Re: Experimental Web-based Lilypond Editor

2012-02-04 Thread Jonathan Kulp
On Sat, Feb 4, 2012 at 9:52 AM, James pkx1...@gmail.com wrote:
 Frescobaldi has a heap more useful features though for serious use than this 
 experimental website - that's not to disparage what is done here, it's a nice 
 piece of work.

 The Implication that Mr Kulp made was basically not having to keep opening a 
 PDF separately from the editor.


Frescobaldi looks nice (although the pdf preview didn't work for me),
I didn't mean to say anything against it. What I like about the web
app is that one needn't install anything. I personally use vim and a
shell script of my own for previewing. I wouldn't use either
Frescobaldi or the web app for myself, I just meant the web app is
great to give super-quick intro without having to install anything.

Jon
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Re: Experimental Web-based Lilypond Editor

2012-02-03 Thread Jonathan Kulp
Completely Awesome! I'm going to show this to my students. They'll
find this much easier than trying to deal with a separate editor,
opening pdf reader, etc. Thanks for sharing!

Jon

On Fri, Feb 3, 2012 at 4:08 PM, padovani zepadovani.li...@gmail.com wrote:
 really great!
 It would be nice to be able to edit multiple files in a directory, so that
 it would be possible to work on more complex examples (that would require
 \include).

 congratulations!

 Em 2/3/12 3:10 AM, trevordixon escreveu:

 Now allows for compiling with either the latest stable version or latest
 unstable version. Click the arrow next to the preview button to choose the
 version.

 trevordixon wrote:

 I've been working on something I think the LilyPond community may find very
 useful: a web-based editor. Before you check it out, keep in mind that it's
 at a pre-alpha stage. It's likely that certain things won't work as
 expected, and it will probably crash and be down at times. I've only tested
 it in Chrome 15 and Firefox 9. It should work in Internet Explorer 9 or 10,
 but will almost certainly not work in IE8 or earlier.

 Saving will create a new URL that you can share with others. If they save,
 it will be saved as a new revision, preserving your original.

 This could be useful for:

 Posting example code that you'd like others to look at and mess with.
 Quick projects when you don't have access to your regular development
 environment.
 Perhaps as your main editor someday.

 Future features might include:

 Ability to open and save to your hard drive.
 Ability to open and save to Dropbox.
 Open to suggestions.

 See it at: http://lily.sytes.net

 Let me know how it works for you!


 
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Re: A problem with lilypond

2011-10-19 Thread Jonathan Kulp
2011/10/19  musicar...@pop.com.br:
 Hello, I am new to the list then I have not followed the discussion on
 lilypond, just do not know if I'm facing the problem that has already been
 discussed, if so I apologize.

 The situation is that I'm developing a site with some tests on music theory
 and I am using the language lilypond to generate the score of the tests,
 however, it is always generated an entire page, which is bad for making
 available on the site page, I were wondering if anyone has any solution to
 generate the image size only occupying the space of the score.


This came up a few months ago here:

http://old.nabble.com/creating-images-for-web-pages-td32223482.html

 Another problem is that when the sound is generated sometimes makes a loud
 pop at the beginning of the audio. Has anyone had this problem before? What
 to do to fix it?


I've never noticed this before.

Jon

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Re: A problem with lilypond

2011-10-19 Thread Jonathan Kulp
2011/10/19  musicar...@pop.com.br:

 The situation is that I have to completely fill all the lilypond´s code on
 the site and then generate the score. It gets difficult to count the bars
 and the note durations and get right for the first time.
 I were wondering if there is someway to fill the code and at same time
 generating the score for me to see what I am writting?


I don't know of any way to do this.

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Re: problem after I changed lilypond version

2011-09-17 Thread Jonathan Kulp
On Sat, Sep 17, 2011 at 1:38 PM, Schermann Colette
colettescherm...@yahoo.fr wrote:

 Hello
 I just change from 2.10.25 to 2.14.2-1 lilypond version. I had to adapt my
 style sheets to have aproximately the same design than before, but there is
 still things I can't make work properly: When I want to split the violin 1
 part in two voices in the middle of the piece, the second voice appears at
 the end of the system (below the bass) and not beside the first voice. And
 this worked perfectly well with the former lilypond version.
 Thanks for your help!
 Colette


Sorry but first question has to be whether you ran convert-ly on all
of your files to update them?

Jon

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Re: MusicXML exporter (was Re: Lilypond lobbying?)

2011-08-23 Thread Jonathan Kulp
On Tue, Aug 23, 2011 at 2:42 PM, Michael Ellis
michael.f.el...@gmail.com wrote:
 Count me in for US$100 toward the project.  Not sure how much programming

I offered a $100 bounty a couple of years ago on this idea and it still stands.

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Re: Writing makefile for simple project

2011-06-25 Thread Jonathan Kulp
On Sat, Jun 25, 2011 at 7:12 PM, Jesse Engle engle...@gmail.com wrote:
 Hello,

 I'm trying to write a makefile for a simple project with the following
 directory layout:

 ritual/
 |-- Makefile
 |-- build/
 |-- include
 |-- |-- defs.ily
 |-- |-- three-stroke-ruff.ily
 |-- |-- single-drag.ily
 |-- |-- ...
 |-- main.ly

 I'd like to have the makefile rebuild the project and place the .pdf
 and .midi output in build/ when there are any modifications to main.ly
 or any files in the include/ directory. I've been reading the `make'
 manual and have looked over the example makefile in the Lilypond docs
 but I'm still very confused over how to accomplish this. Could someone
 offer me some assistance? Thanks...Jesse


Can you post the text of your makefile so we can see what you've tried so far?

Jon
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Re: Writing makefile for simple project

2011-06-25 Thread Jonathan Kulp
On Sat, Jun 25, 2011 at 7:25 PM, Jesse Engle engle...@gmail.com wrote:
 Can you post the text of your makefile so we can see what you've tried so 
 far?

 PIECE=ritual
 INCDIR=include
 INCS=$(INCDIR)/defs.ly \
     $(INCDIR)/three-stroke-ruff.ily \
     $(INCDIR)/single-drag.ily

 $(PIECE).pdf: main.ly $(INCS)
        lilypond $(OPTS) -o $(PIECE) $; \
        if test -f $*.pdf; then
                mv $*.pdf build; \
        fi

 This outputs the following:

 make: *** No rule to make target `include/defs.ly', needed by
 `ritual.pdf'.  Stop.

 I don't know whether or not to use the automatic variables defined by
 make, and I'm also unsure about using the VPATH variable... Also, do I
 need to specify the .midi target separately? Help! :) ...Jesse


Although I added the Makefile section to the docs, I'm not a Makefile
guru and I had a LOT of help from more experienced folks on this list.
It looks like there's no target defined in your makefile. Try adding
something like this:

  .PHONY: score
  score: $(PIECE).pdf

Then do the command make score and see what happens.

I'm also going to post a working Makefile of my own on pastebin for
you to peruse if you want:

http://pastebin.com/1zAHCSCK

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Re: intro; art song example or template?

2011-04-07 Thread Jonathan Kulp
On Thu, Apr 7, 2011 at 2:02 PM,  ivan.k.kuznet...@gmail.com wrote:

 My first lilypond project is too notate some songs I
 wrote for soprano and classical guitar.

 Can someone recommend a template or even a finished
 song that I could begin with?

 Thank you for your help;  Ivan

Hi Ivan,

If you're interested you can check out my song cycle Canciones para
niños for voice and guitar, done in lilypond.

http://music2.louisiana.edu/Gratis/lorca.tar

If you don't understand my file structure you can email me off-list.
If you're familiar with Makefiles and Latex and such things, it
shouldn't be too hard though. After downloading  unpacking, cd to the
dir and type make score to compile the whole cycle. Individual songs
compile by make songtitle.pdf and are output in the PDF directory.

Good luck with your scores. :)

Jon
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Re: Major version: LilyPond 2.14.0 released!

2011-03-31 Thread Jonathan Kulp
Nice one, Graham! Did you forget to mention newly implemented
automatic display of one-ee-and-a-two-ee-and-a under 16th notes for
ease in counting?

Jon

On Thu, Mar 31, 2011 at 8:19 PM, Graham Percival
gra...@percival-music.ca wrote:
 GLASGOW, Scotland -- April 1, 2011 -- The LilyPond development
 team is proud to announce LilyPond 2.14, the latest stable release
 of our award-winning music engraver.  Music notation for
 everyone has never looked better!
    http://lilypond.org

 Following the open-source motto of release early, release often,
 we are making 2.14 available now.  There are still a few
 regression bugs compared to 2.12, but we urge everybody to
 download 2.14.0 from the lilypond website when it becomes
 available and use it in their production systems.  Let us know if
 anything doesn't work; we love getting feedback!  We have
 introduced a new bug voting system on our website to allow us to
 better direct programmer effort:
    http://lilypond.org/website/bug-reports.html


 Other major new features include:
  * eyeglass markup, to remind musicians to watch the conductor
    at critical moments.
  * in tablature, frets can be indicated with colored letters
    instead of numbers.
  * The Unicode Bidirectional Algorithm is now fully supported
    for single-line markup due to enhanced integration with
    Pango, and we now use FT_Error in the prototype for
    freetype_error_string().
  * 128th note downstems are now 0.15 staff-spaces shorter.

 The full list of new features is online here:
    http://lilypond.org/doc/v2.13/Documentation/changes/index.html


 Having music engraving!

 Mike Solomon - Beaming, feathers, guy with no fear
 Janek Warchol - Upsteam, downstem, flags, feta-er
 David Kastrup - Keeping us honest by questioning
 Phil Holmes - Bug Meister, build system quester
 Benko Pal - Mensural notation, tonal inversion
 Ian Hulin - Guile 2.0 future portability guru
 Keith OHara - Fantastic regression bug fixer
 Neil Puttock - Core development, LSR import
 Xavier Scheuer - French stuffs, cautionary
 Patrick McCarty - SVG guru, texts handler
 Yoshiki Sawada - Japanese doc translator
 Nicolas Sceaux - Schemer extraordinaire
 Reinhold Kainhofer - musicxml2ly bloke
 Werner Lemberg - Fonts, bugz squasher
 Jan Nieuwenhuizen - Core development
 Han-Wen Nienhuys - Core development
 John Mandereau - Translation swain
 Trevor Daniels - Asst. doc editor
 Jonathan Kulp - Asst. doc editor
 Mark Polesky - Code cleanup-er
 Mats Bengtsson - Support guru
 Valentin Villenave - Web 2.0
 Carl Sorensen - Frog master
 Francisco Vila - ES writer
 Joe Neeman - Spacing guru
 Dmytro O. Redchuk - Bugs
 James Lowe - Doc gopher
 Colin Campbell - Ditto
 Marc Hohl - Bug nuker
 Graham Percival - me

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 of 80x25 characters.


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Re: Favorite Lilypond-Score Printer?

2011-03-28 Thread Jonathan Kulp
On Sun, Mar 27, 2011 at 6:45 PM, PMA peterarmstr...@aya.yale.edu wrote:

 One constraint -- it must output comfortably onto 11x17 inch card stock.

 I'd much appreciate any thoughts.  The vista of available contraptions is
 daunting!

Our department has an HP Laserjet 5200 that's excellent for this. It
does double-sided 11x17 easily so you can print booklet style and
staple for very nice scores. It may be pricier than what you want but
it's great.

Jon

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Re: unexpected STRING error with unapparent cause

2011-03-21 Thread Jonathan Kulp
This error is normally the result of a stray or missing curly brace {
or }. Check this carefully first.

Jon

On Mon, Mar 21, 2011 at 12:25 AM, tbear2500 tbear2...@gmail.com wrote:
 I'm writing an a cappella piece in Lilypond (actually transcribing one which
 is probably copyrighted, hence all notes and titles being removed) primarily
 for a midi file with which to practice. I have six different files
 ('[songtitle].ly', 'intro.ly', 'soprano.ly', 'alto.ly', 'tenor.ly', and
 'bass.ly') to keep the code reasonably organized and manageable. Everything
 but [songtitle].ly simply defines variables: intro contains the two intro
 parts, and the others their respective vocal parts (S/A/T/B). Everything
 worked flawlessly until I added to the tenor part after the intro (I worked
 my way from top down, so soprano and alto worked). After doing this, I got
 the error message:

 L:/Music/lilypond/[songtitle]/intro.ly:1:0: error: syntax error, unexpected
 STRING

 saintro = \relative c' {

 L:/Music/lilypond/[songtitle]/intro.ly:24:0: error: syntax error, unexpected
 STRING

 tbintro = \relative c {

 L:/Music/lilypond/[songtitle]/bass.ly:5:0: error: syntax error, unexpected
 STRING

 with no error text (it wouldn't tell me just which string it wasn't
 expecting) for the error in bass.ly.

 The structure (if this helps more) goes as follows:

 ([songtitle].ly):
 \version 2.12.3

 \header {
 %title/composer etc. defined, no errors
 }

 \include soprano.ly
 \include alto.ly
 \include tenor.ly
 \include bass.ly

 \score {
   \new ChoirStaff 
 \new Staff {
   %set up staff data, no errors
   \soprano
   }
 %same as above for alto, tenor, and bass
 
   \layout { }
   \midi { }
   }

 (intro.ly):
 saintro = \relative c' { %error here
   %note data, error free
   }

 tbintro = \relative c { %error here
   %note data, error free
   }


 (soprano.ly):
 \version 2.12.3

 \include intro.ly

 soprano = {
   \saintro
   \relative c' {
 %note data, error free
 }
   }

 I then have the same kind of thing in alto.ly and tenor.ly. In bass.ly:

 \version 2.12.3

 \include intro.ly

 bass = { %error somewhere here (according to description, unexpected string
 at character 0 of length 0)
   \tbintro
   \relative c {
 %one measure of note data, because I've been focusing on fixing the
 'problem' with the code rather than writing the part
 }
   }


 I have searched everything I could find to search through rather thoroughly
 to no avail. What might be causing this and how can it be fixed? If it
 helps, I'm using jEdit to write the files and compile them (simply double
 clicking or running through cmd results in error and failure of compilation
 as well) with Windows 7.
 
