE: (313) new Mills No, it's obviously conceptual. -Original Message- From: Robert Taylor [mailto:[EMAIL PROTECTED] Sent: 08 April 2004 1:04 To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org Subject: RE: (313) new Mills My arse -Original Message- From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED] Sent: Thursday, April 08, 2004 11:03 AM To: Robert Taylor; Andrew; 313@hyperreal.org Subject: RE: (313) new Mills To you, maybe. To Mills it's obviously conceptual. -Original Message- From: Robert Taylor [mailto:[EMAIL PROTECTED] Sent: 08 April 2004 1:02 To: Andrew; 313@hyperreal.org Subject: RE: (313) new Mills But it's just a record -Original Message- From: Andrew [mailto:[EMAIL PROTECTED] Sent: Thursday, April 08, 2004 10:58 AM To: 313@hyperreal.org Subject: RE: (313) new Mills Sorry to pile in here...philosophy background coming into play ;-) Mills chose the symbolic colour of white as the vinyl colour in the design to represent an unknown destination in space and/or time This is actually justified conceptually by thinking about a situation where you are in space which is completely white - no other information is being received by you. You therefore have no sense of change in your environment other than your inner sense of space and/or time, and so
RE: (313) new Mills
And I don't hang out with spw -Original Message- From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED] Sent: Thursday, April 08, 2004 2:12 PM To: 313@hyperreal.org Subject: RE: (313) new Mills -- Original Message -- From: [EMAIL PROTECTED] hahahahahahahah! have you ever read an NoU booklet? dont lie to us, man. do you hang out with spw? tom andythepooh.com The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) Transmat Cisco (was Movement compilation)
Ok so I am right here in Detroit and I will be one of the last people to get a copy of the CD...does that make since, if I don't use some connects and jump though hoops to get it early I will be waiting until the festivalsomething is wrong with that picture...talking about keeping the techno scene alive in Detroit where is the inner city marketing.. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Tuesday, April 06, 2004 3:51 PM To: John Osselaer Cc: 313@hyperreal.org Subject: Re: (313) Transmat Cisco (was Movement compilation) The CD will be released on April 23rd in Japan via Cisco/Soundscape. The CD will also be sold during the Movement festival. so the only places you can get the CD are at the festival and through the Cisco/Soundscape store? what is the deal with Transmat and Cisco? I just picked up the Time:Space_02 CD (import) and it's published by Soundscape and distributed by Cisco does Cisco have exclusive distribution for Transmat? MEK John Osselaer [EMAIL PROTECTED]To: 313@hyperreal.org ndora.becc: Subject: (313) Movement compilation 04/06/04 02:39 PM Hi list, We have a news item up at the site that might interest some folks: information about the Movement compilation and the full track listing. http://www.technotourist.org John [EMAIL PROTECTED] The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) Re: No play in the USA (was Movement I-F discussion)
I also disagree - because a record label is responsible for marketing and promotion or the artist...being here in the US- Detroit to be exact... if artist don't choose to promote themselves in this market how do they expect people to know what they are about or trying to do.. I'm just one of the lucky people who has a job that allows me to travel to other countries, but with the job industry I am sure that is rare for most people... Just thoughts... TS-1 -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Monday, April 05, 2004 11:52 AM To: [EMAIL PROTECTED] Cc: [EMAIL PROTECTED]; 313@hyperreal.org; [EMAIL PROTECTED] Subject: (313) Re: No play in the USA (was Movement I-F dicussion) Well, Ferenc's agent told me that he doesn't think the US audience understands what it is he's trying to do, or what he's about. I disagree, of course, but he doesn't listen to me, obviously ;) e he's told his agents that he never wants to play in the US again Did he state for what reason? This isn't the first time I've heard this and I'm sure many other list members have heard artists say this. US artists who rarely play in the US or who leave the US to live elsewhere because they are requested to play more often in other countries and DJs/musicicans from other countries that have played in the US but now refuse to what reasons have other artists stated as their reason for immigrating or refusing to play in the states? frustrates me that this happens (although in certain cases I understand) MEK The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) Re: No play in the USA (was Movement I-F discussion)
