On 8/27/06, [EMAIL PROTECTED] <[EMAIL PROTECTED]> wrote:
PS. I like Pittsburgh. We did a cool Plus 8 party there once. Clark Warner,
John
Acquaviva, myself and Rich. I spent the day @ the Andy Warhol museum. Cute
city.
i didnt go because i dont like watered down techno.
tom
On 8/27/06, Joost P <[EMAIL PROTECTED]> wrote:
Hey, I didn't want to interfere in all this, but in Fred's defense,
he never insulted Tom's kid. He only attacked Tom about his mental
state (and I happen to agree with him)
hey, im glad to take all this free psychiatric advice from you and
fred. o
Hey, I didn't want to interfere in all this, but in Fred's defense,
he never insulted Tom's kid. He only attacked Tom about his mental
state (and I happen to agree with him), being in such a bad shape he
would run the risk of his kid getting taken away from him by the
authorities or somethi
>Re: my approach to Tom.
>
>Take a look at the Stephen Colbert roasting of George W. Bush earlier this
>year. Pretty low brow humor probably by your analysis J.T. but I loved it.
no way man i loved that, and it was obviously over the heads of most attending!
i think you are reaching to compar
PS. I like Pittsburgh. We did a cool Plus 8 party there once. Clark Warner, John Acquaviva, myself and Rich. I spent the day @ the Andy Warhol museum. Cute city.
that was an amazing party. it was in the Crane building in the strip
district. excellent sound.
A few years back when Moby was getting all this BS hype he was coming out of a
gig @ the Paradise he did for this radio station here in Boston, WBCN. Since
it was a promotional event it was not publicized very much. Apparently, as he
was leaving the venue he got maced and punched by some angry
Yikes - what a happy crew that lot must be! I wonder what's in the
'members only' section - maybe them torturing kittens and puppies? :\
lisa
FRED giannelli wrote:
I smell a lawsuit
http://www.bostonbeatdown.com/videoprofile.html
telepathic regards,
the kooky scientist
I smell a lawsuit
http://www.bostonbeatdown.com/videoprofile.html
telepathic regards,
the kooky scientist
--
Upcoming Live Electronic Demonstrations:
May 2nd - Peabody, MA - The Apple Store - iPod DJ event
--
TELEPATHICA -
the issue here is that record companies have been whining on about mp3s
killing music (in the same way they used to bang on about "Home taping
killing music" in the 70s) and here they go showing exactly how much money
they have to throw around
tssk
robin...
> > heard that robbie williams h
> heard that robbie williams has a clause in his contract, where a
> certain percentage of the revenues from his concerts goes to the
> record company. wonder how they ever got him to sign that contract?
"Robbie Williams has signed what is believed to be an ->£80m<-
contract with EMI Records i
- Original Message -
From: "jurren baars" <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Monday, December 16, 2002 12:13 PM
Subject: Re: (313) Moby (cheddar)
> heard that robbie williams has a clause in his contract, where a certain
> percentage of the rev
Memo from Alex Bond of PricewaterhouseCoopers
Start of message text
>heard that robbie williams has a clause in his contract, where a certain
>percentage of the revenues from his concerts goes to the record company.
>wonder how they ever got him to sign t
"and truth be told, a lot of electronic music is released without the
artist making much of anything off the record/CD sales. its kinda a
prerequisite to doing better live shows, which is where the money (if any)
is."
Jay Hogie says: BINGO! You gotta move a scheisseload of units before you
m
on 12/15/02 10:55 PM, techno at [EMAIL PROTECTED] wrote:
> on 12/15/02 5:14 PM, FRED giannelli at [EMAIL PROTECTED] wrote:
>
>> Not true. A couple of weeks ago Oakenfold drew less than half capacity in
>> Boston (the Catholic priest child molesting capital of the world).
