> I, too, have heard that many instrumentalists (specifically violinists)
prefer leger lines to 8va symbols. I can accept this up to 5-leger-line (and
a half) c4. Do players really prefer leger lines even higher? I'm currently
working on a passage for violin that hangs around e4 (6 leger lines in
t
At 9:47 PM +0200 9/30/03, Mike wrote:
Hi!
Yes it is the same layer. This is how it looks like and it's the same
when choosing define staff styles in staff menu.
Mike
Why are the stems up, and short? This tells me that there is
something in another layer, probalby layer 1, that has been turned
in
TANgential to the main subject of the list.
Richard Huggins wrote:
Occasionally messages to this list include "TAN" in the subject line. What
is that all about?
--RH
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on 30/09/03 23:31, Richard Huggins at [EMAIL PROTECTED] wrote:
> Occasionally messages to this list include "TAN" in the subject line. What
> is that all about?
TAN is the skin colour you acquire, when you leave the comforting shade of
general Finale topics. Healthy and acceptable in limited dose
Occasionally messages to this list include "TAN" in the subject line. What
is that all about?
--RH
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A little report:
I have now successfully converted a Finale2004 eps file into a pdf using
GSview (Gostscript 8.11 and Gsview 4.42beta). I had a couple error messages
about the bounding box, but I didn't find any differences in accepting or
ignoring these messages.
I must say that now all the graphi
Ok!
There I got it, staff style definition box. Tim, many thank's for help.
Mike..
-Original Message-
From: Tim Thompson [mailto:[EMAIL PROTECTED]
Sent: den 30 september 2003 22:26
To: Mike
Cc: [EMAIL PROTECTED]
Subject: Re: [Finale] Staff tool
Did you look at the staff style definition
Yes, and another way to think about this is to realize that
beginning instrumentalists do not first learn to identify, label and
play "notes," but "fingerings." They learn, in other words, a
tablature that applies to their instrument, with each line or space
denoting a specific fingering. Lab
Did you look at the staff style definition box? Check to make sure
that the alternate notation box is checked, and that the slash notation
is selected as the alternate notation. If that is all right, you will
want to go to Document Options > Alternate Notation, and make sure the
correct chara
Hi!
Yes it is the same layer. This is how it looks like and it's the same
when choosing define staff styles in staff menu.
Mike
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf
Of David H. Bailey
Sent: den 30 september 2003 12:05
To: Mike
Cc: [EMAIL PROTE
r.p.> I, too, have heard that many instrumentalists (specifically
r.p.> violinists) prefer leger lines to 8va symbols. I can accept this up to
r.p.> 5-leger-line (and a half) c4. Do players really prefer leger lines
r.p.> even higher?
Few people will be able to sight-read parts that are consisten
To be honest, it all depends. If it is a passage which suddenly jumps to a
very high note, ledger lines can be a real obstacle, in finding out whether
it is an e4 or g4 or whatever.
But a change to 8va in the middle of a high passage regularly throws me.
Then, I am not really confronted with this
Richard,
works for me, too, more or less. First, its somewhat faster to crop the
thing in Acrobat instead of Finale, anyway, more intuitive.
Funny my print results from QuarkXpress:
The file without preview printet fine on my HP 2100M PS printer
The file including preview got not printed - error
Robert Patterson wrote:
I, too, have heard that many instrumentalists (specifically
violinists) prefer leger lines to 8va symbols. I can accept this up
to 5-leger-line (and a half) c4. Do players really prefer leger
lines even higher?
I don't feel strongly about this, but yes, I think we do. W
On Tuesday, September 30, 2003, at 09:52 AM, Daniel Dorff wrote (in part):
A flutist associates high high C above
the 5th line with a certain fingering and seeing that note up there sets up
automatic muscle memory in fingers and embouchure that isn't true for the
visual experience of the C on the
On the senza misura question, I know from personal experience that
many performers want to know exactly when to play, and don't do well
with approximate rhythmic notation. But as soon as one makes the
notation more specific, then the freeness is hopelessly lost.
Tim
I do some of my Renaissance
On Tuesday, September 30, 2003, at 03:24 AM, Mike Cholewa wrote:
Open a music font in Fontlab and save it. That's all.
[snip]
PS. If anybody would like to try this just send a mail. I have 1mb zip
file with Finale type 1 fonts that should work in WinXp.
Mike sent me this file, but it still didn'
On Tuesday, September 30, 2003, at 06:56 AM, I wrote:
To search the list, just go to Google and search with
"site:mail.shsu.edu finale [desired search terms]". However, be
advised that the HTML interface of the archives has been broken for
about the last six weeks; all posts before then are e
At 10:10 AM 9/30/03 -0400, Tim Thompson wrote:
>On the senza misura question, I know from personal experience that many
>performers want to know exactly when to play, and don't do well with
>approximate rhythmic notation. But as soon as one makes the notation
>more specific, then the freeness i
On Tuesday, September 30, 2003, at 07:58 AM, David Horne wrote:
On Tue, 30 Sep 2003 09:52:35 -0400, "Daniel Dorff"
<[EMAIL PROTECTED]> said:
So if this theory is valid, and I
believe it is, then it makes most sense to always write for flute
without
8va signs, but to sometimes use them for piano.