So true, but if the proper promotion is done for the gig upfront, the crowd would be there. either way the artist makes his/her money regardless.. and maybe it's just me, but if I'm spinning I am going to put my all into it even it's only 25 people at the gig, those 25 will remember the night... TS-1 -Original Message- From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED] Sent: Monday, April 05, 2004 12:23 PM To: 'robin'; Steward, Tim Cc: 313@hyperreal.org Subject: RE: (313) Re: No play in the USA (was Movement I-F discussion) How many times would you fly (in this case) from Holland to the States, to gigs where no one came to? You'd get sick of it in the end, and would probably accept gigs on the basis that they are at least gonna be worth your while It's not exactly a new thing (decent artists bombing in the US) anyway. -Original Message- From: robin [mailto:[EMAIL PROTECTED] Sent: 05 April 2004 5:06 To: Steward, Tim Cc: 313@hyperreal.org Subject: Re: (313) Re: No play in the USA (was Movement I-F discussion) yeah but ferenc might think that's too much bother for the return he gets so would rather put that effort elsewhere. anyway you americans burn disco records in your stadiums...that irks us disco loving europeans. :) (and there's the detroit on-topicness too) robin... Steward, Tim wrote: I also disagree - because a record label is responsible for marketing and promotion or the artist...being here in the US- Detroit to be exact... if artist don't choose to promote themselves in this market how do they expect people to know what they are about or trying to do.. I'm just one of the lucky people who has a job that allows me to travel to other countries, but with the job industry I am sure that is rare for most people... Just thoughts... TS-1 -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Monday, April 05, 2004 11:52 AM To: [EMAIL PROTECTED] Cc: [EMAIL PROTECTED]; 313@hyperreal.org; [EMAIL PROTECTED] Subject: (313) Re: No play in the USA (was Movement I-F dicussion) Well, Ferenc's agent told me that he doesn't think the US audience understands what it is he's trying to do, or what he's about. I disagree, of course, but he doesn't listen to me, obviously ;) e he's told his agents that he never wants to play in the US again Did he state for what reason? This isn't the first time I've heard this and I'm sure many other list members have heard artists say this. US artists who rarely play in the US or who leave the US to live elsewhere because they are requested to play more often in other countries and DJs/musicicans from other countries that have played in the US but now refuse to what reasons have other artists stated as their reason for immigrating or refusing to play in the states? frustrates me that this happens (although in certain cases I understand) MEK The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it. *** Opinions expressed in this email are those of the individual and not Entergy-Koch Trading Limited or its affiliated companies. This email and any files transmitted with it, including replies and forwarded copies (which may contain alterations) subsequently transmitted from the Company, are confidential and solely for the use of the intended recipient. It may contain material protected by attorney-client privilege. If you are not listed on the To or Cc lines of the original email (or are not the person responsible for delivering to an intended recipient), then you are not an intended recipient and have received this email in error. Any use by an unintended recipient is strictly prohibited. If you have received this email in error please notify the IT manager by telephone on +44 (0)20 7337 8300 or via email to [EMAIL PROTECTED], attaching this message. Please then delete this email and all attachments, and destroy any copies thereof. Thank you. *** The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313)Final scratch
What's the overall opinion of final scratch - a dj showing up to gig with a laptop vs decks Just a question? Because I have seen some use just the laptop and final scratch and you just don't get the same vibe... But on the other hand I have seen Kevin Saunderson use it along with decks and rocked the house like you would not believe...and I was not sold on it until I saw him up close... TS-1 -Original Message- From: ian cheshire [mailto:[EMAIL PROTECTED] Sent: Friday, April 02, 2004 3:29 PM To: [EMAIL PROTECTED]; 313 Subject: RE: (313) That Friday Question well I have had the pleasure a few times and now having been watching him from behind him with Final scratch and Albeton I can say its unreal the effort he puts in ..mentally more than physically..we all know he has excellent tricks but he was mixing at least 4 sounds last September and so he didn't do too many but I think that pauid off as his less is definatley more..if you know what I mean ;) I will report on Monday what happened this time :) I can't wait to see him again!! have a good wknd all :) Ian -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 02 April 2004 19:59 To: 313 Subject: RE: (313) That Friday Question i think that's the sort of faux modesty you get from a lot of people when they have one particular release that completely overshadows everything else they've done. Well, in my brief moments with Claude I can say that I doubt he's the type to faux anything - he's a pretty humble guy I don't think the DJ Kicks overshadows everything he's done either His 7th City, Djax, Elypsia, the work he's done with Terrence Parker and his Dow releases - all of it is A+ the one thing is - listening to his mixes is not half as good as watching him DJ MEK --- Incoming mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.639 / Virus Database: 408 - Release Date: 22/03/04 --- Outgoing mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.639 / Virus Database: 408 - Release Date: 22/03/04 The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) Dutch stage @ Movement