>>
>> telepathic regard
l.org>
Sent: Sunday, December 15, 2002 10:09 PM
Subject: Re: (313) Moby (cheddar)
> "and truth be told, a lot of electronic music is released without the
artist
> making much of anything off the record/CD sales. its kinda a prerequisite
> to doing better live shows, which is wh
"and truth be told, a lot of electronic music is released without the artist
making much of anything off the record/CD sales. its kinda a prerequisite
to doing better live shows, which is where the money (if any) is."
Jay Hogie says: BINGO! You gotta move a scheisseload of units before you
make m
>> There's the Neptunes - NERD - and Chad Hugo knows his techno and house and
>> it's evidently an influence. Timbaland. And if Missy's Work It ain't a
>> techno/electro record, I don't know what is??
>> That new Snoop single From Tha Chuuuch To Da Palace has a techno feel.\
>
> Cyclone you live i
ED]>
To: <313@hyperreal.org>
Sent: Sunday, December 15, 2002 5:11 PM
Subject: Re: (313) Moby
> on 12/15/02 9:48 AM, Adam Haupt at [EMAIL PROTECTED] wrote:
>
> > Are there any black techno people out that there make crappy rocktronica
for
> > the masses and possess marketable
> Jeff Mills can only sell out a hand full a good sized venues in select US
> cities, Paul Okenfold on the other hand can go on a fifty state tour and
> easily sell out each venue.
Not true. A couple of weeks ago Oakenfold drew less than half capacity in
Boston (the Catholic priest child molestin
on 12/15/02 9:48 AM, Adam Haupt at [EMAIL PROTECTED] wrote:
> Are there any black techno people out that there make crappy rocktronica for
> the masses and possess marketable qualities at the same time?
Why cant a Carl Craig or Cajmere character achieve pop music stardom?
> Will Smith is black,
s
based on my experiences.
- Original Message -
From: "xx xx" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Cc: <313@hyperreal.org>
Sent: Sunday, December 15, 2002 5:11 PM
Subject: Re: (313) Moby
> Was not the debate.
> I don't buy assumptions and stereotype
ROTECTED]>, <313@hyperreal.org>
Subject: Re: (313) Moby
Date: Sun, 15 Dec 2002 14:16:33 -0500
detroit artists are no different than artists anywhere else. a problem
with
*certain* detroit producers is they think they are much more important to
the music than they are and they have
Of course there are different components to what makes someone marketable,
charisma is just one, but someone else raised charisma and I responded to
that.
> Inbox Message
>
> From: Adam <[EMAIL PROTECTED]>
> Subject: Re: (313) Moby
> Date: 16/12/2002 6:04:44
&g
point.
-" "
- Original Message -
From: "xx xx" <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Sunday, December 15, 2002 1:55 PM
Subject: Re: (313) Moby
>
> What majors companies look for is marketable products with manageable
> artists, with or without charisma.
&g
r company who wants to sell to
a sell-out crowd.
From: "Cyclone Wehner" <[EMAIL PROTECTED]>
To: 313 Detroit <313@hyperreal.org>
Subject: Re: (313) Moby
Date: Mon, 16 Dec 2002 04:52:02 +1100
Uh-uh, I inadvertently started this by posting that MTV story. I thought it
was i
"John Digweed has no charisma at all and yet he is a big
name in the US dance culture!"
Is John Digweed good or he is DJ cheez for the masses?
Charisma isnt the only factor. Moby is not big based solely on charisma
alone, he also makes rocktronica or in layman's terms, techno cheeze for
the m
Well presumably charisma gets you media attention, however you define it.
