Nice 12 tone in the 3rd bar!
> Date: Wed, 18 Jul 2018 22:42:19 -0700
> From: Blake Richardson
> To: ""
> Subject: [Finale] Unusual Notation Question
> Message-ID:
> Content-Type: text/plain;charset=utf-8
>
> I'm wondering if anyone can help me with this. This is a sketch from one of
> the
Thanks Chuck. I'd love to see what they look like. Isn't there any example
in PDF form that shows them?
Brian
On 3/9/18, 10:00 AM, Chuck Israels wrote:
>I?d be lost without them. The chord symbols, the slashes, rhythmic
>notation, custom smart lines and jazz articulations that match Maestro
>are
what the font characters look
like? Are they up to the latest OTF standards and compatible with the latest
MacOS and version of Finale 25?
Any help would be appreciated.
Thanks,
Brian Williams
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No, I have 8GB of RAM and I'm not running anything else other than MS
Outlook and the Finder, so memory is not the issue. MakeMusic support has
confirmed that I am indeed hearing the Garritan sounds and they're "sorry
to hear I am not happy" with them. The keyboards and strings may be
passable, but
Actually, I'm listening through $1200 JHAudio JH13 custom in-ear monitors
through an outboard USB D/A headphone preamp, so speaker quality is not
the issue.
Apparently I was incorrect when I said the lame Garritan sounds were
indistinguishable from the SmartMusic SoftSynth sounds. I switched all o
l MIDI playback system, I imagine that I
would get no playback at all. My problem isn't that I'm not getting
anything coming out of my speakers, it's that all I can get are the lame
old SoftSynth samples no matter what. Any other ideas?
-Brian
On 3/5/15, 10:00 AM, "David H.
Hello list,
This question pertains to Finale 2012 running on a MacBook Pro in MacOS
10.9.5 (Mavericks).
When it comes to Finale, I'm mostly an expert about how to enter notation
and make it look exactly how I want. Playback is another matter entirely. I
mainly use playback as a "clam check" to ma
n voice 2 with the cursor position when you
enter them.
-Brian Williams
On 2/2/15, 10:00 AM, "finale-requ...@shsu.edu"
wrote:
>Message: 2
>Date: Mon, 2 Feb 2015 18:48:30 +0100
>From: SN jef chippewa
>Subject: [Finale] voices vs layers
>To:
>Message-ID:
>Content-Ty
layback with MIDI Thru on is to set it to
>"Fixed" and choose an unused channel (e.g., 99).
>
>Cheers,
>
>- DJA
>-----
>WEB: http://www.secretsocietymusic.org
>
>On Mar 23, 2014, at 2:41 PM, Brian Williams wrote:
>
>>I'm having some major pro
layback with MIDI Thru on is to set it to
>"Fixed" and choose an unused channel (e.g., 99).
>
>Cheers,
>
>- DJA
>-----
>WEB: http://www.secretsocietymusic.org
>
>On Mar 23, 2014, at 2:41 PM, Brian Williams wrote:
>
>>I'm having some major pro
able me to work in Speedy in Finale
2012 with MIDI Thru turned off without the program exhibiting this unstable
behavior?
Thanks in advance for any help you can provide.
-Brian Williams
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A while back, someone posted the ideal version path that you¹re supposed
to upgrade old Finale files through to preserve as much original clarity
as possible. It went something like this:
Finale 3.5
Finale 98
Finale 2002
Finale 2008
Finale 2012
Someone please correct me if I¹m wrong about the upg
y?
>And did you make sure the older one isn't living in perhaps the users
>library?
>I installed it just fine and it works great. I've now moved everything to
>2014 on my Macs.
>
>On Feb 17, 2014, at 11:24 AM, Brian Williams wrote:
>
>>When I downloaded it and ins
When I downloaded it and installed it on my system, it made a mess of the
Plug-ins menu like before. Plus, the "Smart Explosion of multi-part
staves" plug in doesn't work, like before. That's one of the main TGTools
plug-ins that I rely upon.
-Brian
On 2/17/14 10:00 AM, "Eric Dannewitz" wrote:
repeat
text.
