Re: OT Sigma 18-35/1.8

2014-08-19 Thread Rob Studdert
Far less less than a 31LTD.

On 19 August 2014 23:26, Eric Weir eew...@bellsouth.net wrote:

 On Aug 19, 2014, at 12:17 AM, Rob Studdert distudio.p...@gmail.com wrote:

 the Sigma 18-35/1.8 is a killer lens

 I like my Pentax A 28/2.8, but what does this lens cost?

 --
 Eric Weir
 Decatur, GA  USA
 eew...@bellsouth.net

 You keep on learning and learning, and pretty soon
 you learn something no one has learned before.

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Re: OT Sigma 18-35/1.8

2014-08-19 Thread Rob Studdert
Bryan I've been using it mainly on a K5IIs and occasionally on a K3,
focus is pretty snappy even in marginal light on either body, I also
have the USB dock which I've not yet used to fine tune the focus
points but it seems pretty accurate so far and I've been using it wide
open most of the time.

On 20 August 2014 00:51, Bryan Jacoby bryan.jac...@gmail.com wrote:
 Rob -- how has the AF been performing for you?  And what body are you
 using it on?  Thanks for the update!

 On Tue, Aug 19, 2014 at 12:17 AM, Rob Studdert distudio.p...@gmail.com 
 wrote:
 Just an update, the Sigma 18-35/1.8 is a killer lens, even used wide
 open, it weighs about as much as the 50-135/2.8 it seems but the extra
 bulk and weight is worth if for the photographic flexibility it
 affords. I'm finding the zoom range a little limiting but when the
 light is low it's superb and as it's so sharp images can be cropped
 with better results than a poorer longer lens covering the frame. I've
 also been using it in studio for group shots, damn impressive. There
 may be some very nice older lenses on the chopping block soon.

 On 9 July 2014 17:32, John Coyle jco...@iinet.net.au wrote:
 I have the earlier still Sigma 18-35 3.5-4.5 - and it is very sharp!  Only 
 issue I have found it
 occasionally locks up when focusing on the ist-D, but a quick reset fixes 
 it.  It should be a great
 lens for the shows you'll be doing, I think.

 John Coyle
 Brisbane, Australia



 -Original Message-
 From: PDML [mailto:pdml-boun...@pdml.net] On Behalf Of Rob Studdert
 Sent: Tuesday, 8 July 2014 2:52 PM
 To: Pentax-Discuss Mail List
 Subject: OT Sigma 18-35/1.8

 Hi Guys,

 Well the now not so new Sigma Art series 18-35/1.8 lens is now finally 
 available in K-mount, I
 picked mine up today first shipment into my local pushers this morning, 
 I've played a little, it
 damn nice wide open and its build quality is superb. It's a bit big though, 
 only slightly smaller
 than the DA*50-135 in stature so it has displaced my Samyang 8/3.5 and DA 
 35/2.8 Macro from my go-to
 kit for the moment.

 I have three shows to shoot before Sunday so it will get a good work-out in 
 place of my Sigma
 17-50/2.8, conditions permitting. I will report back on performance, 
 particularly AF speed and lock
 wide open.

 Size comparison:

 https://www.dropbox.com/sh/ybuc4gc4b0bejkk/AACi53mrqBwt172NjDbv9t9_a

 Cheers,

 --
 Rob Studdert (Digital  Image Studio)
 Tel: +61-418-166-870 UTC +10 Hours
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Re: OT Sigma 18-35/1.8

2014-08-19 Thread Rob Studdert
I don't normally do this but just to get an idea of what this lens can
do check out this sample 10MP jpg image directly from my K5IIs, hand
held, 1/13, f2.0, ISO12800 at 35mm FL, focus was the audio desk
(5.5MB)

https://dl.dropboxusercontent.com/u/9304908/temp/IMGS00017.JPG

Cheers,


On 20 August 2014 08:55, Eric Weir eew...@bellsouth.net wrote:

 On Aug 19, 2014, at 6:32 PM, P.J. Alling webstertwenty...@gmail.com wrote:

 28mm is actually normal on APS-c.  To get to wide angle you need at least 
 24mm.  Now the K 30mm f2.8 is better optically than almost all of the 28mm 
 lenses Pentax made. There is a 28mm M/A at f2.0 and a K version with a 
 different optical formula.  God knows what those sell for they are pretty 
 rare as well as being pretty fast for wide angle lenses.  Also the 30 is 
 supposed to be optically superior to them all. The f3.5 versions in the 28mm 
 lenses in K,M,A are also supposed to be better then the f2.8 versions, 
 though I've not ever handled any of them.  I have both an A 24mm f2.8 and a 
 K as well, both sell for three or more times more than the 28mm lenses, I 
 bought them both when they were still relatively inexpensive.

 If you're looking for sharper, the f3.5 versions are that even wide open, 
 and they are about the same price as their f2.8 brethren. However using an 
 f3.5 manual focus wide angle lens without focusing aids makes critical focus 
 difficult to achieve. I say that from experience as I have a 35mm f3.5 SMC 
 Takumar that while beautifully made, and very sharp, makes looking through 
 any viewfinder very dim, and even dimmer on those cameras actually made for 
 them, it's really best to set hyper-focal distance and aperture on it and 
 shoot that way.

 Trade-offs, trade-offs, trade-offs. Always a lot to think about. Thanks for 
 giving me places to start, though at the moment the dizziness is such as to 
 make me want to throw up my hands and say, “The A 28/2.8 is good enough.” But 
 as you say, it’s effectively normal, and I’ve definitely experienced 
 occasions on which I would like to have had a little wider field of view.

 --
 Eric Weir
 Decatur, GA  USA
 eew...@bellsouth.net

 You keep on learning and learning, and pretty soon
 you learn something no one has learned before.

 - Richard Feynman


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Re: OT: Happy

2014-08-18 Thread Rob Studdert
It's so nice to receive a genuine message of appreciation, well done.

On 18 August 2014 11:41, Jeffery Johnson
jefferyjohn...@photocapturesbyjeffery.com wrote:
 Thank you Paul via phone


 Jeffery Johnson
 Photo Captures by Jeffery http://www.photocapturesbyjeffery.com
 http://www.Facebook.com/photocapturesbyjeffery
 https://twitter.com/PhotoCaptures
 Bringing joy and happiness to lonely and depressed walls across the nation
 with wonderful eclectic photography and Pet photo sessions for an array of
 pets and their families.

 On 8/17/2014 7:39 PM, Paul Stenquist wrote:

 Excellent!

 Paul via phone

 On Aug 17, 2014, at 8:28 PM, Jeffery Johnson
 jefferyjohn...@photocapturesbyjeffery.com wrote:

 Normally I don't share with the list on what customers have to say but
 this one was a really nice email to receive.

/The print arrived yesterday (wonderful packaging!) and it is
perfect! I ordered it as a wedding present for friends who live here
in Ohio but were recently married on the roof top of the Bridge
Building. I thought this would be a beautiful reminder of their day.
The print is truly gorgeous! I enjoyed looking at all of your work
on the website and maybe next time I will order something for
 myself!//

//Thank you for sharing your talents!  I know our friends will love
this!//

//Thanks again!//
//B.//
/

 If you are interested in seeing the photo
 http://www.photocapturesbyjeffery.com/p225949251/ef141cd4

 Can't believe that Summer here in the states is almost over but I must
 confess fall is my favorite time of year.

 --
 Jeffery Johnson
 Photo Captures by Jeffery http://www.photocapturesbyjeffery.com
 http://www.Facebook.com/photocapturesbyjeffery
 https://twitter.com/PhotoCaptures
 Bringing joy and happiness to lonely and depressed walls across the
 nation with wonderful eclectic photography and Pet photo sessions for an
 array of pets and their families.

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Re: PESO - The Video Generation

2014-08-18 Thread Rob Studdert
LOL, course I can understand to an extent but I find it hard to
believe that whatever the other word is got past the sign
commissioner, the sign maker and the installer, unless of coarse they
were all one in the same ;)

On 19 August 2014 11:48, knarf knarftheria...@gmail.com wrote:
 Recently spotted on a door if a rather run-down apartment building:

 http://knarfinthecity.blogspot.ca/2014/08/the-video-generation.html?m=1

 My only question: are they being ironic?

 Enjoy! Comments welcome.

 Cheers,

 frank
 “Analysis kills spontaneity.” -- Henri-Frederic Amiel



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Re: OT Sigma 18-35/1.8

2014-08-18 Thread Rob Studdert
Just an update, the Sigma 18-35/1.8 is a killer lens, even used wide
open, it weighs about as much as the 50-135/2.8 it seems but the extra
bulk and weight is worth if for the photographic flexibility it
affords. I'm finding the zoom range a little limiting but when the
light is low it's superb and as it's so sharp images can be cropped
with better results than a poorer longer lens covering the frame. I've
also been using it in studio for group shots, damn impressive. There
may be some very nice older lenses on the chopping block soon.

On 9 July 2014 17:32, John Coyle jco...@iinet.net.au wrote:
 I have the earlier still Sigma 18-35 3.5-4.5 - and it is very sharp!  Only 
 issue I have found it
 occasionally locks up when focusing on the ist-D, but a quick reset fixes it. 
  It should be a great
 lens for the shows you'll be doing, I think.

 John Coyle
 Brisbane, Australia



 -Original Message-
 From: PDML [mailto:pdml-boun...@pdml.net] On Behalf Of Rob Studdert
 Sent: Tuesday, 8 July 2014 2:52 PM
 To: Pentax-Discuss Mail List
 Subject: OT Sigma 18-35/1.8

 Hi Guys,

 Well the now not so new Sigma Art series 18-35/1.8 lens is now finally 
 available in K-mount, I
 picked mine up today first shipment into my local pushers this morning, I've 
 played a little, it
 damn nice wide open and its build quality is superb. It's a bit big though, 
 only slightly smaller
 than the DA*50-135 in stature so it has displaced my Samyang 8/3.5 and DA 
 35/2.8 Macro from my go-to
 kit for the moment.

 I have three shows to shoot before Sunday so it will get a good work-out in 
 place of my Sigma
 17-50/2.8, conditions permitting. I will report back on performance, 
 particularly AF speed and lock
 wide open.

 Size comparison:

 https://www.dropbox.com/sh/ybuc4gc4b0bejkk/AACi53mrqBwt172NjDbv9t9_a

 Cheers,

 --
 Rob Studdert (Digital  Image Studio)
 Tel: +61-418-166-870 UTC +10 Hours
 Gmail, eBay, Skype, Twitter, Facebook, Picasa: distudio

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Re: Which to Buy

2014-08-03 Thread Rob Studdert
I've found that I can shoot long sequences with the K5 or K5II using
45MB/s cards without a problem but the K3 becomes bogged down using
these cards so I had to buy new 95MB/s card in order to make use of
the added capability of the K3.


On 4 August 2014 13:27, P.J. Alling webstertwenty...@gmail.com wrote:
 As a K-5 user, the only place the K-5IIs would really be an upgrade would be
 in the area of auto focus.  Yes, auto focus on the K-5II cameras actually
 works, as opposed to frustrating the hell out of you.  The dynamic range,
 MP, high ISO capabilities are pretty much the same as the K-5. It has no AA
 filter so images are likely to be a bit sharper bit but, I'm not sure that
 it's worth the upgrade.

 The K-3 is by all accounts the K-5's better in everything except dynamic
 range where it falls just a bit short, and loses out just a bit on high ISO
 performance, but not by much.  Auto focus is supposed to be a bit better
 than the K-5IIs, but pretty still close, both it and the K-5IIs however bury
 the original K-5 in that area.  Oh yes and on paper at least you'll get
 about 1 more FPS with the K-3 over the K-5.

 The bottom line is that unless you're biggest issue with the K-5 is auto
 focus performance, I'm not sure that the K-5IIs would be that much of an
 upgrade.  The K-3 offers more granularity in selecting auto focus points,
 (27 vs 11), has almost, equal dynamic range and high ISO capabilities as the
 K-5 cameras and a much greater pixel count.

 Now the downside.  The larger pixel count is going to tax any computer
 you're using for image processing, unless you've got a lot of horse power to
 spare, oh and you'll definitely need more SD storage unless you already have
 two or three times what you think you need.  The K-3 is maybe 10% larger and
 10% heavier, and has a much higher battery drain than the K-5/II/IIs
 cameras.

 With the larger file size of the K-3 you get a linear resolution increase of
 about 22%  What that boils down to is if you want to make a 300dpi print,
 the largest you can make with with the K-3 would be 13x20 vs the K-5, etc.,
 at 10 1/4 x 16 1/2, (those sizes in inches if you want centimeters you'll
 have to do your own conversion).

 I think that you can pick up a New K-5IIs for a little as ~$650. The K-3 is
 still selling for about $1,100 to $1,200 at reputable dealers.

 What would I do?  I don't know.  The K-5II I own is already capable of
 making more than acceptable prints at 240 dpi that are larger than I can
 print for myself, and much larger than I can display on any high resolution
 output device that I own, or am likely to, in the near future.  While the
 K-3 seems to be a great camera I have a hard time justifying it to myself.
 On the other hand while I love the K-5II it's just not that much of an
 upgrade over the K-5 unless you really need the superior auto focusing.


 On 8/3/2014 9:31 PM, Ralph Turner wrote:

 I have been a Pentax user for over 15 years and have accumulated a good
 number of lenses and accessories.  Normally I an not perplexed about which
 new Pentax digital body to buy, until now.

 My main use of Pentax gear is for travel photography - small and
 lightweight lenses, reasonable sized bodies and accessories.  Currently I am
 using a three
 three year old K5 and I would like to buy either a new K5iis body or a new
 K3.  I do not need the camera for sports or kids and grandkids, just for
 travel.
 So, looking at dynamic range, high ISO challenges, MP, and somewhat the
 price -- what body do you recommend and why?

 Ralph Turner





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Re: PESO Empty

2014-07-17 Thread Rob Studdert
Har, thanks Mark, Christine and Attila, I generally don't drink whilst
shooting paid gigs but that was tempting.

Cheers,

On 18 July 2014 11:45, Mark C pdml-m...@charter.net wrote:
 Cool! Rich, tony, hazy and a little unbalanced - just what a cocktail should
 be...


 On 7/12/2014 1:59 AM, Rob Studdert wrote:

 Hi Guys,

 I really don't get the change to do much more than skim through post
 these days and rarer still post any pics however I was in the middle
 of a big edit and I spied a quick grab shot I made the other night
 during a job. The scene just caught my eye so I caught it with the
 camera.

 https://dl.dropboxusercontent.com/u/9304908/temp/IMGL49485.JPG

 Tech, K3 @ISO 12800 1/50s, Sigma 70-200/2.8 @200mm f2.8, in camera
 jpg, cropped only.

 Cheers,



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PESO Empty

2014-07-12 Thread Rob Studdert
Hi Guys,

I really don't get the change to do much more than skim through post
these days and rarer still post any pics however I was in the middle
of a big edit and I spied a quick grab shot I made the other night
during a job. The scene just caught my eye so I caught it with the
camera.

https://dl.dropboxusercontent.com/u/9304908/temp/IMGL49485.JPG

Tech, K3 @ISO 12800 1/50s, Sigma 70-200/2.8 @200mm f2.8, in camera
jpg, cropped only.

Cheers,

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Re: K5 II vs K5 IIs vs K5 vs K3

2014-07-11 Thread Rob Studdert
I just bought a K5IIs to replace my remaining K5 as the second camera
in my kit, it's more than adequate for my needs and better than the K3
in some respects. The K5 will now be my remote camera, triggered via
wireless sync to one of my main cameras.

Buying L-lenses certainly doesn't mean buying best in class, a very
limited investigation will now confirm that.


On 12 July 2014 09:19, Bipin Gupta bip...@gmail.com wrote:
 We have a small group in India called ipen...@googlegroups.com. Most
 of us have the K-30, K-50, K-5 / K-5 II / K-5 IIs and a few K-3.
 I have the later Ricoh model of the K-5 bought from Henry's Toronto
 with the 18-135 as a kit.

 The K-5 II and K-5 IIs are definitely better manufactured with tighter
 Quality Assurance than the K-5. Also Auto Focus is much faster in
 low light than the K-5. There are other claims for superiority, but I
 am not convinced as a Techie and a Master Mechanic.

 The K-5 II is absolutely identical to the K-5 IIs except that it does
 not have the Low Pass Filter and hence produces sharper photos.

 I would not give Moire much prominence as it also appears on certain
 dresses or patterned clothing even with my K-5 - easily removed in PP.
 So I would go for the K-5 IIs because of the rare instances of Moire
 that you might encounter - note might.

 Every camera generation is an improvement just like new generation of
 human beings.

 You will be mighty pleased with the K-5 IIs. And if you have the
 moolah, jump on the K-3.

 Now a Pro friend of mine says - Lenses are more important than camera
 bodies - she buys only L lenses for her Canon 5D Mark III.

 Regards.
 Bipin.
 camp: Thornhill, Ontario.

