Dear Are:
Diana Poulton attributed the piece (with reservation) to Dowland based on the
fact that it contains several of Dowland's typical devices; the ascending scale
passages with a repeated first note, and several tonic/dominant repetitions
with inversions. The piece also appears in the man
Taco
I think Mimmo Peruffo may not reply because he may not want to
appear to be advertising his wares on this list. It is a difficult
situation for string makers and lute makers whenever they
communicate, it could be considered that indirectly they are trying
to sell their wares.
Also, t
i used to work with http://www.gerbode.net/ft2/composers/ to find tabs
for some songs (campion, dowland etc.)
but they the site is not working for the past few days i need to
download tab+lyrics to a new project.
i really hate computers...
To get on or off this list see list information at
On Nov 4, 2007, at 8:47 AM, Omer katzir wrote:
> i used to work with http://www.gerbode.net/ft2/composers/ to find
> tabs for some songs (campion, dowland etc.)
> but they the site is not working for the past few days i need to
> download tab+lyrics to a new project.
>
> i really hate computer
> "I think Mimmo Peruffo may not reply because he may not want
>to appear to be advertising his wares on this list. It is a
>difficult situation for string makers and lute makers whenever they
>communicate, it could be considered that indirectly they are trying
>to sell their wares."
Cou
For what it's worth...
Perhaps the difference is that we lutenists daren't take our eyes off the
tablature, and so we have to find our way about the neck of our instrument
by touch, not sight. Having said that, I think I might just stick something
close tothe 7th fret...
Alan
- Original
We luters have it pretty easy worrying only now and then about our h's
and k's. Pity the polite citternist who must mind their p's and q's.
Sean
On Nov 4, 2007, at 11:42 AM, Alan Hoyle wrote:
For what it's worth...
Perhaps the difference is that we lutenists daren't take our eyes off
the
Uh-oh boys 'n girls- we're mixing our threads here. I've never felt
strongly about the marker marks except that they've always bothered
me aesthetically- but on rare occasions helped me out when playing
strictly from memory; which (classical) guitarists have always done
far more than any of us
A tiny dot on the 3rd, 5th and 7th for me, only because as a geeetarist I
like the reference it gives me, so I've carried it over to the lute.
I'd also like the lists opinion on fixed metal frets, I had a rather heated
discussion with a classical guitarist recently who was very critical of what
he
- Original Message -
From: "Omer katzir" <[EMAIL PROTECTED]>
To:
Sent: Sunday, November 04, 2007 1:47 PM
Subject: [LUTE] So...where to find more tabs?
i used to work with http://www.gerbode.net/ft2/composers/ to find tabs
for some songs (campion, dowland etc.)
but they the site i
I am unaware of any unascribed works that have been
assigned to Francesco, except for that ricercar by
"Incerto" in the Chilesotti Codice Lauten-Buch (and
several other places, incl. Bottegari--do you attribute
it to Francesco in your Bottegari edition?).
Could you provide us with some examples o
They've been cracking down laterly. And I think we can
expect more as the industry flexes its muscles. One
woman from Duluth was fined $220,000 for copyright
infringement,
just a few days ago (she could have been fined three
million dollars, according to news reports).
http://www.breitbart.com/
Hello, Nancy!
Ralf properly sent you to Doctoral Dissertations in
Musicology at Indiana University. It is an attempt to
make a comprehsnive listing of completed dissertations,
and those in progress. The coverage is
international, and I have tried to assist my former
student, Tom Mathiesen the adm
I hope you may be right for the loaded strings. Perhaps they are on
their way, and you read the signs better than I do. Undoubtedly,
Mimmo will be demonstrating something this month at the Greenwich
early music festival. I suppose you may see his lute strung with
loaded strings, perhaps
Good point, Mathias. However, gut frets sound better.
ed
At 09:36 PM 11/4/2007 +, Mathias Rösel wrote:
Paul O'Dette said in that YouTube video, the reason for movable gut
frets was that they can be shifted, in case mean tone temperament is
required. If that proves to be the only reason, I
Thanks for pointing this out, Art. As you know, I happen to live in Duluth
(Minnesota, not Georgia), as does Dan Larson.
As I am a lutenist who does happen to have recordings, it bothers me when
my recordings are copied without consent. But, in this particular case, it
was tried in federal co
Howdy, Dan!
I do use markers, as I play many different sized instruments. I recall
working with a lutenist about 8 years, ago, practicing duets. This
particular lutenist plays many different kinds of lutes, and in one piece,
he was not hitting the right note up on the 8th or 9th fret. I sugg
The other issue is tuning. Even with equal temperment, there will be
times when the 1st course needs a slightly different fret position
than the lower courses for all to be in tune. I believe it's related
to the fingerboard curvature and to the different thicknesses of the
strings. I often
And besides- metal frets will quickly chew up your precious gut strings.
Not very economical...
RT
- Original Message -
From: "Daniel Shoskes" <[EMAIL PROTECTED]>
To: "Mathias Rösel" <[EMAIL PROTECTED]>
Cc: "'Lute List'"
Sent: Sunday, November 04, 2007 5:35 PM
Subject: [LUTE] Re:
Top of the afternoon to you too, Ed-
Not against markers, just don't like the appearance. On my 72 cm. 8
course, (that's a LONG highway for these old fingers) Barber put a
very discreet little white dot at the seventh, on the neck near the
neck/fingerboard junction, worked very well anytime I w
You cannot argue with a Guitar player about fixed metal frets, especially if
their only exposure to the Lute is at a distance. They have to have first
hand experience with gut frets and the fineness of the sound before they
start to grasp the significance of them. Don't even try discussing
di
Dear Arthur:
I'm glad to know that I got your attention. Yes, i was mainly describing the
fantasia from Bottegari + Chilesotti's ms. This misattribution was by Chiesa,
who seemed to feel strongly that it was Francesco's. I don't.
There are several other pieces that it seems were deliber
>From what I've read (on boingboing.net, among others), the record companies
would have settled with her for much less. She refused, and insisted on
going to court, so they went for the jugular and largely succeeded. I
suspect that they were trying to make an example of her to discourage others
fro
On Nov 4, 2007, at 2:10 PM, Edward Martin wrote:
> The young lady who was found guilty is a
> single mother with 2 young children, and she earns $30,000
> annually. She
> will never be in a position to pay off this hefty fine. If my
> understanding is correct, she shared popular song downloads
Well, I've finally joined the realm of the giraffe wranglers. Behold
my new Archlute, courtesy of Andrew Rutherford:
http://www.youtube.com/watch?v=p3fyUoKSGVQ
http://www.youtube.com/watch?v=0qY6IUx0phQ
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute
Sadly the excellent International Music Score Library Project, which was
rapidly building up an online resource of many thousands of out-of-copyright
(or so they thought) socres, has recently been nuked by the publishers.
Read the sorry story at
http://imslp.org/wiki/Main_Page
P
On 02/11/2007,
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