[Sursound] Binaural Via Ambisonic

2022-09-18 Thread lenmoskowitz
If you want to record binaural using ambisonic microphones, have a look 
at the two Bilateral Ambisonic technical papers from Zamir Ben Hur, 
David Alon et. al.


With two second- or higher-order microphones, you can get very high 
quality recordings and playback.


   https://www.aes.org/e-lib/browse.cfm?elib=20871
   https://dl.acm.org/doi/pdf/10.1109/TASLP.2021.3055038


Len Moskowitz
Core Sound LLC
www.core-sound.com
Home of OctoMic and TetraMic

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 Today's Topics:

1. Re: about principled rendering of ambisonic to binaural
   (Ralph Jones)
2. Re: about principled rendering of ambisonic to binaural
   (David McKevy)
3. Re: about principled rendering of ambisonic to binaural
   (S?ren Bendixen)
4. Re: about principled rendering of ambisonic to binaural
   (Picinali, Lorenzo)


 --

 Message: 1
 Date: Sat, 17 Sep 2022 17:51:55 -0700
 From: Ralph Jones 
 To: sursound@music.vt.edu
 Subject: Re: [Sursound] about principled rendering of ambisonic to
binaural
 Message-ID: 
 Content-Type: text/plain;  charset=utf-8

 I?m a composer, not a mathematician, so while I try, I don?t get very 
far at understanding discussions like this. But the subject is of real 
concern for me, because I am currently working in 5.1.4 surround format 
(channel-based, not Atmos) and I would dearly love to find a 
mac-compatible VST plugin that would convincingly render my work in 
binaural. So, is there a plugin that does what Fons describes here? 
(i.e., given azimuth and elevation for each channel, render the signals 
to binaural convincingly, including an impression of elevation for 
height channels.)


 Ralph Jones

 > On Sep 13, 2022, at 9:00 AM,Fons Adriaensen wrote:
 >
 > Message: 1
 > Date: Tue, 13 Sep 2022 15:59:49 +0200
 > From: Fons Adriaensen 
 > To: sursound@music.vt.edu
 > Subject: Re: [Sursound] about principled rendering of ambisonic to
 >   binaural
 > Message-ID:
 >   <20220913135949.ugwflytibwa7p...@mail1.linuxaudio.cyso.net>
 > Content-Type: text/plain; charset=iso-8859-1
 >
 >

 [Snip]

 > Another question is if for high quality binaural rendering, starting 
from

 > Ambisonic content is a good idea at all.
 >
 > Simple fact is that if you want really good results you need very 
high

 > order, and
 >
 > 1. such content isn't available from direct recordings (we don't 
have even

 > 10th order microphpones), so it has to be synthetic,
 >
 > 2. rendering it from an Ambisonic format would be very inefficient. 
For
 > example for order 20 you'd need 441 convolutions if you assume L/R 
head

 > symmetry, twice that number if you don't.
 >
 > Compare this to rendering from object encoded content (i.e. mono 
signals
 > plus directional metadata). You need only two convolutions per 
object.
 > Starting from a sufficiently dense HRIR set, you can easily generate 
a
 > new set on a regular grid with a few thousand points, and 
interpolate
 > them (VBAP style) in real time. This can give you the same 
resolution

 > as e.g. order 40 Ambisonics at fraction of the complexity.
 >
 >
 > Ciao,
 >
 > --
 > FA



 --

 Message: 2
 Date: Sat, 17 Sep 2022 22:57:26 -0400
 From: David McKevy 
 To: Surround Sound discussion group 
 Subject: Re: [Sursound] about principled rendering of ambisonic to
binaural
 Message-ID:

 Content-Type: text/plain; charset="utf-8"

 Ralph you mentioned wanting a Mac based VST so I assume you have 
access to

 Logic and can try their binaural decoder?

 It's been a while since I worked with c

Re: [Sursound] binaural to FOA?

2021-06-23 Thread Sampo Syreeni

On 2021-03-05, Ralph Glasgal wrote:

Checkout the AES papers at www.ambiophonics.org.  But basically if you 
have a front pair that was recorded with accurate values of ITD and 
ILD and a rear pair isolated from the front that also has accurate ITD 
and ILD then you can have a full circles of very realistic sound in 
the horizontal plane using RACE, BACCH or similar crosstalk 
cancellation apps with just four speakers.


I've been down and under for quite the number of months now, or even a 
couple of years, thanks to COVID-19. Sorry. As such, let me return into 
the fray for a while?


Binaural to FOA is an underdetermined problem, mathematically speaking. 
It's two nasty channels to four straight. That means that if you want to 
somehow "solve" the inverse problem, you will have to bring in hard a 
priori knowledge.


Statically you cannot have that knowledge. If the ears stay put, it 
remains a linear underdetermined problem.


However if the ears move, you can posit the problem as a superresolution 
one. In space/orientation. Any steady sound source can be taken as a 
probe of the binaural soundscape, and the HRTF. You *can* in fact do 
statistical inverse MIMO analysis of if, as long as you have some a 
priori knowledge of the signal's true statistics.


That means you *do* tend to be privy to some a priori information, 
towards the solution of the binaural-to-FOA (HOA?) problem. It's just 
that you'd need to know or infer which way the ear-pair were, from 
auditory analysis alone, given a binaural reference, found out by 
automation.


It *can* be done. It's only that the inverse problem is a highly 
dynamical one, and one which hasn't been solved, nay, even attempted at 
yet.

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Re: [Sursound] binaural to FOA?

2021-06-08 Thread Sampo Syreeni

On 2021-03-05, Ralph Glasgal wrote:

Well, I think 2.0, 4.0, 5.1, etc. sources can be spatialized using 
Ambiophonics which is not just for audiophiles but for video sound 
tracks and any form of industrial surround localization.


Certainly, and I'm known to like the technique.

I'm also known to like physical acoustics, as represented by HOA and 
WFS. Abmbiophoics is definitely not a something else; cheaper, maybe 
better, but nothing going near the physical acoustical ideal.


For example, only the physioacoustical reproduction methods can ever 
achieve full auditory parallax. That is, at full, the possibility of 
walking around and jumping over a sound source, while fully perceiving 
it as being "there".

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Re: [Sursound] binaural to FOA?

2021-06-08 Thread Sampo Syreeni

On 2021-03-05, Augustine Leudar wrote:


You can try Spats Transaural thing. [...]


Theoretically you cannot gather any more information from a static 
binaural recording than the first and second spherical harmonics. 
W and X.


Dynamically, and using something like onset-offset-thinking, and 
phasing, you can gather a whole lot more. Presuming the microphones 
moves and the pinnae around them keep even semi-constant.

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Re: [Sursound] binaural to FOA?

2021-06-08 Thread Sampo Syreeni

On 2021-03-04, Marc Lavallée wrote:

Mike, I already know how to use the ATK kernels in custom applications 
(a bit of convolution and the job is done).


It's not quite that easy. Going from FOA (especially HOA) to binaural is 
rather easy, since you only have to average over the spherical harmonics 
and integrate over your HRTFs.


The other way, it's far more complicated, because the equations are 
under-determined, instead of over-. You have to be be able to bring in 
some a priori knowledge to fill in the gap, if you want to do it right, 
and then the prerequisite knowledge just isn't here just yet.


In *theory* you can filter out the higher spatial harmonics brought in 
by the pinna, and in *theory* you can at least in the lower spectrum 
work out something right out of the separated microphones (at pinnae). 
But in practice, that will be high science, and doing it right calls for 
assumptions which we cannot readily formalise. They wouldn't be within 
the ambit of linear signal processing, either, but within highly dynamic 
psychoacoustics. If done optimally.

--
Sampo Syreeni, aka decoy - de...@iki.fi, http://decoy.iki.fi/front
+358-40-3751464, 025E D175 ABE5 027C 9494 EEB0 E090 8BA9 0509 85C2
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Re: [Sursound] binaural to FOA?

2021-03-16 Thread Sampo Syreeni

On 2021-03-04, Augustine Leudar wrote:


So I wondered; is there a method to "convert" binaural to
horizontal-only FOA?


Jumping in, after the fact.

*If you know the transfer function which led to the binaural rendition, 
especially in movement, you essentially have in your hands an "infinite 
order" system of equations, to be solved. Theoretically, you can solve 
the sparse system represented in time for pretty much any and all 
ambisonic systems. As long as it moves; if it doesn't, it'll yield just 
two degrees of freedom, and those will be well mixed against even the 
first order WXYZ-degrees.

--
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Re: [Sursound] binaural to FOA?

2021-03-05 Thread Ralph Glasgal
Well, I think 2.0, 4.0, 5.1, etc. sources can be spatialized using Ambiophonics 
which is not just for audiophiles but for video sound tracks and any form of 
industrial surround localization.  The end result and applications are quite 
similar to Ambisonics even if the tools and software are not the same.

Ralph

-Original Message-
From: Sursound [mailto:sursound-boun...@music.vt.edu] On Behalf Of Marc Lavallée
Sent: Friday, March 05, 2021 2:47 PM
To: sursound@music.vt.edu
Subject: Re: [Sursound] binaural to FOA?

Yes, I know about ambiophonics... But ambiophonics would not work at all 
for my use case.

I need an Ambisonics workflow, to work with both FOA and/or 
stereo/binaural sources in order to spatialize them in different ways, 
then later decide the final rendering options. It's for an interactive 
installation, not for an audiophile system.

Thanks anyway for the suggestion.

Marc

Le 21-03-05 à 14 h 38, Ralph Glasgal a écrit :
> Checkout the AES papers at www.ambiophonics.org.  But basically if you have a 
> front pair that was recorded with accurate values of ITD and ILD and a rear 
> pair isolated from the front that also has accurate ITD and ILD then you can 
> have a full circles of very realistic sound in the horizontal plane using 
> RACE, BACCH or similar crosstalk cancellation apps with just four speakers.  
> You use one pair in front less than 20 degrees apart and one to the rear at a 
> similar angle.  This insures that you can have a lots of listeners along the 
> center line.  SQ or 4.0 SACDs sound fantastic this this way and the system is 
> relatively non critical as to angles and speaker positions.  Loudspeaker 
> binaural (4 speaker  type) is also a lot more pinna friendly since the 
> speakers are central/frontal for dialog soloists, etc.  If you make 4.0 
> recordings using an Ambiophone then the front and back pairs are isolated and 
> proper ITD and ILD values are preserved and available to be deliver intact as 
> described above.
>
> Anyone in the NYC area is welcome to hear this in person.  Height ambience is 
> also provided for classical music but that is another topic and one can also 
> provide envelopment and a rear concert hall ambience for older 2.0 sources 
> like LPs.  Incidentally, in my experience off side Ambiophonics sounds a lot 
> better than off position Ambisonics probably because both left and right 
> channels are being outputted by both speakers or if one is close to a side 
> speaker one hears good mono.
>
> Regards,
> Ralph Glasgal
>
> -Original Message-
> From: Sursound [mailto:sursound-boun...@music.vt.edu] On Behalf Of Dave Hunt
> Sent: Friday, March 05, 2021 6:44 AM
> To: sursound@music.vt.edu
> Subject: Re: [Sursound] binaural to FOA?
>
> Hi Marc,
>
> Yes, this is very difficult to do properly but a simple bodge is surprisingly 
> effective. Undoing the built in binaural encoding from the original recording 
> is next to impossible.
>
> I have done what is suggested in the ambisonic.net sources in Max. XY or 
> polar coordinates place the left and right channels at variable points on a 
> circle in a 1st order ambisonic encoder, giving a basic B-format output. This 
> image can then be rotated by fairly simple maths to alter the coordinates of 
> both channels together, or by rotating the B-format signal. The rest is done 
> by an ambisonic decoder.
>
> Once in B-format, the WXY components can be manipulated; gain, eq, 
> directional dominance. You can also apply a Z coordinate to move the image up 
> and down.
>
> The result is undeniably diffuse, but usable. Generally binaural recordings 
> sound OK as normal stereo, obviously without the proper spatial impression.
>
> Interesting effects are also achieved by treating stereo as UHJ and deriving 
> B-Format from that. I think there is something on that on ambisonic.net, as 
> well as super stereo and Dolby stereo.
>
> Transaural crosstalk cancellation only works over a very small area, and 
> becomes more complex for quad. Many such systems go for some form of closely 
> spaced dipole speaker layout, possibly with extra speakers. The University of 
> Southampton had something like that, but references might take some finding.
>
> Ciao,
>
> Dave Hunt
>
>
>> On 4 Mar 2021, at 17:00, sursound-requ...@music.vt.edu wrote:
>>
>> From: Marc Lavallée 
>> Subject: [Sursound] binaural to FOA?
>> Date: 4 March 2021 at 13:55:42 GMT
>> To: Surround Sound discussion group 
>>
>>
>> I have a "back to the basics" question.
>>
>> For a simple project I planned to record in FOA or HOA, but the final render 
>> would be in simple quad (horizontal). So I don't need a lot of resolution. I 
>> enjoy rec

Re: [Sursound] binaural to FOA?

2021-03-05 Thread Joseph Anderson
On Fri, Mar 5, 2021 at 2:42 AM Fons Adriaensen  wrote:

> That said, not all is lost.
>
> Conversion from binaural to stereo is possible using
> something similar to
>
> <
> http://kokkinizita.linuxaudio.org/linuxaudio/zita-bls1-doc/quickguide.html
> >


Fons, it's nice to see a practical implementation of the Blumlein Shuffler!


My best,


*Dr Joseph Anderson | Research Scientist*

DXARTS, Box 353414

University of Washington

Seattle, WA 98195-3680



http://www.dxarts.washington.edu


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Re: [Sursound] binaural to FOA?

2021-03-05 Thread Marc Lavallée
Yes, I know about ambiophonics... But ambiophonics would not work at all 
for my use case.


I need an Ambisonics workflow, to work with both FOA and/or 
stereo/binaural sources in order to spatialize them in different ways, 
then later decide the final rendering options. It's for an interactive 
installation, not for an audiophile system.


Thanks anyway for the suggestion.

Marc

Le 21-03-05 à 14 h 38, Ralph Glasgal a écrit :

Checkout the AES papers at www.ambiophonics.org.  But basically if you have a 
front pair that was recorded with accurate values of ITD and ILD and a rear 
pair isolated from the front that also has accurate ITD and ILD then you can 
have a full circles of very realistic sound in the horizontal plane using RACE, 
BACCH or similar crosstalk cancellation apps with just four speakers.  You use 
one pair in front less than 20 degrees apart and one to the rear at a similar 
angle.  This insures that you can have a lots of listeners along the center 
line.  SQ or 4.0 SACDs sound fantastic this this way and the system is 
relatively non critical as to angles and speaker positions.  Loudspeaker 
binaural (4 speaker  type) is also a lot more pinna friendly since the speakers 
are central/frontal for dialog soloists, etc.  If you make 4.0 recordings using 
an Ambiophone then the front and back pairs are isolated and proper ITD and ILD 
values are preserved and available to be deliver intact as described above.

Anyone in the NYC area is welcome to hear this in person.  Height ambience is 
also provided for classical music but that is another topic and one can also 
provide envelopment and a rear concert hall ambience for older 2.0 sources like 
LPs.  Incidentally, in my experience off side Ambiophonics sounds a lot better 
than off position Ambisonics probably because both left and right channels are 
being outputted by both speakers or if one is close to a side speaker one hears 
good mono.

Regards,
Ralph Glasgal

-Original Message-
From: Sursound [mailto:sursound-boun...@music.vt.edu] On Behalf Of Dave Hunt
Sent: Friday, March 05, 2021 6:44 AM
To: sursound@music.vt.edu
Subject: Re: [Sursound] binaural to FOA?

Hi Marc,

Yes, this is very difficult to do properly but a simple bodge is surprisingly 
effective. Undoing the built in binaural encoding from the original recording 
is next to impossible.