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Re: K-r gets hot

2014-07-07 Thread Rob Studdert
It was likely that the camera was locked up in some non-standard mode
where motors were powered inappropriately. For instance if the SR
circuit was malfunctioning the current drawn would likely be within
the spec of the battery but the SR system may not be able to
adequately dissipate the heat developed due to the fault.



On 7 July 2014 11:16, John sesso...@earthlink.net wrote:
 On 7/6/2014 12:44 PM, Ralf R Radermacher wrote:

 Am 06.07.14 18:35, schrieb Zos Xavius:

 But yeah, damage to batteries tends to sometimes make them catch on
 fire.


 The camera was hot, not the battery.

 Ralf


 If the battery inside the camera was discharging at an excessive rate,
 would that cause the camera to overheat?

 --
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 Religion - Answers we must never question.


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OT Sigma 18-35/1.8

2014-07-07 Thread Rob Studdert
Hi Guys,

Well the now not so new Sigma Art series 18-35/1.8 lens is now finally
available in K-mount, I picked mine up today first shipment into my
local pushers this morning, I've played a little, it damn nice wide
open and its build quality is superb. It's a bit big though, only
slightly smaller than the DA*50-135 in stature so it has displaced my
Samyang 8/3.5 and DA 35/2.8 Macro from my go-to kit for the moment.

I have three shows to shoot before Sunday so it will get a good
work-out in place of my Sigma 17-50/2.8, conditions permitting. I will
report back on performance, particularly AF speed and lock wide open.

Size comparison:

https://www.dropbox.com/sh/ybuc4gc4b0bejkk/AACi53mrqBwt172NjDbv9t9_a

Cheers,

-- 
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Tel: +61-418-166-870 UTC +10 Hours
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Re: VESO 2014 - Fourth of July Fireworks! - GDG

2014-07-05 Thread Rob Studdert
I've fond memories of watching the 4th July fireworks off your rooftop Ann :)

On 6 July 2014 01:20, Ann Sanfedele ann...@nyc.rr.com wrote:
 Those need to come with a sound warning! :-)

 I watched part of Macy's on the TV with the sound off...
 didn't even go up on the roof this year.

 glad you had fun

 ann


 On 7/5/2014 09:52, Godfrey DiGiorgi wrote:

 Of course I went to a party yesterday.
 Of course there was amazing food.
 Of course there were amazing people.
 Of course there were …

https://flic.kr/p/od9L2N

 Fireworks!

 Thanks Anne  Jim, it was great to see you! :-)

 Godfrey
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Re: PESO 1970's vintage

2014-06-27 Thread Rob Studdert
Stunning image Bruce :)



On 27 June 2014 09:45, Bruce Walker bruce.wal...@gmail.com wrote:
 I really appreciate that, Attila!

 Regarding skin tones, once again the colorchecker proves its worth.
 Its a critical part of my workflow now.

 On Thu, Jun 26, 2014 at 5:42 PM, Attila Boros attila.p...@gmail.com wrote:
 Very nice skin tone. I like the processing of the highlights, bright
 enough without being too bright. You are setting the bar very high
 with this one:)

 On Thu, Jun 26, 2014 at 9:01 PM, Bruce Walker bruce.wal...@gmail.com wrote:
 My pal Judi was approached by Aimée's mother who thought that her
 daughter was pretty and that Judi should take some pics. Judi
 contacted me and said let's make her look like a rockstar. I hauled
 some of my gear over to Judi's studio and much fun was had.

 Aimée in a vintage 1970's bikini ...
 http://pulchritude.brucemwalker.com/image/89972531362

 K-3, DA* 50-135/2.8 @ 50mm/f:8.0, 1/125th sec, ISO 200.
 Elinchrom strobe with 22 socked beauty dish above slightly left;
 flanked by two Westcott Apollo Strips with Neewer TT560 flashes.

 Comments, as always, welcome.

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Re: road trip pics

2014-06-27 Thread Rob Studdert
Love the self timer selfie Christine, and the shop window one too :)

Reading Market, Philadelphia, PA is a stunner!

Cheers,


On 26 June 2014 16:30, Christine Aguila christ...@caguila.com wrote:
 Hi Everyone:

 Just a few road trip pics—nothing great.  We visited a lot of author homes, 
 but unfortunately no interior photography was allowed, so I spared you the 
 exterior shots of the houses.  I do include Mark Twain’s Study—an octagon 
 shaped building specifically built for him at his in-laws’ farm near Elmira, 
 NY—built so he could write undisturbed during his summer visits to the farm.  
 This building is now owned by Elmira College and located on campus.  There 
 was no student ambassador around to let us in, but I took some photos through 
 the windows and converted to BW.  They are included here.

 Visiting the author homes was great—fun to stand in Emerson’s study, the 
 bedrooms where Little Women was written (Concord, MA) and that tiny women in 
 Amherst, MA  penned all those delightful poems, and, of course, seeing the 
 Seven Gables that inspired the House of Seven Gables was fun as well (Salem, 
 MA).  Twain’s home in Hartford, CT is absolutely amazing and very well 
 preserved, but interestingly, the Emerson family STILL owns Emerson’s home:  
 the tour guide informed us, “We all work for the Emerson family.”  Something 
 really cool about that.  Sara Orne Jewett’s house in South Berwick, ME is 
 also a great house, but the town is not much to speak of.

 I’d never seen Philly, so we did all the historical stuff in one day, then 
 left early the next for Hartford et al.  Spent a few days in Boston—Freedom 
 Trail, Boat ride, and Museum of Fine Arts—the Copley collection there is 
 fantastic—then headed for Salem, MA.

 We also paid homage to author tombstones, but I spared you those photos as 
 well, though Sleepy Hollow was amazing—many pilgrims travel to these markers 
 and leave stones, pencils, pens, other trinkets—lots of small stones at 
 Dickinson’s marker.  Chronic dappled lighting made the markers somewhat of 
 challenge to photograph.  Famous people seem to love pretty spots near trees.

 We traveled for 16 days by car, moved on nearly every 1-3 days.  As I look 
 back now it was a dizzying pace, and the driving challenging: I nearly got us 
 killed at a small round-about in Concord, MA.

 And we drove 12 hours straight from Elmira, NY to Chicago.  The drive home 
 started early, and we had the road nearly to ourselves, enjoying the quiet, 
 morning fog, and the lovely tree studded hills and valleys of NY.  But then a 
 large doe jumped out in front of us.  Fortunately, Darrel swerved right, the 
 doe kept left, leaving no damage to car, person, or animal.  I gushed over 
 Darrel for his quick response, and the trip continued uneventful, that is, 
 until we were literally 5 minutes from home.  At a speed about 15 miles per 
 hour, I turned a corner for the final 5 minute stretch home, only to have to 
 slow down to let one of our neighborhood deer, traveling about .5 miles per 
 hour, cross the road.  Uncanny!

 Anyway, here are the pics!  Cheers, Christine
 http://www.caguila.com/pdmllit/index.html
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Re: Interesting emails on SanDisk SDHC Card Storage Case

2014-06-27 Thread Rob Studdert
 and conditions and the policy information for the customers has
 to be there on the packaging. We no longer provides the plastic cases
 now with the Ultra cards. If you need the cases then you can buy them
 from any retail or online stores. Please reply if you need any
 further assistance from sandisk on this issue.

 I give up.

 Thanks for reading. Bipin camp: Thornhill, Ontario


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Re: OT - Abandoned places pics

2014-06-27 Thread Rob Studdert
Interesting but quite a few are very photoshopped, I have a picture
of that same road sign in the abandoned car shot, it sits to the edge
of the highway, not in the desert.



On 28 June 2014 01:42, Steve Cottrell co...@seeingeye.tv wrote:
 Some will find this fascinating...

 http://dashburst.com/pic/abandoned-places/

 --


 Cheers,
   Cotty


 ___/\__Broadcast, Corporate,
 ||  (O)  |Web Video Production
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Re: Just Sayin . . .

2014-06-21 Thread Rob Studdert
I frame too tight in camera, in live work generally it's not a problem
as I'm mostly happy with my framing but shooting in studio I need to
force myself to shoot looser.




On 21 June 2014 21:53, Zos Xavius zosxav...@gmail.com wrote:
 LOL :P

 On Sat, Jun 21, 2014 at 7:43 AM, Paul Stenquist pnstenqu...@comcast.net 
 wrote:
 He meant he doesn't leave them loose. So he doesn't get an opportunity to 
 frame thoughtfully on the big screen. Crop is not a four letter word. Shit 
 is.

 Paul via phone

 On Jun 21, 2014, at 7:33 AM, Mark Roberts postmas...@robertstech.com 
 wrote:

 Zos Xavius wrote:

 I'm horrible at leaving compositions loose. Editors would despise me.

 Not at all! An editor can always crop an image that's too loose. An
 image that's too tight can't be fixed.

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Re: Had an interesting talk with a pj shooter Sat.

2014-06-16 Thread Rob Studdert
Custom camera colour calibration, shooting RAW and working in a wide
gamut colourspace will alleviate virtually all colour discrepancies
between cameras.

On 17 June 2014 08:20, David J Brooks pentko...@gmail.com wrote:
 On Mon, Jun 16, 2014 at 5:21 PM, Mark Roberts
 postmas...@robertstech.com wrote:
 Collin Brendemuehl wrote:

He chose Canon over Nikon because of the sensor.
The feature of the sensor is the color from CMOS.
Apparently he likes the old Kodak look of CMOS (as a matter of comparison)
over against the Fuji look of the sensors in Nikon.
I'd not read or heard anyone use that language before.
But like me he's been shooting a long time.  His car tag reads F8 NB THR.

 Sounds as if he's under the misapprehension that Nikon doesn't use
 CMOS sensors.

 I have often siad, and i may be totally wrong, but i found the Nikon
 colours to have that Kodak feel browns and reds, whilst (for Doug
 Brewer) the pentax has that Fuji feel, blues and greens. The nikon
 worked well foer my horse shows cause all there was is brown dirt and
 red in the fences. I love the look of the Pentax blue/green for my
 birds and landscapes.
 However both  manufactures make a lousy shaver so thus i grew my beard.

 Dave

 Dave

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Re: Anyone experience DA* 16-50/2.8 not stopping down for shutter?

2014-06-14 Thread Rob Studdert
This is the reason I got myself a copy of the Sigma 17-70/2.8-4, very
cheap and an admirable performer. A great stop-gap whilst your
otherwise indispensable glass is in for service.



On 15 June 2014 10:58, Bruce Walker bruce.wal...@gmail.com wrote:
 Heh! :-)  Inconvenient to do f:2.8 with flashes, but I can use the
 lens as long as I keep it between 35mm and 50mm. In a pinch I could
 use my 18-55 too. It would be up around f:8-11, and it's reasonably
 sharp there.

 I have to admit I'm questioning my informal policy of only owning one
 set of glass. Backups are a good plan in just about all aspects of
 life.


 On Sat, Jun 14, 2014 at 6:42 PM, Zos Xavius zosxav...@gmail.com wrote:
 Just shoot everything wide open. Embrace the softness. ;)

 On Sat, Jun 14, 2014 at 6:41 PM, Zos Xavius zosxav...@gmail.com wrote:
 Yeah, sorry about your troubles Bruce. I don't really understand how
 the camera electrically controls aperture with A lenses onwards, but
 triggering the aperture itself is still all mechanical. I had a
 feeling that it might be something bad in the movement of the lever.
 If you are getting correct EXIF information (focal length, selected
 aperture, etc), then the lens is probably communicating with the
 camera ok. I try to keep a cheap AF 28-80 around as a beater/emergency
 lens. My current FA28-80 is pretty banged up and needs replaced with
 something slightly more robust. Hope you have something that will work
 out for your shoot.

 On Sat, Jun 14, 2014 at 6:09 PM, Bruce Walker bruce.wal...@gmail.com 
 wrote:
 No and no. The EXIF records what should have happened, not what I get.
 Zooming apparently mechanically sticks the aperture wide open.


 On Sat, Jun 14, 2014 at 6:04 PM, Attila Boros attila.p...@gmail.com 
 wrote:
 Sorry to read that. Can you stop it down in DOF preview? Is the
 aperture recorded in EXIF data correct?

 On Sat, Jun 14, 2014 at 11:08 PM, Bruce Walker bruce.wal...@gmail.com 
 wrote:
 I think I know the answer to this, but what the hell.

 I'm testing a lighting setup today. K-3 on M, remote triggered flashes
 for light. Settings are around 1/125th, ISO 200, f:11.

 So I zoom in on my test object, ~35mm, shoot, exposure is perfect. I
 pull the zoom out, 16mm, shoot, exposure is _wildly_ off. Lightroom
 suggests at least 4-5 stops overexposed, but it's madly clipped. WTF?
 This is repeatable. But every once in a while, like after
 power-cycling K-3, the exposure is right.

 Long story short: cleaned the contacts of both K-3 and 16-50, nothing.
 Swapped an 18-55 in and bingo! 100% perfect exposure at all zooms.

 So it looks like the DA* 16-50 is failing to stop down for the shutter
 under some circumstances, like very wide zoom. Has anyone else
 experienced this? Is it something that one can fix, eg by giving it a
 good smack? :-)

 Thanks!

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Re: White balance

2014-05-01 Thread Rob Studdert
On 2 May 2014 14:06, Bryan Jacoby bryan.jac...@gmail.com wrote:

 It's worth repeating that any shutter speeds that don't take in an
 integer number of florescent color shift cycles will be tough to
 correct with a neutral reference (grey card, color checker, etc.) from
 a different frame.

As the number of cycles covered by an exposure increases so does the
colour stability, it's exposure periods of under a full half cycle of
the mains that leads to significant colour shift problems.

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Re: White balance

2014-04-26 Thread Rob Studdert
Under florescent lighting the colour changes as Godfrey suggests but
to take it a little further the problem occurs mainly at shutter
speeds shorter than a half cycle of the local mains frequency in the
case of conventionally driven florescent lighting. CFLs and some new
batons with electronic ballasts drive the tubes at a much higher
frequency and so are far less problematic to shoot under.

On 26 April 2014 13:26, John jsessoms...@nc.rr.com wrote:
 What white balance do you have your camera set to? In many ways it doesn't
 matter which one you choose as long as you choose a specific one and *NOT*
 auto white balance.

 Auto white balance in the camera will change the white balance for every
 image.

 If you choose a specific white balance, even if it's the wrong one, all of
 the images will be the same. You get the first one color corrected and all
 the rest can be synchronized to it.

 ... until you go into another room or go outdoors.

 But still, you color correct the first one in the group  synchronize all
 the rest from that group to the first one.

 One thing is to carry a gray-card. Get yourself one of these:

 http://www.bhphotovideo.com/c/product/101853-REG/Delta_22030_Gray_Card_8x10_1.html

 (The URL probably doesn't wrap correctly. I'm still searching for where to
 turn flowed text on.)

 Anyway, cut it into quarters  carry one-quarter in your pocket. Let one of
 the kids hold it up for you in your first shot for the group. When it wears
 out, use another quarter ... until all of them are worn out.

 You can use the white-balance eye-dropper tool to color correct the photo
 that has the gray card in it  then synchronize the rest of the images taken
 in the same light to that first one.


 On 4/25/2014 6:19 AM, Eric Weir wrote:


 I don’t understand what it is. I don’t understand how it works. In
 some cases I don’t know how to get the results I want.

 This is an album of images taken mostly in a classroom, the same
 classroom, the same day, over a period of about an hour and a half.

 https://www.flickr.com/photos/eeweir/13974421313/in/set-72157644174507442/
 As you can see, the coloring differs widely across the images. I
 tried to get them to come out the same without success.

 Since posting these I’ve gone back to the images in LR and changed
 the WB setting to auto and increased the exposure on a couple
 slightly. That gives me the best most consistent results. But “auto”
 leaves me completely in the dark. What could *I* have done to achieve
 the same results?

 While I’m at it, could someone please explain to me what the options
 under the fluorescent setting—D, N, W, L—are? I don’t see that it
 makes any difference what setting I use. And I generally don’t like
 the results I get with any fluorescent setting.

 Thanks,

 --


 Eric Weir

 Decatur, GA  USA eew...@bellsouth.net

 Our world is a human world.

 - Hilary Putnam






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Re: 645Z specs

2014-04-14 Thread Rob Studdert
I'm doing a lot more studio work now so I'm thinking about it
seriously, I will probably discard all but a couple of my K-mount
lenses though, just retain some basic gear to shoot events for the
moment and then change systems when it wears out, all my landscape and
studio work I would migrate to MF.


On 14 April 2014 11:12, Paul Stenquist pnstenqu...@comcast.net wrote:

 On Apr 13, 2014, at 8:38 PM, Ken Waller kwal...@peoplepc.com wrote:

 Full-frame 35mm and Med format are very different type systems with
 relatively little overlap.

 I agree and see little crossover for established APS dslr users. The 645Z 
 biggest market has to be with existing medium format users.

 I have a very satisfactory range of older (A*, F and FA) '35mm' lenses that 
 would be hard/impossible to replicate in medium format if I went to medium 
 format.