But yeah the theory comes undone with John Digweed. ;)
> Inbox Message
>
> From: "::\)" <[EMAIL PROTECTED]>
> Subject: Re: (313) Moby
> Date: 16/12/2002 5:17:02
> To: "Cy
clone Wehner" <[EMAIL PROTECTED]>
To: "313 Detroit" <313@hyperreal.org>
Sent: Sunday, December 15, 2002 12:52 PM
Subject: Re: (313) Moby
> Uh-uh, I inadvertently started this by posting that MTV story. I thought
it
> was interesting Moby is calling an end to Are
Uh-uh, I inadvertently started this by posting that MTV story. I thought it
was interesting Moby is calling an end to Area 1/2 more as I saw it as a
possible economic/cultural indicator. Is it because 18 hasn't sold as well
as Play? Or because corporations are nervous of supporting such events in
t
techno write
"can you imagine a black man with Moby's electronica, techno celebrity
status? The American music industry wouldn't allow for something like that to
happen, the irony is Moby rips off black music."
Are there any black techno people out that there make crappy rocktronica for
the ma
It's almost surreal always seeing him in the headlines, it makes me think
back to 1991 watching him performing at a rave in front of 500 people
standing behind his SY 77 keyboard.
Now he's making Millions of dollars in album sales, tv commercials
endorsements (Microsoft).
Can you imagine a black m
No Area 3?
> http://www.mtv.com/news/articles/1459117/20021211/moby.jhtml
ember 13, 2002 9:04 PM
Subject: Re: (313) Moby assaulted
> For being the biggest "Techno" artist around it's a little disheartening
> that the AP/CNN can't get his last name right...
>
> "...Moby, whose real name is Richard M. Melville..."
>
> J
>
CTED]>
To: "Mark S. Krüx" <[EMAIL PROTECTED]>; "::)" <[EMAIL PROTECTED]>; "Matthew
L. Thompson" <[EMAIL PROTECTED]>; <313@hyperreal.org>
Sent: Friday, December 13, 2002 2:47 PM
Subject: RE: (313) Moby assaulted
> yeah i saw this earlier today whi
sorry all, this was not intended for the list.
- Original Message -
From: "::)" <[EMAIL PROTECTED]>
To: "FRED giannelli" <[EMAIL PROTECTED]>; "Matthew L. Thompson"
<[EMAIL PROTECTED]>; <313@hyperreal.org>
Sent: Friday, December 13,
LOL
-Original Message-
From: Brian 'balistic' Prince [mailto:[EMAIL PROTECTED]
Sent: 13 December 2002 23:15
To: 313@hyperreal.org
Subject: Re[2]: (313) Moby assaulted
> like moby or not, but I hope this doesnt trigger a slew of "Im glad he got
> beat up" e
> like moby or not, but I hope this doesnt trigger a slew of "Im glad he got
> beat up" emails.
Definitely nothing funny about Moby getting roughed up, though I'll
admit, if he had been assaulted with a harpoon by a vengeful sea
captain, I might've had to stifle a laugh.
-
Brian "bali
my condolances fred. give my best wishes to your family
-Joe DelCimmuto
- Original Message -
From: "FRED giannelli" <[EMAIL PROTECTED]>
To: "Matthew L. Thompson" <[EMAIL PROTECTED]>; <313@hyperreal.org>
Sent: Friday, December 13, 2002 5:47 PM
Subj
yeah i saw this earlier today while surfing dj-sets and saw the article..
man poor guy..
-Original Message-
From: Mark S. Krüx [mailto:[EMAIL PROTECTED]
Sent: 13 December 2002 22:41
To: ::); Matthew L. Thompson; 313@hyperreal.org
Subject: Re: (313) Moby assaulted
> Im no moby fan,
Well it wasn't me, I was too busy dealing with this.
http://www.boston.com/dailynews/344/sports/Joseph_Giannelli_popular_UConn:.s
html
Actually, I met Moby once and told him that my Uncle was @ UConn. I guess
Moby studied philosophy there for a little while.
Perhaps the assailants where ra
> Im no moby fan, but he surely doesnt deserve physical harm
I think we can all agree on the above...
Laters,
m*
and shames these idiots on in some public way.
Im no moby fan, but he surely doesnt deserve physical harm
-Joe
- Original Message -
From: "Matthew L. Thompson" <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Friday, December 13, 2002 5:27 PM
Subject: (313) Moby ass
I haven't been paying too close attention to most of the discussion on 313
the last few days, but please pardon me if this story has made the list
already...