As I said in my previous post, this problem (except for being able to drag
the position of unlinked repeat text attached to the last measure of a
multimeasure rest region) was corrected several versions ago.
-Brian Williams
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On 2/3/14 10:00 AM, "Chuck Israels " wrote:
>I put the necessary expressions in the score (above the first measure of
>what will be a MM rest in each part - a pain in the ass to figure out if
>that first measure of rest comes in different places for different
>instruments) - deselecting "Show" and
Sorry, I meant to use "text repeat" instead of "expression" in my last
post.
-Brian
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Since you mentioned that the problem most likely originated when you first
created the text repeat in an awkward location, and then when you tried to
fix that, it only changed its position in the score, I would recommend
re-linking the expression to the score/parts, moving the master (score)
text r
Thanks, Jef. That may have fixed it. I'll let you know if I run into more
problems.
Also, I mistakenly identified my MacBook Pro as "late 1998" when I should
have said "late 2008". I lost a decade there somehow. :-)
-Brian
On 2/9/13 10:00 AM, SN jef chippewa wrote:
> playing around with settin
Hi all,
On my MacBook Pro (circa late 1998) in MacOS 10.7.5 running Finale
2012c.r13, whenever I click on a measure using the Speedy Entry tool, the
white measure frame flashes for an instant then closes, re-spacing the
measure. When I click on it again, the frame opens for real without suddenly
c
I would say it has been under heavy use at times when I am dealing with
major project deadlines but those times come up relatively rarely (2-3
times/year). Generally it has been under light use.
On 12/5/12 10:00 AM, Lee Actor wrote:
> Thanks for the info. How long have you had the duplexer, and
I have an HP5200 with a duplexer and haven't had any problems. It duplexes
80lb text weight 9.5 x 12.5 and 60 lb text weight 11 x 17 just fine.
-Brian
On 12/4/12 10:00 AM, Lee Actor wrote:
> Anyone using the HP5200 duplexer? I've been using an HP5000 for more than a
> decade w/o a duplexer (had
I finally fixed the problem by clearing my font caches using a freeware
utility called "FontNuke".
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rather not
import into Finale 2011 or later because they contain deliberately-optimized
staves containing entries (used for ossias) and when I try to open and edit
them in 2011 they just get completely screwed up.
Any help would be much appreciated!
-Bria
My plan is to buy a new MacBookPro with Lion installed and then transfer all
of my applications and data from the hard drive in my current Leopard
MacBookPro. I seem to recall that when you first boot up a brand new Mac,
the welcome process gives you an option to connect your previous computer
and
t not run in MacOS 10.7 Lion?
Thanks in advance for any information you can provide.
-Brian Williams
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It's a Mac thing. You need to print to a postscript file (not PDF) then open
the ps file in Preview which will convert it to a PDF so you can save and/or
print it.
Sent from my iPhone, so please forgive the typos and brevity.
On Apr 8, 2012, at 10:00 AM, wrote:
>
> My Mac version of Finale 2
Oops, I meant to say "type SHIFT-cmd-G" in Illustrator to ungroup everything
so you can delete the bounding box squares. Sorry, I get so automated in my
workflow that I forget how to describe. I've been doing A LOT of this
printing Finale pages to ps files and importing them into Illustrator CS5
la
On a Mac, just "print" each single Finale page as a postscript file. When
you place the resulting ps files in Illustrator documents, all of the
elements should be editable.
Here's a hint: place a tiny graphic square perfectly in the corner of each
Finale page you "print" as a ps file and it will c
Hi Darcy,
I see your point, and perhaps from a purely pedagogical standpoint it helps
to see everything line up in the same layer. However, most if not all
drummers I know prefer and are used to seeing the bass drum and foot hi-hat
stems down as a separate layer. That way they can see the rhythm o
is opinion. I'm sure he's seen it all.
-Brian Williams
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act information of each registered
>> owner and their associated serial.
>> Cheers, DJA
>
>> On 9 Aug 2011, at 7:13 PM, Brian Williams wrote:
>>
>>> Maybe MM is just trying to make sure that unscrupulous people who have
>>> surreptitiously obtained seri
Maybe MM is just trying to make sure that unscrupulous people who have
surreptitiously obtained serial numbers aren't trying to illegitimately
deauthorize them.
