Airyware Tuner is good...
On Wed, 2020-01-29 at 18:26 +0100, Anthony Hart wrote:
>Can anyone suggest a tuner app. I have used Cleartune on my iPad but
>the reviews for the update are not good.
>Thanks
>Anthony
>
>--
>
>
> To get on or off this list see list information at
>
Hello Edward,
I made a quick&dirty tab of that concerto for Ren. Lute; if you still
need it, I can send it to you -once I've found it...
All the Best
Michael Vollbrecht
On Thu, 2019-04-11 at 16:39 +0800, Edward C. Yong wrote:
> Dear Lute Collective,
>
> Would anyone ha
Does anyone have a current email address for Larry K. Brown in
Asheville, NC?
Thanks,
Michael
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)
Ervin Somogyi (Berkeley, CA)
Walter Stanul (Malden, MA)
Jonathan Waldo (Bellows Falls, VT)
Thanks,
Michael
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References
1. mailto:lsaluteren...@gmail.com
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Before I do the work required to transpose Ludovico Einaudi's Nuvole
Bianche to a g tuned ren lute (IF that is possible), I wanted to ask if
anyone had already done it or knows where I can get the French tab for
it.
Thanks,
Michael
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nefit from your generous gift.
If you wish to make a donation of a new or used instrument or money to
buy a new/used instrument or would like to explore selling an
instrument to the program, please contact the Director of the Lute
Rental Program:
Michael M. Grant, PhD
[1]lsalu
ng an
instrument to the program, please contact the Director of the Lute
Rental Program:
Michael M. Grant, PhD
[1]lsaluteren...@gmail.com
[2](843) 655-5745
Thank you!
The Lute Society of America is a 501(c)3 non-profit organization. If
you would like to donate an instrument or m
. This allows him to adjust tension however he wants by sitting on
more or less of the strap. Any very flexible belt would work in his
method or a long length of leather or some cloth material.
Michael
On Thu, Jul 23, 2015 at 7:43 AM, Charles Mokotoff
<[1]mokot...@gmail.com>
Only problem with EB straps is that they have 14 straps advertised but
only 3 are actually available...and those three are relatively
unattractive and priced at 49 Euros.
Michael
On Wed, Jul 22, 2015 at 4:37 PM, David Morales
<[1]dmorale...@cuerdaspulsadas.com>
Does anyone have tab for My Lady Carey's Dompe?
Thanks,
Michael Grant
--
Michael M. Grant
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sday, May 27, 2015 8:02 AM
To: Michael Grant
Cc: LuteNet list
Subject: [SUSPECTED SPAM] [LUTE] Re: Pegheads on new lute
If your lute has shitty, ill fitting pegs then PegHeads might be fine,
but it seems that most lute builders know how to make pegs that work
just great. When
would have been back to friction pegs. Add both costs up
and the PegHeds were a no brainer! I recommend them highly.
Michael
On Tue, May 26, 2015 at 11:20 AM, Dan Winheld wrote:
> I am neither conventional nor wise, so I can only offer my own personal
> experience & opinions:
>
I appreciate any help you can give me!
Thanks,A Michael
Brodkey, KenA A Watsonville, CA
Brown, David A A A Baltimore, MD
Butterfield, John A A Seattle WA
Elder, Lyn A A A A Bristol VT
Fitzpatrick, David A A A Ionia, MI A A A A A
Fletcher, Richard A A A Roaring Bran
5oyq1B8WPg&index&list=FLgOq72H3CVxS
Y_gOmfTAnpQ
It would be terrific if we could get them to the US (they concertize
now in Europe and other parts of the world).A
Enjoy!
Michael
--
References
1.
http://universozapico.com/danielzapico/category/videos/daniel-zapico-pablo-
Does anyone personally know and have a good relationship with the
lutenist Edin Karamazov?A I would like to ask him something and if I
had someone who could help me contact him, that would be very much
appreciated.
Thanks,
Michael Grant
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To get on or off this list see
nal's
reentrant tuning.A BUT if I could find a version for a ren lute that
someone with much more skill than I have (not a hard thing) that would
be far superior.A Anyone know where I can find this?
Thanks!
Michael
--
__
Michael M. Grant
Well, you could move down all frets towards the nut - this should give
you room to adjust the neck to whatever is needed from the 2nd fret up.
Then put all frets in place except the first and finish on this first
position.
Best,
Michael
On Tue, 2013-07-16 at 18:08 -0700, sterling price wrote
he knot is
easier to tie and the gut follows the edge much more smoothly.