Matt
www.magicmattkelly.com
-
http://www.azcentral.com/offbeat/articles/1213MobyAttack13-ON.html
Associated Press
Dec. 13
moby was on the daily show on monday. he talked about
eminem and how he dis'ed him and a photo shoot for Q. he
said he thought it was funny because he dis'ed him for
making techno and moby said he thought that was funny
because he had not made a techno album in 11 years. he
also said he was hu
On Wed, 25 Jul 2001 15:54:18 -0400 David Bitterman <[EMAIL PROTECTED]> wrote:
>I think the message was aimed more towards the POP headliners such as Moby,
>Oakenfold, Underworld, etc.., NOT at their more underground stage partners.
Do you honestly believe that when Underworld made 'Cowgirl' and
'
>>counter-culturally yours,
>
>
>
>Counter-Culture and all its bragging rights are just as toolish as Pop
>Culture: there's just less of you to do it. Whatever happened to real
>individuality?
>
a sincere amen to that Jayson...
RD
>
>
>
>__
>
>In the beggining techno was underground, but then it was only techno, today
>everybody that use somekind of filter is techno.
>
>So if we talking about big events you cant make event, book Moby, FBS,
>Underworld(without emerson), Paul van Dyk and call it Techno, because its
>POP.
So if I f
I think the message was aimed more towards the POP headliners such as Moby,
Oakenfold, Underworld, etc.., NOT at their more underground stage partners.
Point being if I flip through the MAJOR FM radio stations I may pass that
shitty Moby track on a POP station. I'm not going to catch "slak" or
"El
>You've been assimilated to.
so beit..
>He does have a purpose. He wants to sell a fucload of records.
he's bones and guts, just like the rest of us. if he(they) want/s to sell
records, no problem. we all have to work and i don't see anything wrong with
selling records.. cool job right?.. i
they've been assimilated.. no more soul..
You've been assimilated to.
moby.. that's pop music... those who want music to be popular have no
purpose other than to sell their product or seek praise and adulation,
something they wouldn't need if they had a purpose..
He does have a purpose.
those grill cheese sandwiches on the bus?
Shit happens, roll with the punches, or kill yourself like Kurt Kobain.
-todd
- Original Message -
From: "Berislav" <[EMAIL PROTECTED]>
To: "313" <313@hyperreal.org>
Sent: Wednesday, July 25, 2001 9:02 AM
Subject: RE:
-Original Message-
From: Berislav [mailto:[EMAIL PROTECTED]
Sent: Wednesday, July 25, 2001 9:03 AM
To: 313
Subject: RE: [313] Moby, underground techno
Honestly I think some people here have to start making up their minds,
always stating that techno is underground and should not bec
>
>In the beggining techno was underground, but then it was only techno, today
>everybody that use somekind of filter is techno.
>
>So if we talking about big events you cant make event, book Moby, FBS,
>Underworld(without emerson), Paul van Dyk and call it Techno, because its
>POP.
So if I follow
-
From: Berislav [mailto:[EMAIL PROTECTED]
Sent: Wednesday, July 25, 2001 9:03 AM
To: 313
Subject: RE: [313] Moby, underground techno
Honestly I think some people here have to start making up their minds,
always stating that techno is underground and should not become commercial
and at the same
Honestly I think some people here have to start making up their minds,
always stating that techno is underground and should not become commercial
and at the same time always complaining about lack of exposure or being mad
whenever a big event does not pay respect to the underground.
What'll it b
Indeed, and imagine the pain they must be going through when:
- making big bucks dj'ing around the globe
- being revered by millions of people
- being revered by countless producers and influencing every techno / house /
d'n'b producer
I for one couldn't take that much disrespect...
