Re: [313] Metro Area live
Morgan also uses Mr. James Duncan, and his trumpet on the Super EP. G Dan Sicko wrote: There's also some live violin strings (Ana) I thought that was someone else? Ana plays flute on a couple cuts though, right? -d - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Metro Area live
according to some there are a few other people who sound like MA...:P altho i think its not really true.. Yeah, there are some. Like that $tinkworx fellow perhaps... Respect JasonB - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] J'acquaviva in LA tomorrow night / DetroitHouseinLA recap
Great news! Just heard that John Acquaviva is djing in LA on thursday night. I'll finally get to give this Finalscratch thing the boogie n' bass test (thats a technical term don't worry if you don't understand) here's the link: http://www.remedyent.com/ .Also Alton Miller at Deep on the 19th www.deep-la.com. The Terrence Parker/Rick Wade/Mike Huckaby night was better than I could have hoped for. Despite the competition of a mega-hyped house event the same night, there managed to gather an allright turnout. Rick Wade started the night's music, and did not disappoint my expectations with his set of deep dirty house. Terence Parker was next. At that point the crowd met it's maximum potential in size and energy. Terence Parker's set made me remember that house dj's can scratch and still keep a party hopping, unheard of in the house scene here AFAIK . I think alot of the more close minded heads were turned off by the amount of tricks TP pulls from his sleeves, but personally I was jammin along with every flick. And the trainspotter highlight of the night was a routine with double original copies of Capricorn's I Need Love. Solid fun. Finally Mike Huckaby finished off the night with some solid pounding grooves to a smaller audience of thirsty dancers, eventually fading out the mix at 4 am. To be honest I was too lost in the chug to make any insightful remarks (chemically free you cynics) about the rest of the night except that it was Dope. For me, the hard deep style of those djs was a refreshing change of pace from the usual house parties here, and juding from the crowd's reaction I think most of those in attendence would agree, especially the many cats gettin funky on the floor. Last night, at the latest in a series of events called Black Palette Circuitry, Afronaught played a great selection of vinyl and cdrs. He played for about three hours, and despite some skip prone decks and a couple of spotty mixes it was some serious fun. Real good 2-step and what I guess is called broken-beat with a few deep house stompers like Blaze's How Deep is Your Love. He played a couple of great mixes of the track with the stop, stop and wonder why vocal, maybe by Dego? Ok thats all. Jamie jamie.hurlbut ... . ... . . ... ... ... ..... ..... . ... ... www.hurlbotics.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Karaoke Kalk RE: [313] Andrew Pekler
Actually, I have been curious about Karaoke Kalk. The only release I have from the label is Northern Classic by Donna Regina. Upon the first couple listens I liked it, but it was more background listening rather than serious critcal listening. When I really started paying attention to it I had problems with the really bad English-As-Second-Language lyrics. I would have enjoyed the album if the lyrics were not so trite. Does this represent the label as a whole, or are there other releases I should be looking out for instead? Where would you recommend I start? Take care, mt ...There is one decent track that would fit in with the first couple Pan-American LP's. Speaking of which, their new LP The River Made No Sound on Kranky is *very* nice IMO. This label and Karaoke Kalk are both really doing it for me at the moment. Go the Ks... Respect JasonB _ Send and receive Hotmail on your mobile device: http://mobile.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Harmonia Re: [313] Re: Scape One
Hello, The Harmonia stuff is not that hard to track down really. I know that Music Von is still in print in Japan. It is one of those things that comes down to tracking down specialist retailers. You might very well pay through the noise for bootlegs, but the audio can be obtained. A good retailer for this stuff in Detroit is Stormy Records. http://www.stormyrecords.com/ The Cluter material was good, but I have always had a soft spot for the Cluster and Eno records. After The Heat is an album of weird angular grooves. It is a very German, Tutonic rhythm if you know what I mean. There are echos of this album in a lot of the stiff German stuff that has been coming for the last few years. Very groovy, but not. ;) Cluster and Eno is more atmospheric. They are both good, but very different records. I still need to get my hands on Harmonia 76, which is Cluster, Michael Rother from Neu! and Brian Eno. My copy of After The Heat is a German LP on Skyy (sp Sky?) and I am not sure if it has been reissued or not. My copy of Cluster and Eno was reissued through Gyroscope on CD. One of the best musical experiences of the last couple years was seeing Roedelius play piano suites at the DIA. Very lovely soft piano music. If you ever get the chance to see him live, it is in your best interest to do so. Take care, mt From: Jonny McIntosh [EMAIL PROTECTED] To: tom churchill [EMAIL PROTECTED], [EMAIL PROTECTED], 313@hyperreal.org Subject: Re: [313] Re: Scape One Date: Wed, 1 May 2002 12:21:32 +0100 Tiger Sushi - More GDM Vol 1 The Cluster track on side A is a Krautrock thing from 1974 which I haven't really got my teeth into yet. Side B has 'Present Pretence' from John Tejada which is simply superb - like a cross between his beautiful downtempo stuff on Defocus and his housier output. Highly recommended. Cluster were the oddly named Moebius and Roedelius - and often Michael Rother of Neu! and, once upon a time, Kraftwerk. That trio were also Harmonia. Check out Harmonia's Musik Von..., Harmonia Deluxe. They're both effin' ace but far too tough to track down. I've heard a fair bit of really good Cluster stuff (though the fluctuating line ups of so many interconnected bands is quite confusing) and '74 was a bit of a kosmische creative peak. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Join the worlds largest e-mail service with MSN Hotmail. http://www.hotmail.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] RE: Karaoke Kalk RE: [313] Andrew Pekler
Does this represent the label as a whole, or are there other releases I should be looking out for instead? Where would you recommend I start? The music isn't completely representative, no. Although I do think the feel of the album is. I would say to start by checking out Jans Massel aka Kandis, Senking, Fumble, who has been the main contributer to the label. There is a Kandis CD called 1996 - 1999 that compiles the early 12s which would be a good place to start I guess. Then there is Jorg Follert aka Wechsel Garland, Wunder, Saucer. The latest Wechsel Garland LP Liberation von... is really nice, as is the earlier Wunder CD. I'd also check Donna Regina's earlier works as well, especially the Star Ferry track and its remixes. I think the latest KK release is an album by Maerz, which I've had a quick listen to and initially found it to be almost a straight-up pop album, guitars and all - but more listening is required. There is more which I haven't mentioned, check out http://www.karaoke-kalk.net/news/news_01.htm - although its in desperate need of an update. Respect JasonB - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] RE: Karaoke Kalk RE: [313] Andrew Pekler
I'd also check Donna Regina's earlier works as well, especially the Star Ferry track and its remixes. The Isolee remix of Star Ferry hasn't left my box in a year:) Cheers, m* - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Terry Baldwin
as far as i know the last things he released were in 1991 on dance mania and fsr. however, on the back of the 'the best of future sound records' put out on rephlex in 1994 it says that future sound still flourishes today. it goes onto to say always expect the unexpected from terry baldwin. james www.jbucknell.com From: [EMAIL PROTECTED] Date: Wed, 1 May 2002 8:45:45 +0200 To: 313@hyperreal.org Subject: [313] Terry Baldwin Does anyone know if he's still producing records? I was listening to his amazing mix of Neal Howard's Indulge last night and it occurred to me that apart from a couple of his housemaster Bladwin tracks I didn't know anything else that he had done. Nor Neal Howard for that matter, anyone know what he's up to??? [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] demf website
I was thinking... Detroit could capitalise on that Eminem song if they wanted to. Someone should do a techno answer record calling the shots on that Moby diss, which turns into a techno diss by default, clarifying that stuff, just knock it out, put it on the Internet, circulate some vinyls. A simple techno/electro record, catchy, with a rhyme. It would create a buzz and everybody would say, 'Hey, what's this underground techno thing?' Also people should send some CDs to Vibe, The Source, etc with a sticker Detroit techno - too cool, too underground, for that muthaf*cker Eminem or buy some pillows from the mall, some black silk pillow slips for them, tie a lovely CD like, say Stacey's Tomorrow, Derrick's Innovator, whatever, with a black ribbon and a red rose or something and attach a note, If y'all gonna sleep on Detroit techno, do it in style. Bombard them with that stuff so they cannot ignore it. I think Mike Banks was onto something with the way he handled the Jaguar affair, basically creating all this press by subverting the media machine... You could take that further. I'm not sure it would work, but, there's some potential... -- From: Mike Taylor [EMAIL PROTECTED] To: [EMAIL PROTECTED], [EMAIL PROTECTED] Subject: RE: [313] demf website Date: Tue, 30 Apr 2002 5:06 PM It also helps that he is one of the hardest workers in Detroit. From my dealings with the people who have made it or whatever you want to call it, the thing that separates all of them is that they work very hard. Talent will only take you so far, it all comes down to how hard you work at it. There are a lot of people who want to sit around, smoke dope, not return phone calls and not work in the studio who think race is the reason they are not blowing up. I do not care what color your skin is, your work ethic determines where you end up. Hawtin sells more records than me for a reason, he workers harder and smarter than I do. Where Kharris is coming from, and where I agree with her, it that his image is much easier to market than say Juan Atkins. It is much easier for an AR or marketing exec to comprehend you and your weird science fiction music when you are a skinny white dude who wears funny glasses and jump suits. The larger music industry, in which Hawtin has an advantage, cannot comprehend and sell an image of a middle aged black dude from Detroit making weird electronic music from outer space. The only thing black they know how to sell is rap music and sex jams, period. This is where race comes into it. Because of Hawtin's skin color, he can play on stereotypes that