Re: [Finale] odd bottom of page margin?

r parts/Page size Page layout tool/Page layout menu/Page size I feel a feature request coming on (but please could users of more recent versions comment on whether this multiple setting is still required). Hope that helps. Patsy -- Patsy Moore <[EMAIL PROTECTED]> publisher of The Bianciardi

Re: [Finale] Feature request (#7 in a series)

In message <[EMAIL PROTECTED]>, Jari Williamsson <[EMAIL PROTECTED]> writes >Patsy Moore writes: > >> I quite often use text blocks [in WinFin 2000c] to write reminders to >> myself at the extreme top of a page so that they won't print but will >> show u

Re: [Finale] Feature request (#7 in a series)

ock. I would also like to be able to change the size of the display without closing a text block. Patsy -- Patsy Moore <[EMAIL PROTECTED]> publisher of The Bianciardi Collection of unbarred scores and parts of Renaissance Polyphony (a bridge to facsimile)

Re: [Finale] Feature request (#3 in a series)

aving >to deal with Noel's suggested feature. Ah, that sounds as if having a 2-line expression is now already a regular option. I'm still using FinWin 2000c. Perhaps we should be beginning to think _seriously_ about updating... Patsy -- Patsy Moore <[EMAIL PROTECTED]> __

Re: [Finale] Feature request (#2 in a series)

ing notes, in different verses which are not underlaid to the music. I'm writing in support of your request for carriage return within expressions. I would definitely find that useful. Patsy. -- Patsy Moore AGSM ARCM <[EMAIL PROTECTED]> Teaching accompanist Conductor, arranger, etc. e

Re: [Finale] Pedal markings

s were still in the score, but played by 7 flutes, 1 oboe, 2 clarinets, 2 alto saxes, 1 bassoon, 1 trumpet, 2 tenor horns (USA alto horns, I believe), 1 trombone, 1 euphonium, 2 violins, 3 violas, 3 'cellos, 1 bass. Thank you for a particularly apt quotation! Patsy -- Patsy Moore <[EMAIL

Re: [Finale] OT: Songs for intervals

you can get two for the price of one at the beginning of Brahms 4: Descending M3, ascending m6. Great piece for anyone to know! Like Linda I sorted out intervals in relation to scales, and teach them that way. Patsy -- Patsy Moore AGSM ARCM <[EMAIL PROTECTED]> Teaching accompanist Conductor, arr

[Finale] OT: New music via the Web

y comments about the Electronic Newsletter, or any questions about the London Sinfonietta, please contact Alison Atkinson via [EMAIL PROTECTED] The London Sinfonietta performs with the support of Arts Council England Associate Artists of the Royal Festival Hall http://www.londonsinfonietta.org.uk m

[Finale] Re: Bowed string instrument

g and in general approach. -- Ken Moore <[EMAIL PROTECTED]> -- Patsy Moore AGSM ARCM <[EMAIL PROTECTED]> Teaching accompanist Conductor, arranger, etc. etc. Newbury College Late Starters' Orchestra Web site: http://www.mooremusic.org.uk ___

[Finale] OT: Doubling for Pops Orchestra Wind Players

ng system is not totally standardised. When my bassoon-playing daughter borrowed her teacher's contrabassoon it came with a little personalised (instrumentalised?!) notebook that had details of all its non-standard fingerings. I hope you manage to achieve the orchestral colour you are after -

Re: [Finale] Plea for platform/version info

In message <[EMAIL PROTECTED]>, Johannes Gebauer <[EMAIL PROTECTED]> writes >On 11.06.2003 9:21 Uhr, Patsy Moore wrote > >> At one time subject lines nearly all included "Win" "Mac" "Tan" (related >> to Finale but not about actually using

[Finale] Plea for platform/version info

enormous time-saver was the discovery that I could set the Function keys to call up my most-used tools. Best wishes Patsy -- Patsy Moore AGSM ARCM <[EMAIL PROTECTED]> Teaching accompanist Conductor, arranger, etc. etc. Newbury College Late Starters' Orchestra Web site: http://ww

