Hello Daniel,
editing Videos (have a backlog of about 100 DV casettes to be edited)
is real fun & extremely fast. I´ll try the program Final-Cut to be
better. Everything works better & I can run VISTA as parallel desktop
anyway to use some of my older business programs. I also installed
to all forum members
my email has changed, as I switched to iMAC finally. If you like to
contact me off list, use the following ID, please:
hpi...@me.com
I will keep you informed, when my homepage will be moved to a new
home, but it will take another few months, to restructure my homepage,
The last eight before 36 in the last movement of the Strauss No.2 is indeed
misprinted. The "natural" after the written d# (2nd eight in the same measure=
concert f#, as the part is in Eb) is missing, but we all played the right note
at the end of the measure (last eight notated as d2 = f concer
How about Anton Bruckner Symph. no.8 c-minor, starting with the two horns in
octaves c1 & c2 in a perfect octave, before double basses, celli & others enter
with the main motiv ?
This beginning is quite delicate, also the following d1 - d2 octave.
The third act of Goetterdaemmerung begins with
How about Verdi´s "Don Carlo". The classic version & most played begins with
the solo horn quartet. Richard Strauss "Silent woman" starts with the solohorn,
Richard Wagner´s "Liebesverbot" starts with Castagnettes solo; more to come
Wednesday, when back home after 4 weeks+ travel in Asia.
Regar
Never played it on natural horn. Would not make any sense in a modern orchestra
except the orchestra as a whole would adopt instruments of the relevant epoque,
including strings set to that time.
Greetings from back home
Hans
Original-Nachricht
> Datum: Sat, 8 Nov 2008 03:29:3
Kurt Magnus Atterbergs Sonata op.27 from 1925 is NOT a horn sonata but a Sonata
for a stringed instrument (cello, viola, violin).
Original-Nachricht
> Datum: Fri, 7 Nov 2008 21:09:51 -0500
> Von: Debbie Schmidt <[EMAIL PRO
Hello Steve,
Kjellruns tumb rules are valid with the exception of C-alto, which is not
explicitely noted such. This special transposition is found in certain Haydn
ouvertures, in Mozarts Idomeneo etc. but rarely i the music of the 19th cent.
You have well noted, that the horn parts would be far t
The Schumann Konzertstueck thread:
Yes, there is a 4-horns-only-score, also a piano reduction & a conductor score,
published earlier by KaWeAmsterdam, which is part of my publishing, since I
acquired this company after the death of Klaas Weelink 1983.
This piece has not been written for the aver
Everybody was out looking for rabbits laying red eggs near nuk plants.
==
Original-Nachricht
> Datum: Tue, 25 Mar 2008 18:52:38 -0700
> Von: David Laraway <[EMAIL PROTECTED]>
> An: horn@music.memphis.edu
> Betreff
Hello Adam, it was common use, to have the horn parts in different keys in the
past. The most common keys were F, E-flat & D, less often E. Baroque music was
anotated in a different way.
BTW, my first shipment (you remember, I resent it) just arrived back three
weeks ago. I had addressed it to
Lawrence, silly question: is "england" so small now ??
Original-Nachricht
> Datum: Sun, 16 Mar 2008 19:52:14 EDT
> Von: [EMAIL PROTECTED]
> An: horn@music.memphis.edu
> Betreff: Re: [Hornlist] Corno in Mi
> Do (or "ut") Re Mi Fa Sol La Si (in england we say "tee" then Do to
>
Mark, Paul Rincon answered correctly regarding R. Strauss, but regarding Mozart
I might ask you, if you ever have had a look who arranged the piano reduction
of the Mozart Concertos you studied or you will study. Do you own the piano
parts or do you just study your horn part from a copy of a cop
But how about the many high class professional (full time) players who never
altered their horns, but had a descant at hand for special tasks, a nice full
double for day-to-day work - but also used the same mouthpiece for all tasks
for 30 - 40 years ?