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Is there any way to get Finale 2011 to consistently apply alternate notation
staff styles that are entered using a metatool to linked parts as well as
the score? Even with a file generated in 2011 (not a template converted from
an older version) I have inconsistent results - sometimes from bar to b
Another follow-up:
I actually meant to say CHECK "Display in Concert Pitch", make sure the tie
ends appear properly, then UN-CHECK "Display in Concert Pitch" and avoid
editing the frames containing those notes any further.
Sorry for the confusion.
-Brian
> Upon further experimentation, I found
Wow. Really? I need to do this for ten separate parts on a score, and that's
far kludgier than entering the missing tie ends as manually-positioned
backwards slurs! Thanks, Noel, but there must be a more efficient way to
deal with this bug (I'm sure that Sibelius doesn't have a problem with
this.)
Hi Lawrence,
Yes, the missing tie *end* is the whole point. Of course everything looks
normal when the two bars are adjacent on the same system. The problem is
that I want the first bar of the new key at the start of a system and can't
make the tie end into the first note in the new key appear.
I
w or forcing it down to its own system in page
> view). Speedy edit commands don't allow you to force the tie end to show or to
> hide the accidental. You can use the Edit Frame dialog to hide the accidental,
> but checking "Tie End&q
see this by
making bar 2 the left-most bar in scroll view or forcing it down to its own
system in page view). Speedy edit commands don't allow you to force the tie
end to show or to hide the accidental. You can use the Edit Frame dialog to
hide the accidental, but checking "Tie End" do
Michael,
Try this (assuming you have TGTools installed):
TGTools > Modify > Transfer...
It will let you copy bar layouts, etc. from one place to another (from a
laid-out separate part file to a linked part in another file, or from one
linked part to another within the same file). You'll still ha
Just uncheck "Jump To Next Measure" in the Speedy menu while you are working
on the pickup measures.
-Brian
On 12/7/10 10:01 AM, Eric Fiedler wrote:
> Hmmm...
> Can anyone on the list reproduce this, or is it just me?
> Speedy entry. Eighth note pickup measure has the dotted rhythm: dotted
> 16t
Also, make sure "Update Page Layout for Score" is unchecked in the Page
Layout menu whenever you edit any of the settings in the floating "Edit
System Margins", "Edit Page Margins", "Page Size", "Resize Page" or "Resize
Staff System" dialogs or else the changes you make to what you are
specifically
Hi Jari,
The way I've achieved this in the past was to create an articulation
consisting of a custom shape straight line (same thickness as the stem
setting) that went down approx. one octave and was set to automatically
attach to the existing stem where it ended at the notehead. Then I applied
it
d via
the Lyric Window.
Installation
Changes to a user¹s ³Configuration Files² location no longer cause the
updater to rename the
MacOS folder within the Finale application.
The updater no longer changes the MacOS folder within the Finale
application.
Hope this helps,
Brian Wil
Look in the same folder under your user account instead of at the Drive
level.
If it's not there, see what it says in the Program Options > Folders window.
Hope this helps,
Brian
On 10/3/10 10:00 AM, finale-requ...@shsu.edu wrote:
> Dear collective wisdom,
> FinMac 2011.
> Up to now we have alw
the stem side in the score, but have them automatically move to the note
side in the parts.
-Brian Williams
On 9/22/10 10:00 AM, Mark D Lew wrote:
>> ok, how about vocal music? single staff passage changing from
>> unison to two voiced (in separate layers).
>
> I'
he default position of
articulations in Rhythmic Notation to behave like they used to do? There's
nothing in the articulation designer that will allow this. PLEASE HELP!
Brian Williams
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I was
>>> having, too. Perhaps someone more knowledgeable would weigh in?
>>>
>>> Christopher
>>>
>>>
>>> On Sun Jun 13, at SundayJun 13 11:15 PM, Brian Williams wrote:
>>>
>>>> Dear Finale list,
>>>>
>&
ow to make it show up.
