Re: [SlimDevices: Audiophiles] DAC Resolution Test and Don't EVER use Digital Volume Control

2010-05-03 Thread mswlogo

audiomuze;542825 Wrote: 
 Please could you share the titles so that I can avoid inadvertently
 acquiring them in my travels?  I don't have access to my library at
 present, but I seem to recall the DVD-Audio of Eagles - Hotel
 California is one of them.

You will never learn to truly enjoy music thinking that way. I was
gonna say this is too funny. But serioulsy it's sad that you're
misunderstanding the insignificance of this level of clipping. Hotel
California DVDA is a really great disc.


-- 
mswlogo

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Re: [SlimDevices: Audiophiles] DAC Resolution Test and Don't EVER use Digital Volume Control

2010-05-03 Thread Phil Leigh

audiomuze;542825 Wrote: 
 Please could you share the titles so that I can avoid inadvertently
 acquiring them in my travels?  I don't have access to my library at
 present, but I seem to recall the DVD-Audio of Eagles - Hotel
 California is one of them.

Yes - Fragile is the only one that I have that is really badly
mastered...


-- 
Phil Leigh

You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...
Touch(wired/XP) - TACT 2.2X (Linear PSU) + Good Vibrations S/W - MF
Triplethreat(Audiocom full mods) - Linn 5103 - Aktiv 5.1 system (6x
LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Townsend Supertweeters, Blue
Jeans Digital,Kimber Speaker  Chord Interconnect cables
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Re: [SlimDevices: Audiophiles] DAC Resolution Test and Don't EVER use Digital Volume Control

2010-05-03 Thread Phil Leigh

I thought I would just follow this thread rather than continue to
contribute, but I'm having trouble understanding the various viewpoints
now... and we seem to have moved on to a discussion of clipping which
different people seem to define in different ways?.

My view is:
1) getting tracks that peak at 0dB is good - but what really matters is
the desired relative energy (perceived loudness) of the track as whole
- peaks need to be studied to understand their nature - what causes them
and what treatment if any do they require
2) getting tracks that clip (ie want to carry a sample value greater
than 0dB but obviously can't) is bad
3) there are several ways to avoid clipping
4) It is often the case that in a track at mixdown you can end up with
a handful of samples that would exceed 0dB if you didn't do
something. If you force THOSE samples below 0dB (limit or compress
them, manually or via software/hardware) the average energy of the
track can be preserved, which is important as this track needs to be
(relatively) level balanced against the other tracks and you don't want
to restrict the dynamic range on the whole album just because of one
track...
5)You probably won't see many tracks with the characteristics of 4
above in the wild because they will have been dealt with in
mastering...
6)using digital clipping to achieve 4 is the worst/laziest way of doing
it
7)It IS true that you won't hear digital clipping if it only affects a
handful of sporadic samples across a track
8)The progressive limiting on the Hurt track is an artistic choice - it
enables the song to build to a more intense climax before the
resolution. This is NOT poor production!
9) Hotel California is a great-sounding DVD-A. The title track contains
a magic moment at 3:28 where the whole track is subject to a hard -40dB
fade-to-black giving the effect of silence - at this point the LSB's
are ruthlessly exposed! Given that the snare drums are peaking at 0dB,
this means that  - taken as a whole - this is one of the few tracks
that actually exploits nearly the full available dynamic range
(actually SNR)...
On a casual listen it sounds like they muted the main bus @ 3:28 - but
examine that region carefully and you'll see that isn't what they did!


10) as a final experiment, I set up my two (unused) SB3's synced with
their s/pdifs into 2 s/pdif inputs on my 5103. One was set too max vol,
the other to vol=80. The amp inputs were then calibrated to compensate
(the 5103 lets you programme gain in 1dB steps). I downsampled the
Hotel California track to 24/48 with SOX.


Switching between the inputs reveals no audible difference to me.
Recording the output from the 5103 (via its DAC and tape out) and
diffing them reveals an expected increase in noise floor but otherwise
no difference. Even at 3:28 you can't hear the noise floor increase...