Has anyone heard about the rest of the lineup - or when they will announce it TS-1 -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Thursday, April 01, 2004 3:23 PM To: kj at technotourist dot org Cc: [EMAIL PROTECTED]; 313@hyperreal.org Subject: Re: (313) Dutch stage @ Movement ok- someone please break down who these people are. On Thu, 1 Apr 2004, kj at technotourist dot org wrote: On 1-apr-04, at 21:31, [EMAIL PROTECTED] wrote: Not to take the wind out of the fellows at Technotourist but they got the listing of who will represent Holland in Detroit http://technotourist.org/modules.php? op=modloadname=Newsfile=articlesid=531 some good stuff going on Hmmm yeah you said it some good stuff. Not much but some. This is a not a good representation of the current dutch techno-scene at all. I don't hope that this line-up is what we can expect from the full Movement line-up I will be dancing in front of the stage when Duplex plays but they should be on the mainstage IMHO :-)) The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) Dutch stage @ Movement
man I have some detroit techno coming out soon and I hope you won't think it's dull. It will be unique for sure.. TS-1 -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Thursday, April 01, 2004 4:54 PM To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: Re: (313) Dutch stage @ Movement man- lets hope so. all this detroit techno is gettin a bit dull ;) On Thu, 1 Apr 2004 [EMAIL PROTECTED] wrote: yeah so get out your kangol hats, white gloves, smiley shirts, stick a whistle in your gob, maybe a bit of the ol' vicks in dust mask - grab a blow stick and go I'm sure every single one of these artists is going to playing from their DJ cases labeled 91-95 'ardkore - DO NOT OPEN UNTIL MOVEMENT 04 check your head MEK [EMAIL PROTECTED] et To: kj at technotourist dot org [EMAIL PROTECTED] cc: 313 Mailinglist List 313@hyperreal.org 04/01/04 03:16 PMSubject: Re: (313) Dutch stage @ Movement so from what i'm gathering, we gonna be gettin some old-school euro rave techno. not sure how i feel about that just yet... On Thu, 1 Apr 2004, kj at technotourist dot org wrote: someone please break down who these people are. Yes please someone! I give it a shot, dutchies correct me if i am wrong: Aardvarck: Rusty techno producer from Amsterdam. Used to do stuff for Djax a lng time ago. Does stuff for Delsin, Music for Speaker, Signum and Relaxo Abstracto. I also part of Rednose District i think. Benny Rodrigues: Techno DJ from Rotterdam or The Hague i think... Dame: Dunno who this is, someone told me today that she is a she... Dimitri: Used to be one of Holland's hottest DJ's, could play amazing sets during his High Tech Soul Movement nights in Amsterdam. Apparently Derrick May wanted him on this stage. Estroe. Amsterdam based DJ who plays techno... Joachim: Headhoncho of this stage, he came up with this idea Ramon: Don't have a clue who this is... Remy: Like Dimitri, he also used to be one of hollands hottest and hippest dj's. Plays banging techno with long drumrolls (when i hear him). Rockid: erm... no clue here... Duplex: The unsung hero's of dutch techno! Joris Voorn: Upcoming producer from holland, released records on Keynote Sino. Future releases on Kanzeleramt i think and possibly Transmat. Legowelt: Electro Italo hero's! Leroy: Never heard him but i think he plays nu-soul, stuff. heard some good stories about him. Miss Monica: Boring techno dj who used to DJ in the same time as Dimitri Remy... don't have a clue why they booked her... Paco Frederick: Cheesy progressive house act, much played by people like John Digweed (yes i am embarrassed that i actually know this) Rednose Distrikt: Nu-soul act based around Aardvarck and some one else, i think that marsel knows more details. Steve Rachmad: He ain't playing at movement i think T!M: One of the owners of the Bootleg DJ Cafe in Rotterdam, runs grammar records also has some records out on Raygun, used to be part of Misja Tim and responsible for the first x-trax releases. KJ The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) movement accomodation etc
just as an fyi there is also a new hotel downtown at 351 gratiot in walking distance nicer than the shorecrest but hits for $119 on Fri and Sat. the Hilton Garden Inn it just opened on March 4. it has a indoor pool if you need to take a splash. TS-1 -Original Message- From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED] Sent: Monday, March 22, 2004 5:41 PM To: 313@hyperreal.org Subject: Re: (313) movement accomodation etc we should have a shorecrest 313 list get together. massive amounts of heads seem to be staying there. we can send someone out for chicken rings @ white castle one night before we all head out to after parties. tom -- Original Message -- From: Philip [EMAIL PROTECTED] Date: Tue, 23 Mar 2004 09:09:09 +1100 Peeps I have a twin room at the shorecrest for the memorial day weekend and am looking for a non-smoker ( in the room, that is ) who isn't looking for party central to share. Hit me back privately if you're interested. OK i know i'm slow but you really should know...larry levan was the first to change lightbulbs... p-dogg andythepooh.com The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) Tortured Soul!?!