+
In the well known Verdi Operas there is no A-alto or A-flat-alto, but I am not
sure if it could be in the nearly unknown Verdi Operas. Il Trovatore has no A-
or A-flat-alto definitely.
Milton answered regarding Bb-alto or basso.
=
Original-Nach
Very sad news received from a close friend in Czech Republic:
Zdenek Tylsar died yesterday in Prague at age 61
Greetings from India
Hans Pizka
--
SigfridFafner the under ground horn player from Vienna
Der GMX SmartSurfer hilft bis zu 70% Ihrer Onlinekosten zu sparen!
Ideal für Modem und
Yes, it refers to density, but you can use other semi-stiff material also (some
left over packing material except air bubble sheet. The most severe
restrictions are for flights to UK & USA, not inside Europe. But it might be
wise to ask the airlines & tell them about the horn. Hopefully they wou
If you play the high notes the way you desribe, my goodness, I cannot imagine
any nice sound. High yes, but aweful pinched or shrill. To use the lip aperture
like a camera aperture - better as the "iris" of an eye or old fashion camera -
classic - is not the right description. Better would be, t
Simon, you did not understand my message, by Erin understood me well & sent
me a very, very nice letter.
My letter was not intended to attack Erin or others, but remind all of us,
thzat we should use more of our intelligence & not following the main trend
to "get all prechewed or told or made or p
The slurs & dots added later come from performance tradition, most handed
down by mouth to mouth tradition (meaning of tradire = lat.) special in
Vienna, where the concertos were written. The first complete edition of K495
is by Art et Industrie publications in Vienna according to the autograph,
w
Dear Prof. I. M. Gestopftmitscheist,
would you kindly send me one of your F.A.R.T.s & bill me via Paypal
Here is my address:
Sickfrid Fafner
Furzergasse No.10
A- Vienna, Fart district
> --- Ursprüngliche Nachricht ---
> Von: [EMAIL PROTECTED
gkok
Hans
> --- Ursprüngliche Nachricht ---
> Von: Ellen Manthe <[EMAIL PROTECTED]>
> An: The Horn List
> Betreff: Re: [Hornlist] Re; Mahler 1 , c/o Hans Pizka, and
> performance practice.
> Datum: Fri, 26 Aug 2005 09:36:53 -0500
>
> I mu
William, Sandra & other "wise" list members,
following your "recommendations" I must recognize, that many of you seem to
play the horn without having done the proper home work. Otherwise you would
not post that weird nonsense about fingering & intonation.
Go back to Kopprasch no.1 or the Schantl
>From top alias with introductory higher grace note
and
"abschlag".
> --- Ursprüngliche Nachricht ---
> Von: [EMAIL PROTECTED]
> An: horn@music.memphis.edu
> Betreff: Re: [Hornlist] Julius Caesar
> Datum: Sun, 21 Aug 2005 12:22:12 EDT
>
> Hans,
>
> What is the true baroque manner for a trill?
>
Klaus, it cannot be overheard that the Caesar solo aria horn solo is scored
for F-horn, because it would not be possible for any other natural horn, to
play this aria. There are two other 4 horn numbers there, scored for
G-horns, with a cadenza up to our high d3 in p dynamics - very delicate. And
t
Yes, I agree that most of the edited Mozart Horn Concerti are edited in a
way against the Mozart style. Some editors even dared to add embellishment &
so do some even well known soloists.
In Vienna, we grew up with the Henri Kling Edition, which following more or
less the Urtext (see 1888 first co
Thu, 18 Aug 2005 09:50:54 -0400
>
>
> At 3:01 PM +0200 8/18/05, Hans Pizka wrote:
> >But you can order it also from my publications. I published it many years
> >ago.
>
>
> Is your publication a facsimile edition or a newly typeset edition?
>
>
>
> --
But you can order it also from my publications. I published it many years
ago.