I have done what is suggested in the ambisonic.net sources in Max. XY or polar 
coordinates place the left and right channels at variable points on a circle in 
a 1st order ambisonic encoder, giving a basic B-format output. This image can 
then be rotated by fairly simple maths to alter the coordinates of both 
channels together, or by rotating the B-format signal. The rest is done by an 
ambisonic decoder.

Once in B-format, the WXY components can be manipulated; gain, eq, directional 
dominance. You can also apply a Z coordinate to move the image up and down.

The result is undeniably diffuse, but usable. Generally binaural recordings 
sound OK as normal stereo, obviously without the proper spatial impression.

Interesting effects are also achieved by treating stereo as UHJ and deriving 
B-Format from that. I think there is something on that on ambisonic.net, as 
well as super stereo and Dolby stereo.

Transaural crosstalk cancellation only works over a very small area, and 
becomes more complex for quad. Many such systems go for some form of closely 
spaced dipole speaker layout, possibly with extra speakers. The University of 
Southampton had something like that, but references might take some finding.

Ciao,

Dave Hunt



On 4 Mar 2021, at 17:00, sursound-requ...@music.vt.edu wrote:

From: Marc Lavallée 
Subject: [Sursound] binaural to FOA?
Date: 4 March 2021 at 13:55:42 GMT
To: Surround Sound discussion group 


I have a "back to the basics" question.

For a simple project I planned to record in FOA or HOA, but the final render 
would be in simple quad (horizontal). So I don't need a lot of resolution. I 
enjoy recording with binaural microphones (the kind that looks like cheap 
earbuds), so I can record continuously without being noticed.

So I wondered; is there a method to "convert" binaural to horizontal-only FOA? 
Apparently there is:

https://www.ambisonic.net/quaduhj.html

http://www.ambisonic.net/ambimix.html

I guess my question is: what would be the software equivalent of a pan-rotate 
device?

Marc

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Re: [Sursound] binaural to FOA?

2021-03-05 Thread Ralph Glasgal
Checkout the AES papers at www.ambiophonics.org.  But basically if you have a 
front pair that was recorded with accurate values of ITD and ILD and a rear 
pair isolated from the front that also has accurate ITD and ILD then you can 
have a full circles of very realistic sound in the horizontal plane using RACE, 
BACCH or similar crosstalk cancellation apps with just four speakers.  You use 
one pair in front less than 20 degrees apart and one to the rear at a similar 
angle.  This insures that you can have a lots of listeners along the center 
line.  SQ or 4.0 SACDs sound fantastic this this way and the system is 
relatively non critical as to angles and speaker positions.  Loudspeaker 
binaural (4 speaker  type) is also a lot more pinna friendly since the speakers 
are central/frontal for dialog soloists, etc.  If you make 4.0 recordings using 
an Ambiophone then the front and back pairs are isolated and proper ITD and ILD 
values are preserved and available to be deliver intact as described above.

Anyone in the NYC area is welcome to hear this in person.  Height ambience is 
also provided for classical music but that is another topic and one can also 
provide envelopment and a rear concert hall ambience for older 2.0 sources like 
LPs.  Incidentally, in my experience off side Ambiophonics sounds a lot better 
than off position Ambisonics probably because both left and right channels are 
being outputted by both speakers or if one is close to a side speaker one hears 
good mono.

Regards,
Ralph Glasgal 

-Original Message-
From: Sursound [mailto:sursound-boun...@music.vt.edu] On Behalf Of Dave Hunt
Sent: Friday, March 05, 2021 6:44 AM
To: sursound@music.vt.edu
Subject: Re: [Sursound] binaural to FOA?

Hi Marc,

Yes, this is very difficult to do properly but a simple bodge is surprisingly 
effective. Undoing the built in binaural encoding from the original recording 
is next to impossible.

I have done what is suggested in the ambisonic.net sources in Max. XY or polar 
coordinates place the left and right channels at variable points on a circle in 
a 1st order ambisonic encoder, giving a basic B-format output. This image can 
then be rotated by fairly simple maths to alter the coordinates of both 
channels together, or by rotating the B-format signal. The rest is done by an 
ambisonic decoder.

Once in B-format, the WXY components can be manipulated; gain, eq, directional 
dominance. You can also apply a Z coordinate to move the image up and down.

The result is undeniably diffuse, but usable. Generally binaural recordings 
sound OK as normal stereo, obviously without the proper spatial impression.

Interesting effects are also achieved by treating stereo as UHJ and deriving 
B-Format from that. I think there is something on that on ambisonic.net, as 
well as super stereo and Dolby stereo.

Transaural crosstalk cancellation only works over a very small area, and 
becomes more complex for quad. Many such systems go for some form of closely 
spaced dipole speaker layout, possibly with extra speakers. The University of 
Southampton had something like that, but references might take some finding.

Ciao,

Dave Hunt


> On 4 Mar 2021, at 17:00, sursound-requ...@music.vt.edu wrote:
> 
> From: Marc Lavallée 
> Subject: [Sursound] binaural to FOA?
> Date: 4 March 2021 at 13:55:42 GMT
> To: Surround Sound discussion group 
> 
> 
> I have a "back to the basics" question.
> 
> For a simple project I planned to record in FOA or HOA, but the final render 
> would be in simple quad (horizontal). So I don't need a lot of resolution. I 
> enjoy recording with binaural microphones (the kind that looks like cheap 
> earbuds), so I can record continuously without being noticed.
> 
> So I wondered; is there a method to "convert" binaural to horizontal-only 
> FOA? Apparently there is:
> 
> https://www.ambisonic.net/quaduhj.html
> 
> http://www.ambisonic.net/ambimix.html
> 
> I guess my question is: what would be the software equivalent of a pan-rotate 
> device?
> 
> Marc

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Re: [Sursound] binaural to FOA?

2021-03-05 Thread Marc Lavallée
I tried BACHH4Mac, using my Soundman "things" as measurement microphones 
with my old Zoom H2; Edgar Choueiri would not agree with my choice of 
"in-ear" microphones and audio interface, but I'm not much of an 
audiophile/scientific type of audio enthusiast. I could try to do the 
same with a diy dummy head, capture the IR and use it in my custom 
software, but maybe that would not work well for all users (and that 
could be against some part of the licensing agreement).


Maybe I can try Spat, but only if the transform from binaural to 
transaural is a linear operation. I need IRs because the installation 
will run from a Raspberry Pi, so that's why I like the idea of using the 
Super Stereo ATK kernel.


And I agree, going FOA all the way would be better.

Marc

Le 21-03-05 à 09 h 49, Augustine Leudar a écrit :

You can try Spats Transaural thing. I honestly think you'd be better off
building a quadraphonic installation from scratch rather than trying to
convert things. By all means use your binaural recording s in it - but be
aware the interaural time differences can cause a slight phase difference
between speakers which can lead to comb filtering and a kind "weakening "
of the sound - I've never liked any of my binaural recordings over speakers
(I used those little soundman things)
Good luck!

On Fri, 5 Mar 2021 at 13:01, Marc Lavallée  wrote:


That's what I'm looking for: a simple bodge, to be able to use stereo
and/or binaural recordings that could be available instead of FOA
recordings; I don't want to miss opportunities to record something
interesting because I don't have a 5th order microphone, only for some
interactive entertainment...

Transaural can be amazing, and it could work for my use case...

Thanks for the tips. I may fail miserably, but it's worth a try.

Marc

Le 21-03-05 à 06 h 44, Dave Hunt a écrit :

Hi Marc,

Yes, this is very difficult to do properly but a simple bodge is

surprisingly effective. Undoing the built in binaural encoding from the
original recording is next to impossible.

I have done what is suggested in the ambisonic.net sources in Max. XY

or polar coordinates place the left and right channels at variable points
on a circle in a 1st order ambisonic encoder, giving a basic B-format
output. This image can then be rotated by fairly simple maths to alter the
coordinates of both channels together, or by rotating the B-format signal.
The rest is done by an ambisonic decoder.

Once in B-format, the WXY components can be manipulated; gain, eq,

directional dominance. You can also apply a Z coordinate to move the image
up and down.

The result is undeniably diffuse, but usable. Generally binaural

recordings sound OK as normal stereo, obviously without the proper spatial
impression.

Interesting effects are also achieved by treating stereo as UHJ and

deriving B-Format from that. I think there is something on that on
ambisonic.net, as well as super stereo and Dolby stereo.

Transaural crosstalk cancellation only works over a very small area, and

becomes more complex for quad. Many such systems go for some form of
closely spaced dipole speaker layout, possibly with extra speakers. The
University of Southampton had something like that, but references might
take some finding.

Ciao,

Dave Hunt



On 4 Mar 2021, at 17:00, sursound-requ...@music.vt.edu wrote:

From: Marc Lavallée 
Subject: [Sursound] binaural to FOA?
Date: 4 March 2021 at 13:55:42 GMT
To: Surround Sound discussion group 


I have a "back to the basics" question.

For a simple project I planned to record in FOA or HOA, but the final

render would be in simple quad (horizontal). So I don't need a lot of
resolution. I enjoy recording with binaural microphones (the kind that
looks like cheap earbuds), so I can record continuously without being
noticed.

So I wondered; is there a method to "convert" binaural to

horizontal-only FOA? Apparently there is:

https://www.ambisonic.net/quaduhj.html

http://www.ambisonic.net/ambimix.html

I guess my question is: what would be the software equivalent of a

pan-rotate device?

Marc

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Re: [Sursound] binaural to FOA?

2021-03-05 Thread Augustine Leudar
You can try Spats Transaural thing. I honestly think you'd be better off
building a quadraphonic installation from scratch rather than trying to
convert things. By all means use your binaural recording s in it - but be
aware the interaural time differences can cause a slight phase difference
between speakers which can lead to comb filtering and a kind "weakening "
of the sound - I've never liked any of my binaural recordings over speakers
(I used those little soundman things)
Good luck!

On Fri, 5 Mar 2021 at 13:01, Marc Lavallée  wrote:

> That's what I'm looking for: a simple bodge, to be able to use stereo
> and/or binaural recordings that could be available instead of FOA
> recordings; I don't want to miss opportunities to record something
> interesting because I don't have a 5th order microphone, only for some
> interactive entertainment...
>
> Transaural can be amazing, and it could work for my use case...
>
> Thanks for the tips. I may fail miserably, but it's worth a try.
>
> Marc
>
> Le 21-03-05 à 06 h 44, Dave Hunt a écrit :
> > Hi Marc,
> >
> > Yes, this is very difficult to do properly but a simple bodge is
> surprisingly effective. Undoing the built in binaural encoding from the
> original recording is next to impossible.
> >
> > I have done what is suggested in the ambisonic.net sources in Max. XY
> or polar coordinates place the left and right channels at variable points
> on a circle in a 1st order ambisonic encoder, giving a basic B-format
> output. This image can then be rotated by fairly simple maths to alter the
> coordinates of both channels together, or by rotating the B-format signal.
> The rest is done by an ambisonic decoder.
> >
> > Once in B-format, the WXY components can be manipulated; gain, eq,
> directional dominance. You can also apply a Z coordinate to move the image
> up and down.
> >
> > The result is undeniably diffuse, but usable. Generally binaural
> recordings sound OK as normal stereo, obviously without the proper spatial
> impression.
> >
> > Interesting effects are also achieved by treating stereo as UHJ and
> deriving B-Format from that. I think there is something on that on
> ambisonic.net, as well as super stereo and Dolby stereo.
> >
> > Transaural crosstalk cancellation only works over a very small area, and
> becomes more complex for quad. Many such systems go for some form of
> closely spaced dipole speaker layout, possibly with extra speakers. The
> University of Southampton had something like that, but references might
> take some finding.
> >
> > Ciao,
> >
> > Dave Hunt
> >
> >
> >> On 4 Mar 2021, at 17:00, sursound-requ...@music.vt.edu wrote:
> >>
> >> From: Marc Lavallée 
> >> Subject: [Sursound] binaural to FOA?
> >> Date: 4 March 2021 at 13:55:42 GMT
> >> To: Surround Sound discussion group 
> >>
> >>
> >> I have a "back to the basics" question.
> >>
> >> For a simple project I planned to record in FOA or HOA, but the final
> render would be in simple quad (horizontal). So I don't need a lot of
> resolution. I enjoy recording with binaural microphones (the kind that
> looks like cheap earbuds), so I can record continuously without being
> noticed.
> >>
> >> So I wondered; is there a method to "convert" binaural to
> horizontal-only FOA? Apparently there is:
> >>
> >> https://www.ambisonic.net/quaduhj.html
> >>
> >> http://www.ambisonic.net/ambimix.html
> >>
> >> I guess my question is: what would be the software equivalent of a
> pan-rotate device?
> >>
> >> Marc
> > ___
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Re: [Sursound] binaural to FOA?

2021-03-05 Thread Marc Lavallée
I'll give zita-bls1 a try with a quad rig, and compare with ATK Super 
Stereo.


I used zita-bls1 to enhance stereo recordings, an the resultst were 
impressive...


It's often more fun to play with low-tech audio than HOA! :-)

Thanks

Marc

Le 21-03-05 à 05 h 41, Fons Adriaensen a écrit :

On Thu, Mar 04, 2021 at 02:15:12PM +, Augustine Leudar wrote:


http://www.ambisonic.net/ambimix.html

Or 'how to do FOA on a stereo mixer' 38 years ago...
Amusing but pretty irrelevant today.


Some simple facts:

Horizontal FOA requires three _independent_ signals, W, X, Y.
Binaural only provides two. That means that a correct linear
transformation from binaural to FOA can not exist. That's
just maths you can't argue with.

It could be done using 'parametric' methods, which means
you try to mimic how a human brain analyses the information
it gets from the ears, and uses it to reconstruct a scene.
That involves 'sensor fusing', i.e. information from other
sources (e.g. visual), expectations, previous experience
of 'known sounds', and even cultural bias.

Maybe possible with AI in ten years but certainly not today.

A human also can and will rotate his/her head in order to
resolve ambiguous localisation. This can't be done given
only prerecorded binaural signals, so part of the required
info will be missing anyhow.

That said, not all is lost.

Conversion from binaural to stereo is possible using
something similar to



This is a linear process and it could be done using
convolution as well. But then you don't have the interactive
controls and that could be a problem in practice.

Given the stereo signals, you could you use a simple
upmixing process to separate direct and diffuse sound.

Finally, using convential AMB methods, pan the direct
sound to the front and the diffuse part to the back.

That should give you 'plausible' rendering of the original
binaural recording, assuming the person wearing the in-ear
mics didn't move his/her head randomly too much.

Ciao,


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Re: [Sursound] binaural to FOA?

2021-03-05 Thread Marc Lavallée
That's what I'm looking for: a simple bodge, to be able to use stereo 
and/or binaural recordings that could be available instead of FOA 
recordings; I don't want to miss opportunities to record something 
interesting because I don't have a 5th order microphone, only for some 
interactive entertainment...


Transaural can be amazing, and it could work for my use case...

Thanks for the tips. I may fail miserably, but it's worth a try.

Marc

Le 21-03-05 à 06 h 44, Dave Hunt a écrit :

Hi Marc,

Yes, this is very difficult to do properly but a simple bodge is surprisingly 
effective. Undoing the built in binaural encoding from the original recording 
is next to impossible.

I have done what is suggested in the ambisonic.net sources in Max. XY or polar 
coordinates place the left and right channels at variable points on a circle in 
a 1st order ambisonic encoder, giving a basic B-format output. This image can 
then be rotated by fairly simple maths to alter the coordinates of both 
channels together, or by rotating the B-format signal. The rest is done by an 
ambisonic decoder.

Once in B-format, the WXY components can be manipulated; gain, eq, directional 
dominance. You can also apply a Z coordinate to move the image up and down.

The result is undeniably diffuse, but usable. Generally binaural recordings 
sound OK as normal stereo, obviously without the proper spatial impression.