 That’s true, Ken. In fact, I thought about your lenses in regard to this. You 
 do have some special glass that makes your case much different than mine.  
 I’m just enjoying the obnoxious curmudgeon roll today:-) I seem to delight in 
 that more and more often with the passing of every year.

 Paul


 Kenneth Waller
 http://www.pentaxphotogallery.com/kennethwaller

 - Original Message - From: Mark Roberts 
 postmas...@robertstech.com
 Subject: Re: 645Z specs


 Paul Stenquist wrote:

 Why would anyone want a 24 x 36 Pentax?

 . To be able to use existing full-frame lenses
 . To have access to smaller/lighter (and Med format)  lenses
 . To be able to use lenses for the full-frame on both full-frame and
 APS-C bodies
 . To avoid needing to buy expensive full-frame glass
 . To have a *vastly* wider selection of lenses available (fisheye,
 ultra-wide and super telephoto)
 . To be able to use affordable lenses on occasion
 . To have the option of third-party glass
 . To have in-body image stabilization
 . To have smaller/lighter kit than medium format
 . For faster frame rate when necessary

 Full-frame 35mm and Med format are very different type systems with
 relatively little overlap.

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Re: Pentax Spotmatic F issue

2014-04-05 Thread Rob Studdert
It may also need a clean lube and adjust, the lubricants can become
gummy over the years, you may also find that the shutter speeds are a
little unpredictable.


On 5 April 2014 20:59, Callum Gregory callum.greg...@iinet.net.au wrote:
 Thanks for the reply darren. Ill look into replacing the seals. I’ve had the 
 camera open again. the bumpstop is definitely deteriorated - but to the point 
 of no longer being sticky.

 I’m wondering what is the mechanism that returns the mirror to the down 
 position??? because it randomly works every now and then.


 On 5 Apr 2014, at 17:16, Darren Addy pixelsmi...@gmail.com wrote:

 Hi Callum,
 The bump stop is the rubber that surrounds the focusing screen. When
 you take the lens off you will see it at the top. They like to
 deteriorate and go all gooey in time. If your mirror is sticking there
 you will probably see evidence of the goo around the edges of the
 mirror itself .

 When this happens, the same thing is likely happening to the seals
 that engage the film door (bits sticking to the door edges that engage
 the slots in the body where the seals reside.

 There is a guy in the U.S. that sells seal kits (very reasonably). He
 used to sell on eBay but gave that up due to too many run-ins with
 fraud, etc. But he still sells the kits. They come with all the
 instructions for doing the replacement yourself. His email is:
 jon_good...@yahoo.com

 Hope that helps!

 Darren



 On Sat, Apr 5, 2014 at 12:44 AM, Callum Gregory
 callum.greg...@iinet.net.au wrote:
 Hi,

 I have a Pentax Spotmatic F
 The mirror currently locks up. I've been told its the bump stop.
 I'm wondering who people have fixed this and if anyone has photos of what 
 the inside of the camera (bumpstop in particular) should look like?

 Thanks,

 Callum
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Re: A few PESOs

2014-04-02 Thread Rob Studdert
There is a special folder called Photos in which you can create a
sub then generate a public link to that sub, the engine to which the
link points automatically generates a gallery with thumbs and a
download link.



On 3 April 2014 16:19, Larry Colen l...@red4est.com wrote:

 On Apr 2, 2014, at 9:30 PM, P.J. Alling webstertwenty...@gmail.com wrote:

 Set up a Dropbox account Larry, it costs nothing and I've never run out of 
 bandwidth.

 How do they work as galleries?  Or do you just upload your own html?


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Re: Card failure due to (laptop) card reader [Was: Re: K3 card failure]

2014-03-30 Thread Rob Studdert
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Re: Should I buy it?

2014-03-28 Thread Rob Studdert
This review is worth a read too
http://www.pentaxforums.com/reviews/pentax-16-50-vs-sigma-tamron-17-50mm/introduction.html


On 29 March 2014 11:41, steve harley p...@paper-ape.com wrote:
 on 2014-03-28 12:09 CollinB wrote

 Typo:  DG.
 I'm hesitating since it's not the newer EX.
 Reviews are so-so.
 Still, it would be an improvement over the 18-55, but I'm questioning if
 it


 fwiw, the Sigma 17-70 isn't on this list, but noting the position of the
 Pentax 16-45, and the fact that a used 16-45 might be cheaper than the Sigma
 17-70, if 16-45 is a good range for you, consider it too

 http://www.dxomark.com/Reviews/Best-lenses-for-the-24-MPix-Pentax-K-3-Recommended-primes-and-zooms/Best-zoom-lenses-for-the-Pentax-K-3



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Re: K3 battery life

2014-03-26 Thread Rob Studdert
OEM battery. However when I've bought third party batteries I've made
sure to only purchase units with the same terminal voltage and
capacity as they will likely be less trouble when used in a dual
battery configuration.



On 27 March 2014 06:13, Ken Waller kwal...@peoplepc.com wrote:
 Good to know - thanks.

 Was that a Pentax or after market battery? I've got one of each and it will
 be interesting to see if the After market battery was worth the money
 savings.

 Kenneth Waller
 http://www.pentaxphotogallery.com/kennethwaller

 - Original Message - From: Rob Studdert distudio.p...@gmail.com
 Subject: K3 battery life



 Hi Team,

 Just thought that I would mention that I managed to shoot 1578 shots
 on the one battery last night, there was still some power left in the
 grip battery and the body battery was unused.

 That's shooting with the rear screen off, top LCD illumination off,
 single point AF on the back button and JPG + RAW on a 64GB/95MB/s
 card. Not too bad.

 Cheers,

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Re: OT PESO: A New Leaf

2014-03-24 Thread Rob Studdert
Damn, nice leaf, this is what I had to deal with the other day
https://dl.dropboxusercontent.com/u/9304908/temp/DSC01649.JPG

On 25 March 2014 10:21, Bill anotherdrunken...@gmail.com wrote:
 On 24/03/2014 1:07 AM, Chris Mitchell wrote:

 Ah, you've got the 52 f/1.2. I'm very tempted. One of my colleagues
 has one on order. Might get a chance to try it soon.

 With your delicate interpersonal skills I'm sure that you'll find a
 real person to shoot very soon...


 You aren't making me think there is much hope.


 bill


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Re: Pentax 17-70 f4 and SDM motor question

2014-03-22 Thread Rob Studdert
 above and follow 
 the directions.



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Re: Because inquiring minds want to know (more on the 1.4x)

2014-03-20 Thread Rob Studdert
Thanks for the report Stan, it does look useful, but I will have to
sell a K5 body to afford it :(


On 21 March 2014 02:38, Stanley Halpin s...@stans-photography.info wrote:
 I just did a couple of focus tests with my two slowest lenses. I won't post 
 any results - I was just handholding on random twigs, turkeys, lawn 
 sculptures, trees, etc. The images would tell you nothing about sharpness. 
 All of the following using center-point focus, K-3.

 1. Sigma DG 150-500mm f5-6.3 APO HSM + Pentax 1.4x TC
 With the Sigma at 150mm zoom (presumably f/5.0)
 - Sigma AF OFF: nothing happens - no AF.
 - Sigma AF ON: snappy AF, no searching or other bad behaviors

 With the Sigma at 500mm zoom (presumably f/6.3)
 - Sigma AF ON: Quite a bit of searching on low contrast 
 targets (e.g., tree trunks.) Fairly quick snap to focus on a weed seed head 
 20 feet away against a backdrop of the river ice 150 feet away. Quick snap 
 to focus on tree trunks across the river.
 - Probably usable at 500mm/6.3 when tripod mounted, looking 
 at a stationary target with reasonably high contrast. Not sure I would try to 
 handhold this combination to pick out flying birds above. If nothing else, 
 the motor noise as it searched would get on my nerves.

 2. Pentax FA 28-105/4-5.6 PZ (the original model of this lens)
 With the lens at 28mm (presumably f/4.0)
 - Quick albeit noisy focus on pretty much everything I looked 
 at.
 (I had forgotten how noisy the AF is on non-SDM 
 lenses! It has been awhile.)
 With the lens at 105mm (presumably f/5.6) [AV, dialed to wide open, 
 f/8.0 indicated on the display]
 - Same results. Quick lock in on whatever targets.

 If anyone wants to try this on a different lens, let me know and I'll send 
 you my shipping address and return the results to you soonest. Or stop by and 
 play with it yourself.

 I will have this with me on an upcoming trip to Sweden/Norway/Denmark and any 
 Pentaxians I encounter along the way are welcome to do a try out of the 1.4x.

 stan
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Re: OT: Pimping a different camera brand

2014-03-20 Thread Rob Studdert
Well, it's interesting but he's obviously never owned a Pentax, not
that the Canon- or Nikon shooters that I hang about with are combative
at all, they name call occasionally but that's about it.

So how does thje XT-1 do in studio, manual settings set such that the
ambient light is way down below that of the metered flash values? I
would expect that the EVF would then be next to useless?


On 21 March 2014 15:24, Bill anotherdrunken...@gmail.com wrote:
 This is the kind of article I would write about the Fuji X-t1, were I a
 decent writer. It is accompanied by the type of photos I would put into a
 publication of this type, were I a decent photographer.
 It's a pretty enjoyable read.
 olafphotoblog.com/2014/03/19/no-more-excuses-fuji-x-t1-review/
 bill

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K3 battery life

2014-03-20 Thread Rob Studdert
Hi Team,

Just thought that I would mention that I managed to shoot 1578 shots
on the one battery last night, there was still some power left in the
grip battery and the body battery was unused.

That's shooting with the rear screen off, top LCD illumination off,
single point AF on the back button and JPG + RAW on a 64GB/95MB/s
card. Not too bad.

Cheers,

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Re: OT: Pimping a different camera brand

2014-03-20 Thread Rob Studdert
LOL, careful the drool may effect the coatings :)

I have access to a large studio space but it's costly, I did manage to
hijack an old hotel to shoot some models in for the better part of a
Saturday day when there was a distinct lack of punters, had some nice
old lounges etc. Two sets of lights, two shooters, 11 models, it was
busy and the punters that did show up stayed and watched!


On 21 March 2014 15:52, Bill anotherdrunken...@gmail.com wrote:
 On 20/03/2014 10:43 PM, Rob Studdert wrote:

 Well, it's interesting but he's obviously never owned a Pentax, not
 that the Canon- or Nikon shooters that I hang about with are combative
 at all, they name call occasionally but that's about it.


 My group teases me, but they drool on my lenses none the less.


 So how does thje XT-1 do in studio, manual settings set such that the
 ambient light is way down below that of the metered flash values? I
 would expect that the EVF would then be next to useless?


 I don't know yet. I'm not holding out a lot of hope, But the viewfinder has
 surprised me a couple of times. It can be set independent of the actual
 exposure. I'd like to try out the 56mm, but I haven't got a studio per se, I
 have a really ghetto space that I can use, but it's in the back of a really
 grotty warehouse.


 bill

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Re: K3 battery life

2014-03-20 Thread Rob Studdert
I didn't realise that the K7 was similar, the K3 has been pretty
consistent, I've now done quite a few shoots with 1300+ images
captured on it and never depleted the battery fully. I had it lock up
once when I had the OEM battery in the body and a 3Rd party in the
grip but since I have changed to two OEM batteries it seems to be
behaving, though that could just be coincidence.


On 21 March 2014 15:55, Bill anotherdrunken...@gmail.com wrote:
 On 20/03/2014 10:48 PM, Rob Studdert wrote:

 Hi Team,

 Just thought that I would mention that I managed to shoot 1578 shots
 on the one battery last night, there was still some power left in the
 grip battery and the body battery was unused.

 That's shooting with the rear screen off, top LCD illumination off,
 single point AF on the back button and JPG + RAW on a 64GB/95MB/s
 card. Not too bad.

 Cheers,


 Yeah. I remember the first shoot I did with my K7. It just kept going and
 going. Finally the model and I decided we couldn't kill it. This was after
 half a dozen costume changes and at least 1500 pictures.
 I still like the K7 colours the best, but the ISO has to be kept all the way
 down.

 bill

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Re: High ISO: 10,000 and 16,000

2014-03-19 Thread Rob Studdert
I'm thinking of trying to pick up a K5IIs to replace my K5 as I still
prefer the dynamics and noise characteristics of the K5 sensor over
the K3. I shot a show Sunday night 1600+ shots using both the K5 and
K3 set at ISO6400 in both cases. The K5 shots look best (when I could
achieve focus)


On 20 March 2014 08:23, Dario Bonazza dario.bona...@virgilio.it wrote:
 Talking of High-ISO shooting, here yoy can find a few shots I'm quite happy
 with:
 www.dariobonazza.com/public/K5S32947.jpg (ISO 10,000)
 www.dariobonazza.com/public/K5S32910.jpg (ISO 16,000)

 That's why I don't feel the urge to go K-3.

 Dario


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Re: K-5 10K

2014-03-18 Thread Rob Studdert
I did just this with my K3 the other day during a studio shoot and the
time it took to convert to BW on-the-fly was longer than it took for
the studio strobes to recharge.



On 18 March 2014 18:54, Peter McIntosh peter...@gmail.com wrote:
 On 18 March 2014 08:00, Rick Womer rwomer1...@yahoo.com wrote:

 I took the train this morning from snowy Philly to sunny New Haven to visit 
 the aged mater.  I had read this piece on TOP, and found it interesting 
 after the long discussions of Bob W's Leica MM yearning:

 http://theonlinephotographer.typepad.com/the_online_photographer/2014/03/getting-into-the-bw-mindset.html


 So I pulled out the K-5 somewhere between New York and Stamford CT, and 
 began seeing if I could get a monochrome image on the back display while 
 shooting RAW+. Nope. For that matter, the Monochrome filter the owners' 
 manual talks about doesn't seem to exist.

 So I gave up; but noticed that the last image was 101-0003. Not much 
 compared to the likes of Paul and Larry, but a landmark anyway. I've had the 
 K-5 for 1 year and 10 months.

 Cheers,

 Rick

 Hi Rick,

 I saw this too and managed to get it to work on my K5.

 To do it, make sure the file format is set to RAW+jpeg.  Then, using
 the right-hand-side button in the cluster of 4 around the OK button,
 select the monochrome filter.  This makes the jpeg monochrome; the
 preview image is that jpeg. And, of course, you still have the RAW
 image.

 I've got these settings programmed in to one of the user modes so I
 can switch in and out as I desire.

 Hope this helps.

 Ciao,

 Pete Mac in Melbourne

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Re: K-5 10K

2014-03-18 Thread Rob Studdert
My problem was that it was an experienced model who is also a dancer
so I was literally missing opportunities! I couldn't believe how much
is slows the camera down.



On 18 March 2014 21:36, Peter McIntosh peter...@gmail.com wrote:
 Yes - it's not a fast process by any stretch of the imagination, but
 it hasn't bothered me too much yet. Probably says more about me than
 the process though... :-)

 Ciao,

 Pete Mac in Melbourne

 On 18 March 2014 21:11, Rob Studdert distudio.p...@gmail.com wrote:
 I did just this with my K3 the other day during a studio shoot and the
 time it took to convert to BW on-the-fly was longer than it took for
 the studio strobes to recharge.



 On 18 March 2014 18:54, Peter McIntosh peter...@gmail.com wrote:
 On 18 March 2014 08:00, Rick Womer rwomer1...@yahoo.com wrote:

 I took the train this morning from snowy Philly to sunny New Haven to 
 visit the aged mater.  I had read this piece on TOP, and found it 
 interesting after the long discussions of Bob W's Leica MM yearning:

 http://theonlinephotographer.typepad.com/the_online_photographer/2014/03/getting-into-the-bw-mindset.html


 So I pulled out the K-5 somewhere between New York and Stamford CT, and 
 began seeing if I could get a monochrome image on the back display while 
 shooting RAW+. Nope. For that matter, the Monochrome filter the owners' 
 manual talks about doesn't seem to exist.

 So I gave up; but noticed that the last image was 101-0003. Not much 
 compared to the likes of Paul and Larry, but a landmark anyway. I've had 
 the K-5 for 1 year and 10 months.

 Cheers,

 Rick

 Hi Rick,

 I saw this too and managed to get it to work on my K5.

 To do it, make sure the file format is set to RAW+jpeg.  Then, using
 the right-hand-side button in the cluster of 4 around the OK button,
 select the monochrome filter.  This makes the jpeg monochrome; the
 preview image is that jpeg. And, of course, you still have the RAW
 image.

 I've got these settings programmed in to one of the user modes so I
 can switch in and out as I desire.

 Hope this helps.

 Ciao,

 Pete Mac in Melbourne

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Re: Keep the PEFs?

2014-03-15 Thread Rob Studdert
Literally using DNG as a container for the TIFF data, you retain the
benefits of DNG WRT user edits but of course it can't strictly be
developed like a RAW Bayer mosaic file.


On 16 March 2014 11:30, Ken Waller kwal...@peoplepc.com wrote:
 You can never return an RGB format to mosaiced raw data, but you can
 encapsulate it in DNG.


 Not sure what you mean by 'encapsulate it in DNG'.

