huge, their raucous paeans
thinly veiling jealousy..one stroke justifying a capricious
investment
in the titanium industry.
Dean M. Estabrook
http://sites.google.com/site/deanestabrook/
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The perfect drive..a diminishing sphere of white impaling the azure
heavens in a graceful ellipticheight and distance vying for
supremacy..compatriot's jowls lax, eyes huge, their raucous paeans
thinly veiling jealousy..one stroke justifying a capri
Ah makes sense
On Feb 7, 2012, at 1:16 PM, Aaron Sherber wrote:
> On 2/7/2012 3:50 PM, Dean M. Estabrook wrote:
>> Huh ... I'll be damned I always considered it a bass staff for
>> no particular reason ...
>
> In past versions, there were bass clef and t
/listinfo/finale
The perfect drive..a diminishing sphere of white impaling the azure
heavens in a graceful ellipticheight and distance vying for
supremacy..compatriot's jowls lax, eyes huge, their raucous paeans
thinly veiling jealousy..one stroke justifying a capri
gt;> In Fin2011, it looks like you can no longer specify the MIDI in
>>> pitch. You just tell the map "I want a snare sound, and I want it
>>> to display here." But now it's not clear what I need to enter to
>>> produce that snare sound. The help file says I can do percussion
>>> entry using all the usual tools of Speedy Entry, but that doesn't
>>> seem to be true. I can cursor up and cursor down, and the Speedy
>>> frame now helpfully tells me what sound will result, but it
>>> appears that I can no longer type a specify pitch (again, using
>>> the old-style 3-octave Speedy) to get a certain note. In fact, if
>>> I repeatedly press the same pitch, the Speedy cursor appears to
>>> cycle through all of the available percussion notes in the map.
>>> Am I missing something here?
>>>
>>> Thanks,
>>> Aaron.
>>
>> ___
>> Finale mailing list
>> Finale@shsu.edu
>> http://lists.shsu.edu/mailman/listinfo/finale
> ___
> Finale mailing list
> Finale@shsu.edu
> http://lists.shsu.edu/mailman/listinfo/finale
The perfect drive..a diminishing sphere of white impaling the azure
heavens in a graceful ellipticheight and distance vying for
supremacy..compatriot's jowls lax, eyes huge, their raucous paeans
thinly veiling jealousy..one stroke justifying a capricious
investment
in the titanium industry.
Dean M. Estabrook
http://sites.google.com/site/deanestabrook/
___
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http://lists.shsu.edu/mailman/listinfo/finale
od+batteries&_sacat=See-
> All-Categories
>
>
> tim
>
>
> On Nov 10, 2011, at 5:05 PM, Dean M. Estabrook wrote:
>
>> So, I've had my iPod for quite a while now as of late, it
>> doesn't seem to hold a charge for very long does the battery
>
ry replacement, but you are almost certainly better off
> buying a new device.
>
> Cheers,
>
> - DJA
> -
> WEB: http://www.secretsocietymusic.org
>
>
>
> On 10 Nov 2011, at 5:05 PM, Dean M. Estabrook wrote:
>
>> So, I've had my iPod for quite a wh
ke justifying a capricious
investment
in the titanium industry.
Dean M. Estabrook
http://sites.google.com/site/deanestabrook/
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Points well taken Carl ... thanks.
Dean
On Nov 4, 2011, at 7:40 PM, dershem wrote:
> On 11/4/2011 3:28 PM, Dean M. Estabrook wrote:
>> As I'm sure you have all encountered, I'm redoing parts for a rather
>> long Wind Ensemble transcription, which, ergo, has part
going to work the best ... in my case, Cl., and Fl.
really have the most notes to play so that's going to be an
interesting process
Thanks guys ...
Dean
On Nov 4, 2011, at 4:03 PM, John Howell wrote:
> At 3:28 PM -0700 11/4/11, Dean M. Estabrook wrote:
>> As I'
; http://lists.shsu.edu/mailman/listinfo/finale
The perfect drive..a diminishing sphere of white impaling the azure
heavens in a graceful ellipticheight and distance vying for
supremacy..compatriot's jowls lax, eyes huge, their raucous paeans
thinly veiling jealousy..one stroke justifying a capricious
investment
in the titanium industry.