I live in Detroit and I can see that House Music has started to rise again, along with Techno, this is a good time for music in Detroit. I have seen many DJ's of the past(mainly house) starting to gig again. The Techno scene is spreading around to the outskirts of Detroit as well. It's easy to find a Techno or House set to hit on the weekends now. TS-1 -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Thursday, March 18, 2004 4:23 PM To: Phonopsia Cc: [EMAIL PROTECTED]; [EMAIL PROTECTED]; 313 list; Kent williams Subject: Re: (313) Tortured Soul!?! agreed- if you mean the output of Detroit records and traveling Detroit DJ (at least the one's favored by this list) than yeah. But believe me- Detroit house has pretty much zero bearing on the Detroit club scene. On Thu, 18 Mar 2004, Phonopsia wrote: - Original Message - From: [EMAIL PROTECTED] To: Phonopsia [EMAIL PROTECTED] Cc: [EMAIL PROTECTED]; [EMAIL PROTECTED]; 313 list 313@hyperreal.org; Kent williams [EMAIL PROTECTED] Sent: Thursday, March 18, 2004 6:48 PM Subject: Re: (313) Tortured Soul!?! BTW - I think this is totally topical for [313], since Detroit house seems to be the lifeblood of Detroit club culture (from what I can see), and loads of this stuff feeds it in varying degrees. You had me up until here Tristan. I kinda fail to see how Detroit house is any sort of lifeblood. More like on life support. Don't get me wrong- I love me some Mike Clark, but that's hardly the scene pushing Detroit. I wonder- when did you last live in Detroit (honest question, don't think we ever met until after you had moved to DC). Never actually, but lived in A2 in Jr. High (know that doesn't count) - quite some time before I got into this music. I only bring this up because I guess you ge this impression of Detroit house as a driving force because you're only around for Festival Weekend. It also makes me wonder what other misconceptions people have about Detroit, if their only exposure is that weekend. or i could be reaching. I'm sure there's some truth to that, but I'm also speaking from the perspective of seeing lots of Detroit DJs spinning in England, and also talking about the productions, which for me have made up at least 70% of the best musical output from Detroit in the last four or five years. But I have spent a number of non-festival weekends in Detroit a few years ago when I was seeing Jenn, and there seemed to be quite a bit of good stuff going on then, like @ Porter Street, TP's weeklies, etc. I know things have changed a lot since then, but I guess it's what matters most to me in the Detroit scene today. I think we could've averted this discussion though if I hadn't used the term 'club culture' and talked more about the stuff above? Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED] The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) Fw: Detroit Grand Pubahs New Album
I am not sure why Andy left the band, I just
saw him this past saturday, he works at the
disc studio, I will be in there this weekend
doing some stuff, so I will ask him if he is
working.
TS-1
-Original Message-
From: Katrin Richter [mailto:[EMAIL PROTECTED]
Sent: Wednesday, March 10, 2004 11:30 AM
To: Tom Magic Feet; 313 mailing list
Subject: AW: (313) Fw: Detroit Grand Pubahs New Album
Hey, does anyone know why Andy Toth (Dr Toefinger) left the band The
label says (jokingly) he ended up in the loony bin.. but I find this
incredibly hard to believe.
-Ursprüngliche Nachricht-
Von: Tom Magic Feet [mailto:[EMAIL PROTECTED]
Gesendet: Mittwoch, 10. März 2004 17:19
An: 313 mailing list
Betreff: (313) Fw: Detroit Grand Pubahs New Album
ARTIST: DETROIT GRAND PUBAHS
TITLE: GALACTIC ASS CREATURES FROM URANUS
LABEL: POKER FLAT
FORMAT: 2 x CD / 2 x 12
CAT. NO.: PFRCD11 / PFRLP11
RELEASE DATE: 26th APRIL 2004
The seminal electro-funk outfit from Detroit returns with a second album.
'Galactic Ass Creatures From Uranus' spans a full variety of minimal techno,
dirty P-Funk, raw hip-smart booty beats and downbeat electronic grooves -
all spiced-up with a healthy portion of humour, cartoon sexuality and the
search for the perfect booty. As ever the vocoder-pitched vocals by Paris
The Black Fu and the other odd characters mark their distinctive signature
sound.
Founded in 1998, the Pubahs group around producer and vocalist Paris The
Black Fu and his forked personalities. Their first single, 'Sandwiches',
became a huge worldwide club hit overnight and made it into the Billboard
dance charts as well as in the UK Top20 sales charts. The album 'Funk All
Y'all' was released in 2001 on the now defunct Jive Electro imprint. Since
then, the Pubahs completed a world tour and started working on 'Galactic Ass
Creatures From Uranus'.
Again the new album is brimful of straight forward booty tracks, raw Funk
and weird skits, but this time relaxed downbeat electronic grooves enrich
the Pubah's sound cosmos and make the 'Galactic Ass Creatures From Uranus' a
state of the art electronic album whilst of course being great fun to listen
to.
Smoothly starting with 'Landing in Detroit', the second track 'God
Impostors' makes a pure funk statement, before the emotional Electro track
'Surrender' leads over to 'Big Onion'. 'If you like the way I drop my funk:
just shake it!' Next up is the darker side of the album with 'Definition of
Sick' and 'Dead Presidents', before the epic 'Tig O' Bake Fitties' lays out
a downtempo funk ode to natural body parts. The beautifully gentle lounger
'Bite The Pillow Talk' lets you take breath for some more punchy booty beats
on 'Freak' and 'Weed in the Kitchen'. 'The Clapper' picks up on the sleeve
design and reports from another alien intrusion in that typical Detroit
Grand Pubahs style. After already introducing Dick Cannon ('Bite the Pillow
Talk', 'Training With Dick Cannon') Bill Crosby ('Weed In The Kitchen') and
Dirty Elvis DePorno ('Freak') amongst Paris The Black Fu we also meet Nurse
Hurse again, a character that was initially involved on the debut album.
Finally, the hypnotising 'Novacane' sets a speech by Malcolm X to music.