Does anyone have any idea how to fix this?
Brian Williams
Finale 2010b.r1
Macbook Pro, MacOS 10.5.8
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Apply a staff style with "Hide Staff" checked, and set measure widths
to 0.
Brian
Sent from my iPhone, so please forgive the typos and brevity.
On Jan 22, 2010, at 10:00 AM, wrote:
How do I delete (or insert) measures without affecting all the measure
number regions that appears afterwards
You need the latest version of TGTools that's compatible with expressions in
Finale 2009. Sounds like you're using an older version.
Brian
On 10/3/09 5:35 AM, shirling & neueweise wrote:
> shit, really? i've tried all the key combos i remember working
> normally (cmd-*, cmd-opt-*, cmd-opt-minu
In OS 10.5, select "Finishing" under the 3rd pop-up menu (the one that
defaults to "Copies & Pages"). There you will find an option for booklet
printing that works great on my HP Laserjet 5200. I use it to print choral
booklets all the time.
On 10/2/09 10:00 AM, Johannes Gebauer wrote:
> I have
If you use an HP printer, you can easily create booklets using the print
driver.
Brian
On 10/1/09 10:00 AM, Johannes Gebauer wrote:
> With some worry I have just found out that Cocoa Booklet is no longer
> working in Snow Leopard. It was my favourite tool to create booklets.
>
> Does anyone kn
TGTools > Parts > Smart Explosion of multi-part staves...
On 7/29/09 10:00 AM, finale-requ...@shsu.edu wrote:
> Date: Tue, 28 Jul 2009 10:31:27 -0700
> From: Michael Greensill
> Subject: [Finale] Separating layers for printing
> To:
> Message-ID:
> Content-Type: text/plain; charset="US-ASCII"
Has anyone else had problems losing Finale 2009 and 2010 authorizations on
Mac computers running OS 10.5.7? I've had to reauthorize both versions twice
and call customer service to clear out previous authorizations. Apparently
Finale thinks you're using a different computer every time you reboot.
g and velocity set to zero and defined to
> Play on Pass with the pass set to 1 for the first time, and
> one printing which sets the velocity to whatever you want it
> to be on the 2nd time and define it to play only on pass 2.
>
> There's no other way that I know of. sorry.
ned to
> Play on Pass with the pass set to 1 for the first time, and
> one printing which sets the velocity to whatever you want it
> to be on the 2nd time and define it to play only on pass 2.
>
> There's no other way that I know of. sorry.
>
> David H. Bailey
>
>
?
Brian
David H. Bailey wrote:
> Brian Williams wrote:
>> I see the "Play Only on Pass" checkbox in the Playback tab of the Expression
>> designer, but I don't know what to set in the "Type" popup. I've tried
>> setting it to "None",
ting the channel pressure and key velocity to
zero. Nothing works.
How can something so supposedly simple be so difficult?
Brian
Carl Dershem wrote:
> Brian Williams wrote:
>> How do I set an expression or repeat text to make Finale *not* play a
>> passage on a specific staff
How do I set an expression or repeat text to make Finale *not* play a
passage on a specific staff the first pass but do play it on the 2nd pass of
a repeat? Does this require some convoluted work-around?
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On my Mac, Finale Help searching seems to work fine with Safari 3.1.2 but
not Firefox 3.0.3. I prefer to use Firefox for all of my other web browsing,
but would like Finale to auto-launch Safari when I open the help files. Is
there some way to set this up? (I don't want to set Safari as my default
ts. I've been able to
deal with most text issues by using "Fixed Size" font sizes that look larger
(relative to the music) on the score than on the parts.
Hope this helps,
Brian Williams
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we shouldn't have to deal with.
Actually, there's a much easier way to turn on/off which measure number
regions will print than changing the "measure number X through XX" settings-
simply change the "Viewable In:" setting at th
rned with sending the
files to anyone else).