Dean M. Estabrook
http://sites.google.com/site/deanestabrook/
___
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Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
___
> Finale mailing list
> Finale@shsu.edu
> http://lists.shsu.edu/mailman/listinfo/finale
The perfect drive..a diminishing sphere of white impaling the azure
heavens in a graceful ellipticheight and distance vying for
supremacy..compatriot's jowls lax, eyes
open string while turning with
> the right, but usually they have the pages open accordion style
> across two stands.
>
> If worse comes to worst, stagger the page turns so that the entire
> section doesn't drop out on the same measure as they miss a bit of
> music while
grayed-out information as you describe.
>
> Another of our gurus will have the correct solution soon, I hope!
>
> Michael
> mmathew_musicp...@yahoo.com
> http://www.musicengravers.com/cgi-bin/engravers.pl
> http://oregonmts.com/mathew/
>
>
>> ___
I wonder if the behavior described below is due to the fact that I'm
using Linked Parts?
Dean
On Nov 4, 2011, at 4:31 PM, Dean M. Estabrook wrote:
> Ok, so I want to go to Plug in Menu>Scoring and Arranging>Smart
> Page Turns. When I go to the Plug-in and drag down to Sc
itting
> their embouchures too hard when moving the horn back to the mouth.
>
> Michael
>
> mmathew_musicp...@yahoo.com
> http://www.musicengravers.com/cgi-bin/engravers.pl
> http://oregonmts.com/mathew/
>
>
>>
>> From: De
sphere of white impaling the azure
heavens in a graceful ellipticheight and distance vying for
supremacy..compatriot's jowls lax, eyes huge, their raucous paeans
thinly veiling jealousy..one stroke justifying a capricious
investment
in the titanium industry.
Dean M. Estabrook
ht
supremacy..compatriot's jowls lax, eyes huge, their raucous paeans
thinly veiling jealousy..one stroke justifying a capricious
investment
in the titanium industry.
Dean M. Estabrook
http://sites.google.com/site/deanestabrook/
___
Finale mail
in a graceful ellipticheight and distance vying for
supremacy..compatriot's jowls lax, eyes huge, their raucous paeans
thinly veiling jealousy..one stroke justifying a capricious
investment
in the titanium industry.
Dean M. Estabrook
http://sites.google.com/site/deanestabrook/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
e mailing list
> Finale@shsu.edu
> http://lists.shsu.edu/mailman/listinfo/finale
The perfect drive..a diminishing sphere of white impaling the azure
heavens in a graceful ellipticheight and distance vying for
supremacy..compatriot's jowls lax, eyes huge, their raucous p
I don't go through
>> publishers. Their editors wreak havoc on an original layout /
>> work. It's
>> a
>> harsh truth, but it's the truth nonetheless.
>>
>>
>>
>>
>>
>> Patrick J. M. Sheehan
>> Music Director, Instructor: Woodlawn Arts Academy
>>
>> P. S. Music
>>
>> <mailto:patricksheehanmu...@gmail.com> patricksheehanmu...@gmail.com
>>
>>
>>
>> ___
>> Finale mailing list
>> Finale@shsu.edu
>> http://lists.shsu.edu/mailman/listinfo/finale
>>
> ___
> Finale mailing list
> Finale@shsu.edu
> http://lists.shsu.edu/mailman/listinfo/finale
The perfect drive..a diminishing sphere of white impaling the azure
heavens in a graceful ellipticheight and distance vying for
supremacy..compatriot's jowls lax, eyes huge, their raucous paeans
thinly veiling jealousy..one stroke justifying a capricious
investment
in the titanium industry.
Dean M. Estabrook
http://sites.google.com/site/deanestabrook/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
avens in a graceful ellipticheight and distance vying for
supremacy..compatriot's jowls lax, eyes huge, their raucous paeans
thinly veiling jealousy..one stroke justifying a capricious
investment
in the titanium industry.