 View this message in context: unexpected STRING error with unapparent cause
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Re: scorio.com A WYSIWYG-Editor with LilyPond-Export

2011-02-01 Thread Jonathan Kulp
On Tue, Feb 1, 2011 at 8:55 AM, Ralph Palmer palmer.r.vio...@gmail.com wrote:

 On Tue, Feb 1, 2011 at 9:11 AM, Johannes Feulner
 johannes.feul...@scorio.com wrote:

 On http://www.scorio.com/ a fully web browser based scorewriter project
 has
 started end of last year.

 Works here, under WinXP. I'm impressed!


Pretty cool! My students might like to use this. Thanks for sharing.

Jon

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Re: fingeringOrientations

2011-01-30 Thread Jonathan Kulp
On Sun, Jan 30, 2011 at 5:59 PM, Peter Buhr pab...@sympatico.ca wrote:
 G'day. Sorry, if I don't use the correct lilypond nomenclature.

 Below are two bars of notes. The first bar is done with 2 voices inline and 
 the
 second bar is done with 2 voices out-of-line. In the first bar, the string
 positions are not on the left of the notes, while they are in the second bar.
 I would like to use the convenience of inline voices AND get the string 
 numbers
 in the correct position. Is there some mechanism to accomplish this?

 (I have a sneaking suspicion someone is going to tell me this is a know bug 
 and
 point me to some URL confirming it. ;-)


It works if you put the orientation command inside the {} of each
voice. I made it less clunky by defining the orientation command like
so:

lefty = \set fingeringOrientations = #'(left left left left)

VoiceA = \relative c {
   %\set fingeringOrientations = #'(left left left left)
{ \lefty c'-1 g-21 } \\ { \lefty c,-32 }  | c'-1 g-21
}

HTH,

Jon
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Re: testing lilydev

2011-01-03 Thread Jonathan Kulp
On Mon, Jan 3, 2011 at 4:30 PM, Helge Kruse helge.kruse-nos...@gmx.net wrote:
 Am 03.01.2011 23:15, schrieb Helge Kruse:

 Am 03.01.2011 19:56, schrieb Phil Holmes:

 If you go to the page above, and look for Advanced tasks you'll find a
 link in the section indented with Note:


 I got it. Thanks,

 Is there any good place where to get help to run this in VirtualBox? I think
 about the screen resolution but don't want to stress the Lilypond mailing
 list with such questions.


I'd suggest the VirtualBox manual, available from their website.

Jon

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Re: key signature problem

2010-12-20 Thread Jonathan Kulp
On Mon, Dec 20, 2010 at 8:12 AM, Ralph Palmer palmer.r.vio...@gmail.com wrote:
 Greetings -

 I'm running LilyPond 2.12.3 under Ubuntu.

 I'm trying to get a non-standard key signature : b-flat and d-flat. When I
 follow the 2.12.3 docs, I get the following error message.

 GNU LilyPond 2.12.3
 Processing `key_sign_test.ly'
 Parsing...
 Interpreting music...
 Preprocessing graphical objects...ERROR: In procedure denominator:

 ERROR: Wrong type argument in position 1: (unquote FLAT)


I think I've found it. Try using a backtick ` instead of single quote
' on this line:

\set Staff.keySignature = #'(((1 . 1) . ,FLAT)

When I did this it compiled (and notice in the doc example it has a backtick).

Jon


 Here's the minimal example file :

  Begin snippet %

 % key signature test file

 \version 2.12.3

 test =
 \relative c' {
   \set Staff.keySignature = #'(((1 . 1) . ,FLAT)
((0 . 6) . ,FLAT))

   \clef treble
   \time 4/4

   a4 c b d |
   e4 g f a |
 }

 \score {
   \test
 }

  End snippet %%

 And here is the entry from the 2.12.3 docs :

  Snip 
  Non-traditional key signatures
 The commonly used \key command sets the keySignature property, in the Staff
 context.
 To create non-standard key signatures, set this property directly. The
 format of this command is a list:

 \set Staff.keySignature = #`(((octave . step) . alter) ((octave . step) .
 alter) ...) where, for each
 element in the list, octave specifies the octave (0 being the octave from
 middle C to the B above),

 step specifies the note within the octave (0 means C and 6 means B), and
 alter is ,SHARP ,FLAT ,DOUBLE-SHARP etc.
 (Note the leading comma.) The accidentals in the key signature will appear
 in the reverse order to that in which

 they are specified.
 Alternatively, for each item in the list, using the more concise format
 (step . alter) specifies that the same
 alteration should hold in all octaves.
 For microtonal scales where a sharp is not 100 cents, alter refers to the
 alteration as a proportion of a 200-cent whole tone.

 Here is an example of a possible key signature for generating a whole-tone
 scale:

 \relative c' {
   \set Staff.keySignature = #`(((0 . 3) . ,SHARP)

((0 . 5) . ,FLAT)
((0 . 6) . ,FLAT))
   c4 d e fis
   aes4 bes c2

 }

 % Snip 55

 Can someone please show me where I'm going wrong?

 Gratefully,

 Ralph

 --
 Ralph Palmer
 Montague City, MA
 USA
 palmer.r.vio...@gmail.com

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Re: key signature problem

2010-12-20 Thread Jonathan Kulp
On Mon, Dec 20, 2010 at 8:12 AM, Ralph Palmer palmer.r.vio...@gmail.com wrote:
 Greetings -

 I'm running LilyPond 2.12.3 under Ubuntu.

 I'm trying to get a non-standard key signature : b-flat and d-flat. When I
 follow the 2.12.3 docs, I get the following error message.

 GNU LilyPond 2.12.3
 Processing `key_sign_test.ly'
 Parsing...
 Interpreting music...
 Preprocessing graphical objects...ERROR: In procedure denominator:

 ERROR: Wrong type argument in position 1: (unquote FLAT)


I think I've found it. Try using a backtick ` instead of single quote
' on this line:

\set Staff.keySignature = #'(((1 . 1) . ,FLAT)

When I did this it compiled (and notice in the doc example it has a backtick).

Jon


 Here's the minimal example file :

  Begin snippet %

 % key signature test file

 \version 2.12.3

 test =
 \relative c' {
   \set Staff.keySignature = #'(((1 . 1) . ,FLAT)
((0 . 6) . ,FLAT))

   \clef treble
   \time 4/4

   a4 c b d |
   e4 g f a |
 }

 \score {
   \test
 }

  End snippet %%

 And here is the entry from the 2.12.3 docs :

  Snip 
  Non-traditional key signatures
 The commonly used \key command sets the keySignature property, in the Staff
 context.
 To create non-standard key signatures, set this property directly. The
 format of this command is a list:

 \set Staff.keySignature = #`(((octave . step) . alter) ((octave . step) .
 alter) ...) where, for each
 element in the list, octave specifies the octave (0 being the octave from
 middle C to the B above),

 step specifies the note within the octave (0 means C and 6 means B), and
 alter is ,SHARP ,FLAT ,DOUBLE-SHARP etc.
 (Note the leading comma.) The accidentals in the key signature will appear
 in the reverse order to that in which

 they are specified.
 Alternatively, for each item in the list, using the more concise format
 (step . alter) specifies that the same
 alteration should hold in all octaves.
 For microtonal scales where a sharp is not 100 cents, alter refers to the
 alteration as a proportion of a 200-cent whole tone.

 Here is an example of a possible key signature for generating a whole-tone
 scale:

 \relative c' {
   \set Staff.keySignature = #`(((0 . 3) . ,SHARP)

((0 . 5) . ,FLAT)
((0 . 6) . ,FLAT))
   c4 d e fis
   aes4 bes c2

 }

 % Snip 55

 Can someone please show me where I'm going wrong?

 Gratefully,

 Ralph

 --
 Ralph Palmer
 Montague City, MA
 USA
 palmer.r.vio...@gmail.com

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Re: key signature problem

2010-12-20 Thread Jonathan Kulp
On Mon, Dec 20, 2010 at 9:34 AM, Ralph Palmer palmer.r.vio...@gmail.com wrote:

 I think I've found it. Try using a backtick ` instead of single quote
 ' on this line:

 \set Staff.keySignature = #'(((1 . 1) . ,FLAT)

 When I did this it compiled (and notice in the doc example it has a
 backtick).

 Jon


 Wonderful! That's it, Jon. I'm grateful for your quick reply. I don't recall
 ever having a problem (i.e., didn't have to use) with the backtick and
 Scheme before.



I don't recall this either. I thought all such constructs used the
single quote. :shrug: Glad to help,

Jon

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Re: music engraving resources in the internet

2010-12-19 Thread Jonathan Kulp
2010/12/19 Janek Warchoł lemniskata.bernoull...@gmail.com:
 while i'm waiting for new Lilybuntu to be finished, i'd like to learn
 more about music engraving rules. I found lists of books on the

No need to wait. You can use it now.

http://files.lilynet.net/

I recommend lilybuntu2.1.iso

Jonathan

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Re: text inside the staff close to the notes

2010-12-13 Thread Jonathan Kulp
On Mon, Dec 13, 2010 at 4:36 PM, Marc Mouries m...@mouries.net wrote:

  I am wondering if it is possible to write text inside the staff close to
 the notes or without the notes like in the attached image to show the name
 of the notes.



 -Marc



When putting fingerings inside the staff, I override the staff padding
property like this:

\override Fingering #'staff-padding = #'()

You might try a similar approach for the text markup.

Jon
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Re: problem with compillation of a large file

2010-12-11 Thread Jonathan Kulp
On Sat, Dec 11, 2010 at 3:30 PM, Stefan Thomas
kontrapunktste...@googlemail.com wrote:
 Dear Jonathan,
 thanks for Your help.
 In the meantime, I found out, that the error was in the file violine1.ly
 I had to delete there, in line 5, the command Kurvenunterbrech
 which I've defined as:

 Kurvenunterbrech = {
     \hideCurvesFrom #'Fingering   #'(0.3 . 0.3) #'(0 . 0)
     \hideCurvesFrom #'Staff.KeySignature  #'(0.3 . 0.3) #'(0 . 0)
     \hideCurvesFrom #'Staff.TimeSignature #'(0.3 . 0.3) #'(0 . 0)
     \hideCurvesFrom #'Staff.Accidental  #'(0.3 . 0.003) #'(0 . 0)

 }

 I don't know why this command caused the errors.


Yes it compiled after commenting that command out. I suspect the
command caused the error because it wasn't defined in that file, and
because it wasn't defined in the \include file. Is there another file
of definitions where Kurvenunterbrech is defined? If so just \include
it and it should work. That took a *long* time to compile. :)

Jon
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Re: problem with compillation of a large file

2010-12-10 Thread Jonathan Kulp
On Wed, Dec 8, 2010 at 4:39 PM, Stefan Thomas
kontrapunktste...@googlemail.com wrote:
 Dear community,
 I have a proplem with a large score.
 When I run lilypond, I get at the end the error message
 Preprocessing graphical objects...string:9:110: In procedure
 procedure-name in expression (procedure-name stil-proc):

 string:9:110: Wrong type argument in position 1: #f

 I can compile without problems all the parts of the score, but not the score
 itself.
 I also tried it with
 export LILYPOND_GC_YIELD=10
 but without any success.
 The strange thing is:
 with the same machine I could compile the same file without problems, just a
 few months ago.
 I don't understand this ...


If you'd like to post an archive of the source files somewhere (or
email it privately) I'd be happy to test it on my machine.

Jon
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Re: virtualization software for windows

2010-12-06 Thread Jonathan Kulp
On Mon, Dec 6, 2010 at 8:49 AM, Graham Percival
gra...@percival-music.ca wrote:


 We currently recommend VirtualBox Open Source Edition for lilypond
 contributors.  However, the download page (no longer?) has binaries
 available for the open-source edition:
    http://www.virtualbox.org/wiki/Downloads

 Has it always been this way?  Do our windows contributors just use the
 non-open source edition of virtualbox?  Is there another webpage that
 supplies compiled versions of the open-source edition?  (is this
 something that changed after Oracle bought Sun?)

It looks like the non-OSE version is at least free as in beer so
people could use that instead.  I see that virtualbox-ose is what's
still in the ubuntu repo though.

Jon

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new autobeam settings not working for me

2010-12-04 Thread Jonathan Kulp
Having trouble with new autobeam settings. I get the simplest thing to work:

\relative c' {
  \time 4/4
  \set Timing.baseMoment = #(ly:make-moment 1 8)
  \set Timing.beatStructure = #'(3 3 2)
  c8 c c c c c c c
}

Shouldn't this group the 8th notes into 3 + 3 + 2? I can't get the
beaming to change at all no matter what I do.

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Re: new autobeam settings not working for me

2010-12-04 Thread Jonathan Kulp
On Sat, Dec 4, 2010 at 6:04 PM, Jonathan Kulp jonlancek...@gmail.com wrote:
 Having trouble with new autobeam settings. I get the simplest thing to work:

 \relative c' {
  \time 4/4
  \set Timing.baseMoment = #(ly:make-moment 1 8)
  \set Timing.beatStructure = #'(3 3 2)
  c8 c c c c c c c
 }

 Shouldn't this group the 8th notes into 3 + 3 + 2? I can't get the
 beaming to change at all no matter what I do.


