[MOPO] Oscars

2017-02-27 Thread Tommy Barr
They should have guessed that Bonnie and Clyde would try to stage a robbery!

Tommy

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Re: [MOPO] Oscars-- Best show in years!

2011-02-28 Thread Joseph Bonelli
Now, Toochis and Channing, I have to totally disagree!!!
 
Whereas LAST year's Oscar broadcast was indeed the WORST I've ever seen, I felt 
that all those kinks were worked out and that THIS one was one of the BEST 
certainly the best in this era.
And the Academy had the grace this year to bring Eli Wallach  Company 
ON-stage--camera for their well-deserved ovation!!
 
Seriously, I felt the show moved well, that the montages and the digital set 
worked well, the hosts were attractive and knowledgeable representatives of the 
best that New Hollywood has to offer in 2011, and...best of all, that the 
show seemed hours SHORTER than usual when it was not.
 
Joe B in NOLA
 


--- On Mon, 2/28/11, Toochis Morin fly...@pacbell.net wrote:


From: Toochis Morin fly...@pacbell.net
Subject: Re: [MOPO] Oscars
To: MoPo-L@LISTSERV.AMERICAN.EDU
Date: Monday, February 28, 2011, 1:25 AM





Yep.






From: channinglylethomson channinglylethom...@att.net
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Sun, February 27, 2011 9:19:08 PM
Subject: [MOPO] Oscars

I've seen MANY Academy Awards telecasts and that was absolutely the worst one 
ever. .

Channing

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Re: [MOPO] Oscars-- Best show in years!

2011-02-28 Thread Kirby McDaniel
Worst show ever???   I disagree.  I thought the show was pretty good.

Mounting this telecast is somewhat like maneuvering the Spruce Goose.  That 
they can
get it done at all, given how immense it is, is impressive.

And worst show ever?  Not even close.  I guess you guys don't remember Rob Lowe 
dancing with
Snow White.

And Franco and Hathaway are appealing.  Loved his dress!  And it's
about time that the MOTHERS got some recognition.

I think the competition for awards this year was as stiff as I've ever seen it, 
especially
in the acting categories.  But in all of it really.

I will say that their major comp -- the Grammys -- was very snazzy this year, 
although
the lead vocals during that show were sometimes mixed to near-inaudable.

I propose an awards show for poster collectors -- THE MOPEYS.

Best Dealer
Best Curmudgeon Collector
Hottest New Collector
Cheapest Collector
Best Forger  (Kerry Haggard wins every year)
Best Achievement in Auctions
Snottiest Dealer
Snootiest Dealer
Most Clueless Collector
Worst Designed Poster

etc


Kirby 



Kirby McDaniel
MovieArt Original Film Posters
P.O. Box 4419
Austin TX 78765-4419
512 479 6680  www.movieart.net
mobile 512 589 5112

On Feb 28, 2011, at 9:04 AM, jimepisale3 wrote:

 I have to agree with Joe. Although still too long for me to make it til the 
 end I felt that there was a smoothness to the production. And if you are the 
 type that enjoys watching endless thank yous to everyone including UNION help 
 it was worth watching until the end
  
  
 Check out our shop page
 http://www.facebook.com/pages/Unshredded-Nostalgia/128881892341
 Check out our shop video
 
 http://www.youtube.com/watch?v=0-n2AznLA8o
 
 http://www.youtube.com/watch?v=lCP7PaO-2tkfeature=related
 
 http://www.youtube.com/watch?v=fojAZcbvL7Efeature=related
 
 
 jim episale
 Unshredded Nostalgia
 323 South main St. Route 9
 Barnegat, N.J. 08005
 800-872-9990 609-660-2626
 http://www.unshreddednostalgia.com
 
 Growing old is mandatory; growing up is optional.
  
 From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Joseph 
 Bonelli
 Sent: Monday, February 28, 2011 9:55 AM
 To: MoPo-L@LISTSERV.AMERICAN.EDU
 Subject: Re: [MOPO] Oscars-- Best show in years!
  
 Now, Toochis and Channing, I have to totally disagree!!!
  
 Whereas LAST year's Oscar broadcast was indeed the WORST I've ever seen, I 
 felt that all those kinks were worked out and that THIS one was one of the 
 BEST certainly the best in this era.
 And the Academy had the grace this year to bring Eli Wallach  Company 
 ON-stage--camera for their well-deserved ovation!!
  
 Seriously, I felt the show moved well, that the montages and the digital 
 set worked well, the hosts were attractive and knowledgeable representatives 
 of the best that New Hollywood has to offer in 2011, and...best of all, 
 that the show seemed hours SHORTER than usual when it was not.
  
 Joe B in NOLA
  
 
 
 --- On Mon, 2/28/11, Toochis Morin fly...@pacbell.net wrote:
 
 From: Toochis Morin fly...@pacbell.net
 Subject: Re: [MOPO] Oscars
 To: MoPo-L@LISTSERV.AMERICAN.EDU
 Date: Monday, February 28, 2011, 1:25 AM
 
 Yep.
  
  
 From: channinglylethomson channinglylethom...@att.net
 To: MoPo-L@LISTSERV.AMERICAN.EDU
 Sent: Sun, February 27, 2011 9:19:08 PM
 Subject: [MOPO] Oscars
 
 I've seen MANY Academy Awards telecasts and that was absolutely the worst one 
 ever. .
 
 Channing
 
 Visit the MoPo Mailing List Web Site at www.filmfan.com
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 responsible for its content.
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Re: [MOPO] Oscars-- Best show in years!

2011-02-28 Thread Doug Taylor
I'm the Most Clueless Collector.

 

Regards,

 

DBT

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Kirby
McDaniel
Sent: Monday, February 28, 2011 12:06 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Oscars-- Best show in years!

 

Worst show ever???   I disagree.  I thought the show was pretty good.

 

Mounting this telecast is somewhat like maneuvering the Spruce Goose.  That
they can

get it done at all, given how immense it is, is impressive.

 

And worst show ever?  Not even close.  I guess you guys don't remember Rob
Lowe dancing with

Snow White.

 

And Franco and Hathaway are appealing.  Loved his dress!  And it's

about time that the MOTHERS got some recognition.

 

I think the competition for awards this year was as stiff as I've ever seen
it, especially

in the acting categories.  But in all of it really.

 

I will say that their major comp -- the Grammys -- was very snazzy this
year, although

the lead vocals during that show were sometimes mixed to near-inaudable.

 

I propose an awards show for poster collectors -- THE MOPEYS.

 

Best Dealer

Best Curmudgeon Collector

Hottest New Collector

Cheapest Collector

Best Forger  (Kerry Haggard wins every year)

Best Achievement in Auctions

Snottiest Dealer

Snootiest Dealer

Most Clueless Collector

Worst Designed Poster

 

etc

 

 

Kirby 

 

 

 

Kirby McDaniel

MovieArt Original Film Posters

P.O. Box 4419

Austin TX 78765-4419

512 479 6680  www.movieart.net

mobile 512 589 5112

 

On Feb 28, 2011, at 9:04 AM, jimepisale3 wrote:





I have to agree with Joe. Although still too long for me to make it til the
end I felt that there was a smoothness to the production. And if you are the
type that enjoys watching endless thank yous to everyone including UNION
help it was worth watching until the end

 

 

Check out our shop page

http://www.facebook.com/pages/Unshredded-Nostalgia/128881892341

Check out our shop video

 http://www.youtube.com/watch?v=0-n2AznLA8o
http://www.youtube.com/watch?v=0-n2AznLA8o

 http://www.youtube.com/watch?v=lCP7PaO-2tkfeature=related
http://www.youtube.com/watch?v=lCP7PaO-2tkfeature=related

 http://www.youtube.com/watch?v=fojAZcbvL7Efeature=related
http://www.youtube.com/watch?v=fojAZcbvL7Efeature=related


jim episale
Unshredded Nostalgia
323 South main St. Route 9
Barnegat, N.J. 08005
800-872-9990 609-660-2626

 http://www.unshreddednostalgia.com http://www.unshreddednostalgia.com

Growing old is mandatory; growing up is optional.

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Joseph
Bonelli
Sent: Monday, February 28, 2011 9:55 AM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Oscars-- Best show in years!

 


Now, Toochis and Channing, I have to totally disagree!!!

 

Whereas LAST year's Oscar broadcast was indeed the WORST I've ever seen, I
felt that all those kinks were worked out and that THIS one was one of the
BEST certainly the best in this era.

And the Academy had the grace this year to bring Eli Wallach  Company
ON-stage--camera for their well-deserved ovation!!

 

Seriously, I felt the show moved well, that the montages and the digital
set worked well, the hosts were attractive and knowledgeable
representatives of the best that New Hollywood has to offer in 2011,
and...best of all, that the show seemed hours SHORTER than usual when it was
not.

 

Joe B in NOLA

 



--- On Mon, 2/28/11, Toochis Morin fly...@pacbell.net wrote:


From: Toochis Morin fly...@pacbell.net
Subject: Re: [MOPO] Oscars
To: MoPo-L@LISTSERV.AMERICAN.EDU
Date: Monday, February 28, 2011, 1:25 AM

Yep.

 

 


  _  


From: channinglylethomson channinglylethom...@att.net
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Sun, February 27, 2011 9:19:08 PM
Subject: [MOPO] Oscars

I've seen MANY Academy Awards telecasts and that was absolutely the worst
one ever. .

Channing

Visit the MoPo Mailing List Web Site at www.filmfan.com
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Re: [MOPO] Oscars-- Best show in years!

2011-02-28 Thread Walton, Jeffrey
If this show was to promote the new, younger, hip audience which they
claimed to docan I ask why in the first 15 minutes do the hash out
Gone with the Wind from 1939 and get the oldest known actor still alive
to give out an award?  

 

I bailed within the first 45 minutes.

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Kirby
McDaniel
Sent: Monday, February 28, 2011 12:06 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Oscars-- Best show in years!

 

Worst show ever???   I disagree.  I thought the show was pretty good.

 

Mounting this telecast is somewhat like maneuvering the Spruce Goose.
That they can

get it done at all, given how immense it is, is impressive.

 

And worst show ever?  Not even close.  I guess you guys don't remember
Rob Lowe dancing with

Snow White.

 

And Franco and Hathaway are appealing.  Loved his dress!  And it's

about time that the MOTHERS got some recognition.

 

I think the competition for awards this year was as stiff as I've ever
seen it, especially

in the acting categories.  But in all of it really.

 

I will say that their major comp -- the Grammys -- was very snazzy this
year, although

the lead vocals during that show were sometimes mixed to near-inaudable.

 

I propose an awards show for poster collectors -- THE MOPEYS.

 

Best Dealer

Best Curmudgeon Collector

Hottest New Collector

Cheapest Collector

Best Forger  (Kerry Haggard wins every year)

Best Achievement in Auctions

Snottiest Dealer

Snootiest Dealer

Most Clueless Collector

Worst Designed Poster

 

etc

 

 

Kirby 

 

 

 

Kirby McDaniel

MovieArt Original Film Posters

P.O. Box 4419

Austin TX 78765-4419

512 479 6680  www.movieart.net

mobile 512 589 5112

 

On Feb 28, 2011, at 9:04 AM, jimepisale3 wrote:





I have to agree with Joe. Although still too long for me to make it til
the end I felt that there was a smoothness to the production. And if you
are the type that enjoys watching endless thank yous to everyone
including UNION help it was worth watching until the end

 

 

Check out our shop page

http://www.facebook.com/pages/Unshredded-Nostalgia/128881892341

Check out our shop video

http://www.youtube.com/watch?v=0-n2AznLA8o
http://www.youtube.com/watch?v=0-n2AznLA8o 

http://www.youtube.com/watch?v=lCP7PaO-2tkfeature=related
http://www.youtube.com/watch?v=lCP7PaO-2tkfeature=related 

http://www.youtube.com/watch?v=fojAZcbvL7Efeature=related
http://www.youtube.com/watch?v=fojAZcbvL7Efeature=related 


jim episale
Unshredded Nostalgia
323 South main St. Route 9
Barnegat, N.J. 08005
800-872-9990 609-660-2626

http://www.unshreddednostalgia.com http://www.unshreddednostalgia.com 

Growing old is mandatory; growing up is optional.

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of
Joseph Bonelli
Sent: Monday, February 28, 2011 9:55 AM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Oscars-- Best show in years!

 

Now, Toochis and Channing, I have to totally disagree!!!

 

Whereas LAST year's Oscar broadcast was indeed the WORST I've ever seen,
I felt that all those kinks were worked out and that THIS one was one of
the BEST certainly the best in this era.

And the Academy had the grace this year to bring Eli Wallach  Company
ON-stage--camera for their well-deserved ovation!!

 

Seriously, I felt the show moved well, that the montages and the
digital set worked well, the hosts were attractive and knowledgeable
representatives of the best that New Hollywood has to offer in 2011,
and...best of all, that the show seemed hours SHORTER than usual when it
was not.

 

Joe B in NOLA

 



--- On Mon, 2/28/11, Toochis Morin fly...@pacbell.net wrote:


From: Toochis Morin fly...@pacbell.net
Subject: Re: [MOPO] Oscars
To: MoPo-L@LISTSERV.AMERICAN.EDU
Date: Monday, February 28, 2011, 1:25 AM

Yep.

 

 





From: channinglylethomson channinglylethom...@att.net
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Sun, February 27, 2011 9:19:08 PM
Subject: [MOPO] Oscars

I've seen MANY Academy Awards telecasts and that was absolutely
the worst one ever. .

Channing

Visit the MoPo Mailing List Web Site at www.filmfan.com
http://www.filmfan.com/ 

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Re: [MOPO] Oscars-- Best show in years!

2011-02-28 Thread Franc
It was a very boring show. The only way I got through it was with my
DVR. I began watching the show about one hour into the actual live
broadcast and I hit fast forward through all the commercials and most of
the acceptance speeches.  I think I watched the entire show in less than
2 hours. For me there were a few good moments such as Kirk Douglas'
presentation and Eli Wallach's standing O but to me Justin Timberlake
and Sandra Bullock aren't even Grade 'A' players, let alone stars and
the choice of the hosts was absurd. At least the obits were done better
this year in that you could actually see the screen! 
 
FRANC
 
-Original Message-
From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of
Joseph Bonelli
Sent: Monday, February 28, 2011 9:55 AM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Oscars-- Best show in years!




Now, Toochis and Channing, I have to totally disagree!!!
 
Whereas LAST year's Oscar broadcast was indeed the WORST I've ever seen,
I felt that all those kinks were worked out and that THIS one was one of
the BEST certainly the best in this era.
And the Academy had the grace this year to bring Eli Wallach  Company
ON-stage--camera for their well-deserved ovation!!
 
Seriously, I felt the show moved well, that the montages and the
digital set worked well, the hosts were attractive and knowledgeable
representatives of the best that New Hollywood has to offer in 2011,
and...best of all, that the show seemed hours SHORTER than usual when it
was not.
 
Joe B in NOLA
 


--- On Mon, 2/28/11, Toochis Morin fly...@pacbell.net wrote:



From: Toochis Morin fly...@pacbell.net
Subject: Re: [MOPO] Oscars
To: MoPo-L@LISTSERV.AMERICAN.EDU
Date: Monday, February 28, 2011, 1:25 AM


Yep. 



  _  

From: channinglylethomson channinglylethom...@att.net
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Sun, February 27, 2011 9:19:08 PM
Subject: [MOPO] Oscars

I've seen MANY Academy Awards telecasts and that was absolutely the
worst one ever. .

Channing

Visit the MoPo Mailing List Web Site at www.filmfan.com
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Re: [MOPO] Oscars

2011-02-28 Thread Judith Weaver

Glad I'm not the only one who feels that way.  I was bored stiff.  I changed 
channels halfway through and then went back at the end to see which won Best 
Picture (King's Speech was my choice and I enjoyed the movie very much).   But 
as they say, that's what makes horse racing.

Judith Weaver
1457  Guava Avenue
Melbourne, FL  32935
 
(PLEASE NOTE NEW ADDRESS!!)





Date: Sun, 27 Feb 2011 23:25:50 -0800
From: fly...@pacbell.net
Subject: Re: [MOPO] Oscars
To: MoPo-L@LISTSERV.AMERICAN.EDU



Yep.

From: channinglylethomson channinglylethom...@att.net
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Sun, February 27, 2011 9:19:08 PM
Subject: [MOPO] Oscars


I've seen MANY Academy Awards telecasts and that was absolutely the worst one 
ever. .

Channing

Visit the MoPo Mailing List Web Site at www.filmfan.com
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   In the BODY of your message type: SIGNOFF MOPO-L
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 solely responsible for its content.



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[MOPO] OSCARS

2011-02-28 Thread Alan Heimann
Clearly Franco was not there...even in his green room interview before the
show began he looked tired and was basically paying lip service to the
interveiwer his mind was elswhere as it was through the show..he looked like
a deer caught in the headlights and Hathaway couldn't do it on her own..As
for Kirk douglas god bless him he was actually appropriate and funny..many
people find it difficult to watch a physically impaired person in such a
forum for more than a short period of time..i think he was great and
inspirational..one thing i particularly liked was the way Jeff Bridges and
Sandra Bullock  introduced the nominees for the best actor and actress it
was a nice weaving of personal and professional aspects of the nominees that
they brought to the movies they were in...one last thought why not do away
with gender based categories and have best actor or actress as one category
and the same for best supporting...Alan

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Re: [MOPO] OSCARS

2011-02-28 Thread Richard Halegua Comic Art

At 05:32 PM 2/28/2011, Alan Heimann wrote:
why not do away with gender based categories and have best actor or 
actress as one category and the same for best supporting...Alan


Alan.. I think making all things in life endogenous would be a 
negative and not a positive


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[MOPO] Oscars

2011-02-27 Thread channinglylethomson
I've seen MANY Academy Awards telecasts and that was absolutely the  
worst one ever. .


Channing

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Re: [MOPO] Oscars

2011-02-27 Thread Toochis Morin
Yep.





From: channinglylethomson channinglylethom...@att.net
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Sun, February 27, 2011 9:19:08 PM
Subject: [MOPO] Oscars

I've seen MANY Academy Awards telecasts and that was absolutely the worst one 
ever. .

Channing

Visit the MoPo Mailing List Web Site at www.filmfan.com
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Re: [MOPO] OSCARS and MoPo Turns 14 Today!

2009-02-25 Thread Franc
I said nothing about your feelings about gays. I discussed how your core
ideology seems to color how you are unable to see the virtues in any
film you may disagree with politically. And yes some of your posts are
long-winded and because of this I don't read them all through. Life is
short and Proust is long. FRANC

-Original Message-
From: MoPo List [mailto:mop...@listserv.american.edu] On Behalf Of David
Kusumoto
Sent: Tuesday, February 24, 2009 10:47 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] OSCARS and MoPo Turns 14 Today!


Franc -- You're suggesting I'm biased against gays.  While using the
collective first person plural we -- you said my political slant and
core ideology prevented me from being open minded, i.e., loving a film
as much as you did.  Suit yourself.  I AM a pompous know-it-all, I DO
write long-winded rants, and yes, I AM often insufferable -- but you
don't know me as a friend -- and you don't really know my views about
gays.  The only thing I'm sure of is you ARE reading my posts from start
to finish.  I prefer you stay ignorant with your presumptions about me.
Life's too short to be angry all the time.  -kuz.
 

  _  

Date: Tue, 24 Feb 2009 19:27:18 -0500
From: fdav...@verizon.net
Subject: Re: OSCARS and MoPo Turns 14 Today!
To: MoPo-L@LISTSERV.AMERICAN.EDU


There are also those among us who fail to turn that prism to discover
that perhaps their own political slants are preventing them from fully
appreciating films whose core ideology seriously challenge the beliefs
of the viewer. FRANC
Visit the MoPo Mailing List Web Site at www.filmfan.com
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Send a message addressed to: lists...@listserv.american.edu
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Re: [MOPO] OSCARS and MoPo Turns 14 Today!

2009-02-25 Thread Doug Taylor
It is so rare anymore that I see a newly made movie and think, Wow, that
was REALLY great.

 Bruce

 

That is so true, and so disappointing.  I was almost there with Slumdog this
year, strictly because of its originality.  So many stories are rehashed or
even remakes nowadays.  (Do we really need an updated version of FAME?)

 

Frost/Nixon was below great but above very good for me.  LOL  Guess it was
VF while Slumdog was VF-NM.

 

I guess I'd have to go back to 1994 when Shawshank, Pulp Fiction and Forrest
Gump were all nominated to find a year when I thought films might be really
great.or at least NM.  Even Quiz Show was VF. 

 

DBT

 http://www.linkedin.com/in/douglasbtaylor Profile 

From: MoPo List [mailto:mop...@listserv.american.edu] On Behalf Of Bruce
Hershenson
Sent: Wednesday, February 25, 2009 1:22 AM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] OSCARS and MoPo Turns 14 Today!

 

David

 

Sorry I botched the quote. I guess it was Craig who nailed it. I didn't know
anyone else but you could write so insightfully!

As to the whole perspective thing, I wonder if the world will ever grow up
enough to quit dividing everyone in groups. I don't get any of it. There are
people who I like and admire, and ones I dislike and despise, but it is
based on individual traits, not what group they are a member of. I wonder
why I lack this sort of bias? Maybe I will acquire it when I finally grow
up.

 

When I finally get to see Milk and The Wrestler I will be able to weigh in
on these movies. It is so rare anymore that I see a newly made movie and
think, Wow, that was REALLY great.

 

Bruce

On Tue, Feb 24, 2009 at 5:39 PM, David Kusumoto davidmkusum...@hotmail.com
wrote:

** I think everyone has acquitted themselves well in this debate.  Though my
feelings about Rourke and The Wrestler -- vs. Penn and Milk -- aren't
changed -- I respect the opinons of those who remain solidly behind Milk
-- even though I myself wished the story had been constructed better on
film.  Penn's performance does transcend the material, and while I didn't
think Milk was a great film, it did deserve its Best Picture nomination.
 
** This next part is tricky and expressed very delicately, so please forgive
me if this comes out a little awkward.  As a person of color -- I feel some
of us have difficulty stepping back a little so we can judge material about
ourselves more critically.  This is true about any group, be they Asians,
African-Americans, gays, etc., anyone judging filmed entertainments
depicting characters similar or unlike ourselves.  Some of us (myself
included) -- can be so biased -- that we're not able to distinguish what's
truly great -- vs. what's just OK.  We're too close to the material.  So
we sometimes vote the ticket regardless of quality, so long as the
portrayal of ourselves is positive.  Hence we have people who still think
Brokeback Mountain, The Joy Luck Club, Amistad, Dances with Wolves,
etc. -- have the equivalence of Citizen Kane.  The equal rights and
diversity agendas are extremely important -- but when it comes to art -- it
should never trump quality, however subjective.  Voting for what's noble in
art -- can sometimes result in material that becomes dated or puzzling over
time, e.g., Gandhi over E.T. -- Crash over Capote, -- Dances with
Wolves over Goodfellas -- Lost Weekend, Forrest Gump, Gentleman's
Agreement, Rainman, etc., the list goes on.  
 
** I bring this up because I feel Milk and films like it -- were being
praised by people -- (not all) -- using a similar prism.  I thoroughly
enjoyed Milk without an agenda -- despite my complaints about its
structure.  But my feelings for The Wrestler forced me to confront my own
biases against Penn AND Rourke -- before finally deciding Rourke's was the
better performance.  But my opinions are not facts -- and reading the
passions people have expressed about Penn -- further reveals why some
justifiably feel Rourke did no more than play himself.  Even if I don't
agree, it's a valid point.  I just don't want people to think that by
selecting Rourke over Penn, that I'm treating Penn and his film harshly.
The mere fact that some of Milk's fans graciously concede that Penn was
great -- while his film was not so great -- is beyond fair.  
 
** This allows me to segue into MoPo itself.  I have tried the other forums
and MoPo has always been the best for me, dating back to the 1990s.  My only
complaint is I wish old people like myself would stop hogging things so that
more younger people can take part.  I feel too many of us are dismissive of
young people's tastes, as if we ourselves weren't derided for our own when
we were in our teens and twenties.  But as young people age, the smarter
ones discover older material on their own.  Proof?  We discovered Bogart,
Chaplin, William Powell, Rita Hayworth, etc. -- and I think I'm safe when I
say most of us weren't even alive when those legends were at the peak of
their careers!  So congratulations, MoPo

Re: [MOPO] OSCARS and MoPo Turns 14 Today!

2009-02-25 Thread Franc
 

 
I said nothing about your feelings about gays. I discussed how your core
ideology seems to color how you are unable to see the virtues in any
film you may disagree with politically. And yes some of your posts are
long-winded and because of this I don't read them all through. Life is
short and Proust is long. FRANC

-Original Message-
From: MoPo List [mailto:mop...@listserv.american.edu] On Behalf Of David
Kusumoto
Sent: Tuesday, February 24, 2009 10:47 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] OSCARS and MoPo Turns 14 Today!