Dean M. Estabrook
http://sites.google.com/site/dea
ipticheight and distance vying for
supremacy..compatriot's jowls lax, eyes huge, their raucous paeans
thinly veiling jealousy..one stroke justifying a capricious
investment
in the titanium industry.
Dean M. Estabrook
http://sites.google.com/site/dea
hat some folks who accept and practice,
with absolute fidelity, the concepts of, say, feng shui and
pyramids, should find the task of extending their leaps of faith to
include an existent God so arduous.
Dean M. Estabrook
http://sites.google.com/site/deanestabrook/
_
ISIT US AT rayhortonmusic.com
On Wed, May 18, 2011 at 5:24 PM, Dean M. Estabrook
wrote:
At 1:21 PM -0700 5/18/11, Dean M. Estabrook wrote:
Ok, so I'm transcribing this Mendelssohn Overture from Orch. to
Wind
Ensemble ... one of the instruments in the orchestral score is
labe
0 PM, John Howell wrote:
At 1:21 PM -0700 5/18/11, Dean M. Estabrook wrote:
Ok, so I'm transcribing this Mendelssohn Overture from Orch. to
Wind Ensemble ... one of the instruments in the orchestral score
is labeled "Serpente e Contrafagotto." It is non transposing.
May I assume
solute fidelity, the concepts of, say, feng shui and
pyramids, should find the task of extending their leaps of faith to
include an existent God so arduous.
Dean M. Estabrook
http://sites.google.com/site/deanestabrook/
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Whoa I had no idea it was that complicated ... thanks. I guess
it's good to know, that we don't know ...
Dean
On May 18, 2011, at 11:20 AM, John Howell wrote:
At 10:36 AM -0700 5/18/11, Dean M. Estabrook wrote:
Yeah, I have pretty much been instructed that the Baroque "
intrigued that some folks who accept and practice,
with absolute fidelity, the concepts of, say, feng shui and
pyramids, should find the task of extending their leaps of faith to
include an existent God so arduous.
Dean M. Estabrook
http://sites.google.com/site/deanestabrook/
___
he concepts of, say, feng shui and
pyramids, should find the task of extending their leaps of faith to
include an existent God so arduous.
Dean M. Estabrook
http://sites.google.com/site/deanestabrook/
___
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Finale@shsu.edu
http:/
athew/
From: Dean M. Estabrook
To: Finale@shsu.edu
Sent: Wednesday, May 11, 2011 9:20 PM
Subject: [Finale] OT
Haven't seen any Finale traffic go by in a few days everyone ok?
Dean
I have opened my soul/To let in the warmth of sound/Now my saving
grace
Adrian Estabrook, author
And ...
, say, feng shui and
pyramids, should find the task of extending their leaps of faith to
include an existent God so arduous.
Dean M. Estabrook
http://sites.google.com/site/deanestabrook/
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ir leaps of faith to
include an existent God so arduous.
Dean M. Estabrook
http://sites.google.com/site/deanestabrook/
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ay, feng shui and
pyramids, should find the task of extending their leaps of faith to
include an existent God so arduous.
Dean M. Estabrook
http://sites.google.com/site/deanestabrook/
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God ... and honest horror story I guess we've all done stuff
like that
Cheers,
Dean
On May 6, 2011, at 2:58 PM, Dennis Bathory-Kitsz wrote:
On Fri, May 6, 2011 5:48 pm, Dean M. Estabrook wrote:
Yeah ... that makes sense part of my confusion lies in the fact
tha
Thanks John I can't believe I spend this much time on something
so seemingly simple ...
Cheers,
Dean
On May 6, 2011, at 2:49 PM, John Howell wrote:
At 1:06 PM -0700 5/6/11, Dean M. Estabrook wrote:
Ok, Horn players I'm confused (not a new thing). I'm
transcribin
Okie Dokie very good
Thanks,
Dean
On May 6, 2011, at 3:05 PM, Ryan wrote:
Oh, easy! Instead of Horn in D, just read them as horn in Eb and
you'll take
care of the transposition of the work as a whole in one fell
(foul?) swoop!