Interesting effects are also achieved by treating stereo as UHJ and deriving 
B-Format from that. I think there is something on that on ambisonic.net, as 
well as super stereo and Dolby stereo.

Transaural crosstalk cancellation only works over a very small area, and 
becomes more complex for quad. Many such systems go for some form of closely 
spaced dipole speaker layout, possibly with extra speakers. The University of 
Southampton had something like that, but references might take some finding.

Ciao,

Dave Hunt



On 4 Mar 2021, at 17:00, sursound-requ...@music.vt.edu wrote:

From: Marc Lavallée 
Subject: [Sursound] binaural to FOA?
Date: 4 March 2021 at 13:55:42 GMT
To: Surround Sound discussion group 


I have a "back to the basics" question.

For a simple project I planned to record in FOA or HOA, but the final render 
would be in simple quad (horizontal). So I don't need a lot of resolution. I 
enjoy recording with binaural microphones (the kind that looks like cheap 
earbuds), so I can record continuously without being noticed.

So I wondered; is there a method to "convert" binaural to horizontal-only FOA? 
Apparently there is:

https://www.ambisonic.net/quaduhj.html

http://www.ambisonic.net/ambimix.html

I guess my question is: what would be the software equivalent of a pan-rotate 
device?

Marc

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account or options, view archives and so on.

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Re: [Sursound] binaural to FOA?

2021-03-05 Thread Dave Hunt
Hi Marc,

Yes, this is very difficult to do properly but a simple bodge is surprisingly 
effective. Undoing the built in binaural encoding from the original recording 
is next to impossible.

I have done what is suggested in the ambisonic.net sources in Max. XY or polar 
coordinates place the left and right channels at variable points on a circle in 
a 1st order ambisonic encoder, giving a basic B-format output. This image can 
then be rotated by fairly simple maths to alter the coordinates of both 
channels together, or by rotating the B-format signal. The rest is done by an 
ambisonic decoder.

Once in B-format, the WXY components can be manipulated; gain, eq, directional 
dominance. You can also apply a Z coordinate to move the image up and down.

The result is undeniably diffuse, but usable. Generally binaural recordings 
sound OK as normal stereo, obviously without the proper spatial impression.

Interesting effects are also achieved by treating stereo as UHJ and deriving 
B-Format from that. I think there is something on that on ambisonic.net, as 
well as super stereo and Dolby stereo.

Transaural crosstalk cancellation only works over a very small area, and 
becomes more complex for quad. Many such systems go for some form of closely 
spaced dipole speaker layout, possibly with extra speakers. The University of 
Southampton had something like that, but references might take some finding.

Ciao,

Dave Hunt


> On 4 Mar 2021, at 17:00, sursound-requ...@music.vt.edu wrote:
> 
> From: Marc Lavallée 
> Subject: [Sursound] binaural to FOA?
> Date: 4 March 2021 at 13:55:42 GMT
> To: Surround Sound discussion group 
> 
> 
> I have a "back to the basics" question.
> 
> For a simple project I planned to record in FOA or HOA, but the final render 
> would be in simple quad (horizontal). So I don't need a lot of resolution. I 
> enjoy recording with binaural microphones (the kind that looks like cheap 
> earbuds), so I can record continuously without being noticed.
> 
> So I wondered; is there a method to "convert" binaural to horizontal-only 
> FOA? Apparently there is:
> 
> https://www.ambisonic.net/quaduhj.html
> 
> http://www.ambisonic.net/ambimix.html
> 
> I guess my question is: what would be the software equivalent of a pan-rotate 
> device?
> 
> Marc

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Re: [Sursound] binaural to FOA?

2021-03-05 Thread Fons Adriaensen
On Thu, Mar 04, 2021 at 02:15:12PM +, Augustine Leudar wrote:

> http://www.ambisonic.net/ambimix.html

Or 'how to do FOA on a stereo mixer' 38 years ago...
Amusing but pretty irrelevant today.


Some simple facts:

Horizontal FOA requires three _independent_ signals, W, X, Y.
Binaural only provides two. That means that a correct linear
transformation from binaural to FOA can not exist. That's
just maths you can't argue with.

It could be done using 'parametric' methods, which means
you try to mimic how a human brain analyses the information
it gets from the ears, and uses it to reconstruct a scene.
That involves 'sensor fusing', i.e. information from other
sources (e.g. visual), expectations, previous experience
of 'known sounds', and even cultural bias.

Maybe possible with AI in ten years but certainly not today.

A human also can and will rotate his/her head in order to
resolve ambiguous localisation. This can't be done given
only prerecorded binaural signals, so part of the required
info will be missing anyhow.

That said, not all is lost.

Conversion from binaural to stereo is possible using 
something similar to 



This is a linear process and it could be done using
convolution as well. But then you don't have the interactive
controls and that could be a problem in practice.

Given the stereo signals, you could you use a simple
upmixing process to separate direct and diffuse sound.

Finally, using convential AMB methods, pan the direct
sound to the front and the diffuse part to the back.

That should give you 'plausible' rendering of the original
binaural recording, assuming the person wearing the in-ear
mics didn't move his/her head randomly too much.

Ciao,

-- 
FA

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Re: [Sursound] binaural to FOA?

2021-03-04 Thread Marc Lavallée
I believe you're right: binaural is just stereo with a twist. So 
hopefully the SuperStereo ATK kernel will work. There's probably other 
methods, and if they are linear I could capture them as IRs and apply 
them to the binaural recordings (in real time). I would also buy beers, 
but I don't go to conferences, I only make noise on Sursound (not even 
on FB, where all the fun apparently is now).


Marc

Le 21-03-04 à 10 h 03, Augustine Leudar a écrit :

and its a great Question Marc ! Let's hope someone has an answer for you
that more hopeful than mine. If you could somehow decipher the ILDs and
ITDs of your recordings and work out which bits of the wave file correspond
to "back left" "back Right" "front left" "front right" and put those out
over the corresponding speakers then that could work - if someone knows how
to do that a  will buy them a beer at the next conference.

On Thu, 4 Mar 2021 at 14:49, Augustine Leudar 
wrote:


should have said "quad will always be better than stereo" for
installations

On Thu, 4 Mar 2021 at 14:48, Augustine Leudar 
wrote:


yeah - I read the binaural to Bformat section. But the problem is with
what they describe there that I don't think it would be any different from
converting a normal stereo signal to b format - in fact it could even be a
little bit worse. Its nothing to do with Kemar heads - just the fact if you
have a piece of software like Dearvr you can pan a sound in a circle and
output it as Binaural or FOA or whatever. The problem you'll have with
panning binaural on to speaker like they described panned left and right
etc is you will get the binaural cues for the left ear hitting both ears
and the binaural cues that are just for the right ear hitting both ears
thus rendering any "binaural" cues in the recording ineffective - even
worse with quad - thats why crosstalk cancellation is built in to
transaural systems - but Ive not hear dthat work very well either.
I think you're best bet would be to convert binaural to normal stereo and
do that for two pairs - quad will always be better than binaural for an
installation or just build up a quad soundscape from scratch .And yes I did
try what you are describing years ago .

On Thu, 4 Mar 2021 at 14:39, Marc Lavallée  wrote:


Humans heads may be different from the mythic KEMAR dummy head, but for
my use case I don't think it matters...

I don't expect this "conversion" to be precise, or as a mean to archive
binaural recordings using ambisonics; my intention is simply to use
binaural recordings for an art installation with small speakers close to
the user; I suspect it would feel better with a quad setup than a stereo
setup, because the user would move (turning its head and/body).

See the "Binaural to B-Format" section of
https://www.ambisonic.net/quaduhj.html, then the Pan-Rotate section of
"http://www.ambisonic.net/ambimix.html";; How to do something similar
with software methods?

I'll try a few things, but maybe someone in the large Sursound community
did something similar?

(All we see now on this mailing list are academic/commercial
announcements, so please excuse my naïve question...)

Marc

Le 21-03-04 à 09 h 21, Augustine Leudar a écrit :

There might be something that uses crosstalk cancellation that might

work

for a normal two speaker (transaural) approach? Although I can't see

how it

would work for quad though - or why youd need to use ambisonics fo it.

I

know Spat has a binaural transaural converter - which can also convert

to

quad - but I dont know if you can use your own recordings - I think

it's

just for stuff panned in the software

On Thu, 4 Mar 2021 at 14:15, Augustine Leudar <

augustineleu...@gmail.com>

wrote:


I'm, not sure there would be Marc - I can see how it easy enough to
convert in software ambisonics to binaural by convolving with HRTFs

and

potentially the other way round too if you used the same software

that was

convolving HRTFS to output Ambisonics (or even plain old quad) but a
recording with your own personal HRTFs on it ? I cant see how  -

unless

theres some super software that has your personal HRTF , can get that

data

from the recording (which sounds very difficult) and convert to
ambisonics/whatever - would love to be wrong though!

On Thu, 4 Mar 2021 at 13:55, Marc Lavallée  wrote:


I have a "back to the basics" question.

For a simple project I planned to record in FOA or HOA, but the final
render would be in simple quad (horizontal). So I don't need a lot of
resolution. I enjoy recording with binaural microphones (the kind

that

looks like cheap earbuds), so I can record continuously without being
noticed.

So I wondered; is there a method to "convert" binaural to
horizontal-only FOA? Apparently there is:

https://www.ambisonic.net/quaduhj.html

http://www.ambisonic.net/ambimix.html

I guess my question is: what would be the software equivalent of a
pan-rotate device?

Marc

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Re: [Sursound] binaural to FOA?

2021-03-04 Thread Marc Lavallée
Mike, I already know how to use the ATK kernels in custom applications 
(a bit of convolution and the job is done). I never tried the Super 
Stereo kernel, and I did not think about it for my use case. What's 
happening under the hood doesn't matter much (at this point), and I 
trust anything ATK. This is a great suggestion, hopefully it'll work 
just fine, even with binaural recordings.


Thanks! :-)

Marc

Le 21-03-04 à 10 h 03, McCrea Michael a écrit :

Hi Marc,

You may consider trying the “super stereo" technique to encoder your binaural 
recording into FOA. You could quickly audition this in Reaper using the ATK’s SuperStereo 
encoder. It has a very 
satisfying “wrap around” impression once decoded from FOA. As I understand it, there is 
some frequency dispersion across the lateral hemispheres in FOA to achieve this.

Note that this is not the same as “super stereo” effect you may find reference 
to online (relating to listening to UHJ without a decoder). Jo Anderson 
authored the encoding kernels and may have more details on what’s happening 
under the hood.

My best,
Mike

On 4. Mar 2021, at 16.39, Marc Lavallée 
mailto:m...@hacklava.net>> wrote:

Humans heads may be different from the mythic KEMAR dummy head, but for my use 
case I don't think it matters...

I don't expect this "conversion" to be precise, or as a mean to archive 
binaural recordings using ambisonics; my intention is simply to use binaural recordings 
for an art installation with small speakers close to the user; I suspect it would feel 
better with a quad setup than a stereo setup, because the user would move (turning its 
head and/body).

See the "Binaural to B-Format" section of https://www.ambisonic.net/quaduhj.html, then 
the Pan-Rotate section of "http://www.ambisonic.net/ambimix.html";; How to do something 
similar with software methods?

I'll try a few things, but maybe someone in the large Sursound community did 
something similar?

(All we see now on this mailing list are academic/commercial announcements, so 
please excuse my naïve question...)

Marc

Le 21-03-04 à 09 h 21, Augustine Leudar a écrit :
There might be something that uses crosstalk cancellation that might work
for a normal two speaker (transaural) approach? Although I can't see how it
would work for quad though - or why youd need to use ambisonics fo it. I
know Spat has a binaural transaural converter - which can also convert to
quad - but I dont know if you can use your own recordings - I think it's
just for stuff panned in the software

On Thu, 4 Mar 2021 at 14:15, Augustine Leudar 
mailto:augustineleu...@gmail.com>>
wrote:

I'm, not sure there would be Marc - I can see how it easy enough to
convert in software ambisonics to binaural by convolving with HRTFs and
potentially the other way round too if you used the same software that was
convolving HRTFS to output Ambisonics (or even plain old quad) but a
recording with your own personal HRTFs on it ? I cant see how  - unless
theres some super software that has your personal HRTF , can get that data
from the recording (which sounds very difficult) and convert to
ambisonics/whatever - would love to be wrong though!

On Thu, 4 Mar 2021 at 13:55, Marc Lavallée 
mailto:m...@hacklava.net>> wrote:

I have a "back to the basics" question.

For a simple project I planned to record in FOA or HOA, but the final
render would be in simple quad (horizontal). So I don't need a lot of
resolution. I enjoy recording with binaural microphones (the kind that
looks like cheap earbuds), so I can record continuously without being
noticed.

So I wondered; is there a method to "convert" binaural to
horizontal-only FOA? Apparently there is:

https://www.ambisonic.net/quaduhj.html

http://www.ambisonic.net/ambimix.html

I guess my question is: what would be the software equivalent of a
pan-rotate device?

Marc

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Re: [Sursound] binaural to FOA?

2021-03-04 Thread Augustine Leudar
and its a great Question Marc ! Let's hope someone has an answer for you
that more hopeful than mine. If you could somehow decipher the ILDs and
ITDs of your recordings and work out which bits of the wave file correspond
to "back left" "back Right" "front left" "front right" and put those out
over the corresponding speakers then that could work - if someone knows how
to do that a  will buy them a beer at the next conference.

On Thu, 4 Mar 2021 at 14:49, Augustine Leudar 
wrote:

> should have said "quad will always be better than stereo" for
> installations
>
> On Thu, 4 Mar 2021 at 14:48, Augustine Leudar 
> wrote:
>
>> yeah - I read the binaural to Bformat section. But the problem is with
>> what they describe there that I don't think it would be any different from
>> converting a normal stereo signal to b format - in fact it could even be a
>> little bit worse. Its nothing to do with Kemar heads - just the fact if you
>> have a piece of software like Dearvr you can pan a sound in a circle and
>> output it as Binaural or FOA or whatever. The problem you'll have with
>> panning binaural on to speaker like they described panned left and right
>> etc is you will get the binaural cues for the left ear hitting both ears
>> and the binaural cues that are just for the right ear hitting both ears
>> thus rendering any "binaural" cues in the recording ineffective - even
>> worse with quad - thats why crosstalk cancellation is built in to
>> transaural systems - but Ive not hear dthat work very well either.
>> I think you're best bet would be to convert binaural to normal stereo and
>> do that for two pairs - quad will always be better than binaural for an
>> installation or just build up a quad soundscape from scratch .And yes I did
>> try what you are describing years ago .
>>
>> On Thu, 4 Mar 2021 at 14:39, Marc Lavallée  wrote:
>>
>>> Humans heads may be different from the mythic KEMAR dummy head, but for
>>> my use case I don't think it matters...
>>>
>>> I don't expect this "conversion" to be precise, or as a mean to archive
>>> binaural recordings using ambisonics; my intention is simply to use
>>> binaural recordings for an art installation with small speakers close to
>>> the user; I suspect it would feel better with a quad setup than a stereo
>>> setup, because the user would move (turning its head and/body).
>>>
>>> See the "Binaural to B-Format" section of
>>> https://www.ambisonic.net/quaduhj.html, then the Pan-Rotate section of
>>> "http://www.ambisonic.net/ambimix.html";; How to do something similar
>>> with software methods?
>>>
>>> I'll try a few things, but maybe someone in the large Sursound community
>>> did something similar?
>>>
>>> (All we see now on this mailing list are academic/commercial
>>> announcements, so please excuse my naïve question...)
>>>
>>> Marc
>>>
>>> Le 21-03-04 à 09 h 21, Augustine Leudar a écrit :
>>> > There might be something that uses crosstalk cancellation that might
>>> work
>>> > for a normal two speaker (transaural) approach? Although I can't see
>>> how it
>>> > would work for quad though - or why youd need to use ambisonics fo it.
>>> I
>>> > know Spat has a binaural transaural converter - which can also convert
>>> to
>>> > quad - but I dont know if you can use your own recordings - I think
>>> it's
>>> > just for stuff panned in the software
>>> >
>>> > On Thu, 4 Mar 2021 at 14:15, Augustine Leudar <
>>> augustineleu...@gmail.com>
>>> > wrote:
>>> >
>>> >> I'm, not sure there would be Marc - I can see how it easy enough to
>>> >> convert in software ambisonics to binaural by convolving with HRTFs
>>> and
>>> >> potentially the other way round too if you used the same software
>>> that was
>>> >> convolving HRTFS to output Ambisonics (or even plain old quad) but a
>>> >> recording with your own personal HRTFs on it ? I cant see how  -
>>> unless
>>> >> theres some super software that has your personal HRTF , can get that
>>> data
>>> >> from the recording (which sounds very difficult) and convert to
>>> >> ambisonics/whatever - would love to be wrong though!
>>> >>
>>> >> On Thu, 4 Mar 2021 at 13:55, Marc Lavallée  wrote:
>>> >>
>>> >>> I have a "back to the basics" question.
>>> >>>
>>> >>> For a simple project I planned to record in FOA or HOA, but the final
>>> >>> render would be in simple quad (horizontal). So I don't need a lot of
>>> >>> resolution. I enjoy recording with binaural microphones (the kind
>>> that
>>> >>> looks like cheap earbuds), so I can record continuously without being
>>> >>> noticed.
>>> >>>
>>> >>> So I wondered; is there a method to "convert" binaural to
>>> >>> horizontal-only FOA? Apparently there is:
>>> >>>
>>> >>> https://www.ambisonic.net/quaduhj.html
>>> >>>
>>> >>> http://www.ambisonic.net/ambimix.html
>>> >>>
>>> >>> I guess my question is: what would be the software equivalent of a
>>> >>> pan-rotate device?
>>> >>>
>>> >>> Marc
>>> >>>
>>> >>> ___
>>> >>> Sursound mailing 

Re: [Sursound] binaural to FOA?