Hope this helps!
Michael
On Mon, 2013-07-15 at 15:29 -0700, sterling price wrote:
>Hi all--
>I recently changed the frets on my baroque lute (after many years of
>service). I went up from 1.10 mm to 1
.5466. More information is available
at www.lmu.edu/guitarseries
Best,
Michael Miranda
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ead to dripping
with nylon and the FK mushroom will just carbonise...
Michael
-Original Message-
From: William Brohinsky
To: Lex van Sante
Cc: lute mailing list list
Subject: [LUTE] Re: How to distinguish carbon from nylon.
Date: Sat, 3 Nov 2012 19:01:09 -0400
I am no expert on plastic
Hello to all!
I can highly recommend AP-Tuner:
http://www.aptuner.com/cgi-bin/aptuner/apmain.html
Shareware, runs on windows and under wine.
Can be configuered for any instrument, temperaments, calibrated, stretch
table, transposing...
All the best,
Michael
-Original Message-
From
dibly beautiful environment. We hope you can
join us. For more information, please visit:
http://www.earlymusic.bc.ca/W-LUT-0.html
I hope to see you there,
Michael Miranda
Vancouver Lute Workshop West Coordinator
mmira...@lmu.edu
Tentative Summer 2011 Vancouver classes
Sylvain Bergeron:
n
buying a separate seat for their instrument? I remember seeing cellos
a lot when I was a kid... nowadays I doubt you could fit a cello into
the smaller seat spaces.
- Michael
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MAKE magazine has a short video introducing a luthier from Brooklyn,
Jason Petty:
http://blog.makezine.com/archive/2008/08/jason_petty_lute_maker.html
For those of us who wondered what the technical drawings from a museum
like KHM would look like, at 4:45 in the video he shows the drawing of
a
Pardon me if this is old news:
Looking for technical drawings of certain lutes, I stumbled on
miniature pictures of plans in Google Images and followed them to this
page:
http://orgs.usd.edu/nmm/GiftShop/giftshop.html#drawing
with additional information here:
http://orgs.usd.edu/nmm/Plucked
> I have two questions -both related to Robert Lundberg's book on Historical
> Lute Construction
> First. In his Practicum 1, he shows the steps to making a lute mould. The
> last photo in this chapter shows a mould completely smooth and rounded.
I think there's an intro to Lundberg's book
ase feel free to discuss this
on the MusicXML discussion mailing list. Signup is available at:
http://www.recordare.com/lists#MusicXML
Best regards,
Michael Good
Recordare LLC
www.recordare.com
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Greetings to all makers!
One day I made vihuela with rose not connekted with the top.It was
glued to additional bars that was attached to the body.It is possible
to say that rose opening was full.I was very satisfied by the
sound.May be some day I will make
the same with the lut
about a week and don't have time to go
to Vienna, but I'd like to see whatever I can in the few cities I will
be visiting.
Thanks,
Michael
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>> ... a fascinating spectacle. What's going on, off frame, bottom right?? Some
>> skullduggery, no doubt. ... Is there a narrative behind the painting? Is it
>> dripping with symbolism?
Interestingly, the lutenist is staring right at you, as if inviting
you to listen to his song. I'm not very
Linda Sayce has some useful insight into this:
http://www.theorbo.com/Writings/Flying.htm
On Mon, Aug 10, 2009 at 8:27 AM, wrote:
> It's been several years since I've flown, and I'm wondering if there's
> a safe way to travel with a lute by air. Do any airlines still sell a
>
Thank you, Joseph, for sticking your neck out.
I've been a bit confused about the technique issue and how it might
relate to a guitar player's technique for some time now. I've played
the guitar for 30 years and the thumb-under technique looks to me to
be a tortured anachronism, but I've spoken w
On Fri, Jun 12, 2009 at 1:20 AM, Ed Durbrow wrote:
> If you are a guitarist, one has to ask if you are planning on playing with
> guitar technique or plan on learning lute technique. This makes a difference
> for the spacing of the courses at the bridge.
Could someone please address this issue i
years ago, I
could not do much with the thumb-inside technique due to several previous
injuries to my right hand. However, the thumb-outside technique is very
comfortable, and scale work is fluent and natural-feeling.