Franc -- You're suggesting I'm biased against gays.  While using the
collective first person plural we -- you said my political slant and
core ideology prevented me from being open minded, i.e., loving a film
as much as you did.  Suit yourself.  I AM a pompous know-it-all, I DO
write long-winded rants, and yes, I AM often insufferable -- but you
don't know me as a friend -- and you don't really know my views about
gays.  The only thing I'm sure of is you ARE reading my posts from start
to finish.  I prefer you stay ignorant with your presumptions about me.
Life's too short to be angry all the time.  -kuz.
 

  _  

Date: Tue, 24 Feb 2009 19:27:18 -0500
From: fdav...@verizon.net
Subject: Re: OSCARS and MoPo Turns 14 Today!
To: MoPo-L@LISTSERV.AMERICAN.EDU


There are also those among us who fail to turn that prism to discover
that perhaps their own political slants are preventing them from fully
appreciating films whose core ideology seriously challenge the beliefs
of the viewer. FRANC
Visit the MoPo Mailing List Web Site at www.filmfan.com
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Re: [MOPO] OSCARS and MoPo Turns 14 Today!

2009-02-25 Thread Franc
You know what. You shut up because David started the political
discussion with his politically motivated e-mail about why the Academy
didn't applaud Charton Heston and then announced publicly that I
couldn't comment as to the reason because I am bigoted against
Republicans. An idiotic statement if there ever was one. He then
proceeded to explain that the people who like Milk are only liking it
because it is re-affirming their existence. So don't tell me to shut up.
FRANC
-Original Message-
From: Fredric [mailto:fredric_march2...@yahoo.com] 
Sent: Wednesday, February 25, 2009 8:13 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Cc: fdav...@verizon.net
Subject: Re: [MOPO] OSCARS and MoPo Turns 14 Today!


FRANK - please SHUT UP about politics!  kusomoto liked the movie, just
not as much as you.  dude, your too intense.
  _  

Re: [MOPO] OSCARS and MoPo Turns 14 Today!
Franc
Wed, 25 Feb 2009 12:27:45 -0800
 
I said nothing about your feelings about gays. I discussed how your core
ideology seems to color how you are unable to see the virtues in any
film you may disagree with politically. And yes some of your posts are
long-winded and because of this I don't read them all through. Life is
short and Proust is long. FRANC

-Original Message-
From: MoPo List [mailto:mop...@listserv.american.edu] On Behalf Of David
Kusumoto
Sent: Tuesday, February 24, 2009 10:47 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] OSCARS and MoPo Turns 14 Today!

Franc -- You're suggesting I'm biased against gays.  While using the
collective first person plural we -- you said my political slant and
core ideology prevented me from being open minded, i.e., loving a film
as much as you did.  Suit yourself.  I AM a pompous know-it-all, I DO
write long-winded rants, and yes, I AM often insufferable -- but you
don't know me as a friend -- and you don't really know my views about
gays.  The only thing I'm sure of is you ARE reading my posts from start
to finish.  I prefer you stay ignorant with your presumptions about me.
Life's too short to be angry all the time.  -kuz.
  _  

Date: Tue, 24 Feb 2009 19:27:18 -0500
From: fdav...@verizon.net
Subject: Re: OSCARS and MoPo Turns 14 Today!
To: MoPo-L@LISTSERV.AMERICAN.EDU

There are also those among us who fail to turn that prism to discover
that perhaps their own political slants are preventing them from fully
appreciating films whose core ideology seriously challenge the beliefs
of the viewer. FRANC Visit the MoPo Mailing List Web Site at
www.filmfan.com
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Re: [MOPO] OSCARS and MoPo Turns 14 Today!

2009-02-25 Thread David Kusumoto

You poor thing.  

 

Because I liked Milk -- but didn't love it -- (and I explained why to the 
group) -- you ascribe political motives.  And no, I never PUBLICLY said you're 
bigoted against Republicans.  I wrote that privately.  But since you're coming 
unhinged, making private discussions public -- why don't I tell the group that 
you disgustingly told me that you would never  Oh, never mind, I'm not 
gonna sink to your level.

 

BTW, the flame from the fellow with bad manners who told you to shut up -- 
never reached the MoPo group.  You're not having a good day; so take the bait, 
have the last word, say whatever you want because my end of this ridiculous 
public exchange with you is over.  -d.


-Original Message- 

Date: Wed, 25 Feb 2009 21:11:35 -0500
From: fdav...@verizon.net
Subject: Re: OSCARS and MoPo Turns 14 Today!
To: MoPo-L@LISTSERV.AMERICAN.EDU


You know what. You shut up because David started the political discussion with 
his politically motivated e-mail about why the Academy didn't applaud Charton 
Heston and then announced publicly that I couldn't comment as to the reason 
because I am bigoted against Republicans. An idiotic statement if there ever 
was one. He then proceeded to explain that the people who like Milk are only 
liking it because it is re-affirming their existence. So don't tell me to shut 
up. FRANC


-Original Message-
From: Fredric [mailto:fredric_march2...@yahoo.com] 
Sent: Wednesday, February 25, 2009 8:13 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Cc: fdav...@verizon.net
Subject: Re: [MOPO] OSCARS and MoPo Turns 14 Today! 
 
FRANK - please SHUT UP about politics! kusomoto liked the movie, just not as 
much as you. dude, your too intense.
_ 
 
Re: [MOPO] OSCARS and MoPo Turns 14 Today!
Franc
Wed, 25 Feb 2009 12:27:45 -0800
 
I said nothing about your feelings about gays. I discussed how your core 
ideology seems to color how you are unable to see the virtues in any film you 
may disagree with politically. And yes some of your posts are long-winded and 
because of this I don't read them all through. Life is short and Proust is 
long. FRANC
 
-Original Message-
From: MoPo List [mailto:mop...@listserv.american.edu] On Behalf Of David 
Kusumoto
Sent: Tuesday, February 24, 2009 10:47 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] OSCARS and MoPo Turns 14 Today!
 
Franc -- You're suggesting I'm biased against gays. While using the collective 
first person plural we -- you said my political slant and core ideology 
prevented me from being open minded, i.e., loving a film as much as you did. 
Suit yourself. I AM a pompous know-it-all, I DO write long-winded rants, and 
yes, I AM often insufferable -- but you don't know me as a friend -- and you 
don't really know my views about gays. The only thing I'm sure of is you ARE 
reading my posts from start to finish. I prefer you stay ignorant with your 
presumptions about me. Life's too short to be angry all the time. -kuz.
_ 
 
Date: Tue, 24 Feb 2009 19:27:18 -0500
From: fdav...@verizon.net
Subject: Re: OSCARS and MoPo Turns 14 Today!
To: MoPo-L@LISTSERV.AMERICAN.EDU
 
There are also those among us who fail to turn that prism to discover that 
perhaps their own political slants are preventing them from fully appreciating 
films whose core ideology seriously challenge the beliefs of the viewer. FRANC

 Visit the MoPo Mailing List Web Site at www.filmfan.com
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   Send a message addressed to: lists...@listserv.american.edu
In the BODY of your message type: SIGNOFF MOPO-L

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Re: [MOPO] Oscars-- best show in eons

2009-02-24 Thread Craig Miller

I agree with Joe.  The opening number was lots of fun.  We were
at a party and everyone was laughing.

And we liked the group tributes to the actor nominees.  It added
a personal dimension.  Far more interesting than just reading a
list of names.

Not the best show ever but definitely good.

I don't know why people had trouble reading the names on
the In Memorium tribute.  We didn't have any problems.

Craig.



At 08:05 AM 2/23/2009, Joseph Bonelli wrote:

Sorry, guys!!  Totally disagree with you both. Loved the opening number!

On the whole, not only Jackman but the show is the best in years!!

Joe B in NOLA (skipping Val Kilmer's Canal Street ride as Bacchus)

PS-- Thank God for NO lame US-TV personality hosts!


Happy Lundi Gras (today) and Mardi Gras (Tuesday!) to all.


--- On Sun, 2/22/09, Jeff Potokar jpotok...@ca.rr.com wrote:
From: Jeff Potokar jpotok...@ca.rr.com
Subject: Re: [MOPO] Oscars
To: MoPo-L@LISTSERV.AMERICAN.EDU
Date: Sunday, February 22, 2009, 7:51 PM
i agree doug...
that was PATHETIC.
jeff

On Feb 22, 2009, at 5:38 PM, Doug Taylor wrote:

If that opening number is any indication, this will be the most 
grueling 3 hours of our lives.


My gawd.

DBT
http://www.linkedin.com/in/douglasbtaylorProfile
Visit the MoPo Mailing List Web Site at 
http://www.filmfan.com/www.filmfan.com

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~
Craig MillerWolfmill Entertainment  cr...@wolfmill.com
~

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Re: [MOPO] OSCARS---WHATEVER HAPPENED TO GREAT SONGS?

2009-02-24 Thread Craig Miller

At 10:53 AM 2/23/2009, rixpost...@aol.com wrote:


  Over the past few years, I've noticed that the level of 
songwriting in the Best Song Academy Award category has 
diminished to the point of pure mediocrity. Not only are only THREE 
songs nominated (didn't it always used to be 5?), but the songs 
that ARE nominated won't be remembered 3 or 4 years from 
now---songs like As Time Goes By will never be forgotten.  Hey, 
I'm not a big fan of Moon River, but it seems like Mozart next to 
the inferior songs that are nominated these days. When It's Hard 
To Be A Pimp won a couple of years ago, I thought we'd nit an 
all-time low (maybe we had, come to think about it...)
  Why wasn't Bruce Springsteen's closing song from The Wrestler 
nominated? When I saw that film, the whole audience stayed in their 
seats to listen to that song, which captured the essence of the 
movie perfectly.  Isn't that what Best Song Of The Year should 
do?  It was BY FAR the best song of the year.  Whether you're a fan 
of Springsteen or not, I think you'll agree with me if you watch 
The Wrestler and listen to it over the closing credits.  It seems 
like the art of writing a great, enduring song is a thing of the 
past when it comes to The Oscars


The rules for the Oscars are a bizarre amalgam of attempts to correct
problems by which they create new and different problems.  In order to
eliminate nominations for songs unrelated to the content of the film but
included at the end to goose up soundtrack album sales, the Academy
change the rules a couple years ago to declare that songs had to appear
during the film and could not be just in the credits (this also dealt with
Disney's submitting versions of songs sung by rock stars over the closing
credits rather than the version sung by voice actors during the actual film).
That's what did in Springstein's song The Wrestler.  Seeing which songs
ended up getting nominations and which songs were ineligible this year
(there was another really good song that got axed for similar reasons but
I forget what it was at the moment), the Academy is going back in to once
again rethink the Best Song category's rules for next year.

Craig.




~
Craig MillerWolfmill Entertainment  cr...@wolfmill.com
~

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Re: [MOPO] MOPO] OSCARS

2009-02-24 Thread Craig Miller

At 12:18 PM 2/23/2009, David Kusumoto wrote:
I was extremely disappointed with Sean Penn's win.  Sean Penn is an 
outstanding actor who gave an uncharacteristically loose, engaging 
and wonderful turn as an heroic figure -- in what I thought was a 
conventionally structured, by-the-numbers-bio-pic capped with the 
standard where-are-they-now text epilogue.  His performance was 
noble and deserving -- but his victory was politically correct and 
in keeping with the Academy's self-seriousness to anoint things 
historic that makes it feel good about itself (hence the standing ovation).


But in my view, the demands of his role paled compared to Mickey 
Rourke's shattering, full-range performance in The Wrestler.  I am 
not a fan of Mickey Rourke and dislike him intensely.  But I could 
not ignore -- having seen all the performances nominated this year 
-- what he did in this picture, from start to finish.  His character 
was an exercise in total immersion, on par with what I believe have 
been the best larger-than-life performances nominated since 1980 -- 
including De Niro in Raging Bull (win), Hopkins in Silence of the 
Lambs (win), and Liam Neeson in Schindler's List (lost to Tom Hanks).


This was, by far, Sean Penn's best performance.  He's a heavily mannered
actor whose  performances are always full of the things actors love:
screaming, crying, dying, being mentally handicapped.  You can always
see acting.  But in Milk, he gave a subtle, nuanced performance that
wasn't full of ticks.  He relaxed into the character and stopped being Sean
Penn, A*c*t*o*r.  I thought he deserved the award (although I also thought
that Mickey Rourke was excellent).

While not related to who should win for their performance, I thought Milk
a better film than The Wrestler.  Rourke and Marisa Tomei were both
great but the film was only okay.

Craig.



~
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~

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Re: [MOPO] OSCARS---WHATEVER HAPPENED TO GREAT SONGS?

2009-02-24 Thread Craig Miller

Peter Gabriel had an opportunity to perform his song.  He declined.  (It
would have been better to give each song more than 65 seconds in a
medley, which is what he objected to, but it wasn't that the Academy or
the show's producers who wouldn't let him perform.)

Craig.


At 01:47 PM 2/23/2009, Toochis Morin wrote:

I agree with your comments.  I wish Peter Gabriel got to perform his song.
toochis


From: Jeff Potokar jpotok...@ca.rr.com
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Monday, February 23, 2009 11:31:47 AM
Subject: Re: [MOPO] OSCARS---WHATEVER HAPPENED TO GREAT SONGS?

i agree, rick--add to that that 2 of the 3 of the nominated songs 
were from SLUMDOG.


and could the composer/songwriter from SLUMDOG have been any less 
ungrateful (or at least sounding and appearing so)? gimme a break with that.


Springsteen's song should have at least been in the running.

on a side note-- i also really missed showing a brief clip of the 
nominees-- usually giving just a taste of the performance they have 
been nominated for. the rather boring 5 panel salutes of being 
talked down to from the stage by past winners?? OK, the first time 
was unique--i had NO idea that was going to be the theme. and i 
think Michael Douglas had about 3 lines to say about Frank Langella??


man o man...

jeff



On Feb 23, 2009, at 10:53 AM, 
mailto:rixpost...@aol.comrixpost...@aol.com wrote:




  Over the past few years, I've noticed that the level of 
songwriting in the Best Song Academy Award category has 
diminished to the point of pure mediocrity. Not only are only 
THREE songs nominated (didn't it always used to be 5?), but the 
songs that ARE nominated won't be remembered 3 or 4 years from 
now---songs like As Time Goes By will never be forgotten.  Hey, 
I'm not a big fan of Moon River, but it seems like Mozart next 
to the inferior songs that are nominated these days. When It's 
Hard To Be A Pimp won a couple of years ago, I thought we'd nit 
an all-time low (maybe we had, come to think about it...)
  Why wasn't Bruce Springsteen's closing song from The Wrestler 
nominated? When I saw that film, the whole audience stayed in 
their seats to listen to that song, which captured the essence of 
the movie perfectly.  Isn't that what Best Song Of The Year 
should do?  It was BY FAR the best song of the year.  Whether 
you're a fan of Springsteen or not, I think you'll agree with me 
if you watch The Wrestler and listen to it over the closing 
credits.  It seems like the art of writing a great, enduring song 
is a thing of the past when it comes to The Oscars

  Rick


--
You're invited to Hollywood's biggest party: 
http://movies.aol.com/oscars-academy-awards?ncid=emlcntusmovi0001Get 
Oscars updates, red carpet pics and more at Moviefone.
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Re: [MOPO] Oscars what I didnt like

2009-02-24 Thread Craig Miller

At 02:06 PM 2/23/2009, Dave Smith wrote:
Did they even show Heath during the memorium segment? I was waiting 
to see the audience reaction and I don't recall they showed him. And 
he did pass away in '08 so he should have been included?


They did show it.  Last year.  He died just prior to last year's award
show and was included in last year's In Memorium segment.

Craig.


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Re: [MOPO] Oscars what I didnt like

2009-02-24 Thread Craig Miller

At 02:37 PM 2/23/2009, Jeff Potokar wrote:

that's right...he was memorialized last year technically, incorrect


It was not technically, incorrect.  It's people who died *in the* last year,
not people who died last year.  There's nothing about it being for those
dead before December 31st.

Craig.


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Re: [MOPO] Oscars-- best show in eons

2009-02-24 Thread Jeff Potokar
many people had problems reading the names on the flat screens. some  
camera shots were zoomed out too much, or those on crane arms moving  
from one flat screen to the other often made it a bit of a distraction.


the simple full screen presentation of this montage with music  
playing beneath should be the way to go.


jeff


On Feb 23, 2009, at 10:22 PM, Craig Miller wrote:


I don't know why people had trouble reading the names on
the In Memorium tribute.  We didn't have any problems.



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Re: [MOPO] Oscars-- best show in eons

2009-02-24 Thread McDaniel Kirby

I agree with Craig.  I thought the show was good.  Took some chances.
Some worked well.  I was pleased with the Oscar awards, especially
Dustin Lance Black's screenwriting award for MILK, and Penn, of course.
I have not seen most of the films nominated - I guess I have something
to look forward to on Blu-Ray.

Kirby McDaniel
www.movieart.net
On Feb 24, 2009, at 12:22 AM, Craig Miller wrote:


I agree with Joe.  The opening number was lots of fun.  We were
at a party and everyone was laughing.

And we liked the group tributes to the actor nominees.  It added
a personal dimension.  Far more interesting than just reading a
list of names.

Not the best show ever but definitely good.

I don't know why people had trouble reading the names on
the In Memorium tribute.  We didn't have any problems.

Craig.



At 08:05 AM 2/23/2009, Joseph Bonelli wrote:
Sorry, guys!!  Totally disagree with you both. Loved the opening  
number!


On the whole, not only Jackman but the show is the best in years!!

Joe B in NOLA (skipping Val Kilmer's Canal Street ride as Bacchus)

PS-- Thank God for NO lame US-TV personality hosts!


Happy Lundi Gras (today) and Mardi Gras (Tuesday!) to all.


--- On Sun, 2/22/09, Jeff Potokar jpotok...@ca.rr.com wrote:
From: Jeff Potokar jpotok...@ca.rr.com
Subject: Re: [MOPO] Oscars
To: MoPo-L@LISTSERV.AMERICAN.EDU
Date: Sunday, February 22, 2009, 7:51 PM
i agree doug...
that was PATHETIC.
jeff

On Feb 22, 2009, at 5:38 PM, Doug Taylor wrote:

If that opening number is any indication, this will be the most  
grueling 3 hours of our lives.


My gawd.

DBT
Profile
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Re: [MOPO] OSCARS---WHATEVER HAPPENED TO GREAT SONGS?

2009-02-24 Thread Richard Del Belso

The rules for what qualifies as best song are just plain stupid. it's a good 
thing they are going back to the drawing board on this one.

  Richard



Richard Del Belso


 



Date: Mon, 23 Feb 2009 22:36:57 -0800
From: cr...@wolfmill.com
Subject: Re: [MOPO] OSCARS---WHATEVER HAPPENED TO GREAT SONGS?
To: MoPo-L@LISTSERV.AMERICAN.EDU

At 10:53 AM 2/23/2009, rixpost...@aol.com wrote:

 
  Over the past few years, I've noticed that the level of songwriting in the 
Best Song Academy Award category has diminished to the point of pure 
mediocrity. Not only are only THREE songs nominated (didn't it always used to 
be 5?), but the songs that ARE nominated won't be remembered 3 or 4 years from 
now---songs like As Time Goes By will never be forgotten.  Hey, I'm not a big 
fan of Moon River, but it seems like Mozart next to the inferior songs that 
are nominated these days. When It's Hard To Be A Pimp won a couple of years 
ago, I thought we'd nit an all-time low (maybe we had, come to think about 
it...)
  Why wasn't Bruce Springsteen's closing song from The Wrestler nominated? 
When I saw that film, the whole audience stayed in their seats to listen to 
that song, which captured the essence of the movie perfectly.  Isn't that what 
Best Song Of The Year should do?  It was BY FAR the best song of the year.  
Whether you're a fan of Springsteen or not, I think you'll agree with me if you 
watch The Wrestler and listen to it over the closing credits.  It seems like 
the art of writing a great, enduring song is a thing of the past when it comes 
to The Oscars
The rules for the Oscars are a bizarre amalgam of attempts to correct 
problems by which they create new and different problems.  In order to 
eliminate nominations for songs unrelated to the content of the film but 
included at the end to goose up soundtrack album sales, the Academy 
change the rules a couple years ago to declare that songs had to appear 
during the film and could not be just in the credits (this also dealt with 
Disney's submitting versions of songs sung by rock stars over the closing 
credits rather than the version sung by voice actors during the actual film).  
That's what did in Springstein's song The Wrestler.  Seeing which songs 
ended up getting nominations and which songs were ineligible this year 
(there was another really good song that got axed for similar reasons but 
I forget what it was at the moment), the Academy is going back in to once 
again rethink the Best Song category's rules for next year.

Craig.




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Re: [MOPO] OSCARS

2009-02-24 Thread Bruce Hershenson
 this does
 more than preach to a choir of believers who know how the story ends.
 Milk is based on titanic material -- but lacks the necessary balance of
 subtlety, sledgehammer and innovation -- that should have left all other
 pictures in the dust.  This is why perhaps in my view only, Milk does not
 feel best or even new.  It's supposed to play out like a high-stakes
 emotional drama, not a paint-by-numbers canonization.  The national scope of
 the story with Anita Bryant and other villains are treated like a
 documentary.  The movie's engine is Penn's charisma, not the script, and
 this doesn't quite feel right.  And I've purposely left out the fact --
 (because most people haven't seen it) -- that this same material was covered
 in a superior documentary, The Life and Times of Harvey Milk in 1984.

 I'm back again.  It's ironic that Milk is even being debated against The
 Wrestler -- when the more relevant discussion as it relates to the Oscars
 -- is how Slumdog overcame its flaws and beat everybody up.  My wife and I
 liked Slumdog, but it didn't move us in the same way the meditative and
 reflective Benjamin Button did, however over produced it was.  Its
 existential ideas about the transient nature of life, love and mortality
 matter to anyone over 50.  Maybe that's why it's a box office failure.
 Could its weighty ideas been explored as effectively for less money?
 Maybe.  But what a handsome picture it is.

 -d.

  Date: Mon, 23 Feb 2009 22:53:11 -0800
  To: davidmkusum...@hotmail.com
  From: cr...@wolfmill.com
  Subject: Re: [MOPO] MOPO] OSCARS
  CC: MoPo-L@LISTSERV.AMERICAN.EDU
 
  At 12:18 PM 2/23/2009, David Kusumoto wrote:
  I was extremely disappointed with Sean Penn's win. Sean Penn is an
  outstanding actor who gave an uncharacteristically loose, engaging
  and wonderful turn as an heroic figure -- in what I thought was a
  conventionally structured, by-the-numbers-bio-pic capped with the
  standard where-are-they-now text epilogue. His performance was
  noble and deserving -- but his victory was politically correct and
  in keeping with the Academy's self-seriousness to anoint things
  historic that makes it feel good about itself (hence the standing
 ovation).
  
  But in my view, the demands of his role paled compared to Mickey
  Rourke's shattering, full-range performance in The Wrestler. I am
  not a fan of Mickey Rourke and dislike him intensely. But I could
  not ignore -- having seen all the performances nominated this year
  -- what he did in this picture, from start to finish. His character
  was an exercise in total immersion, on par with what I believe have
  been the best larger-than-life performances nominated since 1980 --
  including De Niro in Raging Bull (win), Hopkins in Silence of the
  Lambs (win), and Liam Neeson in Schindler's List (lost to Tom Hanks).
 
  This was, by far, Sean Penn's best performance. He's a heavily mannered
  actor whose performances are always full of the things actors love:
  screaming, crying, dying, being mentally handicapped. You can always
  see acting. But in Milk, he gave a subtle, nuanced performance that
  wasn't full of ticks. He relaxed into the character and stopped being
 Sean
  Penn, A*c*t*o*r. I thought he deserved the award (although I also
 thought
  that Mickey Rourke was excellent).
 
  While not related to who should win for their performance, I thought
 Milk
  a better film than The Wrestler. Rourke and Marisa Tomei were both
  great but the film was only okay.
 
  Craig.
 
  ~
  Craig Miller Wolfmill Entertainment cr...@wolfmill.com
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Re: [MOPO] OSCARS

2009-02-24 Thread David Kusumoto

Hi Bruce -- Because of the multiple forwarding of text -- you accidentally 
credited me for writing the first paragraph in your note.  Craig Miller wrote 
it -- he felt Penn was better than Rourke -- and that Milk as a film was 
better than The Wrestler.  He defended both views admirably, and nailed why 
Penn was better, but I disagreed on both counts; Penn did a fine job in what to 
me felt like a TV-movie-structured bio-pic.  

 

I myself would not drive two hours to see Milk again.  But I would do it to 
see The Wrestler -- because of the originality of its presentation and the 
sheer force of Rourke's performance.



Date: Tue, 24 Feb 2009 12:57:32 -0600
Subject: Re: [MOPO] OSCARS
From: brucehershen...@gmail.com
To: davidmkusum...@hotmail.com
CC: MoPo-L@listserv.american.edu


David wrote: This was, by far, Sean Penn's best performance. He's a heavily 
mannered actor whose performances are always full of the things actors love: 
screaming, crying, dying, being mentally handicapped. You can always see 
acting. But in Milk, he gave a subtle, nuanced performance that wasn't full 
of ticks. He relaxed into the character and stopped being Sean Penn, 
A*c*t*o*r.
 