So to conclude, I have no idea what you guys that insist on vol=max are
hearing (or not hearing?) but I can't recreate it here.


-- 
Phil Leigh

You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...
Touch(wired/XP) - TACT 2.2X (Linear PSU) + Good Vibrations S/W - MF
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LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Townsend Supertweeters, Blue
Jeans Digital,Kimber Speaker  Chord Interconnect cables
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Re: [SlimDevices: Audiophiles] DAC Resolution Test and Don't EVER use Digital Volume Control

2010-05-03 Thread audiomuze

mswlogo;542833 Wrote: 
 Hotel California DVDA is a really great disc. On the contrary I find it to be 
 pretty loud and lacking subtlety and
inevitably turn it down when it starts because it jumps right out at
you.  I much prefer the MoFi CD which I find a far more pleasant
listening experience.


-- 
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Re: [SlimDevices: Audiophiles] DAC Resolution Test and Don't EVER use Digital Volume Control

2010-05-03 Thread Robin Bowes
On 03/05/10 09:41, audiomuze wrote:
 
 mswlogo;542833 Wrote: 
 Hotel California DVDA is a really great disc. O
 On the contrary I find it to be pretty loud and lacking subtlety and
 inevitably turn it down when it starts because it jumps right out at
 you.  I much prefer the MoFi CD which I find a far more pleasant
 listening experience.

I think what this demonstrates is that some folk prefer a compressed
sound while others prefer a more natural sound.

This is personal preference.

I prefer the latter; mswlogo seems to prefer the former.

R.
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Re: [SlimDevices: Audiophiles] DAC Resolution Test and Don't EVER use Digital Volume Control

2010-05-03 Thread mswlogo

audiomuze;542857 Wrote: 
 On the contrary I find it to be pretty loud and lacking subtlety and
 inevitably turn it down when it starts because it jumps right out at
 you.  I much prefer the MoFi CD which I find a far more pleasant
 listening experience.

Then I would have a closer look at your system than the disks. I am
never tempted to turn it down. I have 18 amps, 18 DACs, one for every
frequency/single driver. It sounds like heaven.

I have about 20 DVDAs but I don't own Fragile.

Stay away from blue-man group.


-- 
mswlogo

XP  Cat5  Transporter/DuetController  SPDIF  Meridian G68  DSP6000,
DSP5500HC, DSP5000
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Re: [SlimDevices: Audiophiles] DAC Resolution Test and Don't EVER use Digital Volume Control

2010-05-03 Thread Phil Leigh

Robin Bowes;542877 Wrote: 
 On 03/05/10 09:41, audiomuze wrote:
  
  mswlogo;542833 Wrote: 
  Hotel California DVDA is a really great disc. O
  On the contrary I find it to be pretty loud and lacking subtlety and
  inevitably turn it down when it starts because it jumps right out at
  you.  I much prefer the MoFi CD which I find a far more pleasant
  listening experience.
 
 I think what this demonstrates is that some folk prefer a compressed
 sound while others prefer a more natural sound.
 
 This is personal preference.
 
 I prefer the latter; mswlogo seems to prefer the former.
 
 R.

Now we are discussing personal taste! - I find the Mo-Fi boring by
comparison - each to their own.
I doubt any of us would mix/master any given album identically...


-- 
Phil Leigh

You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...
Touch(wired/XP) - TACT 2.2X (Linear PSU) + Good Vibrations S/W - MF
Triplethreat(Audiocom full mods) - Linn 5103 - Aktiv 5.1 system (6x
LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Townsend Supertweeters, Blue
Jeans Digital,Kimber Speaker  Chord Interconnect cables
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Re: [SlimDevices: Audiophiles] DAC Resolution Test and Don't EVER use Digital Volume Control

2010-05-03 Thread mswlogo

Phil Leigh;542853 Wrote: 
 I thought I would just follow this thread rather than continue to
 contribute, but I'm having trouble understanding the various viewpoints
 now... and we seem to have moved on to a discussion of clipping which
 different people seem to define in different ways?.
 