Honestly
Message -
From: "Scotto" <[EMAIL PROTECTED]>
To: "313" <313@hyperreal.org>
Sent: Friday, July 20, 2001 7:04 PM
Subject: Re: [313] Moby
> this is not a new thing it has been going on in music for a long time.
look
> at all the '50's blues art
ason you
have to make money the way you know how. playing live!
Scott Laakso ---
--- imajin/ imagine
http://www.mp3.com/i_majin
http://www.ampcast.com/imagine
- Original Message -
From: Jayson B. <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Thursday, July 19
keep posting.
thank you!
--- "Jayson B." <[EMAIL PROTECTED]> wrote:
>
> >i know that the B3 is probably used to it, and
> probably don't even know or
> >care that they're not >being promoted, but i could
> never deal with that
> >kind of pain on a repeated basis...
>
>
>
> which is worse?
t
is. doesn't need me adding to the pile of junk. :) last word on 313 from
me on this subject.
Mike
From: "Jayson B." <[EMAIL PROTECTED]>
To: 313@hyperreal.org
Subject: RE: [313] Moby
Date: Thu, 19 Jul 2001 22:10:50 +
i know that the B3 is probably used to it,
i know that the B3 is probably used to it, and probably don't even know or
care that they're not >being promoted, but i could never deal with that
kind of pain on a repeated basis...
which is worse?
being booked alongside dj supahcheese under the title "the innovators"
or
not being bo
7;s who put up with this major respect
Mike
From: FC3 Richards <[EMAIL PROTECTED]>
To: "'Scotto'" <[EMAIL PROTECTED]>, 313 <313@hyperreal.org>
Subject: RE: [313] Moby
Date: Thu, 19 Jul 2001 03:04:10 -0700
yes...promoted by ford.
the flier for LA has Juan Atki
said i am on moby's dick. just shouldn't talk
about someone if they aren't here to defend themselves...heh
> -Original Message-
> From: Scotto [SMTP:[EMAIL PROTECTED]
> Sent: Wednesday, July 18, 2001 2:11 AM
> To: 313
> Subject: Re: [313] Moby
>
&g
these punkass promoters won't even mention their names.
Mike
From: "Michael Taylor" <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Subject: [313] Moby
Date: Tue, 17 Jul 2001 20:10:03 -0400
You know, it has been a long time since we have talked about Moby. What do
you g
I saw the show last weekend in Camden, NJ and Ford was all over the Area 1
Tent. It was very similar to the white tent they had at DEMF.
-Original Message-
From: Scotto [mailto:[EMAIL PROTECTED]
Sent: Wednesday, July 18, 2001 3:11 AM
To: 313
Subject: Re: [313] Moby
I thaught ford was
I have an piece with Juan Atkins and Kevin Saunderson
concerning the festival, white castle and
commercialism on it's way for Selekta. Just gimme a
minute...or a lot.
diana
--- Fred Heutte <[EMAIL PROTECTED]> wrote:
>
http://www.nytimes.com/2001/07/17/arts/17AREA.html?searchpv=nytToday
>
> All a
I thaught ford was promoting area 1
Scott Laakso ---
- Original Message -
From: Michael Kim <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Wednesday, July 18, 2001 1:41 AM
Subject: Re: [313] Moby
> my question is, is the B3 gonna be there? might actually make it w
es.
Mike
From: "Michael Taylor" <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Subject: [313] Moby
Date: Tue, 17 Jul 2001 20:10:03 -0400
You know, it has been a long time since we have talked about Moby. What do
you guys think about his music, is he good or a Corporate Whore?
http://www.nytimes.com/2001/07/17/arts/17AREA.html?searchpv=nytToday
All about Moby, and a mention of Juan ...
-
To unsubscribe, e-mail: [EMAIL PROTECTED]
For additional commands, e-mail: [EMAIL PROTECTED]
You know, it has been a long time since we have talked about Moby. What do
you guys think about his music, is he good or a Corporate Whore? What about
the Arena One Tour Sponsored by Best Buy? Is our culture being stolen from
us?
Disscuss...