You nailed it here, David. For me, Penn has always been one of those actor 
types who I respect, but I never ever feel that I am watching anyone other than 
Sean Penn acting (and even though he does a great job, I still see the 
performance, and not the person he is supposed to be). I have the same trouble 
with such other icons as Meryl Streep and Jack Lemmon. Not true (for me) with 
De Niro, Muni, or Brando. Probably the greatest of all for me in getting me to 
forget the actor and see the character is Daniel Day Lewis. That does not 
equate to the greatest actor ever, but in this one element I find him the top 
of the list.
 
I have not seen Milk, but from the clips I have seen it seems clear he DOES 
transcend his acting and become the person he portrays and I can't wait to see 
it. I will likely drive 2 hours to see it (no chance it would play in this tiny 
homophobic town), because I want to see it the right way.
 
I was reading a biography of Brando, and he was saying he was in a play early 
in his career and Paul Muni was in it too and at the end of the first act 
Muni's character dies, and he said he wasn't in that part of the play, but that 
he would watch that scene every single night, because Muni brought something 
fresh to it every single night!
 
There are actors who do a good solid job (like Robert Redford) and I like them 
and enjoy their movies, but there are also actors who put their entire soul 
into most of their performances, and that is a joy to behold.
 
I thought it was a wonderful compliment when De Niro said to Penn, How did you 
play straight all these years?, meaning it was such a great performance that 
one would natural assume that Penn himself had to be gay to play the role that 
well!
 
Bruce


On Tue, Feb 24, 2009 at 2:50 AM, David Kusumoto davidmkusum...@hotmail.com 
wrote:


Craig:  
 
No argument here as to Milk being Sean Penn's best performance ever.  I just 
felt Rourke's performance -- put side-by-side among those nominated -- was 
phenomenal.  And I admit going in, I didn't want it to be so because of my 
antipathy towards Rourke.  I think the appeal of Milk vs. The Wrestler (and 
Penn vs. Rourke) -- depends upon the expectations and biases you bring after 
you put your money down.  For the sake of time, I'll just copy and paste 
portions of what I wrote earlier today -- in response to a few people who 
commented privately about my take/analysis of the dynamics behind Penn's win, 
his victory at the SAG awards last month -- and the hatred many people have out 
here against Rourke because of his documented run-ins, lack of professionalism, 
right-wing comments and his, for wont of a better phrase, overall weirdness.
 
Hollywood has always been uncomfortable with conservatives like Heston, 
Stewart, Wayne, Cagney, Hope, Eastwood, Nicholson and Rourke.  But in the case 
of Hope, Eastwood and Nicholson, Hollywood prefers its conservatives to refrain 
from being outspoken like Heston, Wayne and Rourke (but I'm in no way putting 
Rourke in the same iconic league as Heston and Wayne).  It's just a 
double-standard about Hollywood itself in the post-Vietnam era.  I hope you 
are happy for Sean Penn's win because of his performance -- without regard to 
issues regarding the nobility and heroic nature of Harvey Milk himself.  
Because for the longest time, I felt Penn OWNED the best performance of 2008 -- 
slam dunk -- UNTIL I saw The Wrestler.  It was then I had to face down my own 
prejudices against Rourke -- and decide as honestly as I could -- who turned in 
the better performance.  Penn was great, but Rourke's was something you see 
about as often, as I said, as a DeNiro in Raging Bull or a Hopkins in Lambs.  
I'm not kidding, I went in with low expectations, almost rooting against the 
picture because

Re: [MOPO] OSCARS

2009-02-24 Thread Franc
Bruce, I'd recommend you drive the two hours to see MILK which was a
terrific film, whereas The Wrestler was so-so. Mickey Rourke gave a very
good performance but I kept thinking he was actually playing himself
whereas Sean Penn was really stretching to play Harvey Milk. He was
superb and although the film is not a great film, it's certainly far
superior to The Wrestler. FRANC

-Original Message-
From: MoPo List [mailto:mop...@listserv.american.edu] On Behalf Of David
Kusumoto
Sent: Tuesday, February 24, 2009 3:43 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] OSCARS


Hi Bruce -- Because of the multiple forwarding of text -- you
accidentally credited me for writing the first paragraph in your note.
Craig Miller wrote it -- he felt Penn was better than Rourke -- and that
Milk as a film was better than The Wrestler.  He defended both views
admirably, and nailed why Penn was better, but I disagreed on both
counts; Penn did a fine job in what to me felt like a
TV-movie-structured bio-pic.  
 
I myself would not drive two hours to see Milk again.  But I would do
it to see The Wrestler -- because of the originality of its
presentation and the sheer force of Rourke's performance.


  _  

Date: Tue, 24 Feb 2009 12:57:32 -0600
Subject: Re: [MOPO] OSCARS
From: brucehershen...@gmail.com
To: davidmkusum...@hotmail.com
CC: MoPo-L@listserv.american.edu


David wrote: This was, by far, Sean Penn's best performance. He's a
heavily mannered actor whose performances are always full of the things
actors love: screaming, crying, dying, being mentally handicapped. You
can always see acting. But in Milk, he gave a subtle, nuanced
performance that wasn't full of ticks. He relaxed into the character and
stopped being Sean Penn, A*c*t*o*r.
 
You nailed it here, David. For me, Penn has always been one of those
actor types who I respect, but I never ever feel that I am watching
anyone other than Sean Penn acting (and even though he does a great job,
I still see the performance, and not the person he is supposed to be). I
have the same trouble with such other icons as Meryl Streep and Jack
Lemmon. Not true (for me) with De Niro, Muni, or Brando. Probably the
greatest of all for me in getting me to forget the actor and see the
character is Daniel Day Lewis. That does not equate to the greatest
actor ever, but in this one element I find him the top of the list.
 
I have not seen Milk, but from the clips I have seen it seems clear he
DOES transcend his acting and become the person he portrays and I can't
wait to see it. I will likely drive 2 hours to see it (no chance it
would play in this tiny homophobic town), because I want to see it the
right way.
 
I was reading a biography of Brando, and he was saying he was in a play
early in his career and Paul Muni was in it too and at the end of the
first act Muni's character dies, and he said he wasn't in that part of
the play, but that he would watch that scene every single night, because
Muni brought something fresh to it every single night!
 
There are actors who do a good solid job (like Robert Redford) and I
like them and enjoy their movies, but there are also actors who put
their entire soul into most of their performances, and that is a joy to
behold.
 
I thought it was a wonderful compliment when De Niro said to Penn, How
did you play straight all these years?, meaning it was such a great
performance that one would natural assume that Penn himself had to be
gay to play the role that well!
 
Bruce


On Tue, Feb 24, 2009 at 2:50 AM, David Kusumoto
davidmkusum...@hotmail.com wrote:


Craig:  
 
No argument here as to Milk being Sean Penn's best performance ever.
I just felt Rourke's performance -- put side-by-side among those
nominated -- was phenomenal.  And I admit going in, I didn't want it to
be so because of my antipathy towards Rourke.  I think the appeal of
Milk vs. The Wrestler (and Penn vs. Rourke) -- depends upon the
expectations and biases you bring after you put your money down.  For
the sake of time, I'll just copy and paste portions of what I wrote
earlier today -- in response to a few people who commented privately
about my take/analysis of the dynamics behind Penn's win, his victory at
the SAG awards last month -- and the hatred many people have out here
against Rourke because of his documented run-ins, lack of
professionalism, right-wing comments and his, for wont of a better
phrase, overall weirdness.
 
Hollywood has always been uncomfortable with conservatives like
Heston, Stewart, Wayne, Cagney, Hope, Eastwood, Nicholson and Rourke.
But in the case of Hope, Eastwood and Nicholson, Hollywood prefers its
conservatives to refrain from being outspoken like Heston, Wayne and
Rourke (but I'm in no way putting Rourke in the same iconic league as
Heston and Wayne).  It's just a double-standard about Hollywood itself
in the post-Vietnam era.  I hope you are happy for Sean Penn's win
because of his performance -- without regard to issues regarding

Re: [MOPO] OSCARS

2009-02-24 Thread Jeff Potokar
this is the great thing about expressing one's opinions how 2  
people can watch a film, look at art, etc. and one can say the piece,  
image or film is great..and another can say it is so-so...


jeff






On Feb 24, 2009, at 1:24 PM, Franc wrote:

Bruce, I'd recommend you drive the two hours to see MILK which was  
a terrific film, whereas The Wrestler was so-so. Mickey Rourke gave  
a very good performance but I kept thinking he was actually playing  
himself whereas Sean Penn was really stretching to play Harvey  
Milk. He was superb and although the film is not a great film, it's  
certainly far superior to The Wrestler. FRANC

-Original Message-
From: MoPo List [mailto:mop...@listserv.american.edu] On Behalf Of  
David Kusumoto

Sent: Tuesday, February 24, 2009 3:43 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] OSCARS

Hi Bruce -- Because of the multiple forwarding of text -- you  
accidentally credited me for writing the first paragraph in your  
note.  Craig Miller wrote it -- he felt Penn was better than Rourke  
-- and that Milk as a film was better than The Wrestler.  He  
defended both views admirably, and nailed why Penn was better,  
but I disagreed on both counts; Penn did a fine job in what to me  
felt like a TV-movie-structured bio-pic.


I myself would not drive two hours to see Milk again.  But I  
would do it to see The Wrestler -- because of the originality of  
its presentation and the sheer force of Rourke's performance.


Date: Tue, 24 Feb 2009 12:57:32 -0600
Subject: Re: [MOPO] OSCARS
From: brucehershen...@gmail.com
To: davidmkusum...@hotmail.com
CC: MoPo-L@listserv.american.edu

David wrote: This was, by far, Sean Penn's best performance. He's  
a heavily mannered actor whose performances are always full of the  
things actors love: screaming, crying, dying, being mentally  
handicapped. You can always see acting. But in Milk, he gave a  
subtle, nuanced performance that wasn't full of ticks. He relaxed  
into the character and stopped being Sean Penn, A*c*t*o*r.


You nailed it here, David. For me, Penn has always been one of  
those actor types who I respect, but I never ever feel that I am  
watching anyone other than Sean Penn acting (and even though he  
does a great job, I still see the performance, and not the person  
he is supposed to be). I have the same trouble with such other  
icons as Meryl Streep and Jack Lemmon. Not true (for me) with De  
Niro, Muni, or Brando. Probably the greatest of all for me in  
getting me to forget the actor and see the character is Daniel Day  
Lewis. That does not equate to the greatest actor ever, but in this  
one element I find him the top of the list.


I have not seen Milk, but from the clips I have seen it seems clear  
he DOES transcend his acting and become the person he portrays and  
I can't wait to see it. I will likely drive 2 hours to see it (no  
chance it would play in this tiny homophobic town), because I want  
to see it the right way.


I was reading a biography of Brando, and he was saying he was in a  
play early in his career and Paul Muni was in it too and at the end  
of the first act Muni's character dies, and he said he wasn't in  
that part of the play, but that he would watch that scene every  
single night, because Muni brought something fresh to it every  
single night!


There are actors who do a good solid job (like Robert Redford) and  
I like them and enjoy their movies, but there are also actors who  
put their entire soul into most of their performances, and that is  
a joy to behold.


I thought it was a wonderful compliment when De Niro said to Penn,  
How did you play straight all these years?, meaning it was such a  
great performance that one would natural assume that Penn himself  
had to be gay to play the role that well!


Bruce

On Tue, Feb 24, 2009 at 2:50 AM, David Kusumoto  
davidmkusum...@hotmail.com wrote:

Craig:

No argument here as to Milk being Sean Penn's best performance  
ever.  I just felt Rourke's performance -- put side-by-side among  
those nominated -- was phenomenal.  And I admit going in, I didn't  
want it to be so because of my antipathy towards Rourke.  I think  
the appeal of Milk vs. The Wrestler (and Penn vs. Rourke) --  
depends upon the expectations and biases you bring after you put  
your money down.  For the sake of time, I'll just copy and paste  
portions of what I wrote earlier today -- in response to a few  
people who commented privately about my take/analysis of the  
dynamics behind Penn's win, his victory at the SAG awards last  
month -- and the hatred many people have out here against Rourke  
because of his documented run-ins, lack of professionalism, right- 
wing comments and his, for wont of a better phrase, overall weirdness.


Hollywood has always been uncomfortable with conservatives  
like Heston, Stewart, Wayne, Cagney, Hope, Eastwood, Nicholson and  
Rourke.  But in the case of Hope, Eastwood and Nicholson, Hollywood

Re: [MOPO] OSCARS

2009-02-24 Thread Glenn Taranto
Oddly enough I feel the way about posts to MOPO!

Glenn T.
  - Original Message - 
  From: Jeff Potokar 
  To: MoPo-L@LISTSERV.AMERICAN.EDU 
  Sent: Tuesday, February 24, 2009 1:33 PM
  Subject: Re: [MOPO] OSCARS


  this is the great thing about expressing one's opinions how 2 people can 
watch a film, look at art, etc. and one can say the piece, image or film is 
great..and another can say it is so-so...


  jeff












  On Feb 24, 2009, at 1:24 PM, Franc wrote:


Bruce, I'd recommend you drive the two hours to see MILK which was a 
terrific film, whereas The Wrestler was so-so. Mickey Rourke gave a very good 
performance but I kept thinking he was actually playing himself whereas Sean 
Penn was really stretching to play Harvey Milk. He was superb and although the 
film is not a great film, it's certainly far superior to The Wrestler. FRANC
  -Original Message-
  From: MoPo List [mailto:mop...@listserv.american.edu] On Behalf Of David 
Kusumoto
  Sent: Tuesday, February 24, 2009 3:43 PM
  To: MoPo-L@LISTSERV.AMERICAN.EDU
  Subject: Re: [MOPO] OSCARS


  Hi Bruce -- Because of the multiple forwarding of text -- you 
accidentally credited me for writing the first paragraph in your note.  Craig 
Miller wrote it -- he felt Penn was better than Rourke -- and that Milk as a 
film was better than The Wrestler.  He defended both views admirably, and 
nailed why Penn was better, but I disagreed on both counts; Penn did a fine 
job in what to me felt like a TV-movie-structured bio-pic.  
   
  I myself would not drive two hours to see Milk again.  But I would do 
it to see The Wrestler -- because of the originality of its presentation and 
the sheer force of Rourke's performance.


--
  Date: Tue, 24 Feb 2009 12:57:32 -0600
  Subject: Re: [MOPO] OSCARS
  From: brucehershen...@gmail.com
  To: davidmkusum...@hotmail.com
  CC: MoPo-L@listserv.american.edu


  David wrote: This was, by far, Sean Penn's best performance. He's a 
heavily mannered actor whose performances are always full of the things actors 
love: screaming, crying, dying, being mentally handicapped. You can always see 
acting. But in Milk, he gave a subtle, nuanced performance that wasn't full 
of ticks. He relaxed into the character and stopped being Sean Penn, 
A*c*t*o*r.

  You nailed it here, David. For me, Penn has always been one of those 
actor types who I respect, but I never ever feel that I am watching anyone 
other than Sean Penn acting (and even though he does a great job, I still see 
the performance, and not the person he is supposed to be). I have the same 
trouble with such other icons as Meryl Streep and Jack Lemmon. Not true (for 
me) with De Niro, Muni, or Brando. Probably the greatest of all for me in 
getting me to forget the actor and see the character is Daniel Day Lewis. That 
does not equate to the greatest actor ever, but in this one element I find him 
the top of the list.

  I have not seen Milk, but from the clips I have seen it seems clear he 
DOES transcend his acting and become the person he portrays and I can't wait to 
see it. I will likely drive 2 hours to see it (no chance it would play in this 
tiny homophobic town), because I want to see it the right way.

  I was reading a biography of Brando, and he was saying he was in a play 
early in his career and Paul Muni was in it too and at the end of the first act 
Muni's character dies, and he said he wasn't in that part of the play, but that 
he would watch that scene every single night, because Muni brought something 
fresh to it every single night!

  There are actors who do a good solid job (like Robert Redford) and I like 
them and enjoy their movies, but there are also actors who put their entire 
soul into most of their performances, and that is a joy to behold.

  I thought it was a wonderful compliment when De Niro said to Penn, How 
did you play straight all these years?, meaning it was such a great 
performance that one would natural assume that Penn himself had to be gay to 
play the role that well!

  Bruce


  On Tue, Feb 24, 2009 at 2:50 AM, David Kusumoto 
davidmkusum...@hotmail.com wrote:

Craig:  
 
No argument here as to Milk being Sean Penn's best performance ever.  
I just felt Rourke's performance -- put side-by-side among those nominated -- 
was phenomenal.  And I admit going in, I didn't want it to be so because of my 
antipathy towards Rourke.  I think the appeal of Milk vs. The Wrestler (and 
Penn vs. Rourke) -- depends upon the expectations and biases you bring after 
you put your money down.  For the sake of time, I'll just copy and paste 
portions of what I wrote earlier today -- in response to a few people who 
commented privately about my take/analysis of the dynamics behind Penn's win, 
his victory at the SAG awards last month

Re: [MOPO] OSCARS

2009-02-24 Thread Douglas Ball
MessageI thought Mickey Rourke was playing Johnny Depp at the Oscars, a little 
color in his hair would have nailed it.
Did anyone miss Jack Nicholson in the front row? I think this was the first 
year in many.

Doug
  - Original Message - 
  From: Franc 
  To: MoPo-L@LISTSERV.AMERICAN.EDU 
  Sent: Tuesday, February 24, 2009 4:24 PM
  Subject: Re: [MOPO] OSCARS


  Bruce, I'd recommend you drive the two hours to see MILK which was a terrific 
film, whereas The Wrestler was so-so. Mickey Rourke gave a very good 
performance but I kept thinking he was actually playing himself whereas Sean 
Penn was really stretching to play Harvey Milk. He was superb and although the 
film is not a great film, it's certainly far superior to The Wrestler. FRANC
-Original Message-
From: MoPo List [mailto:mop...@listserv.american.edu] On Behalf Of David 
Kusumoto
Sent: Tuesday, February 24, 2009 3:43 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] OSCARS


Hi Bruce -- Because of the multiple forwarding of text -- you accidentally 
credited me for writing the first paragraph in your note.  Craig Miller wrote 
it -- he felt Penn was better than Rourke -- and that Milk as a film was 
better than The Wrestler.  He defended both views admirably, and nailed why 
Penn was better, but I disagreed on both counts; Penn did a fine job in what to 
me felt like a TV-movie-structured bio-pic.  
 
I myself would not drive two hours to see Milk again.  But I would do it 
to see The Wrestler -- because of the originality of its presentation and the 
sheer force of Rourke's performance.



Date: Tue, 24 Feb 2009 12:57:32 -0600
Subject: Re: [MOPO] OSCARS
From: brucehershen...@gmail.com
To: davidmkusum...@hotmail.com
CC: MoPo-L@listserv.american.edu


David wrote: This was, by far, Sean Penn's best performance. He's a 
heavily mannered actor whose performances are always full of the things actors 
love: screaming, crying, dying, being mentally handicapped. You can always see 
acting. But in Milk, he gave a subtle, nuanced performance that wasn't full 
of ticks. He relaxed into the character and stopped being Sean Penn, 
A*c*t*o*r.

You nailed it here, David. For me, Penn has always been one of those 
actor types who I respect, but I never ever feel that I am watching anyone 
other than Sean Penn acting (and even though he does a great job, I still see 
the performance, and not the person he is supposed to be). I have the same 
trouble with such other icons as Meryl Streep and Jack Lemmon. Not true (for 
me) with De Niro, Muni, or Brando. Probably the greatest of all for me in 
getting me to forget the actor and see the character is Daniel Day Lewis. That 
does not equate to the greatest actor ever, but in this one element I find him 
the top of the list.

I have not seen Milk, but from the clips I have seen it seems clear he DOES 
transcend his acting and become the person he portrays and I can't wait to see 
it. I will likely drive 2 hours to see it (no chance it would play in this tiny 
homophobic town), because I want to see it the right way.

I was reading a biography of Brando, and he was saying he was in a play 
early in his career and Paul Muni was in it too and at the end of the first act 
Muni's character dies, and he said he wasn't in that part of the play, but that 
he would watch that scene every single night, because Muni brought something 
fresh to it every single night!

There are actors who do a good solid job (like Robert Redford) and I like 
them and enjoy their movies, but there are also actors who put their entire 
soul into most of their performances, and that is a joy to behold.

I thought it was a wonderful compliment when De Niro said to Penn, How did 
you play straight all these years?, meaning it was such a great performance 
that one would natural assume that Penn himself had to be gay to play the role 
that well!

Bruce


On Tue, Feb 24, 2009 at 2:50 AM, David Kusumoto 
davidmkusum...@hotmail.com wrote:

  Craig:  
   
  No argument here as to Milk being Sean Penn's best performance ever.  I 
just felt Rourke's performance -- put side-by-side among those nominated -- was 
phenomenal.  And I admit going in, I didn't want it to be so because of my 
antipathy towards Rourke.  I think the appeal of Milk vs. The Wrestler (and 
Penn vs. Rourke) -- depends upon the expectations and biases you bring after 
you put your money down.  For the sake of time, I'll just copy and paste 
portions of what I wrote earlier today -- in response to a few people who 
commented privately about my take/analysis of the dynamics behind Penn's win, 
his victory at the SAG awards last month -- and the hatred many people have out 
here against Rourke because of his documented run-ins, lack of professionalism, 
right-wing comments and his, for wont

Re: [MOPO] OSCARS

2009-02-24 Thread Jeff Potokar

i didnt see clint eastwood there, either.

jeff




On Feb 24, 2009, at 1:40 PM, Douglas Ball wrote:

I thought Mickey Rourke was playing Johnny Depp at the Oscars, a  
little color in his hair would have nailed it.
Did anyone miss Jack Nicholson in the front row? I think this was  
the first year in many.


Doug
- Original Message -
From: Franc
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Tuesday, February 24, 2009 4:24 PM
Subject: Re: [MOPO] OSCARS

Bruce, I'd recommend you drive the two hours to see MILK which was  
a terrific film, whereas The Wrestler was so-so. Mickey Rourke gave  
a very good performance but I kept thinking he was actually playing  
himself whereas Sean Penn was really stretching to play Harvey  
Milk. He was superb and although the film is not a great film, it's  
certainly far superior to The Wrestler. FRANC

-Original Message-
From: MoPo List [mailto:mop...@listserv.american.edu] On Behalf Of  
David Kusumoto

Sent: Tuesday, February 24, 2009 3:43 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] OSCARS

Hi Bruce -- Because of the multiple forwarding of text -- you  
accidentally credited me for writing the first paragraph in your  
note.  Craig Miller wrote it -- he felt Penn was better than Rourke  
-- and that Milk as a film was better than The Wrestler.  He  
defended both views admirably, and nailed why Penn was better,  
but I disagreed on both counts; Penn did a fine job in what to me  
felt like a TV-movie-structured bio-pic.


I myself would not drive two hours to see Milk again.  But I  
would do it to see The Wrestler -- because of the originality of  
its presentation and the sheer force of Rourke's performance.


Date: Tue, 24 Feb 2009 12:57:32 -0600
Subject: Re: [MOPO] OSCARS
From: brucehershen...@gmail.com
To: davidmkusum...@hotmail.com
CC: MoPo-L@listserv.american.edu

David wrote: This was, by far, Sean Penn's best performance. He's  
a heavily mannered actor whose performances are always full of the  
things actors love: screaming, crying, dying, being mentally  
handicapped. You can always see acting. But in Milk, he gave a  
subtle, nuanced performance that wasn't full of ticks. He relaxed  
into the character and stopped being Sean Penn, A*c*t*o*r.


You nailed it here, David. For me, Penn has always been one of  
those actor types who I respect, but I never ever feel that I am  
watching anyone other than Sean Penn acting (and even though he  
does a great job, I still see the performance, and not the person  
he is supposed to be). I have the same trouble with such other  
icons as Meryl Streep and Jack Lemmon. Not true (for me) with De  
Niro, Muni, or Brando. Probably the greatest of all for me in  
getting me to forget the actor and see the character is Daniel Day  
Lewis. That does not equate to the greatest actor ever, but in this  
one element I find him the top of the list.


I have not seen Milk, but from the clips I have seen it seems clear  
he DOES transcend his acting and become the person he portrays and  
I can't wait to see it. I will likely drive 2 hours to see it (no  
chance it would play in this tiny homophobic town), because I want  
to see it the right way.


I was reading a biography of Brando, and he was saying he was in a  
play early in his career and Paul Muni was in it too and at the end  
of the first act Muni's character dies, and he said he wasn't in  
that part of the play, but that he would watch that scene every  
single night, because Muni brought something fresh to it every  
single night!


There are actors who do a good solid job (like Robert Redford) and  
I like them and enjoy their movies, but there are also actors who  
put their entire soul into most of their performances, and that is  
a joy to behold.


I thought it was a wonderful compliment when De Niro said to Penn,  
How did you play straight all these years?, meaning it was such a  
great performance that one would natural assume that Penn himself  
had to be gay to play the role that well!