Ok so now I've been able to make the beaming change if I am in 8/8 or
6/8 but not in 4/4 time, where it stays resolutely in groups of 4 + 4
8th notes. How do I alter the beaming of a 4/4 bar?

Jon
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Re: new autobeam settings not working for me

2010-12-04 Thread Jonathan Kulp
On Sat, Dec 4, 2010 at 7:26 PM, Carl Sorensen c_soren...@byu.edu wrote:

 Hi,

 I suppose it is due to  beamExceptions  that is set for 8th in 4/4
 (see Oscm/time-signature-settings.scm¹).


 Yep, I had just made and tested the change when this email came in.

 This works:

 \relative c' {
  \time 4/4
  \set Timing.baseMoment = #(ly:make-moment 1 8)
  \set Timing.beatStructure = #'(3 3 2)
  \set Timing.beamExceptions = #'()
  c8 c c c c c c c
 }

 But this behaviour is strange (non expected from a user point of view)
 and should be changed or at least documented.

 I can't see how it should be changed.  It's totally under user control.
 There are three separate context properties that affect autobeaming, and all
 three need to be properly set.

 I can see that it needs to be documented better.  I'll cook a patch.


Thanks guys. I'll try it when I log back into my linux side. (I only
have 2.12 on windows.)

Jon

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Re: new autobeam settings not working for me

2010-12-04 Thread Jonathan Kulp
On Sat, Dec 4, 2010 at 8:12 PM, Carl Sorensen c_soren...@byu.edu wrote:
 On 12/4/10 6:33 PM, Xavier Scheuer x.sche...@gmail.com wrote:

 On 5 December 2010 02:26, Carl Sorensen c_soren...@byu.edu wrote:

 I can see that it needs to be documented better.  I'll cook a patch.

 Great, thanks!

 I've pushed a patch that does the following:

 1) Identifies that beamExceptions can cause unexpected results

 2) Demonstrates that there is a (2 2) exception in 4/4 time that causes
 Jon's example not to work, but that it will work if beamExceptions is set to
 '()

 3) Demonstrates that 3/4 time has a (3) exception that causes 1/8 notes to
 be beamed in whole measures, but that clearing beamExceptions causes 3/4
 time to be beamed (1 1 1).

 http://git.savannah.gnu.org/gitweb/?p=lilypond.git;a=commit;h=ff89624de9566
 c48f27ec827ad440bd00db46eda


Awesome, Carl. Thanks for doing that so quickly. :)

Jon

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Re: lilypond in a webapp, version 2

2010-11-18 Thread Jonathan Kulp
On Wed, Nov 17, 2010 at 6:46 PM, Carel Jonkhout
carel.jonkh...@gmail.com wrote:
 He everybody,

 I have finished work lilydocs.com. It is lilypond in a webapp. You can save 
 your
 work online like google docs. Check it out if you like.

 http://lilydocs.com


Pretty cool! I'll keep the link handy. Thanks for sharing.

Jon
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Re: What setup for a Pedagogy Book?

2010-11-13 Thread Jonathan Kulp
On Fri, Nov 12, 2010 at 7:34 PM, Carl Sorensen c_soren...@byu.edu wrote:

 What a cool book!  I think I may buy the Kennan book and work my through
 your workbook!  Maybe I'll do some real learning about music.

 BTW, congratulations on your tenure and promotion.  Great news!

Thanks Carl. Nice of you to say. Unfortunately with the Univ. budget
in the toilet my wife (also tenured) and I could both end up out of
work. Hopefully not but it's very uncertain right now.


 One small thing -- in the Colophon, you refer to a carrot.  The proper
 term, I believe, is caret[1].  Actually, it's probably a circumflex[2].


Haha! What a dumb mistake! I'll fix it right away. Thanks for checking
it out. :)

Jon

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Re: Brandenburg #3 - convert-ly fails

2010-11-12 Thread Jonathan Kulp
On Fri, Nov 12, 2010 at 11:14 AM, Marc Mouries m...@mouries.net wrote:
 Excellent. I am trying to convert it to the latest version but convert-ly
 stops at version 2.5.18 and afterwards lilypond says error: file too old:
 2.5.18 (oldest supported: 2.7.38)
 violin1pt.ly:6:2: error: GUILE signaled an error for the expression
 beginning here
  #
   (override-auto-beam-setting '(end 1 16 2 2)  1 4)
 /brandenburg 3-1-2-lys/violin1pt.ly:7:2: error: GUILE signaled an error for
 the expression beginning here
  #
   (override-auto-beam-setting '(end 1 32 2 2)  1 4)
 error: failed files: /brandenburg 3-1-2-lys/violin1pt.ly
 Unbound variable: override-auto-beam-setting

Which piece are you working on? I downloaded the 3rd mvmt of
Brandenburg 3, ran convert-ly on all files (brought up to 2.12.3) and
the full score compiled successfully (numerous warnings, but none
fatal).

Jon
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Re: What setup for a Pedagogy Book?

2010-11-12 Thread Jonathan Kulp
On Fri, Nov 12, 2010 at 10:37 AM, Aaron Dalton aa...@daltons.ca wrote:
 On Fri, 12 Nov 2010, Henry Flurry wrote:


 I was thinking of exploring the possibility of LaTex  Lilypond.

 Has anybody out there done this kind of combo?


 My entire Master's thesis was a combination of LaTeX and Lilypond---both
 musical examples and the inclusion of an entire modern edition and
 apparatus. The musical examples were embedded in the LaTeX source and the
 individual pieces of the edition were contained in separate files. This
 would give you arbitrary control over the styling of each piece. My
 workflow:


My counterpoint workbook is also done with LaTeX and Lilypond. It's an
excellent combination. Source files are available here if you want to
see:

http://music2.louisiana.edu/Gratis/

Jon

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Re: Syntax error

2010-10-04 Thread Jonathan Kulp
On Mon, Oct 4, 2010 at 10:18 AM, alex stone compos...@gmail.com wrote:
 I can't for the life of me figure out what i've done here. (new lily user)

 Working in lilypondtool 2.12.894 (jedit 4.3.2), with lily 2.13.36

 Here's the error:

 %lilypond %args /home/alex/audio-projects/wobbly
 Processing `/home/alex/audio-projects/wobbly'
 Parsing...
 /home/alex/audio-projects/wobbly:138:37: error: syntax error, unexpected 
 STRING
        \set Staff.instrumentName = 
                                     Horn F 1
 error: failed files: /home/alex/audio-projects/wobbly
 Processing time: 1 seconds


Normally this error message is because of a missing curly brace
somewhere. From the code you included it's impossible to tell where
that might be--there's not enough code there. Check for missing {}.

Jon
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Re: early music transcriptions

2010-08-10 Thread Jonathan Kulp
On Tue, Aug 10, 2010 at 5:29 PM, Geisel Hanna
hannasemailadre...@hotmail.com wrote:
 Hello everyone,
 I have two questions concerning transcriptions of medieval or renaissance
 music:
 How does one enter color brackets? I couldn't find them anywhere, but as
 they're rather basic I'd be surprised if they weren't supported. (My next
 question about this is probably going to be: How does one deal with colored
 ligatures or color overlapping ligatures?)

I've just put a red ligature indication in my transcription of a
Philippe de Vitry motet. My ligatures are actually done with analysis
brackets, though, since there's some issue with ligatures and lyrics.
Here's how I got the red bracket, though:

  \once \override HorizontalBracket #'color = #red

Then I just make ligatures with the normal \startGroup and \stopGroup
commands for analysis brackets.

 Are trecento measure signs supported, as quaternaria, ternaria, ... ,
 duodenaria?
 Very grateful for any hints I remain
 with all the best wishes, Hanna

Not sure about this. You might check the Lilypond Snippet Repository
and the manual sections on Ancient music.

HTH,

Jonathan

p.s. if you want to see the rest of my code I can send you an archive
file privately.
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Re: early music transcriptions

2010-08-10 Thread Jonathan Kulp
On Tue, Aug 10, 2010 at 5:29 PM, Geisel Hanna
hannasemailadre...@hotmail.com wrote:
 How does one enter color brackets? I couldn't find them anywhere, but as

Wait, are you talking about brackets indicating a change in
mensuration? From black to red ink in the original manuscript?

Jon
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Re: Different versions of LilyPond

2010-07-14 Thread Jonathan Kulp
On Wed, Jul 14, 2010 at 5:14 AM, Dmytro O. Redchuk
brownian@gmail.com wrote:
 On Wed 14 Jul 2010, 11:54 Urs Liska wrote:
 Hello list,
 Hello Urs!

 I would like to have several versions of LilyPond installed at the
 same time to be able to test lilypond code in different versions.
 What would be the best way to accomplish this on Windows XP and
 Ubuntu Linux?
 I recall having read something about a renaming/symlink solution on
 Linux but don't seem to find it anymore.
 Here is in short how i am managing it under Linux:
 http://lists.gnu.org/archive/html/lilypond-user/2010-06/msg00298.html

 I do believe that under windows i would use junction[1] for this, but i have
 not even tried.


 Any tips?
 Many thanks
 Urs

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I wrote a passage in the Contributor's Guide about this a while back.
Read section 3.8 to see how I do it. I only have two versions at once,
though.

http://lilypond.org/doc/v2.13/Documentation/contributor/concurrent-stable-and-development-versions

Jon
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Re: cross-staff tuplets, again

2010-07-06 Thread Jonathan Kulp
On Tue, Jul 6, 2010 at 12:15 PM, Stefan Thomas
kontrapunktste...@googlemail.com wrote:
 Dear community,
 I've tried a snippet for cross-staff-beamed tuplets, I've found in the
 snippet repository.
 Unfortunately, it does not work in the way I expected it.
 Here is my short example:


 \version 2.12.2
 \include klavierstyle.ly

 rechts = {
  \override TupletNumber #'Y-offset = #kneed-beam
    \set tupletSpannerDuration = #(ly:make-moment 1 4)
 \times 2/3 { \lira g 8 \reru  e' \lira  bes \reru d'' g' f'' cis''  ais''
 fis'' ~    fis'' \lira f'! b | }
 }
 links = {
   \clef bass s1
 }
 \score {
 \new PianoStaff = Klavier
     
     \new Staff= rechts { \rechts }
    \new Staff = links \with {
   \override VerticalAxisGroup #'keep-fixed-while-stretching = ##t }
     { \links} 
 }


If you follow the hint in the snippet's comments about using manual
beaming for best results, then the numbers appear in (more or less)
the right place. Try manually beaming the first and last triplet.

Jon


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Re: fyi - https://wiki.ubuntu.com/UbuntuFreeCultureShowcase

2010-06-24 Thread Jonathan Kulp
On Thu, Jun 24, 2010 at 9:06 AM, James Lowe james.l...@datacore.com wrote:
 I believe this gentleman uses LilyPond.

 http://www.oscarvandillen.com/Main_Page

 James


I have a bunch of stuff engraved with Lilypond, including this:

  http://www.jonathankulp.com/Tarantella.html

and this song cycle:

  http://www.jonathankulp.com/Lorca.html

(source files not posted for that one but I'd be happy to share with anyone)

Jon
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Re: fyi - https://wiki.ubuntu.com/UbuntuFreeCultureShowcase

2010-06-24 Thread Jonathan Kulp
On Thu, Jun 24, 2010 at 10:02 AM, Jonathan Kulp jonlancek...@gmail.com wrote:
 I have a bunch of stuff engraved with Lilypond, including this:

  http://www.jonathankulp.com/Tarantella.html

 and this song cycle:

  http://www.jonathankulp.com/Lorca.html

 (source files not posted for that one but I'd be happy to share with anyone)

 Jon


Forgot this one, too, a work for large orchestra (source code posted):

http://www.jonathankulp.com/MerengueOrchestra.html

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Re: Spacing miserable failure

2010-04-24 Thread Jonathan Kulp
On Sat, Apr 24, 2010 at 10:02 AM, Neil Puttock n.putt...@gmail.com wrote:
 On 24 April 2010 15:55, Jacob Rau ja...@mtu.edu wrote:

 Can anyone explain what's going on? So far, I've tried to RTFM, but I don't 
 know which part of TFM I should be reading at this point.

 \version 2.12.2

 Is this the version you're running?

 The reason I ask is that you've got a setting in your \paper block
 which will only work with 2.13 (they work too well in 2.13 :).

 Regards,
 Neil


Following up with Neil's comments, I updated your file to the latest
dev version 2.13.19 and ran it and the spacing looks like what you
want. You might consider upgrading.

Jon

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Re: Spacing miserable failure

2010-04-24 Thread Jonathan Kulp
On Sat, Apr 24, 2010 at 10:09 AM, Jacob Rau ja...@mtu.edu wrote:
 Ah. You got it. Does anyone know of a more updated repo for Ubuntu? The 
 version I've got is 2.12.2, the latest available through Ubuntu's software 
 source. Blaah...this is making me wonder if I should use a distro that 
 doesn't keep old software current...


You can get a recent binary from lilypond.org. You'll need to
uninstall your current version using the ubuntu package manager before
installing the new binary, though.

Jon
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Re: Big Chords in PianoStaff

2010-04-24 Thread Jonathan Kulp
On Sat, Apr 24, 2010 at 5:44 PM, Bernardo Barros
bernardobarr...@gmail.com wrote:
 Hi List,

 I have another problem here, I tried to find a solution and I couldn't.
 Maybe it's very easy.

 I'll simplify the examples to make it clear.