 Kenneth Waller
 http://www.pentaxphotogallery.com/kennethwaller

 - Original Message - From: Godfrey DiGiorgi godd...@me.com
 Subject: Re: Keep the PEFs?



 A sad misunderstanding from the early days of digital. TIFF in camera is
 an 8bit RGB format and essentially no better than JPEG except for the lack
 of compression losses.

 You can never return an RGB format to mosaiced raw data, but you can
 encapsulate it in DNG. It does benefit from some standardization, but little
 else.

 Godfrey

 On Mar 15, 2014, at 10:18 AM, John johnsess...@yahoo.com wrote:

 Herb Keppler (I think it was him) did a review of the *ist-D and he said
 that since the camera offered TIFF as one of the image formats, that was
 the way to go because the TIFF standard was likely to be around for a
 long time and the various camera RAW formats probably not so much.

 I don't know if you can convert them, but I think the DNG file will
 encapsulate them.



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Re: Not so interesting post at Luminous Landscape on why the Photo industry is in the dumper.

2014-03-15 Thread Rob Studdert
Oz rode it out pretty well, but then we have some of the worlds the
most strictly imposed government banking fiduciary rules and
regulations too.



On 16 March 2014 11:19, P.J. Alling webstertwenty...@gmail.com wrote:
 You can always find bright spots, and yes Canada is fine, but most of Europe
 the notable exception being Germany, is in sorry straights, Japan has never
 really recovered from it's recession from 20 years ago.  Anyone who believes
 the official numbers out of China is as delusional as well the people
 producing those Chinese numbers.  Look at South America and the number of
 counties who's economies are bumping along the bottom. Most of the world
 Economy just simply sucks right now, and sadly doesn't look to be getting
 any better.  I only hope that we don't drag Canada down.


 On 3/15/2014 4:18 PM, Bill wrote:

 On 15/03/2014 1:34 PM, Christine Aguila wrote:

 To be sure it's been a tough economy, but I also think some valid
 points are made, especially about lenses and image quality.


 Note also that it has been a tough economy primarily in the USA. Granted
 it is a fairly large market, but it is not the center of the universe.
 Canada, as an example, has sailed through the past 10 years relatively
 unscathed simply because of better economic policies.

 bill




 --
 A newspaper is a device for making the ignorant more ignorant, and the
 crazy, crazier.

  - H.L.Mencken


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Re: Keep the PEFs?

2014-03-15 Thread Rob Studdert
Not much excepting that you gain file type uniformity, maybe a little
reduction in size and that the there is no need for sidecar files post
edit.

On 16 March 2014 11:43, Ken Waller kwal...@peoplepc.com wrote:
 What advantage is there in encapsulating a Tiff in DNG?

 Kenneth Waller
 http://www.pentaxphotogallery.com/kennethwaller

 - Original Message - From: Rob Studdert distudio.p...@gmail.com

 Subject: Re: Keep the PEFs?


 Literally using DNG as a container for the TIFF data, you retain the
 benefits of DNG WRT user edits but of course it can't strictly be
 developed like a RAW Bayer mosaic file.


 On 16 March 2014 11:30, Ken Waller kwal...@peoplepc.com wrote:

 You can never return an RGB format to mosaiced raw data, but you can
 encapsulate it in DNG.



 Not sure what you mean by 'encapsulate it in DNG'.

 Kenneth Waller
 http://www.pentaxphotogallery.com/kennethwaller

 - Original Message - From: Godfrey DiGiorgi godd...@me.com
 Subject: Re: Keep the PEFs?



 A sad misunderstanding from the early days of digital. TIFF in camera is
 an 8bit RGB format and essentially no better than JPEG except for the
 lack
 of compression losses.

 You can never return an RGB format to mosaiced raw data, but you can
 encapsulate it in DNG. It does benefit from some standardization, but
 little
 else.

 Godfrey

 On Mar 15, 2014, at 10:18 AM, John johnsess...@yahoo.com wrote:

 Herb Keppler (I think it was him) did a review of the *ist-D and he
 said
 that since the camera offered TIFF as one of the image formats, that
 was
 the way to go because the TIFF standard was likely to be around for a
 long time and the various camera RAW formats probably not so much.

 I don't know if you can convert them, but I think the DNG file will
 encapsulate them.



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Re: Not so interesting post at Luminous Landscape on why the Photo industry is in the dumper.

2014-03-15 Thread Rob Studdert
Enjoy http://www.apra.gov.au/Pages/default.aspx ;)


On 16 March 2014 12:30, P.J. Alling webstertwenty...@gmail.com wrote:
 Unlike ours your baking rules are probably rational.


 On 3/15/2014 8:38 PM, Rob Studdert wrote:

 Oz rode it out pretty well, but then we have some of the worlds the
 most strictly imposed government banking fiduciary rules and
 regulations too.



 On 16 March 2014 11:19, P.J. Alling webstertwenty...@gmail.com wrote:

 You can always find bright spots, and yes Canada is fine, but most of
 Europe
 the notable exception being Germany, is in sorry straights, Japan has
 never
 really recovered from it's recession from 20 years ago.  Anyone who
 believes
 the official numbers out of China is as delusional as well the people
 producing those Chinese numbers.  Look at South America and the number of
 counties who's economies are bumping along the bottom. Most of the world
 Economy just simply sucks right now, and sadly doesn't look to be getting
 any better.  I only hope that we don't drag Canada down.


 On 3/15/2014 4:18 PM, Bill wrote:

 On 15/03/2014 1:34 PM, Christine Aguila wrote:

 To be sure it's been a tough economy, but I also think some valid
 points are made, especially about lenses and image quality.


 Note also that it has been a tough economy primarily in the USA. Granted
 it is a fairly large market, but it is not the center of the universe.
 Canada, as an example, has sailed through the past 10 years relatively
 unscathed simply because of better economic policies.

 bill



 --
 A newspaper is a device for making the ignorant more ignorant, and the
 crazy, crazier.

   - H.L.Mencken


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Re: OT - Content over technicalities

2014-03-15 Thread Rob Studdert
I'm setting up my own shoots now, I have a slew of great models to
choose from and in some cases I will offer an additional photographers
position to a peer or engage less competent photographers as
assistants so that they can get some experience in studio.

Definitely not interested in shooting fashion, there's only so much
surly I can stand in one day ;) The workshops are really well priced,
generally it's of more benefit to the photographers as a quick folio
building exercise so long as that's that way that you chose to work,
and some do make very good use of these types of events.

The downside of TFP is as soon as a model actually gets good at being
a model they tend to want to get paid, and that's fair enough. So
generally it's far more laborious to shoot with someone TFP than it is
with paid models as they engage in workshop events. Swings and
roundabouts.

Time and engagement though is generally the key to securing great
images, sometimes I guess it's just not a practical route.

Cheers,





On 16 March 2014 12:37, Bruce Walker bruce.wal...@gmail.com wrote:
 On Sat, Mar 15, 2014 at 1:37 AM, Rob Studdert distudio.p...@gmail.com wrote:
 It's a good article in that it stresses the importance of connection
 with the subject, however I don't think that the technicalities and
 the interpersonal relationship between the subject and photographer
 are mutually exclusive, depending on the shooting environment of
 course.

 Most certainly the technical issues are still important else we'd all
 just use crappy smartphone cams and leave it at that. His point is, as
 I get it, that we need to not stop at it's technically perfect like
 so many of us gadget fanatics do. And in fact it's the soft gooey
 people issues that get you a better portrait than merely perfecting
 the image capturing process.


 The worst shoots I have been involved in were at studio workshops
 where the lighting was pre-set and near to perfect but the models came
 thick and fast. It's like a sausage factory, one model after another,
 one set then the next. I found that the quality of my images suffer
 terribly if I have no time to connect with the models, technically
 they may be flawless but they lack emotion and substance.

 That could be a special case though. Fashion photography -- if this is
 what it is -- is all about the _clothes_ and the not the models. The
 models are quite literally mannequins (which is what mannequin means
 in French: model) or clothes horses and they are expected to look
 blank, not engaging with the audience.

 Wait, I just re-read your paragraph: studio workshops. I see the
 problem here. :-) These are not designed for good photography, they
 are designed to optimize monetary returns to the organizers. That's my
 cynical take. If you want to get good shots, hire or trade with your
 own model and take your time. Forget these overcrowded workshops.
 Workshops I have attended were closer to 1-on-1. Three students, one
 teacher and an assistant, two models (plus MUA and hair). Total time
 in workshop: 6 hours. Lots of time to engage with the models, and
 everyone else in the session too. Got great expression from models.


 On 15 March 2014 01:14, Bruce Walker bruce.wal...@gmail.com wrote:
 An important lesson to learn ...

 http://fstoppers.com/subject-matters-kicking-technicalities-for-content


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Re: OT - Content over technicalities

2014-03-15 Thread Rob Studdert
LOL,  I will offer an additional photographers
position to a peer  should read more like I will often offer peer
photographers a position to shoot with me not quite sure how I stuff
that up so badly.

On 16 March 2014 13:36, Rob Studdert distudio.p...@gmail.com wrote:
 I'm setting up my own shoots now, I have a slew of great models to
 choose from and in some cases I will offer an additional photographers
 position to a peer or engage less competent photographers as
 assistants so that they can get some experience in studio.

 Definitely not interested in shooting fashion, there's only so much
 surly I can stand in one day ;) The workshops are really well priced,
 generally it's of more benefit to the photographers as a quick folio
 building exercise so long as that's that way that you chose to work,
 and some do make very good use of these types of events.

 The downside of TFP is as soon as a model actually gets good at being
 a model they tend to want to get paid, and that's fair enough. So
 generally it's far more laborious to shoot with someone TFP than it is
 with paid models as they engage in workshop events. Swings and
 roundabouts.

 Time and engagement though is generally the key to securing great
 images, sometimes I guess it's just not a practical route.

 Cheers,





 On 16 March 2014 12:37, Bruce Walker bruce.wal...@gmail.com wrote:
 On Sat, Mar 15, 2014 at 1:37 AM, Rob Studdert distudio.p...@gmail.com 
 wrote:
 It's a good article in that it stresses the importance of connection
 with the subject, however I don't think that the technicalities and
 the interpersonal relationship between the subject and photographer
 are mutually exclusive, depending on the shooting environment of
 course.

 Most certainly the technical issues are still important else we'd all
 just use crappy smartphone cams and leave it at that. His point is, as
 I get it, that we need to not stop at it's technically perfect like
 so many of us gadget fanatics do. And in fact it's the soft gooey
 people issues that get you a better portrait than merely perfecting
 the image capturing process.


 The worst shoots I have been involved in were at studio workshops
 where the lighting was pre-set and near to perfect but the models came
 thick and fast. It's like a sausage factory, one model after another,
 one set then the next. I found that the quality of my images suffer
 terribly if I have no time to connect with the models, technically
 they may be flawless but they lack emotion and substance.

 That could be a special case though. Fashion photography -- if this is
 what it is -- is all about the _clothes_ and the not the models. The
 models are quite literally mannequins (which is what mannequin means
 in French: model) or clothes horses and they are expected to look
 blank, not engaging with the audience.

 Wait, I just re-read your paragraph: studio workshops. I see the
 problem here. :-) These are not designed for good photography, they
 are designed to optimize monetary returns to the organizers. That's my
 cynical take. If you want to get good shots, hire or trade with your
 own model and take your time. Forget these overcrowded workshops.
 Workshops I have attended were closer to 1-on-1. Three students, one
 teacher and an assistant, two models (plus MUA and hair). Total time
 in workshop: 6 hours. Lots of time to engage with the models, and
 everyone else in the session too. Got great expression from models.


 On 15 March 2014 01:14, Bruce Walker bruce.wal...@gmail.com wrote:
 An important lesson to learn ...

 http://fstoppers.com/subject-matters-kicking-technicalities-for-content


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Re: OT - Content over technicalities

2014-03-14 Thread Rob Studdert
It's a good article in that it stresses the importance of connection
with the subject, however I don't think that the technicalities and
the interpersonal relationship between the subject and photographer
are mutually exclusive, depending on the shooting environment of
course.

I shoot a lot of live events these days, often something akin to live
portraiture, that's an interesting twist because the artist is playing
to the audience. My job is to attempt to capture the expressions of
the artist on stage particularly when I see them slip out of performer
mode and show that they are really loving what they are doing up
there. And often when I connect with the same people one to one to
shoot them in a studio environment we have an instant rapport built in
part through my live images which makes the shoot far less staid and
leads to more natural poses and expressions. And if the shoot has been
properly designed and not rushed the resultant images often also
exhibit excellent technical quality too.

The worst shoots I have been involved in were at studio workshops
where the lighting was pre-set and near to perfect but the models came
thick and fast. It's like a sausage factory, one model after another,
one set then the next. I found that the quality of my images suffer
terribly if I have no time to connect with the models, technically
they may be flawless but they lack emotion and substance.

The last thing is that it's so easy to get caught up in the low noise,
high d-range, low ISO roundabout, some of my best and most appreciated
pics were shot at very high ISOs and suffer motion blur and boulder
sized noise but the punters just don't care for the most part they
only see the content in the image. I have given up trying to please
photographers and it has let me make so many more images that I can
say that I'm now truly happy with.

Cheers,


On 15 March 2014 01:14, Bruce Walker bruce.wal...@gmail.com wrote:
 An important lesson to learn ...

 http://fstoppers.com/subject-matters-kicking-technicalities-for-content

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Re: Keep the PEFs?

2014-03-14 Thread Rob Studdert
I'm with the convert the PEF to DNG then ditch the PEF files crowd. I
don't know why they still persist with the legacy RAW format, I can
see them dropping it sooner than later.



On 15 March 2014 15:16, Ken Waller kwal...@peoplepc.com wrote:
 1. Should I convert all the old PEF files to DNG?

 If you're keeping the RAW files I'd say yes.
 After a time period after RAW file conversion I generall delete the RAW
 files.


 2. Should I keep backup copies of all those old PEF files, in addition
 to the two backups (on  off site) I intend to make for the DNG files?

 See answer to 1. above


 3. Some of the *ist-D files are .TIF files - can I, should I convert
 those to DNG as well?

 I wasn't aware you could convert .Tif files back to DNG



 Kenneth Waller
 http://www.pentaxphotogallery.com/kennethwaller

 - Original Message - From: John johnsess...@yahoo.com
 Subject: Keep the PEFs?



 I'm doing a *LOT* of computer work here lately, what with the new Mac
 mini, rescuing old files off of my mother's old computers  getting
 ready to add another NAS to my home network.

 Among other things, in line with my attempts to declutter my life, I'm
 contemplating revamping my photo storage and backups with the aim of
 reducing unnecessary duplication in those backups. I know I should keep
 a backup here and another off site, but I've got so many backups that I
 can't be sure which files are adequately backed up and which files are
 excessively, even OCD backups.

 At the beginning of 2013 I switched from PEF to DNG for my RAW file
 format. I have PEF files going back several years before that, with the
 *ist-D, the K10D and the K20D.

 I'm wondering if I should use Adobe's DNG converter on all those old PEF
 files, and IF I do should I still keep the PEF files?

 I would be amenable to receiving reasoned arguments (yes, I *know* it's
 the PDML) pro  con on the subject.

 1. Should I convert all the old PEF files to DNG?
 2. Should I keep backup copies of all those old PEF files, in addition
 to the two backups (on  off site) I intend to make for the DNG files?
 3. Some of the *ist-D files are .TIF files - can I, should I convert
 those to DNG as well?



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Re: Scott Loveless - your e-mail is compromised.

2014-03-13 Thread Rob Studdert
Probably spoofed sender address

On 13 March 2014 14:50, Ken Waller kwal...@peoplepc.com wrote:
 I thought the PDML server scrubs out all attachments.


 Over the 17 years or so that I've followed the PDML and its predecessors,
 I've gotten several 'PDML' emails with attachments,

 Kenneth Waller
 http://www.pentaxphotogallery.com/kennethwaller

 - Original Message - From: Daniel J. Matyola
 danmaty...@gmail.com

 Subject: Re: Scott Loveless - your e-mail is compromised.


 I thought the PDML server scrubs out all attachents.

 Dan Matyola
 http://www.pentaxphotogallery.com/danieljmatyola


 On Wed, Mar 12, 2014 at 8:35 PM, Ken Waller kwal...@peoplepc.com wrote:

 I should have said attachments - I mis read the email.

 Kenneth Waller
 http://www.pentaxphotogallery.com/kennethwaller

 - Original Message - From: John johnsess...@yahoo.com
 Subject: Re: Scott Loveless - your e-mail is compromised.


 How do you look at PESOs then?

 On 3/12/2014 7:44 PM, Ken Waller wrote:


 I don't open any links that appear with pdml email.

 Kenneth Waller
 http://www.pentaxphotogallery.com/kennethwaller

 - Original Message - From: Igor Roshchin s...@komkon.org
 Subject: Attn: Scott Loveless - your e-mail is compromised.




 Scott,

 It appears that either your e-mail account @rocketmail.com
 is compromised or you have a virus and that account is used to channel
 spam through it to all the people whose address appears in your
 mailbox.