On Fri, May 6, 2011 at 2:48 PM, Dean M. Esta
line above the bass clef staff (middle C), will
sound as
the D one step higher.
A trick you might be able to use is this: For treble clef parts in
D, just
imagine it's alto clef, and that gives you your concert pitch.
On Fri, May 6, 2011 at 1:06 PM, Dean M. Estabrook
wrote:
Ok,
Min 3rd down go F horn, that is
On May 6, 2011 4:37 PM, "Raymond Horton"
wrote:
Lower yes. Min 7
On May 6, 2011 3:18 PM, "Dean M. Estabrook"
wrote:
Ok, Horn players I'm confused (not a new thing). I'm
transcribing a Mendelsshon overture for Wind Ensemble
intrigued that some folks who accept and practice,
with absolute fidelity, the concepts of, say, feng shui and
pyramids, should find the task of extending their leaps of faith to
include an existent God so arduous.
Dean M. Estabrook
http://sites
then change the Interval to 15. Done.
On Fri, Apr 15, 2011 at 11:21 AM, Dean M. Estabrook
wrote:
In setting up a Band Score, I wish to use a B-flat Contrabass Cl. In
staff
attributes, I don't see a choice which will give me the required
Maj. 9th
plus an octave transposition needed. I
me long
before the
word's use with these electronic applications.
Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US AT rayhortonmusic.com
On Sun, Apr 17, 2011 at 11:58 PM, Dean M. Estabrook
wrote:
Yeah I tried the
o.com
http://www.musicengravers.com/cgi-bin/engravers.pl
http://oregonmts.com/mathew/
____
From: Dean M. Estabrook
To: finale@shsu.edu
Sent: Sunday, April 17, 2011 3:17 PM
Subject: Re: [Finale] Playback of Cues
Ok folks I found it in Document>Options>layers
faith to
include an existent God so arduous.
Dean M. Estabrook
http://sites.google.com/site/deanestabrook/
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at 10:56 AM, Darcy James Argue wrote:
Turn off playback for whatever layer your cues are in (I use Layer
4 or Layer 3).
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 17 Apr 2011, at 12:37 PM, Dean M. Estabrook wrote:
I used to remember this, but (no surprise here) I
absolute fidelity, the concepts of, say, feng shui and
pyramids, should find the task of extending their leaps of faith to
include an existent God so arduous.
Dean M. Estabrook
http://sites.google.com/site/deanestabrook/
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Finale
at 8:02 PM, Robert Patterson wrote:
Sorry I haven't been where I could answer this properly until
now. In the
Transposition dialog, select the Bass Clarinet transposition (Bb
up a M9),
then change the Interval to 15. Done.
On Fri, Apr 15, 2011 at 11:21 AM, Dean M. Estabrook
wrote:
obert Patterson wrote:
Sorry I haven't been where I could answer this properly until now.
In the
Transposition dialog, select the Bass Clarinet transposition (Bb up
a M9),
then change the Interval to 15. Done.
On Fri, Apr 15, 2011 at 11:21 AM, Dean M. Estabrook
wrote:
In setting up a Ban
pr 15, 2011 at 11:21 AM, Dean M. Estabrook
wrote:
In setting up a Band Score, I wish to use a B-flat Contrabass Cl.
In staff
attributes, I don't see a choice which will give me the required
Maj. 9th
plus an octave transposition needed. It only has the
transposition for the
regular Ba
olute fidelity, the concepts of, say, feng shui and
pyramids, should find the task of extending their leaps of faith to
include an existent God so arduous.
Dean M. Estabrook
http://sites.google.com/site/deanestabrook/
___
Finale mailing list
F
drian Estabrook, author
And ... I remain intrigued that some folks who accept and practice,
with absolute fidelity, the concepts of, say, feng shui and
pyramids, should find the task of extending their leaps of faith to
include an existent God so arduous.