 I have a line in a PianoStaff (actually it's for Harp in the original) and
 there is one single chord in the upper staff that is bigger that has some
 notes more suitable for the lower staff, with a bass clef. It's hard because
 \autochange and \change Staff DON'T work just for half of a chord, just for
 the entire chord. Ah, in this measure there is nothing in the lower staff.

 Is there another command that could split the chord between the staff in an
 optimal way, so each staff gets the more appropriate notes


I don't know that there's a way for this to happen automatically, but
it's definitely possible to get it to look the way you want. Check the
Granados example on the LP examples page:

http://lilypond.org/doc/v2.13/Documentation/web/examples#Examples

I think it has some of what you're looking for.  I'll attach the
source file for you as well.

Jon
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\version 2.12.0
\include example-header.ily

%
% This is a brief passage from Enrique Granados %
% Goyescas, Coloquio en la Reja.  %
%
#(set-global-staff-size 17)

\paper {
  ragged-right = ##f
  #(set-paper-size letter 'landscape)
  system-count = 1
}


csh = \change Staff = high 
csm = \change Staff = middle
csl = \change Staff = low

crmolto = \markup { \italic \large cresc. molto }
appassmolto = \markup { \italic \large appassionato molto }

#(ly:set-option 'point-and-click #f)

global = {
  \time 3/4
  \set fontSize = #1
  \override Beam #'thickness = #0.5
  \override NoteColumn #'ignore-collision = ##t
}

upperVoiceOne = \relative c'' {
  \voiceOne
  \override TupletBracket #'transparent = ##t
  aes f'8\([ \times 4/5{g'32( aes g f g]) } 
es aes8[ \times 4/5{d bes'32( c' bes aes bes]) }
es, aes es'8 d fis b d\) | % end m. 1
  %--%
  c g' c4\( \voiceTwo bes es bes'\arpeggio\) 
\slurUp aes aes'16( bes bes' g g'8) % end m. 2
  %--%
  \noBreak
  \voiceOne 
  f aes d f8\([ \times 4/5{g g'32( aes' g f g]) }
  \set subdivideBeams = ##t
  \set beatLength = #(ly:make-moment 1 8)
aes, aes'16 c f \times 4/5{ bes'32( c bes aes bes]) }
\set subdivideBeams = ##f
\ottava #1 es es'16 f f' d d' \appoggiatura f8 es es'16\)
}

upperVoiceTwo = \relative c'' {
  \voiceTwo
  s8 c8\ bes, f'[ bes aes' c' bes, d fis\!]
  s32 s32_\appassmolto s8. \voiceOne r8 bes'' es bes'- s4 
  \override Stem #'cross-staff = ##t
  \override Stem #'length = #28
  \override Stem #'flag-style = #'no-flag
  s8 \voiceTwo g,8 aes4 s4
}

middleVoiceOne = \relative c' {
  \override Stem #'cross-staff = ##t
  \override Stem #'length = #32
  \override Stem #'flag-style = #'no-flag
  d!8\noBeam s8 s8 s8_\crmolto s4  % 1
  s4 g bes\arpeggio8[ es' g] \voiceOne e,8( dis16 e) | % 2
  \revert Stem #'length
  \revert Stem #'cross-staff
  \showStaffSwitch
  \csh \stemUp f4 s2
  %s2.  % beginning m. 3
}

middleVoiceTwo = \relative c' {
  s2. | % 1
  \override Stem #'cross-staff = ##t
  \override Stem #'length = #24
  \override Stem #'flag-style = #'no-flag
  s2 \voiceTwo e!4 | % 2
  s4 \voiceTwo bes c es f8 f' aes es'16 d' bes, f' aes c8 bes' fis' | % 3
}

lowerVoiceOne = \relative c, {
  \override Staff.NoteCollision #'merge-differently-headed = ##t
  \override Staff.NoteCollision #'merge-differently-dotted = ##t
  bes8 \csm \stemDown bes'' c es8 s2
  \csl \stemUp
  \set subdivideBeams = ##t
  \set beatLength = #(ly:make-moment 1 16)
  s8 \hideNotes \slurUp \stemDown 
es,,64( bes'' s64 \unHideNotes \stemUp g64[ bes c d c]) s2
  \set subdivideBeams = ##f
  bes,,8 \csm \stemDown bes'' c es8 s2
}

lowerVoiceTwo = \relative c, {
  \voiceTwo
  bes2. 
  \csh
  \once \override Beam #'damping = #+inf.0
  bes'' es g8 \csl \slurUp 
  %\once\override Slur #'extra-offset = #'(0 . 4) 
  es,,64 bes' es g s32. 
c64
s4 bes des
  bes,,2. 
}


\score {
  \new PianoStaff 
\set PianoStaff.connectArpeggios = ##t
%\override PianoStaff.Arpeggio #'stencil = #ly:arpeggio::brew-chord-bracket
\new Staff = high  	
  \global
  \context Voice = upperVoiceOne { \upperVoiceOne }
  \context Voice = upperVoiceTwo { \upperVoiceTwo }

\new Staff = middle  
  \global
  \context Voice = middleVoiceOne { \middleVoiceOne }
  \context Voice = middleVoiceTwo { \middleVoiceTwo }

\new Staff = low  	
  \clef bass 
  \global
  \context Voice = lowerVoiceOne { \lowerVoiceOne }
  \context Voice = lowerVoiceTwo { \lowerVoiceTwo }

  
  \layout {
\context {
  \Score
  \override TimeSignature #'stencil = ##f
  \remove Bar_number_engraver

Re: Big Chords in PianoStaff

2010-04-24 Thread Jonathan Kulp
On Sat, Apr 24, 2010 at 6:12 PM, Jonathan Kulp jonlancek...@gmail.com wrote:

 Is there another command that could split the chord between the staff in an
 optimal way, so each staff gets the more appropriate notes


 I don't know that there's a way for this to happen automatically, but
 it's definitely possible to get it to look the way you want. Check the
 Granados example on the LP examples page:

 http://lilypond.org/doc/v2.13/Documentation/web/examples#Examples


Sorry, here's a simpler example right from the docs:

http://lilypond.org/doc/v2.13/Documentation/notation/common-notation-for-keyboards#Cross_002dstaff-stems

Cross-staff stems are what you want, I think.

Jon

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Re: Chord Naming

2010-04-24 Thread Jonathan Kulp
On Sat, Apr 24, 2010 at 6:22 PM, Tim Rowe digi...@gmail.com wrote:
 I'm sure I used to be able to do this, but now I can't. I must be
 getting forgetful!

 How do I get Lilypond to show chord names instead of jazz symbols (I'm
 not a jazzer!)

 In other words, I want C major 7 to show as Cmaj7, not as C with a
 triangle next to it.


Check out this snippet:

http://lsr.dsi.unimi.it/LSR/Item?id=459

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Re: error message from PDF viewer

2010-04-18 Thread Jonathan Kulp
On Sun, Apr 18, 2010 at 12:25 PM, Martin Tarenskeen
m.tarensk...@zonnet.nl wrote:
 On Sun, 18 Apr 2010, Graham Percival wrote:

 We don't want to see any copyrighted file; quite apart from the
 legal issue, that would be too long.  Please create a tiny
 example:

 OK. Here is a tiny example (attached).

 1. I use Lilypond 2.13.18 on Fedora 12 to compile
 2. I start Evince from my terminal to view the pdf. Looks fine to me.
 3. I close Evince.
 4. I see that Evince has left some messages in my terminal:

 ** (evince:8380): WARNING **: Failed to create dbus proxy for
 org.gnome.SettingsDaemon: Could not get owner of name
 'org.gnome.SettingsDaemon': no such name
 Error: Illegal entry in bfrange block in ToUnicode CMap
 Error: Illegal entry in bfrange block in ToUnicode CMap
 Error: Illegal entry in bfrange block in ToUnicode CMap
 Error: Illegal entry in bfrange block in ToUnicode CMap
 Error: Illegal entry in bfrange block in ToUnicode CMap
 Error: Illegal entry in bfrange block in ToUnicode CMap

 Press ENTER or type command to continue


This happens to me, too. I'm also running Fedora 12. My solution is to
use Acrobat Reader instead of Evince. Slower, but no more errors.

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Re: 2.13.16 crashes while processing old good file (2.8.8 and 2.12.3 do not)

2010-03-23 Thread Jonathan Kulp
Sorry, this didn't copy to the list first time. Not used to the gmail web
interface...See response at bottom.

Jon

On Tue, Mar 23, 2010 at 5:07 AM, Jonathan Kulp jonlancek...@gmail.comwrote:

 2010/3/23 Dmytro O. Redchuk brownian@gmail.com

 Hi.

  My problem (again, yes, my own,) now is that 2.13.16 crashes on a
 file, which can happily be compiled with 2.12.3 and 2.8.8 (2.13.0
 segfaults, did not try others yet).

  Having no idea how to debug, i would like to ask what can i do to
 narrow down this problem.

  (Stripping the code to three stave do not help --- the problem
 disappears). Btw, uncommenting page-count and commenting out
 system-count gives strange result: lilypond says Solving 2
 page-breaking chunks...[1: 3 pages][2: 3 pages] but produces 6 pages
 pdf (some pages with 1 system only).

  I've attached the (a bit stripped) source and log file.

  Please, help :-)

  Thank you, really.


 I got it to compile by running convert-ly to update syntax (had to add a
 version statement first) and then changing the paper block like this:

 \paper {
   %system-count = #9
   % page-count = #3
   ragged-bottom = ##f
 }

 Note that ragged-bottom is now false instead of true. It turns out to have
 three pages. Is that what you want?

 Jon
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Re: Using Lilypond in LaTeX

2010-03-23 Thread Jonathan Kulp
On Tue, Mar 23, 2010 at 1:58 PM, Keith Weintraub kw1...@gmail.com wrote:
 Folks,
    I am creating multiple piano staves with text between them for analysis
 on a page.
 I would like to make sure that all staves on one page be the same width.
 Is there a way to force the line-width to be a certain size AND (sorry for
 shouting) force the staves (across separate \begin{lilypond} \end{lilypond}
 blocks) to fill the lines so they are the same width across the page?
 I have done something like this:

 \begin{lilypond}

 \layout {
   line-width = #150
   ragged-last = ##f
   ragged-last-bottom = ##f
   ragged-right = ##f
   ragged-bottom = ##f
 }

 \score {
   \new PianoStaff \with {
  \override SpacingSpanner #'uniform-stretching = ##t
 } 
      \set Score.tempoHideNote = ##t
   ...
   ...
   ...
    \layout{}
    \midi{}
 }

 \end{lilypond}

 I am sure that this is wrong and that I have cut and pasted a bunch of stuff
 that I don't really need. Any help that you could give would be greatly
 appreciated.
 Thanks,
 KW

In my counterpoint workbook I use included lilypond files for the
exercises, each of which has the following parameters defined:

\paper {
  ragged-right = ##f
}

global = {
  #(set-global-staff-size 24)
}

With only these two parameters defined, all of my exercises are the
same staffsize and fill the same width of page. If you're interested
you can see the source code and pdf here:

http://music2.louisiana.edu/Gratis/

HTH,

Jon
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Re: Spanish Lyrics Error

2010-03-23 Thread Jonathan Kulp
On Tue, Mar 23, 2010 at 7:42 PM, Gus gus@gmail.com wrote:
 Hello,

 I am trying to add lyrics in Spanish to a song but I can't use the Spanish
 specific characters like the ñ and the á because I get an error:

 user:$ lilypond 1a_arriba-los-corazones.ly
 GNU LilyPond 2.12.2
 Processing `1a_arriba-los-corazones.ly'
 Parsing...
 Interpreting music... [8][16][24][32]
 Preprocessing graphical objects...
 programming error: FT_Get_Glyph_Name () error: invalid argument
 continuing, cross fingers
 programming error: Glyph has no name, but font supports glyph naming.
 Skipping glyph U+, file
 /usr/local/lilypond/usr/share/lilypond/current/fonts/otf/CenturySchL-Roma.otf
 continuing, cross fingers
 Finding the ideal number of pages...
 Fitting music on 1 page...
 Drawing systems...
 Layout output to `1a_arriba-los-corazones.ps'...
 Converting to `./1a_arriba-los-corazones.pdf'...

 Thanks.

 Gus


Check to make sure your source file has UTF-8 encoding and re-compile.
I use foreign characters like his frequently without errors. If you
still have errors, post a minimal example for us.

Jon


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Re: Spanish Lyrics Error

2010-03-23 Thread Jonathan Kulp
On Tue, Mar 23, 2010 at 8:32 PM, Gustavo Caicedo gus@gmail.com wrote:
 Not sure what you mean. I use vim.

 user:$ file /mnt/sda1/opus/1a_arriba-los-corazones.ly
 /mnt/sda1/opus/1a_arriba-los-corazones.ly: ASCII text

 I guess it's set to ASCII. Is this the problem you're talking about?


Yes. that's it. Open up your file in vim and do this command:

:set encoding=utf-8

Then save and exit. Then run the file command and see if it says
utf-8 instead of ASCII. Once it has UTF-8 encoding I predict your
characters will appear correctly. When I do this, the file has to have
a utf-8 character (á or ñ for example) in the file before it'll say
utf-8 in the file command.