[Finale] layout improvement (was layout bug?)

n this list that I'm deleting lots of messages unread on the basis of their subjects. Patsy -- Patsy Moore AGSM ARCM <[EMAIL PROTECTED]> Teaching accompanist Conductor, arranger, etc. etc. Newbury College Late Starters' Orchestra Web site: http://www.mooremusic.org.uk __

[Finale] Hyphens: a little addition

to its note. Best wishes Patsy -- Patsy Moore <[EMAIL PROTECTED]> publisher of The Bianciardi Collection of unbarred scores and parts of Renaissance Polyphony (a bridge to facsimile) ___ Finale mailing list [EMAIL PROTECTED] http://mail.sh

[Finale] TAN: Czech alphabet (WinFin 2000c)

I didn't manage to track one down before ordering the one I have. I would be interested to have a word for word translation (like the ones in the excellent reference book "Lieder line by line and word for word"). TIA Patsy -- Patsy Moore <[EMAIL PROTECTED]> (formerly [E

[Finale] Re: Text/masking over slurs

n, as I tend to use old files of a similar type as templates. At least I've learnt some new possibilities, some of them undesirable! Patsy -- Patsy Moore <[EMAIL PROTECTED]> (formerly [EMAIL PROTECTED]) Conductor, arranger, etc. etc. Newbury College Late Starters' Orchestra Web site:

[Finale] Re: Text/masking over slurs

Michael Cook wrote: At 17:13 + 16/01/2003, Patsy Moore wrote: >>... However, I've just tried creating a text expression and >>superimposing it first on a crescendo hairpin, which worked, and then >>on a slur which didn't! Very mysterious. I'm using FinWi

[Finale] Re: Text/masking over slurs

a slur which didn't! Very mysterious. I'm using FinWin 2000c. Patsy Moore -- Patsy Moore <[EMAIL PROTECTED]> (formerly [EMAIL PROTECTED]) Conductor, arranger, etc. etc. Newbury College Late Starters' Orchestra Web site: http://www.mooremusic.org.uk N.B. our system rejects email

[Finale] Westminster Chimes (definitive!)

Ken Moore offers the definitive Westminster Chimes sequence as recorded from the actual chimes. Reject all imitations! Patsy Moore. _ Correct sequence (as broadcast by BBC Radio 4 from time to time, but mostly only the last, to

[Finale] OT: Seeking info Spiro Trepka (composer)

Hello, I've got a set of orchestral parts of Marche Viennese by Spiro Trepka, published in 1901 by Bosworth & Co. Can anyone tell me anything about Trepka? I know nothing about him, not even his dates. TIA Patsy -- Patsy Moore <[EMAIL PROTECTED]> (formerly [EMAIL PROTEC

[Finale] Simplify key

n with flats, which I use for tuning exercises etc. Patsy Moore <[EMAIL PROTECTED]> -- Patsy Moore <[EMAIL PROTECTED]> (formerly [EMAIL PROTECTED]) Conductor, arranger, etc. etc. Newbury College Late Starters' Orchestra Web site: http://www.mooremusic.org.uk N.B. our system re

[Finale] RE: Requests (response from WinSupport)

Quick response from WinSupport: -Original message- Subject:Requests To: 'Patsy Moore' <[EMAIL PROTECTED]> From: WinSupport <[EMAIL PROTECTED]> Date: Wed, 11 Dec 2002 09:12:00 -0600 Message-ID: <[EMAIL PROTECTED]> Dear Patsy, In

[Finale] Wish list (was Test Boxes...)

ollowed by a metronome marking in parentheses, I overlay two >expressions. Hmm, maybe multiple fonts in an expression is a wish list >item? Yes please! I'll write to request it. Patsy -- Patsy Moore <[EMAIL PROTECTED]> Conductor, arranger, etc. etc. Newbury College Late Starters