The first 12 outtake (The Clapper feat. Jesper Dahlback remix, pfr38) from
the album has already stirred quite a buzz and made it into many club charts
including the official German Dance charts. The next single 'Big Onion'
(feat. Joakim remix, pfr43) will be released in March and will come with a
video. The most prominent guest musicians involved in the album are Scott
Sumner (engineering) and Randall G. Lynch (guitar) who are regular studio
musicians for George Clinton.
The album release will be supported by an extended European tour starting in
late February in Dublin. Paris The Black Fu is also organising a Funk Stage
on the 10 Days Off festival in Belgium in July.
CD Tracklisting
1. Landing In Detroit
2. God Impostors
3. Surrender (The Bedroom Edit)
4. Big Onion
5. P. Sully (Skit)
6. Definition Of Sick
7. Dead Presidents
8. Tig O' Bake Fitties
9. Bite The Pillow Talk
10. Training With Dick Cannon
11. Freak
12. The Clapper
13. Weed In The Kitchen
14. Nurse Hurse Jack Move
15. Novacane
16. Butt Dream
www.pokerflat-recordings.com
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it to anyone else. If you received it in error please notify us immediately
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RE: (313) RE: why one is not a Detroit Grand Pubahs was:new album
I agree sometime creativity makes people grow apart.
And rumors are not a good thing, they only cause problems..
So until then we can just enjoy sandwiches
-Original Message-
From: diana potts [mailto:[EMAIL PROTECTED]
Sent: Wednesday, March 10, 2004 5:09 PM
To: 313 mailing list
Subject: (313) RE: why one is not a Detroit Grand Pubahs was:new album
I can't speak for either Andy nor Paris, but the most
diplomatic answer here is, that sometimes people
creatively go their seperate ways.
Though the question is innocent, I think it's best
left between paris and andy. we all know how the rumor
mill works.
now, i hear dale lawrence dug himself a hole and is
not selling lemonade at raves
--- Steward, Tim [EMAIL PROTECTED] wrote:
I am not sure why Andy left the band, I just
saw him this past saturday, he works at the
disc studio, I will be in there this weekend
doing some stuff, so I will ask him if he is
working.
TS-1
-Original Message-
From: Katrin Richter [mailto:[EMAIL PROTECTED]
Sent: Wednesday, March 10, 2004 11:30 AM
To: Tom Magic Feet; 313 mailing list
Subject: AW: (313) Fw: Detroit Grand Pubahs New
Album
Hey, does anyone know why Andy Toth (Dr Toefinger)
left the band The
label says (jokingly) he ended up in the loony bin..
but I find this
incredibly hard to believe.
-Ursprüngliche Nachricht-
Von: Tom Magic Feet
[mailto:[EMAIL PROTECTED]
Gesendet: Mittwoch, 10. März 2004 17:19
An: 313 mailing list
Betreff: (313) Fw: Detroit Grand Pubahs New Album
ARTIST: DETROIT GRAND PUBAHS
TITLE: GALACTIC ASS CREATURES FROM URANUS
LABEL: POKER FLAT
FORMAT: 2 x CD / 2 x 12
CAT. NO.: PFRCD11 / PFRLP11
RELEASE DATE: 26th APRIL 2004
The seminal electro-funk outfit from Detroit returns
with a second album.
'Galactic Ass Creatures From Uranus' spans a full
variety of minimal techno,
dirty P-Funk, raw hip-smart booty beats and downbeat
electronic grooves -
all spiced-up with a healthy portion of humour,
cartoon sexuality and the
search for the perfect booty. As ever the
vocoder-pitched vocals by Paris
The Black Fu and the other odd characters mark their
distinctive signature
sound.
Founded in 1998, the Pubahs group around producer
and vocalist Paris The
Black Fu and his forked personalities. Their first
single, 'Sandwiches',
became a huge worldwide club hit overnight and made
it into the Billboard
dance charts as well as in the UK Top20 sales
charts. The album 'Funk All
Y'all' was released in 2001 on the now defunct Jive
Electro imprint. Since
then, the Pubahs completed a world tour and started
working on 'Galactic Ass
Creatures From Uranus'.
Again the new album is brimful of straight forward
booty tracks, raw Funk
and weird skits, but this time relaxed downbeat
electronic grooves enrich
the Pubah's sound cosmos and make the 'Galactic Ass
Creatures From Uranus' a
state of the art electronic album whilst of course
being great fun to listen
to.
Smoothly starting with 'Landing in Detroit', the
second track 'God
Impostors' makes a pure funk statement, before the
emotional Electro track
'Surrender' leads over to 'Big Onion'. 'If you like
the way I drop my funk:
just shake it!' Next up is the darker side of the
album with 'Definition of
Sick' and 'Dead Presidents', before the epic 'Tig O'
Bake Fitties' lays out
a downtempo funk ode to natural body parts. The
beautifully gentle lounger
'Bite The Pillow Talk' lets you take breath for some
more punchy booty beats
on 'Freak' and 'Weed in the Kitchen'. 'The Clapper'
picks up on the sleeve
design and reports from another alien intrusion in
that typical Detroit
Grand Pubahs style. After already introducing Dick
Cannon ('Bite the Pillow
Talk', 'Training With Dick Cannon') Bill Crosby
('Weed In The Kitchen') and
Dirty Elvis DePorno ('Freak') amongst Paris The
Black Fu we also meet Nurse
Hurse again, a character that was initially involved
on the debut album.