Thanks for your help,
Brian Williams
>> Dear list,
>>
>> Does anyone know how I can enter some of the "off the keyboard" unicode font
>> characters into a text block in Finale? Specifically, I'm trying to enter
Sorry, I forgot to mention that I am using Finale 2008 and 2009 in MacOS
10.4.11. Thanks in advance for any help you can provide.
> Dear list,
>
> Does anyone know how I can enter some of the "off the keyboard" unicode font
> characters into a text block in Finale? Specifically, I'm trying to ent
Dear list,
Does anyone know how I can enter some of the "off the keyboard" unicode font
characters into a text block in Finale? Specifically, I'm trying to enter
fractions from the OpenType version of New Century Schoolbook. The fractions
show up as glyphs in the character palette but have no asso
ary and
Sibelius-like decision to limit the number of staff lists to four in Finale
2009!
Brian Williams
Christopher Smith wrote:
>> Jari Williamsson wrote:
>>
>>> Brian Williams wrote:
>>>
>>>> The main advantage of staff lists over drag-apply is that yo
expression that is a single letter of a *very* large
size font, and enter it in the score, use the context menu to hide it, then
drag it on top of some music. Try to lighten it so you can see what's
underneath it - it can't be done!
Brian Williams
Christopher Smith wrote:
> I am a
Jari Williamsson wrote:
> Brian Williams wrote:
>
>> The main advantage of staff lists over drag-apply is that you can use them
>> to display expressions differently in the score than in individual parts.
>
> That can be done with drag-apply as well.
>
>> Here
ou
have to manually mouse over and check both boxes.
Thank goodness there are still no staff list limits for text entered using
the Repeat tool. What's up with that?
Brian Williams
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file to remove Times from the list, but he says
he already tried that and when he did, all of his old documents put up the
warning like it does on my system when opened.
Is there some quick and easy way to globally change a bunch of old documents
so they won't think Times is supposed to
file to remove Times from the list, but he says
he already tried that and when he did, all of his old documents put up the
warning like it does on my system when opened.
Is there some quick and easy way to globally change a bunch of old documents
so they won't think Times is supposed to
file to remove Times from the list, but he says
he already tried that and when he did, all of his old documents put up the
warning like it does on my system when opened.
Is there some quick and easy way to globally change a bunch of old documents
so they won't think Times is supposed to
n score only,
part only or both for each staff.
Brian Williams
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What I would need is the ability to create a
large-font boxed measure number region that only displays below certain
staves of the score, and another small-font region for parts that would
display on the bottom staff of every part. Maybe this could be done by
enabling mea
mize Normally"
is selected in the Group Attributes db. Yet when I try to optimize the part,
nothing happens! What am I missing?
Thanks in advance for your help!
Brian Williams
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Sorry for sending this again -- I changed the subject line to make it more
clear what I was asking.
Dear list,
What is the easiest and quickest way to transfer the bars-per-staff layout
from one linked part to another in Finale 2007 or 2008?
For example, I created a big band score in which the
Dear list,
What is the easiest and quickest way to transfer the bars-per-staff layout
from one linked part to another in Finale 2007 or 2008?
For example, I created a big band score in which the four trumpets are tutti
- i.e. they have the exact same part, rhythmically and form-wise, but have
dif
nale@shsu.edu, Brian Williams <[EMAIL PROTECTED]>
> Subject: Re: [Finale] New logic board - registration woes
>
> On 27 Apr 2008, at 9:41 PM, Brian Williams wrote:
>
>> Does Finale think I have a whole new computer?
>
> Yes. (This is a reasonable assumption -- most peopl
call MakeMusic until tomorrow
and I need to get a project out the door tonight.
Brian Williams
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they
did fix a bunch of long-standing bugs in the update.
Brian Williams
> From: [EMAIL PROTECTED]
> Reply-To: finale@shsu.edu
> Date: Wed, 26 Mar 2008 12:00:20 -0500
> To: finale@shsu.edu
> Subject: Finale Digest, Vol 56, Issue 26
>
> OK guys. I want to see a sh
s easier?? I don't consider
adding three more involved steps to my workflow an "improvement" -
expecially considering that it is now apparently impossible to insert entry
data along with time signature changes on any staff other than the top one.
Brian Williams
> Michael Cook wrote:
not, is this a "feature" or a "loss of functionality" in Finale 2008?