2021-03-04 Thread McCrea Michael
Hi Marc,

You may consider trying the “super stereo" technique to encoder your binaural 
recording into FOA. You could quickly audition this in Reaper using the ATK’s 
SuperStereo encoder. It 
has a very satisfying “wrap around” impression once decoded from FOA. As I 
understand it, there is some frequency dispersion across the lateral 
hemispheres in FOA to achieve this.

Note that this is not the same as “super stereo” effect you may find reference 
to online (relating to listening to UHJ without a decoder). Jo Anderson 
authored the encoding kernels and may have more details on what’s happening 
under the hood.

My best,
Mike

On 4. Mar 2021, at 16.39, Marc Lavallée 
mailto:m...@hacklava.net>> wrote:

Humans heads may be different from the mythic KEMAR dummy head, but for my use 
case I don't think it matters...

I don't expect this "conversion" to be precise, or as a mean to archive 
binaural recordings using ambisonics; my intention is simply to use binaural 
recordings for an art installation with small speakers close to the user; I 
suspect it would feel better with a quad setup than a stereo setup, because the 
user would move (turning its head and/body).

See the "Binaural to B-Format" section of 
https://www.ambisonic.net/quaduhj.html, then the Pan-Rotate section of 
"http://www.ambisonic.net/ambimix.html";; How to do something similar with 
software methods?

I'll try a few things, but maybe someone in the large Sursound community did 
something similar?

(All we see now on this mailing list are academic/commercial announcements, so 
please excuse my naïve question...)

Marc

Le 21-03-04 à 09 h 21, Augustine Leudar a écrit :
There might be something that uses crosstalk cancellation that might work
for a normal two speaker (transaural) approach? Although I can't see how it
would work for quad though - or why youd need to use ambisonics fo it. I
know Spat has a binaural transaural converter - which can also convert to
quad - but I dont know if you can use your own recordings - I think it's
just for stuff panned in the software

On Thu, 4 Mar 2021 at 14:15, Augustine Leudar 
mailto:augustineleu...@gmail.com>>
wrote:

I'm, not sure there would be Marc - I can see how it easy enough to
convert in software ambisonics to binaural by convolving with HRTFs and
potentially the other way round too if you used the same software that was
convolving HRTFS to output Ambisonics (or even plain old quad) but a
recording with your own personal HRTFs on it ? I cant see how  - unless
theres some super software that has your personal HRTF , can get that data
from the recording (which sounds very difficult) and convert to
ambisonics/whatever - would love to be wrong though!

On Thu, 4 Mar 2021 at 13:55, Marc Lavallée 
mailto:m...@hacklava.net>> wrote:

I have a "back to the basics" question.

For a simple project I planned to record in FOA or HOA, but the final
render would be in simple quad (horizontal). So I don't need a lot of
resolution. I enjoy recording with binaural microphones (the kind that
looks like cheap earbuds), so I can record continuously without being
noticed.

So I wondered; is there a method to "convert" binaural to
horizontal-only FOA? Apparently there is:

https://www.ambisonic.net/quaduhj.html

http://www.ambisonic.net/ambimix.html

I guess my question is: what would be the software equivalent of a
pan-rotate device?

Marc

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Re: [Sursound] binaural to FOA?

2021-03-04 Thread Augustine Leudar
should have said "quad will always be better than stereo" for installations

On Thu, 4 Mar 2021 at 14:48, Augustine Leudar 
wrote:

> yeah - I read the binaural to Bformat section. But the problem is with
> what they describe there that I don't think it would be any different from
> converting a normal stereo signal to b format - in fact it could even be a
> little bit worse. Its nothing to do with Kemar heads - just the fact if you
> have a piece of software like Dearvr you can pan a sound in a circle and
> output it as Binaural or FOA or whatever. The problem you'll have with
> panning binaural on to speaker like they described panned left and right
> etc is you will get the binaural cues for the left ear hitting both ears
> and the binaural cues that are just for the right ear hitting both ears
> thus rendering any "binaural" cues in the recording ineffective - even
> worse with quad - thats why crosstalk cancellation is built in to
> transaural systems - but Ive not hear dthat work very well either.
> I think you're best bet would be to convert binaural to normal stereo and
> do that for two pairs - quad will always be better than binaural for an
> installation or just build up a quad soundscape from scratch .And yes I did
> try what you are describing years ago .
>
> On Thu, 4 Mar 2021 at 14:39, Marc Lavallée  wrote:
>
>> Humans heads may be different from the mythic KEMAR dummy head, but for
>> my use case I don't think it matters...
>>
>> I don't expect this "conversion" to be precise, or as a mean to archive
>> binaural recordings using ambisonics; my intention is simply to use
>> binaural recordings for an art installation with small speakers close to
>> the user; I suspect it would feel better with a quad setup than a stereo
>> setup, because the user would move (turning its head and/body).
>>
>> See the "Binaural to B-Format" section of
>> https://www.ambisonic.net/quaduhj.html, then the Pan-Rotate section of
>> "http://www.ambisonic.net/ambimix.html";; How to do something similar
>> with software methods?
>>
>> I'll try a few things, but maybe someone in the large Sursound community
>> did something similar?
>>
>> (All we see now on this mailing list are academic/commercial
>> announcements, so please excuse my naïve question...)
>>
>> Marc
>>
>> Le 21-03-04 à 09 h 21, Augustine Leudar a écrit :
>> > There might be something that uses crosstalk cancellation that might
>> work
>> > for a normal two speaker (transaural) approach? Although I can't see
>> how it
>> > would work for quad though - or why youd need to use ambisonics fo it. I
>> > know Spat has a binaural transaural converter - which can also convert
>> to
>> > quad - but I dont know if you can use your own recordings - I think it's
>> > just for stuff panned in the software
>> >
>> > On Thu, 4 Mar 2021 at 14:15, Augustine Leudar <
>> augustineleu...@gmail.com>
>> > wrote:
>> >
>> >> I'm, not sure there would be Marc - I can see how it easy enough to
>> >> convert in software ambisonics to binaural by convolving with HRTFs and
>> >> potentially the other way round too if you used the same software that
>> was
>> >> convolving HRTFS to output Ambisonics (or even plain old quad) but a
>> >> recording with your own personal HRTFs on it ? I cant see how  - unless
>> >> theres some super software that has your personal HRTF , can get that
>> data
>> >> from the recording (which sounds very difficult) and convert to
>> >> ambisonics/whatever - would love to be wrong though!
>> >>
>> >> On Thu, 4 Mar 2021 at 13:55, Marc Lavallée  wrote:
>> >>
>> >>> I have a "back to the basics" question.
>> >>>
>> >>> For a simple project I planned to record in FOA or HOA, but the final
>> >>> render would be in simple quad (horizontal). So I don't need a lot of
>> >>> resolution. I enjoy recording with binaural microphones (the kind that
>> >>> looks like cheap earbuds), so I can record continuously without being
>> >>> noticed.
>> >>>
>> >>> So I wondered; is there a method to "convert" binaural to
>> >>> horizontal-only FOA? Apparently there is:
>> >>>
>> >>> https://www.ambisonic.net/quaduhj.html
>> >>>
>> >>> http://www.ambisonic.net/ambimix.html
>> >>>
>> >>> I guess my question is: what would be the software equivalent of a
>> >>> pan-rotate device?
>> >>>
>> >>> Marc
>> >>>
>> >>> ___
>> >>> Sursound mailing list
>> >>> Sursound@music.vt.edu
>> >>> https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe
>> here,
>> >>> edit account or options, view archives and so on.
>> >>>
>> >>
>> >> --
>> >> Artist website: www.augustineleudar.com
>> >> Business website: www.magikdoor.net
>> >>
>> >>
>> >>
>> ___
>> Sursound mailing list
>> Sursound@music.vt.edu
>> https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here,
>> edit account or options, view archives and so on.
>>
>
>
> --
> Artist website: www.augustineleudar.com
> Business website: ww

Re: [Sursound] binaural to FOA?

2021-03-04 Thread Augustine Leudar
yeah - I read the binaural to Bformat section. But the problem is with what
they describe there that I don't think it would be any different from
converting a normal stereo signal to b format - in fact it could even be a
little bit worse. Its nothing to do with Kemar heads - just the fact if you
have a piece of software like Dearvr you can pan a sound in a circle and
output it as Binaural or FOA or whatever. The problem you'll have with
panning binaural on to speaker like they described panned left and right
etc is you will get the binaural cues for the left ear hitting both ears
and the binaural cues that are just for the right ear hitting both ears
thus rendering any "binaural" cues in the recording ineffective - even
worse with quad - thats why crosstalk cancellation is built in to
transaural systems - but Ive not hear dthat work very well either.
I think you're best bet would be to convert binaural to normal stereo and
do that for two pairs - quad will always be better than binaural for an
installation or just build up a quad soundscape from scratch .And yes I did
try what you are describing years ago .

On Thu, 4 Mar 2021 at 14:39, Marc Lavallée  wrote:

> Humans heads may be different from the mythic KEMAR dummy head, but for
> my use case I don't think it matters...
>
> I don't expect this "conversion" to be precise, or as a mean to archive
> binaural recordings using ambisonics; my intention is simply to use
> binaural recordings for an art installation with small speakers close to
> the user; I suspect it would feel better with a quad setup than a stereo
> setup, because the user would move (turning its head and/body).
>
> See the "Binaural to B-Format" section of
> https://www.ambisonic.net/quaduhj.html, then the Pan-Rotate section of
> "http://www.ambisonic.net/ambimix.html";; How to do something similar
> with software methods?
>
> I'll try a few things, but maybe someone in the large Sursound community
> did something similar?
>
> (All we see now on this mailing list are academic/commercial
> announcements, so please excuse my naïve question...)
>
> Marc
>
> Le 21-03-04 à 09 h 21, Augustine Leudar a écrit :
> > There might be something that uses crosstalk cancellation that might work
> > for a normal two speaker (transaural) approach? Although I can't see how
> it
> > would work for quad though - or why youd need to use ambisonics fo it. I
> > know Spat has a binaural transaural converter - which can also convert to
> > quad - but I dont know if you can use your own recordings - I think it's
> > just for stuff panned in the software
> >
> > On Thu, 4 Mar 2021 at 14:15, Augustine Leudar  >
> > wrote:
> >
> >> I'm, not sure there would be Marc - I can see how it easy enough to
> >> convert in software ambisonics to binaural by convolving with HRTFs and
> >> potentially the other way round too if you used the same software that
> was
> >> convolving HRTFS to output Ambisonics (or even plain old quad) but a
> >> recording with your own personal HRTFs on it ? I cant see how  - unless
> >> theres some super software that has your personal HRTF , can get that
> data
> >> from the recording (which sounds very difficult) and convert to
> >> ambisonics/whatever - would love to be wrong though!
> >>
> >> On Thu, 4 Mar 2021 at 13:55, Marc Lavallée  wrote:
> >>
> >>> I have a "back to the basics" question.
> >>>
> >>> For a simple project I planned to record in FOA or HOA, but the final
> >>> render would be in simple quad (horizontal). So I don't need a lot of
> >>> resolution. I enjoy recording with binaural microphones (the kind that
> >>> looks like cheap earbuds), so I can record continuously without being
> >>> noticed.
> >>>
> >>> So I wondered; is there a method to "convert" binaural to
> >>> horizontal-only FOA? Apparently there is:
> >>>
> >>> https://www.ambisonic.net/quaduhj.html
> >>>
> >>> http://www.ambisonic.net/ambimix.html
> >>>
> >>> I guess my question is: what would be the software equivalent of a
> >>> pan-rotate device?
> >>>
> >>> Marc
> >>>
> >>> ___
> >>> Sursound mailing list
> >>> Sursound@music.vt.edu
> >>> https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe
> here,
> >>> edit account or options, view archives and so on.
> >>>
> >>
> >> --
> >> Artist website: www.augustineleudar.com
> >> Business website: www.magikdoor.net
> >>
> >>
> >>
> ___
> Sursound mailing list
> Sursound@music.vt.edu
> https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here,
> edit account or options, view archives and so on.
>


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Re: [Sursound] binaural to FOA?

2021-03-04 Thread Marc Lavallée
Humans heads may be different from the mythic KEMAR dummy head, but for 
my use case I don't think it matters...


I don't expect this "conversion" to be precise, or as a mean to archive 
binaural recordings using ambisonics; my intention is simply to use 
binaural recordings for an art installation with small speakers close to 
the user; I suspect it would feel better with a quad setup than a stereo 
setup, because the user would move (turning its head and/body).


See the "Binaural to B-Format" section of 
https://www.ambisonic.net/quaduhj.html, then the Pan-Rotate section of 
"http://www.ambisonic.net/ambimix.html";; How to do something similar 
with software methods?


I'll try a few things, but maybe someone in the large Sursound community 
did something similar?


(All we see now on this mailing list are academic/commercial 
announcements, so please excuse my naïve question...)


Marc

Le 21-03-04 à 09 h 21, Augustine Leudar a écrit :

There might be something that uses crosstalk cancellation that might work
for a normal two speaker (transaural) approach? Although I can't see how it
would work for quad though - or why youd need to use ambisonics fo it. I
know Spat has a binaural transaural converter - which can also convert to
quad - but I dont know if you can use your own recordings - I think it's
just for stuff panned in the software

On Thu, 4 Mar 2021 at 14:15, Augustine Leudar 
wrote:


I'm, not sure there would be Marc - I can see how it easy enough to
convert in software ambisonics to binaural by convolving with HRTFs and
potentially the other way round too if you used the same software that was
convolving HRTFS to output Ambisonics (or even plain old quad) but a
recording with your own personal HRTFs on it ? I cant see how  - unless
theres some super software that has your personal HRTF , can get that data
from the recording (which sounds very difficult) and convert to
ambisonics/whatever - would love to be wrong though!

On Thu, 4 Mar 2021 at 13:55, Marc Lavallée  wrote:


I have a "back to the basics" question.