Finally, the hypnotising 'Novacane' sets a speech by
Malcolm X to music.
The first 12 outtake (The Clapper feat. Jesper
Dahlback remix, pfr38) from
the album has already stirred quite a buzz and made
it into many club charts
including the official German Dance charts. The next
single 'Big Onion'
(feat. Joakim remix, pfr43) will be released in
March and will come with a
video. The most prominent guest musicians involved
in the album are Scott
Sumner (engineering) and Randall G. Lynch (guitar)
who are regular studio
musicians for George Clinton.
The album release will be supported by an extended
European tour starting in
late February in Dublin. Paris The Black Fu is also
organising a Funk Stage
on the 10 Days Off festival in Belgium in July.
CD Tracklisting
1. Landing In Detroit
2. God Impostors
3. Surrender (The Bedroom Edit)
4. Big Onion
5. P. Sully (Skit)
6. Definition Of Sick
7. Dead Presidents
8. Tig O' Bake Fitties
9. Bite The Pillow
(313) Mills DVD
I might be late, but has anyone checked out the exhibitionist dvd yet, if what did you think? I'm interested in see it since he has truly mastered the art of using 3 decks. Tim Steward (TS-1) The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) 313's Signal to noise ratio
I agree with not adding very strict rules, but if everyone takes the initiative to understand the purpose of the 313 and respects the views of everyone.. I'm from the 313 and there are tons of 313ers on the list still. I was off for a few years and just came back and hope to stay.. TS1 -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Monday, March 08, 2004 2:39 PM To: synthetic tom Cc: 313@hyperreal.org Subject: Re: (313) 313's Signal to noise ratio just one more from me on this topic (noise) and then I'll shut it. ;) I can see all the points of view, and appreciate that this is a self-moderated list. I think it would be a mistake to clamp down very strict rules (I think the ones we already have are fine) or isolate particular groups because that could harm creativity and spontaneity. Maybe if we all just try to remember to chill on the attaboys or I agree, yeah kinda mails (plus the OT stuff) then that would reduce the list traffic? A little variety/diversity is nice tho' and can often fuel actual 313-related stuff. imho. I don't post often because I work and am in grad school full time. by the time I have 2 seconds to sit down, my brain is often so fried there would just be no point. My filtered mail box at home has 2200+ '313' messages right now 'cos I haven't had time to go thru them all (and I don't like the digest format). But I will go thru them just delete the ones that I don't find relevant - it's not a big deal to me, but that's just me. lisa - Original Message - From: synthetic tom [EMAIL PROTECTED] Date: Monday, March 8, 2004 2:26 pm Subject: Re: (313) 313's Signal to noise ratio correct me if i'm wrong, but most of the noise i'm seeing today is in the form of complaints regarding noise. kind of ironic, right? delete takes a second. let people say what they want to say. noise is an inherent part of any community, online or real life. and here's my attempt to start a more interesting thread: lately i can't get enough of: _ (theo parrish jill scott slowly surely) t On Mar 8, 2004, at 2:09 PM, kj at technotourist dot org wrote: On 8-mrt-04, at 19:10, Robert Taylor wrote: Isn't this just because there are more people into Detroit music in Europe and the UK? There certainly more events going on and the people are closer to each other geographically than in the US, so they have more to talk about. That might be true but that isn't my point. I am just saying here that if i have to delete 40 funny posts or one-liners per day for this list that we should all think twice before posting a message to 313. Maybe another list might be more suitable for this. Just be aware that your posting something to a list with 800+ members and that most of them might not be interested in your post. If there might be a need for something like a 313-UK list or something please do so, we dutchies have our own lowlands-mailinglist (also known as [low]) for years now. It isn't as hard to start a new list these days as it was in 1994 when this list was created (yes people its 313's 10th anniversary this year!). From: Greg Earle [EMAIL PROTECTED] Agreed ... hasn't anyone noticed that hardly any Detroit people post here anymore? I just looked at the first Digest from Jan. 2000 and almost all the posts (except for Cyclone and the Dutchies) were from Detroit/Michigan peeps ... The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
(313) new artist
Has anyone heard any tracks by any new artist from the 313 and would like to share a review. TS-1 The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) Detroit music reviews
