ct.
>
> But, why would be people be unlikely to "consume it in any manner"? I
> would personally be curious to hear it, as I think D May will always
> be a great DJ.
>
> ~David
>
> On Thu, Nov 24, 2011 at 9:03 PM, kuszyn...@gmail.com
> wrote:
>> thanks fo
thanks for writing up on this. unfortunately, most of us won't be
buying it, in fact, few of are likely to consume it in any manner. I
generally suspect his last rants at the monetizable DEMF's are the
last peeps we hear from this deeply valuable man. Celebrity or not,
one of our few folk.
On T
Donate. That's all.
His book rests confidently on my shelf.
On Aug 27, 2011 3:32 AM, "ja...@iridite.com" wrote:
> I dont mind saying i shed a tear last night when I was reading the Blog.
>
> Jason
>
> On 27 August 2011 01:31, wrote:
>> Gutted, spreading the word. Thank you for letting us know.
't sound like Plastikman at all.
>
> 2011/7/20 kuszyn...@gmail.com :
>> Don't know the track but the pad sounds like a plastikman sound
>>
>> On Tue, Jul 19, 2011 at 1:39 PM, Michael Lees wrote:
>>> Anyone know the track playing here? Is it moodymann?
Don't know the track but the pad sounds like a plastikman sound
On Tue, Jul 19, 2011 at 1:39 PM, Michael Lees wrote:
> Anyone know the track playing here? Is it moodymann?
> http://www.youtube.com/watch?v=mz68UZdcXUo
> -Mike
--
-Mike
Anyway to make the list "reply to list" instead of reply-to-all? Makes
emails cleaner. maybe it's a client issue not a mail format issue.
On Mon, May 16, 2011 at 9:49 AM, kent williams wrote:
> Now you're just being silly.
>
> On Mon, May 16, 2011 at 9:42 AM, wrote:
> > Tom "Pipecock" Cox
> >
hardstyle shuffle is my fave
On Mon, Dec 6, 2010 at 10:43 PM, kent williams wrote:
> Thanks to all for proving 2 things: Yes white people have originated
> competetive dance culture. And omg are they awful.
>
> On Mon, Dec 6, 2010 at 10:25 PM, Patrick Wacher wrote:
>> There is the French Teckton
Hey Group,
Are any of you in London? Do you have anything to recommend to do
there through Sunday afternoon?
Thanks, shoot me off list if so deemed.
Mike
I think gemm is pretty legit. I bought a rare cd there and got it
fine. Just watch who you work with, just like on discogs.
On Sun, Nov 21, 2010 at 6:33 PM, Phil Dawson wrote:
> Hi all, I just found loads of classic 12" for sale here
> http://offworldt.gemm.com
> been looking mostly for Moodyma
so you would browse within iPhone, but it would be delivered by email
and you'd have to load through iTunes when you get home?
On Tue, Nov 9, 2010 at 12:41 PM, Frank Glazer wrote:
> So, Beatport has a pretty slick iPhone app, but frak Beatport because
> I want vinyl and they're shmucks anyway. D
I'm really digging this mix. Aaron's music is awesome. Not much to
say that hasn't been said on this forum well by others, but my point
is to say thanks Kent for sharing and doing the mix. Added to my mix
rotation for sure.
On Sun, Oct 10, 2010 at 7:25 PM, kent williams wrote:
> I start out wi
I have very little outpouring left that has not been said, but
something I heard from family used to heartache is "life is for the
living" so let the breath of those who lived inside of you breathe
stronger and live more willfully than you knew you could
On Sat, Oct 2, 2010 at 8:10 PM, Greg Earle
Funny enough, never heard this Electric Shock track. what a freaking jam.
On Sat, Sep 25, 2010 at 7:27 PM, gj wrote:
> http://www.youtube.com/watch?v=_EHf1NNbaW4
>
> ^^^ I think we got a bit better as time went on...
>
> -Original Message-
> From: kent williams [mailto:chaircrus...@gmail
college as a
> music major.
>
> There is a big difference between DJs who start producing, and DJs who
> hire ghost producers to make tracks for them because they're too busy
> or coked up to learn how to do it properly themselves. That some weak
> sh*t, and it's re
2, 2010 at 9:16 AM, Martin Dust wrote:
>
> On 22 Sep 2010, at 14:58, kuszyn...@gmail.com wrote:
>
>> (Here comes some flame bait)
>>
>> And this is why I really like Jeff Mills. Frankly, I know very few
>> electronic music people who look at things as producers. T
(Here comes some flame bait)
And this is why I really like Jeff Mills. Frankly, I know very few
electronic music people who look at things as producers. They become
producers after djing, which to me isn't musical, it's beat making.