 My view is:
 7)It IS true that you won't hear digital clipping if it only affects a
 handful of sporadic samples across a track.

I agree with most of your points. Your point here is all I was saying
when folks jumped all over it because they ran out of ideas in
explaining why ditgital attenution doesn't cost anything.

Your right it may be one track in an album. Or few. It's worth losing
skeep over. If I see a whole album with say 3dB or more headroom. I
concider that being lazy. Than clipping few audible peaks because they
don't it that close by accident.

Re: Topic of attenuation. if your happy with 14bits at 80 volume. All
the power to ya. That test that was posted says it all. Some
ears/systems may not notice it but others will.


-- 
mswlogo

XP  Cat5  Transporter/DuetController  SPDIF  Meridian G68  DSP6000,
DSP5500HC, DSP5000
XP  Cat5  SB3  SPDIF  Meridian DSP5000
XP  Cat5  DuetReceiver  SPDIF  Meridian G91  DSP5000

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Re: [SlimDevices: Audiophiles] DAC Resolution Test and Don't EVER use Digital Volume Control

2010-05-03 Thread Phil Leigh

Robin Bowes;542877 Wrote: 
 On 03/05/10 09:41, audiomuze wrote:
  
  mswlogo;542833 Wrote: 
  Hotel California DVDA is a really great disc. O
  On the contrary I find it to be pretty loud and lacking subtlety and
  inevitably turn it down when it starts because it jumps right out at
  you.  I much prefer the MoFi CD which I find a far more pleasant
  listening experience.
 
 I think what this demonstrates is that some folk prefer a compressed
 sound while others prefer a more natural sound.
 
 This is personal preference.
 
 I prefer the latter; mswlogo seems to prefer the former.
 
 R.

To be really picky, unless you are talking about a crossed-pair 2-track
recording (or a soundfield job) in a real ambience with no EQ, reverb
etc there is no natural... there is just engineered... :-)


Most people wouldn't like the natural (untreated) sound of a pop/rock
band without EQ and (especially) compression!

And before anyone says What about the Beatles? - their  early
recordings have all manner of EQ, compression etc on them - much of it
enforced by the microphones, mixing consoles, guitars, amplifiers and
tape decks of the day - you couldn't get a neutral sound to build
from so you had to work round that. The reason they sound good? - a lot
of care was taken in the performance, recording, mixing and mastering.
This was a long time before the fix it in the mix mentality became
popular...


-- 
Phil Leigh

You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...
Touch(wired/XP) - TACT 2.2X (Linear PSU) + Good Vibrations S/W - MF
Triplethreat(Audiocom full mods) - Linn 5103 - Aktiv 5.1 system (6x
LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Townsend Supertweeters, Blue
Jeans Digital,Kimber Speaker  Chord Interconnect cables
Kitchen Boom, Outdoors: SB Radio

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Re: [SlimDevices: Audiophiles] DAC Resolution Test and Don't EVER use Digital Volume Control

2010-05-03 Thread Phil Leigh

Robin Bowes;542877 Wrote: 
 On 03/05/10 09:41, audiomuze wrote:
  
  mswlogo;542833 Wrote: 
  Hotel California DVDA is a really great disc. O
  On the contrary I find it to be pretty loud and lacking subtlety and
  inevitably turn it down when it starts because it jumps right out at
  you.  I much prefer the MoFi CD which I find a far more pleasant
  listening experience.
 
 I think what this demonstrates is that some folk prefer a compressed
 sound while others prefer a more natural sound.
 
 This is personal preference.
 
 I prefer the latter; mswlogo seems to prefer the former.
 
 R.

To be really picky, unless you are talking about a crossed-pair 2-track
recording (or a soundfield job) in a real ambience with no EQ, reverb
etc there is no natural... there is just engineered... :-)


Most people wouldn't like the natural (untreated) sound of a pop/rock
band without EQ and (especially) compression!