[Finale] Requests

like to be able to attach a text block to a measure but still be able to adjust its position in page view. TIA Patsy Moore -- Patsy Moore <[EMAIL PROTECTED]> (formerly [EMAIL PROTECTED]) Conductor, arranger, etc. etc. Newbury College Late Starters' Orchestra Web site: http://www.moorem

[Finale] OT: Please help with German text

n whose brightness and candles mein Gemüth entzündt, inflame my soul, lehre meine schwache Saiten teach my weak strings deine Kraft und Lob ausbreiten. to extend Thy power and praise. TIA Patsy Moore -- Patsy Moore <[EMAIL PROTECTED]> (formerly [EMAIL PROTECTED]) Conductor, ar

[Finale] Tenuto (was Symbol markings)

t "tenuto" to imply extra length, though I hear it interpreted that way. In circumstances where it is used immediately after staccato I interpret it as "hold this for its full length, in contrast to the preceding staccato". Does the Italian mean both "held" and "stret

[Finale] Re: Invisible barlines & spacing

of help from this list when I first started. Patsy -- Patsy Moore <[EMAIL PROTECTED]> Conductor, arranger, etc. etc. Newbury College Late Starters' Orchestra Web site: http://www.mooremusic.org.uk N.B. our system rejects emails of more than 300k automatical

[Finale] Re: Where are the lyrics?

lt Font for lyrics may not do > it). I'd forgotten about Data Check, which should certainly deal with the font size, so it might be a better way to go than mine unless there's a real mess with hyphens etc. I have a feeling changing the Default Font for lyrics doesn't work retrospe

Re: [Finale] reply

uld seem the >desire is there to change it. I hope you are wrong. Patsy. -- Patsy Moore <[EMAIL PROTECTED]> Conductor, arranger, etc. etc. Newbury College Late Starters' Orchestra Web site: http://www.mooremusic.org.uk N.B. our system rej

[Finale] Re: Tan: Atonality (was Tonality)

ited seven countries to find this name for a harmonic system on which he had been working for two years. -- Ken Moore [EMAIL PROTECTED] -- Patsy Moore <[EMAIL PROTECTED]> (formerly [EMAIL PROTECTED]) Conductor, arranger, etc. etc. Newbury College Late Starters' Orchestra Web site:

Re: [Finale] 5/4

thoughts? There's a gentle English folk song called "Searching for lambs" (text starts "As I walked/went out one May morning") which is in 5/4 in the version I've seen in one of the old Cecil Sharp collections. Best wishes Patsy -- Patsy Moore <[EMAIL PROTECTED]&

Re: [Finale] Re: 4/4 to 2/2

nly there to remind the players afterwards what the conductor's laborious but necessary explanation was all about! Patsy <[EMAIL PROTECTED]> -- Patsy Moore <[EMAIL PROTECTED]> (formerly [EMAIL PROTECTED]) Conductor, arranger, etc. etc. Newbury College Late Starters' Orc

[Finale] Next layer shortcut? (FinWin 2000c)

In message , Mark D. Lew <[EMAIL PROTECTED]> writes >At 10:37 AM 11/12/02, Patsy Moore wrote: >if there are a few notes that go higher than B above >>the treble staff or lower than the C below the bass one I use the arrow >>keys >Higher than B above the treble staff

[Finale] Finale is "easy"?

ith a header that gives little clue about its contents and none about which version is under discussion. I wonder if Paul McCartney knows about the list's persistent efforts to keep his name in front of the public? 8-) Patsy <[EMAIL PROTECTED]> -- Patsy Moore <[EMAIL PROTECT

[Finale] Change layer shortcut? (FinWin 2000c)

hich works fine, but noticed the other one on a diagram in the on-line docs. TIA Patsy <[EMAIL PROTECTED]> -- Patsy Moore <[EMAIL PROTECTED]> (formerly [EMAIL PROTECTED]) Conductor, arranger, etc. etc. Newbury College Late Starters' Orchestra Web site: http://www.mooremusic.org