black artists do not have access to. In the small indie-dance scene, I do not think color is as big of an issue. In the larger industry, where real money is made and where culture at large is manufactured, black artists who do not play off of black stereotypes do not get signed. Any good Detroit Techno artist is at odds with those racial stereotypes in the US music industry, and therefore cannot get ahead. Black people don't make sci-fi music, they make songs about sex, greed, and violence(unless they are conscious brothers, and then they make typical conscious brother music...) All of that being said, I think that if a lot of the black dudes who cry race worked as hard and were as talented as Hawtin, they would be selling a hell of a lot more records. The glass ceiling is definitely there, but most dudes will never hit it because they do not have what it takes to get that far. Juan is a perfect example of somebody who has hit that ceiling. Jeff Mills has hit that ceiling. To avoid that ceiling Carl Craig is referencing jazz and RB. Race had nothing to do with why some people have not gotten as far Mr. Mills, Mr. Craig, or Mr. Atkins. I do not care what color you are, if you have talent and tenacity, you will get ahead in this business. Take care, mt From: FC3 Richards [EMAIL PROTECTED] To: 'neon tse tse' [EMAIL PROTECTED] CC: '313@hyperreal.org' 313@hyperreal.org Subject: RE: [313] demf website Date: Mon, 29 Apr 2002 22:21:19 -0700 i'll answer this one! ability to market himself and his music FAR surpases anyone else in detroit. very interesting - how do you know that ? what are your facts, making you say this ? He is the only Detroit artist that I have seen lately that has had an ad in a magazine from Detroit lately. DJT-1000 had an ad for The Last DJ on Earth CD, but it only took up a quarter of the page from top to bottom. Richie Hawting on the other hand has thrown his picture out and made it recognizable with full page ads, huge posters, and stickers handed out all over the place. He has made the m_nus symbol almost as recognizable as his face. there is no point in arguing it...he just knows how to market himself. he isn't ge greatest everbut he is damn good. Peace Jeff -Original Message- From: neon tse tse [SMTP:[EMAIL PROTECTED] Sent: Monday, April 29, 2002 5:02 PM
[313] Scion::: arrange and process basic channel tracks
Artist: Scion Title: arrange and process basic channel tracks Label: Tresor 200 Productinfo Scion (Pete Kuschnereit aka Substance and Rene Löwe aka Vainqueur) have arranged and reworked backcatalog tracks from basic channel (Moritz von Oswald and Mark Ernestus) with the help of Ableton's LIVE audio software. The selection is focused on the more clubby tracks of the bc-projects Cyrus (Enforcement, Recall, Inversion), Phylyps (Trak I, Trak II), Quadrant (Q 1.1, Infinition), Octagon/Octaedre, is including The Climax - basic reshape and also applying atmospheric tracks as found on the Basic Channel CD (EFA CD 0-2, 1996). Most of the tracks were previously only available on (import) 12-inches. The result is not a simple mix-CD or compilation, but the connection of new software possibilities combined with Scion's experience as DJs and live act. So each individual part (= track id on CD) includes two to four tracks out of the bc catalogue. about the project: It is perhaps fitting then that Tresoris releasing a mix album in 2002-nearly a decade after Ernestus and Von Oswald debuted as Basic Channel-that features nearly the entire back catalog. In the grand techno spirit of experimentation and innovation, Chain Reaction recording duo Scion-Pete Kuschnereit (aka Substance) and Rene Löwe (aka Vainqueur)-mixed the records with Ableton's Live audio software. The resulting mix showcases just how timeless the Basic Channel records truly are, sounding just as definitive today as a decade ago. peace Garo - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Metropolis @ Royal Festival Hall
Just a quick report on Jeff Mills / Metropolis at the Festival Hall in London last night Although Si Begg was orignally on the line-up it looks like he was replaced by Matthew Herbert, giving it some crazy Radioboy stylings... this was fairly quality as matthew herbert proceeded to sample/loop crazy sounds from tearing up gap boxer shorts to chucking cornfalkes around to throwing McD's burgers in a wheelie-bin ! This was followed by a healthy yet equally crazy set from super-collider. Never seen them live before but it was quite cool to seem them pulling off some cool visual effects using projectors and a variety of props while knocking out quality beats :) Jeff Mills came on after super collider to introduce the metropolis screening, and then played a quality set when the film finished. The festival hall was going fairly mental at this point - loads of people dancing on seats / rushing the stage / generally going for it :) overall a top event - tho will be interesting if the RFH agree to do something like this again ;) MaRc -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Metropolis @ Royal Festival Hall
Mate I am gutted I could not go!!! I am so jealous.. Toby Frith did you go as well? -Original Message- From: Langsman, Marc [mailto:[EMAIL PROTECTED] Sent: 02 May 2002 09:29 To: 313 Detroit Subject: [313] Metropolis @ Royal Festival Hall Just a quick report on Jeff Mills / Metropolis at the Festival Hall in London last night Although Si Begg was orignally on the line-up it looks like he was replaced by Matthew Herbert, giving it some crazy Radioboy stylings... this was fairly quality as matthew herbert proceeded to sample/loop crazy sounds from tearing up gap boxer shorts to chucking cornfalkes around to throwing McD's burgers in a wheelie-bin ! This was followed by a healthy yet equally crazy set from super-collider. Never seen them live before but it was quite cool to seem them pulling off some cool visual effects using projectors and a variety of props while knocking out quality beats :) Jeff Mills came on after super collider to introduce the metropolis screening, and then played a quality set when the film finished. The festival hall was going fairly mental at this point - loads of people dancing on seats / rushing the stage / generally going for it :) overall a top event - tho will be interesting if the RFH agree to do something like this again ;) MaRc -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Metropolis @ Royal Festival Hall
Yeah Ian, there was myself, Rob, Anya, Ken and a few others. I really enjoyed Radioboy's set, very dynamic and all, but I think one would get a bit tired of him destroying stuff all the time. Thankfully he's no one-trick pony. Missed most of Super_Collider, but I didn't really dig what I heard at the end. The screening of Metropolis was v.good. In order to appreciate the CD, I think you have to watch the film with the music. I enjoyed it thoroughly, and it posed the question of how tough it must have been to create a soundtrack that didn't get too Vangelis-like, i.e just lots of atmospherics. Robot Replica makes a lot more sense now. - Original Message - From: Ian Cheshire [EMAIL PROTECTED] To: 'Langsman, Marc' [EMAIL PROTECTED]; 313 Detroit 313@hyperreal.org Sent: Thursday, May 02, 2002 9:39 AM Subject: RE: [313] Metropolis @ Royal Festival Hall Mate I am gutted I could not go!!! I am so jealous.. Toby Frith did you go as well? -Original Message- From: Langsman, Marc [mailto:[EMAIL PROTECTED] Sent: 02 May 2002 09:29 To: 313 Detroit Subject: [313] Metropolis @ Royal Festival Hall Just a quick report on Jeff Mills / Metropolis at the Festival Hall in London last night Although Si Begg was orignally on the line-up it looks like he was replaced by Matthew Herbert, giving it some crazy Radioboy stylings... this was fairly quality as matthew herbert proceeded to sample/loop crazy sounds from tearing up gap boxer shorts to chucking cornfalkes around to throwing McD's burgers in a wheelie-bin ! This was followed by a healthy yet equally crazy set from super-collider. Never seen them live before but it was quite cool to seem them pulling off some cool visual effects using projectors and a variety of props while knocking out quality beats :) Jeff Mills came on after super collider to introduce the metropolis screening, and then played a quality set when the film finished. The festival hall was going fairly mental at this point - loads of people dancing on seats / rushing the stage / generally going for it :) overall a top event - tho will be interesting if the RFH agree to do something like this again ;) MaRc -- -- -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Metropolis @ Royal Festival Hall
just checking out the radioBoy cd they were handing out last night - probably not the best listening for first thing in the morning ;) -Original Message- From: Toby Frith [mailto:[EMAIL PROTECTED] Sent: Thursday, May 02, 2002 9:45 AM To: Ian Cheshire; 'Langsman, Marc'; 313 Detroit Subject: Re: [313] Metropolis @ Royal Festival Hall Yeah Ian, there was myself, Rob, Anya, Ken and a few others. I really enjoyed Radioboy's set, very dynamic and all, but I think one would get a bit tired of him destroying stuff all the time. Thankfully he's no one-trick pony. Missed most of Super_Collider, but I didn't really dig what I heard at the end. The screening of Metropolis was v.good. In order to appreciate the CD, I think you have to watch the film with the music. I enjoyed it thoroughly, and it posed the question of how tough it must have been to create a soundtrack that didn't get too Vangelis-like, i.e just lots of atmospherics. Robot Replica makes a lot more sense now. - Original Message - From: Ian Cheshire [EMAIL PROTECTED] To: 'Langsman, Marc' [EMAIL PROTECTED]; 313 Detroit 313@hyperreal.org Sent: Thursday, May 02, 2002 9:39 AM Subject: RE: [313] Metropolis @ Royal Festival Hall Mate I am gutted I could not go!!! I am so jealous.. Toby Frith did you go as well? -Original Message- From: Langsman, Marc [mailto:[EMAIL PROTECTED] Sent: 02 May 2002 09:29 To: 313 Detroit Subject: [313] Metropolis @ Royal Festival Hall Just a quick report on Jeff Mills / Metropolis at the Festival Hall in London last night Although Si Begg was orignally on the line-up it looks like he was replaced by Matthew Herbert, giving it some crazy Radioboy stylings... this was fairly quality as matthew herbert proceeded to sample/loop crazy sounds from tearing up gap boxer shorts to chucking cornfalkes around to throwing McD's burgers in a wheelie-bin ! This was followed by a healthy yet equally crazy set from super-collider. Never seen them live before but it was quite cool to seem them pulling off some cool visual effects using projectors and a variety of props while knocking out quality beats :) Jeff Mills came on after super collider to introduce the metropolis screening, and then played a quality set when the film finished. The festival hall was going fairly mental at this point - loads of people dancing on seats / rushing the stage / generally going for it :) overall a top event - tho will be interesting if the RFH agree to do something like this again ;) MaRc --- --- -- -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Re [313]: Metropolis @ Royal Festival Hall