Greetings from Kathmandu
H.Pizka
> --- Ursprüngliche Nachricht ---
> Von: David Goldberg <[EMAIL PROTECTED]>
> An: horn@music.memphis.edu
> Betreff: [Hornlist] Clarinet/Horn duets
> Datum: Sun, 14 Aug 2005 23:48:01 -0
Hans Pizka
> --- Ursprüngliche Nachricht ---
> Von: "simon locke" <[EMAIL PROTECTED]>
> An: "hornlist"
> Betreff: [Hornlist] Languir per una bella
> Datum: Wed, 3 Aug 2005 21:16:13 +0100
>
> Dear Hornists
>
> I have soon to play Rossini's
Aa Luke said before, stay with the best known pieces for any audition like
Strauss no.1, Mozart no.2 or No.3 or No.4 depending on the vacant position.
Think it is more worth to play as few notes per $ but highest quality than
to play a million notes per $ neglecting all beauty of phrasing, tone et
Yes, d-daaah-dh-daaah-dooo - nice & effective. But the most exciting
Tuba parts are in "Frau ohne Schatten" (R.Strauss). Janacek used them also.
I published 4 volumes of Wagner Tuba studies (excerpt books). Visit my Web
Site to know more: www.pizka.de/Pizka-music.htm
Vienna Philharmonic u
They were using my publication for thzeir recording. By the way, his name is
Klaus not Klauss. Remind me after May 15th, to send it to you, as I am
writing from Shanghai at the moment. What a incredible change since I was
here last time in 1996. This city outbids Tokyo & Hongkong & has undergone
th
After tomorrow I will be back home.
Greetings from Musikverein in Vienna
>
>
> Is that you, Hans, or has someone now 'pinched' your pass-word for the
> horn list??
>
> If they did that, then, you will need to get a new one from Cabbage HQ,
> and that is,
attention, this message by M.P. must be a fake, as he had even mixed up
Macchu Pichu, the former capital of the Inka Imperium, with (the Man of La)
Mancha, compagnion of Dox Quixote, which we play tomorrow night in Madrid.
And, Macchu Pichu id not at the Amazonas but high above. Thus, what has the
Some people use this sterilizing procedure or another, to prevent out of
pitch entrances or other wrong notes, clams etc.
As I have no possibility to sterilize my horn while on concert tour, I have
to hang to the traditional methods to prevent clams, wrong entries, out of
pitch playing.
May-be, l
This is quite an helpful article, but
Why does the writer use concert pitch (using F-Horn) ? This is just
disturbing.
Why does the author say "for any given fingering" ? The fingering is not
relevant at all as it just changes the length of the sounding wave. The
phenomenon is more or less equ
It seems a bit difficult to fill the mouth with helium at many places where
stopping occurs right after a very short pause of just half a measure or
less, like before the last written long held "e" in the Long Call.
And to Carson: timber & timbre a most different things.
To William: the F horn ca
There are also two CDs containing Dennis Brains live performance of the
Schoeck Concerto, - financed by the late maezenas Dr.Willi Aebi, who
sponsored composition & performance -, in the Tonhalle in Zuerich of May
4rth, 1956 with the Paul Sacher Chamber Orchestra under Paul Sacher.
The Jecklin JD
Boosey & Hawkes should be the right choice.
The Schoeck Society told me one or two years ago, that they plan to get the
concerto published again soon, but no progress since. I tried to get the
rights, but they declined. So we have to wait or to search around for a used
exemplare, because Boosey &
Hello Kendall,
I only can confirm your impression of these horns. I was in the factory in
Tenjin in China in 1994 & watched, how the women workers assembled the
valves without inspecting the provided parts. We told the engineers how to
improve the assembling style, but they promised but did not. It
Catherine, play it like a love song, very relqxed but full of love. Do not
power !! Please. If you seem to be not loud enough, well, ask the
conductor to keep the string sound at a real piano level. Do breath enough
but not too deep, just normal. Divide the solo into phrases if you were
playing
Scott,
and this recording was done using the Leloir score of the Haydn (? I have to
check myt books when home !). And, how do you know, that Kling added notes
to Mozarts say K.495, as the first movement & the main part of the 2nd
movement are not preserved as autograph , but just in the earliest e
Scott, if you have not seen the Leloir or Musica Rara piano reduction, how
does it come that you compare your edition with others ? This is something
strange. I do not know any other edition of the double concerto in question.