Jon

 On Tue, Mar 23, 2010 at 20:58, Jonathan Kulp jonlancek...@gmail.com wrote:

 On Tue, Mar 23, 2010 at 7:42 PM, Gus gus@gmail.com wrote:
  Hello,
 
  I am trying to add lyrics in Spanish to a song but I can't use the
  Spanish
  specific characters like the ñ and the á because I get an error:
 
  user:$ lilypond 1a_arriba-los-corazones.ly
  GNU LilyPond 2.12.2
  Processing `1a_arriba-los-corazones.ly'
  Parsing...
  Interpreting music... [8][16][24][32]
  Preprocessing graphical objects...
  programming error: FT_Get_Glyph_Name () error: invalid argument
  continuing, cross fingers
  programming error: Glyph has no name, but font supports glyph naming.
  Skipping glyph U+, file
 
  /usr/local/lilypond/usr/share/lilypond/current/fonts/otf/CenturySchL-Roma.otf
  continuing, cross fingers
  Finding the ideal number of pages...
  Fitting music on 1 page...
  Drawing systems...
  Layout output to `1a_arriba-los-corazones.ps'...
  Converting to `./1a_arriba-los-corazones.pdf'...
 
  Thanks.
 
  Gus
 

 Check to make sure your source file has UTF-8 encoding and re-compile.
 I use foreign characters like his frequently without errors. If you
 still have errors, post a minimal example for us.

 Jon


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Re: documentation help seriously needed

2010-03-22 Thread Jonathan Kulp
I should be able to handle some git committing / compile checking, and stuff
like that if others can do the worst of the typing.

Jon

On Mon, Mar 22, 2010 at 3:36 PM, Graham Percival
gra...@percival-music.cawrote:

 Here's the current situation with the documentation.

 1. we have a number of users who know a lot about lilypond, but
   are not familiar with git + compiling + our doc policies.
 2. we have a doc editor on Windows who knows about
   git+compiling+doc policies, but knows relatively little
   about lilypond.
 3. we have a number of open documentation issues, some of them
   critical [1].

 If you belong to category 1, and think you might be able to help
 with category 3, please contact category 2 (CC'd on this email) or
 me.

 [1]

 http://code.google.com/p/lilypond/issues/list?can=2q=type=Documentationsort=priority


 Cheers,
 - Graham


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Re: lilypond-book question

2010-03-15 Thread Jonathan Kulp
When on Windows I run these commands from the DOS prompt and it works fine.
I think the problem is probably related to your $PATH.  I remember once
having to set up the path so that it could find the lilypond commands, but
this last time I set up a windows VM and installed Lilypond, it
automatically set up the path correctly. You should search the web for
instructions on how to add directories to the path. You might also just try
it at a DOS prompt instead and see if it works.

Jon

On Mon, Mar 15, 2010 at 11:16 PM, Kees van den Doel kvand...@shaw.cawrote:

  Hi all,

 How am I supposed to use lilypond-book on windows?

 I'm in  a cygwin csh shell. Instructions say:

 To produce a PDF file through PDFLaTeX, use

 lilypond-book --pdf yourfile.pdftex
 pdflatex yourfile.tex

 lilypond-book is however not a recognized command.

 I then tried (after finding lilypond-book.py and some guessing)

 python 'c:\program files\lilypond\usr\bin\lilypond-book.py' foo.lytex

 and get:

 running latex...Dissecting...lilypond-book.py: error file not found:
 screech-boink.ly

 I can't find anything in the docs, but haven't read them cover to cover.
 (My miktex is fine.)

 Appreciate any help,
 Kees



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Re: Musica ficta

2010-03-13 Thread Jonathan Kulp
On Sat, Mar 13, 2010 at 9:35 AM, northofscotland
strath100-...@yahoo.co.ukwrote:


 I have been trying to force musica ficta accidentals into brackets, but the
 notation

 \set suggestAccidentals = ##t fs?

 seems to be ignored.  Is it me or Liliypond?



You can do it with a \markup, but you will probably have to adjust the
alignment and fontsize and whatnot:

\relative c' {
  d e fis^\markup {[\sharp]} g
}

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Re: lily pond

2010-02-04 Thread Jonathan Kulp
On Fri, Jan 29, 2010 at 2:53 PM, Tim Cansfield tim.cansfi...@sky.comwrote:

 Hi my question is that after I have installed lily pond ( xp pro )I
 don't
 seem to be able to get an application window up, all I get when I double
 click
 the icon is the instructions to test the app, which work and produce the
 correct
 pdf , and a command window ?does this mean the application is wromgly
 installed or what.any help would be appreciated
 Yours sincerely
 Tim Cansfield



Hi Tim. Everything is working properly. There's no application window. Read
here for an intro to how Lilypond works:

http://lilypond.org/doc/v2.13/Documentation/web/text-input#text-input

Best,

Jon
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Re: Octavation

2010-02-01 Thread Jonathan Kulp
Why are you posting the same message so many times with different subject
headings? I'm very pleased to hear about this tool, but this is very poor
etiquette.

Jon

On Mon, Feb 1, 2010 at 12:04 AM, Kirill Sidorov sidos...@yandex.ru wrote:


 There has been some progress, gentlemen.

 This concoction of mine might be of interest to some:

 http://www.sidorefa.com/sib2ly/

 To my best knowledge, this tool is substantially more powerful
 than other existing Sib-Ly converters.
 You are welcome to try it out.
 The whole thing is absolutely free and open source, naturally.

 Written as a two-part suite: a dumb Sibelius plug-in that does nothing
 but dump the whole score into an .xml file, and the main part -- the
 interpreter --
 that does the translation into .ly
 The interpreter is written in Ruby, packaged as a standalone .exe for
 convenience.

 More info at http://www.sidorefa.com/sib2ly/


 Best,

 Kirill Sidorov



 Kirill-7 wrote:
 
  Forgot to mention why I need this at all.
 
  I'm writing a plug-in for Sibelius to export scores in LilyPond format.
  It runs a two-pass procedure (I'm giving a simplified picture):
 
 

 --
 View this message in context:
 http://old.nabble.com/Octavation-tp5038198p27400063.html
 Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com.



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Re: Lilypond vs Score

2010-02-01 Thread Jonathan Kulp
On Mon, Feb 1, 2010 at 4:10 PM, Brett McCoy idragos...@gmail.com wrote:

 On Mon, Feb 1, 2010 at 4:57 PM, Bobber bob...@kc0dxf.net wrote:

  I have been having a discussion with a small publisher who uses the music
  manuscript program called Score.  He says that neither Lilypond or Finale
  can produce engraving that is comparable to Score.  And that most of the
  major music publishers in the world use Score.
 
  Is anyone familiar with Score and what makes it superior?


One of my songs is published by G. Schirmer, and the songbook containing it
was done in Score. This was in 1996. I'm not sure if Schirmer is still using
it or not. It looks very good, though. From what I've heard it also costs
quite a lot of money (or used to).

Jon
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Re: Output to 600dpi png

2009-12-24 Thread Jonathan Kulp
lilypond --format=png -dresolution=600

On Thu, Dec 24, 2009 at 3:47 PM, Athanasius Pelletier athp...@gmail.comwrote:

 I knew the command for this, can somebody refresh me, I am having a tough
 time finding it with google.

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Re: Bar lines are too thick!

2009-12-21 Thread Jonathan Kulp
Are you talking about the printed page or just the .pdf file on the screen?
Sometimes the barlines on the screen look awful in different pdf viewers but
then they look right when printed.

Jon

On Mon, Dec 21, 2009 at 9:13 PM, Athanasius Pelletier athp...@gmail.comwrote:

 The bar lines on my file are coming out very thick.  I have set the global
 size to 25 and the bar lines are more noticable than the notes.  How can I
 make them look normal?

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Re: lilypond 2.12 / 2.13

2009-12-20 Thread Jonathan Kulp
On Sun, Dec 20, 2009 at 11:00 AM, James Bailey
derhindem...@googlemail.comwrote:

 I don't know about linux, but on macintosh, there's absolutely zero
 problem, the binaries are all self-contained. It's just a matter of calling
 the right one.


 On 20.12.2009, at 17:45, Martin Tarenskeen wrote:


 Hi,

 Is there an (easy) way to have both lilypond 2.12.x (stable) and lilypond
 2.13.x (devel.) installed and useable on my system ? I'm always curious to
 try and test the latest features and bugfixes, but for distribution and
 sharing of lilypond sourcecode it is probably a better idea to use the
 stable release.

 I'm running linux fedora 12.

 --


I added a section about this to the Contributor's Guide a while back. Here's
a link:

http://lilypond.org/doc/v2.13/Documentation/contributor/concurrent-stable-and-development-versions#concurrent-stable-and-development-versions

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Re: which encoding for umlaute

2009-12-19 Thread Jonathan Kulp
UTF-8 ought to do it.

Jon

On Sat, Dec 19, 2009 at 1:39 PM, Stefan Thomas 
kontrapunktste...@googlemail.com wrote:

 Dear community,
 which encoding do I have to choose, to get the german Umlaute (like ä, ö,
 etc.) properly shown on a windows-machine?

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Re: No Work!

2009-12-13 Thread Jonathan Kulp
Did you follow the instructions in the text file? There's no graphical
interface for this program. The text file tells you how you go about
creating a score with Lilypond.

Save the file by doing FileSave Astestfile.ly
Then choose CompileTypeset File (my memory may be faulty here)

It's possible to do this from a terminal but requires some additional setup
on Mac. I suggest trying this method first.

Jon

On Sun, Dec 13, 2009 at 12:14 PM, Robert Ley robert...@gmail.com wrote:

 Re: Version 2.12.2-1
 Downloaded both documentation and program. Downloaded fine.
 Dragged ap to applications folder.
 Put documentation folder there too.
 Double-clicked the application and I get a text file that says:
 save this file
 Select 'compiletypeset file' from the menu--
 NOTHING comes up when I go to the LilyPond menu. It turns blue as if it's
 selected, but it doesn't do anything. The program also will not quit.
 Can I compile the file in Terminal somehow?
 Any other suggestions??
 Macintosh
 System 10.5.8
 G4 PowerPC MacBookPro
 Plenty of memory
 RDL



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Re: lilypond Windows 7

2009-12-12 Thread Jonathan Kulp
It worked fine on the Win7 release candidate I had installed as a virtual
machine a while back. I would assume it works under the actual release as
well. Give it a try. :)

Jon

On Fri, Dec 11, 2009 at 8:37 PM, Roberto Altschul 
roberto.altsc...@comcast.net wrote:

  Does Lilypond run under Windows 7?



 Roberto Altschul



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Re: Problem with Lilypond

2009-11-20 Thread Jonathan Kulp
On Fri, Nov 20, 2009 at 6:27 AM, François risb...@hotmail.fr wrote:

 Hello,

 I've downloaded Lilypond but when i try to start it, it says :

 Congratulations, LilyPond has been installed
 successfully.
 Now to take it for the first test run.
 1. Save this LilyPond file on your desktop
 with the name test.ly.
 2. Pick it up from the desktop with your mouse
 pointer, drag and drop
 it onto the LilyPond icon.
 3. LilyPond automatically produces a PDF file
 from the musical scale
 below.
 4. To print or view the result, click on the
 newly produced called test.PDF
 That's it.

 And i don't understand what do i have to do.
 Thank you in advance for your answer.


 Have you followed these steps yet? This is the way Lilypond works. It may
help you to read the crash course first:

http://lilypond.org/switch/howto

Jon
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Re: Quit [now definitely O/T]

2009-11-11 Thread Jonathan Kulp
On Wed, Nov 11, 2009 at 2:01 PM, Kieren MacMillan 
kieren_macmil...@sympatico.ca wrote:

 Hi David (and anyone else who makes it here, wondering how to find the
 CG),


  The manuals don't tell anything about CG, where it is, what it does.
 URL:http://lilypond.org/web/devel/participating/ does not tell.
 There is no directory of that name in the distribution.



Hi all,

At the risk of stating the obvious (to long-time lilypond contributors
anyway), CG stands for Contributor's Guide.

Jon

p.s. to Graham and anyone else who was wondering: my wrists still aren't
really better after months. I'm going to a specialist next week. I hope to
be a productive LP community member again one day...
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Re: PDF - Ubuntu - Lilypond 2.12.2 problem

2009-11-04 Thread Jonathan Kulp
I recently did (nearly) the same upgrade on a virtual machine, going from
Ubuntu 9.04 to Xubuntu 9.10. I ran your file on LP version 2.12.2
(downloaded from the lilypond site, not the repository), and it ran
perfectly. I have 768 MB of RAM on this virtual machine. If you got lilypond
from the Ubuntu repo, you might consider removing it the same way, then
downloading the installer from lilypond.org. Good luck. :)

Jon

On Wed, Nov 4, 2009 at 10:16 AM, Ralph Palmer palmer.r.vio...@gmail.comwrote:

 Greetings -

 This is my second request for help on this issue. I think it really is a
 memory size issue.

 I upgraded to Ubuntu 9.10 (Karmic Koala) and LilyPond 2.12.2. Until I
 upgraded (i.e., under Jaunty and 2.12.0), I was able to run
 lilypond *filename*.ly ( in this case vla_pos_etudes_1.ly),
 and a .ps and a .pdf file were automatically generated. Since upgrading,
 when I run
 lilypond vla_pos_etudes_1.ly
 I get the .ps file, but no .pdf, and I get the following error message:
 Drawing systems...
 Layout output to `vla_pos_etudes_1.ps'...
 Converting to
 `./vla_pos_etudes_1.pdf'.../usr/local/lilypond/usr/share/lilypond/current/scm/backend-library.scm:24:15:
 In procedure system in expression (system silenced):
 /usr/local/lilypond/usr/share/lilypond/current/scm/backend-library.scm:24:15:
 Cannot allocate memory

 The .ps file looks fine, but I can't print a decent .pdf from it. When I
 open the .ps file and choose File  Print, I get the usual dialogue box for
 printing; however, one of the entries is pdf, and it says, Backend
 /usr/lib/cups/backend/cups-pdf does not exist!. When I do a print to file
 and select .pdf, the rendering is no good - boxes for note heads, for
 example.