I picked up Matthew Dears anger mgt this weekend, he definitely experimented with this it was a good buy to add to the collection. I listened to it in the middle of spinning other tracks, so I will take time this week to sit down and really evaluate the track. That Exhibitionist sampler 12 inch is definitely a buy.. I playing around mixing that with a acapella track from the Defecto label. TS-1 -Original Message- From: jason kenjar [mailto:[EMAIL PROTECTED] Sent: Monday, March 08, 2004 3:06 PM To: 313@hyperreal.org Subject: (313) detroit music reviews heya list, i listened to a few new tunes this weekend in a record shop (be it via. funked up turntable and broken headphones) Here is what I thought: Larry heard - loosefingers ep: Brilliant. Im really on a budget right now, but this record was head and shoulders above everything else. It is larry heards musical side. One track beats really slow, around 110 bpm. Its lovely though, very deep house. I like his style because its simple musical talent sans any gimicks, very jammy feel to it without feeling too raw. Thats important to me, i am a big fan of theo parrish, bu it is nice to have a very polished sounding house jam that can match Theos bpms without coping theo's raw jacking style. The other track on the first side is considerably faster, probably around 125 bpm or something. And the flip is somewhere between them, I cant remember what it sounds like right now, but i love all three tracks. oh and one more thing. I dont know about the rest of the vinyl buyers and spinners in the US, but Im sick of seeing records commonly go for $11.50 and $12. Luciano's single release on Peacefrog is being sold locally for $14 Thank you Mr. Heard, for releasing quality house music in the USA for the price of $7. i tip my hat to you, and please continue! other stuff: Ron Trent: ital foods space is the place: hmm. I liked it but there are a few reasons i didnt pick it up. There is a vocal in there that says something like space... I didnt like it because it seemed to have too many effects on it. the whole production seemed kind of over the top with everything but the kitchen sink thrown into it. its kind of nice, but its going for 12 dollars, and the record is two nearly identical versions of the same track, pass. Dimitri from Paris: In the house limited sampler: I listened most closely to the Lil Louis mix on the record. I think it was a rmx of the O'jays. It sounded nice, and I liked how the brass section blended in nicely with the vocals. I was tempted to pick it up, but i don't think it was his best work. however, i want to give it another listen. This time with a fully operational listening system and without annoying billy jean bass line cover being pumped through the stores sound system. yuck! new Spectral Sound label releases: First up is the matthew dear anger management album: good and innovative, but I like all his other releases on spectral sound a little bit better (especially his album and ep#1) He does have a knack for experimentation, especially in one of his tracks with what seems to be a gentle distortion building into a loud chaotic crashing WRRR!! Then a return to the abstract beats. Check it out for sure, i liked it, but i cant spend too many beans right now, and I can probably find it later on if i want to. The other Spectral Sound is hieroglyphic being-machines for lovers : nothing special as far as i reckon, chuging beats kind of like getting caught in a meat grinder. i prefer a little more attention to music than hard noise when buying techno. not to hate or anything, but there isn't much i find that attracts me to this record. these reviews are my opinions only, i always encourage everyone to listen for themselves. later 313ers all the world over (from ocean to ocean -juan atkins) -jason The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) first techno record
Talking about Old My first was cosmic cars and afrika babbaatas looking for the perfect beat.. now I'm old I was in high school, no joke .. I have been around since the beginning I was at the college parties when Scratch Master Reese was spinning and the famous Music Institute had us dancing all night...as Derrick May was spinning. ok I will stop nowbut your never too old to dance... TS-1 -Original Message- From: Mann, Ravinder [CCS] [mailto:[EMAIL PROTECTED] Sent: Thursday, March 04, 2004 10:58 AM To: 313@hyperreal.org Subject: (313) first techno record Just out of interestWhat was the first techno record you bought ? Mine was Inner City - Big Fun double packed with an Album of remixes. 88 ?? Man that makes me feel old. Thnks Rav The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) first techno record
(err 38) is the magic number, and I never really could dance I just moved to the beat... -Original Message- From: Mann, Ravinder [CCS] [mailto:[EMAIL PROTECTED] Sent: Thursday, March 04, 2004 11:55 AM To: 'Steward, Tim'; 313@hyperreal.org Subject: RE: (313) first techno record 'cosmic cars' and the 'looking for the perfect' compilation - didn't buy them at the time, but certainly danced to 'planet rock' when it first came out. Were probably about the same age (err 38). I am too old to dance now. I feel like an embarrassing uncle, doing that drunk dancing at weddings : ). I can still nod my head in time. Rav -Original Message- From: Steward, Tim [mailto:[EMAIL PROTECTED] Sent: 04 March 2004 16:43 To: 313@hyperreal.org Subject: RE: (313) first techno record Talking about Old My first was cosmic cars and afrika babbaatas looking for the perfect beat.. now I'm old I was in high school, no joke .. I have been around since the beginning I was at the college parties when Scratch Master Reese was spinning and the famous Music Institute had us dancing all night...as Derrick May was spinning. ok I will stop nowbut your never too old to dance... TS-1 -Original Message- From: Mann, Ravinder [CCS] [mailto:[EMAIL PROTECTED] Sent: Thursday, March 04, 2004 10:58 AM To: 313@hyperreal.org Subject: (313) first techno record Just out of interestWhat was the first techno record you bought ? Mine was Inner City - Big Fun double packed with an Album of remixes. 88 ?? Man that makes me feel old. Thnks Rav The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it. The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) first techno record