And regarding the Mozart concertos: I have had the chance to listen to m
Scott, if you have not seen the Leloir or Musica Rara piano reduction, how
does it come that you compare your edition with others ? This is something
strange. I do not know any other edition of the double concerto in question.
And regarding the Mozart concertos: I have had the chance to listen to m
ver,
> he's not breaking copyright, is he?
>
> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED] On Behalf
> Of Hans Pizka
> Sent: Saturday, August 07, 2004 7:36 PM
> To: The Horn List
> Subject: Re: [Hornlist] haydn concerto piano
Hello Scott,
the piano reduction for that double concerto is not #out of print since
long#, very sorry, it is available at any time in Edmond Leloirs reduction
from the original score, which is protected under copyright. It is K.100 or
K.099 as full score & the parts are available as well.
Greeti
Hurry up, there is a brand new Viennese Pupmpenhorn on ebay to be
auctioned the next 30 hours. It is by Jiracek. The price is quite
moderate. I have not played it, but the seller says, that he used it for
a few performances of Bruckner Symphonies but he got a historic
instrument now, so he must sel
Hello friends,
I received an exciting CD with LIVE recordings from John Cerminaro,
playing Gliere, Strauss 2, Mozart 2 & Amram. His playing is incredible
good, beautiful, warm, brilliant, convincing, admirable, superb.
John asked me to produce this CD within my series of historic
recordings. As a
Hello Ken, a virus has destroyed most of my letters & adresses. Would
you kindly contact me privately with your mailing address included, so I
can send you the part for Leighs horn.
Sorry to the list, for this private letter.
Greetings from Munich
Hans
Prof.Hans Pizka, Pf.1136
D-85541 Kirchheim
We played Mozart´s opera "Idomeneo, Re di Crete" with the beautiful wind
quintet in the theatre, where Mozart conducted the first performance of
this "baroque" opera, the famous Cuvillies Theatre from about 1733, with
all the beautiful decorations made of wood carvings.
This theatre was saved from
Thirty years ago, I played Verdi´s famous opera "Othello" (partly) at
the original place of the play, the Ducal Palace in Venice, partly as
some parts play in Othello´s house (still existing ?? I dont know if it
is really his house, but there is a house with a dark gentleman´s head
looking over th
Have left some seven more copies of the R.Strauss op.11 horn concerto
piano part with instrumentation indicated, all by R.Strauss hand
writing, beautifully, plus beautifully bound in dark blue cloth.
Incl. shipping (air) registered EURO 41,02 (about 50.- USD), extremely
rare. Was available since 3
We video taped Haendels Fireworks Music & Watermusic back in 1969 during
our summer opera festival in July. The recording begun near to Midnight
as we had a Don Giovanni performance that night. The recording took
place in the former prince electors famous garden at Schleissheim
castle, right at the
Little Fritz approaches his father to explain him what politics is like.
Father says: " Off course, I will explain politics to you. Let´s start
with our family. I bring the money home, - that´s capitalism. Mother
administrates the money, - that´s the government. We both care about
your welfare, con
While I can agree with you on most points I might ask you one thing:
Were the composers of the German & Austrian Marching music anti-Semitic,
just because their compositions were used by any SS-brass band ? No,
they weren´t, as even the hornists of an SS-brass band or a fire guard
band blew straig
PROTECTED]
--- Hans Pizka <[EMAIL PROTECTED]> wrote:
> Why did no composer ask for "kick the composer into
> his aß" or "Hit the
> conductor with your music stand" or "throw a garbage
> can over the
> conductors head" ??