 PDMLers: you may want to avoid clicking on the link(s) that appear
 in the e-mails arriving to you from Scott Loveless' account.

 I am not sure if he is currently reading the list, so, if somebody is
 connected to him via FB or other channels, you may want to warn him
 about the problem.

 Igor



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Re: DST and O-GPS

2014-03-09 Thread Rob Studdert
I did exactly that on a shoot with two bodies a few weeks back and was
too lazy to fix it after the fact so my gallery when sorted by date
was all over the place.


On 10 March 2014 06:48, Larry Colen l...@red4est.com wrote:
 I've been bitten by this before.  When I set up my K-5 to update the time 
 from GPS, and it sets it to non-DST.
 I tried looking in the manual for the Daylight Savings Time setting, but it 
 wasn't in the index.

 What you need to do is go into world time, then go into the city and enable, 
 or disable DST there.

 It's one of those annoyances that bites me when I'm using two cameras, and 
 one is an hour off of the other.


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Re: Want

2014-03-09 Thread Rob Studdert
It looks very nice by all accounts, but I can't justify owning that
plus the 31LTD and the DA35 macro so I'm just going to get the
18-35/1.8 when if finally ships here ;)


On 10 March 2014 07:57, Paul Stenquist pnstenqu...@comcast.net wrote:
 http://www.bhphotovideo.com/c/product/898839-REG/Sigma_340109_35mm_f_1_4_DG_HSM.html
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Re: OT: Suggestions for Anti-virus software?

2014-03-09 Thread Rob Studdert
Comodo is very good, you can use it to easily manage and notify you of
outgoing traffic too.



On 9 March 2014 19:20, Philip Northeast rnort...@bigpond.net.au wrote:
 I use comodo dragon on my mac mini

 http://www.comodo.com

 Philip Northeast

 www.aviewfinderdarkly.com.au


 On 9/03/2014 6:34 pm, P.J. Alling wrote:

 I don't know anything about AV software for Macs but I do know they have
 have a hosts file and I'm pretty sure it's called hosts.

 On 3/9/2014 1:04 AM, John wrote:

 I mentioned here before that I have acquired a Mac Mini that's
 supposed to be a little home recording studio. I'm getting ready to
 un-box it and set it up, and I already know I'm going to have to
 connect it to the internet for software authentication. (I've been
 reading the manual ... gives a whole new meaning to fine print.)

 Anyway, I know Macs aren't supposed to get viruses, but I'd rather
 be safe than sorry.

 So, before I take the plunge  plug it in, I'd like suggestions for
 anti-virus software for the Mac.

 Also, do Macs have a hosts file?

 On Windoze, I use a robust hosts file to block unwanted SPAM 
 Malware sites.




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Re: OT: Fuji X-T1

2014-03-09 Thread Rob Studdert
I personally know two photogs that now shoot the Df, both do superb
low light work, I wish Pentax had something that good as I'm often
hamstrung for shutter speed shooting what I do even pushing the ISO to
12800 using fast glass.


On 10 March 2014 12:37, Bill anotherdrunken...@gmail.com wrote:
 On 09/03/2014 3:54 PM, Larry Colen wrote:


 I've got the K-5 II, and am often surprised at how annoyed I am by
 its shortcomings.  It has sensor performance that is the stuff of
 science fiction. It has the best low light autofocus of any camera
 I've ever owned, better than the K-5 which was better than the D600.
 But because it can't focus quickly on moving targets at 2EV or
 darker, and because it gets rather noisy over ISO 8000, I find myself
 grumbling.



 I doubt very much if the noise on the Fuji is any better than the K5. What
 it does have is really destructive high ISO noise reduction that can't be
 turned off, only toned down.
 I really think if you want excellent low light AF combined with excellent
 high ISO performance, one of the low MP FF Nikons is the way to go.
 I suspect the Df would be ideal for what you do, and if you wait a year,
 they will be giving them away. The Nikon crowd thinks they are butt ugly
 (which they are). However, as a low light camera I suspect it is superb.

 bill


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Re: Sometimes Time doesn't fly

2014-03-08 Thread Rob Studdert
After touting the virtues of the modern Sigma lens my work horse Sigma
17-50/2.8 started playing up last night during a fairly important
shoot. The zoom ring now sticks periodically at a point which makes it
difficult to use in the flurry of a stage event :( I bought a
17-70/2.8-4 to tide me over whilst the other is being repaired as
Pentax and Sigma lenses are handled by the same distributor here and
they are not know for their rush to repair gear.

On 8 March 2014 21:16, Boris Liberman bori...@gmail.com wrote:
 On 3/7/2014 11:43 PM, Paul Stenquist wrote:

 I bumped my DA* 60-250 when I took a spill last August. It was in a
 soft lens case and there was no apparent damage, but the next time I
 used it the images were soft in places. Did a brick wall test and
 discovered that the focus field was no longer flat. Evidently, the
 elements had been knocked out of alignment. Sent it to CRIS. They
 told me it would have to go to Japan since they didn't have the right
 tools to work on that lens. They said it would take about eight
 weeks. I told them that worked for me since I could get by without it
 until the auto show in January, at which point I would like to have
 it. It came back to me in December. I repeated the brick wall test,
 and while it was better, it was still a bit soft on the left side of
 the frame. Sent my test pics to CRIS. They said sent the lens back to
 us. I did; they tested as well and agreed with my finding. They then
 contacted Japan. Japan said it was within spec. I disagreed
 vehemently. With some help from Ricoh marketing, and pushing from
 CRIS, Japan agreed to replace the lens. And Ricoh marketing loaned by
 a 17-70 and 16-45 to tide me over. It took another eight weeks for
 Pentax to send the replacement. Today, it faintly arrived, almost
 exactly six months from the day I first sent the old lens in for
 repair. But I'm very appreciative of the help from Ricoh and CRIS,
 and I can't really fault Pentax. They replaced a lens that had been
 damaged with a new one. Although I would think they should have been
 able to repair the old one satisfactorily. Seems the 16-50 is not
 only hard to assemble at the factory, it's tough to repair as well.
 Tested the new one and set the fine focus adjustment. I'm now good to
 go. So I shot a clock. Like many other clocks it's inscribed Tempus
 Fugit. Fugettaboutit.

 http://photo.net/photodb/photo?photo_id=17702140size=lg


 Paul, do I understand correctly, that you refer to DA* 16-50 although in the
 beginning of your message (fully quoted for your convenience :-) ), you
 mentioned DA* 60-250?


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Re: PESO 2014 - 057 - GDG

2014-03-07 Thread Rob Studdert
Very nice!

On 8 March 2014 02:25, Godfrey DiGiorgi godfreydigio...@me.com wrote:
 Back at the park on a Saturday morning, this one in late January.

 http://www.flickr.com/photos/gdgphoto/12990907264/

 Enjoy! Thanks for looking.

 BTW: let me know if this does not display nicely on your system. Be sure to 
 include system specifics ... what OS, what browser, etc. Thanks!

 Godfrey
 ---
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Re: K-3 wonkiness

2014-03-04 Thread Rob Studdert
Hi Stan,

Looking at various reports I'm pretty sure that the K3 has some way to
go before the firmware is as robust as the K5, I've seen multiple
reports of the shutter actuation going crazy (not happened to me yet),
total system lock-ups when using a battery in the grip and body (I've
experienced this first hand) and with your report and my issue with
the memory card problem it is difficult to have great trust in the
camera. I just bought a large 95MB/s card and I'll see how the camera
behaves with that for the moment but I have to keep using it because
the poor auto-focus system in the K5 just loses me so many images.

Cheers,

Rob

On 5 March 2014 07:29, Stan Halpin s...@stans-photography.info wrote:
 Not a biggie since i haven't lost anything yet, but this was a bit 
 disturbing...

 So I carry two K-3's, A and B. A is used more often, it hangs from a wrist 
 strap. B stays in the backpack or sometimes around my neck if I am switching 
 back and forth between wide and long for example. I occasionally chimp, 
 primarily to check the RGB histograms to make sure I haven't inadvertently 
 changed a setting and put myself out of range. Today on my A camera I was 
 noticing a strange color cast on the LCD. After a few more shots I became 
 convinced that something was wonky, switched to the B camera and went on.

 I just downloaded the shots from camera A via Lightroom. As long as Lightroom 
 was displaying thumbnails based on the in-camera jpg rendering, the color 
 balance was way off still. But once LR rendered previews, built from the RAW 
 data, everything looks just fine. So, the jpg portion of my K-# processor has 
 a random variable color-balance problem, but the basic DNG capture is just 
 fine. To be clear, there is not a consistent color balance bias toward too 
 much green in the jpg's for example. Rather, it is off in a random way for 
 each shot.

 Since I only shoot DNG and don't capture jpeg's in parallel, the good news 
 here far outweighs the bad. But still unsettling...

 stan


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Re: Save me from my desire...

2014-03-04 Thread Rob Studdert
Bruce all the screw-on colour filters still work similarly to how they
did in the days of silver halides on acetate ;)


On 5 March 2014 13:40, Walt ldott...@gmail.com wrote:
 Yikes! I looked up the going rate and and thought, Hmm. That's a K-3, a new
 computer, and several nice guitars!





 On 3/4/2014 4:17 PM, Bob W-PDML wrote:

 Does anyone here have any experience of using the Leica Monochrom, and
 cares to tell all?

 I am about to cash in a matured savings account, and the Leica site is
 doing nasty things to my mind, like Fanny Ardant doing a slow striptease in
 my door jamb...

 http://uk.leica-camera.com/photography/m_system/m_monochrom/

 B



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Re: K3 card failure

2014-03-03 Thread Rob Studdert
After analyzing all the cards fairly thoroughly it appears that the
card in slot 1 wasn't written to at all in that session and the card
in slot 2 was written to but became corrupt through the shoot. The
spare card in the grip was already previously formatted (in the same
camera but earlier) and worked fine.

I don't check much during a shoot, just a little chimping at the
outset to ensure that I'm not clipping highlights. I have the rear
screen turned off and the top screen illumination controlled by the
RAW button, so I don't keep an eagle eye on the top panel, I did just
expect it to work stupidly.

It was dire lighting last night too, I shot the whole show at ISO8000
with the lenses open to f2.8 and barely made 1/100s for the most part,
reasonable results IMO considering the lighting but as good as perfect
for what was needed by the producers. So all good in the end, had me
more than a little stressed though as it was a cornerstone shoot.
Thanks for the feedback.

Cheers,


On 3 March 2014 13:31, Bruce Walker bruce.wal...@gmail.com wrote:
 On Sun, Mar 2, 2014 at 8:53 PM, Bill anotherdrunken...@gmail.com wrote:
 On 02/03/2014 7:39 PM, Bruce Walker wrote:

 I only had a single brand new SanDisk 32Gig 45mb/s Extreme (like
 Rob's) to start with, which is the one that experienced this problem.
 I bought a second identical one, formatted both in camera, and have
 been using them together without a hitch since. I wasn't about to toss
 the card considering the price and that it was likely only a soft
 formatting issue of some kind. But by enabling dual-write I figured I
 was safe to continue going to see what would happen.


 The other dumb question, of course, is can the files be transferred by
 plugging the camera directly into a computer?

 I tried that. The Mac saw the exact same bad format and did the same
 unmount fail. To the computer, the K-3 on a USB cable is simply a card
 reader. Sadly.

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Re: K3 card failure

2014-03-03 Thread Rob Studdert
I should add that I have subsequently deep formatted all my cards in a
computer then formatted them in camera, hopefully I won't get a
re-run, crossing fingers.


On 3 March 2014 22:53, Rob Studdert distudio.p...@gmail.com wrote:
 After analyzing all the cards fairly thoroughly it appears that the
 card in slot 1 wasn't written to at all in that session and the card
 in slot 2 was written to but became corrupt through the shoot. The
 spare card in the grip was already previously formatted (in the same
 camera but earlier) and worked fine.

 I don't check much during a shoot, just a little chimping at the
 outset to ensure that I'm not clipping highlights. I have the rear
 screen turned off and the top screen illumination controlled by the
 RAW button, so I don't keep an eagle eye on the top panel, I did just
 expect it to work stupidly.

 It was dire lighting last night too, I shot the whole show at ISO8000
 with the lenses open to f2.8 and barely made 1/100s for the most part,
 reasonable results IMO considering the lighting but as good as perfect
 for what was needed by the producers. So all good in the end, had me
 more than a little stressed though as it was a cornerstone shoot.
 Thanks for the feedback.

 Cheers,


 On 3 March 2014 13:31, Bruce Walker bruce.wal...@gmail.com wrote:
 On Sun, Mar 2, 2014 at 8:53 PM, Bill anotherdrunken...@gmail.com wrote:
 On 02/03/2014 7:39 PM, Bruce Walker wrote:

 I only had a single brand new SanDisk 32Gig 45mb/s Extreme (like
 Rob's) to start with, which is the one that experienced this problem.
 I bought a second identical one, formatted both in camera, and have
 been using them together without a hitch since. I wasn't about to toss
 the card considering the price and that it was likely only a soft
 formatting issue of some kind. But by enabling dual-write I figured I
 was safe to continue going to see what would happen.


 The other dumb question, of course, is can the files be transferred by
 plugging the camera directly into a computer?

 I tried that. The Mac saw the exact same bad format and did the same
 unmount fail. To the computer, the K-3 on a USB cable is simply a card
 reader. Sadly.

 --
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Re: K3 card failure

2014-03-03 Thread Rob Studdert
OK, that's interesting because when I have replaced the slot 1 card
without the slot 2 card being at capacity the subsequent shots started
to accumulate immediately on the first card again as far as I can
recall.

On 4 March 2014 07:34, Stan Halpin s...@stans-photography.info wrote:
 I had an interesting card-glitch today though nothing as costly and dramatic 
 as yours Rob.

 Evenings while traveling I download from cards to my laptop, with a copy via 
 Lightroom to an external drive. For this trip I had thought that I would NOT 
 format the cards, but just leave the shots to accumulate; after all, my total 
 for a couple of weeks is seldom more than 60-70 Gb, and with two cameras, 
 four 32Gb cards I figured I would have no issue. Last night, as I approached 
 capacity on card #1 in body #1, I changed my mind. After downloading from 
 both bodies, I formatted the cards in slots 1 and 2 on both bodies.

 So today I did a bunch of shooting. Downloaded images from card #1 in body 
 #1, but found nothing on card #1, body #2. Huh? I know I used body #2 at 
 least some of the time!
 For some odd reason that has no apparent meaning for me, body #2 wrote only 
 to card #2, bypassing the perfectly good card in slot #1. Nothing lost, but 
 those images just not where I had expected them to be.

 stan

 On Mar 2, 2014, at 8:14 PM, Rob Studdert wrote:

 Thanks guys, still coming to terms with the issue.

 The cards were all genuine Sandisk, Extreme 32GB 45MB/s, one new and
 one old and an earlier Extreme 32GB 30MB/s card, none of which ever
 gave me the remotest hint of a problem when used in two K5 bodies. Not
 happy.

 Cheers,

 On 3 March 2014 11:44, Darren Addy pixelsmi...@gmail.com wrote:
 Sorry to hear of your difficulties, Rob.

 May I ask what brand the cards are?

 As you may know SanDisk offers a recovery software. In addition to
 that, there are these:
 http://download.cnet.com/SDHC-Card-Recovery-Pro/3000-2248_4-75904835.html
 http://sd-card-format-recovery.soft112.com/
 http://www.reclaime.com/library/memory-card-recovery.aspx

 No personal experience with any of them. Good luck.



 On Sun, Mar 2, 2014 at 6:22 PM, Bruce Walker bruce.wal...@gmail.com wrote:
 I'm very sorry to hear this, Rob. I wonder if you are seeing a similar
 issue to what I saw very early on. I shot some stuff and returning
 home I couldn't unload my card because it couldn't be read in my Mac.
 The Mac unmounted the card shortly after insertion saying it had
 damaged formating. And I couldn't convince the Disk Utility to repair
 it either.

 Can you see the card content when inserted into the K-3?

 What I determined was that I had failed to reformat the SD card
 immediately after purchase. After reformating (in-camera) that card
 and another of the same type that I purchased later I have not had any
 further problems after thousands of frames taken.

 After this incident I did switch the K-3 to dual (ie redundant) write
 mode and I always have two cards inserted. I wasn't going to take any
 more chances. :-(

 BTW, sadly I lost the content of that damaged formating card. I
 could see the images when the card was in the K-3 but nothing I did
 allowed me to extract that data, even over a USB cable. I was sorely
 pissed off.

 Something I never tried doing was to mount the card under Windows and
 use format repair utilities on it. I regret failing to try that but it
 didn't occur to me at the time.

 I hope you have better luck.


 On Sun, Mar 2, 2014 at 6:46 PM, Rob Studdert distudio.p...@gmail.com 
 wrote:
 Well I'm just about toast if my card recovery doesn't go well, I shot
 a show last night, a fairly important one in fact and of three card
 used in the K3 only one is readable. The one card is a month or two
 old and the others I have had for a while and operated without a
 problem. All cards were formatted in camera before the gig so should
 be error free.