Bruce

On Tue, Feb 24, 2009 at 2:50 AM, David Kusumoto  
davidmkusum...@hotmail.com wrote:

Craig:

No argument here as to Milk being Sean Penn's best performance  
ever.  I just felt Rourke's performance -- put side-by-side among  
those nominated -- was phenomenal.  And I admit going in, I didn't  
want it to be so because of my antipathy towards Rourke.  I think  
the appeal of Milk vs. The Wrestler (and Penn vs. Rourke) --  
depends upon the expectations and biases you bring after you put  
your money down.  For the sake of time, I'll just copy and paste  
portions of what I wrote earlier today -- in response to a few  
people who commented privately about my take/analysis of the  
dynamics behind Penn's win, his victory at the SAG awards last  
month -- and the hatred many people have out here against Rourke  
because of his documented run-ins, lack of professionalism, right- 
wing comments and his, for wont of a better phrase, overall weirdness

Re: [MOPO] OSCARS

2009-02-24 Thread Susan Heim

What is interesting about it is when someone really gives you a clear vision of 
why they have that opinion. For me, not only do I learn alot about that person, 
but I am often enlightend to something I didn't even see. I, too, thought Sean 
Penn was great in Milk. I loved the film and it had a huge impact on me as I 
left the theater. I thought Penn's acceptance speach was wonderful and give him 
alot of credit for voicing an opinion that is not exactly a popular one. There 
are many, that while they may share the same opinion, would not voice it in a 
public forum such as the awards are thinking it might hurt their careers. 
Personally, I thought Sean Penn was even better in I am Sam and was 
overlooked for the award that time. I guess it was his time and this was the 
film that was going to do it. This is a film that will be just a great on your 
t.v.

 

Sue
 


Date: Tue, 24 Feb 2009 13:33:07 -0800
From: jpotok...@ca.rr.com
Subject: Re: [MOPO] OSCARS
To: MoPo-L@LISTSERV.AMERICAN.EDU

this is the great thing about expressing one's opinions how 2 people can 
watch a film, look at art, etc. and one can say the piece, image or film is 
great..and another can say it is so-so...


jeff













On Feb 24, 2009, at 1:24 PM, Franc wrote:

Bruce, I'd recommend you drive the two hours to see MILK which was a terrific 
film, whereas The Wrestler was so-so. Mickey Rourke gave a very good 
performance but I kept thinking he was actually playing himself whereas Sean 
Penn was really stretching to play Harvey Milk. He was superb and although the 
film is not a great film, it's certainly far superior to The Wrestler. FRANC


-Original Message-
From: MoPo List [mailto:mop...@listserv.american.edu] On Behalf Of David 
Kusumoto
Sent: Tuesday, February 24, 2009 3:43 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] OSCARS

Hi Bruce -- Because of the multiple forwarding of text -- you accidentally 
credited me for writing the first paragraph in your note.  Craig Miller wrote 
it -- he felt Penn was better than Rourke -- and that Milk as a film was 
better than The Wrestler.  He defended both views admirably, and nailed why 
Penn was better, but I disagreed on both counts; Penn did a fine job in what to 
me felt like a TV-movie-structured bio-pic.  
 
I myself would not drive two hours to see Milk again.  But I would do it to 
see The Wrestler -- because of the originality of its presentation and the 
sheer force of Rourke's performance.



Date: Tue, 24 Feb 2009 12:57:32 -0600
Subject: Re: [MOPO] OSCARS
From: brucehershen...@gmail.com
To: davidmkusum...@hotmail.com
CC: MoPo-L@listserv.american.edu


David wrote: This was, by far, Sean Penn's best performance. He's a heavily 
mannered actor whose performances are always full of the things actors love: 
screaming, crying, dying, being mentally handicapped. You can always see 
acting. But in Milk, he gave a subtle, nuanced performance that wasn't full 
of ticks. He relaxed into the character and stopped being Sean Penn, 
A*c*t*o*r.
 
You nailed it here, David. For me, Penn has always been one of those actor 
types who I respect, but I never ever feel that I am watching anyone other than 
Sean Penn acting (and even though he does a great job, I still see the 
performance, and not the person he is supposed to be). I have the same trouble 
with such other icons as Meryl Streep and Jack Lemmon. Not true (for me) with 
De Niro, Muni, or Brando. Probably the greatest of all for me in getting me to 
forget the actor and see the character is Daniel Day Lewis. That does not 
equate to the greatest actor ever, but in this one element I find him the top 
of the list.
 
I have not seen Milk, but from the clips I have seen it seems clear he DOES 
transcend his acting and become the person he portrays and I can't wait to see 
it. I will likely drive 2 hours to see it (no chance it would play in this tiny 
homophobic town), because I want to see it the right way.
 
I was reading a biography of Brando, and he was saying he was in a play early 
in his career and Paul Muni was in it too and at the end of the first act 
Muni's character dies, and he said he wasn't in that part of the play, but that 
he would watch that scene every single night, because Muni brought something 
fresh to it every single night!
 
There are actors who do a good solid job (like Robert Redford) and I like them 
and enjoy their movies, but there are also actors who put their entire soul 
into most of their performances, and that is a joy to behold.
 
I thought it was a wonderful compliment when De Niro said to Penn, How did you 
play straight all these years?, meaning it was such a great performance that 
one would natural assume that Penn himself had to be gay to play the role that 
well!
 
Bruce


On Tue, Feb 24, 2009 at 2:50 AM, David Kusumoto davidmkusum...@hotmail.com 
wrote:


Craig:  
 
No argument here as to Milk being Sean Penn's best performance ever.  I just 
felt Rourke's

Re: [MOPO] OSCARS and MoPo Turns 14 Today!

2009-02-24 Thread David Kusumoto

** I think everyone has acquitted themselves well in this debate.  Though my 
feelings about Rourke and The Wrestler -- vs. Penn and Milk -- aren't 
changed -- I respect the opinons of those who remain solidly behind Milk -- 
even though I myself wished the story had been constructed better on film.  
Penn's performance does transcend the material, and while I didn't think Milk 
was a great film, it did deserve its Best Picture nomination.

 

** This next part is tricky and expressed very delicately, so please forgive me 
if this comes out a little awkward.  As a person of color -- I feel some of us 
have difficulty stepping back a little so we can judge material about ourselves 
more critically.  This is true about any group, be they Asians, 
African-Americans, gays, etc., anyone judging filmed entertainments depicting 
characters similar or unlike ourselves.  Some of us (myself included) -- can be 
so biased -- that we're not able to distinguish what's truly great -- vs. 
what's just OK.  We're too close to the material.  So we sometimes vote the 
ticket regardless of quality, so long as the portrayal of ourselves is 
positive.  Hence we have people who still think Brokeback Mountain, The Joy 
Luck Club, Amistad, Dances with Wolves, etc. -- have the equivalence of 
Citizen Kane.  The equal rights and diversity agendas are extremely important 
-- but when it comes to art -- it should never trump quality, however 
subjective.  Voting for what's noble in art -- can sometimes result in material 
that becomes dated or puzzling over time, e.g., Gandhi over E.T. -- Crash 
over Capote, -- Dances with Wolves over Goodfellas -- Lost Weekend, 
Forrest Gump, Gentleman's Agreement, Rainman, etc., the list goes on.  

 

** I bring this up because I feel Milk and films like it -- were being 
praised by people -- (not all) -- using a similar prism.  I thoroughly enjoyed 
Milk without an agenda -- despite my complaints about its structure.  But my 
feelings for The Wrestler forced me to confront my own biases against Penn 
AND Rourke -- before finally deciding Rourke's was the better performance.  But 
my opinions are not facts -- and reading the passions people have expressed 
about Penn -- further reveals why some justifiably feel Rourke did no more than 
play himself.  Even if I don't agree, it's a valid point.  I just don't want 
people to think that by selecting Rourke over Penn, that I'm treating Penn and 
his film harshly.  The mere fact that some of Milk's fans graciously concede 
that Penn was great -- while his film was not so great -- is beyond fair.  

 

** This allows me to segue into MoPo itself.  I have tried the other forums and 
MoPo has always been the best for me, dating back to the 1990s.  My only 
complaint is I wish old people like myself would stop hogging things so that 
more younger people can take part.  I feel too many of us are dismissive of 
young people's tastes, as if we ourselves weren't derided for our own when we 
were in our teens and twenties.  But as young people age, the smarter ones 
discover older material on their own.  Proof?  We discovered Bogart, Chaplin, 
William Powell, Rita Hayworth, etc. -- and I think I'm safe when I say most of 
us weren't even alive when those legends were at the peak of their careers!  So 
congratulations, MoPo!  And congratulations to all of its members!  -kuz w/the 
news.


-Original Message- 

Date: Tue, 24 Feb 2009 21:49:51 +
From: filmfantast...@msn.com
Subject: Re: OSCARS
To: MoPo-L@LISTSERV.AMERICAN.EDU



What is interesting about it is when someone really gives you a clear vision of 
why they have that opinion. For me, not only do I learn alot about that person, 
but I am often enlightend to something I didn't even see. I, too, thought Sean 
Penn was great in Milk. I loved the film and it had a huge impact on me as I 
left the theater. I thought Penn's acceptance speach was wonderful and give him 
alot of credit for voicing an opinion that is not exactly a popular one. There 
are many, that while they may share the same opinion, would not voice it in a 
public forum such as the awards are thinking it might hurt their careers. 
Personally, I thought Sean Penn was even better in I am Sam and was 
overlooked for the award that time. I guess it was his time and this was the 
film that was going to do it. This is a film that will be just a great on your 
t.v.
 
Sue
 
-Original Message-

Date: Tue, 24 Feb 2009 13:33:07 -0800
From: jpotok...@ca.rr.com
Subject: Re: [MOPO] OSCARS
To: MoPo-L@LISTSERV.AMERICAN.EDU

this is the great thing about expressing one's opinions how 2 people can 
watch a film, look at art, etc. and one can say the piece, image or film is 
great..and another can say it is so-so... 



jeff


-Original Message-
On Feb 24, 2009, at 1:24 PM, Franc wrote:
 
Bruce, I'd recommend you drive the two hours to see MILK which was a terrific 
film, whereas The Wrestler was so-so. Mickey Rourke gave a very

Re: [MOPO] OSCARS and MoPo Turns 14 Today!

2009-02-24 Thread Franc
There are also those among us who fail to turn that prism to discover
that perhaps their own political slants are preventing them from fully
appreciating films whose core ideology seriously challenge the beliefs
of the viewer. FRANC

-Original Message-
From: MoPo List [mailto:mop...@listserv.american.edu] On Behalf Of David
Kusumoto
Sent: Tuesday, February 24, 2009 6:39 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] OSCARS and MoPo Turns 14 Today!


** I think everyone has acquitted themselves well in this debate.
Though my feelings about Rourke and The Wrestler -- vs. Penn and
Milk -- aren't changed -- I respect the opinons of those who remain
solidly behind Milk -- even though I myself wished the story had been
constructed better on film.  Penn's performance does transcend the
material, and while I didn't think Milk was a great film, it did
deserve its Best Picture nomination.
 
** This next part is tricky and expressed very delicately, so please
forgive me if this comes out a little awkward.  As a person of color --
I feel some of us have difficulty stepping back a little so we can judge
material about ourselves more critically.  This is true about any group,
be they Asians, African-Americans, gays, etc., anyone judging filmed
entertainments depicting characters similar or unlike ourselves.  Some
of us (myself included) -- can be so biased -- that we're not able to
distinguish what's truly great -- vs. what's just OK.  We're too close
to the material.  So we sometimes vote the ticket regardless of
quality, so long as the portrayal of ourselves is positive.  Hence we
have people who still think Brokeback Mountain, The Joy Luck Club,
Amistad, Dances with Wolves, etc. -- have the equivalence of
Citizen Kane.  The equal rights and diversity agendas are extremely
important -- but when it comes to art -- it should never trump quality,
however subjective.  Voting for what's noble in art -- can sometimes
result in material that becomes dated or puzzling over time, e.g.,
Gandhi over E.T. -- Crash over Capote, -- Dances with Wolves
over Goodfellas -- Lost Weekend, Forrest Gump, Gentleman's
Agreement, Rainman, etc., the list goes on.  
 
** I bring this up because I feel Milk and films like it -- were being
praised by people -- (not all) -- using a similar prism.  I thoroughly
enjoyed Milk without an agenda -- despite my complaints about its
structure.  But my feelings for The Wrestler forced me to confront my
own biases against Penn AND Rourke -- before finally deciding Rourke's
was the better performance.  But my opinions are not facts -- and
reading the passions people have expressed about Penn -- further reveals
why some justifiably feel Rourke did no more than play himself.  Even if
I don't agree, it's a valid point.  I just don't want people to think
that by selecting Rourke over Penn, that I'm treating Penn and his film
harshly.  The mere fact that some of Milk's fans graciously concede
that Penn was great -- while his film was not so great -- is beyond
fair.  
 
** This allows me to segue into MoPo itself.  I have tried the other
forums and MoPo has always been the best for me, dating back to the
1990s.  My only complaint is I wish old people like myself would stop
hogging things so that more younger people can take part.  I feel too
many of us are dismissive of young people's tastes, as if we ourselves
weren't derided for our own when we were in our teens and twenties.  But
as young people age, the smarter ones discover older material on their
own.  Proof?  We discovered Bogart, Chaplin, William Powell, Rita
Hayworth, etc. -- and I think I'm safe when I say most of us weren't
even alive when those legends were at the peak of their careers!  So
congratulations, MoPo!  And congratulations to all of its members!  -kuz
w/the news.

-Original Message- 
Date: Tue, 24 Feb 2009 21:49:51 +
From: filmfantast...@msn.com
Subject: Re: OSCARS
To: MoPo-L@LISTSERV.AMERICAN.EDU

What is interesting about it is when someone really gives you a clear
vision of why they have that opinion. For me, not only do I learn alot
about that person, but I am often enlightend to something I didn't even
see. I, too, thought Sean Penn was great in Milk. I loved the film and
it had a huge impact on me as I left the theater. I thought Penn's
acceptance speach was wonderful and give him alot of credit for voicing
an opinion that is not exactly a popular one. There are many, that while
they may share the same opinion, would not voice it in a public forum
such as the awards are thinking it might hurt their careers. Personally,
I thought Sean Penn was even better in I am Sam and was overlooked for
the award that time. I guess it was his time and this was the film that
was going to do it. This is a film that will be just a great on your
t.v.
 
Sue
 
-Original Message-
Date: Tue, 24 Feb 2009 13:33:07 -0800
From: jpotok...@ca.rr.com
Subject: Re: [MOPO] OSCARS
To: MoPo-L@LISTSERV.AMERICAN.EDU

this is the great

Re: [MOPO] OSCARS and MoPo Turns 14 Today!

2009-02-24 Thread David Kusumoto

Franc -- You're suggesting I'm biased against gays.  While using the collective 
first person plural we -- you said my political slant and core ideology 
prevented me from being open minded, i.e., loving a film as much as you did.  
Suit yourself.  I AM a pompous know-it-all, I DO write long-winded rants, and 
yes, I AM often insufferable -- but you don't know me as a friend -- and you 
don't really know my views about gays.  The only thing I'm sure of is you ARE 
reading my posts from start to finish.  I prefer you stay ignorant with your 
presumptions about me.  Life's too short to be angry all the time.  -kuz.

 


Date: Tue, 24 Feb 2009 19:27:18 -0500
From: fdav...@verizon.net
Subject: Re: OSCARS and MoPo Turns 14 Today!
To: MoPo-L@LISTSERV.AMERICAN.EDU




There are also those among us who fail to turn that prism to discover that 
perhaps their own political slants are preventing them from fully appreciating 
films whose core ideology seriously challenge the beliefs of the viewer. FRANC
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Re: [MOPO] OSCARS and MoPo Turns 14 Today!

2009-02-24 Thread Bruce Hershenson
 was even better in I am Sam and was overlooked for the award that time. I
 guess it was his time and this was the film that was going to do it. This is
 a film that will be just a great on your t.v.

 Sue

 -Original Message-
 Date: Tue, 24 Feb 2009 13:33:07 -0800
 From: jpotok...@ca.rr.com
 Subject: Re: [MOPO] OSCARS
 To: MoPo-L@LISTSERV.AMERICAN.EDU

 this is the great thing about expressing one's opinions how 2 people
 can watch a film, look at art, etc. and one can say the piece, image or film
 is great..and another can say it is so-so...

 jeff

 -Original Message-
 On Feb 24, 2009, at 1:24 PM, Franc wrote:



 Bruce, I'd recommend you drive the two hours to see MILK which was a
 terrific film, whereas The Wrestler was so-so. Mickey Rourke gave a very
 good performance but I kept thinking he was actually playing himself whereas
 Sean Penn was really stretching to play Harvey Milk. He was superb and
 although the film is not a great film, it's certainly far superior to The
 Wrestler. FRANC



 -Original Message-
 *From:* MoPo List 
 [mailto:mopo-l@LISTSERV.AMERICAN.EDUmopo-l@LISTSERV.AMERICAN.EDU
 ] *On Behalf Of *David Kusumoto
 *Sent:* Tuesday, February 24, 2009 3:43 PM
 *To:* MoPo-L@LISTSERV.AMERICAN.EDU
 *Subject:* Re: [MOPO] OSCARS

 Hi Bruce -- Because of the multiple forwarding of text -- you accidentally
 credited me for writing the first paragraph in your note.  Craig Miller
 wrote it -- he felt Penn was better than Rourke -- and that Milk as a film
 was better than The Wrestler.  He defended both views admirably, and
 nailed why Penn was better, but I disagreed on both counts; Penn did a
 fine job in what to me felt like a TV-movie-structured bio-pic.

 I myself would not drive two hours to see Milk again.  But I would do it
 to see The Wrestler -- because of the originality of its presentation and
 the sheer force of Rourke's performance.


 -Original Message-
 On Tue, Feb 24, 2009 at 2:50 AM, David Kusumoto 
 davidmkusum...@hotmail.com wrote:

 Craig:

 No argument here as to Milk being Sean Penn's best performance ever.  I
 just felt Rourke's performance -- put side-by-side among those nominated --
 was phenomenal.  And I admit going in, I didn't want it to be so because of
 my antipathy towards Rourke.  I think the appeal of Milk vs. The
 Wrestler (and Penn vs. Rourke) -- depends upon the expectations and biases
 you bring after you put your money down.  For the sake of time, I'll just
 copy and paste portions of what I wrote earlier today -- in response to a
 few people who commented privately about my take/analysis of the dynamics
 behind Penn's win, his victory at the SAG awards last month -- and the
 hatred many people have out here against Rourke because of his documented
 run-ins, lack of professionalism, right-wing comments and his, for wont of a
 better phrase, overall weirdness.

 Hollywood has always been uncomfortable with conservatives like
 Heston, Stewart, Wayne, Cagney, Hope, Eastwood, Nicholson and Rourke.  But
 in the case of Hope, Eastwood and Nicholson, Hollywood prefers its
 conservatives to refrain from being outspoken like Heston, Wayne and Rourke
 (but I'm in no way putting Rourke in the same iconic league as Heston and
 Wayne).  It's just a double-standard about Hollywood itself in the
 post-Vietnam era.  I hope you are happy for Sean Penn's win because of
 his performance -- without regard to issues regarding the nobility and
 heroic nature of Harvey Milk himself.  Because for the longest time, I felt
 Penn OWNED the best performance of 2008 -- slam dunk -- UNTIL I saw The
 Wrestler.  It was then I had to face down my own prejudices against Rourke
 -- and decide as honestly as I could -- who turned in the better
 performance.  Penn was great, but Rourke's was something you see about as
 often, as I said, as a DeNiro in Raging Bull or a Hopkins in Lambs.  I'm not
 kidding, I went in with low expectations, almost rooting against the picture
 because of all I had seen before.  But the acting and the film were
 amazing.  Not what I expected.  I felt The Wrestler should have been
 nominated for Best Picture.  It had an austere, hand-held, grainy
 authenticity many would appreciate.  I so did NOT want to see the picture,
 but I came out feeling it was time well worth spent.

 Now as to the merits of Milk vs. any other film nominated in the
 Best Picture category.  My view is Milk was structured conventionally like
 any standard bio-pic.  But Penn's performance transcends the linear
 construct.  Without him, Milk sinks like a dead weight TV-movie.  Had
 Milk been presented more innovatively -- Harvey Milk's journey and
 accomplishments -- would've felt more profound and emotional with audiences
 of all stripes, gay AND straight.  I am always hoping a film like this does
 more than preach to a choir of believers who know how the story ends.
 Milk is based on titanic material -- but lacks the necessary balance of
 subtlety, sledgehammer

Re: [MOPO] MOPO] OSCARS

2009-02-23 Thread Jeff Potokar
i wasnt going to say anything... but Hugh has also bought a few  
things from me, as well; i guess that makes him a client of mine, too.



On Feb 22, 2009, at 10:53 PM, jboh...@aol.com wrote:


Thats Funny Hugh is also a client of mine.
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Re: [MOPO] MOPO] OSCARS

2009-02-23 Thread Franc
I think Hugh Jackman is a really talented guy caught last night in the
midst of a Hollywood wet dream.  The show was awful and boring. I
couldn't believe the incompetence of the obituaries in which you
couldn't discern the names or images of the people being honored and
Queen Latifa had to sing about twenty choruses of I'll Be Seeing You.
And frankly, Slumdog Millionaire is over-hyped. I understand that the
award is a nod to the ever-expanding emerging markets in India and
Pakistan but I thought the film was only okay. All the other nominees
were far superior. I would have given the best picture award to
Frost/Nixon or Milk.  Glad Sean Penn won best actor over the also
over-hyped performance of Mickey Rouke.  Sometimes the voters don't like
to be told that a certain actor or actress has an award all sown up and
that's what I think happened with Rouke.  I stayed through the end of
the show with the help of the Fast Forward on my remote control but it
was one long snooze. FRANC 




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Re: [MOPO] MOPO] OSCARS

2009-02-23 Thread Doug Taylor
I agree on all counts except Slumdog.  I think Slumdog deserved its win.
It's not an all-time great but it only needs to be better than this year's
competition, which I think it generally was.

 

I appreciated the originality of Slumdog's story.something we seem to see
less and less of these days.  (After the Oscars they were promoting the
remake of Fame.  ???  I didn't know they were doing one and just can't
believe there is a need to go through that again.

 

Personally, my Best Pictures for 2008 were:

 

1.Slumdog

2.Frost/Nixon (virtually in a tie with Slumdog, IMHO)

3.Ben Button

4.Milk

 

 

DBT

 http://www.linkedin.com/in/douglasbtaylor Profile 

From: MoPo List [mailto:mop...@listserv.american.edu] On Behalf Of Franc
Sent: Monday, February 23, 2009 9:44 AM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] MOPO] OSCARS

 

I think Hugh Jackman is a really talented guy caught last night in the midst
of a Hollywood wet dream.  The show was awful and boring. I couldn't believe
the incompetence of the obituaries in which you couldn't discern the names
or images of the people being honored and Queen Latifa had to sing about
twenty choruses of I'll Be Seeing You. And frankly, Slumdog Millionaire is
over-hyped. I understand that the award is a nod to the ever-expanding
emerging markets in India and Pakistan but I thought the film was only okay.
All the other nominees were far superior. I would have given the best
picture award to Frost/Nixon or Milk.  Glad Sean Penn won best actor over
the also over-hyped performance of Mickey Rouke.  Sometimes the voters don't
like to be told that a certain actor or actress has an award all sown up and
that's what I think happened with Rouke.  I stayed through the end of the
show with the help of the Fast Forward on my remote control but it was one
long snooze. FRANC 

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Re: [MOPO] MOPO] OSCARS

2009-02-23 Thread lobby card invasion
MessageMickey Rourke may have been placed in the midst of a Hollywood hype, but 
his performance was outstanding nontheless, and deserving of a nomination at 
the very least.  
Those who saw the the movie early on, before the hype, knew that they witnessed 
a great performance.  If I'm not mistaken, this is one example where the media 
jumped on the band wagon after word of mouth, from film-festival-goers, 
earmarked the movie as worthy.

Zeev


  - Original Message - 
  From: Franc 
  To: MoPo-L@LISTSERV.AMERICAN.EDU 
  Sent: Monday, February 23, 2009 9:44 AM
  Subject: Re: [MOPO] MOPO] OSCARS


  I think Hugh Jackman is a really talented guy caught last night in the midst 
of a Hollywood wet dream.  The show was awful and boring. I couldn't believe 
the incompetence of the obituaries in which you couldn't discern the names or 
images of the people being honored and Queen Latifa had to sing about twenty 
choruses of I'll Be Seeing You. And frankly, Slumdog Millionaire is 
over-hyped. I understand that the award is a nod to the ever-expanding emerging 
markets in India and Pakistan but I thought the film was only okay. All the 
other nominees were far superior. I would have given the best picture award to 
Frost/Nixon or Milk.  Glad Sean Penn won best actor over the also over-hyped 
performance of Mickey Rouke.  Sometimes the voters don't like to be told that a 
certain actor or actress has an award all sown up and that's what I think 
happened with Rouke.  I stayed through the end of the show with the help of the 
Fast Forward on my remote control but it was one long snooze. FRANC 
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Re: [MOPO] OSCARS

2009-02-23 Thread jim
I actually enjoyed the oscars forthe first time in many years.Jackman was
better than most the idea of five past winners in a catorgory, presenting
that catagory, recognizes the continuity of the academy. The roundup
synopsis at the beginning of some of the catorgories was well done.And
finally the majority of the acceptance speeches were both short and non
political.