 If I comment out significant chunks of the vla_pos_etudes_1.ly file, the
 .pdf is created and looks great. It's not that large a file - 8 kb, and
 prints to about 12 pages - but it does have 61 scores (so far). No one score
 seems to be the culprit. If I comment out score 24-61, it works. 24-60
 commented out does not work. 22-60 commented out works. 22-59 commented out
 does not work. 1-19 + 31-61 commented out works.

 I appreciate your time and help,

 Ralph

 --
 Ralph Palmer
 Montague City, MA
 USA
 palmer.r.vio...@gmail.com

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Re: finale-lilypond?

2009-09-27 Thread Jonathan Kulp
2009/9/27 Frédéric Bron frederic.b...@m4x.org

 Hi,

 A friend of mine is used to Finale. I try to convert him to lilypond.
 What is the best way to convert a score from Finale to Lilypond?
 Regards,


Export the Finale score to musicXML, then run musicxml2ly on it. This script
is included with the Lilypond distribution.

Jon
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Re: finale-lilypond?

2009-09-27 Thread Jonathan Kulp
On Sun, Sep 27, 2009 at 8:12 AM, Laura Conrad lcon...@laymusic.org wrote:

  Frédéric == Frédéric Bron frederic.b...@m4x.org writes:

Frédéric A friend of mine is used to Finale. I try to convert him
Frédéric to lilypond.  What is the best way to convert a score
Frédéric from Finale to Lilypond?  Regards,

 What *ought* to be the best way is to have Finale save the file as a
 MusicXML file, and then use musicxml2ly to convert it.

 I don't have any experience with doing this -- the Finale users I know
 refuse to find options in the Finale menus.  If you want to try it
 out, there do seem to be some MusicXML files on the Werner Icking


I've done this probably a dozen times (exporting from Finale and converting
to .ly) and it works pretty well. There are some things to clean up
(duplicated dynamic markings, for example) but overall it works a lot better
than one might expect.

Jon
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Re: command-line usage - bus error (was: Re: lily2image)

2009-09-19 Thread Jonathan Kulp

 pngtopnm tie.png  tie.pnm
 pnmcrop -white tie.pnm  tie-cropped.pnm
 ppmtopng tie-cropped.pnm
 /Users/PLS/bin/lily2image: line 626: ppmtopng: command not found
 ppmtopng failed converting to final output - lily2image aborting.

 Isn't ppmtopng part of netpbm (I have netpbm version 10.26.61)? I didn't
 find ppmtopng on my machine. What do I have to do about the warning? (I can
 run lily2image with -f=jpeg)


At this point it should try to call pnmtopng, not ppmtopng. The script
checks to see which outformat command to use based on the return status of
which ppmto$outformat. If it returns 1 (which it should in this case), it
runs instead pnmto$outformat. (in this case pnmtopng). I'm not sure why that
part of the script isn't working on your machine.

Jon
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Re: lily2image

2009-09-18 Thread Jonathan Kulp
Hi Patrick,

It looks like you don't have your machine set up for command-line usage on
Mac (there's a page in Application Usage about this:

http://lilypond.org/doc/v2.12/Documentation/user/lilypond-program/Setup-for-MacOS-X#Setup-for-MacOS-X

If you've already done this then I'm not sure what the problem is. Do you
normally run LP from the command line on Mac?

Jon

On Fri, Sep 18, 2009 at 12:04 PM, Patrick Schmidt p.l.schm...@gmx.dewrote:

 Hi Jon and Patrick,

 I found your script lily2image in the archives (
 http://article.gmane.org/gmane.comp.gnu.lilypond.general/41125) and tried
 it out. Unfortunately I got a bus error:

 patrick-schmidts-computer:~ PLS$ lily2image -r=72 -f=png
 /Users/PLS/Music/LilyPond/Test/Minimalbeispiele/tie.ly
 Output format is png...
 Resolution set to 72 DPI...
 lilypond --format=png -dresolution=72 tie.ly
 GNU LilyPond 2.13.3
 /Users/PLS/bin/lily2image: line 559:  7239 Bus error   lilypond
 --include=$HOME --format=png -dresolution=$resolution $srcfile
 lilypond failed - lily2image aborting

 netpbm is installed. I installed it via sudo port install netpbm so I
 should have netpbm version 10.26.61. (Mac OS X 10.4.11)

 Maybe you have an idea of what could have gone wrong. (I also tried it with
 LilyPond 2.13.4. Same result.)

 Thanks for any hint.
 patrick
 --
 GRATIS für alle GMX-Mitglieder: Die maxdome Movie-FLAT!
 Jetzt freischalten unter http://portal.gmx.net/de/go/maxdome01


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Re: Permission denied due to MIDI with percussion

2009-09-01 Thread Jonathan Kulp
On Tue, Sep 1, 2009 at 7:33 PM, dflo404 dflo...@yahoo.com wrote:


 Wow I feel dumb.  I just realized it was doing that because the MIDI file
 was
 still open.  I closed it out and it worked fine.


Glad you figured it out, Dan. Your code ran just fine for me, too. :)



 Still though, after looking at my code could you guys lend any advice?  I
 don't really understand the whole Score part, I just have that all there
 after looking at other examples.


Your \score block looks o.k., although the indentation looks funny in my
email reader. It's probably fine in your editor. I'd recommend using
barchecks after each bar, too. (put a | at the end of a bar)  These can be
very helpful in tracking down errors in rhythms. Otherwise things look
pretty good to me.

BTW, your name looks awfully familiar. I seem to recall someone named Dan
Florio in Fairborn, Ohio when I was growing up in the mid-70s to early 80s.
He may have been in my brother's grade, though. Did you know a guy named
Rick Kulp back then?

Jon
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Re: fingering orientation problem

2009-08-12 Thread Jonathan Kulp
For fingering orientation to take effect, you have to put the note inside a
chord construct . I thought we had added a warning about this. Here's what
it should look like:

\set fingeringOrientations = #'(down)
   sib-34

Ok I've just added this warning about the chord construct requirement to the
snippet in question in LSR.

Jon

On Wed, Aug 12, 2009 at 11:50 AM, michel.villene...@gmail.com wrote:

 I don't understand why the fingering indications are up and not down
 because I specified it by : \set fingeringOrientations = #'(down)
 Sorry if it's a stupid question but I can't see where is my mistake.

 NB : \version 2.12.0 on Debian.

 --
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 43, faubourg Jean Jaurès
 07700 Bourg St-Andéol
 tel : (+33)(0)961468658   / (+33)(0)601981018
 GnuPG Key ID  0019690E


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Re: fingering orientation problem

2009-08-12 Thread Jonathan Kulp
On Wed, Aug 12, 2009 at 12:37 PM, Mark Knoop m...@opus11.net wrote:

 At 18:50 on 12 Aug 2009, michel.villene...@gmail.com wrote:
  I don't understand why the fingering indications are up and not
  down because I specified it by : \set fingeringOrientations =
  #'(down) Sorry if it's a stupid question but I can't see where is my
  mistake.

 \set fingeringOrientations is only for chords, just use _ and ^ to
 position single note fingerings, or use - to let LP decide.


Is the use of _ and ^ with fingerings documented anywhere?  I don't remember
seeing this. It's certainly easier than using the chord angle brackets.

Jon
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Re: fingering orientation problem

2009-08-12 Thread Jonathan Kulp
On Wed, Aug 12, 2009 at 1:09 PM, Jonathan Kulp jonlancek...@gmail.comwrote:



 On Wed, Aug 12, 2009 at 12:37 PM, Mark Knoop m...@opus11.net wrote:

 At 18:50 on 12 Aug 2009, michel.villene...@gmail.com wrote:
  I don't understand why the fingering indications are up and not
  down because I specified it by : \set fingeringOrientations =
  #'(down) Sorry if it's a stupid question but I can't see where is my
  mistake.

 \set fingeringOrientations is only for chords, just use _ and ^ to
 position single note fingerings, or use - to let LP decide.


 Is the use of _ and ^ with fingerings documented anywhere?  I don't
 remember seeing this. It's certainly easier than using the chord angle
 brackets.


Am I correct in thinking that you'll still have to use  if you want the
fingerings to go left or right of the note? In that case, \set
fingeringOrientations is still necessary for single notes sometimes.

Jon
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Re: new website, draft 7

2009-08-11 Thread Jonathan Kulp
On Tue, Aug 11, 2009 at 8:44 PM, Graham Percival
gra...@percival-music.cawrote:

 On Tue, Aug 11, 2009 at 03:18:16PM -0700, Jonathan Wilkes wrote:
 
  1.  On the examples page, under the Jesu, Meine Freude, it says
  (click for longer excerpt) when it should say (click to enlarge).

 Thanks, fixed.

  2.  On the examples page, under Modern Music, one of the f's is shifted
  down for some reason in the score for by Trevor Baca (bottom staff).

 It's a spacing issue; a bug.

 Jonathan: investigate, tweak the input, use a different version of
 lilypond, whatever.


I've fixed it and pushed. Trevor uses special macros for those dynamic
markings, and for whatever reason one of them got dropped below all the
others. I replaced it with a standard \f dynamic and that seems to have done
it.

I also had to modify the makefile in the examples dir--explanation in the
commit message.

Jon


p.s. I've been quiet lately mostly b/c I'm trying to recover from
tendonitis. Trying to keep typing to a minimum. :(
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Re: new website, draft 7

2009-08-11 Thread Jonathan Kulp
On Tue, Aug 11, 2009 at 10:32 PM, Graham Percival
gra...@percival-music.cawrote:

 On Tue, Aug 11, 2009 at 10:26:37PM -0500, Jonathan Kulp wrote:
  I've fixed it and pushed.

 Thanks!

  I also had to modify the makefile in the examples dir--explanation in the
  commit message.

 Ah, I see.  I set it up so that I could run make
 generate-examples from the main dir.  It doesn't matter, though
 -- John doesn't like that setup, so it's only a temporary thing
 for web-gop anyway.


When I looked at my commit in gitk I didn't see the whole commit message.
Did you see it? I did that one-line message, then went down a couple of
lines and used # comment lines to further explain the Makefile change. Can
you see those? What's the command to read a whole commit message from the
command line instead of using gitk? Anyway all I said was that $(DEST)
didn't appear to be defined, but I guess it's defined further up the tree. I
didn't realize there was a new generate-examples target. Sorry if I caused
troubles. :(



  p.s. I've been quiet lately mostly b/c I'm trying to recover from
 tendonitis.
  Trying to keep typing to a minimum. :(

 Yikes!  Ok, I'll reduce the amount that I pester you.  Get better
 soon.  :(


Thanks man. :)

Jon

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Re: new website, draft 7

2009-08-11 Thread Jonathan Kulp
On Tue, Aug 11, 2009 at 10:47 PM, Graham Percival
gra...@percival-music.cawrote:

 On Tue, Aug 11, 2009 at 10:41:06PM -0500, Jonathan Kulp wrote:
  When I looked at my commit in gitk I didn't see the whole commit message.
 Did
  you see it? I did that one-line message, then went down a couple of lines
 and
  used # comment lines to further explain the Makefile change.

 *head smack*


Haha!



 Jonathan, didn't you notice the:
  # (Comment lines starting with '#' will not be included)
 line that's included every time you type git commit ?


Yeah, but I guess I didn't understand it properly. I thought there was the
top line that was the succinct commit message, then lines below that where
you could elaborate. I guess you have to elaborate without #comment
characters? Geez. Somehow I had it in my head that you needed to comment the
explanatory comments. ;) Sigh.

Jon
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Re: staff lines blurred on my website

2009-08-10 Thread Jonathan Kulp
On Mon, Aug 10, 2009 at 6:15 AM, Gerard McConnell gerry...@indigo.iewrote:

  Hello,
 I've been using Lilypond to draw examples for my
 counterpoint tutorial website at:
 http://homepage.eircom.net/~gerfmcc/fugue.htmlhttp://homepage.eircom.net/%7Egerfmcc/fugue.html
 The staff lines are somewhat blurred.   What is the
 likely reason for this? (I'm converting the output to
 .png with {lilypond --png file.ly} )
 (As I state on the site that I'm using Lilypond I'd like to
 show the best possible output.)
 Thanks,
 Gerard


Hi Gerard,

I see the problem and can report that the same thing happens for me when
viewing these things on a screen. Check our own new website, for example
(still in development):

http://lilypond.org/~graham/Examples.html#Examples

Some of the staff lines are blurred on our examples as well.  Just now I
tried running a file at a much higher resolution and the problem is still
there.  I don't think this has anything to do with Lilypond, but rather with
images being rendered on a screen. When I look at a lilypond pdf file in
either Evince or Acroread, some of the lines are blurred there as well, but
the printed output always looks excellent. Incidentally, I just went to my
iMac and looked at a bunch of .tif files generated by Finale at something
like 1200 dpi, and they also have some blurry staff lines. I don't think
it's specific to Lilypond. These Finale images were made for an article I
published a few years ago and they looked perfect in the printed copy.

Best,

Jon

p.s. it's funny that you should write to the list now, since just a few days
ago one of my faculty colleagues forwarded an email to me about your
counterpoint website. I also have a counterpoint project going, info here in
you're interested:

http://music2.louisiana.edu/Gratis/

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Re: staff lines blurred on my website

2009-08-10 Thread Jonathan Kulp
On Mon, Aug 10, 2009 at 8:47 AM, Kieren MacMillan 
kieren_macmil...@sympatico.ca wrote:

 Hi Jonathan,

  I also have a counterpoint project going, info here in you're interested:
 http://music2.louisiana.edu/Gratis/


 Nice job on the title — the pun is amazing!  =)
 Kieren.