Hi, got to agree it was a brilliant night. It was great to hear the Metropolis soundtrack in context, and just to see the film for the first time - very impressive for a 1926 vintage film, definitely ahead of it's time. It was good to see all of the usual UK 313 suspects (hi Nick, Alice, Anya ) and a lot of the familiar UK techno faces getting down to Jeff's set at the end of the night. If you get the chance to see Metropolis I'd recommend it. It was a very strange experience seeing it all go off at the Royal Festival Hall - the only other time I've been there was when I went to see Placido Domingo with my Mum (don't laugh ;-), I don't remember there being any stage diving and people jumping off of balconies on that occasion - and there was definitely no funk. In fact I don't even remember anyone dancing either. That was pretty damn good for a school night. sImon From: Langsman, Marc To: 313 Detroit 313@hyperreal.org Subject: [313] Metropolis @ Royal Festival Hall Date: Thu, 2 May 2002 09:28:48 +0100 Just a quick report on Jeff Mills / Metropolis at the Festival Hall in London last night Although Si Begg was orignally on the line-up it looks like he was replaced by Matthew Herbert, giving it some crazy Radioboy stylings... this was fairly quality as matthew herbert proceeded to sample/loop crazy sounds from tearing up gap boxer shorts to chucking cornfalkes around to throwing McD's burgers in a wheelie-bin ! This was followed by a healthy yet equally crazy set from super-collider. Never seen them live before but it was quite cool to seem them pulling off some cool visual effects using projectors and a variety of props while knocking out quality beats :) Jeff Mills came on after super collider to introduce the metropolis screening, and then played a quality set when the film finished. The festival hall was going fairly mental at this point - loads of people dancing on seats / rushing the stage / generally going for it :) overall a top event - tho will be interesting if the RFH agree to do something like this again ;) MaRc _ Send and receive Hotmail on your mobile device: http://mobile.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Metropolis @ Royal Festival Hall
I made it along as well. Herbert was definatly fun. he did a similar thing at the Big Chill Festival, but also had a female vocalist and was playing live keyboards over the top of his on the fly sampling shinanigans. The best thing for me though was the man himself, jerking around like some mad Tefal scientist. Its always heartening to see someone in the flesh whose music you've been listening to for so long and to discover that they are a clearly insane :) Super Collider were pretty cool, though not really my thing. Jamie Lidell had a fairly good stage presence though and visually they were cool. I definatly agree that Mills' music sat really well with thew film, especially the parts with the workers working and then destroying the machines. Unfortunatly there were a couple of idiots a few rows in front who ignored most of the film and disrespectfully talked fairly loudly throughout it, then had the nerve to jump up and start bowing in Jeff's presence as soon as he appeared behind the decks. Shameful. I left when he started spinning and everyone stormed the stage, it was fairly comical for a while, but as a musician Mills is top notch, as a DJ i'm not really into his style. Good night though. [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Metropolis @ Royal Festival Hall
is there any news on a DVD release? i'm sure i read last year that it was going to happen... on 2/5/02 9:45 am, Toby Frith at [EMAIL PROTECTED] wrote: Yeah Ian, there was myself, Rob, Anya, Ken and a few others. I really enjoyed Radioboy's set, very dynamic and all, but I think one would get a bit tired of him destroying stuff all the time. Thankfully he's no one-trick pony. Missed most of Super_Collider, but I didn't really dig what I heard at the end. The screening of Metropolis was v.good. In order to appreciate the CD, I think you have to watch the film with the music. I enjoyed it thoroughly, and it posed the question of how tough it must have been to create a soundtrack that didn't get too Vangelis-like, i.e just lots of atmospherics. Robot Replica makes a lot more sense now. - Original Message - From: Ian Cheshire [EMAIL PROTECTED] To: 'Langsman, Marc' [EMAIL PROTECTED]; 313 Detroit 313@hyperreal.org Sent: Thursday, May 02, 2002 9:39 AM Subject: RE: [313] Metropolis @ Royal Festival Hall Mate I am gutted I could not go!!! I am so jealous.. Toby Frith did you go as well? -Original Message- From: Langsman, Marc [mailto:[EMAIL PROTECTED] Sent: 02 May 2002 09:29 To: 313 Detroit Subject: [313] Metropolis @ Royal Festival Hall Just a quick report on Jeff Mills / Metropolis at the Festival Hall in London last night Although Si Begg was orignally on the line-up it looks like he was replaced by Matthew Herbert, giving it some crazy Radioboy stylings... this was fairly quality as matthew herbert proceeded to sample/loop crazy sounds from tearing up gap boxer shorts to chucking cornfalkes around to throwing McD's burgers in a wheelie-bin ! This was followed by a healthy yet equally crazy set from super-collider. Never seen them live before but it was quite cool to seem them pulling off some cool visual effects using projectors and a variety of props while knocking out quality beats :) Jeff Mills came on after super collider to introduce the metropolis screening, and then played a quality set when the film finished. The festival hall was going fairly mental at this point - loads of people dancing on seats / rushing the stage / generally going for it :) overall a top event - tho will be interesting if the RFH agree to do something like this again ;) MaRc -- -- -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Metropolis @ Royal Festival Hall
Toby wrote: I really enjoyed Radioboy's set, very dynamic and all, but I think one would get a bit tired of him destroying stuff all the time. Thankfully he's no one-trick pony. Missed most of Super_Collider, but I didn't really dig what I heard at the end. The screening of Metropolis was v.good. In order to appreciate the CD, I think you have to watch the film with the music. I enjoyed it thoroughly, and it posed the question of how tough it must have been to create a soundtrack that didn't get too Vangelis-like, i.e just lots of atmospherics. Robot Replica makes a lot more sense now. spot on Toby, i thought Metropolis was excellent too - Mills' soundtrack matches the flow and mood of the film really well. it's difficult to know what to make of his dj set afterwards. on one level it kicked, but on another i found to be a bit samey - other than Jupiter Jazz it was an hour's worth of hardish techno. a bit more variety would've been good, but then again would the crowd've been into that? it's like the DE9 cds... i find myself uncontrolably bobbing along to the music, even tho it's also kinda boring. guess that's the 4/4 for you. hmmm. as for Matthew Herbert - imho he puts on a great show, but as far as the music's concerned i'd rather hear a Herbert set than a Radioboy one. i quite enjoyed Super_Collider, and it looked like they were into it themselves. as Marc said their performance used some v.creative visuals, and the tracks themselves were pretty cool - loads of heavy funky bass. i wasn't too impressed by their first lp, so it'll be interesting to hear how the new one sounds. rob _ MSN Photos is the easiest way to share and print your photos: http://photos.msn.com/support/worldwide.aspx - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Metropolis @ Royal Festival Hall
what to make of his dj set afterwards. on one level it kicked, but on another i found to be a bit samey - other than Jupiter Jazz it was an hour's worth of hardish techno. a bit more variety would've been good I quite enjoyed it - packed full of mills/UR classics - The Bells, Changes of Life, Jaguar... though it sound like he was pumping out most of the purpose maker back catalogue ;) Was suprised that he didnt play either of the new UR tunes :( -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Metropolis @ Royal Festival Hall
There was quite a bit of tomfoolery for such a relatively 'short' event ... (it must have been an effort to get that slaughtered so quick, unless people got a head start on me) ... a couple next to me had their seats 'stolen' by two good-natured drunks, who subsequently managed to sleep through the whole thing! -Original Message- From: Toby Frith [mailto:[EMAIL PROTECTED] Sent: Thursday, May 02, 2002 10:35 AM To: Langsman, Marc; 'rob webb'; 313@hyperreal.org Subject: Re: [313] Metropolis @ Royal Festival Hall The guy who dangled himself off one of the boxes at the end of Mill's sets did some serious damage to his ankles apparently. Too much watching Quadrophenia. - Original Message - From: Langsman, Marc [EMAIL PROTECTED] To: 'rob webb' [EMAIL PROTECTED]; 313@hyperreal.org Sent: Thursday, May 02, 2002 10:27 AM Subject: RE: [313] Metropolis @ Royal Festival Hall what to make of his dj set afterwards. on one level it kicked, but on another i found to be a bit samey - other than Jupiter Jazz it was an hour's worth of hardish techno. a bit more variety would've been good I quite enjoyed it - packed full of mills/UR classics - The Bells, Changes of Life, Jaguar... though it sound like he was pumping out most of the purpose maker back catalogue ;) Was suprised that he didnt play either of the new UR tunes -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Mole people
At 15:21 30-4-02 -0700, you wrote: who is behind this?? i got the first one I have ever seen MOPE 04 and havn't seen or heard of any others. am i missing out on something, here?? From what I know, Mole People = Gary Martin (Teknotika) but I'm not 100% sure. Otto, back at work, recovering from a wicked Metro Area liveset :) - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Metropolis @ Royal Festival Hall
yeah it was fairly nuts. What was the deal with Woop woop / Come on Jeff everytime a kick came in during the film ?? [although respect to the guy giving it Rewind Selecta when the projector stopped after the film started ;) ] Dunno if this was the same guy, but someone randomly climed up into our box during the set and then preceeded to clim up to the top row of boxes !? *nutter* It seemed like there were quite a few folk who dont get out too much ;) -Original Message- From: Odeluga, Ken [mailto:[EMAIL PROTECTED] Sent: Thursday, May 02, 2002 10:51 AM To: Toby Frith; [EMAIL PROTECTED] Org; [EMAIL PROTECTED] Org Subject: RE: [313] Metropolis @ Royal Festival Hall There was quite a bit of tomfoolery for such a relatively 'short' event ... (it must have been an effort to get that slaughtered so quick, unless people got a head start on me) ... a couple next to me had their seats 'stolen' by two good-natured drunks, who subsequently managed to sleep through the whole thing! -Original Message- From: Toby Frith [mailto:[EMAIL PROTECTED] Sent: Thursday, May 02, 2002 10:35 AM To: Langsman, Marc; 'rob webb'; 313@hyperreal.org Subject: Re: [313] Metropolis @ Royal Festival Hall The guy who dangled himself off one of the boxes at the end of Mill's sets did some serious damage to his ankles apparently. Too much watching Quadrophenia. - Original Message - From: Langsman, Marc [EMAIL PROTECTED] To: 'rob webb' [EMAIL PROTECTED]; 313@hyperreal.org Sent: Thursday, May 02, 2002 10:27 AM Subject: RE: [313] Metropolis @ Royal Festival Hall what to make of his dj set afterwards. on one level it kicked, but on another i found to be a bit samey - other than Jupiter Jazz it was an hour's worth of hardish techno. a bit more variety would've been good I quite enjoyed it - packed full of mills/UR classics - The Bells, Changes of Life, Jaguar... though it sound like he was pumping out most of the purpose maker back catalogue ;) Was suprised that he didnt play either of the new UR tunes -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Metropolis @ Royal Festival Hall