Michael Fink
[EMAIL PROTECTED]
To get on or off this list see list informa
Friends,
I have been milling this idea around for a few days now --- my music
history teacher said something like "bach would roll over in his grave
to hear one of his violin sonatas performed on a modern violin..."
something like that --- he was referring to the ability of the
i
Oh!, such a clear (and pleasent) sound! If you don't mind... what is
your method of recording? Are you inside the tower?, its so clear!
-Michael,
ps - i love the drone bell at the end!
On Mon, Sep 22, 2008 at 5:53 PM, Martin Shepherd
<[EMAIL PROTECTED]> wrote:
D
Is this recording of the carillon going to be available?!
On Sat, Sep 20, 2008 at 5:22 AM, Jean-Marie Poirier
<[EMAIL PROTECTED]> wrote:
Martin, such quality is something special to French churches, didn't
you notice ? ;-
Jean-Marie ( no kidding I agree 100% with what y
neumes in the
original ms. As a side note, in 1981, Telefunken released an LP of music
from the ms. Not being a medievalist, I have no idea how the performers were
able to interpret the staffless neumes. Also, I don't know if "tempus est
iocundum" is included on this LP.
Michael
concordances. In Appendix 1, I used the Adobe
Reader's search tool, entered "spanish", and hit the mother lode.
Michael Fink
[EMAIL PROTECTED]
_
-Original Message-
From: Nancy Carlin [mailto:[EMAIL PROTECTED]
Sent: Tuesday, June 17, 2008 4
e than a cowbell, so easy to play,
especially when strummed, that there is nary a stable boy who is not a
guitar player.)
Mike
____
=A0
Michael Fink
[EMAIL PROTECTED]
_
-Original Message-
From: Rob MacKillop [mailto:[EMAIL PROTECTED]
Sent: F
Let me second Alan's comments. This is a truly beautiful production, which
I'm proud to add to my library. One really thoughtful feature is the
inclusion of a loose sheet reproducing the two pages of lute duets - for
the second lutenist to use!
Great work!
Michael
<
Do you guys like Larry Brown's lutes? im looking at his Venere G Lute 8c.
On 4/1/08, Bruno Correia <[EMAIL PROTECTED]> wrote:
>
> Martin,
>
> What about the shape of the lute? Does it alter the sound? I mean for
> instance, a Hieber shape versus a Frei.
>
> Regards.
>
>
> 2008/4/1, Edward Martin <
Having done some repair work, I have seen many strange types of abuse to lutes.
The biggest group of abusers are transitioning guitarists. Furthermore, they
have never been the first owner of the instrument or in contact with the
luthier who made it. From what I have seen, repairs are seldom t
I made an assumption from what I thought I was seeing
on youtube. I was wrong and should have looked into
the matter before responding. I am sorry.
Best,
Mike
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Thanks for the youtube links. I didn't remember that
front shot of the instrument from 1991 (?). It is
obviously an attiorbato being fake played by an actor.
After all these years, the fingering is even more
distracting than I remember.--Especially St. Colombe
in that scene. I guess Mr. Sovall h
Does anyone remember the instrument used in the movie
"All the Mornings of the World" to accompany the two
girls singing "Un Jeune Fillette"? The liner notes on
the disc say R. Lislevand- theorbo.
It has been some years since I saw the movie, but I
remember marveling at this instrument having a
--- Grant Green <[EMAIL PROTECTED]> wrote:
>Does anyone have an
> opinion on the Early Music
> Shop theorbo that's now being advertised? I am
> strictly a hobbyist player:
Grant,
I'm a luthier in Nor Cal. I just finished
repairing/making functional a Pakistani theorbo from
EMS for a customer. Th
Martin , and all,
It sounds like Martin and I have had similar experiences with customers and
have come to similar if not the same conclusions as luthiers. I thank all for
the input.
Experienced players usually know what they want, and commission a
particular instrument. I usually don't
People who have purchased lutes from me in the past have all come to me with
the common wisdom that the 8c. is the standard. Why would this be? Is it true
now? Was it true in the past or something like that? Furthermore, for who? A
first time buyer? A graduate school student studying gui
tocaster to
play The Shadows, not a Les Paul.
I can't wait to hear more as more is discovered!
MB
Anthony Hind <[EMAIL PROTECTED]> wrote: Thank you Michael for this very clear
explanation of the effects of
fan-barring.
As you were present at the Lundberg lectures, you may be
This could possibly change the modern understanding of the sound of the
Renaissance lute! If it can be verified, I will make them.