And before anyone says What about the Beatles? - their  early
recordings have all manner of EQ, compression etc on them - much of it
enforced by the microphones, mixing consoles, guitars, amplifiers and
tape decks of the day - you couldn't get a neutral sound to build
from so you had to work round that. The reason they sound good? - a lot
of care was taken in the performance, recording, mixing and mastering.
This was a long time before the fix it in the mix mentality became
popular...


-- 
Phil Leigh

You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...
Touch(wired/XP) - TACT 2.2X (Linear PSU) + Good Vibrations S/W - MF
Triplethreat(Audiocom full mods) - Linn 5103 - Aktiv 5.1 system (6x
LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Townsend Supertweeters, Blue
Jeans Digital,Kimber Speaker  Chord Interconnect cables
Kitchen Boom, Outdoors: SB Radio

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Re: [SlimDevices: Audiophiles] DAC Resolution Test and Don't EVER use Digital Volume Control

2010-05-03 Thread Phil Leigh

mswlogo;542880 Wrote: 
 I agree with most of your points. Your point here is all I was saying
 when folks jumped all over it because they ran out of ideas in
 explaining why ditgital attenution doesn't cost anything.
 
 Your right it may be one track in an album. Or a  few. It's not worth
 losing skeep over. If I see a whole album with say 3dB or more
 headroom. I consider that being lazy. Than clipping a few inaudible
 peaks because they didn't cut it that close by accident.
 
 Re: Topic of attenuation. if you're happy with 14bits at 80 volume. All
 the power to ya. That test that was posted says it all. Some
 ears/systems may not notice it but others will.

I think we are close (ish) to agreeing. (24-bit) Digital Attenuation
costs SNR (nothing else). Can you hear 10-20dB of it? Depends on
several things but predominantly it depends on the average energy level
of the track - if it is a very quiet track you MIGHT hear the increased
noise floor relative to the track content. On a track with 0dB peaks
and an average level  
-40dB... I can't. Fortunately that's 99.9% of my collection - I'm still
looking for ones that might meet these criteria.


-- 
Phil Leigh

You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...
Touch(wired/XP) - TACT 2.2X (Linear PSU) + Good Vibrations S/W - MF
Triplethreat(Audiocom full mods) - Linn 5103 - Aktiv 5.1 system (6x
LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Townsend Supertweeters, Blue
Jeans Digital,Kimber Speaker  Chord Interconnect cables
Kitchen Boom, Outdoors: SB Radio

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Re: [SlimDevices: Audiophiles] DAC Resolution Test and Don't EVER use Digital Volume Control

2010-05-03 Thread Robin Bowes
On 03/05/10 12:16, Phil Leigh wrote:
 To be really picky, unless you are talking about a crossed-pair 2-track
 recording (or a soundfield job) in a real ambience with no EQ, reverb
 etc there is no natural... there is just engineered... :-)

Yes, that's true, but some recordings can sound more natural than others.

 Most people wouldn't like the natural (untreated) sound of a pop/rock
 band without EQ and (especially) compression!

Also true, and I'm not suggesting that I don't like pop/rock bands that
use compression - far from it! I don't, for example, expect a natural
sound from AC/DC or Jimi Hendrix :)

 And before anyone says What about the Beatles? - their  early
 recordings have all manner of EQ, compression etc on them - much of it
 enforced by the microphones, mixing consoles, guitars, amplifiers and
 tape decks of the day - you couldn't get a neutral sound to build
 from so you had to work round that. The reason they sound good? - a lot
 of care was taken in the performance, recording, mixing and mastering.
 This was a long time before the fix it in the mix mentality became
 popular...

The reason they sound good? Because they were damned good songs,
perfectly arranged. I have some Beatles multitracks, ie. copies of the
4-track used before mixdown and it's plain to hear that not a lot is
done in the mix - all the good stuff is on the tape.

Funnily enough, on Friday night I popped in to a local pub who had a
Beatles/60s tribute band playing. They were basically just 4 blokes in
their 50s, average musicians - 4-piece, drums, bass, 2 x guitar, three
vox singing the harmonies. The Beatles songs sounded simply superb.

