[EMAIL PROTECTED] wrote:
>
> At 11:01 AM 7/19/99 +0100, Barnesey wrote:
>
> >> Kade Hansson wrote an informative piece about audio formats, but:
> >>
> >>
> >> A 22kHz sine wave is on the fringe of human heaing. However, a CD will
> >> convert this to a square wave,
> >>
> > I think the i
Hi everyone,
I have realised that if I intend on travelling around with my portable CD or
MiniDisc player, I would make sure that the mains transformer, 12 volt
cigar-lighter adapter, and cassette adapter always accompany me with the
player. I would also make sure that at least a stereo miniplug
Hi all,
I discovered at JVC - Europe web site, some information regarding WMD90R
Compact Component MD System. The URL is:
http://www.jvc-europe.com/catalog/article.m4?country=en&lang=en&mode=scategory&scategory=mx&art=ADAGIO+WMD90R&file=au01&num=1&selection=select+*+from+article+where+lang%3D%2
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Does the firmware work for the SPDIF in also? I
At 11:01 AM 7/19/99 +0100, Barnesey wrote:
>> Kade Hansson wrote an informative piece about audio formats, but:
>>
>>
>> A 22kHz sine wave is on the fringe of human heaing. However, a CD will
>> convert this to a square wave,
>>
> I think the input from the master is filtered to remove
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Where exactly can I get the new firmware? I can
If you have one of the first SB Live's without the newer firmware applied,
then it will be affected by SCMS. Otherwise, with the newer firmware, it
will ignore the SCMS bits (after many a nagging by all SB Live users out
there ).
In response to your second question, as I said, only first-generat
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Hello, i was wondering is 20 bit better than 16bit and 1bit?
most sharp's are using 20bit does this make it better recording then =
lets say a sony using a 16bit?
Aiwa is only
BEGIN QUOTE
Copying from the soundcard to MD and then to another MD, you will be allowed
only a first-generation digital copy of whatever you obtain from your
soundcard. After that, any copies of that first MD (using 2 MD recorders)
will not
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I'm looking for a diagram explaining the SCMS system that's public domain
(ie. can be put up on a webpage without any copyright issues). Anyone got
one, or failing that a simple picture of a MD so that I can do my own
diagram?
Does Anyone else have the Ruby 128 series soundcard out there?
With the help of the SONY STR-DE925 I've gotten the Optical Digital
in AND out to function, but the Digi in is “eccentric” to say the least.
Since Hanmesoft ( a Korean Firm ) no longer supports the card I'm
trying to get a network o
I greatly enjoyed Kade Hansson's account here:
For years, devoted
audiophiles have been complaining that CDs are too "sharp" sounding and
do
not present the "warmth" of vinyl records. I personally find this
ridiculous- vinyl is clearly a distorted impression of the sound- and it
is
my belief tha
Rick wrote:
>It is my hunch (okay, I'll stick my neck out and call it a prediction)
>that DVD-A will not make it. Reason: it does not provide a
>sufficiently compelling difference in audio quality over CDs.
Quite right. The imminent arrival of DVD-A will also recreate a DCC vs MD
situation, I t
"PrinceGaz" <[EMAIL PROTECTED]> wrote:
>Peeps often say that the Diamond Rio sounds c**p because it uses MP3
>at 128kbps. I agree that isn't the same as your home hi-fi setup, but if
>you're using your Rio on a bus, train, plane (if allowed), or any outdoor
>environment with significant noise li
Copying from the soundcard to MD and then to another MD, you will be allowed
only a first-generation digital copy of whatever you obtain from your
soundcard. After that, any copies of that first MD (using 2 MD recorders)
will not be possible digitally unless you use an SCMS stripper. Your other
o
Hi everyone!
Does anyone have a list of SP-DIF source-category codes and reliable
information on treatment of the various categories (other than the known CD,
DCC, MiniDisc and DAT sources) by SCMS.
Also, how is the digital signal for an SB-Live card treated by the SCMS
subsystem in a digital r
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I need some help choosing a book shelf MD system. There are SO many on =
the market and after a while they all start to look the same. I would =
really appreciate it if someo
You would need to ensure that the impedances are exactly the same (ie. Both
75 ohm, as is the standard for S/PDIF coax connections). In a passive sense,
you wouldn't be able to achieve this and that basically means that the whole
transmission would fail miserably. There would be no communication.
The main area of concern is the loading of your amp's tape (line) output.
Assuming that the manufacturer of your amp has made a thoughtful design
consideration to use a buffer/voltage-follower at the output, then
connecting to and using all 3 recording devices at once shouldn't present
themselves
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Here is the URL to a technical paper concerning
[EMAIL PROTECTED] wrote:
>
> Eric Woudenberg wrote:
>
> >It is my hunch (okay, I'll stick my neck out and call it a prediction)
> >that DVD-A will not make it. Reason: it does not provide a
> >sufficiently compelling difference in audio quality over CDs.
>
> My opinion (and I have discussed th
Tom Wheeley wrote:
>Is it possible to accomplish a similar trick with a digital signal?
With coax digital signals the impedances are matched, so running two
receiving units in parallel from one transmitter will cause the signal level
to be halved. This alone could be enough to stop it working.
Eric Woudenberg wrote:
>It is my hunch (okay, I'll stick my neck out and call it a prediction)
>that DVD-A will not make it. Reason: it does not provide a
>sufficiently compelling difference in audio quality over CDs.
My opinion (and I have discussed this in some length here before) is that
DVD
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+12% have JB920 and JB930 too.
>
>
> Also, mos
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Hi everyone!
After having access to a Sony JE520 and being pleased with its ease of use,
are there any other Sony decks that have the firmware and user interface
that is as ea
> Kade Hansson wrote an informative piece about audio formats, but:
>
>
> A 22kHz sine wave is on the fringe of human heaing. However, a CD will
> convert this to a square wave,
>
I think the input from the master is filtered to remove all
frequencies above some frequency slightly BEL
On Mon, 19 Jul 1999, Colin Burchall wrote:
> PrinceGaz wrote:
>
> [stuff re: simply splitting an analogue output to feed several inputs]
>
> >So I assume I'm correct in thinking connecting all three in parallel
> >is not only feasible, but will cause no noticeable noise increase (I
> >can easi
PrinceGaz wrote:
>So I assume I'm correct in thinking connecting all three in parallel
>is not only feasible, but will cause no noticeable noise increase (I
>can easily unplug the computer if the electrical noise all computers
>have spills onto the soundcard's line in).
You'll be able to do thi
Kade Hansson wrote:
>But note that you probably won't be able to record digitally from DVD-Video
>unless your player can output linear PCM @ 41.1kHz or 48kHz based on the
>Dolby or DTS signal. Theoretically possible, although unlikely, especially
>for DTS. There are some DVDs with PCM audio on t
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