For a simple project I planned to record in FOA or HOA, but the final
render would be in simple quad (horizontal). So I don't need a lot of
resolution. I enjoy recording with binaural microphones (the kind that
looks like cheap earbuds), so I can record continuously without being
noticed.

So I wondered; is there a method to "convert" binaural to
horizontal-only FOA? Apparently there is:

https://www.ambisonic.net/quaduhj.html

http://www.ambisonic.net/ambimix.html

I guess my question is: what would be the software equivalent of a
pan-rotate device?

Marc

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Re: [Sursound] binaural to FOA?

2021-03-04 Thread Augustine Leudar
There might be something that uses crosstalk cancellation that might work
for a normal two speaker (transaural) approach? Although I can't see how it
would work for quad though - or why youd need to use ambisonics fo it. I
know Spat has a binaural transaural converter - which can also convert to
quad - but I dont know if you can use your own recordings - I think it's
just for stuff panned in the software

On Thu, 4 Mar 2021 at 14:15, Augustine Leudar 
wrote:

> I'm, not sure there would be Marc - I can see how it easy enough to
> convert in software ambisonics to binaural by convolving with HRTFs and
> potentially the other way round too if you used the same software that was
> convolving HRTFS to output Ambisonics (or even plain old quad) but a
> recording with your own personal HRTFs on it ? I cant see how  - unless
> theres some super software that has your personal HRTF , can get that data
> from the recording (which sounds very difficult) and convert to
> ambisonics/whatever - would love to be wrong though!
>
> On Thu, 4 Mar 2021 at 13:55, Marc Lavallée  wrote:
>
>> I have a "back to the basics" question.
>>
>> For a simple project I planned to record in FOA or HOA, but the final
>> render would be in simple quad (horizontal). So I don't need a lot of
>> resolution. I enjoy recording with binaural microphones (the kind that
>> looks like cheap earbuds), so I can record continuously without being
>> noticed.
>>
>> So I wondered; is there a method to "convert" binaural to
>> horizontal-only FOA? Apparently there is:
>>
>> https://www.ambisonic.net/quaduhj.html
>>
>> http://www.ambisonic.net/ambimix.html
>>
>> I guess my question is: what would be the software equivalent of a
>> pan-rotate device?
>>
>> Marc
>>
>> ___
>> Sursound mailing list
>> Sursound@music.vt.edu
>> https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here,
>> edit account or options, view archives and so on.
>>
>
>
> --
> Artist website: www.augustineleudar.com
> Business website: www.magikdoor.net
>
>
>

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Re: [Sursound] binaural to FOA?

2021-03-04 Thread Augustine Leudar
I'm, not sure there would be Marc - I can see how it easy enough to convert
in software ambisonics to binaural by convolving with HRTFs and potentially
the other way round too if you used the same software that was convolving
HRTFS to output Ambisonics (or even plain old quad) but a recording with
your own personal HRTFs on it ? I cant see how  - unless theres some super
software that has your personal HRTF , can get that data from the recording
(which sounds very difficult) and convert to ambisonics/whatever - would
love to be wrong though!

On Thu, 4 Mar 2021 at 13:55, Marc Lavallée  wrote:

> I have a "back to the basics" question.
>
> For a simple project I planned to record in FOA or HOA, but the final
> render would be in simple quad (horizontal). So I don't need a lot of
> resolution. I enjoy recording with binaural microphones (the kind that
> looks like cheap earbuds), so I can record continuously without being
> noticed.
>
> So I wondered; is there a method to "convert" binaural to
> horizontal-only FOA? Apparently there is:
>
> https://www.ambisonic.net/quaduhj.html
>
> http://www.ambisonic.net/ambimix.html
>
> I guess my question is: what would be the software equivalent of a
> pan-rotate device?
>
> Marc
>
> ___
> Sursound mailing list
> Sursound@music.vt.edu
> https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here,
> edit account or options, view archives and so on.
>


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[Sursound] binaural to FOA?

2021-03-04 Thread Marc Lavallée

I have a "back to the basics" question.

For a simple project I planned to record in FOA or HOA, but the final 
render would be in simple quad (horizontal). So I don't need a lot of 
resolution. I enjoy recording with binaural microphones (the kind that 
looks like cheap earbuds), so I can record continuously without being 
noticed.


So I wondered; is there a method to "convert" binaural to 
horizontal-only FOA? Apparently there is:


https://www.ambisonic.net/quaduhj.html

http://www.ambisonic.net/ambimix.html

I guess my question is: what would be the software equivalent of a 
pan-rotate device?


Marc

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Re: [Sursound] Binaural rendering of an Eigenmike recording

2020-06-16 Thread McCormack Leo
Hi Anna,

While there's no denying that the Zylia microphone array is a great value 
proposition, it is perhaps a bit misleading to market it based on the 
statement: "spatial resolution is not significantly improved from the 3rd to 
4th Ambisonics orders."; as this is not the full story in this case.

Speaking from a purely "spatial performance" point-of-view, if one were to 
employ the objective metrics described in [1], they would find that the 
approximate (in this case, also theoretical) usable frequency ranges per order 
are:

Zylia mic:
3rd order range: ~1600-2900Hz
2nd order range: ~700-3000Hz
1st order range: ~100-3100Hz
0th order range: -3200Hz

Eigenmike32:
4th order range: ~3000-5500Hz
3rd order range: ~1600-6000Hz
2nd order range: ~700-7000Hz
1st order range: ~100-8000Hz
0th order range: -8500Hz

Note that this is also considering a very generous maximum permitted sensor 
noise amplification limit, so expect those low-frequency roll-offs to be more 
severe for classical music performance, and nature recordings etc. depending on 
sensor noise.

I also pulled these values quickly by eye, based on the "Analyse" graphs given 
by the sparta_array2sh VST plugin, so they are only approximate, and should be 
treated as such. However, I believe they still provide sufficient insight to 
support my claim that "not all HOA mics are made equally". The frequency range 
at which you actually get these higher-order components is of significance. 
(This is also even before you start to consider the quality of the sensors and 
how they affect the reproduction fidelity).

Best,
Leo


[1] Moreau, S., Daniel, J. and Bertet, S., 2006, May. 3D sound field recording 
with higher order ambisonics–Objective measurements and validation of a 4th 
order spherical microphone. In 120th Convention of the AES (pp. 20-23).

P.S. it's also interesting to note that: should a recording engineer truncate 
and only use the FOA signals anyway (many decoders are still FOA only 
after-all), then they would have actually obtained better 0th and 1st order 
components from a traditional A-format mic, compared with the Zylia array.

P.S.2. I don't believe the Zylia encoder has any near-field compensation 
options? Please correct me if I'm wrong, but if it is operating under far-field 
assumptions, then I suspect those assumptions were violated during the linked 
recording.




From: Sursound  on behalf of anna.czerwoniec 
zylia.pl 
Sent: 16 June 2020 14:22:57
To: Surround Sound discussion group; Jens Ahrens
Subject: Re: [Sursound] Binaural rendering of an Eigenmike recording

Hi All!

Just to let you know, with the ZYLIA ZM-1 you are able to obtain similar 
results with 3rd order Ambisonics and at much lower cost. You just require the 
ZM-1 microphone and the ZYLIA Ambisonics Converter with a binaural decoder and 
then you will be able to assign the rotation and elevation of the microphone to 
the head-tracker using OSC in your DAW.

Even though the Eigenmic is a 4th Ambisonics Order microphone, it is proven 
that the spatial resolution is not significantly improved from the 3rd to 4th 
Ambisonics orders.

You can check this remake of a famous binaural audio recording
https://soundcloud.com/user-309532711/barber-shop-adam-szulc-binaural-recording-asmr-zylia

All the best,
Anna


> 21 maja 2020 18:03 Jens Ahrens  napisał(a):
>
>
> Hello everyone,
>
> … and another post from me.
>
> Here’s a quick 2-min video of what binaural rendering of an Eigenmike 
> recording can sound like for those of you who haven’t heard this before: 
> https://youtu.be/qcqeygqjxZ4 It’s 4th order rendered directly in the 
> spherical harmonic domain (without a virtual discrete loudspeaker array). The 
> rendering was done with ReTiSAR 
> (https://github.com/AppliedAcousticsChalmers/ReTiSAR), which is generously 
> funded by Facebook Reality Labs.
>
> Best regards,
> Jens
>
> --
> Jens Ahrens
> Associate Professor
> Division of Applied Acoustics
> Chalmers University of Technology
> 41296 Gothenburg
> Sweden
> +46 (0)31 772 2210
> http://www.ta.chalmers.se/people/jens-ahrens/
>
> ___
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> account or options, view archives and so on.



Anna Czerwoniec, PhD
Marketing & Sales Director

Zylia Sp z o.o.
Uniwersytetu Poznańskiego 2, 61 – 614 Poznań, Poland
Phone 0048 61 279 40 44,

www.zylia.co<http://www.zylia.co> (http://www.zylia.co)

https://www.facebook.com/zylia/ https://twitter.com/ZYLIA_co 
https://www.instagram.com/zylia.co/

Record audio like never before
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Re: [Sursound] Binaural rendering of an Eigenmike recording

2020-06-16 Thread anna.czerwoniec zylia.pl
Hi All!

Just to let you know, with the ZYLIA ZM-1 you are able to obtain similar 
results with 3rd order Ambisonics and at much lower cost. You just require the 
ZM-1 microphone and the ZYLIA Ambisonics Converter with a binaural decoder and 
then you will be able to assign the rotation and elevation of the microphone to 
the head-tracker using OSC in your DAW.

Even though the Eigenmic is a 4th Ambisonics Order microphone, it is proven 
that the spatial resolution is not significantly improved from the 3rd to 4th 
Ambisonics orders.

You can check this remake of a famous binaural audio recording
https://soundcloud.com/user-309532711/barber-shop-adam-szulc-binaural-recording-asmr-zylia

All the best,
Anna


> 21 maja 2020 18:03 Jens Ahrens  napisał(a):
> 
>  
> Hello everyone,
> 
> … and another post from me. 
> 
> Here’s a quick 2-min video of what binaural rendering of an Eigenmike 
> recording can sound like for those of you who haven’t heard this before: 
> https://youtu.be/qcqeygqjxZ4 It’s 4th order rendered directly in the 
> spherical harmonic domain (without a virtual discrete loudspeaker array). The 
> rendering was done with ReTiSAR 
> (https://github.com/AppliedAcousticsChalmers/ReTiSAR), which is generously 
> funded by Facebook Reality Labs. 
> 
> Best regards,
> Jens
> 
> -- 
> Jens Ahrens
> Associate Professor
> Division of Applied Acoustics
> Chalmers University of Technology
> 41296 Gothenburg
> Sweden
> +46 (0)31 772 2210
> http://www.ta.chalmers.se/people/jens-ahrens/ 
> 
> ___
> Sursound mailing list
> Sursound@music.vt.edu
> https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit 
> account or options, view archives and so on.


 
Anna Czerwoniec, PhD
Marketing & Sales Director
 
Zylia Sp z o.o.
Uniwersytetu Poznańskiego 2, 61 – 614 Poznań, Poland
Phone 0048 61 279 40 44,
 
www.zylia.co (http://www.zylia.co)
 
https://www.facebook.com/zylia/ https://twitter.com/ZYLIA_co 
https://www.instagram.com/zylia.co/
 
Record audio like never before
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Re: [Sursound] Binaural rendering of an Eigenmike recording

2020-05-24 Thread moskowitz
Jens Ahrens  wrote:

> Interesting! Are your recordings available online somewhere (and maybe an 
> example rendering of them)? It would be interesting to compare them to the 
> Eigenmike ones.

You can find OctoMic recordings, including B-format and a few different decodes 
(including binaural) here:

   www.core-sound.com/OctoMic/13.php


Len Moskowitz (mosko...@core-sound.com)
Core Sound LLC
www.core-sound.com
Home of OctoMic and TetraMic
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Re: [Sursound] Binaural rendering of an Eigenmike recording

2020-05-23 Thread Jens Ahrens
Hi Len,

Interesting! Are your recordings available online somewhere (and maybe an 
example rendering of them)? It would be interesting to compare them to the 
Eigenmike ones.

BTW, we decided to add our raw recording to the public ReTiSAR repository. Some 
time next week or so...

Best regards,
Jens



> On 22 May 2020, at 18:24, moskowitz  wrote:
> 
> Jens Ahrens  wrote: 
> 
>> Here?s a quick 2-min video of what binaural rendering of an Eigenmike 
>> recording can sound like for those of you who haven?t heard this before: 
>> https://youtu.be/qcqeygqjxZ4
> 
> Nicely done!
> 
> We've been doing this too with OctoMic.
> 
> We use SSA's aXRotate VST plugin along with the EDTracker Pro headtracker 
> (around $100). Importantly, it allows for SOFA HRTF files. That feeds a 
> binaural decoder.
> 
> For binaural decoding, we use the COMPASS|Binaural parametric decoder, SPARTA 
> ambiBIN and IEM BinauralDecoder.
> 
> For the Eigenmike em32, you may get even better results if you use Angelo 
> Farina's calibration files.
> 
> 
> Len Moskowitz (mosko...@core-sound.com)
> Core Sound LLC
> www.core-sound.com
> Home of OctoMic and TetraMic
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Re: [Sursound] Binaural rendering of an Eigenmike recording

2020-05-22 Thread moskowitz
Jens Ahrens  wrote: 

> Here?s a quick 2-min video of what binaural rendering of an Eigenmike 
> recording can sound like for those of you who haven?t heard this before: 
> https://youtu.be/qcqeygqjxZ4

Nicely done!

We've been doing this too with OctoMic.

We use SSA's aXRotate VST plugin along with the EDTracker Pro headtracker 
(around $100). Importantly, it allows for SOFA HRTF files. That feeds a 
binaural decoder.

For binaural decoding, we use the COMPASS|Binaural parametric decoder, SPARTA 
ambiBIN and IEM BinauralDecoder.

For the Eigenmike em32, you may get even better results if you use Angelo 
Farina's calibration files.


Len Moskowitz (mosko...@core-sound.com)
Core Sound LLC
www.core-sound.com
Home of OctoMic and TetraMic
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Re: [Sursound] Binaural rendering of an Eigenmike recording

2020-05-22 Thread Jens Ahrens
ideo). As mentioned above, ReTiSAR comes together with an Eigenmike recording. 
(Note, though, that we have tested ReTiSAR on macOS only.)

Fernando wrote:

> Right and Left sounded less reverberated, although the distance does not seem 
> to change so much - and the tone quality was (seemed?) brighter.

The timbre differences can be well explained with the effects of order 
truncation. We don’t really know what it is that changes the perception of the 
reverb.

Best regards,
Jens

—
Here’s a few references on the order limitation. Some include propositions for 
mitigating its effect:

C. Hold, H. Gamper, V. Pulkki, N. Raghuvanshi, I. J. Tashev, “Improving 
Binaural Ambisonics Decodingby Spherical Harmonics Domain Tapering and 
ColorationCompensation,” presented at the International Conference on 
Acoustics, Speech and Signal Processing, vol. 2, pp. 261–265 (2019)

M. Zaunschirm, C. Schörkhuber, R. Höldrich,“Binaural rendering of Ambisonic 
signals by head-relatedimpulse response time alignment and a diffuseness 
constraint,” The Journal of the Acoustical Society of America,vol. 143, no. 6, 
pp. 3616–3627 (2018).

Z. Ben-Hur, F. Brinkmann, J. Sheaffer, S. Weinzierl, B. Rafaely, “Spectral 
equalization in binaural signals represented by order-truncated spherical 
harmonics,” The Journal of the Acoustical Society of America, vol.141, no. 6, 
pp. 4087–4096 (2017).

J. Ahrens, C. Andersson, “Perceptual evaluation of headphone auralization of 
rooms captured with spherical microphone arrays with respect to spaciousness 
and timbre,” Journal of the Acoustical Society of America, vol.145, no. April, 
pp. 2783–2794 (2019).