 I have the K3 set up to cascade from card 1 to 2 and when card two was
 full I replaced card 1 with an empty card and that's the only one that
 I can read. All 32 GB cards so 64GB of images are lost in the ether
 currently, feeling a bit ill and somewhat less than complimentary
 about the reliability of the K3 :(

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K3 card failure

2014-03-02 Thread Rob Studdert
Well I'm just about toast if my card recovery doesn't go well, I shot
a show last night, a fairly important one in fact and of three card
used in the K3 only one is readable. The one card is a month or two
old and the others I have had for a while and operated without a
problem. All cards were formatted in camera before the gig so should
be error free.

I have the K3 set up to cascade from card 1 to 2 and when card two was
full I replaced card 1 with an empty card and that's the only one that
I can read. All 32 GB cards so 64GB of images are lost in the ether
currently, feeling a bit ill and somewhat less than complimentary
about the reliability of the K3 :(

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Re: K3 card failure

2014-03-02 Thread Rob Studdert
Thanks guys, still coming to terms with the issue.

The cards were all genuine Sandisk, Extreme 32GB 45MB/s, one new and
one old and an earlier Extreme 32GB 30MB/s card, none of which ever
gave me the remotest hint of a problem when used in two K5 bodies. Not
happy.

Cheers,

On 3 March 2014 11:44, Darren Addy pixelsmi...@gmail.com wrote:
 Sorry to hear of your difficulties, Rob.

 May I ask what brand the cards are?

 As you may know SanDisk offers a recovery software. In addition to
 that, there are these:
 http://download.cnet.com/SDHC-Card-Recovery-Pro/3000-2248_4-75904835.html
 http://sd-card-format-recovery.soft112.com/
 http://www.reclaime.com/library/memory-card-recovery.aspx

 No personal experience with any of them. Good luck.



 On Sun, Mar 2, 2014 at 6:22 PM, Bruce Walker bruce.wal...@gmail.com wrote:
 I'm very sorry to hear this, Rob. I wonder if you are seeing a similar
 issue to what I saw very early on. I shot some stuff and returning
 home I couldn't unload my card because it couldn't be read in my Mac.
 The Mac unmounted the card shortly after insertion saying it had
 damaged formating. And I couldn't convince the Disk Utility to repair
 it either.

 Can you see the card content when inserted into the K-3?

 What I determined was that I had failed to reformat the SD card
 immediately after purchase. After reformating (in-camera) that card
 and another of the same type that I purchased later I have not had any
 further problems after thousands of frames taken.

 After this incident I did switch the K-3 to dual (ie redundant) write
 mode and I always have two cards inserted. I wasn't going to take any
 more chances. :-(

 BTW, sadly I lost the content of that damaged formating card. I
 could see the images when the card was in the K-3 but nothing I did
 allowed me to extract that data, even over a USB cable. I was sorely
 pissed off.

 Something I never tried doing was to mount the card under Windows and
 use format repair utilities on it. I regret failing to try that but it
 didn't occur to me at the time.

 I hope you have better luck.


 On Sun, Mar 2, 2014 at 6:46 PM, Rob Studdert distudio.p...@gmail.com wrote:
 Well I'm just about toast if my card recovery doesn't go well, I shot
 a show last night, a fairly important one in fact and of three card
 used in the K3 only one is readable. The one card is a month or two
 old and the others I have had for a while and operated without a
 problem. All cards were formatted in camera before the gig so should
 be error free.

 I have the K3 set up to cascade from card 1 to 2 and when card two was
 full I replaced card 1 with an empty card and that's the only one that
 I can read. All 32 GB cards so 64GB of images are lost in the ether
 currently, feeling a bit ill and somewhat less than complimentary
 about the reliability of the K3 :(

 --
 Rob Studdert (Digital  Image Studio)
 Tel: +61-418-166-870 UTC +10 Hours
 Gmail, eBay, Skype, Twitter, Facebook, Picasa: distudio

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Re: K3 card failure

2014-03-02 Thread Rob Studdert
Camera couldn't read them either, I have a third card in the grip so I
change out card #1 when they are both full.

On 3 March 2014 12:20, Bill anotherdrunken...@gmail.com wrote:
 On 02/03/2014 6:22 PM, Bruce Walker wrote:


 BTW, sadly I lost the content of that damaged formating card. I
 could see the images when the card was in the K-3 but nothing I did
 allowed me to extract that data, even over a USB cable. I was sorely
 pissed off.


 If the camera could read them, did you try to process the files in camera
 and have it write to new files which might be usable??

 Also, would it be better to replace both cards at the same time rather than
 just one?

 bill



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Re: K3 card failure

2014-03-02 Thread Rob Studdert
I should add I have yet to need a fourth 32GB card for one camera in a
two camera shoot (the other camera also contains a Sandisk 32GB 45MB/s
card).


On 3 March 2014 13:20, Rob Studdert distudio.p...@gmail.com wrote:
 Camera couldn't read them either, I have a third card in the grip so I
 change out card #1 when they are both full.

 On 3 March 2014 12:20, Bill anotherdrunken...@gmail.com wrote:
 On 02/03/2014 6:22 PM, Bruce Walker wrote:


 BTW, sadly I lost the content of that damaged formating card. I
 could see the images when the card was in the K-3 but nothing I did
 allowed me to extract that data, even over a USB cable. I was sorely
 pissed off.


 If the camera could read them, did you try to process the files in camera
 and have it write to new files which might be usable??

 Also, would it be better to replace both cards at the same time rather than
 just one?

 bill



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Re: GESO - Goodbye Oxford Tavern

2014-02-26 Thread Rob Studdert
Nice shot of Stephen :)


On 26 February 2014 22:10, Derby Chang der...@iinet.net.au wrote:
 The Oxford Tavern was an institution. Cheap beer and food, strippers, and a
 loyal following. Last year, it was sold, and there was a story behind it.

 http://www.smh.com.au/nsw/poles-apart-topless-bar-set-to-lose-sleaze-factor-20130720-2qb0d.html

 My friend was trying to photograph the story of the pub long before the pub
 was even for sale. She only got permission in the last 48 hours before it
 closed.

 http://au.blurb.com/b/5115919-goodbye-oxford-tavern

 I went to the opening tonight. Terrific show.

 http://members.iinet.net.au/~derbyc/14/02/goodbyeoxford/index.html

 The edit is a bit sloppy on my part, but I'm not apologising. I had fun

 --

 der...@iinet.net.au
 http://members.iinet.net.au/~derbyc


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Re: K-100D vs K-30 -- Noise at high ISO?

2014-02-19 Thread Rob Studdert
Same for me K-x stopped me using the *ist D (permanently) and the
K20D, but later I bought 2 x K5 and sold everything else, the K-x was
a great little camera, the first camera on which I could really dial
up the ISO and feel like I wasn't ruining the shot.




On 20 February 2014 09:26, Larry Colen l...@red4est.com wrote:

 On Feb 19, 2014, at 1:35 PM, Margus Männik mar...@eol.ee wrote:

 Sorry for a late reply,

 K30 is very un-noisy compared to K100D. I just took a look at my written 
 reviews and sample images of both cameras. K30 images at ISO3200 are quite 
 OK. K100D images do have visible digital noise and (depending on lighting 
 conditions) may even have visible horizontal bands. There are also big 
 differences in color accuracy and dynamic range.
 I'd say that Pentax K-r was the first to have greatly improved image quality 
 at high ISO values. And K30 is a bit better than K-r.

 K-x was the one that made the big leap.  When I got my K-x I nearly stopped 
 using my K20.  When I got my K-5 I kept the K-x and sold the K20.

 The K-r has some big functional advantages over the K-x, and a lot of small 
 performance advantages.

 But, anything made after the K-x will be a huge improvement over the K100.


 BR, Margus



 On 9.02.2014 4:16, Glen Berry wrote:
 This is going to be a difficult question to answer without showing 
 comparison images, but can anyone give me some sort of idea how noisy a 
 K-30 is, compared to the much older K-100D?

 One of the things that bugs me the most about the older cameras like the 
 K-100D, is the very noticeable noise at higher ISO's. With every step above 
 ISO 200, I can notice additional noise in the image. I think ISO 3200 is 
 horrible.

 I've read comments from folks who had much newer DSLR's of various brands, 
 and some of those folks seem content with ISO 3200 on THEIR camera, and I 
 think I've even read a few mentions of folks being satisfied with ISO 6400 
 for certain applications.

 So, how good is the K-30 with regards to high ISO noise, and try to compare 
 it to an older model like the K-100D if you can. I'm hoping the K-30 will 
 let me shoot a few stops higher ISO without sacrificing quality. Would that 
 likely be correct?


 Thanks,
 Glen



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Re: GESO pinup photo shoot

2014-02-18 Thread Rob Studdert
I don't know much about Pinup genre but this is a really lovely honest
portrait http://www.flickr.com/photos/ellarsee/12596340163/



On 18 February 2014 07:50, Larry Colen l...@red4est.com wrote:
 A friend thought that would be fun to set up a pinup photo shoot at
 her house, with people to do hair, makeup etc. and asked me to be one of
 the photographers.  Sorry Frank, all of the primary models were women,
 though we had a couple guys on hand as extras.

 I tried shooting with a high key background, used white board from
 home depot for the floor and white seamless for the back. I didn't have
 enough light on the back, so I had issues to deal with in post.  Also
 the seams between the floor panels needed to be dealt with in post.
 I did discover that I could drag the spot remover in lightroom to
 remove a line, so that made things easier.

 I was never really happy with my lighting, but it wasn't a total failure.

 Lighting was a 7' umbrella on the model (no fill light and just
 the room as fill reflector) and a smaller softbox on the background.
 Since the stage was in a corner, I only had one side, and the front
 for setting up lights.

 I shot about 1300 frames, and narrowed it down a bit for this set:
 http://www.flickriver.com/photos/ellarsee/sets/72157641128305303/

 Comments and suggestions on improving the lighting appreciated.

 --
 Larry Colen  l...@red4est.com http://red4est.com/lrc


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Re: Anti virus spyware programs

2014-02-14 Thread Rob Studdert
I use my firewall in the OS to control the flow of information
outwards more than inwards which is pretty much all the simple
hardware firewall in the router does (I also have a DMZ and hardware
firewall though).

On 15 February 2014 00:37, Attila Boros attila.p...@gmail.com wrote:
 I'm using Kaspersky Anti-virus, it's small and fast. Not running a
 firewall on windoze, I have an ADSL modem / router for that.

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Re: Anti virus spyware programs

2014-02-13 Thread Rob Studdert
I second John's suggestion but I use Comodo firewall instead of the MS
product, far more configurable.

On 13 February 2014 18:23, John Coyle jco...@iinet.net.au wrote:
 Bill, if you are using Windows 7 or later, MS Security Essentials does a 
 pretty good job, without
 needing anything more.  I also use Trend Micro's Titanium Maximum Security on 
 older Pc's, and I have
 not had a virus slip through for a very long time.  Of course, I'm also 
 careful about what I open in
 email or download from anywhere!

 HTH


 John Coyle
 Brisbane, Australia



 -Original Message-
 From: PDML [mailto:pdml-boun...@pdml.net] On Behalf Of Bill
 Sent: Thursday, 13 February 2014 2:19 PM
 To: Pentax-Discuss Mail List
 Subject: OT: Anti virus  spyware programs

 After a decade at least of not running any sort of antivirus, I am giving 
 some thought to installing
 some sort of anti virus/spyware program.
 What's the consensus on what is a good but not bloated AV program. The last 
 one I ran was a Norton
 program that was almost worse than getting a virus, so if they have suddenly 
 become good, it might
 take some convincing.

 bill

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Re: Sigma OS lenses

2014-02-12 Thread Rob Studdert
With my K5 and Sigma 70-200/2.8 non-OS with the rear screen off and af
on the rear button plus saving RAW+jpg I can regularly get over 1000
shots to a single battery :)


On 13 February 2014 08:50, Jan van Wijk pen...@dfsee.com wrote:
 Hi Rob,

 On Wed, 12 Feb 2014 16:54:16 +1100 Rob Studdert wrote:

Jan, only one of my Sigma lenses has OS and I don't use it as it's a
17-50mm and offeres no advantage over in body SR but it does work.

 Yes, I guess for sucg a short lenas there is little difference ...

That said the electronics required to stabilize the moving internal
element still use power so the OS lenses are more power hungry then
their non-OS counter-parts.

 Certainly true yes, and it IS noticable, but I stll got several
 hundreds shots from a single K5 battery.

 And I really like the 'stabilized' viewfinder at 500mm :)

 Regards, JvW


 --
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Re: Stop Presses! Sigma announces lens for Pentax mount

2014-02-11 Thread Rob Studdert
Hi John, yes it is, it's referring to the new Art series lens.



On 12 February 2014 07:22, John johnsess...@yahoo.com wrote:
 Must be an updated version. I already have a Sigma 30mm f/1.4. It's a very
 nice lens.


 On 2/11/2014 11:04 AM, Miserere wrote:


 The 30mm f/1. 4:


 http://photorumors.com/2014/02/10/sigma-announced-30mm-f1-4-dc-hsm-lens-for-pentax-and-sony-cameras/

 Is it me our has it been a while since any 3rd party lenses came out in K
 mount?

 Cheers,


--M.

\/\/o/\/\ -- http://WorldOfMiserere.com

http://EnticingTheLight.com
A Quest for Photographic Enlightenment


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Re: Sigma OS lenses

2014-02-11 Thread Rob Studdert
Jan, only one of my Sigma lenses has OS and I don't use it as it's a
17-50mm and offeres no advantage over in body SR but it does work.
That said the electronics required to stabilize the moving internal
element still use power so the OS lenses are more power hungry then
their non-OS counter-parts.



On 12 February 2014 09:06, Jan van Wijk pen...@dfsee.com wrote:
 Hi Collin,

 On Mon, 10 Feb 2014 16:39:37 -0500 CollinB wrote:

Anyone here shooting them?  I  looking at the 70-300 and 150-500.  Nice.  No 
screw AF.

 I have been using using the 50-500mm for well over a year now.
 Unlike Rob (Studdert that is :) mine seems to perform fairly well at 500mm, 
 wich is where I use it most.

 I prefer to use the in-lens stabilization over the in-body, since that gives 
 you uch better feedsback,
 the image in the viewfinder is stabilized too, and you usually 'see' it 
 locking in ...

 Have used it exclusively with the K5 (sold now), still to be tested/used on 
 the new K3

 Regards, JvW

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Re: A small epiphany...

2014-02-10 Thread Rob Studdert
Yes apparently it's yet to be delivered in Pentax mount, at least they
are releasing this one for us.

Cheers,



On 9 February 2014 14:58, Igor Roshchin s...@komkon.org wrote:


 Rob,

 I noticed that one two months ago, and even asked about it here, on
 PDML:
 http://pdml.net/pipermail/pdml_pdml.net/2013-December/365953.html

 Unfortunately, Adorama and BH still have it listed as available for
 preorder.
 The price tag is also rather steep, although it is less expensive than
 Pentax FA 31/1.8.


 Igor


 Sat Feb 8 16:13:26 EST 2014
 Rob Studdert wrote:

 The Sigma fast wide angle for APSc users to covet would be the Sigma
 18-35mm F1.8 DC HSM, I haven't had the opportunity to use one yet
 (wrong mount)  but in the hand and build wise I have never seen
 anything as fine from Pentax.

 http://www.dpreview.com/lensreviews/sigma-18-35-1-8




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Re: K3 Under pressure

2014-02-10 Thread Rob Studdert
On 10 February 2014 16:26, Boris Liberman bori...@gmail.com wrote:
 Well, I see. I should point out that I have no clue as to how conductive of
 heat are the internals of the Pentax cameras and how heat conductive is the
 outer shell.

 I was merely suggesting that if too many shots were shot and it overheated,
 and somehow the sub-system that was supposed to notice that malfunctioned,
 it could have lead to the described behavior - the camera would take a shot,
 but down the imaging pipe it would refuse to write it to card (which by the
 way is significant source of heat, if I am not mistaken).

 Never happened to any of my Pentax cameras, yet.


 On 2/9/2014 6:15 PM, Aahz Maruch wrote:

 On Sun, Feb 09, 2014, Boris Liberman wrote:


 That sucks. Rob, can it possibly have to do with heat?


 Considering that my similar experience with a K-5 II happened while I
 was freezing outdoors in Alaska, I don't think so...

 (Just to be clear, not literally freezing, although it was quite chilly
 and windy.)



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Re: K3 Under pressure

2014-02-10 Thread Rob Studdert
Hi Guys,

The room was air conditioned so quite cool and I certainly wasn't
shooting at rates that I have in the past using both of my K5 bodies
with the same lenses and batteries. The lens was a Sigma but still
this problem shouldn't occur and a little searching on the much
maligned PF reveals that my case is not isolated. Both the shutter
release system and the battery management system should have been
ironed out by now. I did have some similar problems with my K5's in
the early firmware releases.