My tuppeny worth: As I suggested to Toby Frith earlier, Metropolis is a film which worked intriguingly on many levels and I agree 200% that In order to appreciate the CD, I think you have to watch the film with the music. You know, I don't think I appreciated *just* how true that was until it started rolling ... I rank my music by order of merit at home (anorak proud!) and Metropolis has to go to the front of 2000 after last night ... Something else which I found striking is that you've got to see the thing re-dubbed with the Jeff Mills's Metropolis 'score' to appreciate what happens when you dub a primarily digitally-produced track to analogue format. The sound quality changes somewhat - but I don't mean interms of 'worse/better': I eman that the usual analogue effect of 'warming' sounds up, applies. It gives the whole thing a much more cinematic feel, moods and textures are enhanced and the sharp sort of 'cd' quality edge is distilled. Overall, to me, Jeff Mills is a hero for reviving a film which is so classic it's almost archetypal -especially the underlying theme - it's always shocking to remember that millions of Americans (in a different America, true) espoused the ideas which that film encapsulates, less than a century ago. That Jeff Mills did it with such panache ... it's commendable I think. Maybe one day, it will be commended. -Original Message- From: rob webb [mailto:[EMAIL PROTECTED] Sent: Thursday, May 02, 2002 10:17 AM To: 313@hyperreal.org Subject: Re: [313] Metropolis @ Royal Festival Hall Toby wrote: I really enjoyed Radioboy's set, very dynamic and all, but I think one would get a bit tired of him destroying stuff all the time. Thankfully he's no one-trick pony. Missed most of Super_Collider, but I didn't really dig what I heard at the end. The screening of Metropolis was v.good. In order to appreciate the CD, I think you have to watch the film with the music. I enjoyed it thoroughly, and it posed the question of how tough it must have been to create a soundtrack that didn't get too Vangelis-like, i.e just lots of atmospherics. Robot Replica makes a lot more sense now. spot on Toby, i thought Metropolis was excellent too - Mills' soundtrack matches the flow and mood of the film really well. it's difficult to know what to make of his dj set afterwards. on one level it kicked, but on another i found to be a bit samey - other than Jupiter Jazz it was an hour's worth of hardish techno. a bit more variety would've been good, but then again would the crowd've been into that? it's like the DE9 cds... i find myself uncontrolably bobbing along to the music, even tho it's also kinda boring. guess that's the 4/4 for you. hmmm. as for Matthew Herbert - imho he puts on a great show, but as far as the music's concerned i'd rather hear a Herbert set than a Radioboy one. i quite enjoyed Super_Collider, and it looked like they were into it themselves. as Marc said their performance used some v.creative visuals, and the tracks themselves were pretty cool - loads of heavy funky bass. i wasn't too impressed by their first lp, so it'll be interesting to hear how the new one sounds. rob _ MSN Photos is the easiest way to share and print your photos: http://photos.msn.com/support/worldwide.aspx - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Metropolis @ Royal Festival Hall
who the hell are all these people? since when has london had hordes of beer swilling mills fans.? (well, ok there used to be enough to fill Club UK or the complex on a friday night...but i thought they were all at hoe listening to moby cds now?) ;) on 2/5/02 10:57 am, Langsman, Marc at [EMAIL PROTECTED] wrote: yeah it was fairly nuts. What was the deal with Woop woop / Come on Jeff everytime a kick came in during the film ?? [although respect to the guy giving it Rewind Selecta when the projector stopped after the film started ;) ] Dunno if this was the same guy, but someone randomly climed up into our box during the set and then preceeded to clim up to the top row of boxes !? *nutter* It seemed like there were quite a few folk who dont get out too much ;) -Original Message- From: Odeluga, Ken [mailto:[EMAIL PROTECTED] Sent: Thursday, May 02, 2002 10:51 AM To: Toby Frith; [EMAIL PROTECTED] Org; [EMAIL PROTECTED] Org Subject: RE: [313] Metropolis @ Royal Festival Hall There was quite a bit of tomfoolery for such a relatively 'short' event ... (it must have been an effort to get that slaughtered so quick, unless people got a head start on me) ... a couple next to me had their seats 'stolen' by two good-natured drunks, who subsequently managed to sleep through the whole thing! -Original Message- From: Toby Frith [mailto:[EMAIL PROTECTED] Sent: Thursday, May 02, 2002 10:35 AM To: Langsman, Marc; 'rob webb'; 313@hyperreal.org Subject: Re: [313] Metropolis @ Royal Festival Hall The guy who dangled himself off one of the boxes at the end of Mill's sets did some serious damage to his ankles apparently. Too much watching Quadrophenia. - Original Message - From: Langsman, Marc [EMAIL PROTECTED] To: 'rob webb' [EMAIL PROTECTED]; 313@hyperreal.org Sent: Thursday, May 02, 2002 10:27 AM Subject: RE: [313] Metropolis @ Royal Festival Hall what to make of his dj set afterwards. on one level it kicked, but on another i found to be a bit samey - other than Jupiter Jazz it was an hour's worth of hardish techno. a bit more variety would've been good I quite enjoyed it - packed full of mills/UR classics - The Bells, Changes of Life, Jaguar... though it sound like he was pumping out most of the purpose maker back catalogue ;) Was suprised that he didnt play either of the new UR tunes -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe,
RE: [313] Metropolis @ Royal Festival Hall
Yeah the come on Jeff was surreal! But it did display a capacity for irony! It highlights the fact that for many of us, there's still a sort of incongruousness in listening to that kind of music, en masse, when it's not being immeadiately 'played' (djed I mean) or live. ... I'd like to see more events like that, which was effectively a different way (more contemplative? OK, just a little bit!) of appreciating the music. K -Original Message- From: Langsman, Marc [mailto:[EMAIL PROTECTED] Sent: Thursday, May 02, 2002 10:58 AM To: 'Odeluga, Ken'; Toby Frith; [EMAIL PROTECTED] Org; [EMAIL PROTECTED] Org Subject: RE: [313] Metropolis @ Royal Festival Hall yeah it was fairly nuts. What was the deal with Woop woop / Come on Jeff everytime a kick came in during the film ?? [although respect to the guy giving it Rewind Selecta when the projector stopped after the film started ;) ] Dunno if this was the same guy, but someone randomly climed up into our box during the set and then preceeded to clim up to the top row of boxes !? *nutter* It seemed like there were quite a few folk who dont get out too much ;) -Original Message- From: Odeluga, Ken [mailto:[EMAIL PROTECTED] Sent: Thursday, May 02, 2002 10:51 AM To: Toby Frith; [EMAIL PROTECTED] Org; [EMAIL PROTECTED] Org Subject: RE: [313] Metropolis @ Royal Festival Hall There was quite a bit of tomfoolery for such a relatively 'short' event ... (it must have been an effort to get that slaughtered so quick, unless people got a head start on me) ... a couple next to me had their seats 'stolen' by two good-natured drunks, who subsequently managed to sleep through the whole thing! -Original Message- From: Toby Frith [mailto:[EMAIL PROTECTED] Sent: Thursday, May 02, 2002 10:35 AM To: Langsman, Marc; 'rob webb'; 313@hyperreal.org Subject: Re: [313] Metropolis @ Royal Festival Hall The guy who dangled himself off one of the boxes at the end of Mill's sets did some serious damage to his ankles apparently. Too much watching Quadrophenia. - Original Message - From: Langsman, Marc [EMAIL PROTECTED] To: 'rob webb' [EMAIL PROTECTED]; 313@hyperreal.org Sent: Thursday, May 02, 2002 10:27 AM Subject: RE: [313] Metropolis @ Royal Festival Hall what to make of his dj set afterwards. on one level it kicked, but on another i found to be a bit samey - other than Jupiter Jazz it was an hour's worth of hardish techno. a bit more variety would've been good I quite enjoyed it - packed full of mills/UR classics - The Bells, Changes of Life, Jaguar... though it sound like he was pumping out most of the purpose maker back catalogue ;) Was suprised that he didnt play either of the new UR tunes -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] --- --- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice.
RE: [313] Metropolis @ Royal Festival Hall
Think Im gonna have to invest in the full album - though a DVD release would be great ! I doubt if there will be a DVD release of the Mills cut of Metropolis. The Fritz Lang Erbe is really carefull about re-releases of Metropolis. When Metropolis was showed in Amsterdam the Fritz Lang Erbe demanded that it would be free for everybody. [EMAIL PROTECTED] -- DISCLAIMER De gemeente Almelo aanvaardt voor haar medewerkers geen enkele aansprakelijkheid voor eventueel onjuist, onrechtmatig of ontoelaatbaar geacht gebruik van e-mail (inclusief bijlagen). Dit e-mail bericht is door de gemeente Almelo gecontroleerd op de aanwezigheid van eventuele virussen. Wij kunnen echter geen garantie afgeven dat al onze e-mail berichten volledig virus vrij zijn. Het is daarom verstandig uw binnenkomende e-mail berichten zelf op de mogelijke aanwezigheid van virussen te controleren. -- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Metropolis @ Royal Festival Hall
I doubt if there will be a DVD release of the Mills cut of Metropolis. The Fritz Lang Erbe is really carefull about re-releases of Metropolis. When Metropolis was showed in Amsterdam the Fritz Lang Erbe demanded that it would be free for everybody. A free to download SVCD/DivX would be good if they cant do a DVD :) -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] london 9 - 12 may?
i'm thinking of coming over to london for the 3 chairs event @ plastic people, but was wondering what else is going on in london that weekend? even though i can stay at an old college mate's appartment, i feel flying over to london just for recordshopping and one party is a bit expensive [if not extremely decadent], i need another excuses to make the trip. any info appreciated. jurren _ MSN Photos is the easiest way to share and print your photos: http://photos.msn.com/support/worldwide.aspx - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Metropolis DVD release...