Dean M. Estabrook
http://sites.g
y, feng shui and
pyramids, should find the task of extending their leaps of faith to
include an existent God so arduous.
Dean M. Estabrook
http://sites.google.com/site/deanestabrook/
___
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pts of, say, feng shui and
pyramids, should find the task of extending their leaps of faith to
include an existent God so arduous.
Dean M. Estabrook
http://sites.google.com/site/deanestabrook/
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Yeah, thanks that's kind of what I stumbled upon too.
Dean
On Nov 11, 2010, at 11:44 AM, Noel Stoutenburg wrote:
Dean M. Estabrook wrote:
What is the easiest way in which to create a measure which is
without a
time signature, and in which I can place as many durations as I
p
t region 2 to include measures 2 to 999 (or
whatever)
I'm not sure if all this qualifies as "easy" but it works.
Cheers,
Lawrence
On 11 November 2010 19:05, Dean M. Estabrook
wrote:
What is the easiest way in which to create a measure which is
without a
time signatur
arduous.
Dean M. Estabrook
http://sites.google.com/site/deanestabrook/
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drian Estabrook, author
And ... I remain intrigued that some folks who accept and practice,
with absolute fidelity, the concepts of, say, feng shui and
pyramids, should find the task of extending their leaps of faith to
include an existent God so arduous.
Dean M. Estabrook
http://
I remain intrigued that some folks who accept and practice,
with absolute fidelity, the concepts of, say, feng shui and
pyramids, should find the task of extending their leaps of faith to
include an existent God so arduous.
Dean M. Estabrook
http://sites.google.com/site/dea
David W. Fenton wrote:
On 5 Oct 2010 at 8:01, Dean M. Estabrook wrote:
What Bach chorale(s) IYO, best typifies the Easter message? I.e.,
would "Break Forth O Heavenly Light" work ... or is that strictly a
Christmas text?
I have found this site absolutely invaluable in resear
igued that some folks who accept and practice,
with absolute fidelity, the concepts of, say, feng shui and
pyramids, should find the task of extending their leaps of faith to
include an existent God so arduous.
Dean M. Estabrook
http://sites.google.com/site/dea
nia.
There are a lot of other mp3 player options through the Gadgets you
can use,
though all of them have different levels of annoyance. Either the
Quicktime
or JW Player seem to be sleek and fairly easy to setup.
Hope this helps!
Matt
On 8/24/10 1:51 PM, "Dean M. Estabrook" wrote:
i and
pyramids, should find the task of extending their leaps of faith to
include an existent God so arduous.
Dean M. Estabrook
http://sites.google.com/site/deanestabrook/
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und/Now my saving grace
Adrian Estabrook, author
And ... I remain intrigued that some folks who accept and practice,
with absolute fidelity, the concepts of, say, feng shui and
pyramids, should find the task of extending their leaps of faith to
include an existent God so arduous.
Dean M. Est
wrote:
I would expect professional and very good amateur clarinetists to
have no
trouble with rapid tonguing. Since you seem to know who the players
are why
don't you ask them?
Richard Warnock
On Fri, Jul 30, 2010 at 10:36 AM, Dean M. Estabrook
wrote:
Ok ... thanks Ryan gives me
Yeah, kind of what I thought I can in fact alternate players
without too much trouble.
Thanks,
Dean
On Jul 30, 2010, at 9:48 AM, John Howell wrote:
At 9:16 AM -0700 7/30/10, Dean M. Estabrook wrote:
Are repeated 16th notes (five in a row), tongued stacatto,
feasible for B-flat Cl
yes, but it probably won't be as staccato as you want.
On Fri, Jul 30, 2010 at 9:16 AM, Dean M. Estabrook
wrote:
Are repeated 16th notes (five in a row), tongued stacatto,
feasible for
B-flat Cl. players at a quarter note = about 124? This in medium
to upper
medium range ...
Thank
Estabrook, author
Dean M. Estabrook
http://sites.google.com/site/deanestabrook/
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ted maybe logic?!!!