Also, What is going on with Carol Marvin?
Take care,
You know, it has been a long time since we have talked about Moby. What do
you guys think about his music, is he good or a Corporate Whore? What about
the Arena One Tour Sponsored by Best Buy? Is our culture being stolen from
us?
Disscuss...
Also, What is going on with Carol Marvin?
Take care,
Perhaps slight inelegance would be the perspective, cuz you know we' alls
sum elegant mo' fo's ;)
LG
From: diana potts <[EMAIL PROTECTED]>
To: diana potts <[EMAIL PROTECTED]>, 313 <313@hyperreal.org>
Subject: Re: [313] Moby vs. The Belleville 3
Date: Tue
- Original Message -
From: "tofugirl" <[EMAIL PROTECTED]>
To: "313" <313@hyperreal.org>
Sent: Tuesday, April 24, 2001 2:09 AM
Subject: Re: [313] Moby vs. The Belleville 3
>
> oh but I still think moby is 'the evil one'.. he can't s
i: explore.
- Original Message -
From: "diana potts" <[EMAIL PROTECTED]>
To: "313" <313@hyperreal.org>
Sent: Tuesday, April 24, 2001 8:21 AM
Subject: Re: [313] Moby vs. The Belleville 3
> I find it slightly amusing that Focus is sponsoring
> this one to
for those with email editorial pet peeves:
"is there such thing as overkill with these darned
cars" should be inserted and corrected.
morning
d
--- diana potts <[EMAIL PROTECTED]> wrote:
> I find it slightly amusing that Focus is sponsoring
> this one too alongside MTV(2). Also with their own
> "
I find it slightly amusing that Focus is sponsoring
this one too alongside MTV(2). Also with their own
"focus" stage. Is there such as overkill with these
darned cars? It'll be interesting to see who they
chose as their "local dj" for the beginning. (speaking
of the Detroit date)
d
--- tofugirl <
t loads of exposure!
MEK
From: tofugirl <[EMAIL PROTECTED]>
To: 313 <313@hyperreal.org>
Subject: Re: [313] Moby vs. The Belleville 3
Date: Tue, 24 Apr 2001 16:05:28 +1000
bloody hell.. New Order! I saw them play about 14 years ago, highlight of
our high school years..
tofugi
oh but I still think moby is 'the evil one'.. he can't sway me even with New
Order.
> bloody hell.. New Order! I saw them play about 14 years ago, highlight of
> our high school years..
bloody hell.. New Order! I saw them play about 14 years ago, highlight of
our high school years..
tofugirl >>
> Moby is going on a North American tour with an interesting list of friends:
>
> http://www.areafestival.com
>
> Click on "schedules" at the bottom right-hand corner for a complete s
Nuttin' dead bout someone rippin off and gainin' $$ off what we DO for a
living
From: <[EMAIL PROTECTED]>
To: laura gavoor <[EMAIL PROTECTED]>
CC: 313@hyperreal.org
Subject: Re: [313] Moby is a Soul Sampler
Date: Fri, 30 Mar 2001 16:49:30 -0500 (EST)
> An d as for
> An d as for Mute records, what black artists do they have??
>
> Nuttin but the truth,
nuttin but a dead horse,
CE
Don't forget Luke Slater's on Mute too.
> Most respected? By who? Moby's accountant? HMV retailers? A coterie of
> reviewers?
come on mute is an awesome label is has to numerous of good bands to list.
Can, wire, loop, plastikman, liabach, spk, cabert voiltare jist to name a
few I can think of i
Scott Laakso ---
--- imajin/ imagine
http://www.mp3.com/i_majin
http://www.ampcast.com/imagine
- Original Message - >
> Most respected? By who? Moby's accountant? HMV retailers? A coterie of
> reviewers?
come on mute is an awesome label is has to numerous of good bands to
Dot - dot - ditty, dot - dot - dash.
Damned if I know.