R.
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Re: [SlimDevices: Audiophiles] DAC Resolution Test and Don't EVER use Digital Volume Control

2010-05-03 Thread darrenyeats

mswlogo;542777 Wrote: 
 
 Because if it was 50% of the log scale that would be 48dB and I assure
 you the SqueezeBox DAC would not output the low 16bits of the DAC that
 well. Totally misleading.
No, it is 0.5db reduction per step downwards from 100 (0db) to 1
(-49.5db) then at 0 silence.
mswlogo;542880 Wrote: 
 I agree with most of your points. Your point here is all I was saying
 when folks jumped all over it because they ran out of ideas in
 explaining why ditgital attenution doesn't cost anything.
 
 Your right it may be one track in an album. Or a  few. It's not worth
 losing skeep over. If I see a whole album with say 3dB or more
 headroom. I consider that being lazy. Than clipping a few inaudible
 peaks because they didn't cut it that close by accident.
 
 Re: Topic of attenuation. if you're happy with 14bits at 80 volume. All
 the power to ya. That test that was posted says it all. Some
 ears/systems may not notice it but others will.
Your calculations are wrong. 50 volume is -25db (not -48db). Do your
calculations all over again and (not that I have to tell you this) get
back to us. Let's see once you re-do your calculations whether your
opinion is just the same. I know what I'm betting.
Darren


-- 
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Re: [SlimDevices: Audiophiles] DAC Resolution Test and Don't EVER use Digital Volume Control

2010-05-03 Thread Phil Leigh

Robin Bowes;542890 Wrote: 
 On 03/05/10 12:16, Phil Leigh wrote:
  To be really picky, unless you are talking about a crossed-pair
 2-track
  recording (or a soundfield job) in a real ambience with no EQ,
 reverb
  etc there is no natural... there is just engineered... :-)
 
 Yes, that's true, but some recordings can sound more natural than
 others.
 
  Most people wouldn't like the natural (untreated) sound of a
 pop/rock
  band without EQ and (especially) compression!
 
 Also true, and I'm not suggesting that I don't like pop/rock bands
 that
 use compression - far from it! I don't, for example, expect a
 natural
 sound from AC/DC or Jimi Hendrix :)
 
  And before anyone says What about the Beatles? - their  early
  recordings have all manner of EQ, compression etc on them - much of
 it
  enforced by the microphones, mixing consoles, guitars, amplifiers
 and
  tape decks of the day - you couldn't get a neutral sound to build
  from so you had to work round that. The reason they sound good? - a
 lot
  of care was taken in the performance, recording, mixing and
 mastering.
  This was a long time before the fix it in the mix mentality became
  popular...
 
 The reason they sound good? Because they were damned good songs,
 perfectly arranged. I have some Beatles multitracks, ie. copies of the
 4-track used before mixdown and it's plain to hear that not a lot is
 done in the mix - all the good stuff is on the tape.
 
 Funnily enough, on Friday night I popped in to a local pub who had a
 Beatles/60s tribute band playing. They were basically just 4 blokes in
 their 50s, average musicians - 4-piece, drums, bass, 2 x guitar, three
 vox singing the harmonies. The Beatles songs sounded simply superb.
 
 R.

Don't disagree with any of this... my Beatles point was that the
multi-tracks are inherently pre-eq'd by the nature of the equipment
in use at the time (ie it wasn't a bunch of post-recording FX). Also
they didn't have the luxury of digital reverb and spring/tank reverb
had to be used sparingly...

Those Abbey Road guys in lab coats who wouldn't let the meters into the
red - they knew what they were doing...