On Tue, 30 Sep 2003 09:52:35 -0400, "Daniel Dorff"
<[EMAIL PROTECTED]> said:
> So if this theory is valid, and I
> believe it is, then it makes most sense to always write for flute without
> 8va signs, but to sometimes use them for piano. It sounds like Dennis's
> colleagues would agree with this.
Stan Hoffman wrote:
Can Finale import Sibelius files? Sibelius isn't listed in the 2003 import menu and I couldn't locate information on this on the website.
Not directly, but Recordare (the proprietor of which subscribes to this
list) has released a version of it's "Dolet" plug-in for Sibelius,
I, too, have heard that many instrumentalists (specifically violinists) prefer leger
lines to 8va symbols. I can accept this up to 5-leger-line (and a half) c4. Do players
really prefer leger lines even higher? I'm currently working on a passage for violin
that hangs around e4 (6 leger lines in
Recordare has an xml plug-in for sibelius just like the xml plug-in for
Finale, so you can get that and export your sibelius file(s) in xml
format, then use the Finale xml plug-in to import into Finale.
You get a lot more data than you would using midi file transfer.
Stan Hoffman wrote:
Hello-
Based on anecdotal evidence, I would agree with this theory (in most
cases).
Tim
On Tuesday, September 30, 2003, at 09:52 AM, Daniel Dorff wrote:
I've heard some editors point out that the piano keyboard looks the
same in
each octave and requires the same eye/hand coordination patterns in any
On Tuesday, September 30, 2003, at 09:20 AM, Dennis Bathory-Kitsz
wrote:
To return to the ledger lines question: I use the clear-at-three-feet
rule,
based on my aging vision.
Good rule. I haven't quite hit 40 yet, and I'm sure that when I do, I
will have a new appreciation for that!
On the s
I've heard some editors point out that the piano keyboard looks the same in
each octave and requires the same eye/hand coordination patterns in any
octave, whereas wind and string instruments are fingered differently in the
highest registers compared to below. A flutist associates high high C abov
Stan:
To search the list, just go to Google and search with
"site:mail.shsu.edu finale [desired search terms]". However, be advised
that the HTML interface of the archives has been broken for about the
last six weeks; all posts before then are easily found, though.
To import Sibelius files, one
Hello--
Can Finale import Sibelius files? Sibelius isn't listed in the 2003 import
menu and I couldn't locate information on this on the website.
Thank you for the response to my query about microtonal accidentals. Is it
possible to create an invisible shape or articulation (the microtonal
accide
At 10:47 PM 9/29/03 -0400, Tim Thompson wrote:
>I was rehearsing a piece today on tenor sax with a pianist. My part
>went up to C (5 lines above), and I don't have to think too hard about
>that, as I am only reading one line, but the pianist was constantly
>asking "what's that note?"
I work wi
http://www.pdfzone.com/toolbox/
If you don't want the full Acrobat, everything else that's available is
there. There's a good search engine, but I recommend looking through the
list by eye. You'll find more that way.
Liudas
- Original Message -
From: "Johannes Gebauer" <[EMAIL PROTECTED]
I don't remember the name of the program, so my reply will be of
questionable value, but I do remember seeing a shareware PDF creation
program and I asked about that and was told that yes, it could change
permissions. It was about 2 months after I had just purchased the full
Acrobat so I didn'
Does anyone know of a way to change permissions in PDF documents, other than
getting the full Acrobat?
Thanks,
Johannes
--
http://www.musikmanufaktur.com
http://www.camerata-berolinensis.de
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Change to different looking icons. I find that the Traditional (the
old-fashioned ones) take up the least amount of real-estate, are the
easiest to decipher (I have a 19" monitor running at 1048x768) and might
well solve your problem.
Stephen Onwood wrote:
Hi,
When I installed 2k4 I like t
Your suggestion is fine. But the reason why eps don't work in winxp is a
font problem!
After Kurt Gnos last respond I was curious why my fix didn't work for him
and it worked for me. I tried with my normal music font (Susato) and all was
fine, then with some Finale fonts (Maestro, Petrucci) and th
Are you sure you are applying the staff style to the correct layer?
Mike wrote:
Hi!
Question 1:
I'm trying to get slash notation by choosing, staff tool, select one
bar, right klick and choose slash notation. I got a line that says slash
notation but I still have my notes where they were before.
I find that sometimes questionable practices end up becoming the norm
simply because some big name did it.
I find nothing clear about having things collide with accidentals, and
would personally hesitate to do it. But Bartok was a meticulous
composer and one would imagine he checked the proofs
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