Michael Bocchicchio
Anthony Hind <[EMAIL PROTECTED]> wrote: Daniel
Well, thanks for replying, it is not always obvious that there is
someone out there "l
-- Forwarded Message
From: David Tayler <[EMAIL PROTECTED]>
Date: Wed, 17 Oct 2007 20:19:52 -0700
To: [EMAIL PROTECTED]
Subject: [Bay-Area-Lute] Lute song on youtube
I've been working the last year or so on developing a system for
recording concert videos without extra lights--
Lighting is th
u can read the stories of two
people who fixed up cheap lutes, and decide for yourself if it's worth it.
http://john.redmood.com/improvebargainlute.html
Good luck,
Michael
On 8/15/07, aj cole < [EMAIL PROTECTED]> wrote:
>
> Hi i asked on a previous message about t
later, diminished sound
output, that sort of thing?
- Michael
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a professional and see what they advise.
- Michael
On 7/8/07, Wayne Cripps <[EMAIL PROTECTED]> wrote:
>
>
> When the bridge came off my lute I took it to a well respected lute
> repairman, and he did not have to take the top off! He used a
> yellow glue instead of hide
d, get a recording contract, have the band fall apart due to artistic
differences, and film the "Where are they now?" show all in one week.
6 chords... hrrmph.
- Michael
On 7/6/07, gary digman <[EMAIL PROTECTED]> wrote:
>
> People come up to all the time and ask, &qu
I've read differing opinions of whether the ends of a lute belly's bracing
bars should be glued to the ribs (thereby adding support and helping to
define the shape of the bowl) or not glued as such (leaving the belly more
free to vibrate). My experience and intuition don't add up to enough to
gues
visually
accentuate the construction of the lute. Opposite-colored spacers get me
part of the way there; I think this scalloping technique could cover the
rest of the distance.
Thanks,
Michael
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is more like
Cooper's "Lute Construction". Would it be a useful addition to a lutherie
library? My copy of Cooper is from a limited run of 250, so I know why it
was hard to come by. Is Bachorik's book also a limited run, or is it rare
because all of you luthiers have a copy tuck
-- Forwarded Message
From: David Tayler <[EMAIL PROTECTED]>
Date: Tue, 03 Apr 2007 14:12:12 -0700
To: [EMAIL PROTECTED]
Subject: Bach CD
Dear Mike,
Our Bach CD is online now at magnatune
http://magnatune.com/artists/albums/voicesofmusic-bach/www.magnatune.com
We are currently number one!
Th
Apologies for the mass mailing. Stefano, if you are out there on the lute
net, can you contact me off the lute list?
Thanks
Mike Peterson
California
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But I can't get it to play.
- Original Message -
From: "Kay" <[EMAIL PROTECTED]>
To:
Sent: Monday, October 23, 2006 4:57 PM
Subject: [LUTE] Re: A "normal" voyce ?
Give it time. The whole of the lute world is trying to acess it at the same
time, inclu
I agree that Walter/Wendy Carlos's original SO-B record was epoch-making --
literally! It kicked off a whole slew of synthesized recordings of classical
music, most notably Tomita's series and Carlos's own later recordings.
I have just completed 5 years of the same sort of arranging resulting in 2
(1911)
occasionally. These, of course, came years before his Neo-Classicism. For
the record, his contemporary, Bartok, gets many more performances
(especially the "Concerto for Orchestra" and the violin concertos), and
Strauss and Wagner have been fixtures in the repertoire for
For those of you attending the LSA Summer Seminar this next week: Here is
the information you need to know!
Compliments of David Schoengold
Mike Peterson
-- Forwarded Message
From: David and JoAnn Schoengold <[EMAIL PROTECTED]>
Date: Sun, 18 Jun 2006 15:37:48 -0500
To: [EMAIL PROTECTED]
Subj
Local Bay Area Lute for Sale
Maker: Herbert Hendrickson, San Francisco
Year: 1977, #47
Type: 8-course
Supplied with hard case, lined with blue plush
String length: 63.5 cm
The top is spruce, and the pegs and alternating strips in back are
Maple. It has a nice rose and the original strings. Th
I apologize for using the bandwidth, we are looking for Steve Amazeen,
lutenist in the SF Bay Area, who seems to have disappeared
([EMAIL PROTECTED]). I was wondering if anyone has heard from him
lately or knows of his whereabouts. His Bay Area Lute family are concerned
about him. I would appre
In Nessisum, he proclaims a nihilistic doctrine , and BTW Posner, the
definition of nihilism."1, a doctrine that all values are baseless, that
nothing is knowable, and itself meaningless". This pretty much describes Mr.