Yes of course the songs were well written/arranged/produced - that
always helps cover over any technical issues :-)


-- 
Phil Leigh

You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...
Touch(wired/XP) - TACT 2.2X (Linear PSU) + Good Vibrations S/W - MF
Triplethreat(Audiocom full mods) - Linn 5103 - Aktiv 5.1 system (6x
LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Townsend Supertweeters, Blue
Jeans Digital,Kimber Speaker  Chord Interconnect cables
Kitchen Boom, Outdoors: SB Radio

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Re: [SlimDevices: Audiophiles] DAC Resolution Test and Don't EVER use Digital Volume Control

2010-05-03 Thread audiomuze

Robin Bowes;542877 Wrote: 
 I think what this demonstrates is that some folk prefer a compressed
 sound while others prefer a more natural sound.
 
 This is personal preference.
 
 I prefer the latter; mswlogo seems to prefer the former.
 
 R.That's probably what what it is. As I mostly listen to albums I've
usually got replaygain disabled, so when you get to something that's
lot louder than what you've just been listening to it's rather
jarring.

OTOH, I find the LPCM DVD rip of When Hell Freezes Over to be a great
listen - definitely not overbearing, lots of subtlety and plenty
headroom to really turn it up if you're in the mood.


-- 
audiomuze

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nowhere else (most certainly not in the cable).'
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Re: [SlimDevices: Audiophiles] DAC Resolution Test and Don't EVER use Digital Volume Control

2010-05-03 Thread audiomuze

mswlogo;542878 Wrote: 
 Then I would have a closer look at your system than the disks.I'm quite 
 confident the problem lies neither in my system nor my
listening environment.  Like Robin says, I think it's down to personal
preference.  I tend not to like compressed music, but that doesn't mean
that I don't turn it up myself when the mood strikes me.


-- 
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Re: [SlimDevices: Audiophiles] DAC Resolution Test and Don't EVER use Digital Volume Control

2010-05-03 Thread Pat Farrell
Phil Leigh wrote:
 Don't disagree with any of this... my Beatles point was that the
 multi-tracks are inherently pre-eq'd by the nature of the equipment
 in use at the time 

Cute phrase. That is what all the knobs on studio consoles are for, many
of them are a per-track EQ. You setup the EQ and hit record.

Perhaps a few guys would ride the EQ, but most of the time it was set
and left alone.

The big point about Beatles era recording was that it was done to tape,
and all analog tape has a built in soft limit, hit it too hard, and it
doesn't go all square wave, it just gets nearly flat. Using the natural
roll off of an analog tape was part of the art of audio engineering.


-- 
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Re: [SlimDevices: Audiophiles] DAC Resolution Test and Don't EVER use Digital Volume Control

2010-05-03 Thread Phil Leigh

pfarrell;542969 Wrote: 
 Phil Leigh wrote:
  Don't disagree with any of this... my Beatles point was that the
  multi-tracks are inherently pre-eq'd by the nature of the
 equipment
  in use at the time 
 
 Cute phrase. That is what all the knobs on studio consoles are for,
 many
 of them are a per-track EQ. You setup the EQ and hit record.
 
 Perhaps a few guys would ride the EQ, but most of the time it was set
 and left alone.
 
 The big point about Beatles era recording was that it was done to
 tape,
 and all analog tape has a built in soft limit, hit it too hard, and it
 doesn't go all square wave, it just gets nearly flat. Using the
 natural
 roll off of an analog tape was part of the art of audio engineering.
 
 
 -- 
 Pat Farrell
 http://www.pfarrell.com/

Ah - the happy days when I traded my 32-channel analogue desk and twin
8-track machines for a 32-channel digital desk with full automation and
unlimited channels of 24/48 DAW...

In hindsight it wasn't progress - it was a VERY expensive mistake.

I used to use a tape-head saturation emulation plugin, but it wasn't as
good...


-- 
Phil Leigh

You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...
Touch(wired/XP) - TACT 2.2X (Linear PSU) + Good Vibrations S/W - MF
Triplethreat(Audiocom full mods) - Linn 5103 - Aktiv 5.1 system (6x
LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Townsend Supertweeters, Blue
Jeans Digital,Kimber Speaker  Chord Interconnect cables
Kitchen Boom, Outdoors: SB Radio

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Re: [SlimDevices: Audiophiles] DAC Resolution Test and Don't EVER use Digital Volume Control

2010-05-03 Thread Phil Leigh

pfarrell;542969 Wrote: 
 Phil Leigh wrote:
  Don't disagree with any of this... my Beatles point was that the
  multi-tracks are inherently pre-eq'd by the nature of the
 equipment
  in use at the time 
 
 Cute phrase. That is what all the knobs on studio consoles are for,
 many
 of them are a per-track EQ. You setup the EQ and hit record.
 