Re: [Finale] Speedy entry

nd number pad for rhythm. Patsy -- Patsy Moore <[EMAIL PROTECTED]> (formerly [EMAIL PROTECTED]) Conductor, arranger, etc. etc. Newbury College Late Starters' Orchestra Web site: http://www.mooremusic.org.uk N.B. our system rejects emails of more than 300k automatically:

[Finale] Changing the subject

given subject! TIA Patsy -- Patsy Moore <[EMAIL PROTECTED]> (formerly [EMAIL PROTECTED]) Conductor, arranger, etc. etc. Newbury College Late Starters' Orchestra Web site: http://www.mooremusic.org.uk N.B. our system rejects emails of more than 300k automatically: warn me beforehan

[Finale] Chord & note spacing, and lyrics

. I do have a gripe with the lyric tool (sometimes more than one!). If I want to write a letter and a flat, natural or sharp sign as if they were one "word" they don't have the same base line. Is there a good way to remedy that? I know one or two work-rounds. Patsy Moore -- Patsy

Re: [Finale] Midi files to Finale files (was "NO Subject")

l be listed as such in the credits! David, I'm delighted to see that you assume noodlers are "he"! 8-) (I think your message was sent before Crystal mentioned the composer as he.) Patsy -- Patsy Moore <[EMAIL PROTECTED]> (formerly [EMAIL PROTECTED]) Cond

Re: [Finale] Large Format Print Question

more than a bit of confusion. >What'd I do wrong, and how can it be corrected? I think there is a possibility that your printer follows the convention of printers-as-people, who print even-numbered pages on the left, odd- numbered pages on the right. What happens if you number your

Re: [Finale] Selection Tool (was Improvements query)

In message <[EMAIL PROTECTED]>, Aaron Sherber <[EMAIL PROTECTED]> writes >At 03:21 AM 10/30/02, Patsy Moore wrote: >>That sounds as if it may be something of an improvement, though it >>sounds as if it's still only possible to deal with one artic. at a time. > &

[Finale] Selection Tool (was Improvements query)

, though it sounds as if it's still only possible to deal with one artic. at a time. What's the Selection Tool? Patsy -- Patsy Moore <[EMAIL PROTECTED]> (formerly [EMAIL PROTECTED]) Conductor, arranger, etc. etc. Newbury College Late Starters' Orchestra Web site: http:

[Finale] Improvements query

time is really tedious. I would like to be able to move the whole shape, or better still a whole bunch of shapes, up down or sideways just by click and drag, like expressions. 3. Being able to beam across barlines _easily_? TIA Patsy -- Patsy Moore <[EMAIL PROTECTED]> (formerly [EMAIL

[Finale] Mid-line stem direction

Hello folks, Is there anywhere that I can set the default direction of notes on the mid-line for a whole document? I'm still using FinWin 2000c. TIA Patsy -- Patsy Moore <[EMAIL PROTECTED]> (formerly [EMAIL PROTECTED]) Conductor, arranger, etc. etc. Newbury College Late Starters

[Finale] Numbering single measure rest: latest

dard whole rest. Talk about mistakes all there waiting to be made! Patsy -- Patsy Moore <[EMAIL PROTECTED]> (formerly [EMAIL PROTECTED]) Conductor, arranger, etc. etc. Newbury College Late Starters' Orchestra Web site: http://www.mooremusic.org.uk N.B. our system rejects ema

[Finale] Numbering single measure rest

option "Start number from ... measures" and I set that to 1, selected all, broke all the mm rests and created them again and still couldn't get the 1 to show up. Help! TIA Patsy -- Patsy Moore <[EMAIL PROTECTED]> (formerly [EMAIL PROTECTED]) Conductor, arranger, etc. etc. Newbury C

Re: [Finale] Default Whole Rests

necessary to put one in and adjust it to your optimum position. Then you should be able to show that layer only and copy it to as many measures as you want. You may need to do a bit of adjustment in individual measures to avoid things in other layers but it shouldn't take long. Patsy Moore. -