>
> Most of them
If composers would use this mpc popping effect as a joke, well, "effect
du surprise", why not, but their problem is it, that they use it just
because it is possible. And they use it on places where it would not be
logic. This disqualifies them.
-Original Message-
From: [EMAIL PROTECTED]
[m
Why did no composer ask for "kick the composer into his aß" or "Hit the
conductor with your music stand" or "throw a garbage can over the
conductors head" ??
Most of them are "eunuchs", they know how it should work, but they
cannot do it themselves."
===
If you are that bigot, you have to turn yourself away from most arts &
artists, who frequented brothels, drank excessively, used drug (Mozart
did both), committed adultery frequently (Mozart is one of the best
examples), betrayed friends voluntarily or out from their incapability
handling money (Wa
But WHY - In serious music, it is shit, mere shit.
==
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of [EMAIL PROTECTED]
Sent: Monday, June 28, 2004 8:01 PM
To: [EMAIL PROTECTED]
Subject: [Hornlis
iously?
Or how about this: they were all Germanic? (Austria, Saxony, Bavaria &
Bohemia respectively)
Nah, that couldn't be it;-P
Leigh (bloody hell, just had the nomex cleaned, guess I'll go put it on
again *sigh*)
On Monday, June 28, 2004, at 07:40 AM, Hans Pizka wrote:
> Qu
Question:
Why didn´t Mozart or Wagner or Strauss or Mahler ask for mouthpiece
popping ?
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of Robert Dickow
Sent: Monday, June 28, 2004 7:35 AM
To: The H
Most makers do not pay any license fee as patenting something new is not
worth the fee you have to pay to get the patent protection worldwide. It
cost 6.000.- EURO just to cover the E.U.
How much would you ask for a valve mechanism license per piece ? 20.-
Euro ? Would require 300 instruments in t
Still 8 copies (cloth binding) plus one leather binding available from
R.Strauss piano version (not reduction) of the op.11 horn concerto;
absolutely clear hand writing of R.Strauss, with indication for the
instrumentation. Quite rare. Facsimiled around thirty years ago. Near
last copies available.
But it is not that way always. Sometimes it goes:
One-n-tw-n-three-ee-ee
Or
one-ee-ee- two-n-three-n
or
ONE --two-three
Or one-two-THREE
Or
One-two- one-two-three - one-two
Even that is not consistent as the rhythm shifts with the composers
will.
The best is it, if the conductor decid
n Behalf
Of Klaus Bjerre
Sent: Thursday, June 17, 2004 8:22 PM
To: The Horn List
Subject: Re: [Hornlist] NHR Spell check and a bit of irrelevant info
on 17/06/04 21:05, Hans Pizka at [EMAIL PROTECTED] wrote:
> Hello Susan, - first thanks for reminding me of Beethovens birthday
> every year since
Hello Susan, - first thanks for reminding me of Beethovens birthday
every year since how many year ? More than twenty years, very nice
indeed -
I once had a poster for one of my concerts with big letters telling
"MOZALT CONCELTO"
Guess which country ??? About thirty years ago...
Greetings
Sorry, my mistake. The "Cor anglais" existed even before Mozart´s time
as "Oboe da caccia" (hunting oboe) since J.S.Bach´s time. This
instrument has undergone a complete transformation. It first was made of
a wooden piece, split into two parts & hollowed, fixed together &
wrapped with leather like
To add to the confusion, if you would use it for fishing, it could be
named "angler´s horn", which is not any hybrid language term but genuine
English..
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Beha
Paul, is that guy with the Puccini the one I asked you for sometimes ago
& isn´t he a very good cembalist ??? Just curious. And, isn´t he the
one, who conducts that wild, that the shirt jumps out of his pants & he
has trouble to get it back on its place ... before leaving the pit.