  -Original Message-
  From: MoPo List [mailto:mop...@listserv.american.edu]on Behalf Of
flixs...@aol.com
  Sent: Sunday, February 22, 2009 8:49 PM
  To: MoPo-L@LISTSERV.AMERICAN.EDU
  Subject: [MOPO] OSCARS


  STAGE DOOR has just started on TCM!  After hearing the interminable intros
of each supporting actress by past winners .I promise you Kate,
Adolph, Lucy, Ginger and cast will be far more
entertaining...BTW this movie buries THE WOMEN  my guess its
because of the calla lilies.

  FREEMAN



--
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Re: [MOPO] Oscars-- best show in eons

2009-02-23 Thread Joseph Bonelli
Sorry, guys!!  Totally disagree with you both. Loved the opening number!
 
On the whole, not only Jackman but the show is the best in years!!
 
Joe B in NOLA (skipping Val Kilmer's Canal Street ride as Bacchus)
 
PS-- Thank God for NO lame US-TV personality hosts!
 
 
Happy Lundi Gras (today) and Mardi Gras (Tuesday!) to all.
 

--- On Sun, 2/22/09, Jeff Potokar jpotok...@ca.rr.com wrote:

From: Jeff Potokar jpotok...@ca.rr.com
Subject: Re: [MOPO] Oscars
To: MoPo-L@LISTSERV.AMERICAN.EDU
Date: Sunday, February 22, 2009, 7:51 PM


i agree doug...


that was PATHETIC.


jeff





On Feb 22, 2009, at 5:38 PM, Doug Taylor wrote:



If that opening number is any indication, this will be the most grueling 3 
hours of our lives.
 
My gawd.
 




DBT
Profile
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[MOPO] Oscars

2009-02-23 Thread channinglylethomson
Overall, I think it was a more entertaining show than in past years.   
My only complaint would be the obituaries which I was unable to read  
even on a 37 HD flatscreen screen.  I thought it moved petty fast,  
Hugh Jackman was personable and charming, and the awards were  
uniformly well selected.  I do wonder, however, if I am the only one  
who was underwhelmed by Heath Ledger as The Joker and feel his award  
was strictly a sympathy vote (I didn't even like the movie in the  
first place).  As to SLUMDOG, I think it was probably the best film.   
Past years winners like DRIVING MISS DAISY, RAIN MAN, FOREST GUMP --  
to name a few, really didn't deserve the award, in my opinion, but  
SLUMDOG was an outstanding, original film and I'm glad to see the  
Oscars award Best Picture to a really original, moving, well-put  
together film.


Channing thomson

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Re: [MOPO] OSCARS

2009-02-23 Thread Dave Rosen
I found the whole show about the same as it always is on the tedium level; 
which is to say quite high. But I also think that's almost inevitable in any 
awards show, whether it's the Oscars or your local Jaycee's Young Entrepreneurs 
of the Year.

No matter what, they just can't get away from reading lists of names, then 
naming a winner who makes a speech that usually only means something to 
themselves and their immediate family. That's the nature of the beast.

That said, I found this year's innovations kind of laughable, consisting 
mainly of even more self-congratulation, like there isn't already enough of 
that.

The big salute to musicals was a disaster; overblown, confusing and totally 
soulless (btw, Beyonce, who we already see wy too much of, lip-synced 
through it while most, if not all, the other performers sang live, not that I 
was watching all that closely). Then I found out it was produced by Baz 
Luhrmann and that explained everything.

And I agree with whoever was disappointed with the In Memorium segment. With 
all the swooping camera shots of the screen on the stage, half the time I 
couldn't make out the names of those being honored, which is REALLY unfair to 
those whose faces we might not recognize, like screenwriters.

But basically, as I said, tedious. A corporate industry event that just happens 
to include celebrities. But of course I watched (nearly) every minute. It's a 
guilty pleasure.

Dave
www.posteropolis.com

  - Original Message - 
  From: jim 
  To: MoPo-L@LISTSERV.AMERICAN.EDU 
  Sent: Monday, February 23, 2009 10:43 AM
  Subject: Re: [MOPO] OSCARS


  I actually enjoyed the oscars forthe first time in many years.Jackman was 
better than most the idea of five past winners in a catorgory, presenting that 
catagory, recognizes the continuity of the academy. The roundup synopsis at the 
beginning of some of the catorgories was well done.And finally the majority of 
the acceptance speeches were both short and non political.

-Original Message-
From: MoPo List [mailto:mop...@listserv.american.edu]on Behalf Of 
flixs...@aol.com
Sent: Sunday, February 22, 2009 8:49 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: [MOPO] OSCARS


STAGE DOOR has just started on TCM!  After hearing the interminable intros 
of each supporting actress by past winners .I promise you Kate, 
Adolph, Lucy, Ginger and cast will be far more 
entertaining...BTW this movie buries THE WOMEN  my guess its 
because of the calla lilies. 

FREEMAN



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Re: [MOPO] MOPO] OSCARS

2009-02-23 Thread Jbohmss
I think Dark Knight was the best film of 2008...It wasn't nominated because  
it's a comic book adaption but it was perfect entertainment.
 
Why do we always have to have an arty farty film as best  picture?

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Re: [MOPO] Oscars

2009-02-23 Thread Alan Heimann



hey channing.as concerns the Ledger win,  i can't comment in comparison
to competition as i haven't seen the  other  films i'm guessing hoffman was
excellent , but i do think ledgers  portrayal of the joker was
rivetingbut i don't agree with lumping forest gump with films not
deserving of a best film award..i think it is one of the best movies in the
last 20 years...Aln


   
  From:   channinglylethomson channinglylethom...@worldnet.att.net
   
  To: MoPo-L@LISTSERV.AMERICAN.EDU 
   
  Date:   02/23/2009 11:15 AM  
   
  Subject:[MOPO] Oscars
   
  Sent by:MoPo List mopo-l@LISTSERV.AMERICAN.EDU 
   





Overall, I think it was a more entertaining show than in past years.
My only complaint would be the obituaries which I was unable to read
even on a 37 HD flatscreen screen.  I thought it moved petty fast,
Hugh Jackman was personable and charming, and the awards were
uniformly well selected.  I do wonder, however, if I am the only one
who was underwhelmed by Heath Ledger as The Joker and feel his award
was strictly a sympathy vote (I didn't even like the movie in the
first place).  As to SLUMDOG, I think it was probably the best film.
Past years winners like DRIVING MISS DAISY, RAIN MAN, FOREST GUMP --
to name a few, really didn't deserve the award, in my opinion, but
SLUMDOG was an outstanding, original film and I'm glad to see the
Oscars award Best Picture to a really original, moving, well-put
together film.

Channing thomson

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Re: [MOPO] Oscars

2009-02-23 Thread Robert D. Brooks
I do wonder, however, if I am the only one who was underwhelmed by Heath 
Ledger as The Joker and feel his award  was strictly a sympathy vote (I 
didn't even like the movie in the first place).


No Channing, Heath Ledger winning best supporting actor is one of the 
biggest loads of crap from an awards ceremony known for big loads of crap! 
It must mark the very first time in Academy history where an actor has won 
top honours for portraying a character that made no sense and had absolutely 
no motivation - but, hey, at least he did it in ridiculously poor makeup 
while babbling incoherently...


The Academy has some explaining to do for this one...

Here's a simple test...  When you watched the Dark Knight, did you ever - 
even for a split-second - think of the Joker as anything other than a famous 
actor doing a funny (and completely un-natural) voice???


Cheers,

Bob


- Original Message - 
From: channinglylethomson channinglylethom...@worldnet.att.net

To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Monday, February 23, 2009 8:15 AM
Subject: [MOPO] Oscars


Overall, I think it was a more entertaining show than in past years.   My 
only complaint would be the obituaries which I was unable to read  even on 
a 37 HD flatscreen screen.  I thought it moved petty fast,  Hugh Jackman 
was personable and charming, and the awards were  uniformly well selected. 
I do wonder, however, if I am the only one  who was underwhelmed by Heath 
Ledger as The Joker and feel his award  was strictly a sympathy vote (I 
didn't even like the movie in the  first place).  As to SLUMDOG, I think 
it was probably the best film.   Past years winners like DRIVING MISS 
DAISY, RAIN MAN, FOREST GUMP --  to name a few, really didn't deserve the 
award, in my opinion, but  SLUMDOG was an outstanding, original film and 
I'm glad to see the  Oscars award Best Picture to a really original, 
moving, well-put  together film.


Channing thomson

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[MOPO] Oscars what I didnt like

2009-02-23 Thread steve84
All in all I thought it was a good show but what I did not like was the 
segment where they honored the people who died in the last year.  They 
spent so much time trying to feature the singer and zooming in and out 
on the screen that there were some names that you could not read.  That 
is not a segment that they should be messing with and trying to make it 
fancy.  Just focus on the screen and leave it alone.


Steve




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Re: [MOPO] OSCARS---WHATEVER HAPPENED TO GREAT SONGS?

2009-02-23 Thread Rixposterz

Over the past few years, I've noticed that the level of songwriting  in the 
Best Song Academy Award category has diminished to the point of pure  
mediocrity. Not only are only THREE songs nominated (didn't it always used to 
be  
5?), but the songs that ARE nominated won't be remembered 3 or 4 years from  
now---songs like As Time Goes By will never be forgotten.  Hey, I'm not a  
big 
fan of Moon River, but it seems like Mozart next to the inferior songs  
that are nominated these days. When It's Hard To Be A Pimp won a couple of  
years ago, I thought we'd nit an all-time low (maybe we had, come to think 
about  
it...)
  Why wasn't Bruce Springsteen's closing song from The Wrestler  nominated? 
When I saw that film, the whole audience stayed in their seats to  listen to 
that song, which captured the essence of the movie perfectly.   Isn't that 
what Best Song Of The Year should do?  It was BY FAR the best  song of the 
year.  Whether you're a fan of Springsteen or not, I think  you'll agree with 
me 
if you watch The Wrestler and listen to it over the  closing credits.  It 
seems like the art of writing a great, enduring song  is a thing of the past 
when 
it comes to The Oscars
   Rick
**You're invited to Hollywood's biggest party: Get Oscars 
updates, red carpet pics and more at Moviefone. 
(http://movies.aol.com/oscars-academy-awards?ncid=emlcntusmovi0001)

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Re: [MOPO] Oscars-- best show in eons

2009-02-23 Thread CK MacLeod
As for the show, the production values were better than the content, just
like most of the movies.

As a complete non-fan of Hollywood's prestige offerings - AMERICAN BEAUTY,
CRASH, BENJAMIN BUTTON, etc.  - and as a firm believer that the best of the
action (and sometimes animation and other technique-heavy) films come
closer to what the movies are really about and what contemporary film makers
do best - I was particularly disappointed to see the effects awards also
going to the boring movies.

CK MacLeod Collectibles at ckmac.com http://ckmac.com/
Kymar's on eBay http://stores.ebay.com/Kymars-Stuff

-Original Message-
From: MoPo List [mailto:mop...@listserv.american.edu]on Behalf Of Joseph
Bonelli
Sent: Monday, February 23, 2009 08:05 AM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Oscars-- best show in eons

Sorry, guys!!  Totally disagree with you both. Loved the opening number!

On the whole, not only Jackman but the show is the best in years!!

Joe B in NOLA (skipping Val Kilmer's Canal Street ride as Bacchus)

PS-- Thank God for NO lame US-TV personality hosts!


Happy Lundi Gras (today) and Mardi Gras (Tuesday!) to all.


--- On Sun, 2/22/09, Jeff Potokar jpotok...@ca.rr.com wrote:
From: Jeff Potokar jpotok...@ca.rr.com
Subject: Re: [MOPO] Oscars
To: MoPo-L@LISTSERV.AMERICAN.EDU
Date: Sunday, February 22, 2009, 7:51 PM
i agree doug...

that was PATHETIC.

jeff


On Feb 22, 2009, at 5:38 PM, Doug Taylor wrote:



If that opening number is any indication, this will be the most grueling 3
hours of our lives.

My gawd.

DBT
Profile http://www.linkedin.com/in/douglasbtaylor
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http://www.filmfan.com/
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Re: [MOPO] Oscars

2009-02-23 Thread Jeff Potokar

Here, Here!!

No Channing, Heath Ledger winning best supporting actor is one of  
the biggest loads of crap from an awards ceremony known for big  
loads of crap! It must mark the very first time in Academy history  
where an actor has won top honours for portraying a character that  
made no sense and had absolutely no motivation - but, hey, at least  
he did it in ridiculously poor makeup while babbling incoherently...


this kind of sympathy vote really makes one wonder about how the  
academy truly considers a vote. this award was a no brainer, as far  
as who was thought to be the winner (and i am talking even as far  
back as last march..LOL).


the OBIT tribute was a mess, truly insulting with cameras on boom  
arms, cutting off the names and titles, at times, as well as often  
being too far back. why change the way these have been done in the  
past--using a some appropriate instrumental along with full screen  
images or clips of those that have passed.


the musical montage was also a mess (can one say musical variety  
hour?) and i was rather unimpressed with the various short montages  
that were titled such things as ROMANCE IN 2008 and ACTION IN 2008.


hugh jackman's hoofing and singing also got to be too much--he  
certainly is NO fred astaire.


jeff





On Feb 23, 2009, at 10:47 AM, Robert D. Brooks wrote:

I do wonder, however, if I am the only one who was underwhelmed by  
Heath Ledger as The Joker and feel his award  was strictly a  
sympathy vote (I didn't even like the movie in the first place).


No Channing, Heath Ledger winning best supporting actor is one of  
the biggest loads of crap from an awards ceremony known for big  
loads of crap! It must mark the very first time in Academy history  
where an actor has won top honours for portraying a character that  
made no sense and had absolutely no motivation - but, hey, at least  
he did it in ridiculously poor makeup while babbling incoherently...


The Academy has some explaining to do for this one...

Here's a simple test...  When you watched the Dark Knight, did you  
ever - even for a split-second - think of the Joker as anything  
other than a famous actor doing a funny (and completely un-natural)  
voice???


Cheers,

Bob


- Original Message - From: channinglylethomson  
channinglylethom...@worldnet.att.net

To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Monday, February 23, 2009 8:15 AM
Subject: [MOPO] Oscars


Overall, I think it was a more entertaining show than in past  
years.   My only complaint would be the obituaries which I was  
unable to read  even on a 37 HD flatscreen screen.  I thought it  
moved petty fast,  Hugh Jackman was personable and charming, and  
the awards were  uniformly well selected. I do wonder, however, if  
I am the only one  who was underwhelmed by Heath Ledger as The  
Joker and feel his award  was strictly a sympathy vote (I didn't  
even like the movie in the  first place).  As to SLUMDOG, I think  
it was probably the best film.   Past years winners like DRIVING  
MISS DAISY, RAIN MAN, FOREST GUMP --  to name a few, really didn't  
deserve the award, in my opinion, but  SLUMDOG was an outstanding,  
original film and I'm glad to see the  Oscars award Best Picture  
to a really original, moving, well-put  together film.


Channing thomson

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Re: [MOPO] Oscars

2009-02-23 Thread Franc
Ditto on Heath Ledger.  He deserved an Oscar for Brokeback Mt, not that
Batman piece of dreck. FRANC 
-Original Message-
From: MoPo List [mailto:mop...@listserv.american.edu] On Behalf Of
channinglylethomson
Sent: Monday, February 23, 2009 11:15 AM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: [MOPO] Oscars


Overall, I think it was a more entertaining show than in past years.   
My only complaint would be the obituaries which I was unable to read  
even on a 37 HD flatscreen screen.  I thought it moved petty fast,  
Hugh Jackman was personable and charming, and the awards were  
uniformly well selected.  I do wonder, however, if I am the only one  
who was underwhelmed by Heath Ledger as The Joker and feel his award  
was strictly a sympathy vote (I didn't even like the movie in the  
first place).  As to SLUMDOG, I think it was probably the best film.   
Past years winners like DRIVING MISS DAISY, RAIN MAN, FOREST GUMP --  
to name a few, really didn't deserve the award, in my opinion, but  
SLUMDOG was an outstanding, original film and I'm glad to see the  
Oscars award Best Picture to a really original, moving, well-put  
together film.

Channing thomson

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Re: [MOPO] OSCARS---WHATEVER HAPPENED TO GREAT SONGS?

2009-02-23 Thread Jeff Potokar
i agree, rick--add to that that 2 of the 3 of the nominated songs  
were from SLUMDOG.


and could the composer/songwriter from SLUMDOG have been any less  
ungrateful (or at least sounding and appearing so)? gimme a break  
with that.


Springsteen's song should have at least been in the running.

on a side note-- i also really missed showing a brief clip of the  
nominees-- usually giving just a taste of the performance they have  
been nominated for. the rather boring 5 panel salutes of being talked  
down to from the stage by past winners?? OK, the first time was  
unique--i had NO idea that was going to be the theme. and i think  
Michael Douglas had about 3 lines to say about Frank Langella??


man o man...

jeff



On Feb 23, 2009, at 10:53 AM, rixpost...@aol.com wrote:



  Over the past few years, I've noticed that the level of  
songwriting in the Best Song Academy Award category has  
diminished to the point of pure mediocrity. Not only are only THREE  
songs nominated (didn't it always used to be 5?), but the songs  
that ARE nominated won't be remembered 3 or 4 years from now--- 
songs like As Time Goes By will never be forgotten.  Hey, I'm not  
a big fan of Moon River, but it seems like Mozart next to the  
inferior songs that are nominated these days. When It's Hard To  
Be A Pimp won a couple of years ago, I thought we'd nit an all- 
time low (maybe we had, come to think about it...)
  Why wasn't Bruce Springsteen's closing song from The Wrestler  
nominated? When I saw that film, the whole audience stayed in their  
seats to listen to that song, which captured the essence of the  
movie perfectly.  Isn't that what Best Song Of The Year should  
do?  It was BY FAR the best song of the year.  Whether you're a fan  
of Springsteen or not, I think you'll agree with me if you watch  
The Wrestler and listen to it over the closing credits.  It seems  
like the art of writing a great, enduring song is a thing of the  
past when it comes to The Oscars

  Rick

You're invited to Hollywood's biggest party: Get Oscars updates,  
red carpet pics and more at Moviefone.

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Re: [MOPO] Oscars what I didnt like

2009-02-23 Thread Bruce Hershenson
I thought I was the only one bothered by that! A major blunder.

Bruce

On Mon, Feb 23, 2009 at 12:50 PM, steve84 stev...@flash.net wrote:

 All in all I thought it was a good show but what I did not like was the
 segment where they honored the people who died in the last year.  They spent
 so much time trying to feature the singer and zooming in and out on the
 screen that there were some names that you could not read.  That is not a
 segment that they should be messing with and trying to make it fancy.  Just
 focus on the screen and leave it alone.

 Steve



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Re: [MOPO] Oscars-- best show in eons

2009-02-23 Thread Bruce Hershenson
Joe, maybe you have to be an old-timer *AND* a big Broadway fan to have
liked it.

I thought the opening was a bit tacky, but Jackman is a true star who made
it work. And Anne Hathaway was wonderful, and that bit was quite clever. I
notice that Jackman and Hathaway had real chemistry, something sorely
missing from so many current movies.

Bruce

On Mon, Feb 23, 2009 at 10:05 AM, Joseph Bonelli joebom...@yahoo.comwrote:

   Sorry, guys!!  Totally disagree with you both. Loved the opening number!

 On the whole, not only Jackman but the show is the best in years!!

 Joe B in NOLA (skipping Val Kilmer's Canal Street ride as Bacchus)

 PS-- Thank God for NO lame US-TV personality hosts!


 Happy Lundi Gras (today) and Mardi Gras (Tuesday!) to all.


 --- On *Sun, 2/22/09, Jeff Potokar jpotok...@ca.rr.com* wrote:

 From: Jeff Potokar jpotok...@ca.rr.com
 Subject: Re: [MOPO] Oscars
 To: MoPo-L@LISTSERV.AMERICAN.EDU
 Date: Sunday, February 22, 2009, 7:51 PM

 i agree doug...
 that was PATHETIC.

 jeff


  On Feb 22, 2009, at 5:38 PM, Doug Taylor wrote:

  If that opening number is any indication, this will be the most grueling
 3 hours of our lives.

 My gawd.

   DBT
 Profile http://www.linkedin.com/in/douglasbtaylor
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Re: [MOPO] Oscars

2009-02-23 Thread Glenn Taranto
Sean -

I liked TDK.  I didn't fall all over myself in praise of it but it was 
certainly a movie I'd watch again.  As to Heath Ledger.  Great performance but 
I don't think he'd have won if he hadn't died young.

My 2 cents...

Glenn T.
  - Original Message - 
  From: Sean Linkenback 
  To: MoPo-L@LISTSERV.AMERICAN.EDU 
  Sent: Monday, February 23, 2009 12:00 PM
  Subject: Re: [MOPO] Oscars


  -Original Message-
  Here's a simple test...  When you watched the Dark Knight, did you ever - 
  even for a split-second - think of the Joker as anything other than a
  famous actor doing a funny (and completely un-natural) voice???

  Yes.

  But then again, I'm one of the simpletons who actually liked The Dark
  Knight.
  Apparently no one else in MoPo land did.

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Re: [MOPO] MOPO] OSCARS

2009-02-23 Thread David Kusumoto

I was extremely disappointed with Sean Penn's win.  Sean Penn is an outstanding 
actor who gave an uncharacteristically loose, engaging and wonderful turn as an 
heroic figure -- in what I thought was a conventionally structured, 
by-the-numbers-bio-pic capped with the standard where-are-they-now text 
epilogue.  His performance was noble and deserving -- but his victory was 
politically correct and in keeping with the Academy's self-seriousness to 
anoint things historic that makes it feel good about itself (hence the standing 
ovation).  

 

But in my view, the demands of his role paled compared to Mickey Rourke's 
shattering, full-range performance in The Wrestler.  I am not a fan of Mickey 
Rourke and dislike him intensely.  But I could not ignore -- having seen all 
the performances nominated this year -- what he did in this picture, from start 
to finish.  His character was an exercise in total immersion, on par with what 
I believe have been the best larger-than-life performances nominated since 1980 
-- including De Niro in Raging Bull (win), Hopkins in Silence of the Lambs 
(win), and Liam Neeson in Schindler's List (lost to Tom Hanks).  

 

I dreaded paying to see The Wrestler -- expecting over-the-top nonsense.  But 
I came away very moved with Rourke, the film's spectacular ending, and the 
behind-the-scenes exploration of a sub-culture with which many are unfamiliar.  
Rourke is not part of the Hollywood clique and never had anything sewn up.  
Penn's win by the gigantic voting block that make up the SAG awards last month 
-- re-confirmed Rourke's outsider status (Rourke is considered a social and 
political pariah out here) -- and made Penn the odds-on favorite by many last 
night.  I think the Brits got it right when BAFTA named Rourke Best Actor.  
BAFTA is not as plagued by the anomalies of Hollywood voting as AMPAS.  -kuz.
 


Date: Mon, 23 Feb 2009 10:07:55 -0500
From: lobb...@rogers.com
Subject: Re: MOPO] OSCARS
To: MoPo-L@LISTSERV.AMERICAN.EDU




Mickey Rourke may have been placed in the midst of a Hollywood hype, but his 
performance was outstanding nontheless, and deserving of a nomination at the 
very least.  Those who saw the the movie early on, before the hype, knew that 
they witnessed a great performance.  If I'm not mistaken, this is one example 
where the media jumped on the band wagon after word of mouth, from 
film-festival-goers, earmarked the movie as worthy.
 
Zeev
 
 

- Original Message - 
From: Franc 
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Monday, February 23, 2009 9:44 AM
Subject: Re: [MOPO] MOPO] OSCARS


I think Hugh Jackman is a really talented guy caught last night in the midst of 
a Hollywood wet dream.  The show was awful and boring. I couldn't believe the 
incompetence of the obituaries in which you couldn't discern the names or 
images of the people being honored and Queen Latifa had to sing about twenty 
choruses of I'll Be Seeing You. And frankly, Slumdog Millionaire is 
over-hyped. I understand that the award is a nod to the ever-expanding emerging 
markets in India and Pakistan but I thought the film was only okay. All the 
other nominees were far superior. I would have given the best picture award to 
Frost/Nixon or Milk.  Glad Sean Penn won best actor over the also over-hyped 
performance of Mickey Rouke.  Sometimes the voters don't like to be told that a 
certain actor or actress has an award all sown up and that's what I think 
happened with Rouke.  I stayed through the end of the show with the help of the 
Fast Forward on my remote control but it was one long snooze. FRANC 


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Re: [MOPO] Oscars

2009-02-23 Thread Dario Casadei

*I thought this was the best presentation in a very long time.

I was torn between Penn and Rourke, but at the end of the day, Penn 
deserved the Oscar. Reason is, Rourke was pretty much himself, while 
Penn had to get in to character.


Naturally, I could be wrong, but that's how it felt to me watching these 
two great movies.