John
Aaron J. Rabushka
who would most likely write "oboe/corno inglese"
John Howell wrote:
At 9:10 PM -0700 7/5/10, Dean M. Estabrook wrote:
>While we're at it ... I'm writing an orchestral piece that uses
both
>Oboe and English Ho
te:
At 9:10 PM -0700 7/5/10, Dean M. Estabrook wrote:
While we're at it ... I'm writing an orchestral piece that uses
both Oboe and English Horn, played by the same person. How are
those parts labeled, and how is the transposition for the E.H.
handled in score and part(s), if
hing.
Read the
manual, learn it, love it, live it.
DON'T change key sigs, change the transposition with a staff style.
Christopher
On Tue Jul 6, at TuesdayJul 6 12:35 PM, Dean M. Estabrook wrote:
Ryan ... thanks for the info I'm still confused about (BTW,
I am
using key sigs
ith a staff style.
Christopher
On Tue Jul 6, at TuesdayJul 6 12:35 PM, Dean M. Estabrook wrote:
Ryan ... thanks for the info I'm still confused about (BTW, I
am using key sigs) changing key sigs in the middle of the stream
for one part only in the score. Does Staff Style allow me to
ed for
clearly labeling the entrances.
On Mon, Jul 5, 2010 at 9:10 PM, Dean M. Estabrook
wrote:
On Jul 5, 2010, at 6:58 PM, John Howell wrote:
At 4:14 PM -0700 7/5/10, Ryan wrote:
What's the best way to label a woodwind part that doubles?
Piccolo & 3rd Flute
or
Piccolo/3rd Flute
inale
I have opened my soul/To let in the warmth of sound/Now my saving grace
Adrian Estabrook, author
Dean M. Estabrook
http://sites.google.com/site/deanestabrook/
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let in the warmth of sound/Now my saving grace
Adrian Estabrook, author
Dean M. Estabrook
http://sites.google.com/site/deanestabrook/
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No, no my tool still works fine ... which, considering my age
is remarkable ... I was asking about notational convention(s).
Looks like I just need to adjust to the times.
Dean
On May 31, 2010, at 12:08 PM, Mark D Lew wrote:
On May 31, 2010, at 9:19 AM, Dean M. Estabrook wrote
y 31, 2010 2:23 pm, Dean M. Estabrook wrote:
Ah, two things ... thank you, and ... where the hell have I been
for the last decade or two? However, I'm probably more to be pitied
than censored ... I hit the big 70 next week.
Dean
On May 31, 2010, at 9:43 AM, Darcy James Argue wrote:
Yes.
ating beat divisions and
subdivisions. Trying to get beams to indicate other things
(syllabification, phrasing, etc) is a tradition I'm very happy to
see die.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 31 May 2010, at 12:19 PM, Dean M. Estabrook wrote:
According to
According to Hoyle, or whoever the expert may be ... is the "Re-beam
for Lyrics" tool now passe?
Dean
I have opened my soul/To let in the warmth of sound/Now my saving grace
Adrian Estabrook, author
Dean M. Estabrook
http://sites.google.com/site/dea
ace
Adrian Estabrook, author
Dean M. Estabrook
http://sites.google.com/site/deanestabrook/
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I have opened my soul/To let in the warmth of sound/Now my saving grace
Adrian Estabrook, author
Dean M. Estabrook
http://sites.google.com/site/deanestabrook/
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I have opened my soul/To let in the warmth of sound/Now my saving grace
Adrian Estabrook, author
Dean M. Estabrook
http://sites.google.com/site/deanestabrook/
ng lamp is now
lit." He never did figure out who the wise ass was, 'cause no one
would admit to it ... lucky for me ...
Dean M. Estabrook ER 19793817 Sgt. E-5, Ret.