Brian Williams
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Is there some way to globally reset all of the chord symbol baselines in a
document? I know you can do this with TG Tools for lyrics baselines but I
don't know how to do it with chord symbols.
Brian
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I'm having problems viewing eps graphics that were created in the latest
version of Adobe Creative Suite 3 into Finale 2007 documents. The graphics
were sent to me by a graphic designer who recently upgraded to Leopard and
Adobe CS3. They show up on screen as blank white rectangles with the word
"(
A quick fix: copy the measure you want to add smart shapes to a blank
measure at the *end* of the document and add the smart shapes there, then
copy it back. Apparently the bug you describe only happens when you try to
edit smart shapes in measures that come before other measures but doesn't
happen
> From: [EMAIL PROTECTED]
> Reply-To: finale@shsu.edu
> Date: Tue, 27 Nov 2007 12:00:29 -0600
> To: finale@shsu.edu
> Subject: Finale Digest, Vol 52, Issue 30
>
> How about the "rolled up sheet music in the bell of the bassoon" low
> A? I've seen it on saxophone as well, though it doesn't work as
t write below low D for piccolo UNDER ANY CIRCUMSTANCES!!
(unless you want your music to sound like sh*t when performed).
Brian Williams
Solo Piccolo, Disneyland Band
Anaheim, CA
> From: [EMAIL PROTECTED]
> Reply-To: finale@shsu.edu
> Date: Tue, 23 Oct 2007 12:01:40 -0500
> To: finale@
Hello List,
I was almost done working on an orchestral film music cue file in Finale
2006 when the program crashed. I immediately double-clicked on the file icon
and after Finale had re-launched all my data was saved - except for the last
five minutes of work, so I immediately resaved the file. Ho
cellent job over the years in
providing us with very functional notation software.
I'd also like to add that it's a very good thing that Finale has competition
from Sibelius. If it weren't for competition, neither product would
remarkably improve.
Brian Williams
PS. I still use Fin
Hi Dennis,
I use graphics all the time (imported eps images), but I have to do all of
my graphic-import work in Finale 2003 (Mac) because for some reason later
versions display all transparent areas as black, rendering these versions
absolutely useless for me.
Finale 2003 is before they added the
through the main speakers directed at them.
The truth is: in any amplified performance environment the sound engineer is
the most important person in the band.
Brian Williams
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from a supplier in Santa Ana, CA called
"Tapes And..." for around $1.60/roll. I believe the rolls are the same
length as the 3M rolls.
Hope this helps,
Brian Williams
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Hiro wrote:
>> After I upgraded to Tiger on the newer computer, I could no longer mount the
>> older computer's hard drive on the newer computer's desktop because Open
>> Transport 2.7.4 was no longer supported in Tiger.
>
>
> Have you tried AppleShare over TCP/IP as some of us suggested?
I th
OSX-running Mac. Go figure.
I did figure out a work-around: I reboot the old TiBook in MacOS 9.2 and
then I can mount drives and copy files with impunity. Still, it's a big
hassle.
Thanks for listening,
Brian Williams
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, among other
reasons.
In any regard, I'm looking at an extreme situation.
Thanks in advance for your help,
Brian Williams
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with those who assert that LA studio musicians have big ears, and
much of how they play is dictated by the feel of the rhythm section and the
lead players, rather than by the exact notation.
Hope this helps,
Brian Williams
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At Disneyland, the trumpet players play "Retreat" after the color guard
takes the rope from the pole, then the band plays the National Anthem while
the flag is lowered. I believe this is consistent with Military protocol.
Brian
> Among many repressible memories of my days at Ft. Ord, CA ... I can
Darcy,
I'm currently working on a project (a very graphics-intensive beginning band
method book) in Finale 2003 in MacOS 9.2 on my G4 TiBook because the text
line spacing and imported eps graphics are completely unusable in any
version of Finale OSX -- even in classic. The worst offender is the im
r blade to cut the bottom
(directly from the roll) and the top small piece. This only takes a couple
of seconds per page when you get used to the technique.
Nobody that I know of uses scotch tape, masking tape or electrical tape. We
all use white paper tape.
Hope t
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