> On 22 May 2020, at 01:20, Jacob William Wolfe  wrote:
> 
> Wow. Perception of distance especially - he sounds directly in my ear when he 
> gets close. 
> 
> On 5/21/20, 6:04 PM, "Sursound on behalf of mgraves mstvp.com" 
>  wrote:
> 
>That's really good!
> 
>Michael Graves
>mgra...@mstvp.com
>o: (713) 861-4005
>c: (713) 201-1262
>sip:mgra...@mjg.onsip.com
> 
>-Original Message-
>From: Sursound  On Behalf Of Jens Ahrens
>Sent: Thursday, May 21, 2020 11:04 AM
>To: Sursound 
>Subject: [Sursound] Binaural rendering of an Eigenmike recording
> 
>Hello everyone,
> 
>… and another post from me. 
> 
>Here’s a quick 2-min video of what binaural rendering of an Eigenmike 
> recording can sound like for those of you who haven’t heard this before: 
> https://youtu.be/qcqeygqjxZ4 It’s 4th order rendered directly in the 
> spherical harmonic domain (without a virtual discrete loudspeaker array). The 
> rendering was done with ReTiSAR 
> (https://github.com/AppliedAcousticsChalmers/ReTiSAR), which is generously 
> funded by Facebook Reality Labs. 
> 
>Best regards,
>Jens
> 
>-- 
>Jens Ahrens
>Associate Professor
>Division of Applied Acoustics
>Chalmers University of Technology
>41296 Gothenburg
>Sweden
>+46 (0)31 772 2210
>http://www.ta.chalmers.se/people/jens-ahrens/ 
> 
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Re: [Sursound] Binaural rendering of an Eigenmike recording

2020-05-21 Thread Jacob William Wolfe
Wow. Perception of distance especially - he sounds directly in my ear when he 
gets close. 

On 5/21/20, 6:04 PM, "Sursound on behalf of mgraves mstvp.com" 
 wrote:

That's really good!

Michael Graves
mgra...@mstvp.com
o: (713) 861-4005
c: (713) 201-1262
sip:mgra...@mjg.onsip.com

-Original Message-
From: Sursound  On Behalf Of Jens Ahrens
Sent: Thursday, May 21, 2020 11:04 AM
To: Sursound 
Subject: [Sursound] Binaural rendering of an Eigenmike recording

Hello everyone,

… and another post from me. 

Here’s a quick 2-min video of what binaural rendering of an Eigenmike 
recording can sound like for those of you who haven’t heard this before: 
https://youtu.be/qcqeygqjxZ4 It’s 4th order rendered directly in the spherical 
harmonic domain (without a virtual discrete loudspeaker array). The rendering 
was done with ReTiSAR (https://github.com/AppliedAcousticsChalmers/ReTiSAR), 
which is generously funded by Facebook Reality Labs. 

Best regards,
Jens

-- 
Jens Ahrens
Associate Professor
Division of Applied Acoustics
Chalmers University of Technology
41296 Gothenburg
Sweden
+46 (0)31 772 2210
http://www.ta.chalmers.se/people/jens-ahrens/ 

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Re: [Sursound] Binaural rendering of an Eigenmike recording

2020-05-21 Thread mgraves mstvp . com
That's really good!

Michael Graves
mgra...@mstvp.com
o: (713) 861-4005
c: (713) 201-1262
sip:mgra...@mjg.onsip.com

-Original Message-
From: Sursound  On Behalf Of Jens Ahrens
Sent: Thursday, May 21, 2020 11:04 AM
To: Sursound 
Subject: [Sursound] Binaural rendering of an Eigenmike recording

Hello everyone,

… and another post from me. 

Here’s a quick 2-min video of what binaural rendering of an Eigenmike recording 
can sound like for those of you who haven’t heard this before: 
https://youtu.be/qcqeygqjxZ4 It’s 4th order rendered directly in the spherical 
harmonic domain (without a virtual discrete loudspeaker array). The rendering 
was done with ReTiSAR (https://github.com/AppliedAcousticsChalmers/ReTiSAR), 
which is generously funded by Facebook Reality Labs. 

Best regards,
Jens

-- 
Jens Ahrens
Associate Professor
Division of Applied Acoustics
Chalmers University of Technology
41296 Gothenburg
Sweden
+46 (0)31 772 2210
http://www.ta.chalmers.se/people/jens-ahrens/ 

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Re: [Sursound] Binaural rendering of an Eigenmike recording

2020-05-21 Thread Fernando Lopez-Lezcano

On 5/21/20 9:03 AM, Jens Ahrens wrote:

Hello everyone,


Hi Jens,


… and another post from me.

Here’s a quick 2-min video of what binaural rendering of an Eigenmike recording 
can sound like for those of you who haven’t heard this before: 
https://youtu.be/qcqeygqjxZ4 It’s 4th order rendered directly in the spherical 
harmonic domain (without a virtual discrete loudspeaker array). The rendering 
was done with ReTiSAR (https://github.com/AppliedAcousticsChalmers/ReTiSAR), 
which is generously funded by Facebook Reality Labs.


Wow, that was good!

It did work for me, mostly... Front was not so defined, as in for me it 
was sort of "in the head" (but not too much). Back was actually more 
defined than front (at least back left / back right, back center was 
also not so defined). All to be expected, I guess.


Right and Left sounded less reverberated, although the distance does not 
seem to change so much - and the tone quality was (seemed?) brighter.


Proximity worked very very well :-)

Can't wait to try this out myself (I am doing stuff now this, HOA -> 
binaural, who isn't, right?).


-- Fernando
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Re: [Sursound] Binaural rendering of an Eigenmike recording

2020-05-21 Thread Greg Maxwell
On Thu, May 21, 2020 at 4:04 PM Jens Ahrens  wrote:
> Hello everyone,
> … and another post from me.
> Here’s a quick 2-min video of what binaural rendering of an Eigenmike 
> recording can sound like for those of you who haven’t heard this before: 
> https://youtu.be/qcqeygqjxZ4 It’s 4th order rendered directly in the 
> spherical harmonic domain (without a virtual discrete loudspeaker array). The 
> rendering was done with ReTiSAR 
> (https://github.com/AppliedAcousticsChalmers/ReTiSAR), which is generously 
> funded by Facebook Reality Labs.

It would be interesting if there were other uploads of this rendered
with different head models (or even just alternative audio only
versions):  This didn't image for me at all except for the part where
the speaker gets close to the right ear, that part imaged well and
caused me to jump in my seat a bit.

IIRC only two of the HRTFs in the listen database images well for me,
and kemar doesn't at all, so I'm not surprised.
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Re: [Sursound] Binaural rendering of an Eigenmike recording

2020-05-21 Thread Augustine Leudar
Hey ! My cynicism alarms were buzzing away, its my default setting now  -
but that's actually really effective - well done ! I don't suppose you do a
VST plugin / panner of some sort ?

On Thu, 21 May 2020 at 17:50, Douglas Murray  wrote:

> Dear Jens,
>
> That sounds really good.
>
> Best,
> Doug
>
> > On May 21, 2020, at 9:03 AM, Jens Ahrens 
> wrote:
> >
> > Hello everyone,
> >
> > … and another post from me.
> >
> > Here’s a quick 2-min video of what binaural rendering of an Eigenmike
> recording can sound like for those of you who haven’t heard this before:
> https://youtu.be/qcqeygqjxZ4 It’s 4th order rendered directly in the
> spherical harmonic domain (without a virtual discrete loudspeaker array).
> The rendering was done with ReTiSAR (
> https://github.com/AppliedAcousticsChalmers/ReTiSAR), which is generously
> funded by Facebook Reality Labs.
> >
> > Best regards,
> > Jens
> >
> > --
> > Jens Ahrens
> > Associate Professor
> > Division of Applied Acoustics
> > Chalmers University of Technology
> > 41296 Gothenburg
> > Sweden
> > +46 (0)31 772 2210
> > http://www.ta.chalmers.se/people/jens-ahrens/
> >
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-- 
Artist website: www.augustineleudar.com
Business website: www.magikdoor.net
+44(0)7555784775
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Re: [Sursound] Binaural rendering of an Eigenmike recording

2020-05-21 Thread Douglas Murray
Dear Jens,

That sounds really good.

Best,
Doug

> On May 21, 2020, at 9:03 AM, Jens Ahrens  wrote:
> 
> Hello everyone,
> 
> … and another post from me. 
> 
> Here’s a quick 2-min video of what binaural rendering of an Eigenmike 
> recording can sound like for those of you who haven’t heard this before: 
> https://youtu.be/qcqeygqjxZ4 It’s 4th order rendered directly in the 
> spherical harmonic domain (without a virtual discrete loudspeaker array). The 
> rendering was done with ReTiSAR 
> (https://github.com/AppliedAcousticsChalmers/ReTiSAR), which is generously 
> funded by Facebook Reality Labs. 
> 
> Best regards,
> Jens
> 
> -- 
> Jens Ahrens
> Associate Professor
> Division of Applied Acoustics
> Chalmers University of Technology
> 41296 Gothenburg
> Sweden
> +46 (0)31 772 2210
> http://www.ta.chalmers.se/people/jens-ahrens/ 
> 
> ___
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[Sursound] Binaural rendering of an Eigenmike recording

2020-05-21 Thread Jens Ahrens
Hello everyone,

… and another post from me. 

Here’s a quick 2-min video of what binaural rendering of an Eigenmike recording 
can sound like for those of you who haven’t heard this before: 
https://youtu.be/qcqeygqjxZ4 It’s 4th order rendered directly in the spherical 
harmonic domain (without a virtual discrete loudspeaker array). The rendering 
was done with ReTiSAR (https://github.com/AppliedAcousticsChalmers/ReTiSAR), 
which is generously funded by Facebook Reality Labs. 

Best regards,
Jens

-- 
Jens Ahrens
Associate Professor
Division of Applied Acoustics
Chalmers University of Technology
41296 Gothenburg
Sweden
+46 (0)31 772 2210
http://www.ta.chalmers.se/people/jens-ahrens/ 

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Re: [Sursound] Binaural Dr. Who

2017-05-11 Thread Søren Bendixen
cool
> Den 11. maj 2017 kl. 21.55 skrev Michael Dunn :
> 
> 
> 
> 
> 
> 
> 
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Med venlig hilsen/Best regards

Søren Bendixen
Composer/Sound Designer/Producer

Winner of Monitor Industry Award 2016 for the exhibition “Gladiator”, At 
Moesgaard Museum

New album Music for exhibitions out 15 January 2017





Company: Søren Bendixen & Anette Krag
soerenbendi...@gmail.com
+45 60624394
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[Sursound] Binaural Dr. Who

2017-05-11 Thread Michael Dunn






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Re: [Sursound] Binaural broadcasts | Lithuania (Stefan Schreiber)

2016-11-14 Thread Stefan Schreiber

Jurgis Jarašius wrote:


Dear Stefan,

We are using 5th order ambisonics 'stretched' over 23 loudspeakers, which
is the amount we think fits our room the best.

YouTube unfortunately does not allow to do synchronized spatial video and
audio yet (with headtracking). As soon as it becomes available we will
switch over it.

The binaural result you hear is related to the ambisonic result, as we are
using a plugin suite (which was developed by Matthias Kronlachner, partly
while residing at our centre) , which allows to 'decode' 5th order
ambisonics into binaural.

http://www.matthiaskronlachner.com/?p=2015

We hope this clarifies your questions.

Warm regards,
 



Thanks for the deailed description.

To represent 5th order ambisonics over 23 speakers, your layout seems to 
need at least 12 speakers in the horizont.

plane. (The vertical layout would be underspecified.)
Is this the case? Can you post some picture or better a link describing 
your configuration?



YouTube unfortunately does not allow to do synchronized spatial video and
audio yet (with headtracking).

I am just a bit getting confused now. Doesn't at least 1st order already 
work ("within" 360º videos)?


In the future you might consider to apply TOA streams via YT. (Marc 
Lavallé and Gregory Pallone might be very able to comment on this, too.)



Best regards,

Stefan


P.S.: Alas, a clear application for 3DA and efficient HOA compression...
(Mpeg-H 3DA certainly can encode/decode < 5th order > HOA.)





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Re: [Sursound] Binaural broadcasts | Lithuania (Stefan Schreiber)

2016-11-14 Thread Jurgis Jarašius
Dear Stefan,

We are using 5th order ambisonics 'stretched' over 23 loudspeakers, which
is the amount we think fits our room the best.

YouTube unfortunately does not allow to do synchronized spatial video and
audio yet (with headtracking). As soon as it becomes available we will
switch over it.

The binaural result you hear is related to the ambisonic result, as we are
using a plugin suite (which was developed by Matthias Kronlachner, partly
while residing at our centre) , which allows to 'decode' 5th order
ambisonics into binaural.

http://www.matthiaskronlachner.com/?p=2015

We hope this clarifies your questions.

Warm regards,


2016-11-13 19:00 GMT+02:00 :

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> Today's Topics:
>
>1. Re: Sennheiser Ambeo (Alvin Foster)
>2. Re: Binaural broadcasts | Lithuania (Stefan Schreiber)
>
>
> --
>
> Message: 1
> Date: Sat, 12 Nov 2016 17:03:05 -0500
> From: Alvin Foster 
> To: sursound@music.vt.edu, lenmoskow...@optonline.net
> Subject: Re: [Sursound] Sennheiser Ambeo
> Message-ID: <0ogj00gauul72...@vms173015.mailsrvcs.net>
> Content-Type: text/plain; charset=utf-8
>
> Jim
>
>
>
> Alvin Foster
> Sent from cell phoneOn Nov 11, 2016 12:25 PM, len moskowitz wrote: > >
> Back in September, Paul Hodges asked: > > > Any word about calibration? > >
> We've heard from Sennheiser representatives on Facebook that they are > not
> calibrating each Ambeo individually, but rather are using a generic >
> calibration for all examples of that microphone. That is much like what >
> TSL Products is doing with their SoundField SPS200. > > In contrast, each
> TetraMic comes with its own calibration. > > Bo-Erik (Bosse) Sandholm has
> posted? the first B-format recordings that > compare Ambeo to TetraMic: > >
> ? https://soundcloud.com/user-740566308/ > > You can also download them
> from there. > > I listened to them with a Blumlein decode and six-channel
> horizontal > surround decode using David McGriffy's "VVMic for TetraMic". >
> > In my opinion, his two recordings of the Pygme Jazz Band are >
> particularly revealing. > > Len Moskowitz (mosko...@core-sound.com) >
> Core Sound LLC > www.core-sound.com > Home of Tetr
>  aMic > > ___ > Sursound
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> Message: 2
> Date: Sun, 13 Nov 2016 01:54:40 +
> From: Stefan Schreiber 
> To: Surround Sound discussion group 
> Subject: Re: [Sursound] Binaural broadcasts | Lithuania
> Message-ID: <5827c7e0.8050...@mail.telepac.pt>
> Content-Type: text/plain; charset=UTF-8; format=flowed
>
> Jurgis Jara?ius wrote:
>
> >Dear all,
> >
> >Lithuanian Academy of Music and Theatre, Music Innovation Studies Centre
> >already for the second time presents binaural broadcasts of contemporary
> >music concerts from ambisonic (23.2 loudspeakers) sphere.
> >
>
> Isn't this just a 22.2 (format neutral)  Hamasaki loudspeaker
> installation? (You could "drive" 22.2 installations also via VBAP - and
> other panning techniques.)
>
> If 23.2 would be a real "sphere" installation,

Re: [Sursound] Binaural broadcasts | Lithuania

2016-11-12 Thread Stefan Schreiber

Jurgis Jarašius wrote:


Dear all,

Lithuanian Academy of Music and Theatre, Music Innovation Studies Centre
already for the second time presents binaural broadcasts of contemporary
music concerts from ambisonic (23.2 loudspeakers) sphere. 