Ness's recipe for historical musical soup, yuck!
It's really
a pretty small fraction in the musical universe.
Nancy, you called me to ask what the lute society could do to promote
itself when Barto plays this year at the GFA. Well maybe you could start by
not supporting Nessy's derogatory comments about guitarists, and start p
> In the present discussion it is important to understand
> the essential difference between an ARRANGEMENT and a
> TRANSCRIPTION. Thames misses the point completely when
> he equates the two (see below). The terms are not
> interchangeable, when used according to their proper
> meaning.First p
h any forcefulness, something that would
be
needed in 1750.
MT
- Original Message -----
From: "Edward Martin" <[EMAIL PROTECTED]>
To: "Michael Thames" <[EMAIL PROTECTED]>; "Greg M. Silverman"
<[EMAIL PROTECTED]>; "Jon Murphy" <[EMAI
t;
>> Contrary to what Arto might think Ukraine was not a baroque wasteland
> ..
>
> ???
> A reference to ME in this context? Why?
>
> Arto
There are no explainations to the words, or deeds, of a mad man...
Plato.
MT
- Original Message -
From: "Mic
rses, when played with any forcefulness, some that would be
needed in 1750.
MT
- Original Message -----
From: "Edward Martin" <[EMAIL PROTECTED]>
To: "Michael Thames" <[EMAIL PROTECTED]>; "Greg M. Silverman"
<[EMAIL PROTECTED]>; "Jon Murph
- Original Message -
From: "Arto Wikla" <[EMAIL PROTECTED]>
To: "Roman Turovsky" <[EMAIL PROTECTED]>
Cc: "lute"
Sent: Friday, July 22, 2005 3:11 PM
Subject: Re:Iconography: Ukrainian Lutes
>
> On Wed, 13 Jul 2005, Roman Turovsky wrote:
>
>> Contrary to what Arto might think Ukraine was
Perhaps the trend in the early
1600's was towards a thin percussive tone?
MT
- Original Message -
From: "Jon Murphy" <[EMAIL PROTECTED]>
To: "Greg M. Silverman" <[EMAIL PROTECTED]>; "Michael Thames"
<[EMAIL PROTECTED]>
Cc: <[EMAI
>I just got Dowland A Dream by Hoppy Smith and find it >to be qually
>well-played and interesting to Paul O'Dette's recording, >but
>different. Anyone who is interested in Dowland's lute >music should hear
>both Paul's and Hoppy's CDs.
>Nancy
s you mentioned, and plays with nails... I know this because I saw
one of his nails ( a fake one ) explode into the sky above the audience at a
concert once.
Michael
- Original Message -
From: "Greg M. Silverman" <[EMAIL PROTECTED]>
To: "Michael Thames" <[
>By the way, has anybody noticed that there is a version >for lute of a
>piece by
>Bull (for keyboard - of course).
>Rainer adS
Not mention an "original" piece written in grand staff for lute by
Mozart. Variations on the " Champagne Lied". For some strange reason
Scheidler intabulated
ut, sound rather
un- lute like after listening to Odette.
Michael
- Original Message -
From: "Christopher Schaub" <[EMAIL PROTECTED]>
To: "Mathias RXsel" <[EMAIL PROTECTED]>; <[EMAIL PROTECTED]>
Cc: "Lute net"
Sent: Tuesday, Ju
>Ah, Texas. Is it any wonder that our president is the >way he is?
>Tim
Yea, I wonder what came first the chicken or the egg. I wish someone
would make a soprano out of him.
- Original Message -
From: "timothy motz" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>; ;
<[EMAIL PROTECTED
>Yes, "La Lutine" by Fran=E7ois Couperin. I don't know >a lute version.
>Maybe someone could make one for >Michael to play on his guitar.
This is your second reference to me playing guitar. However, Auther I
haven't played guitar for years, more misrepresen
r even
hinted at that. I said the preferred notation was tablature for lutenits, as
in the case of Weiss, and every other lutenist of any significance.
I never said Weiss couldn't read bass clef, only that there's a quote
that he could play from a violin score.
AS far as my hat
es to master in one life time.