Cheers,


On 10 February 2014 20:46, Rob Studdert distudio.p...@gmail.com wrote:
 On 10 February 2014 16:26, Boris Liberman bori...@gmail.com wrote:
 Well, I see. I should point out that I have no clue as to how conductive of
 heat are the internals of the Pentax cameras and how heat conductive is the
 outer shell.

 I was merely suggesting that if too many shots were shot and it overheated,
 and somehow the sub-system that was supposed to notice that malfunctioned,
 it could have lead to the described behavior - the camera would take a shot,
 but down the imaging pipe it would refuse to write it to card (which by the
 way is significant source of heat, if I am not mistaken).

 Never happened to any of my Pentax cameras, yet.


 On 2/9/2014 6:15 PM, Aahz Maruch wrote:

 On Sun, Feb 09, 2014, Boris Liberman wrote:


 That sucks. Rob, can it possibly have to do with heat?


 Considering that my similar experience with a K-5 II happened while I
 was freezing outdoors in Alaska, I don't think so...

 (Just to be clear, not literally freezing, although it was quite chilly
 and windy.)



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Re: I'm Back

2014-02-10 Thread Rob Studdert
Wow, nice locations, looks like fun, I must do it over an extended
period one time at least, I doubt somehow that I would be able to
limit my image count to 1 or so though :)


On 9 February 2014 22:36, sup8pdct sup8p...@clubtelco.com wrote:
 I am back after traveling for almost 12 months.
 Here is a map type of thingy of where we stayed during the trip, Some places
 were a day, some 2 weeks. Less then 4% were caravan parks. The rest was
 either national parks or free camping.

 http://i1325.photobucket.com/albums/u626/sup8pdct/camps_zps3ec552b5.jpg

 My wife broke her camera in a remote spot in the northwest region. It was
 either save the camera or save her face and serious injury. She refuses to
 put the strap around her neck as it annoys the living hell out or her, so
 she was carrying it. Her foot got caught on a rock while getting over a pile
 of rocks. The camera (K5) went sailing through the air and hit a rock
 ripping the lens mount clean off the body. I put it back on again when we
 got back to camp without joining the wire up and it still worked, tho no
 telling when the screws will rip out again with a big lens or a minor fall.
 Off to the camera repair place soon with it.
 She also dropped it a few days earlier on to rocks. maybe that weakened it a
 little.
 Mine is fine tho it took a tumble out of the 4X4 and broke the 77mm skylight
 filter on the 16-50 2.8. Again, the wife was at fault. tho i didn't put it
 back in the camera bag so will still blame her ;)

 She is now asking 'can we go again, please?'

 The trip wasn't long enough, but pressing matters like  seams to get in
 the way.
 I took something like 10,000 images on the trip. One or two may be good
 enough to get somewhere in comps.

 James


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Re: K3 Under pressure

2014-02-10 Thread Rob Studdert
I did my Googling earlier and I am quite sure that Pentax, for its
market share, is over-represented in the camera lock-up stakes.

Rather than make excuses for poor performance I would the problems be
diagnosed and remedied so that in the long run Pentax might claw back
some market share as a serious camera brand. Currently it's decidedly
second class given, media coverage, professional uptake, services
limitations, rental options and third party support and on top of that
unreliability doesn't help.



On 11 February 2014 04:18, Rick Womer rwomer1...@yahoo.com wrote:
 A bit of Googling will show you that freezing (requiring removing the 
 battery) is a problem for EVERY brand of DSLR.

 Rick

 On Feb 10, 2014, at 04:55 , Ralf R Radermacher wrote:

 Am 09.02.14 17:13, schrieb Aahz Maruch:

 That's what happened to me with a K-5 II as well (although I think I was
 shooting bracketed).

 This is, just like the sticking trigger button, an eternal problem that I've 
 had with all my Pentax DSLRs (*istDS, K10, K7, K5).

 Ralf

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Re: Sigma OS lenses

2014-02-10 Thread Rob Studdert
Yep, OS is switched off in preference to in body SR though it still
adds drain to the system, I don't know that any of the current Sigma
lenses use screw AF, in any case the HSM focus seems very fast
compared with Pentax SDM from my albeit limited experience and the
reports that I have read from others.

On 11 February 2014 08:39, CollinB coll...@brendemuehl.net wrote:
 Anyone here shooting them?  I  looking at the 70-300 and 150-500.  Nice.  No 
 screw AF.
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Re: testing

2014-02-10 Thread Rob Studdert
4 5 6

On 11 February 2014 14:17, Rick Womer rwomer1...@yahoo.com wrote:
 1 2 3

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K3 Under pressure

2014-02-08 Thread Rob Studdert
Hi Team,

I shot my first gig tonight using the K3, focus was much improved
however unfortunately it had a solid lock-up at a critical stage in
the performance, K5 came to the rescue but not after I'd missed half
the action. The camera would do everything to seem like it was
shooting but the card write LED never lit and even though I could get
into the menus when I hit the review key I just got a waiting symbol.
I was using a 30MB/s card, current firmware, grip, two batteries and a
Sigma lens and shooting pretty solidly in bursts (single shot mode).
Only removing the grip and camera battery was I able to remedy the
problem. Has anyone else experienced anything like this?

Cheers,

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Re: K3 Under pressure

2014-02-08 Thread Rob Studdert
Thanks for the feedback, I'll persevere for the moment, I have three
big shows to shoot in the next two weeks so I'll see how it goes.

Cheers,


On 9 February 2014 06:10, Bob W-PDML p...@web-options.com wrote:
 Sounds like an actuator, not a detector.

 B

 On 8 Feb 2014, at 18:51, Rick Womer rwomer1...@yahoo.com wrote:

 Well, at least Ricoh hasn't screwed up the USD (User Stress Detector) chip.

 Rick

 On Feb 8, 2014, at 9:16 AM, Rob Studdert wrote:

 Hi Team,

 I shot my first gig tonight using the K3, focus was much improved
 however unfortunately it had a solid lock-up at a critical stage in
 the performance, K5 came to the rescue but not after I'd missed half
 the action. The camera would do everything to seem like it was
 shooting but the card write LED never lit and even though I could get
 into the menus when I hit the review key I just got a waiting symbol.
 I was using a 30MB/s card, current firmware, grip, two batteries and a
 Sigma lens and shooting pretty solidly in bursts (single shot mode).
 Only removing the grip and camera battery was I able to remedy the
 problem. Has anyone else experienced anything like this?



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Re: A small epiphany...

2014-02-08 Thread Rob Studdert
The Sigma fast wide angle for APSc users to covet would be the Sigma
18-35mm F1.8 DC HSM, I haven't had the opportunity to use one yet
(wrong mount)  but in the hand and build wise I have never seen
anything as fine from Pentax.

http://www.dpreview.com/lensreviews/sigma-18-35-1-8



On 9 February 2014 02:09, Igor Roshchin s...@komkon.org wrote:

 Hi Darren,

 Unlike some PDMLers, I don't have hate toward Sigma lenses. I haven't had
 too many, but in my most recent experience, I've used 24/1.8, purchased
 from a kind fellow PDMLer (who kindly allowed me to testdrive it before
 making the decision).

 I wanted it for being a fast wide-angle lens, and used it for two purposes:
 1. some low-light photos of musicians and dancers:
 e.g. http://42graphy.org/swing/rachel-jan2011/

 2. photographs of my child: a) when I needed a short distance (so that I
 can be close) and when I didn't want to use the flash (and I imposed a ban
 on flash photographs in the first month).

 Since most of the time, I was using it wide open, or maybe closed down
 just a step (to 2.0), I was not using it at its sharpest.
 I was satisfied with its performance but not overly impressed.

 In contrast, in the past month, I used FA-31/1.8 for some low light
 shooting, and it performs much better when wide open. In particular,
 the rendering of colors is much more interesting, although not as
 spectacular as that of the 77/1.8.
 I think even FA 35/2.0 performs somewhat (probably just slightly) better
 wide open than Sigma 24/1.8 even at 2.0.
 I think (and I was warned about it by th previous lens owner) Sigma 24/1.8
 performs much better from about f/2.4-2.8.


 Igor



 Fri Feb 7 23:25:30 EST 2014
 Darren Addy wrote:

 Straightening up my workshop this weekend I saw these three boxes
 http://www.flickr.com/photos/pixelsmithy/12376451995/
 and was struck by the sudden epiphany that virtually ALL of my
 favorite images were produced with one of these three lenses. As a
 Pentax DSLR owner I have, admittedly, not owned any of the proverbial
 really good Pentax AF glass but I am more than pleased with these
 three lenses. Only the 28mm f1.8 was purchased new (for $399 from a
 retailer selling on eBay). The 10-20mm was found on Craigslist for
 $350 and the Bigma was purchased from a PDML-er who was switching to
 Nikon  NEX. All 3 are superb performers, IMHO.

 With the proviso that owner satisfaction is better with the 28mm f1.8
 than its wider focal length siblings, I can heartily recommend the
 Sigma EX series to my Pentax-shooting brethren.


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Re: Another K-3

2014-02-05 Thread Rob Studdert
Old thread, but just got my first K3. What the hell were they thinking
re the Info button, concept is good, options provided are poorly
thought out. Menu changes make sense on the whole I think, gone is the
extended ISO range caper, but ISO 100 lowest? And what's with changing
the position of the AF button on the body radically and leaving the AF
button on the grip where the old one used to be :( The K5 design was
great in the respect that you could flip from landscape to portrait
mode using the grip and basically all the buttons were in essentially
the same place. Goddamn this thing better nail focus.

On 23 December 2013 01:26, Bill anotherdrunken...@gmail.com wrote:
 On 21/12/2013 9:54 AM, Bruce Walker wrote:

 On Fri, Dec 20, 2013 at 10:52 PM, Bill anotherdrunken...@gmail.com
 wrote:

 On 20/12/2013 8:48 PM, Bruce Walker wrote:


 You're going through the exact same upgrade path as I. I'm still
 struggling with a few adaptations, but totally loving it and you will
 too. Eg: I had to turn off that annoyingly persistent Info screen, and
 I haven't found a way to call it up on demand, so I just have to live
 without I guess.



 Don't you just press the Info button?


 Turns out I meant what they call the Status Screen. There's no way
 to call that up quickly, ie in a button push. As Stan outlines: press
 Info, Info again, arrow over to Status Screen, OK.

 Not an operation I'm going to do on a whim, and certainly not while
 I'm in the middle of shooting.


 This is something they could fix easily by allowing the user to choose which
 screen comes up when the info button is pressed. Right now it defaults to
 the menu screen, they could just as easily make it default to the last
 screen viewed (menu, status or level). The few quibbles I have with the K3
 relate to this sort of behaviour on the part of the camera.

 bill


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Re: Dropbox question

2014-02-05 Thread Rob Studdert
Godfrey is correct, I mount web pages using the Public folder in DB
folder tree, right-click/control-click the folder then copy public
link, also you can simply export a set of pics to a folder, copy that
folder to the Photos folder in the DB folder tree and
right-click/control-click the folder share DB link. This will copy a
link to your clipboard to a publicly accessible automatically
generated gallery page using the images contained in the folder like
the following example:

https://www.dropbox.com/sh/5mgjwjmb9oag2s9/_jOHE508TK

On 5 February 2014 18:48, Godfrey DiGiorgi godfreydigio...@me.com wrote:
 Rick,

 This is how I do it.

 Working on OS X:

 - Create the gallery in the Lightroom Web module as you want it
 - Click the Export button in the bottom corner
 - Using the file navigation dialog, go to the Desktop
 - Give the gallery a name, for example PESO2014
 - Click OK

 Lightroom will assemble all the bits and pieces into a folder named what you 
 input above on the Desktop.

 - Go to the Dropbox folder on your system
 - Drag the gallery folder you created with Lightroom into the Public folder

 Dropbox will transfer the folder and all its contents to the web for you.
 Once it's done ..

 - Open the Dropbox folder on your computer
 - Control-click (right-click if you have the mouse set up that way) on the 
 index.html file in the web gallery folder
 - Choose the Copy Public Link command from the drop down menu:
   e.g.: 
 https://dl.dropboxusercontent.com/u/25268645/web_gallery_link_via_dropbox.jpg

 You can paste that link in an email to share it. For example,
   https://dl.dropboxusercontent.com/u/25268645/PESO2014/index.html

 That's it, you're done.

 Godfrey


 On Feb 4, 2014, at 4:57 PM, Rick Womer rwomer1...@yahoo.com wrote:

 A few people here post pix and galleries via Dropbox.

 How?

 I have a small gallery created with LR4 I'd like to share, and I've uploaded 
 it to Dropbox; but nowhere can I find how to share it.


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Re: Pentax 1.4x converter

2014-02-05 Thread Rob Studdert
I have to agree, $600 is pretty rich but so are most of Pentax's glass
offerings, I guess that's why I tend towards Sigma now.

On 6 February 2014 11:54, Miserere miser...@gmail.com wrote:
 Really Mark? You expected it to be more expensive still? Jeez, I
 thought $600 for a 1.4x TC was eye gouging enough already.

 Cheers,


--M.

 \/\/o/\/\ -- http://WorldOfMiserere.com

 http://EnticingTheLight.com
 A Quest for Photographic Enlightenment



 On 5 February 2014 18:32, Mark Roberts postmas...@robertstech.com wrote:
 Bruce Walker wrote:

So now we know: $599.95

PR from Ricoh quoted by dpreview contradicts some of asahi man's info.
Won't work with cameras older than K-7. Cameras will need firmware
update.

http://www.dpreview.com/news/2014/02/05/ricoh-announces-hd-pentax-da-af-1-4x-aw-rear-converter

 That explains the firmware update that just came out, doesn't it?

 Price is around what I expected. perhaps even a little lower than I
 expected. Hope it's good!

 --
 Mark Roberts - Photography  Multimedia
 www.robertstech.com





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Re: Pentax 1.4x converter

2014-02-05 Thread Rob Studdert
The Canon Lens EF 1.4X III Extender retails (from a shop that doesn't
deep discount) at AU$529 inc 10% GST or about US$475

On 6 February 2014 14:33, Mark Roberts postmas...@robertstech.com wrote:
 Rob Studdert wrote:

On 6 February 2014 11:54, Miserere miser...@gmail.com wrote:
 Really Mark? You expected it to be more expensive still? Jeez, I
 thought $600 for a 1.4x TC was eye gouging enough already.

I have to agree, $600 is pretty rich but so are most of Pentax's glass
offerings, I guess that's why I tend towards Sigma now.

 $600 is right around the price of the Canon equivalent. I thought it
 might be a little pricier. To do a teleconverter *right* (especially
 in this age of pixel peeping) can't be cheap.



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 www.robertstech.com





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Re: Another K-3

2014-02-05 Thread Rob Studdert
Thank Bruce, I hope it delivers what I need, I'm getting busier and I
really need AF to be more accurate and reliable.

On 6 February 2014 10:07, Bruce Walker bruce.wal...@gmail.com wrote:
 It does. Nail focus, that is. (My recent studio shoot, ambient room
 light only -- between flashes that is -- which amounted to two CFLs in
 the far corners and some window light, and not one out of focus shot
 in 4 hours of shooting.)

 Congrats, Rob. You'll enjoy it.

 On Wed, Feb 5, 2014 at 5:26 PM, Rob Studdert distudio.p...@gmail.com wrote:
 Old thread, but just got my first K3. What the hell were they thinking
 re the Info button, concept is good, options provided are poorly
 thought out. Menu changes make sense on the whole I think, gone is the
 extended ISO range caper, but ISO 100 lowest? And what's with changing
 the position of the AF button on the body radically and leaving the AF
 button on the grip where the old one used to be :( The K5 design was
 great in the respect that you could flip from landscape to portrait
 mode using the grip and basically all the buttons were in essentially
 the same place. Goddamn this thing better nail focus.

 On 23 December 2013 01:26, Bill anotherdrunken...@gmail.com wrote:
 On 21/12/2013 9:54 AM, Bruce Walker wrote:

 On Fri, Dec 20, 2013 at 10:52 PM, Bill anotherdrunken...@gmail.com
 wrote:

 On 20/12/2013 8:48 PM, Bruce Walker wrote:


 You're going through the exact same upgrade path as I. I'm still
 struggling with a few adaptations, but totally loving it and you will
 too. Eg: I had to turn off that annoyingly persistent Info screen, and
 I haven't found a way to call it up on demand, so I just have to live
 without I guess.



 Don't you just press the Info button?


 Turns out I meant what they call the Status Screen. There's no way
 to call that up quickly, ie in a button push. As Stan outlines: press
 Info, Info again, arrow over to Status Screen, OK.

 Not an operation I'm going to do on a whim, and certainly not while
 I'm in the middle of shooting.


 This is something they could fix easily by allowing the user to choose which
 screen comes up when the info button is pressed. Right now it defaults to
 the menu screen, they could just as easily make it default to the last
 screen viewed (menu, status or level). The few quibbles I have with the K3
 relate to this sort of behaviour on the part of the camera.

 bill


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Re: OT - Re: Yo Cotty, check the new Fuji out!