On Tue, Sep 21, 2010 at 12:56 PM, wojciech wrote:
>
> -With R
Sounds great on my 824's, nice vibe, and pleasant to chill to. Would
like to get some more kick drum shuffle or activity in the bass line
for variety. Fine piece just on its own, as is though. For some
reason I am thinking of some of the less heard Omar S vinyl when I
hear this.
On Thu, Aug 5,
I assume that whatever the software that claims to do something like
this would only be able to detect a single track/part melody - i.e. a
single line of strings, but not strings and beats, and certainly not a
whole track at once.
ya know?
I don't know of such a tool, regardless.
On Sun, Jun 27,
I love maximum effects. :p
On Thursday, June 17, 2010, Robin Pinning wrote:
> I really like that Andrew.
>
> I'm not familiar with the original but from the clip I've heard it's a big
> rework.
>
> I'd be tempted to spin the intro out even longer before the vocal bits come
> in for maximum effe
.
That should be clear.
On Sat, Jun 5, 2010 at 12:47 AM, wrote:
>
>
> Fine with me. Don't even say thanks for sharing the fotos.
>
>
> ciao!
> fG
>
>
> ----- Original Message -
> From: kuszyn...@gmail.com
> To: telepat...@comcast.net
> Cc: cpe17
not sure who the admin is on this list, but this thread should be CLOSED.
bye
On Fri, Jun 4, 2010 at 8:09 PM, wrote:
>
>
> Well you are entitled to your opinion of me Mr. cpe1704...@gmail.com but from
> the evidence that I witnessed firsthand Moritz von Oswald, who suffered a
> STROKE fairly
Thanks for the review folks.
Any more reflections are highly welcome, at least from me, as one of
those couldn't-make-it-this-year folks.
On Wed, Jun 2, 2010 at 1:11 AM, Mr. jp wrote:
> I second that it was not a great weekend overall, though sunday was a
> great day at the fest, could stand aga
Not sure about any of that, but presumably Carl Craig hasn't gotten
any of that $14,099.93 that he's looking for.
On Wed, May 26, 2010 at 1:59 PM, Robin Pinning wrote:
>
> I just noticed this too. Mischievous.
>
> robin...
>
> On 26 May 2010, at 18:55, Arturo Lopez wrote:
>
>> http://www.demf.com
How convnint
On Tue, May 4, 2010 at 8:15 PM, Matt Kane's Brain
wrote:
> It says "June 2010" festivals at this moment. DEMF clearly ends at the
> stroke of June.
>
> On Tue, May 4, 2010 at 20:07, kuszyn...@gmail.com wrote:
>> http://www.residentadvisor.n
http://www.residentadvisor.net/feature.aspx?1185
So I'm either blind as a bat, of resident advisor didn't mention DEMF
as a summer festival?
I just hope it talks more about European and Brooklyn minimal. You
don't hear enough about that stuff.
On Thursday, April 1, 2010, robin wrote:
>
> If you've not read Dan's book then it's a good time to change that. I wonder
> what's new?
>
> http://theghostlystore.com/products/techno-rebels
>
>
I'm just a white dude from Poland, so what do I know, but I'm not
offended by the idea, whatever it may be.
On Thu, Mar 25, 2010 at 4:50 AM, Martin Dust wrote:
>
> On 24 Mar 2010, at 18:03, Odeluga, Ken wrote:
>
>> It's also not clear what Black Tokyo Project is - and to be honest there is
>> so
so 10,000 square inches is about 70 square feet, and at $10,000 that's
about $143 per square foot. That's not quite manhattan prices, but it
surely ain't a bargain.
(by the way, I get that this is a charity/cultural/change the way
things work program - they do however market it as 'owning' that
Going further, I think the youtube user lark830 is either kenny larkin
himself or someone who is REALLY obsessed with him.
On Thu, Mar 18, 2010 at 8:27 PM, kuszyn...@gmail.com
wrote:
> Score. I love this stuff. Even if they're just screwing around, old,
> collecting checkstubs,
Score. I love this stuff. Even if they're just screwing around, old,
collecting checkstubs, and talking themselves up. In the end, it's
more about jealousy, I wish I had the time, guts, and commitment to
run a real studio.
On Thu, Mar 18, 2010 at 4:57 PM, robin wrote:
>
> Part 1:
>
> http://ww
That's a good list of relatively recent releases that mark some
significant acclaim from 313 style artists.