I doubt if there will be a DVD release of the Mills cut of Metropolis. The Fritz Lang Erbe is really carefull about re-releases of Metropolis. When Metropolis was showed in Amsterdam the Fritz Lang Erbe demanded that it would be free for everybody. When Grammenos and I saw Metropolis here in NYC last summer I seem to recall Jeff saying that he intended to do a DVD release, and that he had permission to do so. Of course this all may very well have changed since last summer. The plan is/was to place both his first edit of the film (more of a Mega-mix kind of thing) along with the final one and the sountrack all on the same disc. As to the film, I have been a fan of Lang's film ever since I first saw it in my pre-teen years. When I first picked up the Metropolis 12 on Axis, while I kind of dug it, I knew I wouldn't fully appreciate it until seeing Mills' edit of the film...and I was right too;-) The NY screening wasn't quite as mad as the London one sounds, the crowd here was definitely skewed towards the filmista set as opposed to a techno crowd. We also got a question/answer session with Jeff after the film, which doesn't sound as it would have quite come off at the London screening. Laters, m* - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Metropolis @ Royal Festival Hall
And mine too: My tuppeny worth I thought the film was almost awful. I'm glad they cut it down. God only knows why such a lumbering primary school plot originally required over two and half hours. The feeble grasp of Marxism (in the 1920s for God's sake!) is bad enough, never mind the saccharine love conquers all resolution. Oh dear. Visually, though, Metropolis entirely deserves it's reputation. The robot replica was pretty techno. Mills' music is ace, but I don't think it fitted all that well, though it worked best when it was more storming: Robot Replica and the destroy the machines scene. There were a lot of moments where I thought the music was ill timed - though it was cool to watch a film with the soundtrack as the object of interest, and I think I appreciate much more how much effort has to go into scores to be successful. Scoring for a silent movie and striking the balance between subtlety and expressing when there's no dialogue is probably even harder. I think Mills' Metropolis comes down more on the, err, Scarface side of that balance :) From where I was sat in cheap seats, the mosh pit that developed during the DJ set was pretty entertaining, though some charted accountant behind me started dancing as if he'd been restraining himself all evening at this point and whipped out one of those little light gadgets. Matt Herbert put on a great show. Though I still liked the idea of it better than the sound. I got one of those free cds which I've not listened to yet, but I might do as requested and pass it on :) Super Collider, by contrast, seemed pretty inept. I really liked the LP, but this show, IMO, was like sitting through bad performance art set to turgid trip hop (with a weak drummer to boot). Oh, and it was a tremendous view from the balcony out behind the stalls. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Metropolis @ Royal Festival Hall
The feeble grasp of Marxism (in the 1920s for God's sake!) is bad enough, never mind the saccharine love conquers all resolution. Oh dear. Naaah - you're ommitting a vital fact Jonny! This is 1930s America, happy endings and easily-comprehensible plots were virtually compulsory. Think studio system and remember political interfence/patronage (hmmm... that sounds very contemporary, 'Black Hawk Down' anyone?) Also, do you remember Frank Capra's It's A Wonderful Life? Remember the part when he tries out being dead and suddenly, in an ostensibly quite treakly, not to say twee film, we get 5 minutes of [EMAIL PROTECTED] near actualite: Gangsters, prohibition, McCarthyism, prostitution and hints of more international warefare ... then it all goes back to normal. Phew! Jimmy Stewart decides against it and all's well that ends well ... But, for me, the juxtuposition jarred so much that I wasn't really convinced that the ending depicted what Capra was essentially trying to say. I got a similar feeling in seeing Metropolis - both visually and thematically. Anyway, this all remains mho and of course you were entitled to despise it. Best, Ken -Original Message- From: Jonny McIntosh [mailto:[EMAIL PROTECTED] Sent: Thursday, May 02, 2002 12:19 PM To: [EMAIL PROTECTED] Org Subject: Re: [313] Metropolis @ Royal Festival Hall And mine too: My tuppeny worth I thought the film was almost awful. I'm glad they cut it down. God only knows why such a lumbering primary school plot originally required over two and half hours. The feeble grasp of Marxism (in the 1920s for God's sake!) is bad enough, never mind the saccharine love conquers all resolution. Oh dear. Visually, though, Metropolis entirely deserves it's reputation. The robot replica was pretty techno. Mills' music is ace, but I don't think it fitted all that well, though it worked best when it was more storming: Robot Replica and the destroy the machines scene. There were a lot of moments where I thought the music was ill timed - though it was cool to watch a film with the soundtrack as the object of interest, and I think I appreciate much more how much effort has to go into scores to be successful. Scoring for a silent movie and striking the balance between subtlety and expressing when there's no dialogue is probably even harder. I think Mills' Metropolis comes down more on the, err, Scarface side of that balance :) From where I was sat in cheap seats, the mosh pit that developed during the DJ set was pretty entertaining, though some charted accountant behind me started dancing as if he'd been restraining himself all evening at this point and whipped out one of those little light gadgets. Matt Herbert put on a great show. Though I still liked the idea of it better than the sound. I got one of those free cds which I've not listened to yet, but I might do as requested and pass it on :) Super Collider, by contrast, seemed pretty inept. I really liked the LP, but this show, IMO, was like sitting through bad performance art set to turgid trip hop (with a weak drummer to boot). Oh, and it was a tremendous view from the balcony out behind the stalls. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Metropolis @ Royal Festival Hall
- sitting through bad performance art set to turgid trip hop (with a weak drummer to boot). Is that Christian Vogel ? -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Metropolis @ Royal Festival Hall
I'd agree with the Super_Collider comments. It looked like an A-Level Art performance. Everybody seems to be raving about their new LP though. - Original Message - From: Jonny McIntosh [EMAIL PROTECTED] To: [EMAIL PROTECTED] Org 313@hyperreal.org Sent: Thursday, May 02, 2002 12:19 PM Subject: Re: [313] Metropolis @ Royal Festival Hall And mine too: My tuppeny worth I thought the film was almost awful. I'm glad they cut it down. God only knows why such a lumbering primary school plot originally required over two and half hours. The feeble grasp of Marxism (in the 1920s for God's sake!) is bad enough, never mind the saccharine love conquers all resolution. Oh dear. Visually, though, Metropolis entirely deserves it's reputation. The robot replica was pretty techno. Mills' music is ace, but I don't think it fitted all that well, though it worked best when it was more storming: Robot Replica and the destroy the machines scene. There were a lot of moments where I thought the music was ill timed - though it was cool to watch a film with the soundtrack as the object of interest, and I think I appreciate much more how much effort has to go into scores to be successful. Scoring for a silent movie and striking the balance between subtlety and expressing when there's no dialogue is probably even harder. I think Mills' Metropolis comes down more on the, err, Scarface side of that balance :) From where I was sat in cheap seats, the mosh pit that developed during the DJ set was pretty entertaining, though some charted accountant behind me started dancing as if he'd been restraining himself all evening at this point and whipped out one of those little light gadgets. Matt Herbert put on a great show. Though I still liked the idea of it better than the sound. I got one of those free cds which I've not listened to yet, but I might do as requested and pass it on :) Super Collider, by contrast, seemed pretty inept. I really liked the LP, but this show, IMO, was like sitting through bad performance art set to turgid trip hop (with a weak drummer to boot). Oh, and it was a tremendous view from the balcony out behind the stalls. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Metropolis @ Royal Festival Hall
sitting through bad performance art set to turgid trip hop (with a weak drummer to boot). Is that Christian Vogel ? No, Vogel was working working what looked like some fairly ancient equipment and even did a bit of singing at one point to add some bass to Lidells vocals. Dunno who the drummer was. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] FW: track mode party with larry heard @ demf - Venue change!!!
Passin' the information along. -Original Message- From: chrisgraydeep Sent: Thursday May 02, 2002 7:36 AM To: [EMAIL PROTECTED] Subject: track mode party with larry heard @ demf Here are the updated details, notice that there has been a venue change. Please post to 313 list: What: Track Mode Recordings Party (trackmode.com) When: Sunday May 26, 2002, during DEMF, Detroit USA Where: CPop (not the DEMF stage, but venue located on Woodward St., not far from Hart Plaza https://www.cpop.com/gu/index.asp Price: about $20 USD at open, $30 USD at peak Time: Door open at 10pm Lineup: Live performances at open: Hanna Kenny Dixon, Jr. Larry Heard (aka Mr. Fingers) DJs after live peformances: Brett Dancer (Track Mode, NYC) Robert Barrett (Music Is... Records, London) Theo Parrish (Sound Signature, Detroit) - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] london 9 - 12 may?
Jurren wrote: i feel flying over to london just for recordshopping and one party is a bit expensive [if not extremely decadent], Welcome to the wonderful world of TechnoTourism (c) :) Otto - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Metropolis @ Royal Festival Hall
Erm, it's from 1920s Germany! I've never seen It's A Wonderful Life, Oh yeah, so it is ... apologies, don't mind me - but I still like the film, the edit JM's score for the same reasons. But whatever. Anyway, what did you think of Mills' set/djing? ... I thought it was nice to have a little bird's eye view of what he was doing for a change! Man, he's fast! - although I noticed a few hiccups, as for the content, hmmm ... I thought he'd moved on but of course, I bopped along all the same... -Original Message- From: Jonny McIntosh [mailto:[EMAIL PROTECTED] Sent: Thursday, May 02, 2002 1:01 PM To: Odeluga, Ken Subject: Re: [313] Metropolis @ Royal Festival Hall Erm, it's from 1920s Germany! I've never seen It's A Wonderful Life, but I don't think there's any moment of comparable moment of lucidity in Metropolis in any case: no matter what Lang was trying to say, I can't discern any message of substance. Anyway, all in my most humble opinion :) J - Original Message - From: Odeluga, Ken [EMAIL PROTECTED] To: Jonny McIntosh [EMAIL PROTECTED]; [EMAIL PROTECTED] Org 313@hyperreal.org Sent: Thursday, May 02, 2002 12:43 PM Subject: RE: [313] Metropolis @ Royal Festival Hall The feeble grasp of Marxism (in the 1920s for God's sake!) is bad enough, never mind the saccharine love conquers all resolution. Oh dear. Naaah - you're ommitting a vital fact Jonny! This is 1930s America, happy endings and easily-comprehensible plots were virtually compulsory. Think studio system and remember political interfence/patronage (hmmm... that sounds very contemporary, 'Black Hawk Down' anyone?) Also, do you remember Frank Capra's It's A Wonderful Life? Remember the part when he tries out being dead and suddenly, in an ostensibly quite treakly, not to say twee film, we get 5 minutes of [EMAIL PROTECTED] near actualite: Gangsters, prohibition, McCarthyism, prostitution and hints of more international warefare ... then it all goes back to normal. Phew! Jimmy Stewart decides against it and all's well that ends well ... But, for me, the juxtuposition jarred so much that I wasn't really convinced that the ending depicted what Capra was essentially trying to say. I got a similar feeling in seeing Metropolis - both visually and thematically. Anyway, this all remains mho and of course you were entitled to despise it. Best, Ken -Original Message- From: Jonny McIntosh [mailto:[EMAIL PROTECTED] Sent: Thursday, May 02, 2002 12:19 PM To: [EMAIL PROTECTED] Org Subject: Re: [313] Metropolis @ Royal Festival Hall And mine too: My tuppeny worth I thought the film was almost awful. I'm glad they cut it down. God only knows why such a lumbering primary school plot originally required over two and half hours. The feeble grasp of Marxism (in the 1920s for God's sake!) is bad enough, never mind the saccharine love conquers all resolution. Oh dear. Visually, though, Metropolis entirely deserves it's reputation. The robot replica was pretty techno. Mills' music is ace, but I don't think it fitted all that well, though it worked best when it was more storming: Robot Replica and the destroy the machines scene. There were a lot of moments where I thought the music was ill timed - though it was cool to watch a film with the soundtrack as the object of interest, and I think I appreciate much more how much effort has to go into scores to be successful. Scoring for a silent movie and striking the balance between subtlety and expressing when there's no dialogue is probably even harder. I think Mills' Metropolis comes down more on the, err, Scarface side of that balance :) From where I was sat in cheap seats, the mosh pit that developed during the DJ set was pretty entertaining, though some charted accountant behind me started dancing as if he'd been restraining himself all evening at this point and whipped out one of those little light gadgets. Matt Herbert put on a great show. Though I still liked the idea of it better than the sound. I got one of those free cds which I've not listened to yet, but I might do as requested and pass it on :) Super Collider, by contrast, seemed pretty inept. I really liked the LP, but this show, IMO, was like sitting through bad performance art set to turgid trip hop (with a weak drummer to boot). Oh, and it was a tremendous view from the balcony out behind the stalls. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Metropolis @ Royal Festival Hall