 Perhaps a few guys would ride the EQ, but most of the time it was set
 and left alone.
 
 The big point about Beatles era recording was that it was done to
 tape,
 and all analog tape has a built in soft limit, hit it too hard, and it
 doesn't go all square wave, it just gets nearly flat. Using the
 natural
 roll off of an analog tape was part of the art of audio engineering.
 
 
 -- 
 Pat Farrell
 http://www.pfarrell.com/

Ah - the happy days when I traded my 32-channel analogue desk and twin
8-track machines for a 32-channel digital desk with full automation and
unlimited channels of 24/48 DAW...

In hindsight it wasn't progress - it was a VERY expensive mistake.

I used to use a tape-head saturation emulation plugin, but it wasn't as
good...


-- 
Phil Leigh

You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...
Touch(wired/XP) - TACT 2.2X (Linear PSU) + Good Vibrations S/W - MF
Triplethreat(Audiocom full mods) - Linn 5103 - Aktiv 5.1 system (6x
LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Townsend Supertweeters, Blue
Jeans Digital,Kimber Speaker  Chord Interconnect cables
Kitchen Boom, Outdoors: SB Radio

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Re: [SlimDevices: Audiophiles] DAC Resolution Test and Don't EVER use Digital Volume Control

2010-05-03 Thread cliveb

mswlogo;542665 Wrote: 
 A good mixer will see if he let's a *FEW* (not ONE but a few) NARROW
 (beyond human hearing) fringe peaks clip a little then he can get more
 dynamic range
Working within the context of a defined word length, allowing clipping
does NOT give you more dynamic range. If you're mastering for 16 bit
PCM, you have 96dB of dynamic range to play with - pushing levels so
things clip doesn't change this.

*IF* your programme material is such that it requires more dynamic
range than your word length provides, *THEN* it may be appropriate to
allow a very modest amount of clipping in order to get the lower end of
the recording into the bottom bits. (Although in most (all?) cases
applying some soft peak limiting would be preferable to simple
clipping).

But I contend that no real world recording actually requires anything
like 96dB of dynamic range. Even the fade out of Neptune from The
Planets can probably get away with just 70dB. As far as I can see there
is never any justification to impose peak limiting or clipping on an
actual CD release.


-- 
cliveb

Transporter - ATC SCM100A

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Re: [SlimDevices: Audiophiles] DAC Resolution Test and Don't EVER use Digital Volume Control

2010-05-03 Thread Pat Farrell
Phil Leigh wrote:
 Ah - the happy days when I traded my 32-channel analogue desk and twin
 8-track machines for a 32-channel digital desk with full automation and
 unlimited channels of 24/48 DAW...
 
 In hindsight it wasn't progress - it was a VERY expensive mistake.

Would it still be a mistake today? I know it was VERY expensive, but the
modern ADC and DAW workstations seem to have recovered from most of the
early digital evilness.

Well, 24/48 smells of ADAT, which has thankfully been obsolete for
nearly all of this century. To my ears, current 24/88.2 stuff sounds fine.

Those old 24 and 32 track desks were expensive to maintain themselves.
Too many moving parts, issues with alignment and bias

 I used to use a tape-head saturation emulation plugin, but it wasn't as
 good...

Funny how the emulations don't seem to match up with the old LA-2
compressors and tape saturation. I would think that it could be
perfectly matched with enough DSP power.


-- 
Pat Farrell
http://www.pfarrell.com/

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Re: [SlimDevices: Audiophiles] DAC Resolution Test and Don't EVER use Digital Volume Control

2010-05-03 Thread mswlogo

darrenyeats;542897 Wrote: 
 No, it is 0.5db reduction per step downwards from 100 (0db) to 1
 (-49.5db) then at 0 silence.
 