[EMAIL PROTECTED] ( ) on 03/23/2001 10:59:47 AM
To: 313@hyperreal.org
cc:
Subject: [313] Moby..is tekkno/electronica
Anybody see his performance with Gil Scott and the Blue man group
..interesting
He's always been on the
Anybody see his performance with Gil Scott and the Blue man group
..interesting
He's always been on the more mainstream end of things
and though as some have mentioned he has stand out tracks
for the most part it seems he's never really took the dive in as
it where , he just kinda dangles his to
al.org>
Sent: Thursday, November 23, 2000 2:46 PM
Subject: RE: [313] Moby (sorry) - techno and blues
> I have it -Alabama Blues- on a FNAC Records comp entitled La Collection
from
> the very early 90s
>
>
> >From: "Gwendal Cobert" <[EMAIL PROTECTED]>
>
the soul center tracks are really well done - especially the soul center 2
series
From: Janos <[EMAIL PROTECTED]>
To: 313@hyperreal.org
Subject: Re: [313] Moby (sorry) - techno and blues
Date: Thu, 23 Nov 2000 15:37:28 +0100
Thomas brinkmann "Soul center"
janos
On Thur
It's also on the very recent compilation From Detroit to St. Germain
Jurri
-Original Message-
From: laura gavoor [mailto:[EMAIL PROTECTED]
Sent: donderdag 23 november 2000 15:47
To: [EMAIL PROTECTED]; 313@hyperreal.org
Subject: RE: [313] Moby (sorry) - techno and blues
I ha
I have it -Alabama Blues- on a FNAC Records comp entitled La Collection from
the very early 90s
From: "Gwendal Cobert" <[EMAIL PROTECTED]>
To: "'laura gavoor'" <[EMAIL PROTECTED]>
Subject: RE: [313] Moby (sorry) - techno and blues
Date: Thu, 23 Nov
Thomas brinkmann "Soul center"
janos
On Thursday 23 November 2000 15:29, laura gavoor wrote:
> Ludovic Navarre, a.k.a. St. Germain
>
> >From: "Gwendal Cobert" <[EMAIL PROTECTED]>
> >To: "'313 mailing list'" <313@hyperreal.org&
Ludovic Navarre, a.k.a. St. Germain
From: "Gwendal Cobert" <[EMAIL PROTECTED]>
To: "'313 mailing list'" <313@hyperreal.org>
Subject: [313] Moby (sorry) - techno and blues
Date: Thu, 23 Nov 2000 15:19:05 +0100
Hi - I don't want to start a new th
Fair enough ... I just put in my .02 about his age to counteract the
"doctoring" of his image.
see, I didn't even mention his name, er pseudonym ... whatever.
-d (reaching for his revolver) :P
*enough* about Moby, please.
We laid this to rest in 1993 on ne-raves in the fabled "Moby, go away
*enough* about Moby, please.
We laid this to rest in 1993 on ne-raves in the fabled "Moby, go away"
thread, after he showed up on alt.rave to whinge at those who were
annoyed with his mimicking actually playing drumpads during his shows
of that era, when it was all on DAT.
So, let Moby be Moby, a
atively, his manager says. And if the film never makes it to
theaters, perhaps copies will pop up on eBay."
Fred
From: "J. S. Landau" <[EMAIL PROTECTED]>
To: 313@hyperreal.org
Subject: [313] Moby
Date: Mon, 02 Oct 2000 16:12:42 -0400
Just thought this was an interesting
Moby, 28, will also be writing a special dance-track for an "Astro
Knights" character, the space pirate Bertha Budd.
^^^
hah, that's rich! How about 35? :)
-d
ix of deep detroity house with some
oldschool electro thrown in; it comes together quite well and is quite
un-Moby sounding.
GYS
-Original Message-
From: J. S. Landau [mailto:[EMAIL PROTECTED]
Sent: Monday, October 02, 2000 4:13 PM
To: 313@hyperreal.org
Subject: [313] Moby
Just thought th
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