Isn't this just a 22.2 (format neutral)  Hamasaki loudspeaker 
installation? (You could "drive" 22.2 installations also via VBAP - and 
other panning techniques.)


If 23.2 would be a real "sphere" installation, I don't know any layout 
which seems to fit. (21.2 and 22.2 could make some sense as sphere 
layout for TOA; 23.2 not.)




Were kindly
invite you to join in and discover merits of this spatial sound format.
 



Which one? Panned sources, Ambisonics or the binaural broadcast result(s)?

My questions seem to be quite necessary, BTW.

Best,

Stefan


This year we are also using 360° (virtual reality) video possibilities,
which would add to the immersion of virtual listeners of the concert.
 

So could you turn your head? In 360º video yes, but not w/ (2-channel) 
binaural audio...

Frankly, video and audio doesn't seem to fit together.


In 4 broadcasts we will listen to the compositions of two famous Lithuanian
composers - Juste Janulyte and Mindaugas Urbaitis. All broadcast times and
links are available at tv.lmta.lt.

Time of broadcasts:

2016-11-08, 18.00 CET JANULYTE
2016-11-09, 18.00 CET JANULYTE

2016-11-17, 18.00 CET URBAITIS
2016-11-18, 18.00 CET URBAITIS


With this email we intend to reach research and artistic centers, companies
dealing with audiovisual technologies, and other entities working in
similar spheres. We hope this information is relevant for you. We are
experimenting with spatial sound broadcasts hoping to contribute towards
discovering the best ways to deal with arts and technology in similar
situations through internet.

We kindly ask you to join into broadcast and/or inform interested
colleagues at your institution. We are very much interested in any feedback
provided by email: m...@lmta.lt.

Thank you very much in advance for your kind attention!


Sincerely,

LMTA MiSC
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[Sursound] Binaural broadcasts | Lithuania

2016-11-10 Thread Jurgis Jarašius
Dear all,

Lithuanian Academy of Music and Theatre, Music Innovation Studies Centre
already for the second time presents binaural broadcasts of contemporary
music concerts from ambisonic (23.2 loudspeakers) sphere. Were kindly
invite you to join in and discover merits of this spatial sound format.

This year we are also using 360° (virtual reality) video possibilities,
which would add to the immersion of virtual listeners of the concert.

In 4 broadcasts we will listen to the compositions of two famous Lithuanian
composers - Juste Janulyte and Mindaugas Urbaitis. All broadcast times and
links are available at tv.lmta.lt.

Time of broadcasts:

2016-11-08, 18.00 CET JANULYTE
2016-11-09, 18.00 CET JANULYTE

2016-11-17, 18.00 CET URBAITIS
2016-11-18, 18.00 CET URBAITIS


With this email we intend to reach research and artistic centers, companies
dealing with audiovisual technologies, and other entities working in
similar spheres. We hope this information is relevant for you. We are
experimenting with spatial sound broadcasts hoping to contribute towards
discovering the best ways to deal with arts and technology in similar
situations through internet.

We kindly ask you to join into broadcast and/or inform interested
colleagues at your institution. We are very much interested in any feedback
provided by email: m...@lmta.lt.

Thank you very much in advance for your kind attention!


Sincerely,

LMTA MiSC
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Re: [Sursound] Binaural Audio at the BBC Proms

2016-09-02 Thread Dave Malham
Interesting, not a mention of Ambisonics (FOA or HOA) or the Soundfield mic
as having potential applications in this area.

Dave

On 2 September 2016 at 14:19, David Pickett  wrote:

> An essay on how it's done: http://www.bbc.co.uk/rd/blog/2
> 016/09/binaural-proms
>
> David
>
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-- 

As of 1st October 2012, I have retired from the University.

These are my own views and may or may not be shared by the University

Dave Malham
Honorary Fellow, Department of Music
The University of York
York YO10 5DD
UK

'Ambisonics - Component Imaging for Audio'
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[Sursound] Binaural Audio at the BBC Proms

2016-09-02 Thread David Pickett

An essay on how it's done: http://www.bbc.co.uk/rd/blog/2016/09/binaural-proms

David

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Re: [Sursound] Binaural broadcast

2015-10-28 Thread Andy Furniss

Richard wrote:

From the program link David gave - the binaural version is
website/iplayer only.


Many thanks for the heads up. I think i'd best warn folks hear in the
K this will be best heard on the FM service, as the broadcasts via
DAB, Freeview and Satellite use Jstereo to help reduce bandwidth
usage. Apart from the damage it does to standard stereo material, it
will seriously damage the binaural information.




I believe one, possibly two, items due to be broadcast on BBC Radio
4 on Saturday 31 October as part of a 'Fright Night' strand, were
recorded in binaural stereo.

22:00 GMT  "The Stone Tape"  A story by Nigel Kneale (he of
'Quatermass' fame)

23:00 GMT  "Ring" An adaptation of Koji Suzuki's 1991 novel.

If the BBC website won't co-operate for non-UK residents, no doubt
Expat Shield will spoof a UK IP for you.

-- Peter Carbines

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Re: [Sursound] Binaural broadcast

2015-10-28 Thread David Pickett
Whatever the BBC sound quality when broadcast live in the UK, having 
listened to most of the Proms 4.0 broadcasts over the past two years, 
I am not convinced that the sound over the internet is to be sneezed 
at.  It sounds excellent here in central Europe.


This is the link to one of the programmes this weekend: 
http://www.bbc.co.uk/programmes/b06g63fh , though whether they will 
be available outside the UK is not clear.  Perhaps Rupert Brun can tell us.


I should say that I have only a notional interest in this, as 
binaural has never worked for me.


David

At 12:59 28-10-15, Richard wrote:
>Many thanks for the heads up. I think i'd best warn folks hear in the
>K this will be best heard on the FM service, as the broadcasts via
>DAB, Freeview and Satellite use Jstereo to help reduce bandwidth
>usage. Apart from the damage it does to standard stereo material, it
>will seriously damage the binaural information.
>
>
>
>
>  I believe one, possibly two, items due to be broadcast on BBC Radio 4
>  on Saturday 31 October as part of a 'Fright Night' strand, were recorded
>  in binaural stereo.
>
>  22:00 GMT  "The Stone Tape"  A story by Nigel Kneale (he of 'Quatermass'
>  fame)
>
>  23:00 GMT  "Ring" An adaptation of Koji Suzuki's 1991 novel.
>
>  If the BBC website won't co-operate for non-UK residents,
>  no doubt Expat Shield will spoof a UK IP for you.
>
>  --
>  Peter Carbines
>
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Re: [Sursound] Binaural broadcast

2015-10-28 Thread Steven Boardman
I am pretty sure Radio 4 is in stereo.
This was extracted from someones TS (transfer stream). Although I still love 
FM! :)

BBC Radio 1  MPEG-1, Layer2, 48000Hz, stereo, 192kbps
BBC 1XtraMPEG-1, Layer2, 48000Hz, jstereo, 160kbps
BBC Radio 2  MPEG-1, Layer2, 48000Hz, stereo, 192kbps
BBC Radio 3  MPEG-1, Layer2, 48000Hz, stereo, 192kbps
BBC Radio 4  MPEG-1, Layer2, 48000Hz, stereo, 192kbps
BBC Radio 5 Live MPEG-1, Layer2, 48000Hz, mono, 96kbps
BBC Radio 5 Live Sport   MPEG-1, Layer2, 48000Hz, mono, 96kbps
BBC 6 Music  MPEG-1, Layer2, 48000Hz, jstereo, 160kbps
BBC 7MPEG-1, Layer2, 48000Hz, jstereo, 160kbps
BBC World ServiceMPEG-1, Layer2, 48000Hz, mono, 64kbps

Steve


On 28 Oct 2015, at 11:59, Richard  wrote:

> Many thanks for the heads up. I think i'd best warn folks hear in the K this 
> will be best heard on the FM service, as the broadcasts via DAB, Freeview and 
> Satellite use Jstereo to help reduce bandwidth usage. Apart from the damage 
> it does to standard stereo material, it will seriously damage the binaural 
> information.
> 
> 
> 
> 
>  I believe one, possibly two, items due to be broadcast on BBC Radio 4
>  on Saturday 31 October as part of a 'Fright Night' strand, were recorded
>  in binaural stereo.
> 
>  22:00 GMT  "The Stone Tape"  A story by Nigel Kneale (he of 'Quatermass' 
>  fame)
> 
>  23:00 GMT  "Ring" An adaptation of Koji Suzuki's 1991 novel.
> 
>  If the BBC website won't co-operate for non-UK residents,
>  no doubt Expat Shield will spoof a UK IP for you.
> 
>  -- 
>  Peter Carbines
> 
>  ___
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Re: [Sursound] Binaural broadcast

2015-10-28 Thread Richard
Many thanks for the heads up. I think i'd best warn folks hear in the K this 
will be best heard on the FM service, as the broadcasts via DAB, Freeview and 
Satellite use Jstereo to help reduce bandwidth usage. Apart from the damage it 
does to standard stereo material, it will seriously damage the binaural 
information.




  I believe one, possibly two, items due to be broadcast on BBC Radio 4
  on Saturday 31 October as part of a 'Fright Night' strand, were recorded
  in binaural stereo.

  22:00 GMT  "The Stone Tape"  A story by Nigel Kneale (he of 'Quatermass' 
  fame)

  23:00 GMT  "Ring" An adaptation of Koji Suzuki's 1991 novel.

  If the BBC website won't co-operate for non-UK residents,
  no doubt Expat Shield will spoof a UK IP for you.

  -- 
  Peter Carbines

  ___
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[Sursound] Binaural broadcast

2015-10-28 Thread Peter Carbines

I believe one, possibly two, items due to be broadcast on BBC Radio 4
on Saturday 31 October as part of a 'Fright Night' strand, were recorded
in binaural stereo.

22:00 GMT  "The Stone Tape"  A story by Nigel Kneale (he of 'Quatermass' 
fame)


23:00 GMT  "Ring" An adaptation of Koji Suzuki's 1991 novel.

If the BBC website won't co-operate for non-UK residents,
no doubt Expat Shield will spoof a UK IP for you.

--
Peter Carbines

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Re: [Sursound] binaural theatre excerpts

2014-11-12 Thread dw

On 11/11/2014 21:39, Bearcat M. Şándor wrote:

I'm impressed. You put these together very well. Only the first one loaded
completely but i was able to hear samples of all 4 streams. I haven't had
much experience with binaural recordings. To me it sounded everything was
in a band that was tight around my forehead but extended to my shoulders.
The far left effect was on my left shoulder and the far right effect was on
my right shoulder. When something moved across the stage in front of me, it
sounded like it slid along my forehead but was never "out in front".

Is this what most people should experience?

"/I didn't mention binaural sound. Because it has one serious flaw that 
I feel is fatal: It doesn't do frontal imaging. Yes, it reproduces space 
magnificently and gives marvelous imaging of sounds to the sides and all 
the way around the rear quadrant; but most listeners hear front-located 
sources as being inside their heads, not in frontal space. Binaural can 
sound impressively realistic...until you compare it with discrete 
surround." - 
http://www.stereophile.com/content/spacethe-final-frontier-letters-2
It is missing the 'key' , with it, it does not behave as expected. 
https://www.dropbox.com/s/nbar9xpgq84vmh4/dog%20bone%20fairport.mp3?dl=0

/
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Re: [Sursound] binaural theatre excerpts

2014-11-12 Thread Iain Mott
Thanks Bearcat. For the most part the voices are positioned close to the
listener - the female singing in the 3rd recording is positioned further
away although is given quite a bit gain because I'm concerned about
dynamic range issues in the final application - it should have a lower
level as the king is meant to be listening to her voice through an open
window. The 3rd voice that appears in the second recording (close to
2min) should be positioned to the rear at your left - and the second
voice (also male) should wander a bit to the back. For me, binaural
recordings tend to get squashed a bit at the front and at the rear
leaving lobes extending from the sides. If you give the sound a
trajectory, where it leads off in a particular direction, I think that
can help extend the front/rear image. Better quality headphones help
too. Sorry the files didn't stream properly - you can download the files
directly with these links:

http://audiocena.com.br/rei/intro.mp3
http://audiocena.com.br/rei/trono.mp3
http://audiocena.com.br/rei/euteamo.mp3
http://audiocena.com.br/rei/relogio.mp3 

Cheers,

Iain




Em Ter, 2014-11-11 às 14:39 -0700, Bearcat M. Şándor escreveu:
> I'm impressed. You put these together very well. Only the first one loaded
> completely but i was able to hear samples of all 4 streams. I haven't had
> much experience with binaural recordings. To me it sounded everything was
> in a band that was tight around my forehead but extended to my shoulders.
> The far left effect was on my left shoulder and the far right effect was on
> my right shoulder. When something moved across the stage in front of me, it
> sounded like it slid along my forehead but was never "out in front".
> 
> Is this what most people should experience?
> 
> On Tue, Nov 11, 2014 at 9:58 AM, Iain Mott  wrote:
> 
> > hi list,
> >
> > Sending a link with some binaural theatre mixes I'm making with the
> > Soundscape Renderer together with Pd, jconvolver, Ardour 3 and lots of
> > patching in jack. The content of the recordings is all in Portuguese.
> > There are some details on the page - but to elaborate a little, Pd
> > serves as a go-between for SSR and Ardour, converting XML messages to
> > and from MIDI to allow Ardour to record and play SSR control data
> > jointly with the associated raw (unspatialised) audio. It's possible to
> > control 4 moving sources at once - but perhaps more. Pd also does some
> > mapping/attenuation of audio sent to various instances of jconvolver to
> > implement John Chowning's idea of 'global' and 'local' reverberation
> > (where as an source becomes distant, its reverberant properties become
> > more pronounced but also more directional - conversely as the sound
> > approaches, an encompassing "global" reverberation takes precedence,
> > coming from all directions surrounding the listener). There's a Doppler
> > effect implemented too in Pd but it's disabled as it sounds pretty silly
> > with voice.
> >
> > The story used is "A King Listens" by Italo Calvino and it's written
> > entirely in the 2nd person (ie. "you"). So the voices in the binaural
> > mix surround the listener like the King's counsellors or wayward
> > thoughts.
> >
> > Hope you enjoy the excerpts:
> >
> > http://audiocena.com.br/en/rei
> >
> > Iain
> >
> > ___
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> > https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here,
> > edit account or options, view archives and so on.
> >
> 
> 
> 


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Re: [Sursound] binaural theatre excerpts

2014-11-11 Thread Bearcat M . Şándor
I'm impressed. You put these together very well. Only the first one loaded
completely but i was able to hear samples of all 4 streams. I haven't had
much experience with binaural recordings. To me it sounded everything was
in a band that was tight around my forehead but extended to my shoulders.
The far left effect was on my left shoulder and the far right effect was on
my right shoulder. When something moved across the stage in front of me, it
sounded like it slid along my forehead but was never "out in front".

Is this what most people should experience?