Apparently a sole fan, I also really enjoyed Jeff Mills - One Man
Spaceship (though I had to import it from Japan on CD). It really to
me is the peak of
Jeff-Mills-as-crazy-ambient-non-tech
I know I've commented on this before, and not to be snarky, but how
does everyone feel about techno-electronic journalism these days?
as an undergrad at the Univ of Chicago, I was exposed to and guilty of
ridiculous language, metaphors, and concept mashing, but about the
only legible writing I fin
eace!
On Wed, Feb 24, 2010 at 8:38 PM, kuszyn...@gmail.com
wrote:
> My old friend, Luis Aguilera who ran the late 90's rave/event
> promotion company in Chicago (Full Spectrum), is a published author,
> and has been DJing for over 20 years, digitized a really nice mix
> recorded in 20
I think he lives in Brooklyn
On Fri, Mar 5, 2010 at 3:34 AM, Klaas-Jan Jongsma wrote:
> Not really strictly techno but Jimmy Edgar is still young, he made some
> great tunes.
>
>
> On 3 mrt 2010, at 16:26, Denise Dalphond wrote:
>
>> Yes! Seth! Absolutely.
>>
>> Geographical boundaries and music
http://www.salon.com/wires/u.s./2010/03/03/D9E7868G0_us_detroit_school_bomb_explodes/index.html
unfortunate
The leave and move to Brooklyn
On Tue, Mar 2, 2010 at 7:53 PM, Thor Teague wrote:
>> -- heck, Mojo is still alive,
>
> This statement strikes me as ironic.
>
> Does Detroit need new blood? Who is producing/DJ'ing that is under the
> age of 25?
>
> How fertile are the grounds right now for any up
COMMENTS IN BOLD BELOW
On Sat, Feb 27, 2010 at 11:16 PM, David Powers wrote:
> To me, computers are good for two things:
> First of all, any track that uses FM synthesis, which means any track
> with a Yamaha DX-7 or related synths, uses a computer for some of the
> sound generation. A sampler is
wow. Now is the beach weren't a reason to go, this sure is. that's
pretty incredible. Hopefully they make some good cash from the event.
On Fri, Feb 26, 2010 at 2:51 AM, Andy Mitchell wrote:
> http://www.backspinpromo.com/d25.html
>
> (Sorry if this has already been posted. I've been too busy
Now that's a good response.
It's all in the mix down.
On Thursday, February 25, 2010, Thor Teague wrote:
> I think this whole discussion is a)tired and b)a fat load of horseshxt.
>
> But I will say, perhaps tongue-in-cheekly, that I just can't get
> around a hardware mixdown. Other than that I'm
My old friend, Luis Aguilera who ran the late 90's rave/event
promotion company in Chicago (Full Spectrum), is a published author,
and has been DJing for over 20 years, digitized a really nice mix
recorded in 2002 of old skool 92-94 hardcore/jungle from his
of-significant-size record collection.
S
On Tuesday, February 23, 2010, ohanakin ... wrote:
> ok then, what synths does mills use ?
>
> On Tue, Feb 23, 2010 at 5:51 AM, cheater cheater wrote:
>> Hey, I can go on about synths all day.
>>
>> D.
>>
>> On Tue, Feb 23, 2010 at 02:09, kuszyn...@gm
Mailing lists are an incredibly important part of my communication
ritual, and since my job blocks facebook and all other communication
websites, i just do my mailing lists on my iphone.
Furthermore, as already stated above, it let's me talk to all you old
people who actually have something intere
This track has haunted me far deeper than many of the better known,
more dance friendly, counterparts.
I like a lot of the intellecto-blog post-modern analyses of detroit
techno and album reviews as much as the next techno-dork, and this one
is not at all offensive, but it's funny when someone has
By the way, vinyl market is quite closed.
On Thu, Feb 11, 2010 at 11:06 AM, wrote:
> I don't know if If I agree with the brooklyn hipster rock comment.
> The Manhattan stores' greatest strength is in their used
> collections that come out of circulation from the people in the
> neighborhoods.
everything you said doesnt refute my comment, if anything it reinforces it.
depends on what kind of vinyl junkie you are, but for a 313 audience
(unless you're looking for cool old records that are explicitly not
electronic or pre-main electronic days), I strongly stand by my claim.
again, i reco
he east village.