Michael Thames
- Original Message -
From: "Christopher Schaub" <[EMAIL PROTECTED]>
To: "Lute net"
Sent: Saturday, July 16, 2005 10:09 AM
Subject: Re: Neceffarie obferuations
>I was just re-reading these snippets the last f
AM
Subject: Re: Byrd
> At 10:43 AM -0600 7/11/05, Michael Thames wrote:
>> I'm also courious about Couprion. Not being a historian , but able
>> to
>>add 2 and 2 together, one would have expected to see volumes of records
>>made
>>of Couperin's
land suggesting thumb out, rather than thumb under?
Sorry if this has come up before.
Michael
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recordings ever... is Glenn Gould's
recording of Willaim Byrd, and Orlando Gibbons. According to Gould, they
were his favorite composers as well.
Michael Thames
- Original Message -
From: <[EMAIL PROTECTED]>
To: "Michael Thames" <[EMAIL PROTECTED]>; ;
&quo
dozen of
these intabulations survive today
Michael Thames
--
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would be! Yet as an avid
collector of all baroque lute Cd's that I come across, I've yet to see any
lute suites or peices by him. One might also have expected Paul Odette to
record the complete "Lute Works of William Byrd".
Arthur, please add me to the lists of requests fo
I'll do that
Michael Thames
www.ThamesClassicalGuitars.com
- Original Message -
From: "Stuart LeBlanc" <[EMAIL PROTECTED]>
To: "Lutelist"
Sent: Wednesday, July 06, 2005 8:34 AM
Subject: RE: French Lutenist about to release a worldwide first-
is point.
Please forgive my ignorance, but why is this considered Weiss's original
piece, and not Weiss's arrangement of one of Bach's suites?
Michael Thames
www.ThamesClassicalGuitars.com
- Original Message -
From: Arthur Ness
To: Arthur Ness ; [EMAIL PROTECTED
istic, future music that has yet to be actualized.
Michael Thames
www.ThamesClassicalGuitars.com
- Original Message -
From: "Stuart LeBlanc" <[EMAIL PROTECTED]>
To: "Lutelist"
Sent: Tuesday, July 05, 2005 7:06 PM
Subject: RE: French Lutenist about to relea
ove to get a list of the pieces and which >manuscripts
>they are in.
>Nancy Carlin
I always assumed they were keyboard arrangements by Byrd of lute
music.
Michael Thames
www.ThamesClassicalGuitars.com
- Original Message -
From: "Nancy Carlin" <[EMAIL PROTECTED]>
T
>Right, and when the same historians talk about things >"classical" they are
>talking about things roughly 2500 years old
Earth to Stuart.earth to Stuart... are you there Stuart...hello!
hello! I think we lost him sir
Michael Thames
www.ThamesClassicalGuitars
ute music
used Tablature. You New York village idiot!
Michael Thames
www.ThamesClassicalGuitars.com
- Original Message -
From: "Roman Turovsky" <[EMAIL PROTECTED]>
To: "Michael Thames" <[EMAIL PROTECTED]>
Cc: "Eugene C. Braig IV" <[EMAIL PROTEC
ar notation is a recent development is wrong. The only notation the six
string has ever known is treble clef. I also appreciate your attempt to
divert attention to the 1400th century guitar but that's not at all what we
are talking about, good try!
Michael Thames
www.ThamesClassicalGuitar
Thomas,
So I assume that the c-minor prelude in tablature, is the only source
for this piece?
So that being said, I can't wait to get my hands on all this new lute
music Aurther Ness mentions, Byrd, Couprin, Vivaldi, etc. Does anyone know
where to find the original facsimiles?
Mi
can't stand that modern stuff" :-)
I do understand Michael's point regarding the modernity of guitar notation
but
given a time line of - say 900 up to now - something which is 200 years old
is fairly new.
Best wishes
Thomas
the instrument we are discussing
Michael Thames
www.Tham
as the REAL Roman
Trovosky, that we all have come to love, and cherish. Welcome home, it's
been a long time! Finally you've succeeded in shedding the old skin of Mr.
Polyhimnion, lute -9.
Michael Thames
www.ThamesClassicalGuitars.com
- Original Message -
From: "Roman Turov
>There is a belief in some quarters of the guitar world that >the grand
staff is used for keyboard music so that each >hand has a separate staff.
Hence the Schrade <><(Kohlhase) >staff. But with baroque lute music, the
right frequently play in the bass clef. So the two mark a separation point bet
>The English consider 100 miles to be a long way.
>Only Americans consider 100 years to be a long time.
I guess that's why we call Europe the old world, and America the new
world. The only problem is Ness lives in Boston! Things happen here allot
faster than over there.
Mic
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