Memo from Alex Bond of PricewaterhouseCoopers Start of message text Was it on this list that someone said that Mills was to change his DJ style from now on? I'm sure he'd said he was going to play different stuff, was there any of that going on last night? Was thinking on checking him in Manchester, but if he's going to go through the old routine I'll keep my money in my pocket I think. That 'do' last night sounded good, shame as always that these things can't be done out of London as well, but never mind. Us un-cultured types up here might not have understood the concept of shutting up for more than 15 minutes at a time..! Odeluga, Ken [EMAIL PROTECTED] on 02/05/2002 13:45:24 To:Jonny McIntosh [EMAIL PROTECTED], [EMAIL PROTECTED] Org 313@hyperreal.org cc: Subject:RE: [313] Metropolis @ Royal Festival Hall Erm, it's from 1920s Germany! I've never seen It's A Wonderful Life, Oh yeah, so it is ... apologies, don't mind me - but I still like the film, the edit JM's score for the same reasons. But whatever. Anyway, what did you think of Mills' set/djing? ... I thought it was nice to have a little bird's eye view of what he was doing for a change! Man, he's fast! - although I noticed a few hiccups, as for the content, hmmm ... I thought he'd moved on but of course, I bopped along all the same... -Original Message- From: Jonny McIntosh [mailto:[EMAIL PROTECTED] Sent: Thursday, May 02, 2002 1:01 PM To: Odeluga, Ken Subject: Re: [313] Metropolis @ Royal Festival Hall Erm, it's from 1920s Germany! I've never seen It's A Wonderful Life, but I don't think there's any moment of comparable moment of lucidity in Metropolis in any case: no matter what Lang was trying to say, I can't discern any message of substance. Anyway, all in my most humble opinion :) J - Original Message - From: Odeluga, Ken [EMAIL PROTECTED] To: Jonny McIntosh [EMAIL PROTECTED]; [EMAIL PROTECTED] Org 313@hyperreal.org Sent: Thursday, May 02, 2002 12:43 PM Subject: RE: [313] Metropolis @ Royal Festival Hall The feeble grasp of Marxism (in the 1920s for God's sake!) is bad enough, never mind the saccharine love conquers all resolution. Oh dear. Naaah - you're ommitting a vital fact Jonny! This is 1930s America, happy endings and easily-comprehensible plots were virtually compulsory. Think studio system and remember political interfence/patronage (hmmm... that sounds very contemporary, 'Black Hawk Down' anyone?) Also, do you remember Frank Capra's It's A Wonderful Life? Remember the part when he tries out being dead and suddenly, in an ostensibly quite treakly, not to say twee film, we get 5 minutes of [EMAIL PROTECTED] near actualite: Gangsters, prohibition, McCarthyism, prostitution and hints of more international warefare ... then it all goes back to normal. Phew! Jimmy Stewart decides against it and all's well that ends well ... But, for me, the juxtuposition jarred so much that I wasn't really convinced that the ending depicted what Capra was essentially trying to say. I got a similar feeling in seeing Metropolis - both visually and thematically. Anyway, this all remains mho and of course you were entitled to despise it. Best, Ken -Original Message- From: Jonny McIntosh [mailto:[EMAIL PROTECTED] Sent: Thursday, May 02, 2002 12:19 PM To: [EMAIL PROTECTED] Org Subject: Re: [313] Metropolis @ Royal Festival Hall And mine too: My tuppeny worth I thought the film was almost awful. I'm glad they cut it down. God only knows why such a lumbering primary school plot originally required over two and half hours. The feeble grasp of Marxism (in the 1920s for God's sake!) is bad enough, never mind the saccharine love conquers all resolution. Oh dear. Visually, though, Metropolis entirely deserves it's reputation. The robot replica was pretty techno. Mills' music is ace, but I don't think it fitted all that well, though it worked best when it was more storming: Robot Replica and the destroy the machines scene. There were a lot of moments where I thought the music was ill timed - though it was cool to watch a film with the soundtrack as the object of interest, and I think I appreciate much more how much effort has to go into scores to be successful. Scoring for a silent movie and striking the balance between subtlety and expressing when there's no dialogue is probably even harder. I think Mills' Metropolis comes down more on the, err, Scarface side of that balance :) From where I was sat in cheap seats, the mosh pit that developed during the DJ set was pretty entertaining, though some charted accountant behind me started dancing as if he'd been restraining himself all evening at this point and whipped out one of those little light gadgets. Matt Herbert put on a great show. Though I still liked the idea of it better than the sound. I got one of those free cds which I've not
RE: [313] Metropolis @ Royal Festival Hall
er and me... :And mine too: : : My tuppeny worth : :I thought the film was almost awful. I'm glad they cut it down. God only :knows why such a lumbering primary school plot originally required over two :and half hours. i guess its due to the fact that this was pretty early in the history of films and so there is quite a lot of 'dead air' so the film could be considerably shortened b y simply editing it a lot tighter to be more like modern films. :The feeble grasp of Marxism (in the 1920s for God's sake!) :is bad enough, never mind the saccharine love conquers all resolution. i would agree the ending is a little naive but why should lang have to make a marxist film simply because it is the 20s? while the film is about workers it does not mean it has to be a marxist film (in fact the fact the workers uprising was essentially a failure would suggest this was not langs intent.) - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Radio 1 Peel Sessions
get those minidisc out!! :0) thanks Toby!! -Original Message- From: Toby Frith [mailto:[EMAIL PROTECTED] Sent: 02 May 2002 14:27 To: 313 Subject: [313] Radio 1 Peel Sessions One again for the UK 313'ers - John Peel has Jeff Mills in the studio on 22.5.02 for a Peel Session. The last one in 1998 had 30 tracks in 30 mins if I remember. www.bleep43.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Radio 1 Peel Sessions
will it broadcasted on the net? fab. - Original Message - From: Toby Frith [EMAIL PROTECTED] To: 313 313@hyperreal.org Sent: Thursday, May 02, 2002 3:26 PM Subject: [313] Radio 1 Peel Sessions One again for the UK 313'ers - John Peel has Jeff Mills in the studio on 22.5.02 for a Peel Session. The last one in 1998 had 30 tracks in 30 mins if I remember. www.bleep43.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Metropolis @ Royal Festival Hall
and Jamie Liddell's giant skirt on a platform was amusing! ... the material seemed weak on first listen to me too, however. But so many such things have grown on me so I won't write it off yet ... -Original Message- From: Toby Frith [mailto:[EMAIL PROTECTED] Sent: Thursday, May 02, 2002 12:51 PM To: Jonny McIntosh; [EMAIL PROTECTED] Org Subject: Re: [313] Metropolis @ Royal Festival Hall I'd agree with the Super_Collider comments. It looked like an A-Level Art performance. Everybody seems to be raving about their new LP though. - Original Message - From: Jonny McIntosh [EMAIL PROTECTED] To: [EMAIL PROTECTED] Org 313@hyperreal.org Sent: Thursday, May 02, 2002 12:19 PM Subject: Re: [313] Metropolis @ Royal Festival Hall And mine too: My tuppeny worth I thought the film was almost awful. I'm glad they cut it down. God only knows why such a lumbering primary school plot originally required over two and half hours. The feeble grasp of Marxism (in the 1920s for God's sake!) is bad enough, never mind the saccharine love conquers all resolution. Oh dear. Visually, though, Metropolis entirely deserves it's reputation. The robot replica was pretty techno. Mills' music is ace, but I don't think it fitted all that well, though it worked best when it was more storming: Robot Replica and the destroy the machines scene. There were a lot of moments where I thought the music was ill timed - though it was cool to watch a film with the soundtrack as the object of interest, and I think I appreciate much more how much effort has to go into scores to be successful. Scoring for a silent movie and striking the balance between subtlety and expressing when there's no dialogue is probably even harder. I think Mills' Metropolis comes down more on the, err, Scarface side of that balance :) From where I was sat in cheap seats, the mosh pit that developed during the DJ set was pretty entertaining, though some charted accountant behind me started dancing as if he'd been restraining himself all evening at this point and whipped out one of those little light gadgets. Matt Herbert put on a great show. Though I still liked the idea of it better than the sound. I got one of those free cds which I've not listened to yet, but I might do as requested and pass it on :) Super Collider, by contrast, seemed pretty inept. I really liked the LP, but this show, IMO, was like sitting through bad performance art set to turgid trip hop (with a weak drummer to boot). Oh, and it was a tremendous view from the balcony out behind the stalls. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Norm Talley in Portland...
Frank Zappa wrote: i really enjoy norm talley he was one of my favorite dj's that i saw on the c-pop stage last year at the DEMF. he handed out LOTS of cd's to everyone...i got 2 they are very very good...i hope he is playing somewhere this year around the DEMF...does anyone know if he is playing??? Just noticed the details re: Norm playing an afterparty. Checkout the TechnoTourist afterparty page... http://www.technotourist.org/modules.php?op=modloadname=Partiesfile=index Can someone enlighten me on the other dj's playing this event (besides the people from Toronto)? Cheers! G - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] FW: track mode party with larry heard @ demf - Venue change!!!
I heard there was suppose to be advance tickets on sale. Is this true, and if so where can you get them? G Jones, George wrote: Passin' the information along. -Original Message- From: chrisgraydeep Sent: Thursday May 02, 2002 7:36 AM To: [EMAIL PROTECTED] Subject: track mode party with larry heard @ demf Here are the updated details, notice that there has been a venue change. Please post to 313 list: What: Track Mode Recordings Party (trackmode.com) When: Sunday May 26, 2002, during DEMF, Detroit USA Where: CPop (not the DEMF stage, but venue located on Woodward St., not far from Hart Plaza https://www.cpop.com/gu/index.asp Price: about $20 USD at open, $30 USD at peak Time: Door open at 10pm Lineup: Live performances at open: Hanna Kenny Dixon, Jr. Larry Heard (aka Mr. Fingers) DJs after live peformances: Brett Dancer (Track Mode, NYC) Robert Barrett (Music Is... Records, London) Theo Parrish (Sound Signature, Detroit) - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] FW: track mode party with larry heard @ demf - Venue change!!!
At 09:52 2-5-02 -0400, you wrote: I heard there was suppose to be advance tickets on sale. Is this true, and if so where can you get them? I asked Brett Dancer a few weeks ago, he said it was tickets at the door only. This was when it was still at the old venue though, I don't know if the venue change implies a ticket policy change? I presume not, since it's $20 at the start and $30 during peak, which is already a sort of 'presale' thing. Otto - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Norm Talley in Portland...
Some excellents mixes of Norm Talley on my Website : http://www.pulsation.com/mixes/normtalley.php3 And soon ... new mixes :) Thomas Van Steen. - Original Message - From: Frank Zappa [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Monday, April 29, 2002 7:57 PM Subject: [313] Norm Talley in Portland... One of detroit's finest in house music graced our presence here in portland oregonnorm talley came and gave us some detroit deepnessit was a good show (although the turntables had problems with skipping) i really enjoy norm talley he was one of my favorite dj's that i saw on the c-pop stage last year at the DEMF. he handed out LOTS of cd's to everyone...i got 2 they are very very good...i hope he is playing somewhere this year around the DEMF...does anyone know if he is playing??? but overall i had a good time and i even talked to a fellow 313er michael www.renegaderhythms.com __ Do You Yahoo!? Yahoo! Health - your guide to health and wellness http://health.yahoo.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] FW: track mode party with larry heard @ demf - Venue ch ange!!!