-Original
Will receive some more ten copies of the Facsimile of R.Strauss op.11
horn concerto piano version by R.Strauss´ own hand writing, nicely
bound in blue cloth. Very accurate hand writing with remarks for the
instrumentation, some text included. They come for 41,02 EURO (about
50.- US $) including ai
George, tell me the article & I will scan it & send as email
attachement. Have both books in front of me. May I guess: the article
"In memoria Lorenzo Sansone"! & "Profiles Lorenzo Sansone". Was my guess
right, George ?
Hope things go better health wise with you.
Kindest greetings from Munich
Ha
Oh, well, another to be tyrant ! May I ask you, where do you conduct &
what kind of orchestras
Just a warning, for such conductors (we get them occasionally) WE PLAY
AS THEY CONDUCT WITH ALL CONSEQUENCES !!
I remember one colleague (or was it me) to answering to a conductor, as
he pointe
This kind of group phenomenon , originating in certain societies
preaching Siegmund Freudian self-realization, has sent its virus across
the world since long & infected our way of living also.
Recently, I organised a memorial concert for my late father, assembling
a bigger horn ensemble playing Vi
If your conductor is that kind of despotic not allowing suggestions to
better the performance, he should be fired immediately, as he is not
worth to conduct. Professional conductors, good conductors, accept
positive suggestions, if they are clever enough, That is their secret of
success.
==
Composers & copyists do what they want to do often without any
reglementation. The same happen with the understanding of mute or
gestopft, cuivre, sons de echo, etc.
Conductors do not better anyway. It is left up to us mostly, to decide
after our experience & good taste. Ears decide best.
But I w
For those interested in horn history:
I have added two interesting pages to my site. They contain the travel &
program data of the two South America Tours 1922 & 1923 of the Vienna
Philharmonic. It is incredible, what they had to play. The only free day
were the days on sea. Their program included
We did Don Quixote & Heldenleben with Zubin Mehta.
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of John Baumgart
Sent: Saturday, June 12, 2004 4:00 AM
To: [EMAIL PROTECTED]
Subject: [Hornlist] Hap
I do publish this piece. It is set for 8 horns only. The setting is with
FINALE. It comes with score & parts. You can order it through Paxman, if
you are in GB or directly with me.
Hans Pizka
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of jlmthom
Better think of : How can I care better THAT THE HORN IS NOT SPOILED
INSIDE. If a snake is needed to clean the lead pipe inside, my goodness,
how long are the intervals between cleaning your horn. If you care,
nothing accumulates inside the lead pipe, nearly nothing.
But if you eat candies & cake
An how about the effect of a cleaning snake, where parts of the brush
get off & are swapped into the valve system ?
Detergent, attaching the pipe of the hand brush to the lead pipe (take
care that the water does not get too hot for your hand !) & let the
water flush all through. You might take
If you intend to bath your horn the first time after years and if your
horn is not lacquered, well, you should use a professional soap which
contains some sand so to clean away all the grid accumulated.
Just joking.
Real: use a mild dish washer detergent & mild warm water.
===
Why not visiting my publication site at www.pizka.de/Pizka-music.htm
==
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of Tara Islas
Sent: Tuesday, June 01, 2004 3:59 AM
To: Horn List
Subject: [Hornlis
A bit of knowledge in geography might reveal, that something is wrong
with that obscure "Linz" horn "made in Italy", as Linz has nothing to do
with Italy.
The producer of this instrument might have nothing to do with the
engravings either, but the dealer (s), who got it engraved (perhaps).
Such ki
1.- EURO equals about 1,22 USD to 1,24 USD
Hans
Sorry I wasn't up on my euro/dollar conversion rates. Do you take
paypal?
LMK
(let me know)
LT
___
post: [EMAIL PROTECTED]
set your options at
http://music
Full price incl. shipping (air registered) = EURO 41,02 payable by
credit card, converted into USD about 50.-
PS: Normally I do not answer such inquiries by "no names".