Best,
dario.
*

On Feb 23, 2009, at 10:47 AM, Robert D. Brooks wrote:

I do wonder, however, if I am the only one who was underwhelmed by 
Heath Ledger as The Joker and feel his award  was strictly a 
sympathy vote (I didn't even like the movie in the first place).


No Channing, Heath Ledger winning best supporting actor is one of the 
biggest loads of crap from an awards ceremony known for big loads of 
crap! It must mark the very first time in Academy history where an 
actor has won top honours for portraying a character that made no 
sense and had absolutely no motivation - but, hey, at least he did it 
in ridiculously poor makeup while babbling incoherently...


The Academy has some explaining to do for this one...

Here's a simple test...  When you watched the Dark Knight, did you 
ever - even for a split-second - think of the Joker as anything other 
than a famous actor doing a funny (and completely un-natural) voice???


Cheers,

Bob


- Original Message - From: channinglylethomson 
channinglylethom...@worldnet.att.net

To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Monday, February 23, 2009 8:15 AM
Subject: [MOPO] Oscars


Overall, I think it was a more entertaining show than in past 
years.   My only complaint would be the obituaries which I was 
unable to read  even on a 37 HD flatscreen screen.  I thought it 
moved petty fast,  Hugh Jackman was personable and charming, and the 
awards were  uniformly well selected. I do wonder, however, if I am 
the only one  who was underwhelmed by Heath Ledger as The Joker and 
feel his award  was strictly a sympathy vote (I didn't even like the 
movie in the  first place).  As to SLUMDOG, I think it was probably 
the best film.   Past years winners like DRIVING MISS DAISY, RAIN 
MAN, FOREST GUMP --  to name a few, really didn't deserve the award, 
in my opinion, but  SLUMDOG was an outstanding, original film and 
I'm glad to see the  Oscars award Best Picture to a really original, 
moving, well-put  together film.


Channing thomson

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Re: [MOPO] MOPO] OSCARS

2009-02-23 Thread Joseph Bonelli
Because arty-farty films don't have the Peoples' Choice Awards!!  (Smile)
 
Joe B-- pleased with the Oscars in NOLA


--- On Mon, 2/23/09, jboh...@aol.com jboh...@aol.com wrote:

From: jboh...@aol.com jboh...@aol.com
Subject: Re: [MOPO] MOPO] OSCARS
To: MoPo-L@LISTSERV.AMERICAN.EDU
Date: Monday, February 23, 2009, 11:06 AM



I think Dark Knight was the best film of 2008...It wasn't nominated because 
it's a comic book adaption but it was perfect entertainment.
 
Why do we always have to have an arty farty film as best picture?
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Re: [MOPO] Oscars

2009-02-23 Thread Toochis Morin
I loved Heath Ledger's performance.  I thought he deserved the award.  Damn I 
wish he were here rather than him getting the award.  He reached into something 
very difficult to get into the Joker character.  It was completely unlike him 
and he went for it.  I liked the film.  There are some very memorable moments.  
The scene of the Joker walking out dressed as a nurse and blowing up the 
hospital is priceless.

Toochis


Knight.
Apparently no one else in MoPo land did.

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Re: [MOPO] Oscars what I didnt like

2009-02-23 Thread Toochis Morin
That segment really angered me especially since my mentor Nina Foch was being 
honored.

Frustrating!
Toochis





From: Bruce Hershenson brucehershen...@gmail.com
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Monday, February 23, 2009 11:37:16 AM
Subject: Re: [MOPO] Oscars what I didnt like


I thought I was the only one bothered by that! A major blunder.
 
Bruce


On Mon, Feb 23, 2009 at 12:50 PM, steve84 stev...@flash.net wrote:

All in all I thought it was a good show but what I did not like was the segment 
where they honored the people who died in the last year.  They spent so much 
time trying to feature the singer and zooming in and out on the screen that 
there were some names that you could not read.  That is not a segment that they 
should be messing with and trying to make it fancy.  Just focus on the screen 
and leave it alone.

Steve


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Re: [MOPO] OSCARS---WHATEVER HAPPENED TO GREAT SONGS?

2009-02-23 Thread Toochis Morin
I agree with your comments.  I wish Peter Gabriel got to perform his song.
toochis





From: Jeff Potokar jpotok...@ca.rr.com
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Monday, February 23, 2009 11:31:47 AM
Subject: Re: [MOPO] OSCARS---WHATEVER HAPPENED TO GREAT SONGS?

i agree, rick--add to that that 2 of the 3 of the nominated songs were from 
SLUMDOG.

and could the composer/songwriter from SLUMDOG have been any less ungrateful 
(or at least sounding and appearing so)? gimme a break with that.

Springsteen's song should have at least been in the running.

on a side note-- i also really missed showing a brief clip of the nominees-- 
usually giving just a taste of the performance they have been nominated for. 
the rather boring 5 panel salutes of being talked down to from the stage by 
past winners?? OK, the first time was unique--i had NO idea that was going to 
be the theme. and i think Michael Douglas had about 3 lines to say about Frank 
Langella?? 

man o man...

jeff




On Feb 23, 2009, at 10:53 AM, rixpost...@aol.com wrote:

 
  Over the past few years, I've noticed that the level of songwriting in the 
Best Song Academy Award category has diminished to the point of pure 
mediocrity. Not only are only THREE songs nominated (didn't it always used to 
be 5?), but the songs that ARE nominated won't be remembered 3 or 4 years from 
now---songs like As Time Goes By will never be forgotten.  Hey, I'm not a big 
fan of Moon River, but it seems like Mozart next to the inferior songs that 
are nominated these days. When It's Hard To Be A Pimp won a couple of years 
ago, I thought we'd nit an all-time low (maybe we had, come to think about 
it...)
  Why wasn't Bruce Springsteen's closing song from The Wrestler nominated? 
When I saw that film, the whole audience stayed in their seats to listen to 
that song, which captured the essence of the movie perfectly.  Isn't that what 
Best Song Of The Year should do?  It was BY FAR the best song of the year.  
Whether you're a fan of Springsteen or not, I think you'll agree with me if you 
watch The Wrestler and listen to it over the closing credits.  It seems like 
the art of writing a great, enduring song is a thing of the past when it comes 
to The Oscars
  Rick


You're invited to Hollywood's biggest party: Get Oscars updates, red carpet 
pics and more at Moviefone. 
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Re: [MOPO] Oscars what I didnt like

2009-02-23 Thread Richard Halegua Comic Art

Nina Foch was a beautiful and wonderful actress and I always loved her


At 01:46 PM 2/23/2009, Toochis Morin wrote:
That segment really angered me especially since my mentor Nina Foch 
was being honored.


Frustrating!
Toochis


From: Bruce Hershenson brucehershen...@gmail.com
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Monday, February 23, 2009 11:37:16 AM
Subject: Re: [MOPO] Oscars what I didnt like

I thought I was the only one bothered by that! A major blunder.

Bruce

On Mon, Feb 23, 2009 at 12:50 PM, steve84 
mailto:stev...@flash.netstev...@flash.net wrote:
All in all I thought it was a good show but what I did not like was 
the segment where they honored the people who died in the last 
year.  They spent so much time trying to feature the singer and 
zooming in and out on the screen that there were some names that you 
could not read.  That is not a segment that they should be messing 
with and trying to make it fancy.  Just focus on the screen and leave it alone.


Steve


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Re: [MOPO] OSCARS---WHATEVER HAPPENED TO GREAT SONGS?

2009-02-23 Thread Richard Halegua Comic Art
great songs at the Oscars went out the window when 3-6 Mafia won the 
award for it's a hard life for a pimp



At 01:47 PM 2/23/2009, Toochis Morin wrote:

I agree with your comments.  I wish Peter Gabriel got to perform his song.
toochis


From: Jeff Potokar jpotok...@ca.rr.com
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Monday, February 23, 2009 11:31:47 AM
Subject: Re: [MOPO] OSCARS---WHATEVER HAPPENED TO GREAT SONGS?

i agree, rick--add to that that 2 of the 3 of the nominated songs 
were from SLUMDOG.


and could the composer/songwriter from SLUMDOG have been any less 
ungrateful (or at least sounding and appearing so)? gimme a break with that.


Springsteen's song should have at least been in the running.

on a side note-- i also really missed showing a brief clip of the 
nominees-- usually giving just a taste of the performance they have 
been nominated for. the rather boring 5 panel salutes of being 
talked down to from the stage by past winners?? OK, the first time 
was unique--i had NO idea that was going to be the theme. and i 
think Michael Douglas had about 3 lines to say about Frank Langella??


man o man...

jeff



On Feb 23, 2009, at 10:53 AM, 
mailto:rixpost...@aol.comrixpost...@aol.com wrote:




  Over the past few years, I've noticed that the level of 
songwriting in the Best Song Academy Award category has 
diminished to the point of pure mediocrity. Not only are only 
THREE songs nominated (didn't it always used to be 5?), but the 
songs that ARE nominated won't be remembered 3 or 4 years from 
now---songs like As Time Goes By will never be forgotten.  Hey, 
I'm not a big fan of Moon River, but it seems like Mozart next 
to the inferior songs that are nominated these days. When It's 
Hard To Be A Pimp won a couple of years ago, I thought we'd nit 
an all-time low (maybe we had, come to think about it...)
  Why wasn't Bruce Springsteen's closing song from The Wrestler 
nominated? When I saw that film, the whole audience stayed in 
their seats to listen to that song, which captured the essence of 
the movie perfectly.  Isn't that what Best Song Of The Year 
should do?  It was BY FAR the best song of the year.  Whether 
you're a fan of Springsteen or not, I think you'll agree with me 
if you watch The Wrestler and listen to it over the closing 
credits.  It seems like the art of writing a great, enduring song 
is a thing of the past when it comes to The Oscars

  Rick


--
You're invited to Hollywood's biggest party: 
http://movies.aol.com/oscars-academy-awards?ncid=emlcntusmovi0001Get 
Oscars updates, red carpet pics and more at Moviefone.
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http://www.filmfan.comwww.filmfan.com

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Re: [MOPO] Oscars

2009-02-23 Thread Jeff Potokar

i agree glenn..

why does NO ONE consider that Ledger OD'd because he voluntarily  
CHOSE to consume a literal pharmacy of pills that caused his death?  
what a moron. does anyone remember the initial stories talking about  
the menagerie of drugs found at his apt? why reward someone for that?  
i guess it's all very PC and gives good face to the Academy. he WON  
because he OD's and was so young--period.


 it isnt as tho he died of terminal cancer or from a heart attack,  
prior to the awards, like peter finch did.


jeff




On Feb 23, 2009, at 12:08 PM, Glenn Taranto wrote:


Sean -

I liked TDK.  I didn't fall all over myself in praise of it but it  
was certainly a movie I'd watch again.  As to Heath Ledger.  Great  
performance but I don't think he'd have won if he hadn't died young.


My 2 cents...

Glenn T.
- Original Message -
From: Sean Linkenback
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Monday, February 23, 2009 12:00 PM
Subject: Re: [MOPO] Oscars

-Original Message-
Here's a simple test...  When you watched the Dark Knight, did you  
ever -

even for a split-second - think of the Joker as anything other than a
famous actor doing a funny (and completely un-natural) voice???

Yes.

But then again, I'm one of the simpletons who actually liked The Dark
Knight.
Apparently no one else in MoPo land did.

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Re: [MOPO] Oscars what I didnt like

2009-02-23 Thread Dave Smith
Did they even show Heath during the memorium segment? I was waiting to see the 
audience reaction and I don't recall they showed him. And he did pass away in 
'08 so he should have been included?

Dave Smith
Reel Deals

  - Original Message - 
  From: Toochis Morin 
  To: MoPo-L@LISTSERV.AMERICAN.EDU 
  Sent: Monday, February 23, 2009 4:46 PM
  Subject: Re: [MOPO] Oscars what I didnt like


  That segment really angered me especially since my mentor Nina Foch was being 
honored.

  Frustrating!
  Toochis




--
  From: Bruce Hershenson brucehershen...@gmail.com
  To: MoPo-L@LISTSERV.AMERICAN.EDU
  Sent: Monday, February 23, 2009 11:37:16 AM
  Subject: Re: [MOPO] Oscars what I didnt like


  I thought I was the only one bothered by that! A major blunder.

  Bruce


  On Mon, Feb 23, 2009 at 12:50 PM, steve84 stev...@flash.net wrote:

All in all I thought it was a good show but what I did not like was the 
segment where they honored the people who died in the last year.  They spent so 
much time trying to feature the singer and zooming in and out on the screen 
that there were some names that you could not read.  That is not a segment that 
they should be messing with and trying to make it fancy.  Just focus on the 
screen and leave it alone.

Steve




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Re: [MOPO] Oscars what I didnt like

2009-02-23 Thread Jeff Potokar
i think you are right, dave--i dont recall him in the montage  
either.


unless. he was missed when the TD was calling the switch between  
camera A and camera B and deciding if it should then cut to the   
camera on the crane, swooping in, or one of the handhelds, trying to  
zoom in on those lousy flatscreens.


jeff


On Feb 23, 2009, at 2:06 PM, Dave Smith wrote:

Did they even show Heath during the memorium segment? I was waiting  
to see the audience reaction and I don't recall they showed him.  
And he did pass away in '08 so he should have been included?


Dave Smith
Reel Deals

- Original Message -
From: Toochis Morin
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Monday, February 23, 2009 4:46 PM
Subject: Re: [MOPO] Oscars what I didnt like

That segment really angered me especially since my mentor Nina Foch  
was being honored.


Frustrating!
Toochis

From: Bruce Hershenson brucehershen...@gmail.com
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Monday, February 23, 2009 11:37:16 AM
Subject: Re: [MOPO] Oscars what I didnt like

I thought I was the only one bothered by that! A major blunder.

Bruce

On Mon, Feb 23, 2009 at 12:50 PM, steve84 stev...@flash.net wrote:
All in all I thought it was a good show but what I did not like was  
the segment where they honored the people who died in the last  
year.  They spent so much time trying to feature the singer and  
zooming in and out on the screen that there were some names that  
you could not read.  That is not a segment that they should be  
messing with and trying to make it fancy.  Just focus on the screen  
and leave it alone.


Steve


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Re: [MOPO] Oscars what I didnt like

2009-02-23 Thread Glenn Taranto
Nina Foch delivered the single funniest line I ever heard. It was from a 
sit-com pilot that aired only once.  It starred Madeline Kahn as an 
investigative reporter for TV.

The two of them were sitting in a restuarant and Kahn was giving Foch some 
unwanted child to parent news...

I can't recall the exact set-up line just now but the comeback was, 

Does anyone have a chicken bone I can lodge directly in my throat? 

I'm not ashamed to say I've used it myself when the situation called for it. 
Always gets a laugh.

Glenn T.
  - Original Message - 
  From: Toochis Morin 
  To: MoPo-L@LISTSERV.AMERICAN.EDU 
  Sent: Monday, February 23, 2009 1:46 PM
  Subject: Re: [MOPO] Oscars what I didnt like


  That segment really angered me especially since my mentor Nina Foch was being 
honored.

  Frustrating!
  Toochis




--
  From: Bruce Hershenson brucehershen...@gmail.com
  To: MoPo-L@LISTSERV.AMERICAN.EDU
  Sent: Monday, February 23, 2009 11:37:16 AM
  Subject: Re: [MOPO] Oscars what I didnt like


  I thought I was the only one bothered by that! A major blunder.

  Bruce


  On Mon, Feb 23, 2009 at 12:50 PM, steve84 stev...@flash.net wrote:

All in all I thought it was a good show but what I did not like was the 
segment where they honored the people who died in the last year.  They spent so 
much time trying to feature the singer and zooming in and out on the screen 
that there were some names that you could not read.  That is not a segment that 
they should be messing with and trying to make it fancy.  Just focus on the 
screen and leave it alone.

Steve




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Re: [MOPO] Oscars what I didnt like

2009-02-23 Thread Dave Rosen
Yup, here he is in last year's montage, at the very end:
http://www.truveo.com/80th-Annual-Academy-Awards-In-Memorium/id/3619081301

Dave
www.posteropolis.com
  - Original Message - 
  From: Dave Smith 
  To: MoPo-L@LISTSERV.AMERICAN.EDU 
  Sent: Monday, February 23, 2009 5:06 PM
  Subject: Re: [MOPO] Oscars what I didnt like


  Did they even show Heath during the memorium segment? I was waiting to see 
the audience reaction and I don't recall they showed him. And he did pass away 
in '08 so he should have been included?

  Dave Smith
  Reel Deals

- Original Message - 
From: Toochis Morin 
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Monday, February 23, 2009 4:46 PM
Subject: Re: [MOPO] Oscars what I didnt like


That segment really angered me especially since my mentor Nina Foch was 
being honored.

Frustrating!
Toochis





From: Bruce Hershenson brucehershen...@gmail.com
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Monday, February 23, 2009 11:37:16 AM
Subject: Re: [MOPO] Oscars what I didnt like


I thought I was the only one bothered by that! A major blunder.

Bruce


On Mon, Feb 23, 2009 at 12:50 PM, steve84 stev...@flash.net wrote:

  All in all I thought it was a good show but what I did not like was the 
segment where they honored the people who died in the last year.  They spent so 
much time trying to feature the singer and zooming in and out on the screen 
that there were some names that you could not read.  That is not a segment that 
they should be messing with and trying to make it fancy.  Just focus on the 
screen and leave it alone.

  Steve




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 Send a message addressed to: 
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In the BODY of your message type: SIGNOFF MOPO-L
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Re: [MOPO] Oscars what I didnt like

2009-02-23 Thread David Kusumoto

I'm not surprised at all.  In Hollywood circles, it would have been considered 
so NOT cool -- to applaud Charlton Heston -- no matter how iconic his roles.  
His status as a social and political pariah out here (as in the aforementioned 
Mickey Rourke losing to Sean Penn) -- made him unacceptable.  If he'd been 
alive today to receive a lifetime achievement award for film -- he would've 
received a reception similar to what Elia Kazan got several years ago:  muted 
applause with many people refusing to budge from their seats.  With the 
Academy, having the wrong politics or other errant off-screen hobbies -- 
trumps performance in film.  

 


Date: Mon, 23 Feb 2009 14:37:29 -0800
From: jpotok...@ca.rr.com
Subject: Re: Oscars what I didnt like
To: MoPo-L@LISTSERV.AMERICAN.EDU

that's right...he was memorialized last year technically, incorrect but 
i guess the academy wanted to remind everyone while his passing was still 
fresh... a year later, it would have not have received the same audience 
response that it did at last year's oscars-


the other thing i noticed... not ONE clap could be heard when they showed 
charlton heston.


i was a bit surprised at that, needless to say.


jeff






On Feb 23, 2009, at 2:30 PM, Dave Rosen wrote:

Yup, here he is in last year's montage, at the very end:
http://www.truveo.com/80th-Annual-Academy-Awards-In-Memorium/id/3619081301
 
Dave
www.posteropolis.com

- Original Message -
From: Dave Smith
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Monday, February 23, 2009 5:06 PM
Subject: Re: [MOPO] Oscars what I didnt like


Did they even show Heath during the memorium segment? I was waiting to see the 
audience reaction and I don't recall they showed him. And he did pass away in 
'08 so he should have been included?
 
Dave Smith
Reel Deals
 

- Original Message -
From: Toochis Morin
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Monday, February 23, 2009 4:46 PM
Subject: Re: [MOPO] Oscars what I didnt like



That segment really angered me especially since my mentor Nina Foch was being 
honored.

Frustrating!
Toochis





From: Bruce Hershenson brucehershen...@gmail.com
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Monday, February 23, 2009 11:37:16 AM
Subject: Re: [MOPO] Oscars what I didnt like


I thought I was the only one bothered by that! A major blunder.
 
Bruce


On Mon, Feb 23, 2009 at 12:50 PM, steve84 stev...@flash.net wrote:

All in all I thought it was a good show but what I did not like was the segment 
where they honored the people who died in the last year.  They spent so much 
time trying to feature the singer and zooming in and out on the screen that 
there were some names that you could not read.  That is not a segment that they 
should be messing with and trying to make it fancy.  Just focus on the screen 
and leave it alone.

Steve



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  In the BODY of your message type: SIGNOFF MOPO-L
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responsible for its content.


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The author

Re: [MOPO] Oscars -- left out again

2009-02-23 Thread Joseph Bonelli
Another promising young talent who wasted his potential and his life in tragic 
involvement with drugs and misjudgement also died right before last year's 
Oscars.  He was not mentioned in last year's montage.
And he was not mentioned in this year's montage either.
His name was Brad Renfro.
 
Too bad Sir Ian McKellan wasn't at last night's Oscars to comment-- as he has 
in the past.
 
Joe B in NOLA
 
PS- I agree with all of you in regards the mishandling of this segment of the 
show.
 
Joe

--- On Mon, 2/23/09, Dave Rosen hah...@sympatico.ca wrote:

From: Dave Rosen hah...@sympatico.ca
Subject: Re: [MOPO] Oscars what I didnt like
To: MoPo-L@LISTSERV.AMERICAN.EDU
Date: Monday, February 23, 2009, 4:30 PM



#yiv363736254 DIV {
MARGIN:0px;}


Yup, here he is in last year's montage, at the very end:
http://www.truveo.com/80th-Annual-Academy-Awards-In-Memorium/id/3619081301
 
Dave
www.posteropolis.com

- Original Message - 
From: Dave Smith 
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Monday, February 23, 2009 5:06 PM
Subject: Re: [MOPO] Oscars what I didnt like


Did they even show Heath during the memorium segment? I was waiting to see the 
audience reaction and I don't recall they showed him. And he did pass away in 
'08 so he should have been included?
 
Dave Smith
Reel Deals
 

- Original Message - 
From: Toochis Morin 
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Monday, February 23, 2009 4:46 PM
Subject: Re: [MOPO] Oscars what I didnt like



That segment really angered me especially since my mentor Nina Foch was being 
honored.

Frustrating!
Toochis





From: Bruce Hershenson brucehershen...@gmail.com
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Monday, February 23, 2009 11:37:16 AM
Subject: Re: [MOPO] Oscars what I didnt like


I thought I was the only one bothered by that! A major blunder.
 
Bruce


On Mon, Feb 23, 2009 at 12:50 PM, steve84 stev...@flash.net wrote:

All in all I thought it was a good show but what I did not like was the segment 
where they honored the people who died in the last year.  They spent so much 
time trying to feature the singer and zooming in and out on the screen that 
there were some names that you could not read.  That is not a segment that they 
should be messing with and trying to make it fancy.  Just focus on the screen 
and leave it alone.

Steve



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responsible for its content.


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Re: [MOPO] Oscars what I didnt like

2009-02-23 Thread kainbach
I also thought this was just terrible...what an idea.I could not read 
many of the names eitherjust horribleI also did not like the song...and 
a singerPhilipp


-Original Message-
From: Bruce Hershenson brucehershen...@gmail.com
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Mon, 23 Feb 2009 11:37 am
Subject: Re: [MOPO] Oscars what I didnt like



I thought I was the only one bothered by that! A major blunder.

?

Bruce



On Mon, Feb 23, 2009 at 12:50 PM, steve84 stev...@flash.net wrote:

All in all I thought it was a good show but what I did not like was the segment 
where they honored the people who died in the last year. ?They spent so much 
time trying to feature the singer and zooming in and out on the screen that 
there were some names that you could not read. ?That is not a segment that they 
should be messing with and trying to make it fancy. ?Just focus on the screen 
and leave it alone.

Steve




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Re: [MOPO] Oscars -- left out again

2009-02-23 Thread Jeff Potokar
i agree with you, too, joe. brad renfro was a very good actor,  
especially being SO much younger when he began his career. also  
troubled and got himself in trouble, too. the academy's selective  
memory is more than a little troubling.


jeff


On Feb 23, 2009, at 3:07 PM, Joseph Bonelli wrote:

Another promising young talent who wasted his potential and his  
life in tragic involvement with drugs and misjudgement also died  
right before last year's Oscars.  He was not mentioned in last  
year's montage.

And he was not mentioned in this year's montage either.
His name was Brad Renfro.

Too bad Sir Ian McKellan wasn't at last night's Oscars to comment--  
as he has in the past.


Joe B in NOLA

PS- I agree with all of you in regards the mishandling of this  
segment of the show.


Joe

--- On Mon, 2/23/09, Dave Rosen hah...@sympatico.ca wrote:
From: Dave Rosen hah...@sympatico.ca
Subject: Re: [MOPO] Oscars what I didnt like
To: MoPo-L@LISTSERV.AMERICAN.EDU
Date: Monday, February 23, 2009, 4:30 PM

Yup, here he is in last year's montage, at the very end:
http://www.truveo.com/80th-Annual-Academy-Awards-In-Memorium/id/ 
3619081301


Dave
www.posteropolis.com
- Original Message -
From: Dave Smith
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Monday, February 23, 2009 5:06 PM
Subject: Re: [MOPO] Oscars what I didnt like

Did they even show Heath during the memorium segment? I was waiting  
to see the audience reaction and I don't recall they showed him.  
And he did pass away in '08 so he should have been included?


Dave Smith
Reel Deals

- Original Message -
From: Toochis Morin
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Monday, February 23, 2009 4:46 PM
Subject: Re: [MOPO] Oscars what I didnt like

That segment really angered me especially since my mentor Nina Foch  
was being honored.