 Your calculations are wrong. 75 volume is -12.5db (not -24db) and so 80
 volume is -10db. Do all your calculations again and (not that I have to
 tell you this) get back to us. Let's see afterwards whether your
 opinion is just the same. I know what I'm betting.
 Darren

Sorry but I think you're reading it all wrong.

If you were right that would be even WORSE !!

Because at 75% they said they get 75dB Dynamic Range (instead of
ideally 96dB).

So for 2-bits of attenuation (12.5dB as you say) they lose 24dB of
dynamic range (4-bits). I know it's not THAT bad.

That is a very old article when SqueezeBox didn't use the 0-100 scale.


-- 
mswlogo

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Re: [SlimDevices: Audiophiles] DAC Resolution Test and Don't EVER use Digital Volume Control

2010-05-03 Thread darrenyeats

mswlogo;543002 Wrote: 
 Sorry but I think you're reading it all wrong.
 
 If you were right that would be even WORSE !!
 
 Because at 75% they said they get 75dB Dynamic Range (instead of
 ideally 96dB).
 
 So for 2-bits of attenuation (12.5dB as you say) they lose 24dB of
 dynamic range (4-bits). I know it's not THAT bad.
 
 That is a very old article when SqueezeBox didn't use the 0-100 scale.
Hi mswlogo,
If I look at the original link
(http://mysite.verizon.net/forumwebspace/RightMark/Test%20Reports/Volume.htm)
I can't see where 75db is mentioned (except 75.8db, under volume 20 or
what they call 50%).

The point is that at 80 volume on Squeezebox you're dropping about 10db
or less than 2 bits.
mswlogo;542880 Wrote: 
 
 Re: Topic of attenuation. if you're happy with 14bits at 80 volume. All
 the power to ya. That test that was posted says it all. Some
 ears/systems may not notice it but others will.
Where do you get 14 bits from? The original 16 have descended less than
2 bits - they're sitting comfortably in the middle of the 20 bits a good
DAC can resolve.
Darren


-- 
darrenyeats

http://www.amazon.co.uk/gp/richpub/listmania/byauthor/A3H57URKQB8AQO/ref=cm_pdp_content_listmania/203-7606506-5721503.

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(caps bass EQ'd) Desktop - Genius Slab SW-flat2.1 700
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Re: [SlimDevices: Audiophiles] DAC Resolution Test and Don't EVER use Digital Volume Control

2010-05-03 Thread mswlogo

darrenyeats;543041 Wrote: 
 Hi mswlogo,
 If I look at the original link
 (http://mysite.verizon.net/forumwebspace/RightMark/Test%20Reports/Volume.htm)
 I can't see where 75db is mentioned (except 75.8db, under volume 20 or
 what they call 50%).
 
 The point is that at 80 volume on Squeezebox you're dropping about 10db
 or less than 2 bits.
 
 Where do you get 14 bits from? The original 16 have descended less than
 2 bits - they're sitting comfortably in the middle of the 20 bits a good
 DAC can resolve.
 Darren

Correct in that example Volume 20 has has 75.8dB of dynamic range.

They also note that Volume 20 is 50%. I believe translating that,
that would mean 50% of the 0-96dB scale. Or in other words 48dB of
attenuation. 8bits of attenuation.

For the Volume 30 case. They list that as 75%. Which is the closest
value to your example of 80. You you will get close to the performance
of Volume 30. At volume 30 you get approx 88dB dynamic range. 2-bits
lost at 75% volume.

If you want to extrapolate you'd lose something like 1.8bits at 80%.

My assuming 0 to 40 on the old squeezebox maps roughly to 0 to 96dB or
0 to 100 on newer SQueezeBoxes means I'm assuming a very agressive log
scale in that test. If that old scale is any less agressive (meaning
they are attenuating even less for the same amount of dynamic range
loss) they numbers come out much worse.


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