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PRO
Luckily, I got more ten copies of the Facsimile of the first concerto
op.11 by R.Strauss. It is the superb clear hand written piano score
including instrumentation. There is also some introductory text
regarding the history of the concerto.
This is a very important source for the young & the engag
Luckily, I got more ten copies of the Facsimile of the first concerto
op.11 by R.Strauss. It is the superb clear hand written piano score
including instrumentation. There is also some introductory text
regarding the history of the concerto.
This is a very important source for the young & the engag
]
[mailto:[EMAIL PROTECTED] On Behalf
Of Julius Pranevicius
Sent: Tuesday, May 25, 2004 7:31 PM
To: The Horn List
Subject: RE: [Hornlist] Career on Horn performance, HS grades, degrees,
ect
--- Hans Pizka <[EMAIL PROTECTED]> wrote:
> Paper is paper, ink is ink, but playing is playing.
&g
It is amazing that everything seems to be thought as done extensively,
or is done extensively if recommended. Is the whole younger world going
crazy.
Just lick over your lip once - if you feel them dry - helps. If the air
is not dry, licking is not necessary. Everything done just normal is
good, e
Paper is paper, ink is ink, but playing is playing.
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of [EMAIL PROTECTED]
Sent: Tuesday, May 25, 2004 2:21 AM
To: [EMAIL PROTECTED]
Subject: [Hornli
Michael, how old are you know ? Around sixteen ? Or past sixteen ? What
have you mastered regarding horn playing already ? Just the beginning or
not even that at a reasonable result. Playing & playing are two
different pair of shoes. Right.
Do really think of a professional career as a horn player
If you like the rancid stench ... in a hot climate like Texas .,
you could also use a piece of raw bacon or some Diesel (go to the gas
station & ask them if you could just stick your forefinger into a can of
Diesel (Nafta) ... it smells bad, but it works ... and it is nearly free
Cheapes
Go www.pizka.de/MySiegfriedHorn.htm to get a first impression. If still
interested then, well, write again so I can send you pictures "off
list".
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of Joe Duke
Sent: Saturday, May 22, 2004 8:03 PM
To: [EMAIL PROTE
Four more copies of R.Strauss piano & horn manuscript of the op.11 horn
concerto, with introductory text, bound in nice dark blue cloth with
gold name print, still available. Very hard to get. I do not know, if I
will discover more, as it is out of print since long.
Prof.Hans Pizka, Pf.1136
D-85
Last night, I played my no.219 Fidelio & inserted the date & the name of
the conductor as usual. Adam Fischer conducted the last of this years
three Fidelios. He still looks like a boy, but one has to imagine, he
conducted the same opera at the Bavarian State Opera the first time 26
years ago, repl
Depends on the human input.
Sometimes you are blowing into the horn perfectly (you think doing so),
but it comes out "bent", so you think the fault being the horn, ---
ooops, or was it just opposite, blowing the horn incorrectly, but the
horn correcting everything, so to be a good horn ?
===
Michael,
if you hold a lacquered horn even your hand sweating acidic a lot, the
shiny are does not get dull so quickly as you describe. How long (in
weeks) do you have the horn ?
A T-shirt is not the right "towel" to wipe away the finger prints, as
the T-shirt contains a lot of your sweat perhaps
One can do something against "quite acidic perspiration" by changing
one´s alimentation. Ask a doctor who is familiar with alimentation
resulting problems.
I remember a colleague, who´s acidic perspiration was so bad, that it
ate up the hand shield on the horn & lead pipe.
But he did nothing to p
Information:
Have secured another 8 copies of the R.Strauss Horn Concerto no.1 op.11
piano reduction in the composers hand writing (facsimile), including
some notes about the history of the concerto. All nicely bound in blue
cloth with gold title.
They will be for sale at a price of 33.- EURO net
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