I'll check with Chris Gray on that, he asked me to forward it to the list. -Original Message- From: Gerald [mailto:[EMAIL PROTECTED] Sent: Thursday, May 02, 2002 9:53 AM To: '313@hyperreal.org' Cc: Jones, George Subject: Re: [313] FW: track mode party with larry heard @ demf - Venue change!!! I heard there was suppose to be advance tickets on sale. Is this true, and if so where can you get them? G Jones, George wrote: Passin' the information along. -Original Message- From: chrisgraydeep Sent: Thursday May 02, 2002 7:36 AM To: [EMAIL PROTECTED] Subject: track mode party with larry heard @ demf Here are the updated details, notice that there has been a venue change. Please post to 313 list: What: Track Mode Recordings Party (trackmode.com) When: Sunday May 26, 2002, during DEMF, Detroit USA Where: CPop (not the DEMF stage, but venue located on Woodward St., not far from Hart Plaza https://www.cpop.com/gu/index.asp Price: about $20 USD at open, $30 USD at peak Time: Door open at 10pm Lineup: Live performances at open: Hanna Kenny Dixon, Jr. Larry Heard (aka Mr. Fingers) DJs after live peformances: Brett Dancer (Track Mode, NYC) Robert Barrett (Music Is... Records, London) Theo Parrish (Sound Signature, Detroit) - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Radio 1 Peel Sessions
I don't mind implicating myself too - where's me CD-writer! -Original Message- From: Ian Cheshire [mailto:[EMAIL PROTECTED] Sent: Thursday, May 02, 2002 2:28 PM To: 'Toby Frith'; 313 Subject: RE: [313] Radio 1 Peel Sessions get those minidisc out!! :0) thanks Toby!! -Original Message- From: Toby Frith [mailto:[EMAIL PROTECTED] Sent: 02 May 2002 14:27 To: 313 Subject: [313] Radio 1 Peel Sessions One again for the UK 313'ers - John Peel has Jeff Mills in the studio on 22.5.02 for a Peel Session. The last one in 1998 had 30 tracks in 30 mins if I remember. www.bleep43.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Radio 1 Peel Sessions
Can someone send a url for this? - Giles D I G I T A S // B O S T O N -- Giles Dickerson Art Director 800 Boylston Street Boston, MA 02199 -- mobile 617 899 9635 office 617 369 8601 -- From: Odeluga, Ken Sent: Thursday, May 2, 2002 9:53 AM To: Ian Cheshire; [EMAIL PROTECTED] Org; Toby Frith Subject: RE: [313] Radio 1 Peel Sessions I don't mind implicating myself too - where's me CD-writer! -Original Message- From: Ian Cheshire [mailto:[EMAIL PROTECTED] Sent: Thursday, May 02, 2002 2:28 PM To: 'Toby Frith'; 313 Subject: RE: [313] Radio 1 Peel Sessions get those minidisc out!! :0) thanks Toby!! -Original Message- From: Toby Frith [mailto:[EMAIL PROTECTED] Sent: 02 May 2002 14:27 To: 313 Subject: [313] Radio 1 Peel Sessions One again for the UK 313'ers - John Peel has Jeff Mills in the studio on 22.5.02 for a Peel Session. The last one in 1998 had 30 tracks in 30 mins if I remember. www.bleep43.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Fw: Jeff Mills Peel Session
John Peel and Radio One present 10.30pm, Wednesday May 22nd Jeff Mills Exclusive Mix On the 5th of May, 1998 at the BBC's Maida Vale studios in London, John Peel hosted one of his legendary Peel Sessions. His guest on this occasion was Jeff Mills - DJ, Producer, Conceptual Artist - one of electronic music's most innovative and influential figures. From the mid 80s, Mills carved a musical path that quickly established him as a true pioneer. From early experiences DJing on Detroit radio station WJLB as The Wizard, his mesmerising deck skills brought inspiration to a generation of musicians and performers who are themselves seen today as key figures in the birth of techno music. Later, as a founding member of seminal techno outfit Underground Resistance, his talent manifested itself through musical production. When he and fellow UR founder, 'Mad' Mike Banks, parted company, Mills' solo production career took flight and it was here that his artistic agenda became clear. There aren't many artists who you can credit as inventing the genre of minimal techno - a style so commonplace and copied these days that it's difficult to imagine a time when there it wasn't the loop-based norm. Flashback to May 1998. After Mills rocks three decks before the small gathered crowd, John Peel once again takes control of the airwaves and is virtually speechless - struggling to find words to articulate not only the sonic qualities of the last 45 minutes, but the visual spectacle not witnessed by the listeners at home. On Wednesday May 22nd, 2002, Jeff Mills returns to John Peel's show for his second ever Peel Session. Playing before a small crowd of fans and the listening public at home, this will be a very special occasion. Look out for Jeff's full-length CD, 'Actual' - released on June 3rd. This album contains new and unreleased material - forthcoming as continuing parts of the Axis-009 series, which will eventually be released as AX-009C and AX-009D vinyl instalments. Jeff mills plays the following UK dates: May 24 Tribal Sessions @ Sankeys Soap - Manchester May 25 Shine @ QBSU - Belfast May 31 Pressure @ The Arches - Glasgow June 1 Homelands @ Winchester Bowl - Winchester June 2 Redbox - Dublin - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Metropolis DVD release...
I can verify that at least as of last summer, he intended to get the DVD released. He said so point-blank to the crowd at a Recordtime Roseville appearance. -Original Message- From: Mark S. Krüx [mailto:[EMAIL PROTECTED] Sent: Thursday, May 02, 2002 7:07 AM To: Jongsma, K.J.; [EMAIL PROTECTED] Org Subject: Re: [313] Metropolis DVD release... I doubt if there will be a DVD release of the Mills cut of Metropolis. The Fritz Lang Erbe is really carefull about re-releases of Metropolis. When Metropolis was showed in Amsterdam the Fritz Lang Erbe demanded that it would be free for everybody. When Grammenos and I saw Metropolis here in NYC last summer I seem to recall Jeff saying that he intended to do a DVD release, and that he had permission to do so. Of course this all may very well have changed since last summer. The plan is/was to place both his first edit of the film (more of a Mega-mix kind of thing) along with the final one and the sountrack all on the same disc. As to the film, I have been a fan of Lang's film ever since I first saw it in my pre-teen years. When I first picked up the Metropolis 12 on Axis, while I kind of dug it, I knew I wouldn't fully appreciate it until seeing Mills' edit of the film...and I was right too;-) The NY screening wasn't quite as mad as the London one sounds, the crowd here was definitely skewed towards the filmista set as opposed to a techno crowd. We also got a question/answer session with Jeff after the film, which doesn't sound as it would have quite come off at the London screening. Laters, m* - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] FW: track mode party with larry heard @ demf - Venue change!!!
On Thu, 2 May 2002, Otto wrote: At 09:52 2-5-02 -0400, you wrote: I heard there was suppose to be advance tickets on sale. Is this true, and if so where can you get them? I asked Brett Dancer a few weeks ago, he said it was tickets at the door only. This was when it was still at the old venue though, I don't know if the venue change implies a ticket policy change? I presume not, since it's $20 at the start and $30 during peak, which is already a sort of 'presale' thing. All I know is that I'll be there when the doors open. As, I imagine, will Otto! - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Radio 1 Peel Sessions
http://www.bbc.co.uk/radio1/ then you can listen to whatever is on. http://www.bbc.co.uk/radio1/alt/peel.shtml for peel stuff :-Original Message- :From: Giles Dickerson [mailto:[EMAIL PROTECTED] :Sent: Thursday, May 02, 2002 2:59 PM :To: Ian Cheshire; [EMAIL PROTECTED] Org; Toby Frith; Odeluga, Ken :Subject: RE: [313] Radio 1 Peel Sessions : : :Can someone send a url for this? : :- Giles : :D I G I T A S // B O S T O N :-- :Giles Dickerson :Art Director :800 Boylston Street :Boston, MA :02199 :-- :mobile 617 899 9635 :office 617 369 8601 : : -- : From:Odeluga, Ken : Sent:Thursday, May 2, 2002 9:53 AM : To: Ian Cheshire; [EMAIL PROTECTED] Org; Toby Frith : Subject: RE: [313] Radio 1 Peel Sessions : : I don't mind implicating myself too - where's me CD-writer! : : -Original Message- : From: Ian Cheshire [mailto:[EMAIL PROTECTED] : Sent: Thursday, May 02, 2002 2:28 PM : To: 'Toby Frith'; 313 : Subject: RE: [313] Radio 1 Peel Sessions : : : get those minidisc out!! :0) : : thanks Toby!! : : -Original Message- : From: Toby Frith [mailto:[EMAIL PROTECTED] : Sent: 02 May 2002 14:27 : To: 313 : Subject: [313] Radio 1 Peel Sessions : : : One again for the UK 313'ers - John Peel has Jeff Mills in the studio on : 22.5.02 for a Peel Session. The last one in 1998 had 30 tracks in : 30 mins if : I remember. : : : www.bleep43.com : : : : : - : To unsubscribe, e-mail: [EMAIL PROTECTED] : For additional commands, e-mail: [EMAIL PROTECTED] : : - : To unsubscribe, e-mail: [EMAIL PROTECTED] : For additional commands, e-mail: [EMAIL PROTECTED] : : : - : To unsubscribe, e-mail: [EMAIL PROTECTED] : For additional commands, e-mail: [EMAIL PROTECTED] : : : : :- :To unsubscribe, e-mail: [EMAIL PROTECTED] :For additional commands, e-mail: [EMAIL PROTECTED] : : - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Metropolis DVD release...
excellent news¬! -Original Message- From: LR2 [mailto:[EMAIL PROTECTED] Sent: 02 May 2002 15:10 To: 'Mark S. Krüx'; 'Jongsma, K.J.'; '[EMAIL PROTECTED] Org' Subject: RE: [313] Metropolis DVD release... I can verify that at least as of last summer, he intended to get the DVD released. He said so point-blank to the crowd at a Recordtime Roseville appearance. -Original Message- From: Mark S. Krüx [mailto:[EMAIL PROTECTED] Sent: Thursday, May 02, 2002 7:07 AM To: Jongsma, K.J.; [EMAIL PROTECTED] Org Subject: Re: [313] Metropolis DVD release... I doubt if there will be a DVD release of the Mills cut of Metropolis. The Fritz Lang Erbe is really carefull about re-releases of Metropolis. When Metropolis was showed in Amsterdam the Fritz Lang Erbe demanded that it would be free for everybody. When Grammenos and I saw Metropolis here in NYC last summer I seem to recall Jeff saying that he intended to do a DVD release, and that he had permission to do so. Of course this all may very well have changed since last summer. The plan is/was to place both his first edit of the film (more of a Mega-mix kind of thing) along with the final one and the sountrack all on the same disc. As to the film, I have been a fan of Lang's film ever since I first saw it in my pre-teen years. When I first picked up the Metropolis 12 on Axis, while I kind of dug it, I knew I wouldn't fully appreciate it until seeing Mills' edit of the film...and I was right too;-) The NY screening wasn't quite as mad as the London one sounds, the crowd here was definitely skewed towards the filmista set as opposed to a techno crowd. We also got a question/answer session with Jeff after the film, which doesn't sound as it would have quite come off at the London screening. Laters, m* - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] What ever happened to AxisWear ?