Frustrating!
Toochis

From: Bruce Hershenson brucehershen...@gmail.com
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Monday, February 23, 2009 11:37:16 AM
Subject: Re: [MOPO] Oscars what I didnt like

I thought I was the only one bothered by that! A major blunder.

Bruce

On Mon, Feb 23, 2009 at 12:50 PM, steve84 stev...@flash.net wrote:
All in all I thought it was a good show but what I did not like was  
the segment where they honored the people who died in the last  
year.  They spent so much time trying to feature the singer and  
zooming in and out on the screen that there were some names that  
you could not read.  That is not a segment that they should be  
messing with and trying to make it fancy.  Just focus on the screen  
and leave it alone.


Steve


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solely responsible for its content.


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Re: [MOPO] Oscars what I didnt like

2009-02-23 Thread Toochis Morin
I heard some claps for Charlton Heston.  I know he had fans in the business.  
Not huge but most of the older actors didn't get huge applause.

Toochis





From: Jeff Potokar jpotok...@ca.rr.com
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Monday, February 23, 2009 2:37:29 PM
Subject: Re: [MOPO] Oscars what I didnt like

that's right...he was memorialized last year technically, incorrect but 
i guess the academy wanted to remind everyone while his passing was still 
fresh... a year later, it would have not have received the same audience 
response that it did at last year's oscars-

the other thing i noticed... not ONE clap could be heard when they showed 
charlton heston.

i was a bit surprised at that, needless to say.

jeff


On Feb 23, 2009, at 2:30 PM, Dave Rosen wrote:

Yup, here he is in last year's montage, at the very end:
http://www.truveo.com/80th-Annual-Academy-Awards-In-Memorium/id/3619081301
 
Dave
www.posteropolis.com
- Original Message -
From: Dave Smith
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Monday, February 23, 2009 5:06 PM
Subject: Re: [MOPO] Oscars what I didnt like

Did they even show Heath during the memorium segment? I was waiting to see the 
audience reaction and I don't recall they showed him. And he did pass away in 
'08 so he should have been included?
 
Dave Smith
Reel Deals
 
- Original Message -
From: Toochis Morin
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Monday, February 23, 2009 4:46 PM
Subject: Re: [MOPO] Oscars what I didnt like

That segment really angered me especially since my mentor Nina Foch was being 
honored.

Frustrating!
Toochis





From: Bruce Hershenson brucehershen...@gmail.com
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Monday, February 23, 2009 11:37:16 AM
Subject: Re: [MOPO] Oscars what I didnt like


I thought I was the only one bothered by that! A major blunder.
 
Bruce


On Mon, Feb 23, 2009 at 12:50 PM, steve84 stev...@flash.net wrote:

All in all I thought it was a good show but what I did not like was the segment 
where they honored the people who died in the last year.  They spent so much 
time trying to feature the singer and zooming in and out on the screen that 
there were some names that you could not read.  That is not a segment that they 
should be messing with and trying to make it fancy.  Just focus on the screen 
and leave it alone.

Steve


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Re: [MOPO] Oscars what I didnt like

2009-02-23 Thread Phil Edwards
Probably because many of the young actors and their seat-filling partners don't 
know who they were.
Hollywood history isn't what it used to be to the industry these days.
Sadly, the Oscars have become just another award event in an entertainment 
business that has an award event of some kind almost every week of the year.

Phil

- Original Message - 
  From: Toochis Morin 
  To: MoPo-L@LISTSERV.AMERICAN.EDU 
  Sent: Tuesday, February 24, 2009 10:34 AM
  Subject: Re: [MOPO] Oscars what I didnt like


  I heard some claps for Charlton Heston.  I know he had fans in the business.  
Not huge but most of the older actors didn't get huge applause.

  Toochis




--
  From: Jeff Potokar jpotok...@ca.rr.com
  To: MoPo-L@LISTSERV.AMERICAN.EDU
  Sent: Monday, February 23, 2009 2:37:29 PM
  Subject: Re: [MOPO] Oscars what I didnt like

  that's right...he was memorialized last year technically, incorrect 
but i guess the academy wanted to remind everyone while his passing was still 
fresh... a year later, it would have not have received the same audience 
response that it did at last year's oscars-


  the other thing i noticed... not ONE clap could be heard when they showed 
charlton heston.


  i was a bit surprised at that, needless to say.


  jeff




  On Feb 23, 2009, at 2:30 PM, Dave Rosen wrote:


Yup, here he is in last year's montage, at the very end:
http://www.truveo.com/80th-Annual-Academy-Awards-In-Memorium/id/3619081301

Dave
www.posteropolis.com
  - Original Message -
  From: Dave Smith
  To: MoPo-L@LISTSERV.AMERICAN.EDU
  Sent: Monday, February 23, 2009 5:06 PM
  Subject: Re: [MOPO] Oscars what I didnt like


  Did they even show Heath during the memorium segment? I was waiting to 
see the audience reaction and I don't recall they showed him. And he did pass 
away in '08 so he should have been included?

  Dave Smith
  Reel Deals

- Original Message -
From: Toochis Morin
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Monday, February 23, 2009 4:46 PM
Subject: Re: [MOPO] Oscars what I didnt like


That segment really angered me especially since my mentor Nina Foch was 
being honored.

Frustrating!
Toochis





From: Bruce Hershenson brucehershen...@gmail.com
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Monday, February 23, 2009 11:37:16 AM
Subject: Re: [MOPO] Oscars what I didnt like


I thought I was the only one bothered by that! A major blunder.

Bruce


On Mon, Feb 23, 2009 at 12:50 PM, steve84 stev...@flash.net wrote:

  All in all I thought it was a good show but what I did not like was 
the segment where they honored the people who died in the last year.  They 
spent so much time trying to feature the singer and zooming in and out on the 
screen that there were some names that you could not read.  That is not a 
segment that they should be messing with and trying to make it fancy.  Just 
focus on the screen and leave it alone.

  Steve




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 Send a message addressed to: 
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In the BODY of your message type: SIGNOFF MOPO-L
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Re: [MOPO] Oscars what I didnt like

2009-02-23 Thread Jeff Potokar
Maybe there were a few claps, toochis; i should say that i didnt hear  
many.. but that's also the other thing... so many of these younger,  
new hollywood stars--and i used that term with tongue planted  
firmly in cheek-- do not even know who the great actors were before  
them who made hollywood truly sparkle. most of these flashes in the  
pan wont be remembered down the road; i guess some will be, though,  
thanks to the dusty DVD's that will be on store shelves or digital  
clips available for download.


jeff





On Feb 23, 2009, at 3:34 PM, Toochis Morin wrote:

I heard some claps for Charlton Heston.  I know he had fans in the  
business.  Not huge but most of the older actors didn't get huge  
applause.


Toochis

From: Jeff Potokar jpotok...@ca.rr.com
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Monday, February 23, 2009 2:37:29 PM
Subject: Re: [MOPO] Oscars what I didnt like

that's right...he was memorialized last year technically,  
incorrect but i guess the academy wanted to remind everyone  
while his passing was still fresh... a year later, it would have  
not have received the same audience response that it did at last  
year's oscars-


the other thing i noticed... not ONE clap could be heard when they  
showed charlton heston.


i was a bit surprised at that, needless to say.

jeff


On Feb 23, 2009, at 2:30 PM, Dave Rosen wrote:


Yup, here he is in last year's montage, at the very end:
http://www.truveo.com/80th-Annual-Academy-Awards-In-Memorium/id/ 
3619081301


Dave
www.posteropolis.com
- Original Message -
From: Dave Smith
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Monday, February 23, 2009 5:06 PM
Subject: Re: [MOPO] Oscars what I didnt like

Did they even show Heath during the memorium segment? I was  
waiting to see the audience reaction and I don't recall they  
showed him. And he did pass away in '08 so he should have been  
included?


Dave Smith
Reel Deals

- Original Message -
From: Toochis Morin
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Monday, February 23, 2009 4:46 PM
Subject: Re: [MOPO] Oscars what I didnt like

That segment really angered me especially since my mentor Nina  
Foch was being honored.


Frustrating!
Toochis

From: Bruce Hershenson brucehershen...@gmail.com
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Monday, February 23, 2009 11:37:16 AM
Subject: Re: [MOPO] Oscars what I didnt like

I thought I was the only one bothered by that! A major blunder.

Bruce

On Mon, Feb 23, 2009 at 12:50 PM, steve84 stev...@flash.net wrote:
All in all I thought it was a good show but what I did not like  
was the segment where they honored the people who died in the last  
year.  They spent so much time trying to feature the singer and  
zooming in and out on the screen that there were some names that  
you could not read.  That is not a segment that they should be  
messing with and trying to make it fancy.  Just focus on the  
screen and leave it alone.


Steve


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  In the BODY of your message type: SIGNOFF MOPO-L
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Send a message addressed

Re: [MOPO] Oscars what I didnt like

2009-02-23 Thread Jeff Potokar

toochis,

as far as the older generation instructing the younger there is  
hardly a more visual and aural business/profession than film. one  
simply has to listen and watch a dvd... little reading can be  
involved, as well. so really, there is no excuse.


and i would hardly call the lot from HIGH SCHOOL MUSICAL  stars.

that is insulting to those that are and were.

jeff





- Original Message -
From: Toochis Morin
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Tuesday, February 24, 2009 12:10 PM
Subject: Re: [MOPO] Oscars what I didnt like

I agree Jeff.  But I do think that it is also up to the older  
generation to educate the younger one.  I can't tell you how many  
people older than me who don't even know who William Powell or  
Peter Lorre was.  It's ridiculous.


You saw that the stars of High School Musical were excited to get a  
glimpse of Meryl Streep.  That made me hopeful.


Toochis

From: Jeff Potokar jpotok...@ca.rr.com
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Monday, February 23, 2009 4:21:40 PM
Subject: Re: [MOPO] Oscars what I didnt like

Maybe there were a few claps, toochis; i should say that i didnt  
hear many.. but that's also the other thing... so many of these  
younger, new hollywood stars--and i used that term with tongue  
planted firmly in cheek-- do not even know who the great actors  
were before them who made hollywood truly sparkle. most of these  
flashes in the pan wont be remembered down the road; i guess some  
will be, though, thanks to the dusty DVD's that will be on store  
shelves or digital clips available for download.


jeff





On Feb 23, 2009, at 3:34 PM, Toochis Morin wrote:

I heard some claps for Charlton Heston.  I know he had fans in the  
business.  Not huge but most of the older actors didn't get huge  
applause.


Toochis

From: Jeff Potokar jpotok...@ca.rr.com
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Monday, February 23, 2009 2:37:29 PM
Subject: Re: [MOPO] Oscars what I didnt like

that's right...he was memorialized last year technically,  
incorrect but i guess the academy wanted to remind everyone  
while his passing was still fresh... a year later, it would have  
not have received the same audience response that it did at last  
year's oscars-


the other thing i noticed... not ONE clap could be heard when they  
showed charlton heston.


i was a bit surprised at that, needless to say.

jeff


On Feb 23, 2009, at 2:30 PM, Dave Rosen wrote:


Yup, here he is in last year's montage, at the very end:
http://www.truveo.com/80th-Annual-Academy-Awards-In-Memorium/id/ 
3619081301


Dave
www.posteropolis.com
- Original Message -
From: Dave Smith
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Monday, February 23, 2009 5:06 PM
Subject: Re: [MOPO] Oscars what I didnt like

Did they even show Heath during the memorium segment? I was  
waiting to see the audience reaction and I don't recall they  
showed him. And he did pass away in '08 so he should have been  
included?


Dave Smith
Reel Deals

- Original Message -
From: Toochis Morin
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Monday, February 23, 2009 4:46 PM
Subject: Re: [MOPO] Oscars what I didnt like

That segment really angered me especially since my mentor Nina  
Foch was being honored.


Frustrating!
Toochis

From: Bruce Hershenson brucehershen...@gmail.com
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Monday, February 23, 2009 11:37:16 AM
Subject: Re: [MOPO] Oscars what I didnt like

I thought I was the only one bothered by that! A major blunder.

Bruce

On Mon, Feb 23, 2009 at 12:50 PM, steve84 stev...@flash.net wrote:
All in all I thought it was a good show but what I did not like  
was the segment where they honored the people who died in the  
last year.  They spent so much time trying to feature the singer  
and zooming in and out on the screen that there were some names  
that you could not read.  That is not a segment that they should  
be messing with and trying to make it fancy.  Just focus on the  
screen and leave it alone.


Steve


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 ___
How to UNSUBSCRIBE from the MoPo Mailing List
   Send a message addressed  
to: lists...@listserv.american.edu

  In the BODY of your message type: SIGNOFF MOPO-L
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solely responsible for its content.


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Re: [MOPO] Oscars

2009-02-23 Thread Franc
I guess we know how you both feel about Marilyn Monroe, Judy Garland and
Charles Boyer. FRANC

-Original Message-
From: MoPo List [mailto:mop...@listserv.american.edu] On Behalf Of Glenn
Taranto
Sent: Monday, February 23, 2009 5:21 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Oscars


Jeff -
 
My thoughts exactly on his death. Really. Couldn't have said it better
 
Glenn T.

- Original Message - 
From: Jeff  mailto:jpotok...@ca.rr.com Potokar 
To: Glenn Taranto mailto:exit...@gte.net  
Cc: mop...@sol03.american.edu 
Sent: Monday, February 23, 2009 2:01 PM
Subject: Re: [MOPO] Oscars

i agree glenn.. 

why does NO ONE consider that Ledger OD'd because he voluntarily CHOSE
to consume a literal pharmacy of pills that caused his death? what a
moron. does anyone remember the initial stories talking about the
menagerie of drugs found at his apt? why reward someone for that? i
guess it's all very PC and gives good face to the Academy. he WON
because he OD's and was so young--period.  

 it isnt as tho he died of terminal cancer or from a heart attack, prior
to the awards, like peter finch did. 

jeff




On Feb 23, 2009, at 12:08 PM, Glenn Taranto wrote:



Sean -
 
I liked TDK.  I didn't fall all over myself in praise of it but it was
certainly a movie I'd watch again.  As to Heath Ledger.  Great
performance but I don't think he'd have won if he hadn't died young.
 
My 2 cents...
 
Glenn T.

- Original Message -
From: Sean Linkenback mailto:slinkenb...@bellsouth.net 
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Monday, February 23, 2009 12:00 PM
Subject: Re: [MOPO] Oscars

-Original Message-
Here's a simple test...  When you watched the Dark Knight, did you ever
- 
even for a split-second - think of the Joker as anything other than a
famous actor doing a funny (and completely un-natural) voice???

Yes.

But then again, I'm one of the simpletons who actually liked The Dark
Knight.
Apparently no one else in MoPo land did.

 Visit the MoPo Mailing List Web Site at www.filmfan.com
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Re: [MOPO] Oscars

2009-02-23 Thread Jeff Potokar

franc,

your guess would be wrong, as i don't recall any of those 3 winning  
an oscar for a performance, after they had passed away.


THAT was the point and jist of the posts, not as to who had drug  
problems and succumbed to them.


jeff


On Feb 23, 2009, at 6:24 PM, Franc wrote:

I guess we know how you both feel about Marilyn Monroe, Judy  
Garland and Charles Boyer. FRANC

-Original Message-
From: MoPo List [mailto:mop...@listserv.american.edu] On Behalf Of  
Glenn Taranto

Sent: Monday, February 23, 2009 5:21 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Oscars

Jeff -

My thoughts exactly on his death. Really. Couldn't have said it better

Glenn T.
- Original Message -
From: Jeff Potokar
To: Glenn Taranto
Cc: mop...@sol03.american.edu
Sent: Monday, February 23, 2009 2:01 PM
Subject: Re: [MOPO] Oscars

i agree glenn..

why does NO ONE consider that Ledger OD'd because he voluntarily  
CHOSE to consume a literal pharmacy of pills that caused his death?  
what a moron. does anyone remember the initial stories talking  
about the menagerie of drugs found at his apt? why reward someone  
for that? i guess it's all very PC and gives good face to the  
Academy. he WON because he OD's and was so young--period.


 it isnt as tho he died of terminal cancer or from a heart attack,  
prior to the awards, like peter finch did.


jeff




On Feb 23, 2009, at 12:08 PM, Glenn Taranto wrote:


Sean -

I liked TDK.  I didn't fall all over myself in praise of it but it  
was certainly a movie I'd watch again.  As to Heath Ledger.  Great  
performance but I don't think he'd have won if he hadn't died young.


My 2 cents...

Glenn T.
- Original Message -
From: Sean Linkenback
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Monday, February 23, 2009 12:00 PM
Subject: Re: [MOPO] Oscars

-Original Message-
Here's a simple test...  When you watched the Dark Knight, did  
you ever -
even for a split-second - think of the Joker as anything other  
than a

famous actor doing a funny (and completely un-natural) voice???

Yes.

But then again, I'm one of the simpletons who actually liked The Dark
Knight.
Apparently no one else in MoPo land did.

 Visit the MoPo Mailing List Web Site at www.filmfan.com

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   Send a message addressed to: lists...@listserv.american.edu
In the BODY of your message type: SIGNOFF MOPO-L

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Re: [MOPO] Oscars what I didnt like

2009-02-23 Thread Franc
I figure that evens out since I don't know who half of these young, new
stars are with the dreadful looking dresses. FRANC

-Original Message-
From: MoPo List [mailto:mop...@listserv.american.edu] On Behalf Of Jeff
Potokar
Sent: Monday, February 23, 2009 7:22 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Oscars what I didnt like


Maybe there were a few claps, toochis; i should say that i didnt hear
many.. but that's also the other thing... so many of these younger, new
hollywood stars--and i used that term with tongue planted firmly in
cheek-- do not even know who the great actors were before them who made
hollywood truly sparkle. most of these flashes in the pan wont be
remembered down the road; i guess some will be, though, thanks to the
dusty DVD's that will be on store shelves or digital clips available for
download. 

jeff





On Feb 23, 2009, at 3:34 PM, Toochis Morin wrote:



I heard some claps for Charlton Heston.  I know he had fans in the
business.  Not huge but most of the older actors didn't get huge
applause.

Toochis



  _  

From: Jeff Potokar jpotok...@ca.rr.com
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Monday, February 23, 2009 2:37:29 PM
Subject: Re: [MOPO] Oscars what I didnt like

that's right...he was memorialized last year technically,
incorrect but i guess the academy wanted to remind everyone while
his passing was still fresh... a year later, it would have not have
received the same audience response that it did at last year's oscars- 

the other thing i noticed... not ONE clap could be heard when they
showed charlton heston.

i was a bit surprised at that, needless to say.

jeff


On Feb 23, 2009, at 2:30 PM, Dave Rosen wrote:



Yup, here he is in last year's montage, at the very end:
http://www.truveo.com/80th-Annual-Academy-Awards-In-Memorium/id/36190813
01
 
Dave
www.posteropolis.com

- Original Message -
From: Dave Smith mailto:d...@reeldeals.com 
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Monday, February 23, 2009 5:06 PM
Subject: Re: [MOPO] Oscars what I didnt like

Did they even show Heath during the memorium segment? I was waiting to
see the audience reaction and I don't recall they showed him. And he did
pass away in '08 so he should have been included?
 
Dave Smith
Reel Deals
 

- Original Message -
From: Toochis Morin mailto:fly...@pacbell.net 
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Monday, February 23, 2009 4:46 PM
Subject: Re: [MOPO] Oscars what I didnt like

That segment really angered me especially since my mentor Nina Foch was
being honored.

Frustrating!
Toochis



  _  

From: Bruce Hershenson brucehershen...@gmail.com
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Monday, February 23, 2009 11:37:16 AM
Subject: Re: [MOPO] Oscars what I didnt like


I thought I was the only one bothered by that! A major blunder.
 
Bruce


On Mon, Feb 23, 2009 at 12:50 PM, steve84 stev...@flash.net wrote:


All in all I thought it was a good show but what I did not like was the
segment where they honored the people who died in the last year.  They
spent so much time trying to feature the singer and zooming in and out
on the screen that there were some names that you could not read.  That
is not a segment that they should be messing with and trying to make it
fancy.  Just focus on the screen and leave it alone.

Steve




   Visit the MoPo Mailing List Web Site at www.filmfan.com
http://www.filmfan.com/ 
 ___
How to UNSUBSCRIBE from the MoPo Mailing List
   Send a message addressed to:
lists...@listserv.american.edu
  In the BODY of your message type: SIGNOFF MOPO-L
The author of this message is solely
responsible for its content.



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How

Re: [MOPO] Oscars

2009-02-23 Thread Franc
And the point of my post was that just because Heath had a stash of
drugs in his apartment and apparently did himself in, it doesn't
diminish his talent. Just as it didn't diminish the talents of Garland,
Monroe or Boyer. You post was way too unforgiving, even if I agree with
you that he didn't deserve the Oscar for that last role. Many Oscars
have been given for past performances that were slighted. FRANC


-Original Message-
From: MoPo List [mailto:mop...@listserv.american.edu] On Behalf Of Jeff
Potokar
Sent: Monday, February 23, 2009 9:32 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Oscars


franc, 

your guess would be wrong, as i don't recall any of those 3 winning an
oscar for a performance, after they had passed away. 

THAT was the point and jist of the posts, not as to who had drug
problems and succumbed to them.

jeff



On Feb 23, 2009, at 6:24 PM, Franc wrote:



I guess we know how you both feel about Marilyn Monroe, Judy Garland and
Charles Boyer. FRANC

-Original Message-
From: MoPo List [mailto:mop...@listserv.american.edu] On Behalf Of Glenn
Taranto
Sent: Monday, February 23, 2009 5:21 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Oscars


Jeff -
 
My thoughts exactly on his death. Really. Couldn't have said it better
 
Glenn T.

- Original Message -
From: Jeff Potokar mailto:jpotok...@ca.rr.com 
To: Glenn Taranto mailto:exit...@gte.net 
Cc: mop...@sol03.american.edu
Sent: Monday, February 23, 2009 2:01 PM
Subject: Re: [MOPO] Oscars

i agree glenn.. 

why does NO ONE consider that Ledger OD'd because he voluntarily CHOSE
to consume a literal pharmacy of pills that caused his death? what a
moron. does anyone remember the initial stories talking about the
menagerie of drugs found at his apt? why reward someone for that? i
guess it's all very PC and gives good face to the Academy. he WON
because he OD's and was so young--period.  

 it isnt as tho he died of terminal cancer or from a heart attack, prior
to the awards, like peter finch did. 

jeff




On Feb 23, 2009, at 12:08 PM, Glenn Taranto wrote:



Sean -
 
I liked TDK.  I didn't fall all over myself in praise of it but it was
certainly a movie I'd watch again.  As to Heath Ledger.  Great
performance but I don't think he'd have won if he hadn't died young.
 
My 2 cents...
 
Glenn T.

- Original Message -
From: Sean Linkenback mailto:slinkenb...@bellsouth.net 
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Monday, February 23, 2009 12:00 PM
Subject: Re: [MOPO] Oscars

-Original Message-
Here's a simple test...  When you watched the Dark Knight, did you ever
- 
even for a split-second - think of the Joker as anything other than a
famous actor doing a funny (and completely un-natural) voice???

Yes.

But then again, I'm one of the simpletons who actually liked The Dark
Knight.
Apparently no one else in MoPo land did.

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[MOPO] Oscars

2009-02-22 Thread Doug Taylor
If that opening number is any indication, this will be the most grueling 3
hours of our lives.

 

My gawd.

 

DBT

 http://www.linkedin.com/in/douglasbtaylor Profile 


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Re: [MOPO] Oscars

2009-02-22 Thread Jeff Potokar

i agree doug...

that was PATHETIC.

jeff


On Feb 22, 2009, at 5:38 PM, Doug Taylor wrote:

If that opening number is any indication, this will be the most  
grueling 3 hours of our lives.


My gawd.

DBT
Profile
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Re: [MOPO] Oscars

2009-02-22 Thread Walton, Jeffrey
who the hell is Huge Jackman?...I'm going to bed


-Original Message-
From: MoPo List on behalf of Jeff Potokar
Sent: Sun 2/22/2009 8:51 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Oscars
 
i agree doug...

that was PATHETIC.

jeff


On Feb 22, 2009, at 5:38 PM, Doug Taylor wrote:

 If that opening number is any indication, this will be the most  
 grueling 3 hours of our lives.

 My gawd.

 DBT
 Profile
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Re: [MOPO] OSCARS

2009-02-22 Thread Doug Taylor
Goldie's face looked like a bad balloon animal.

 

Douglas B. Taylor

 http://www.linkedin.com/in/douglasbtaylor Profile 

 

 

  _  

From: MoPo List [mailto:mop...@listserv.american.edu] On Behalf Of
flixs...@aol.com
Sent: Sunday, February 22, 2009 8:49 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: [MOPO] OSCARS

 

STAGE DOOR has just started on TCM!  After hearing the interminable intros
of each supporting actress by past winners .I promise you Kate,
Adolph, Lucy, Ginger and cast will be far more
entertaining...BTW this movie buries THE WOMEN  my guess its
because of the calla lilies. 