On Tue, Nov 11, 2014 at 9:58 AM, Iain Mott  wrote:

> hi list,
>
> Sending a link with some binaural theatre mixes I'm making with the
> Soundscape Renderer together with Pd, jconvolver, Ardour 3 and lots of
> patching in jack. The content of the recordings is all in Portuguese.
> There are some details on the page - but to elaborate a little, Pd
> serves as a go-between for SSR and Ardour, converting XML messages to
> and from MIDI to allow Ardour to record and play SSR control data
> jointly with the associated raw (unspatialised) audio. It's possible to
> control 4 moving sources at once - but perhaps more. Pd also does some
> mapping/attenuation of audio sent to various instances of jconvolver to
> implement John Chowning's idea of 'global' and 'local' reverberation
> (where as an source becomes distant, its reverberant properties become
> more pronounced but also more directional - conversely as the sound
> approaches, an encompassing "global" reverberation takes precedence,
> coming from all directions surrounding the listener). There's a Doppler
> effect implemented too in Pd but it's disabled as it sounds pretty silly
> with voice.
>
> The story used is "A King Listens" by Italo Calvino and it's written
> entirely in the 2nd person (ie. "you"). So the voices in the binaural
> mix surround the listener like the King's counsellors or wayward
> thoughts.
>
> Hope you enjoy the excerpts:
>
> http://audiocena.com.br/en/rei
>
> Iain
>
> ___
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> https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here,
> edit account or options, view archives and so on.
>



-- 
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Voice: 872.CAT.SOUL (872.228.7685)
Fax: 406.235.7070
My public pgp key is included for verification of my identity
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[Sursound] binaural theatre excerpts

2014-11-11 Thread Iain Mott
hi list,

Sending a link with some binaural theatre mixes I'm making with the
Soundscape Renderer together with Pd, jconvolver, Ardour 3 and lots of
patching in jack. The content of the recordings is all in Portuguese.
There are some details on the page - but to elaborate a little, Pd
serves as a go-between for SSR and Ardour, converting XML messages to
and from MIDI to allow Ardour to record and play SSR control data
jointly with the associated raw (unspatialised) audio. It's possible to
control 4 moving sources at once - but perhaps more. Pd also does some
mapping/attenuation of audio sent to various instances of jconvolver to
implement John Chowning's idea of 'global' and 'local' reverberation
(where as an source becomes distant, its reverberant properties become
more pronounced but also more directional - conversely as the sound
approaches, an encompassing "global" reverberation takes precedence,
coming from all directions surrounding the listener). There's a Doppler
effect implemented too in Pd but it's disabled as it sounds pretty silly
with voice.

The story used is "A King Listens" by Italo Calvino and it's written
entirely in the 2nd person (ie. "you"). So the voices in the binaural
mix surround the listener like the King's counsellors or wayward
thoughts.

Hope you enjoy the excerpts:

http://audiocena.com.br/en/rei

Iain 

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Re: [Sursound] Binaural Experiment

2014-01-08 Thread dw

On 08/01/2014 17:29, Fons Adriaensen wrote:

On Wed, Jan 08, 2014 at 05:19:53PM +, dw wrote:


I have a problem with band-filtered noise. I don't think it tell you
anything very useful, as the results are only applicable to
band-filtered noise, and often anechoic HRTFS are used too, this
means it has zero relevance in everyday situations. Science! What
can you do with it!

Band-filtered noise can reveal how performance depends on requency
range.

In this test there is a serious problem: all the filtered noise
examples have wideband transients at the start and end. This could
completely invalidate the results. For example it could very well
be that the transients can be located well but the noise itself
not. To avoid that they'd need a short fade-in/out instead of being
switched on and off.
Agreed. I was not sure whether the glitches were my end, due streaming 
or something.


Apart from that, I found all three systems sounded rather horrible.
Agreed.  There was a lot of colouration, and audible reverb without much 
distance, on some, Also you can't really determine direction when sounds 
are close to the head.


Ciao,



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Re: [Sursound] Binaural Experiment

2014-01-08 Thread Fons Adriaensen
On Wed, Jan 08, 2014 at 05:19:53PM +, dw wrote:

> I have a problem with band-filtered noise. I don't think it tell you
> anything very useful, as the results are only applicable to
> band-filtered noise, and often anechoic HRTFS are used too, this
> means it has zero relevance in everyday situations. Science! What
> can you do with it!

Band-filtered noise can reveal how performance depends on requency
range. 

In this test there is a serious problem: all the filtered noise
examples have wideband transients at the start and end. This could
completely invalidate the results. For example it could very well
be that the transients can be located well but the noise itself
not. To avoid that they'd need a short fade-in/out instead of being
switched on and off.

Apart from that, I found all three systems sounded rather horrible.

Ciao,

-- 
FA

A world of exhaustive, reliable metadata would be an utopia.
It's also a pipe-dream, founded on self-delusion, nerd hubris
and hysterically inflated market opportunities. (Cory Doctorow)

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Re: [Sursound] Binaural Experiment

2014-01-08 Thread dw
I had a similar problem with the BBC's efforts: 
http://www.bbc.co.uk/blogs/radio3/2011/12/the-festival-of-nine-lessons-and-carols-in-surround-sound.shtml


In that case I could not dowload them and switch quickly between 
versions. All that I could usefully say is that they all sounded bad, 
and I could not determine which was worst! A bit like voting in an 
election..


I have a problem with band-filtered noise. I don't think it tell you 
anything very useful, as the results are only applicable to 
band-filtered noise, and often anechoic HRTFS are used too, this means 
it has zero relevance in everyday situations. Science! What can you do 
with it!


I liked your voice, music and recording, although I am not a great Cash fan!



On 08/01/2014 16:45, Paul Dirks wrote:

Hey David

Thanks for your time. The survey loads some files very slow this is 
why the were not present.

Not sure if Longcat is going to win, Harpex seems to do is the best
When i listend i thought New Audio was the best.
It's idd unpleasant next time i will take some other samples.

and thanks for the file.

gr Paul




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Re: [Sursound] Binaural Experiment

2014-01-08 Thread Paul Dirks

Hey David

Thanks for your time. The survey loads some files very slow this is why 
the were not present.

Not sure if Longcat is going to win, Harpex seems to do is the best
When i listend i thought New Audio was the best.
It's idd unpleasant next time i will take some other samples.

and thanks for the file.

gr Paul


--
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T: 31+ 6 18691987
M: i...@pauldirksmusic.com
W: www.pauldirksmusic.com
s: https://soundcloud.com/pauldirks (Dj)
s: https://soundcloud.com/pauldirksmusic (Audio Engineer)

dw schreef op 2014-01-08 16:39:

I had a look, but I have a few problems..
I don't seem able to play 1a.
The test is not blind as the curious, like me, can see the file names
in the source.
The Longcat eg.1b is the clear winner.
I cannot force myself to listen to that much filtered noise - it
seems pointless and unpleasant!

I have converted one of your files from Soundcloud to binaural (2x2
convolution with my Dummy head IRs):

https://www.dropbox.com/s/k1iyum6zosl6o70/Paul%20Dirks%20-%20Johnny%27s%20Sky%20binaural.mp3

Regards,
David.


On 07/01/2014 14:08, Paul Dirks wrote:

Dear All

I see the most interesting things passing by in this mailing list.
This made me decided to do my thesis about binaural localization.
I have made two experiments to test three different binaural panners 
and the accuracy of the localization.


1. New Audio Technology, Spatial Audio Designer
2. Longcat, H3D Binauralizer
3. Encoder: Daniel Courville, Solo2b2
Decoder: Harpex Ltd, Harpex-b

It would really help me if some of you would have 15min for this 
experiment for the links below.
In the first one i ask the rate in the localization is good/bad in 
the second one i aks the fill in

were the sound is percieved.


http://www.surveygizmo.com/s3/1489998/Binaural-Localization-Experiment-1 
(10 min)


http://www.surveygizmo.com/s3/1488686/Binaural-Localization-Experiment-2 
(15 min)


All thanks for your time and you will see hear more from me in the 
mailing list

Because we all same a nice and interesting subject.

With Kind Regards, Paul Dirks



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Re: [Sursound] Binaural Experiment

2014-01-08 Thread dw

I had a look, but I have a few problems..
I don't seem able to play 1a.
The test is not blind as the curious, like me, can see the file names in 
the source.

The Longcat eg.1b is the clear winner.
I cannot force myself to listen to that much filtered noise - it seems 
pointless and unpleasant!


I have converted one of your files from Soundcloud to binaural (2x2 
convolution with my Dummy head IRs):

https://www.dropbox.com/s/k1iyum6zosl6o70/Paul%20Dirks%20-%20Johnny%27s%20Sky%20binaural.mp3

Regards,
David.


On 07/01/2014 14:08, Paul Dirks wrote:

Dear All

I see the most interesting things passing by in this mailing list.
This made me decided to do my thesis about binaural localization.
I have made two experiments to test three different binaural panners 
and the accuracy of the localization.


1. New Audio Technology, Spatial Audio Designer
2. Longcat, H3D Binauralizer
3. Encoder: Daniel Courville, Solo2b2
Decoder: Harpex Ltd, Harpex-b

It would really help me if some of you would have 15min for this 
experiment for the links below.
In the first one i ask the rate in the localization is good/bad in the 
second one i aks the fill in

were the sound is percieved.

http://www.surveygizmo.com/s3/1489998/Binaural-Localization-Experiment-1 
(10 min)
http://www.surveygizmo.com/s3/1488686/Binaural-Localization-Experiment-2 
(15 min)


All thanks for your time and you will see hear more from me in the 
mailing list

Because we all same a nice and interesting subject.

With Kind Regards, Paul Dirks



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[Sursound] Binaural Experiment

2014-01-07 Thread Paul Dirks

Dear All

I see the most interesting things passing by in this mailing list.
This made me decided to do my thesis about binaural localization.
I have made two experiments to test three different binaural panners 
and the accuracy of the localization.


1.  New Audio Technology, Spatial Audio Designer
2.  Longcat, H3D Binauralizer
3.  Encoder: Daniel Courville, Solo2b2
Decoder: Harpex Ltd, Harpex-b

It would really help me if some of you would have 15min for this 
experiment for the links below.
In the first one i ask the rate in the localization is good/bad in the 
second one i aks the fill in

were the sound is percieved.

http://www.surveygizmo.com/s3/1489998/Binaural-Localization-Experiment-1 
(10 min)
http://www.surveygizmo.com/s3/1488686/Binaural-Localization-Experiment-2 
(15 min)


All thanks for your time and you will see hear more from me in the 
mailing list

Because we all same a nice and interesting subject.

With Kind Regards, Paul Dirks

--
Paul Dirks Music (Audio Engineer & Dj)

T: 31+ 6 18691987
M: i...@pauldirksmusic.com
W: www.pauldirksmusic.com
s: https://soundcloud.com/pauldirks (Dj)
s: https://soundcloud.com/pauldirksmusic (Audio Engineer)

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[Sursound] Binaural

2013-05-16 Thread dw

Hi all,
Just popped in to do some spamming..
I hope there are still some here with a passing interest in binaural.
I have made a new type of dummy head, and am looking for some feedback 
on whether it works for anyone other than myself.

The samples are here:
http://www.freesound.org/people/dwareing/
All files are 'public domain' CC0
David.
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Re: [Sursound] Binaural Microphone options

2011-05-19 Thread John Leonard
Rycote now make these - not cheap, but incredibly effective: I now have a pair 
of ex-theatre DPA4061s taped to the outside of a window of our flat as we get 
visited quite often by a wonderfully vocal blackbird who sits on the railing 
and marks out his territory by singing lustily to the surrounding rivals. The 
recording I've linked to here is an example: the background noise is actually a 
very strong wind blowing through the leaves of a tall tree in the across the 
way, so you should have some idea of how blowy it was. Not a trace of wind 
blast on the DPAs with the Rycote Mini-Windjammers fitted, even with the big 
gust near the end of the file.

http://snd.sc/lbaFbi

Regards,

John

On 19 May 2011, at 20:04, Bill de Garis wrote:

>  A baby dead cat on top of them would have been pretty much perfect.

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Re: [Sursound] Binaural Microphone options

2011-05-19 Thread Ralf R. Radermacher
Bill de Garis  wrote:

> I've had a couple of Len's DPA4060's since 2000.
> They are first class mics.

Two more options:

The various Soundman OKM models...

http://soundman.de/en/intro_en.html

and the Ohrwurm (ear worm) mics made by a guy in Norther Germany...

http://www.ohrwurmaudio.de/paypal.html

I especially like his windscreens. They are very efficient and the price
is simply unbeatable. Been using them with both OKM and Ohrwurm mics. 

There's a selection of soundscape recordings I've made with binaural
mics, on my old website:

http://www.fotoralf.be/audio/binaural/

Ralf

-- 
Ralf R. Radermacher  -  DL9KCG  -  Köln/Cologne, Germany
Blog   : http://the-real-fotoralf.blogspot.com
Audio : http://aporee.org/maps/projects/fotoralf
Web   : http://www.fotoralf.de
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Re: [Sursound] Binaural Microphone options

2011-05-19 Thread Bill de Garis

I've had a couple of Len's DPA4060's since 2000.
They are first class mics.
Used them attached to my glasses just above my ears and they gave the most startling 
realism when played back on my Senny HD25 cans.
I've had people jump and turn quickly when listening to recordings of motorbikes going 
up large rocks made with those DPA's.


I think I figured out why people jumped and turned - they were standing in the paddock 
of a world championship event and knowing there were no bikes in front of them they 
instinctively thought the bikes were behind them.
I was practically alongside the bikes when they were going up the huge rocks so it was 
scary for the listener to believe (even if only for an instant) that a bike was doing 
something like that so close to them.


Those DPA's also give excellent quality on music but you may need a pad before your mic 
inputs if you are at a  very heavily amplified venue.
I bought the switchable bass cut version but never have used it as the bass cut starts 
too high for my taste.
Oh and they're very susceptible to wind noise, virtually unusable outdoors even on a day 
with no apparent wind.
I never used them without the little foam balls - a baby dead cat on top of them would 
have been pretty much perfect.
Very easy to lose the foam balls off them - ended up hitting up a dentist for some 
miniature rubber bands to hold the foam balls on to the capsule.


Bill de Garis

On 19/05/2011 9:11 a.m., Len Moskowitz wrote:

Chris Pike  wrote:


There are various options around for binaural recording. When considering 
recordings
on real heads (for individualised HRTF sets) what microphones do you recommend?
Clearly there going to be a large range in price and quality. B&K 4101 for 
example may
be out of my price range.


If your budget is adequate, we'd recommend our High End Binaural (HEB) 
microphone set.
They use a well-matched pair of the DPA 4060-series capsules.

The B&K 4101 uses the same capsules. The HEBs have a considerably lower price.


On a related note what is the best approach for blockage of the ear canal when 
making
these recordings with in-ear microphones? Any references would be appreciated.


If you want to do in-ear binaural recordings, we recommend bringing the HEBs to 
your
local hearing aid technician and having them make a custom set of silicone ear 
molds. In
the US that costs around $100.

They can also be mounted near-ear by using clip mounts attached to the 
earpieces of a
set of eyeglasses.


Len Moskowitz (mosko...@core-sound.com)
Core Sound LLC
www.core-sound.com
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Re: [Sursound] Binaural Microphone options

2011-05-19 Thread Len Moskowitz

Chris Pike  wrote:

There are various options around for binaural recording. When considering 
recordings on real heads (for individualised HRTF sets) what microphones 
do you recommend? Clearly there going to be a large range in price and 
quality. B&K 4101 for example may be out of my price range.


If your budget is adequate, we'd recommend our High End Binaural (HEB) 
microphone set.  They use a well-matched pair of the DPA 4060-series 
capsules.


The B&K 4101 uses the same capsules.  The HEBs have a considerably lower 
price.


On a related note what is the best approach for blockage of the ear canal 
when making these recordings with in-ear microphones? Any references would 
be appreciated.


If you want to do in-ear binaural recordings, we recommend bringing the HEBs 
to your local hearing aid technician and having them make a custom set of 
silicone ear molds.  In the US that costs around $100.


They can also be mounted near-ear by using clip mounts attached to the 
earpieces of a set of eyeglasses.



Len Moskowitz (mosko...@core-sound.com)
Core Sound LLC
www.core-sound.com 


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[Sursound] Binaural Microphone options

2011-05-19 Thread Chris Pike
Hi all,
There are various options around for binaural recording. When considering 
recordings on real heads (for individualised HRTF sets) what microphones do you 
recommend? Clearly there going to be a large range in price and quality. B&K 
4101 for example may be out of my price range.
On a related note what is the best approach for blockage of the ear canal when 
making these recordings with in-ear microphones? Any references would be 
appreciated.
Also I have some moulded ear plugs with removable filters. Does anyone have any 
experience with using custom moulds with microphones?
Thanks
Chris Pike


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