Never apply logic to a military situation
On Mar 30, 2010, at 7:42 PM, John Howell wrote:
Rules do NOT have to
5836
phone (360) 671-3402
fax (360) 676-6055
www.chuckisraels.com
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I have opened my soul/To let in the warmth of sound/Now my saving grace
Adrian Estabrook, aut
le mailing list
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I have opened my soul/To let in the warmth of sound/Now my saving grace
Adrian Estabrook, author
Dean M. Estabrook
http://sites.google.com/site/deanestabrook/
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of sound/Now my saving grace
Adrian Estabrook, author
Dean M. Estabrook
http://sites.google.com/site/deanestabrook/
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As a retired educator, that utterance should slip relatively
unimpeded from my lips. You gotta love this list ..
Dean
On Mar 6, 2010, at 2:43 PM, dershem wrote:
On 3/6/2010 1:31 PM, Dean M. Estabrook wrote:
How does one get cued notes to not play back?
Dean
Tell the player "Ssss
lman/listinfo/finale
Canto ergo sum
And,
I'd rather be composing than decomposing
Dean M. Estabrook
http://sites.google.com/site/deanestabrook/
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g similar
in later
versions?
Cheers,
Lawrence
--
Lawrenceyates.co.uk
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Canto ergo sum
And,
I'd rather be composing than decomposing
Dean M. Estabrook
htt
How does one get cued notes to not play back?
Dean
Canto ergo sum
And,
I'd rather be composing than decomposing
Dean M. Estabrook
http://sites.google.com/site/deanestabrook/
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hiding now?
Carl
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Canto ergo sum
And,
I'd rather be composing than decomposing
Dean M. Estabrook
http://sites.google.com/site/deanesta
ys
great, but it points toward the tuba and trombones - I'd like to
point toward the audience! On other orchestral euph pieces I
usually use my old Conn, which points the right way.
Raymond Horton
Bass Trombonist,
Louisville Orchestra
Dean M. Estabrook wrote:
Yes, I think I mean Will
de by Getzen. Both with the CB name on them.
Probably no model number needed. Yours was sold for only a short
time.
Let me know if you want to sell it!
Ray Horton
Dean M. Estabrook wrote:
I love the horn! For whatever reason, it fits my body very
comfortably ... takes a lot of air to fill it
ld Besson on that, which plays
great, but it points toward the tuba and trombones - I'd like to
point toward the audience! On other orchestral euph pieces I
usually use my old Conn, which points the right way.
Raymond Horton
Bass Trombonist,
Louisville Orchestra
Dean M. Estabrook wrote:
Y
t
it ... does that make sense ?
Dean
On Feb 10, 2010, at 9:26 AM, dhbailey wrote:
Dean M. Estabrook wrote:
Hi ... I own a Wilsun Euphonium (Canadian Brass Edition)
finished in Silver. Is there a polish you can recommend to take
a few spots off of the surface? I'm assuming it is in fact
lver plate, use Hagerty's Silver Poliah--I use
it on all my silver euphoniums.
Jim W.
From: finale-boun...@shsu.edu [finale-boun...@shsu.edu] On Behalf
Of Dean M. Estabrook [d.e...@comcast.net]
Sent: Wednesday, February 10, 2010 12:17 PM
To: Fi
sense ?
Dean
On Feb 10, 2010, at 9:26 AM, dhbailey wrote:
Dean M. Estabrook wrote:
Hi ... I own a Wilsun Euphonium (Canadian Brass Edition) finished
in Silver. Is there a polish you can recommend to take a few spots
off of the surface? I'm assuming it is in fact a silver fi
composing than decomposing
Dean M. Estabrook
http://sites.google.com/site/deanestabrook/
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ce." Shelly Manne's definition
of jazz musicians.
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Canto ergo sum
And,
I'd rather be composing than decomposing
Dean M
ond Horton
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Canto ergo sum
And,
I'd rather be composing than decomposing
Dean M. Estabrook
http://sites.google.com/site/deanestabrook/
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Possible, but have worked with much larger files and not have had
the problem ...
Dean
On Feb 1, 2010, at 5:00 PM, Noel Stoutenburg wrote:
Dean M. Estabrook wrote:
Ok got a file, not big, only 68 KG at the moment. Jazz Band
instrumentation. When I open it up, it plays back via Au fine
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