 

FREEMAN

 

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[MOPO] MOPO] OSCARS

2009-02-22 Thread David Lieberman
Hugh Jackman is actually a client of ours.
 



David Lieberman

_CineMasterpieces.com_ (http://www.cinemasterpieces.com/)  | 15721 N. 
Greenway Hayden Loop, Suite 105 -- Scottsdale, Az  85260
Vintage Original Movie Posters | 602 309  0500 | Office/Gallery Open By Appt. 
 Only.

**A Good Credit Score is 700 or Above. See yours in just 2 easy 
steps! 
(http://pr.atwola.com/promoclk/100126575x1218822736x1201267884/aol?redir=http:%2F%2Fwww.freecreditreport.com%2Fpm%2Fdefault.aspx%3Fsc%3D668072%26hmpgID
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Re: [MOPO] MOPO] OSCARS

2009-02-22 Thread Toochis Morin
He's talented and a great sport.

Toochis





From: David Lieberman dli...@aol.com
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Sunday, February 22, 2009 6:45:57 PM
Subject: [MOPO] MOPO] OSCARS

Hugh Jackman is actually a client of ours.
 



David Lieberman
CineMasterpieces.com| 15721 N. Greenway Hayden Loop, Suite 105 -- Scottsdale, 
Az 
85260
Vintage Original Movie Posters|602 309 
0500| Office/Gallery Open By Appt. 
Only.




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Re: [MOPO] MOPO] OSCARS

2009-02-22 Thread Jbohmss
Thats Funny Hugh is also a client of mine.

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Re: [MOPO] Oscars Are a TV Ratings Dud

2008-02-27 Thread Shelly Whitworth-King

Well said, Joe!
 
Shelly


Date: Tue, 26 Feb 2008 14:39:27 -0800From: [EMAIL PROTECTED]: Re: [MOPO] Oscars 
Are a TV Ratings DudTo: MoPo-L@LISTSERV.AMERICAN.EDU
Who cares if the Hoi Polloi had another piece of Idol junk to watch!!!
 
The Oscars are an INTERNATIONAL EVENT!
 
Screw the silly US E-machine. tabloid press.-- Including the AP.
 
Joe B in NOLA
Movielegends [EMAIL PROTECTED] wrote:

It's Official:
 
Oscars Are a TV Ratings Dud
By Associated Press
8:18 AM EST, February 26, 2008
NEW YORK
The Oscars are a ratings dud. Nielsen Media Research says preliminary ratings 
for the 80th annual Academy Awards telecast are 14 percent lower than the 
least-watched ceremony ever.Nielsen said Monday that overnight ratings are also 
21 percent lower than last year, when The Departed was named best picture.The 
least-watched Oscars ceremony ever was in 2003, when there were 33 million 
viewers.Nielsen has no estimate yet on how many people watched Sunday night, 
but based on ratings from the nation's biggest markets, the Oscars will be 
hard-pressed to avoid an ignominious record.The show had a 21.9 rating and 33 
share.


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Re: [MOPO] Oscars Are a TV Ratings Dud

2008-02-27 Thread CK MacLeod
Why should anyone be surprised?  For a long time, the Academy and for that 
matter the industry were dominated by voters who loved the movies that the 
audience loved, and the stars or at least their employers were careful about 
their reputations.  Nowadays, a huge portion of potential Oscar viewers know 
that a) many if not most of the movies that are embraced and rewarded, in 
particular the ones most likely to receive the highest honors, will be 
offensive to them, b) much of what's said will be offensive to them, and c) the 
people honored will tend to be people who've said and done things, both in the 
movies themselves and in their extracurricular activities, that they find 
offensive.  You can't spend year after year stomping on the faces of a huge 
portion of the population, then expect the same people to join in your 
self-celebration.  
 
CK MacLeod Collectibles at ckmac.com http://ckmac.com/ 
Kymar's on eBay http://stores.ebay.com/Kymars-Stuff 
 
-Original Message-
From: MoPo List [mailto:[EMAIL PROTECTED] Behalf Of Ari Richards
Sent: Tuesday, February 26, 2008 03:45 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Oscars Are a TV Ratings Dud
 
I admit, I didn't watch it this year.
Watched a movie instead. Rebecca.
And had a nice evening.

Ari
PS- I have a blended scotch, sorry, but it does the job.
- Original Message 
From: Dave Rosen [EMAIL PROTECTED]
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Wednesday, 27 February, 2008 10:34:46 AM
Subject: Re: [MOPO] Oscars Are a TV Ratings Dud
Interesting and not surprising but, to put it in perspective, even if just 30 
million people watched it in the US, about 900 million watched it everywhere 
else, which is still a helluvan audience. (Not that I thought it was a great 
show, but still.)
 
That said, watch for network execs to continue the process of dumbing down and 
over-hyping the Oscars. They don't seem to have learned the lesson that the 
more you hype something, the higher the expectations, the bigger the 
disappointment, the less likely people will come back for more.
 
But, what am I saying? We live in the Age of Hype, where hype is everything and 
content near-nothing. What matters is not the inherent value of things but the 
bottom line of the current financial quarter.
 
 The punks had it right: There really is No Future. Now where's that single 
malt?...
 
Dave
www.posteropolis.com http://www.posteropolis.com/ 
 
- Original Message - 
From: Movielegends mailto:[EMAIL PROTECTED]  
To: MoPo-L@LISTSERV.AMERICAN.EDU mailto:MoPo-L@LISTSERV.AMERICAN.EDU  
Sent: Tuesday, February 26, 2008 12:45 PM
Subject: [MOPO] Oscars Are a TV Ratings Dud
 
It's Official:
 
Oscars Are a TV Ratings Dud
By Associated Press
8:18 AM EST, February 26, 2008
NEW YORK
The Oscars are a ratings dud. Nielsen Media Research says preliminary ratings 
for the 80th annual Academy Awards telecast are 14 percent lower than the 
least-watched ceremony ever.

Nielsen said Monday that overnight ratings are also 21 percent lower than last 
year, when The Departed was named best picture.

The least-watched Oscars ceremony ever was in 2003, when there were 33 million 
viewers.

Nielsen has no estimate yet on how many people watched Sunday night, but based 
on ratings from the nation's biggest markets, the Oscars will be hard-pressed 
to avoid an ignominious record.

The show had a 21.9 rating and 33 share.
  _  

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Re: [MOPO] Oscars -SNOOZEABLE

2008-02-26 Thread Kirby McDaniel
Franc's comments about JONNY GREENWOOD'S score for THERE WILL BE  
BLOOD are in line with my own.  Fantastic score from him.  Of course,  
there WAS some
Brahms in there.  However I thought THERE WILL BE BLOOD was a  
magnificent movie, the best of PT Anderson's films.  As far as Best  
Actress I would have chosen Ellen Page or the wonderful Julie  
Christie.  LA VIE EN ROSE, for me, was jumbled, although her  
performance was the  best thing about it.


The big disappointment for me was that HAL HOLBROOK did not win Best  
Supporting Actor.  He was the absolute light of INTO THE WILD and his  
role was actually a supporting role,
which JAVIER BARDEM'S (in NO COUNTRY) was not.  I don't know what the  
rules are that govern nominations in this category, but I've seen  
this before.  That role was too central
to the film - and too big - to be considered supporting.  This says  
nothing about Bardem's performance, which I thought was great.


Kirby

On Feb 25, 2008, at 6:38 PM, Franc wrote:

I hated both films. I thought La Vie En Rose was one of the most  
inept star-is-born films I’d ever seen. Here’s an example of how  
inept that is: just as Piaf is making her big breakthrough, she  
opens her mouth to sing and the director actually cuts away from  
the vocal track and provides an orchestra-only track with a  
montage. You don’t have the pleasure of a) hearing her sing or b)  
being finally transformed into a star. The flashbacks at the end of  
the film refer to scenes that were apparently cut from the film and  
have no reference. You just never understand from this film why  
this dreadful, rather plain-looking woman ever became so popular,  
especially given that everyone of her songs sound virtually alike.


There Will Be Blood was so under-written and stillborn; I never  
felt there was any motivation for DDL’s character. His performance  
left me with the impression that he was over-acting so badly  
because frankly the character didn’t exist anywhere in the script  
and he was trying to fill in the blanks.. I did like the scoring to  
the film and of course that was totally overlooked by the Oscars.


In contrast to the above two films, I thought Atonement was  
beautifully written and acted. I especially liked the way multiple  
point of views were handled in the film. Needless to say, this film  
did not fair particularly well last night either.


Franc



-Original Message-
From: MoPo List [mailto:[EMAIL PROTECTED] On Behalf Of  
Bruce Hershenson

Sent: Monday, February 25, 2008 7:19 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Oscars -SNOOZEABLE

Franc Martarella wrote, I though Daniel Day Lewis and Marion  
Cotillard gave two of the worst over-the-top, scenery-chewing,  
histrionic performances I had seen all year in two very badly  
written films


But OTHER THAN the terribly acting and writing, what did you think  
of those movies?


Bruce
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Re: [MOPO] Oscars -SNOOZEABLE

2008-02-26 Thread Doug Taylor
I too am on the side supporting There Will Be Blood.

 

The top 4 films for me this year, in this order were:

 

There Will Be Blood

Michael Clayton

No Country For Old Men

Before the Devil Knows Your Dead

 

I think Before the Devil was better than both Atonement and Juno, although
it was damn hard to watch because every character was so easy to dislike.  

 

DBT

 http://www.linkedin.com/in/douglasbtaylor Profile 

From: MoPo List [mailto:[EMAIL PROTECTED] On Behalf Of Kirby
McDaniel
Sent: Tuesday, February 26, 2008 12:08 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Oscars -SNOOZEABLE

 

Franc's comments about JONNY GREENWOOD'S score for THERE WILL BE BLOOD are
in line with my own.  Fantastic score from him.  Of course, there WAS some

Brahms in there.  However I thought THERE WILL BE BLOOD was a magnificent
movie, the best of PT Anderson's films.  As far as Best Actress I would have
chosen Ellen Page or the wonderful Julie Christie.  LA VIE EN ROSE, for me,
was jumbled, although her performance was the  best thing about it.

 

The big disappointment for me was that HAL HOLBROOK did not win Best
Supporting Actor.  He was the absolute light of INTO THE WILD and his role
was actually a supporting role,

which JAVIER BARDEM'S (in NO COUNTRY) was not.  I don't know what the rules
are that govern nominations in this category, but I've seen this before.
That role was too central

to the film - and too big - to be considered supporting.  This says nothing
about Bardem's performance, which I thought was great.

 

Kirby

 

On Feb 25, 2008, at 6:38 PM, Franc wrote:





I hated both films. I thought La Vie En Rose was one of the most inept
star-is-born films I'd ever seen. Here's an example of how inept that is:
just as Piaf is making her big breakthrough, she opens her mouth to sing and
the director actually cuts away from the vocal track and provides an
orchestra-only track with a montage. You don't have the pleasure of a)
hearing her sing or b) being finally transformed into a star. The flashbacks
at the end of the film refer to scenes that were apparently cut from the
film and have no reference. You just never understand from this film why
this dreadful, rather plain-looking woman ever became so popular, especially
given that everyone of her songs sound virtually alike.

 

There Will Be Blood was so under-written and stillborn; I never felt there
was any motivation for DDL's character. His performance left me with the
impression that he was over-acting so badly because frankly the character
didn't exist anywhere in the script and he was trying to fill in the
blanks.. I did like the scoring to the film and of course that was totally
overlooked by the Oscars.

 

In contrast to the above two films, I thought Atonement was beautifully
written and acted. I especially liked the way multiple point of views were
handled in the film. Needless to say, this film did not fair particularly
well last night either.  

 

Franc

 

 

 

-Original Message-
From: MoPo List [mailto:[EMAIL PROTECTED] On Behalf Of Bruce
Hershenson
Sent: Monday, February 25, 2008 7:19 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Oscars -SNOOZEABLE

 

Franc Martarella wrote, I though Daniel Day Lewis and Marion Cotillard gave
two of the worst over-the-top, scenery-chewing, histrionic performances I
had seen all year in two very badly written films

 

But OTHER THAN the terribly acting and writing, what did you think of those
movies?

 

Bruce

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[MOPO] OSCARS 80TH

2008-02-26 Thread Kirby McDaniel
I thought the show was pretty good considering the problems that  
surrounded its production.
Political jokes have been around the Oscars for years, so that's  
nothing new.  Jon Stewart
smirky little presence is perfect for the Oscars in this era.  This  
years films were so serious
and so good, overall, in my humble opinion, that it was hard to poke  
fun at the films themselves,
which is often a part of the levity of the show.  I don't pay too  
much attention to the clothes, but
I went to a great Oscar party with great food and good folk, and some  
of them do pay attention
to this -- and they said the clothes were not so great.   Cameron  
Diaz looked like she just got out

of bed and Nicole Kidman needed to straighten those diamonds.

The awards themselves I did not have too much of a quarrel with.  I  
would have liked
Hal Holbrook to have won, but what do I know?  And I think if I had  
to vote I would have
had a hard time choosing between JUNO and NO COUNTRY for Best  
Picture.  There
were a lot of difficult choices for academy members because in  
general the competition

was stiff.

Overlooked unfortunately: 3:10 TO YUMA

And THE BOURNE IDENTITY walked away with three Oscars.  You could not
pay me to sit through that again.

Kirby



Kirby McDaniel
MovieArt Original Film Posters
P.O. Box 4419
Austin TX 78765-4419
512 479 6680  www.movieart.net


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[MOPO] Oscars Are a TV Ratings Dud

2008-02-26 Thread Movielegends
It's Official:
   
  Oscars Are a TV Ratings Dud
  By Associated Press
  8:18 AM EST, February 26, 2008
  NEW YORK
  The Oscars are a ratings dud. Nielsen Media Research says preliminary ratings 
for the 80th annual Academy Awards telecast are 14 percent lower than the 
least-watched ceremony ever.

Nielsen said Monday that overnight ratings are also 21 percent lower than last 
year, when The Departed was named best picture.

The least-watched Oscars ceremony ever was in 2003, when there were 33 million 
viewers.

Nielsen has no estimate yet on how many people watched Sunday night, but based 
on ratings from the nation's biggest markets, the Oscars will be hard-pressed 
to avoid an ignominious record.

The show had a 21.9 rating and 33 share.

   
-
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Re: [MOPO] Oscars -SNOOZEABLE

2008-02-26 Thread aaroncbates
It is a shame that Greenwood's score was denied a nomination on a technicality 
that some of his music (not the Brahms or any other previously recorded music 
by other artists) had been released on other projects.  His score certainly 
played a huge part in the vibe of the film and there wasn't another score out 
there, in my mind, that was more memorable or key to the film's ability to 
work.  
I think the Coens certainly earned their oscar.  It's a shame that TWBB didn't 
show up at previous oscars since there have been so many bad years (in the way 
of nominees).  The fact that TWBB and NCFOM arrived in the same year and were 
both nominated is some kind of miracle.  PTA and the Coens have plenty of films 
left in them.
The academy awards should lay off the clip shows if only to avoid reminding the 
viewers at home how far Hollywood has fallen from the level of class it once 
had and that no matter how bad the stars were behind the scenes they could 
carry themselves in a way that was abmirable in public.  In the same vein I 
agree that John Stewert, while a funny guy in his own right, is not the right 
choice for the Oscars.  But who are we kidding?  The show as a whole is a 
disaster because people don't really hold actors or hollywood in the same 
esteem it once did.  There is a cynical viewpoint these days and the magic and 
allure of Hollywood is, in my opinion, gone and it is the 800 lbs gorilla 
lingering in the room casting a huge shadow over their vain attempt to pretend 
that the world is still mesmorized by their dog  pony-self-love-athon.  How 
many times did we have to hear actors and directors talk about how wonderful 
Hollywood is?  Even tired old Jack Nickolson tried to sell us on this!
  idea and it just sounds so creaky.  There is only a thin thread of integrity 
left in the oscars.

Still lovin the movies (the few good ones anyway)..
Aaron

 Kirby McDaniel [EMAIL PROTECTED] wrote: 
 Franc's comments about JONNY GREENWOOD'S score for THERE WILL BE  
 BLOOD are in line with my own.  Fantastic score from him.  Of course,  
 there WAS some
 Brahms in there.  However I thought THERE WILL BE BLOOD was a  
 magnificent movie, the best of PT Anderson's films.  As far as Best  
 Actress I would have chosen Ellen Page or the wonderful Julie  
 Christie.  LA VIE EN ROSE, for me, was jumbled, although her  
 performance was the  best thing about it.
 
 The big disappointment for me was that HAL HOLBROOK did not win Best  
 Supporting Actor.  He was the absolute light of INTO THE WILD and his  
 role was actually a supporting role,
 which JAVIER BARDEM'S (in NO COUNTRY) was not.  I don't know what the  
 rules are that govern nominations in this category, but I've seen  
 this before.  That role was too central
 to the film - and too big - to be considered supporting.  This says  
 nothing about Bardem's performance, which I thought was great.
 
 Kirby
 
 On Feb 25, 2008, at 6:38 PM, Franc wrote:
 
  I hated both films. I thought La Vie En Rose was one of the most  
  inept star-is-born films I’d ever seen. Here’s an example of how  
  inept that is: just as Piaf is making her big breakthrough, she  
  opens her mouth to sing and the director actually cuts away from  
  the vocal track and provides an orchestra-only track with a  
  montage. You don’t have the pleasure of a) hearing her sing or b)  
  being finally transformed into a star. The flashbacks at the end of  
  the film refer to scenes that were apparently cut from the film and  
  have no reference. You just never understand from this film why  
  this dreadful, rather plain-looking woman ever became so popular,  
  especially given that everyone of her songs sound virtually alike.
 
  There Will Be Blood was so under-written and stillborn; I never  
  felt there was any motivation for DDL’s character. His performance  
  left me with the impression that he was over-acting so badly  
  because frankly the character didn’t exist anywhere in the script  
  and he was trying to fill in the blanks.. I did like the scoring to  
  the film and of course that was totally overlooked by the Oscars.
 
  In contrast to the above two films, I thought Atonement was  
  beautifully written and acted. I especially liked the way multiple  
  point of views were handled in the film. Needless to say, this film  
  did not fair particularly well last night either.
 
  Franc
 
 
 
  -Original Message-
  From: MoPo List [mailto:[EMAIL PROTECTED] On Behalf Of  
  Bruce Hershenson
  Sent: Monday, February 25, 2008 7:19 PM
  To: MoPo-L@LISTSERV.AMERICAN.EDU
  Subject: Re: [MOPO] Oscars -SNOOZEABLE
 
  Franc Martarella wrote, I though Daniel Day Lewis and Marion  
  Cotillard gave two of the worst over-the-top, scenery-chewing,  
  histrionic performances I had seen all year in two very badly  
  written films
 
  But OTHER THAN the terribly acting and writing, what did you think  
  of those movies?
 
  Bruce
  Visit the MoPo Mailing List Web

Re: [MOPO] Oscars Are a TV Ratings Dud

2008-02-26 Thread Tom Martin
see what happens when I forget to watch The Oscars®... last time i 
forgot was

Like.. what 2003?

Movielegends wrote:


It's Official:
 
Oscars Are a TV Ratings Dud

By Associated Press
8:18 AM EST, February 26, 2008
NEW YORK
The Oscars are a ratings dud. Nielsen Media Research says preliminary 
ratings for the 80th annual Academy Awards telecast are 14 percent 
lower than the least-watched ceremony ever.


Nielsen said Monday that overnight ratings are also 21 percent lower 
than last year, when The Departed was named best picture.


The least-watched Oscars ceremony ever was in 2003, when there were 33 
million viewers.


Nielsen has no estimate yet on how many people watched Sunday night, 
but based on ratings from the nation's biggest markets, the Oscars 
will be hard-pressed to avoid an ignominious record.


The show had a 21.9 rating and 33 share.


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Re: [MOPO] Oscars Are a TV Ratings Dud

2008-02-26 Thread Joseph Bonelli
Who cares if the Hoi Polloi had another piece of Idol junk to watch!!!
   
  The Oscars are an INTERNATIONAL EVENT!
   
  Screw the silly US E-machine. tabloid press.-- Including the AP.
   
  Joe B in NOLA
  
Movielegends [EMAIL PROTECTED] wrote:
It's Official:
   
  Oscars Are a TV Ratings Dud
  By Associated Press
  8:18 AM EST, February 26, 2008
  NEW YORK
  The Oscars are a ratings dud. Nielsen Media Research says preliminary ratings 
for the 80th annual Academy Awards telecast are 14 percent lower than the 
least-watched ceremony ever.

Nielsen said Monday that overnight ratings are also 21 percent lower than last 
year, when The Departed was named best picture.

The least-watched Oscars ceremony ever was in 2003, when there were 33 million 
viewers.

Nielsen has no estimate yet on how many people watched Sunday night, but based 
on ratings from the nation's biggest markets, the Oscars will be hard-pressed 
to avoid an ignominious record.

The show had a 21.9 rating and 33 share.

-
  Be a better friend, newshound, and know-it-all with Yahoo! Mobile. Try it 
now.   Visit the MoPo Mailing List Web Site at www.filmfan.com  
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PROTECTED]  In the BODY of your message type: SIGNOFF MOPO-LThe author of 
this message is solely responsible for its content.  


   
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Re: [MOPO] Oscars Are a TV Ratings Dud

2008-02-26 Thread Dave Rosen
Interesting and not surprising but, to put it in perspective, even if just 30 
million people watched it in the US, about 900 million watched it everywhere 
else, which is still a helluvan audience. (Not that I thought it was a great 
show, but still.)

That said, watch for network execs to continue the process of dumbing down and 
over-hyping the Oscars. They don't seem to have learned the lesson that the 
more you hype something, the higher the expectations, the bigger the 
disappointment, the less likely people will come back for more.

But, what am I saying? We live in the Age of Hype, where hype is everything and 
content near-nothing. What matters is not the inherent value of things but the 
bottom line of the current financial quarter.

 The punks had it right: There really is No Future. Now where's that single 
malt?...

Dave
www.posteropolis.com

  - Original Message - 
  From: Movielegends 
  To: MoPo-L@LISTSERV.AMERICAN.EDU 
  Sent: Tuesday, February 26, 2008 12:45 PM
  Subject: [MOPO] Oscars Are a TV Ratings Dud


  It's Official:

  Oscars Are a TV Ratings Dud
  By Associated Press
  8:18 AM EST, February 26, 2008
  NEW YORK
  The Oscars are a ratings dud. Nielsen Media Research says preliminary ratings 
for the 80th annual Academy Awards telecast are 14 percent lower than the 
least-watched ceremony ever.

  Nielsen said Monday that overnight ratings are also 21 percent lower than 
last year, when The Departed was named best picture.

  The least-watched Oscars ceremony ever was in 2003, when there were 33 
million viewers.

  Nielsen has no estimate yet on how many people watched Sunday night, but 
based on ratings from the nation's biggest markets, the Oscars will be 
hard-pressed to avoid an ignominious record.

  The show had a 21.9 rating and 33 share.


--
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now. 
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Re: [MOPO] Oscars Are a TV Ratings Dud

2008-02-26 Thread Ari Richards
I admit, I didn't watch it this year.
Watched a movie instead. Rebecca.
And had a nice evening.

Ari
PS- I have a blended scotch, sorry, but it does the job.

- Original Message 
From: Dave Rosen [EMAIL PROTECTED]
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Wednesday, 27 February, 2008 10:34:46 AM
Subject: Re: [MOPO] Oscars Are a TV Ratings Dud


Interesting and not surprising but, to put it in perspective, even if just 30 
million people watched it in the US, about 900 million watched it everywhere 
else, which is still a helluvan audience. (Not that I thought it was a great 
show, but still.)
 
That said, watch for network execs to continue the process of dumbing down and 
over-hyping the Oscars. They don't seem to have learned the lesson that the 
more you hype something, the higher the expectations, the bigger the 
disappointment, the less likely people will come back for more.
 
But, what am I saying? We live in the Age of Hype, where hype is everything and 
content near-nothing. What matters is not the inherent value of things but the 
bottom line of the current financial quarter.
 
 The punks had it right: There really is No Future. Now where's that single 
malt?...
 
Dave
www.posteropolis.com
 
- Original Message - 
From: Movielegends 
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Tuesday, February 26, 2008 12:45 PM
Subject: [MOPO] Oscars Are a TV Ratings Dud


It's Official:
 
Oscars Are a TV Ratings Dud
By Associated Press
8:18 AM EST, February 26, 2008
NEW YORK
The Oscars are a ratings dud. Nielsen Media Research says preliminary ratings 
for the 80th annual Academy Awards telecast are 14 percent lower than the 
least-watched ceremony ever.

Nielsen said Monday that overnight ratings are also 21 percent lower than last 
year, when The Departed was named best picture.

The least-watched Oscars ceremony ever was in 2003, when there were 33 million 
viewers.

Nielsen has no estimate yet on how many people watched Sunday night, but based 
on ratings from the nation's biggest markets, the Oscars will be hard-pressed 
to avoid an ignominious record.

The show had a 21.9 rating and 33 share.


Be a better friend, newshound, and know-it-all with Yahoo! Mobile. Try it now. 
Visit the MoPo Mailing List Web Site at www.filmfan.com
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