2014-02-02 Thread Rob Studdert
On 3 February 2014 08:18, Miserere miser...@gmail.com wrote:

 If camera makers opened up their firmware, then I'd probably be able to end 
 up with a 98% perfect camera for no extra money, but nobody listens to Thom 
 Hogan, let alone to me :-/
 Cheers,

Amen, the Sony RX100.. could benefit greatly by having photographers
input to the design of the UI :(

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Re: PESO: Winter Dream

2014-01-27 Thread Rob Studdert
Very nice! How are you finding the camera? Would you say it has taken
shots/work away from your DSLR or has it just added to the number of
shots that you make?

I have been taking more shots overall since I acquired the camera and
lugging about a back-pack that I'm often reticent/unable to delve into
less often.

Cheers,


On 28 January 2014 06:05, Attila Boros attila.p...@gmail.com wrote:
 There's still cold around here, but at least now it's pretty:)

 http://1x.com/photo/460677

 Taken with Sony RX100 II.

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Re: OT - how to avoid Facebook image mangling

2014-01-24 Thread Rob Studdert
Facebook clobbers metadata in any case. The best method to preserve
image quality apart from saving as PNG is to stick to the FB standard
image dimensions to limit the effect of resizing engines.

https://www.facebook.com/CoverPhotoSize?filter=2



On 24 January 2014 10:13, Bruce bkday...@daytonphoto.com wrote:
 When you create an album to upload to, there is an option to make it Hi-Res.  
 All images uploaded to it are not mangled as badly.

 --
 Bruce

 Sent from my iPad

 On Jan 23, 2014, at 11:57 AM, Bruce Walker bruce.wal...@gmail.com wrote:

 Photoshelter posted a nice article on how to get around the terrible
 quality-mangling compression artifacts that Facebook introduces when
 you upload images there. Curiously, the easy answer is upload PNG
 files! Very counterintuitive, but apparently it helps.

 http://blog.photoshelter.com/2014/01/facebook-photos-look-bad-diy-solution-fix

 --
 -bmw

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Re: OT - Saw an Olympus OM-D in the Wild Today

2014-01-24 Thread Rob Studdert
On 24 January 2014 09:47, Igor Roshchin s...@komkon.org wrote:

 So, I spoke with the camera's owner. To my surprise, he was complaining
 about the AF in low light.
 ... go figure! ;-)

LOL, he obviously hadn't used a Pentax ;) Given that I was shooting a
K5 with good f2.8 and was having terrible problems with focus as my
friend was shooting away using the OM-D E-M1 without trouble I can
only relay what I experienced first hand.

The OM-D E-M1 owner has Pentax kit as well but he is retiring the Pentax gear.

Cheers,

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Re: PESO - Big (and I mean *Big*) Duck

2014-01-19 Thread Rob Studdert
Hi Brian, fun capture, was he the one that was in Darling Harbour
2013? Cheers, Rob

On 20 January 2014 17:14, Brian Walters apathy...@lyons-ryan.org wrote:
 Quoting Daniel J. Matyola danmaty...@gmail.com:

 Nicely portrayed!

 Did you see the big duck I posted here a while back?

 http://photo.net/photodb/photo?photo_id=17508279



 No - I missed that one.

 That quacker certainly gets around!



 Cheers

 Brian

 ++
 Brian Walters
 Western Sydney Australia
 http://lyons-ryan.org/southernlight/



 Dan Matyola
 http://www.pentaxphotogallery.com/danieljmatyola


 On Sun, Jan 19, 2014 at 3:58 PM, Brian Walters apathy...@lyons-ryan.org
 wrote:


 I thought about using this image for the February PUG ('Feathered
 Friends').
 Then I remembered it doesn't have feathers...


 http://dl.dropboxusercontent.com/u/1370864/PESO/slides/_IGP5002-K5-1peso.html

 http://tinyurl.com/kg3sewr





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Re: PESOs: polar vortex + window

2014-01-10 Thread Rob Studdert
Amazing images.



On 11 January 2014 12:21, Bruce bkday...@daytonphoto.com wrote:
 I second that.

 --
 Bruce

 Sent from my iPad

 On Jan 10, 2014, at 11:18 AM, knarf knarftheria...@gmail.com wrote:

 Beautiful! Stunning work!

 Cheers,
 frank

 Christine Nielsen ch...@inielsen.net wrote:
 Hi all  happy new year!

 “Analysis kills spontaneity.” -- Henri-Frederic Amiel



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Re: OT - 'The Photographer's Eye'

2014-01-09 Thread Rob Studdert
Thanks guys, just bought it, will return with my critique in a few
weeks (after the slow boat has delivered it from the UK) :)


On 10 January 2014 07:32, Attila Boros attila.p...@gmail.com wrote:
 I also have that book and can wholeheartedly recommend to anyone. Best
 book I've read on composition by far.

 On Thu, Jan 9, 2014 at 10:27 PM, Ken Waller kwal...@peoplepc.com wrote:
 Just finished an interesting read - The Photographer's Eye by Michael
 Freeman.

 An excellent read about subtle and not so subtle elements involved in the
 composition of a photographic image.

 ..how you build a picture, what a picture consists of, how shapes are
 related to each other, how spaces are filled, how the whole thing must have
 a kind of unity.

 While I've collected alot of ideas, over my years in photography, about
 compositions, I learned alot from this book about things I didn't know or
 knew but didn't know why they worked.

 Kenneth Waller
 http://www.pentaxphotogallery.com/kennethwaller

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Re: It's not the camera

2014-01-09 Thread Rob Studdert
My laptop screen re is 1366 x 768, it's nearly impossible to edit
images on but I persist as I have 2 x 27 and 1 x 24 screens on the
desk at my office.

On 10 January 2014 12:14, Larry Colen l...@red4est.com wrote:
 Have you ever noticed that the more money someone has invested in photo
 gear, the more likely they are to say It's not the camera, it's the 
 photographer?

 So, if it's not the camera, now that K-3 prices have dropped a bit,
 why do I want a K-3 so badly?  It's not like I'll get any better photos.

 Seriously though, I really am planning on waiting to see what the next
 thing they have in store is before committing.

 On the subject of spending money on gear, I ended up returning my 13
 macbook pro.  It turns out that the screen was just too small for
 comfortably editing photos.  It turns out that there are three versions
 of the 15 available (at least refurbbed).

 1) The retina screen is the only one available at stores.  You lose a
 firewire port, but gain a second thunderbolt port.  You lose the
 optical drive and get an HDMI port.
 The big drawback, other than cost, is that the memory is soldered in,
 so you pay the apple tax on RAM, since you can't upgrade on your own.

 2) Low res  1440x900 pixels

 3) High res 1680x1050, this seems to be the one to get, but the
 inexpensive ones seem to be gone from the apple store as of today,
 all of the ones left charge the apple tax on memory and drive.

 --
 Larry Colen  l...@red4est.com http://red4est.com/lrc


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Re: DxO recommends lenses for the K-3

2014-01-08 Thread Rob Studdert
Yeah, the 17-50/2.8 is almost permanently on my #2 body, it's pretty good.

On 9 January 2014 10:37, Bruce Walker bruce.wal...@gmail.com wrote:
 DxO measured a whack of glass for sharpness and stuff on the K-3 and
 also compared to how they look on the K-5.

 Are you sitting down? Best lens for both prime and zoom category is a Sigma 
 ...

 http://www.dxomark.com/Reviews/Best-lenses-for-the-24-MPix-Pentax-K-3-Recommended-primes-and-zooms

 No big surprise: the good lenses all measure as sharper on the K-3. If
 you have a DA* 55/1.4 on your K-3: suhweet! (As you will have
 discovered for yourself by now anyway.)

 They haven't yet measured the DA* 50-135/2.8, the DA* 60-250/4, or any
 FA Ltd's, so that may change the chart.

 --
 -bmw

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Re: Goodbye, Cameras

2014-01-06 Thread Rob Studdert
The RX100II is Wifi enabled and has a companion app for smart phones :)


On 6 January 2014 16:16, Boris Liberman bori...@gmail.com wrote:
 That's right. Especially that nowadays being connected (aka being able to
 upload your next selfie to facebook or whatever) matters more than being
 photographically endowed, so to speak.


 On 1/5/2014 12:57 AM, Rob Studdert wrote:

 My Sony RX100II is truly pocket-able and has an integrated 28/1.8
 equivalent lens, the Panasonic is very small but you still need to add
 a lens but in both cases neither are even close to replacing an SLR
 for so many types of photography that I do. I use the camera in my
 Android phone exensively too but again only within its limitations.
 You have to know what the gear can do in order to use it effectively,
 for most people a PS is sufficient and for an increasing many the
 camera in their phone has proved to be more than adequate but that's
 not going to make top end DSLRs any less relevant.

 On 5 January 2014 06:32, Boris Liberman bori...@gmail.com wrote:

 Aahz, I have to very respectfully disagree. Have a look on Voigtlander
 Nokton 40/1.4. Given its speed, it is positively very small. And to boot
 it
 naturally covers the so called full frame. The Pentax 40/2.8 pancake is
 also
 very small.

 So you can have small (not iPhone small though) lenses and cameras...


 On 1/4/2014 9:22 PM, Aahz Maruch wrote:


 On Sat, Jan 04, 2014, Boris Liberman wrote:



 My point is that miniaturization is reaching yet another level. And
 this camera unlike iPhone's and plethora of Android devices is
 seriously real deal.



 Yes and no -- real glass requires real weight and bulk.  I agree that
 most people (who don't care about DOF, macro, or large prints) will
 stick with phone cameras.  No surprise, really.



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Re: Pentax Lens profile for Photoshop CS6 - help wanted

2014-01-05 Thread Rob Studdert
Jens shift lens correction is problematic, it's best done dynamically
because the lens correction routines assume that the distortions are
predictable as generally the lens characteristics are based on the
effecive centre of the lens being at the centre of the frame. If a
lens is tilted or shifted this is no longer the case. Instead you can
use a program such as Hugin which allows you to set control points on
vertical or horizontal elements in the frame which can then facilitate
remapping of the frame in order to negate distortions.


On 5 January 2014 22:21, Jens p...@planfoto.dk wrote:

 Hello list

 Doing a Photo project photographing Buildings.
 I have been using two lenses:
 SMC PENTAX SHIFT 1:3.5/28mm
 Sigma EX 10-20mm 1:4.5-5.6 DC

 Using Photoshop CS6 I discovered that CS6 has a lens correction filter, which 
 Works brilliantly for the Sigma lens (I'm using the filter for the Sigma HSM 
 version), that is included in the CS6 lens filter data base.
 Unfortunatlely the old shift lens is not mentioned in the filter list.

 Does anyone know if and how I may import the filter for the Pentax shift lens?

 Thanks in adcvance

 Regards
 Jens,
 Denmark






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Re: Goodbye, Cameras

2014-01-04 Thread Rob Studdert
My Sony RX100II is truly pocket-able and has an integrated 28/1.8
equivalent lens, the Panasonic is very small but you still need to add
a lens but in both cases neither are even close to replacing an SLR
for so many types of photography that I do. I use the camera in my
Android phone exensively too but again only within its limitations.
You have to know what the gear can do in order to use it effectively,
for most people a PS is sufficient and for an increasing many the
camera in their phone has proved to be more than adequate but that's
not going to make top end DSLRs any less relevant.

On 5 January 2014 06:32, Boris Liberman bori...@gmail.com wrote:
 Aahz, I have to very respectfully disagree. Have a look on Voigtlander
 Nokton 40/1.4. Given its speed, it is positively very small. And to boot it
 naturally covers the so called full frame. The Pentax 40/2.8 pancake is also
 very small.

 So you can have small (not iPhone small though) lenses and cameras...


 On 1/4/2014 9:22 PM, Aahz Maruch wrote:

 On Sat, Jan 04, 2014, Boris Liberman wrote:


 My point is that miniaturization is reaching yet another level. And
 this camera unlike iPhone's and plethora of Android devices is
 seriously real deal.


 Yes and no -- real glass requires real weight and bulk.  I agree that
 most people (who don't care about DOF, macro, or large prints) will
 stick with phone cameras.  No surprise, really.



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Re: DPReview readers love the K-3

2014-01-04 Thread Rob Studdert
Paul my mainstay lenses are now all Sigma, 10-20/3.5, 17-50/2.8,
70-200/2.8 and 50/1.4, they are all fast and quiet using HSM focusing,
they are very well built and have excellent image quality. Notably
they are all far better value than their equivalent Pentax
counterparts though none offer weather sealing (which is a non-issue
for me). I still have 4 Limited lenses but apart from my 35/2.8LTD
macro they only find their way into my kit for very specific purposes.
I would like the Pentax 60-250/4 but I can't justify the price given
its comparatively slow speed.



On 5 January 2014 09:16, Paul Stenquist pnstenqu...@comcast.net wrote:

 On Jan 4, 2014, at 1:39 PM, Boris Liberman bori...@gmail.com wrote:

 Attila, you have to realize that this Sigma has nothing on the market to 
 compare it to. DA* 16-50 is a different lens. It has WR, it is wider and 
 longer as far as zoom range goes, while Sigma boasts tremendous image 
 quality and the USB dock so that you could play with your copy to your heart 
 liking.

 I'm not buying Sigma and I'm not re-buying DA* 16-50. But I very much would 
 like Pentax to do something rather unlimited and produce a lens that will 
 compete with Sigma in IQ dept face to face.

 Have you compared teh Sigma and the 16-50? The latter, when properly 
 assembled, has very good image quality.

 Paul

 On 1/3/2014 3:27 PM, Attila Boros wrote:
 Seems like Sigma is putting out some nice lenses lately. But this is
 bigger and heavier than the DA* 16-50mm, and has a smaller zoom range.
 Would like to see some comparison between the two lenses.

 On Fri, Jan 3, 2014 at 7:10 AM, Boris Liberman bori...@gmail.com wrote:
 Also the lens of the year is sigma 18-35/1.8...

 Sent with AquaMail for Android
 http://www.aqua-mail.com



 On January 3, 2014 4:55:31 AM Aahz Maruch a...@pobox.com wrote:


 http://www.dpreview.com/news/2014/01/02/best-gear-of-2013-the-results-are-in/11

 The Pentax K-3 was an early front-runner in this poll, and blazed
 through to a convincing victory, garnering an impressive 31.4% of
 the total vote. Strangely, stablemates the K-50 and K-500 got almost
 no love, but the capable, innovative K-3 was your pick for best
 DSLR/SLT of 2013 by a landslide. Which probably means we should get
 going with our full review, right? We'll get right on it.
 --
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 http://rule6.info/
   *   *   *
 Help a hearing-impaired person: http://rule6.info/hearing.html

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Re: The Pentax CES Display...

2014-01-02 Thread Rob Studdert
Hi Paul, excellent new. I have a good friend there exhibiting so I'll
ask if he can take a shot if he ends up at the display. Cheers, Rob

On 3 January 2014 15:07, Jack Davis jdavi...@yahoo.com wrote:
 I certainly remember the shot. Particularly well exposed.
 Congratulations.

 Jack




 - Original Message -
 From: Ann Sanfedele ann...@nyc.rr.com
 To: Pentax-Discuss Mail List pdml@pdml.net
 Cc:
 Sent: Thursday, January 2, 2014 4:34 PM
 Subject: Re: The Pentax CES Display...

 We know that guy :-)

 Terrific for ya, Paul

 ann

 On 1/2/2014 16:34, Walt wrote:
 Wonderful, Paul -- both the news and the photo.

 Congratulations on the selection!

 -- Walt


 On 1/2/2014 2:35 PM, Paul Stenquist wrote:
 ...will include one of my photos—“Birmingham Gentleman.” The Ricoh
 marketing people chose it after perusing the Pentax Gallery, and I
 provided a 50 meg. tiff file. I believe they made a rather large print
 of it. Most of you probably recall the pic. It was on the landing page
 of the Pentax Gallery for quite a few years, and it’s been seen here
 before. It’s on photo.net as well:
 http://photo.net/photodb/photo?photo_id=3451662size=lg

 If anyone plans on attending the CES, I’d love to see a photo of the
 booth.

 Best,
 Paul



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Re: OT: Coolest email I've gotten in a while...

2013-12-19 Thread Rob Studdert
Brilliant :)

On 20 December 2013 13:47, Charles Robinson charl...@visi.com wrote:
 Just got this in my inbox:

 Dear Charles,

 my name is Wolfgang Flür, I was a Kraftwerk member from 1973-1986 (all albums 
 / tours), the electro drummer.
 Today I have found your photos from us of the 1981 Computerworld tour in 
 Bremen and am so what of excited. You are a very good photographer I find.
 My quest is if I can use some for them for my website like a little slideshow 
 for instance for all Kraftwerk fans and include your photographer's name of 
 course.
 Would be very nice to hear positive from you. Are you still living in Germany?

 Very best greetings, merry Christmas and happy new year to you and your 
 family,

 Wolfgang Flür

 WOW!

  -Charles

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 http://www.facebook.com/charles.robinson


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