On Wed, Feb 10, 2010 at 6:12 AM, kuszyn...@gmail.com
wrote:
> The topic is good, but if you want anything other than hipster
> brooklyn rock, head to brooklyn. First go to halcyon near the
> manhattan bridge, and then dope jams on myrtle. Both are quite
> differen
The topic is good, but if you want anything other than hipster
brooklyn rock, head to brooklyn. First go to halcyon near the
manhattan bridge, and then dope jams on myrtle. Both are quite
different, and halcyon is much older and bigger. Both have quite
diverse, and often detroit centric music an
Do you get 320k mp3s for that?
i feel kind of cheated unless I get lossless. Now my 6 cd FLAC
Suicide 77-78 box set, that was a good purchase.
On Sat, Jan 23, 2010 at 7:54 PM, kent williams wrote:
> Pretty freaking great mix now $5 for download...
> http://tinyurl.com/y98s2qk
>
I wonder if it's "I've been fiddling around on the 909 or in Ableton"
or if it's actually "I recorded some full pieces and already have /
plan to get distribution".
Very different, and I'd think of tweeting as the right outlet to just
announce casually twiddling knobs rather than a business ventur
Given that it's available for $9 from this guy, I don't see you why
you don't just get it.
http://www.discogs.com/sell/item/16979123?ev=bp_titl
On Wed, Dec 23, 2009 at 3:25 PM, ohanakin ... wrote:
> http://www.discogs.com/Various-Frequencies/release/879734
>
> been wanting to get this for a whil
if it really is the techno auction of the decade, is it really
necessary to say "NO NEED TO SAY THIS IS THE TECHNO AUCTION OF THE
DECADE"?
On Mon, Dec 14, 2009 at 5:22 PM, Michael Elliot-Knight
wrote:
> So much for "Never sold to the public"
>
> UR should conduct an interrogation of their soldier
Confirmed on this surgeon set.
It is excellently mixed and extremely musical.
Some surgeon material goes to the end of creativity even at subtle
cost of musicality, but not so with this mix. Truly one to enjoy and
remember. Thank you Surgeon.
On Fri, Dec 11, 2009 at 10:25 AM, Odeluga, Ken wro
e list,
> with only the occasional hilarious flamefest.
>
--
kuszyn...@gmail.com
www.planerecordings.com
New York, NY
d time was had by all.
>
> Tonight Joshua brought his remaining half of Telefon Tel Aviv to town after
> a long absence from the left coast. They were amazing. Imagine Depeche
> Mode, Death In June, Orchestral Manoeuvres In The Dark and M83 trapped in an
> elevator. Really loud.
>
> Then I dashed across town to catch John Tejada at Compression, playing to a
> 2/3rds full room. This just after he played to a thousand people in Berlin.
> No love from the home team, I tell ya ...
>
> - Greg
>
>
--
kuszyn...@gmail.com
www.planerecordings.com
New York, NY
;> http://14tracks.com/about
>>
>> robin...
>>
>> On 24 Sep 2009, at 08:42, Ravinder S Mann wrote:
>>
>>> Im tempted by this too - pending format, so if anyone knows hola back,
>>> if not Ill email Boomkat later.
>>
>>
>
--
kuszyn...@gmail.com
www.planerecordings.com
New York, NY
are they FLAC?
On Wed, Sep 23, 2009 at 7:14 AM, Marsel van der Wielen
wrote:
>
> nice collection
> http://14tracks.com/
>
>
>
--
kuszyn...@gmail.com
www.planerecordings.com
New York, NY
http://www.myspace.com/methodofdefiance
btw - sounds like drum n bass jazz sample freakout ambient dub
supergroup material.
Sounds pretty cool, and it's in Brooklyn.
On Tue, Sep 8, 2009 at 8:25 PM, kuszyn...@gmail.com wrote:
> So is bill laswell one of the performers or is he just pr
th them I'd be
> THERE, but as it stands I'm hesitating. But with so many virtuousos I feel
> like I should maybe not miss it? Or is it mere sonic masturbation?
> Anybody know what kind of material (pun not intended) they're covering?
>
> Sent fr
e once the
veneer wears off.
On Wed, Jul 22, 2009 at 7:21 AM, Martin Dust wrote:
> There's a good interview here with Jeff:
> http://www.eq-mag.co.uk/jeffmills.html
>
> m
>
--
kuszyn...@gmail.com
www.planerecordings.com
New York, NY
On Sat, Jul 4, 2009 at 4:53 PM, kuszyn...@gmail.com wrote:
> Got to sample this.
>
> Feels like a rich and promising effort, but ultimately, I just don't
> want to hear it over and over, nor particularly from time to time.