Thanks, Kieren. It was a moment of nerdy inspiration. ;)

Jon
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Re: hiding the tempo

2009-08-10 Thread Jonathan Kulp
On Mon, Aug 10, 2009 at 10:09 AM, denis.roe...@loria.fr wrote:

 Hi,

 I would like to set the tempo for the MIDI file, but not display
 the tempo information at the beginning of the score. Is this possible?

 Thanks,

 Denis


Yes, you can set it in the \midi block, although the format is a bit more
convoluted. Here's an example where the quarter is set to 160 beats per
minute:

\midi {
  \context {
\Score
tempoWholesPerMinute = #(ly:make-moment 160 4)
  }
}


HTH,

Jon
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Re: hiding the tempo

2009-08-10 Thread Jonathan Kulp
On Mon, Aug 10, 2009 at 10:35 AM, Jonathan Kulp jonlancek...@gmail.comwrote:

 On Mon, Aug 10, 2009 at 10:09 AM, denis.roe...@loria.fr wrote:

 Hi,

 I would like to set the tempo for the MIDI file, but not display
 the tempo information at the beginning of the score. Is this possible?

 Thanks,

 Denis


 Yes, you can set it in the \midi block, although the format is a bit more
 convoluted. Here's an example where the quarter is set to 160 beats per
 minute:

 \midi {
   \context {
 \Score
 tempoWholesPerMinute = #(ly:make-moment 160 4)
   }
 }


 HTH,

 Jon


BTW I should have pointed you to the right spot in Notation Reference as
well:

http://lilypond.org/doc/v2.12/Documentation/user/lilypond-big-page#MIDI-block

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Re: setting notes alone

2009-08-10 Thread Jonathan Kulp
On Mon, Aug 10, 2009 at 10:18 AM, denis.roe...@loria.fr wrote:

 Hi,

 sometimes I want to discuss some details of a score, and I want to
 use the note symbols alone, without any staff. For instance,
 I may want to say that a breve is equal to two semibreves, and have
 the right symbols, and no staff. How can I achieve this?

 Thanks,

 Denis


This snippet should help you out:

http://lsr.dsi.unimi.it/LSR/Item?id=167

Jon
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Re: cannot end slur

2009-08-03 Thread Jonathan Kulp
On Mon, Aug 3, 2009 at 12:36 PM, Jonathan Wilkes jancs...@yahoo.com wrote:


 Hello,
 I'm having trouble entering the following fragment of music:

 \version 2.12.2

 \relative c'' {
\time 3/4
\partial 32 cis32~( |
cis4~ cis8~ \acciaccatura e' f~ f4 |
f16 e \times 2/3 { f des a } \times 2/3 { e d c } aes32 g'16.) ees32
 b g d e gis c e |
 }

 The slur goes to the first high f, then stops, and I get a warning:
 cannot end slur.

 I've tried overriding various Slur properties, but nothing seems to
 get the slur to extend all the way to the g.

 If anyone has any advice or reference links, it would be greatly
 appreciated!


Hi Jonathan,

It works if you use a phrasing slur instead:


\version 2.12.2

\relative c'' {
   \time 3/4
   \partial 32 cis32\( ~ |
   cis4~ cis8~ \acciaccatura e' f~ f4 |
   f16 e \times 2/3 { f des a }
   \times 2/3 { e d c } aes32 g'16.\) ees32 b g d e gis c e |
}

Jon
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Re: First Lilypond Score

2009-08-01 Thread Jonathan Kulp
On Sat, Aug 1, 2009 at 8:16 AM, Graham Percival gra...@percival-music.cawrote:

 On Fri, Jul 31, 2009 at 10:16:09PM -0500, Jonathan Kulp wrote:
  On Fri, Jul 31, 2009 at 7:26 PM, Graham Percival 
 gra...@percival-music.ca
  wrote:
 
  This seems to be a sufficiently common misunderstanding.
  Jonathan: please add a @warning at the top of NR 1.3.2 Slurs.
 
  Patch attached.  I hope I put it in the right spot.

 Well, it's not at the top, but that's fine.  The sentence missing
 something, though.

 Once you've fixed it, go ahead and push


Ok I added a period (is that what you meant was missing?) and moved up a
bit.  Not to the very top of the whole thing, but right after the first
instruction on how to enter a slur.  I can't push b/c I don't have push
access to this repo.  (at least I don't think I do) Patch attached.

Jon
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From ee6be77ab7e116efaf3f62d8d2c101b3d9dae3d3 Mon Sep 17 00:00:00 2001
From: jonkulp jonlancek...@gmail.com
Date: Sat, 1 Aug 2009 08:50:16 -0500
Subject: [PATCH] DOCS: add warning about slur termination in same voice
 \

---
 Documentation/notation/expressive.itely |3 +++
 1 files changed, 3 insertions(+), 0 deletions(-)

diff --git a/Documentation/notation/expressive.itely b/Documentation/notation/expressive.itely
index 06b5143..696816c 100644
--- a/Documentation/notation/expressive.itely
+++ b/Documentation/notation/expressive.itely
@@ -508,6 +508,9 @@ doits.
 
 @notation{Slurs} are entered using parentheses:
 
+...@warning{in polyphonic music, a slur must be terminated
+in the same voice it began.}
+
 @lilypond[verbatim,quote,relative=2]
 f4( g a) a8 b(
 a4 g2 f4)
-- 
1.6.2.5

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Re: First Lilypond Score

2009-08-01 Thread Jonathan Kulp
Ok Trevor, thanks.  Graham informed me that I have push access so next time
I'll just push it myself.  Best,

Jon

On Sat, Aug 1, 2009 at 11:07 AM, Trevor Daniels t.dani...@treda.co.ukwrote:

 Thanks Jonathan - pushed to remote/origin.

 Trevor

 - Original Message - From: Jonathan Kulp jonlancek...@gmail.com
 
 To: Graham Percival gra...@percival-music.ca
 Cc: Jonathan Wilkes jancs...@yahoo.com; lilypond-user@gnu.org
 Sent: Saturday, August 01, 2009 2:53 PM
 Subject: Re: First Lilypond Score



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Re: website: why do you use lilypond?

2009-08-01 Thread Jonathan Kulp
 BTW, have you (Lilypond community) ever thought about recording some
 *screencasts*?
 This is the way how many people learn using a program and, even though you
 might think this could work just with graphics or video software, I guess it
 may work for lilypond as well.. (at least for new users)


I like this idea.  I've thought about doing a podcast about Lilypond, but
then ran into the problem that it would really need to be a screencast for
it to do any good, and I don't have time to learn how to do screencasts.

Also, can you improve any examples?  I mean, the Goyescas /
 Granados example and Cary / Baca examples look *wicked awesome*.
 In contrast, the tablature example bores me to tears, the vocal
 music example is probably missing a / accent in trou-ve, etc.


 I'd be really glad to help with the tablature example.
 I think a modern piece would be better in this case, as tablature are used
 by modern guitarists.
 What about a Scott Joplin ragtime arranged for guitar? (it is in the public
 domain)

 I guess a good example should show the best features of tablature support
 in Lilypond.. There are any other requirements?


That'd be great, Federico. I think there's still a big ugly blinking help!
thing by the tablature example, so I'd be glad to have a different example.

BTW the vocal example is a motet that I transcribed from a medieval
manuscript facsimile, and I'll be happy to check if there's a missing
accent, but I'm pretty sure it's correct (according to Medieval French
anyway).  I'll check when I get back home, though. Right now I'm in NY on
vacation.

Jon

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Re: First Lilypond Score

2009-07-31 Thread Jonathan Kulp
On Fri, Jul 31, 2009 at 7:26 PM, Graham Percival
gra...@percival-music.cawrote:

 On Fri, Jul 31, 2009 at 12:21:49PM -0700, Jonathan Wilkes wrote:
 
  slurs - I had a lot of cannot end slur problems early on, evidently
  because I was trying to end a slur in a different voice (which isn't a
  problem in Finale).

 This seems to be a sufficiently common misunderstanding.
 Jonathan: please add a @warning at the top of NR 1.3.2 Slurs.


Patch attached.  I hope I put it in the right spot.

Jon

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From e688cf2dd4e9f8851d902feddb2a5b5ae807c1c7 Mon Sep 17 00:00:00 2001
From: jonkulp jonlancek...@gmail.com
Date: Fri, 31 Jul 2009 22:12:42 -0500
Subject: [PATCH] DOCS: add @warning about slur termination in polypony

---
 Documentation/notation/expressive.itely |3 +++
 1 files changed, 3 insertions(+), 0 deletions(-)

diff --git a/Documentation/notation/expressive.itely b/Documentation/notation/expressive.itely
index 06b5143..73055a2 100644
--- a/Documentation/notation/expressive.itely
+++ b/Documentation/notation/expressive.itely
@@ -514,6 +514,9 @@ a4 g2 f4)
 c e2( b d2)
 @end lilypond
 
+...@warning{in polyphonic music, a slur must be terminated in
+the same voice it began}
+
 @cindex slurs, manual placement
 @cindex slurs, below notes
 @cindex slurs, above notes
-- 
1.6.2.5

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Re: Speed-up compiling

2009-07-29 Thread Jonathan Kulp
On Wed, Jul 29, 2009 at 5:48 AM, Michael Käppler xmichae...@web.de wrote:

 Hi Mark,

 Maybe try using \pointAndClickOff ? I don't know if point-and-click
 slows things down, but it certainly increases filesize.

 http://lilypond.org/doc/v2.12/Documentation/user/lilypond-program/Point-and-click


 I've tested this, rendering only the last 100 measures:
 When I ran Lily the first time on that file, it needed 171 s with
 Point-And-Click turned on. Afterwards I turned Point-And-Click off, where it
 finished after 88s. After that I did a second run with Point-And-Click
 turned on - now it finished after just 93s.
 I don't think there are significant differences concerning Point-And-Click.
 But obviously every first run that Lily does on a file, lasts longer.
 I don't know what's the reason for it. A further observation I made (which
 I posted some time ago on -devel) was that when running LilyPond with many
 files (lilypond foo1.ly foo2.ly foo3.ly foo4.ly) it needs much(!) more
 time than running it that way: lilypond foo1.ly  lilypond foo2.ly 
 lilypond foo3.ly  lilypond foo4.ly.

 Also, you can temporarily comment out any instances of keep-inside-line
 since it's a known time-hog.

 http://lilypond.org/doc/v2.12/Documentation/user/lilypond-learning/Avoiding-tweaks-with-slower-processing


 I don't use any of this extra-checks in my score.


 Regards,
 Michael


 Hi Michael,

Given the specs of your machine, I think the compile time is probably about
what you can expect for such a large score. I have an orchestral score with
181 bars and 18-20 staves per system, and it compiles in about 7-8 minutes
on my laptop (about a year old with 3 GB RAM, dual-core processors, etc) but
takes more than an hour on my old eMac (5 years old, 1 GB ram, 1.25Ghz G4
processor). The processing has always been slower on macs, in my
observations. Even on my nice Intel iMac at work, which has pretty good
specs, it always takes considerably longer than on my Linux laptop.

Jon
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Re: generating graphic examples

2009-07-28 Thread Jonathan Kulp
Josh,

If these other methods don't work for you, and if you're running Linux or
Mac OSX, then I have a bash script that does exactly what you want.  See
this thread for more info:

http://article.gmane.org/gmane.comp.gnu.lilypond.general/41125

Jon

On Tue, Jul 28, 2009 at 10:40 AM, Josh Nichols josh.d.nich...@gmail.comwrote:

 I want to be able to generate graphic musical examples without getting it
 formatted on a giant paper-formatted .pdf or .png.  How do I accomplish
 this?


 I cannot find anything in the manual which allows this.
 -
 Josh Nichols

 SDG

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Re: suggestion for emproving NR: fingering istructions

2009-07-28 Thread Jonathan Kulp
On Tue, Jul 28, 2009 at 1:17 PM, Mark Polesky markpole...@yahoo.com wrote:


 Federico Bruni wrote:
  from my privileged position of newbie ;-)
  I have a suggestion for a very tiny edit in the Notation
  Reference which might ease the understanding for new users.
 
  This is the page (section Selected Snippets):
 
 http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Inside-the-staff#Fingering-instructions
 
  What is missing there, IMHO, is a clear statement like
  left-hand fingerings must be entered within a chord construct
   (i.e.: even single notes must be enclosed by  ).
 
  There is a similar sentence in the right-hand fingering chapter:
 
 http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Common-notation-for-fretted-strings#Right_002dhand-fingerings
 
  So why don't you add in the left-hand as well?
 
  I've lost hours trying to figure out why left orientation worked
  just for chords and not for single notes.
  That sentence would have saved me a lot of time and frustration.

 Sorry to hear about your frustrations -- I totally understand! And
 thanks (very much) for alerting us to a potential source of
 confusion. Remember that LilyPond is still a work-in-progress, and
 everyone can help! We usually try to clarify sources of confusion
 pretty quickly, so these reports are useful. However, it's better
 to offer suggestions like this to the developers' mailing list at
 lilypond-de...@gnu.org.
 archive - http://lists.gnu.org/archive/html/lilypond-devel/
 subscribe - http://lists.gnu.org/mailman/listinfo/lilypond-devel

 I guess the best place to add this would be in the snippet called
 Controlling the placement of chord fingerings in the Fingering
 instructions section. Probably the title should be changed to
 Controlling the placement of fingerings, because apparently the
 placement of single-note fingerings is also dependent on the ...
 construct. The snippet *does* provide examples of single notes
 enclosed in ..., but I admit it would be easy for a novice to
 overlook the significance of this.