Buy-Rite was the spot I would catch 2 busses to get there and load up on records.. Sister sledge - I recently played sister sledge and people went crazy most had never heard the track - I played 'Lost in music' you can find it on the sister sledge house release.. TS-1 -Original Message- From: Logic7 [mailto:[EMAIL PROTECTED] Sent: Thursday, March 04, 2004 2:30 PM To: 313@hyperreal.org Subject: RE: (313) first techno record My first ever record purchase was Eric B. and Rakim Follow The Leader LP. Got it at Buy-Rite on 7mile. -Original Message- From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED] Sent: Thursday, March 04, 2004 12:28 PM To: 313@hyperreal.org Subject: RE: (313) first techno record -- Original Message -- From: Robert Taylor [EMAIL PROTECTED] You're both supercool then. This reminds of me questionnaires that ask 'what was your first vinyl purchase ever?' Rock bands often say cool things like Iggy Pop and David Bowie, but I don't believe them most of the time (but of course I believe you guys!). Most people's first purchase is KC The Sunshine Band, The Goombah Dance Band, The Chicken Song, Shakin' Stevens, Bill Ray Cyrus - that sort of thing. Mine was Sister Sledge, which is kinda cool (Chic production etc) until I tell you that it was Frankie. should i count things my parents bought for me when i was very young? if so things like we are the world or thriller or culture club would be it. if you mean the first stuff i bought on vinyl because that was the only way something was avaliable then it would be Anti-Flag's kill the rich 7 in 1994. tom andythepooh.com --- Incoming mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.605 / Virus Database: 385 - Release Date: 3/1/2004 --- Outgoing mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.605 / Virus Database: 385 - Release Date: 3/1/2004 The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) first techno record
That's my old hood 6mile and VanDyke I thought I was the only techno head to come out of that hood. A dj saved my life for realwhen the fights started in the basement party I kept spinning... -Original Message- From: Logic7 [mailto:[EMAIL PROTECTED] Sent: Thursday, March 04, 2004 4:15 PM To: 313@hyperreal.org Subject: RE: (313) first techno record Sounds like you were on the east side of tha D. George Jones - Logic7 http://allways.nu http://www.geocities.com/labwerx -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Thursday, March 04, 2004 2:08 PM To: Logic7; 313@hyperreal.org Subject: Re: (313) first techno record maybe I'm thinking a different neighborhood, but not even records would get me out around 6 or 7 mile, although its much more sedate now than 10-15 years ago IMO I'd be lucky to get from ym car to the store and still have my money, shoes, and jewlery (which I dont wear anyways, but you dig) of course if you do, you come out with records to find your car on blocks :p --- Outgoing mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.605 / Virus Database: 385 - Release Date: 3/1/2004 The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) Kenny Larkin @ T-funkshun, UK
Yo Sent! Kenny is dropping his new cd in the beginning of April I have not heard if he is doing a vinyl release TS-1 -Original Message- From: jason kenjar [mailto:[EMAIL PROTECTED] Sent: Wednesday, March 03, 2004 9:24 AM To: 313@hyperreal.org Subject: Re: (313) Kenny Larkin @ T-funkshun, UK I am also very curious as to what mr. Larkin is dropping nowadays, knowing what he is up to will really help me plan my trip to the land of euro in about 3 weeks. somebody please chime in with information as to mr. larkins level of freshness. - yankee doodle jason Oh yeah... Incase people arent sick of hearing about Mills (ha!) he has two new works of art out on Axis right now. I don't know about the virtual Dj concept, but this actual DJ plans to rock the sheat out of those new releases!! -(sent) On Wednesday, March 3, 2004, at 04:16 AM, Sean Creen wrote: Has anyone heard Kenny play recently? He's playing in Dublin after the Kraftwerk gig in a couple of weeks and I'm wondering if he's worth hanging around for? I need to get back up to Belfast to get to work the next morning and I don't want to miss out on a night's sleep to hear someone play dull clubtrax (as a lot of the Detroit guys seem to when they're in Europe). Cheers, Sean. -Original Message- From: robin [mailto:[EMAIL PROTECTED] Sent: 03 March 2004 10:11 To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: Re: (313) Kenny Larkin @ T-funkshun, UK yeah i'm pretty sure to be going over for this... robin... On 3 Mar 2004, at 10:02, [EMAIL PROTECTED] wrote: T-FUNKSHUN 3RD BIRTHDAY KENNY LARKIN (Peacefrog//art of dance) woo-hoo, happy birthday to my scouse comrades!! I have secured a chain to attach my wallet on, and a padlock for my lacoste shelly, and I'm coming over... (only joking guys, nice one I'm looking forward to it.) alex p.s. anyone else from the list going? _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
RE: (313) Boss 550 mk 2
You can try the site www.keyboardmuseum.org they have old manuals TS-1 -Original Message- From: FC2 Richards [mailto:[EMAIL PROTECTED] Sent: Wednesday, March 03, 2004 7:35 AM To: '313@hyperreal.org' Subject: (313) Boss 550 mk 2 I have a Boss 550 mk 2 drum machine and am lookinf for some high quality scans of the instruction manual, or a PDF will work fine too. Does anyone have one or know where I can find it on-line??? Peace Jeff The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it.