>
> On Sat, Jul 4, 2009 at 2:23 PM, Tristan Watkins
s, CDs, rollers, handles and fits in an overhead bin.
>
> They no longer have a US distributor...
>
> if you have an idea, or have one for sale.. get in touch.
>
> thanks,
>
>
> +odd
>
--
kuszyn...@gmail.com
www.planerecordings.com
New York, NY
ok? Seems like it might be a nice/cheap
> solution for running ableton/serato/whatever and quite a bit more
> portable than a larger laptop. Concerned a bit weather a $250 netbook
> has a beefy enough processor to handle these apps, but then again
> people were running those apps o
se apps, but then again
> people were running those apps on slower laptops 3 or 4 years ago.
> Hmm. I'd imagine you'd have to buy an external soundcard though.
> Thoughts?
>
> -Arturo
>
>
>
>
--
kuszyn...@gmail.com
www.planerecordings.com
New York, NY
...). Anyway, one option would be to get an 8X
>> rack mount router with USB interface, though these seem to be a bit thin on
>> the ground as of late.What I have noticed is a lot of MIDI-to-USB dongles
>> cropping up. Would a bunch of these operating into a USB hub be a proper
>>
the OG 313'ers.
>>>>
>>>> On Fri, Jun 5, 2009 at 5:05 AM, Marsel van der
>>>> Wielen wrote:
>>>>>
>>>>> i suddenly realized i'm almost 15 years subscribed to this list
>>>>> did i win any? 313 watch?
>>>>>
>>>
>>>
>
>
--
kuszyn...@gmail.com
www.planerecordings.com
New York, NY
hat Mutha a [Muzique Records 1989/
>> X-Mix 5]
>> 62 3:09 Humate – Love Stimulation (Lovemix by Paul van Dyk) [MFS 1993/
>> X-Mix 1]
>> 63 3:14 Frank de Wulf – Drums In A Grip [Harthouse 1996/ X-Mix 8]
>> 64 3:16 LFO – We Are Back [Warp 1991/ X-Mix 7]
>> 65 3:19 Teste – The Wipe [Probe Records 1992/ X-Mix 3]
>> 66 3:21 Minimal Man – Coyote Flux [Trelik 1995/ X-Mix 6]
>> 67 3:27 Galaxy 2 Galaxy – Journey of the Dragons [Underground Resistance
>> 1993/ X-Mix 2]
>> 68 3:30 Rhythim Is Rhythim – Icon [Transmat 1991/ X-Mix 2]
>> 69 3:36 Yoshihiro Sawasaki – Magic Dome [Sublime Records 1994/ X-Mix 4]
>
>
--
kuszyn...@gmail.com
www.planerecordings.com
New York, NY
Instead of investing in subprime mortgages, AIG should have bought
some Final Skratch.
On Thu, Jun 4, 2009 at 4:10 AM, ohanakin ... wrote:
> http://ulmann.blogspot.com/2007/11/did-rza-invent-final-scratch-technology.html
>
--
kuszyn...@gmail.com
www.planerecordings.com
New York, NY
AND he's playing in Brooklyn soon.
On Tue, Jun 2, 2009 at 8:41 AM, kent williams wrote:
> Patrice Scott Interview:
>
> http://www.residentadvisor.net/feature.aspx?1055
>
--
kuszyn...@gmail.com
www.planerecordings.com
New York, NY
At this busy time Experimedia's history we find it more efficient to
>> feed short and to the point announcements and recommendations through
>> the twitter platform.
>> So follow or dont but this is where the news will be
>> http://twitter.com/experimedia
>>
>
--
kuszyn...@gmail.com
www.planerecordings.com
New York, NY
http://abrooklynlife.com/2009/05/sunday-best-at-the-yard-in-gow.html
Linking to a blog I read, and the blog links to an event series.
Looks intense, Kyle Hall, Omar S, Quentin Harris.
The weird thing is, I never thought this Brooklyn blog to be that cool.
Nor did I apparently realize how much B
ck of purely underground
> music.
>
> On Mon, Apr 27, 2009 at 4:51 PM, David Powers wrote:
>> When: Sunday, May 24th, 7 AM - 4 PM.
>> Where: Exodus rooftop, Greektown, Detroit
>>
>> Max Powers presents SOUL CITY 313
>> Featuring: Omar S. (Detroit)
>> with Dave Powers LIVE and Max Jacobson
>> additional lineup TBA
>>
>
--
kuszyn...@gmail.com
www.planerecordings.com
New York, NY
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