Ok I've updated two of those snippets in LSR to give this explicit warning,
something that gave me fits when I was working on the fretted strings
section last year, too.  We added the example with the single notes in
chords at some point but a warning is appropriate here.  The changes should
make it into the development docs in the next couple of days, if I
understand the way this works.

Best,

Jon
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Re: suggestion for emproving NR: fingering istructions

2009-07-28 Thread Jonathan Kulp
On Tue, Jul 28, 2009 at 2:42 PM, Neil Puttock n.putt...@gmail.com wrote:

 2009/7/28 Jonathan Kulp jonlancek...@gmail.com:
  The changes should
  make it into the development docs in the next couple of days, if I
  understand the way this works.

 If only it were that simple. :)

 The LSR changes won't make their way into the docs until I run
 makelsr.py on the nightly docs tarball.  There's a complication if you
 want to change the snippet's title, since there are links to the
 snippet in the docs: this means having to amend the @lilypondfile[]
 entries and rename the texidoc (which contains the translations).

 Regards,
 Neil


I didn't change the titles at all, just the descriptions and one bit the
code. Hopefully it won't cause any problems. :)

Jon
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Re: Can't Uinstall Lilypond 2.13.0 to Install 2.13.3

2009-07-25 Thread Jonathan Kulp
Are you using sudo before the uninstall command?

Jon

On Sat, Jul 25, 2009 at 6:30 PM, craigbakalian craigbakal...@verizon.netwrote:

 Hi,

 I am getting a multitude of permission denied messages on Ubuntu's
 terminal when I run the /usr/local/bin/uninstall-lilypond.  What is up
 with this.  I have been installing and reinstalling for quite some time
 with no problems.  Why can't I uninstall?


 Craig Bakalian
 560 Keswick Drive
 Yardley, PA 19067
 215-428-0856



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Re: 2.13.3 docs emacs mode documentation AU 2.2.1 out of date?

2009-07-24 Thread Jonathan Kulp

Tim McNamara wrote:


On Jul 24, 2009, at 11:47 AM, Paul Scott wrote:


I am still concerned why AU 2.2.1 doesn't seem to make sense.


Sorry to be pig-ignorant here, but what the frak is AU 2.2.1?  Obviously 
it's some kind of abbreviation for documentation, but unfortunately I've 
not seen the whole name spelled out and it doesn't match any 
documentation I have from my LilyPond install.  In this community we 
have an unfortunate tendency to shorthand things, forgetting that some 
readers won't be able to figure out what we're talking about.




Indeed, this one doesn't match.  It's Application Usage, which 
in a fresh build is named lilypond-program.pdf.


Sorry for the confusion. :)

Jon
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Having been erased,
The document you're seeking
Must now be retyped.

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Re: Line-width in Lilypond-book

2009-07-22 Thread Jonathan Kulp
To handle this problem on my own files, I make sure to use false
ragged-right setting inside the included lilypond file.

Jon

On Wed, Jul 22, 2009 at 9:11 AM, Hugo Leonardo Ribeiro
hugole...@gmail.comwrote:

 Hi everyone,
 I am trying to adjust the line width in a lilypond-book example, but
 whatever I try, it always look like a ragged right style. What I want is
 to stretch the line, in order to the chords places more distant one from
 each other.
 I searched in earlier messages and someone named Morton had the same
 problem:
 http://www.mail-archive.com/lilypond-user@gnu.org/msg28520.html

 Graham said that this bug was fixed in 2.10.6.
 I am using 2.12.1 and have this problem.

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Re: Score staff order

2009-07-17 Thread Jonathan Kulp
So did you find the problem? Just curious. :)

Jon

On Fri, Jul 17, 2009 at 8:02 AM, Kalen Mercer merce...@gmail.com wrote:

 Ah, okay, I think I was staring too intently at my PianoStaff and wind
 instruments I didn't bother to look at the strings. I shall resume
 typesetting!

 Kalen




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Re: Score staff order

2009-07-16 Thread Jonathan Kulp
When this error appears it's normally something like a missing curly brace.
I can't try to compile your example b/c I don't have all of the source, but
it looks like there might be un-terminated grandstaves near the bottom--see
where I put comments below...

Jon

On Thu, Jul 16, 2009 at 9:37 PM, Kalen Mercer merce...@gmail.com wrote:

 I am working on typesetting Pavane pour une infante Defunte by Ravel but am
 having trouble with the score layout. It is as follows:

 \score {
 \new StaffGroup 
 \new Staff { \global \flutes }
 \new Staff { \global \hautbois }
 \new Staff { \global \clarinettes }
 \new Staff { \global \cors }
 
 \new PianoStaff 
 \set PianoStaff.instrumentName = #1 Harpe 
 \new Staff = harpeone \harpeone
 \new Staff = harpetwo \harpetwo
 


Here you start a new staffgroup and I don't see the closing 


 \new StaffGroup 
 \new GrandStaff 
 \new Staff { \global \violonsone }
 \new Staff { \global \violonstwo }
 
 \new Staff { \altos }
 \new GrandStaff 
 \new Staff { \global \violoncelles }
 \new Staff { \global \contrebasses }
 


Here add  and see if that fixes your problem.




 I get this error when compiling:


 # -*-compilation-*-
 Processing `C:/Documents and Settings/Kalen/Desktop/score.ly'
 Parsing...
 C:/Documents and Settings/Kalen/Desktop/score.ly:159:0: error: syntax
 error, unexpected \new

 \new PianoStaff 

 C:/Documents and Settings/Kalen/Desktop/score.ly:168:0: error: syntax
 error, unexpected 

 

 C:/Documents and Settings/Kalen/Desktop/score.ly:174:0: error: syntax
 error, unexpected 

 

 error: failed files: C:\\Documents and Settings\\Kalen\\Desktop\\score.ly
 


 Anyone know what my error is? I have checked the syntax many times and have
 tried adjusting the pianostaff's contents but nothing has worked out for my
 benefit.

 Kalen ( Windows XP Office Service Pack 3 )


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Re: guitar guide-mark

2009-07-15 Thread Jonathan Kulp
On Wed, Jul 15, 2009 at 7:46 PM, Peter Buhr pab...@sympatico.ca wrote:

 When writing the fingering for guitar, there is a notation used to indicate
 a
 guide finger in left-hand shifting. The fingering mark looks like -3, but
 the
 - is rotated up about 30 degrees, which means to silently slide the 3rd
 finger from its previous position to this marked note on the same string.
 (Just
 in case someone doesn't know. ;-) So I want to write something like:

   c-{-3} or c--3

 The first doesn't work and the latter puts the -3 below the note. Is
 there a
 mechanism to accomplish this? Again, I have scanned all the documentation
 and
 not found an example, but I could have missed it.


You can rotate objects and markups. I've done a little experiment here that
doesn't look very good yet but may put you on the right track. Search the
Notation Reference manual for rotation, formatting text, positioning
objects, and the like.

\version 2.13.4

\relative c'' {
  c-1 d^\markup { \center-align { \rotate #30 - \finger 1 }}
}

HTH,

Jon
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Re: guitar guide-mark

2009-07-15 Thread Jonathan Kulp
On Wed, Jul 15, 2009 at 9:22 PM, Tim McNamara tim...@bitstream.net wrote:


 On Jul 15, 2009, at 7:46 PM, Peter Buhr wrote:

  When writing the fingering for guitar, there is a notation used to
 indicate a
 guide finger in left-hand shifting. The fingering mark looks like -3,
 but the
 - is rotated up about 30 degrees, which means to silently slide the 3rd
 finger from its previous position to this marked note on the same string.
 (Just
 in case someone doesn't know. ;-) So I want to write something like:

   c-{-3} or c--3

 The first doesn't work and the latter puts the -3 below the note. Is
 there a
 mechanism to accomplish this? Again, I have scanned all the documentation
 and
 not found an example, but I could have missed it.


 In 30 years of playing guitar (jazz and rock), I have never seen this
 notation.  Is there an example on the Web you can point to?  I'd be
 interested in seeing how it's used.


This fingering indication is very common in classical guitar music. I see it
all the time but haven't tried to do it in Lilypond before tonight. Peter,
your objections to my initial approach make perfect sense, I just don't know
how to work around them. :)

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Re: positioning markup above a trill

2009-07-13 Thread Jonathan Kulp

Richard Wattenbarger wrote:

I'm having trouble positioning some markup above a trill. The passage in
question is below:

\relative c'' {
\time 3/4
b4 ^\markup {gestopft} \trill \p (a8) r a r
}

I've tried all sorts of things ... to no avail. Suggestions?

RW



This is controlled by script priority:

\once \override Script #'script-priority = #-100

See the snippets in Notation Reference here:

http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Attached-to-notes#Articulations-and-ornamentations

Jon
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Re: Insert line breaks in headers

2009-07-12 Thread Jonathan Kulp
Something like this should work:

title = \markup { \center-column { First Title \line { Second Title } }
}

http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Formatting-text#Text-alignment

Jon

2009/7/12 Jesús Guillermo Andrade gandr...@usermail.com

 Hello. I'd like to enter a composer's name into the header of a piece. The
 name is spelled both in english and japanese and since both are large I need
 to insert a line brake so one name stands just above the other in the usual
 place in the page.
 Can you advise me on how to do this?

 Thanks



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Re: new website draft 5: help wanted, I mean it

2009-07-10 Thread Jonathan Kulp

Graham Percival wrote:

On Fri, Jul 10, 2009 at 11:37:15AM +0200, Valentin Villenave wrote:

2009/7/10 Graham Percival gra...@percival-music.ca:

There's now an Examples section, thanks to Jonathan Kulp.
- currently, most examples have a click-to-expand thing.  Some
 of them don't work expanded, others don't work non-expanded.
 But there's enough working stuff for you to get the idea.

Although I'm not fond of JavaScript, I think the solution here is
called thickbox:
http://jquery.com/demo/thickbox/


No javascript.  Besides, the display isn't the issue; what's at
issue is generating the images in an automatic, system-independent
way.  (as in not what's in the current makefile and examples/ dir)


More importantly, we need help.  I recently re-iterated my claim
that the lilypond community should have the
program/bugs/documentation/website they deserve, but currently
this isn't happening -- Patrick and I have spent a ton of time and
effort on this website.

I am probably familiar enough with the texinfo and CSS syntax to give
you guys a hand. For instance, I should be able to handle the blinking
Help wanted boxes (this looks sooo 1996 btw).


That's deliberate.  We had to specially look up how to make it
blink.  My specific instructions were make it as ugly as
possible.

We want to handle the help wanted stuff by doing the required
work.



Right!  We don't need nicer-looking help boxes, we need to get rid 
of them!


Folks, please, send something to me if you have nice-looking 
examples with some wow to them in any of these categories:

  1. tablature
  2. orchestra/opera/wind ensemble--something really big (surely 
someone has something better than my piece!)
  3. pop music (something with a free enough license that we can 
use it)

  4. some kind of world music
  5. Something for use in music theory classes or other 
educational purposes that looks better than my counterpoint 
example--something with text balloons, colored noteheads, or 
whatever might be used in teaching music.


Thanks!

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Re: new website draft 5: help wanted, I mean it

2009-07-10 Thread Jonathan Kulp

Graham Percival wrote:

On Fri, Jul 10, 2009 at 12:21:17PM -0700, Patrick McCarty wrote:

On Fri, Jul 10, 2009 at 2:41 AM, Graham
Percivalgra...@percival-music.ca wrote:

Although I'm not fond of JavaScript, I think the solution here is
called thickbox:
http://jquery.com/demo/thickbox/

No javascript.  Besides, the display isn't the issue; what's at
issue is generating the images in an automatic, system-independent
way.  (as in not what's in the current makefile and examples/ dir)

Valentin, I've never used jquery before, but if you can implement
this, and the site is still functional with scripting *disabled*, then
I think we should definitely use it.


Ok, but the important questions still remain:
1.  Do we want to display *different* images after a click, or just
*expanded* images?


I vote for expanded images, not different ones, just so people can 
see them at a higher resolution and see how nice they look.



2.  Is this an important feature?  (if so, we can't use
javascript)
3.  Who's going to create the .ly files, write the makefile, etc?


If the first two answers are no, no, then I'll do the third.

Cheers,
- Graham




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Re: new website draft 5: help wanted, I mean it

2009-07-10 Thread Jonathan Kulp

Tim McNamara wrote:

Criminy on a crutch, wow.

I'm sorry to say it but there are an awful lot of hurdles to get over in 
learning to use LilyPond and then even more in trying to contribute to 
it. I think I see why there are fewer contributor than Graham and 
Patrick etc. would like:  being a contributor comes with a learning 
curve that many of us just do not have time to master.  I think there'd 
be more contributors if contributing was a simple process (and not so 
Linux-centric): installing git and all its myriad dependencies, learning 
texinfo, etc.  I simply don't have time for all that.  I'm happy to 
write text, revise text, proof-read etc. for the Web site and the docs, 
but I'd submit anything in text or HTML.




I'm happy to format stuff as texinfo for you if you want to write 
text for the website, for example the inspirational essay why to 
use Lilypond that (I think) we're still looking for, or if you 
want to revise text in the docs, call our attention to typos and 
so forth.  If someone comes along as says exactly where there's a 
problem in the docs and provides (even in an email) an exact line 
with which to replace it, then to me that's a significant 
contribution and I'm happy to integrate it to the docs.


Jon
--
Jonathan Kulp
http://www.jonathankulp.com


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