I remember reading that Jeff was gonna release his own AxisWear clothing line ages ago - does anyone know if anything ever came of this ? *crazy-guy* :) Marc -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Metropolis @ Royal Festival Hall
:I thought the film was almost awful. I'm glad they cut it down. God only :knows why such a lumbering primary school plot originally required over two :and half hours. I dunno, I've seen it 3 or 4 times over the years. It's as much a fairy tale as Snow White; it's as far from naturalistic as one can get. You can see that as corny, or you can see it as the armature that Lang hangs his amazing visual ideas on. The editing style and visual vocabulary of silent movies is completely different from what came after; you need to get your rhythm in sync with the odd pacing to really enjoy it. I think Mills' fascination with Metropolis came out of it's futurism; Mills own preoccupation with futurism meshes nicely with it... And this is verging even MORE off topic, but most movies from the 20s and 30s seem really strangely edited to modern ideas. Last Xmas I got sucked into watching 'It's a Wonderful Life' and it dawned on me that Frank Capra was one of the very first directors to find a really fluid, brisk, editing style. Even Charlie Chaplin's silent features seem alternately slow and choppy by comparison - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] FW: track mode party with larry heard @ demf - Venue ch ange!!!
Just re-confirmed with Chris that there will NOT be any pre-sale tickets for this event. Oh well... Such is life. -Original Message- From: Gerald [mailto:[EMAIL PROTECTED] Sent: Thursday, May 02, 2002 9:53 AM To: '313@hyperreal.org' Cc: Jones, George Subject: Re: [313] FW: track mode party with larry heard @ demf - Venue change!!! I heard there was suppose to be advance tickets on sale. Is this true, and if so where can you get them? G Jones, George wrote: Passin' the information along. -Original Message- From: chrisgraydeep Sent: Thursday May 02, 2002 7:36 AM To: [EMAIL PROTECTED] Subject: track mode party with larry heard @ demf Here are the updated details, notice that there has been a venue change. Please post to 313 list: What: Track Mode Recordings Party (trackmode.com) When: Sunday May 26, 2002, during DEMF, Detroit USA Where: CPop (not the DEMF stage, but venue located on Woodward St., not far from Hart Plaza https://www.cpop.com/gu/index.asp Price: about $20 USD at open, $30 USD at peak Time: Door open at 10pm Lineup: Live performances at open: Hanna Kenny Dixon, Jr. Larry Heard (aka Mr. Fingers) DJs after live peformances: Brett Dancer (Track Mode, NYC) Robert Barrett (Music Is... Records, London) Theo Parrish (Sound Signature, Detroit) - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Metropolis @ Royal Festival Hall
who the hell are all these people? since when has london had hordes of beer swilling mills fans.? Hallo... Maybe you guys have never met Rob Webb ?!?;) Peace, Matt MacQueen - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Radio 1 Peel Sessions
Broadband + BBC Webcast + Cooledit + CDRW = SoRtEd :D -Original Message- From: Odeluga, Ken [mailto:[EMAIL PROTECTED] Sent: Thursday, May 02, 2002 2:54 PM To: Ian Cheshire; [EMAIL PROTECTED] Org; Toby Frith Subject: RE: [313] Radio 1 Peel Sessions I don't mind implicating myself too - where's me CD-writer! -Original Message- From: Ian Cheshire [mailto:[EMAIL PROTECTED] Sent: Thursday, May 02, 2002 2:28 PM To: 'Toby Frith'; 313 Subject: RE: [313] Radio 1 Peel Sessions get those minidisc out!! :0) thanks Toby!! -Original Message- From: Toby Frith [mailto:[EMAIL PROTECTED] Sent: 02 May 2002 14:27 To: 313 Subject: [313] Radio 1 Peel Sessions One again for the UK 313'ers - John Peel has Jeff Mills in the studio on 22.5.02 for a Peel Session. The last one in 1998 had 30 tracks in 30 mins if I remember. www.bleep43.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] You can all worship me now...
...because I'm the first on this list to mention the mix by 2 Many DJ's Still doubting why I'm to be worshipped? http://www.2manydjs.org/ Oh yeah, check out that tracklist. Still doubting? Then bugger-off you ignoramous. Tosh -- Twelve Hundred Group http://www.1200group.com/ - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] You can all worship me now...
check out the track by track page - notice anything strange about the sleeve for french kiss? :p :-Original Message- :From: Tosh Cooey [mailto:[EMAIL PROTECTED] :Sent: Thursday, May 02, 2002 5:26 PM :To: 313@hyperreal.org :Subject: [313] You can all worship me now... : : :...because I'm the first on this list to mention the mix by 2 Many DJ's : :Still doubting why I'm to be worshipped? :http://www.2manydjs.org/ : :Oh yeah, check out that tracklist. : :Still doubting? Then bugger-off you ignoramous. : :Tosh :-- :Twelve Hundred Group :http://www.1200group.com/ : :- :To unsubscribe, e-mail: [EMAIL PROTECTED] :For additional commands, e-mail: [EMAIL PROTECTED] : : - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] You can all worship me now...
http://www.2manydjs.org/ Oh yeah, check out that tracklist. Heh - I like this bit (about licensing Adult's 'Hand to Phone'): 2 many dj's: we couldn't use the carl craig remix for some reason, so we re-edited the whole song in a way that resembled his mix 2 many clearances: first there was a problem because we accidentally asked for a 'carl cox-mix', then it seemed that carl craig didn't want anything to do with DJ-compilation that also included dolly parton Big up C2 :) Cheers, Tom - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Norm Talley in Portland...
Nice one from Fabrice Lig on there as well. Second time listening to it today.. Thanks for the link! -Pete -Original Message- From: Thomas Van Steen. [mailto:[EMAIL PROTECTED] Sent: Thursday, May 02, 2002 9:52 AM To: 313@hyperreal.org Subject: Re: [313] Norm Talley in Portland... Some excellents mixes of Norm Talley on my Website : http://www.pulsation.com/mixes/normtalley.php3 And soon ... new mixes :) Thomas Van Steen. - Original Message - From: Frank Zappa [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Monday, April 29, 2002 7:57 PM Subject: [313] Norm Talley in Portland... One of detroit's finest in house music graced our presence here in portland oregonnorm talley came and gave us some detroit deepnessit was a good show (although the turntables had problems with skipping) i really enjoy norm talley he was one of my favorite dj's that i saw on the c-pop stage last year at the DEMF. he handed out LOTS of cd's to everyone...i got 2 they are very very good...i hope he is playing somewhere this year around the DEMF...does anyone know if he is playing??? but overall i had a good time and i even talked to a fellow 313er michael www.renegaderhythms.com __ Do You Yahoo!? Yahoo! Health - your guide to health and wellness http://health.yahoo.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Carl Craig on Stevie Wonder's Innervisions
http://www.metrotimes.com/editorial/story.asp?id=3212 It's a pretty record. The ideas are stated wonderfully, but it sonically captures the landscape of the city. Listen to Innervisions driving down Gratiot or Mack and it's an instant urban sound track. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Underground Committee Mixes Back Up...
Underground Committee has been revamped and the mixes by the following DJ's are now available again in the archives section. Larry Heard, Ray Dilla, Jools Butterfield (Nuphonic), Bernard Badie, Mike Clark (Planet E), Jaime Delgado, Javier Drada, Jonny McIntosh, Walter Merlin Jones , The Black FU, Thomas Barnett (Visillusion) and DJ K-1 (Puzzle Box) Also available on the main page, Deep House Session: Aqua Bassino - Baby C'mon - F-Communications Maurizio - Domina [Maurizio Mix] - Basic Channel Bobby D'Ambrosio - Special - Definity Records Swag - Te Puedo Liberar - White Label Shaboom - Sweet Sensation [Mick's Discotizer Mix] - Warner(UK) Jasper Street Company - Smile - Basement Boys Speedbump - Deeper [Club Edit] - BMG(Sweden) Andy Caldwell - I Can't Wait [Original Flavor Mix] - OM Records Wam Kidz - In Love Again - Earth Records Fabrice Lig presents Mauler - PGM 300 - Keynote Records Gemini - Where You Belong - Cyclo Records The Rurals - Window Pain - Peng JT Donaldson - An Open Mic - Cyclo Records Urban Soul - Show Me [Def Club Mix] - King Street Sounds Phunkie Souls - The Music [Richard F. Defected Re-Edit] - Strictly Rhythm PQM feat. Cica - The Flying Song [PQM's Amped Up Mix] - Yoshitoshi http://www.undergroundcommittee.com _ MSN Photos is the easiest way to share and print your photos: http://photos.msn.com/support/worldwide.aspx - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] PAN records
Anyone have a discog for them? - nice deep house stuff sort of like Glasgow Underground. MEK - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] PAN records
Anyone have a discog for them? - nice deep house stuff sort of like Glasgow Underground. This is the only place I know of: http://www.discogs.com/label/PAN PAN has released some awesome stuff, but haven't seen anything new in a while. Anyone know what's up? 008 - 010 - 012 are my favorites, soulfull offbeat deep-house Bart www.freestylegrooves.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Metropolis @ Royal Festival Hall
On Thu, May 02, 2002 at 12:43:22PM +0100, Odeluga, Ken wrote: The feeble grasp of Marxism (in the 1920s for God's sake!) is bad enough, never mind the saccharine love conquers all resolution. Oh dear. Naaah - you're ommitting a vital fact Jonny! This is 1930s America, happy endings and easily-comprehensible plots were virtually compulsory. Think studio system and remember political interfence/patronage (hmmm... that sounds very contemporary, 'Black Hawk Down' anyone?) Well, actually... When _Metropolis_ was made, Lang was still a part of the _German_ studio system, and if you've seen any of his other Weimar-era movies (_M_, _Dr Mabuse_, _Frau im Mond_), you know that there's more happening in his movies than is immediately apparent. In _Metropolis_, for instance, isn't it striking the way that the supposedly cool, rational leaders of the City of Science that is the Metropolis rely so heavily upon the occultist Rottwang? And aren't the workers _purposefully_ portrayed as easily-duped sheep? It seems to me that the ending is a lot more ambiguous than it portrays itself. The Expressionists loved to use broad strokes to hide all sorts of disturbing stuff under the surface. It's hard to see some of the themes in edited versions -- I saw a full cut of _Metropolis_ once, a long time ago, and was struck by how much more the movie is about than its surface story. It's a different rhythm, sure, but there's a lot to reward your time if you can adapt to it. Something that can be said about Mills' music as well. I think it's great that he chose a movie that so perfectly captures the ambiguities implicit in Detroit's history, as well as techno itself, for his first score project. I really really want to see it myself. F -- . . . the self-reflecting image of a narcotized mind . . . ozymandias G desiderata [EMAIL PROTECTED] desperate, deathless (415)823-6356 http://www.pushby.com/forrest/ ::AOAIOXXYSZ:: - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] dollis hill radio
incl. r-solution ... http://www.nuwaveradio.co.uk/ nu-era eclectic 80ies show comin up this friday - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Shameless plug
Hi, Just a small reminder for everyone who lives in Holland: This Saturday my favorite techno act Duplex will give their first live appearance at the Burgerweeshuis in Deventer (Holland). Rebelbass (Burgerweeshuis, Deventer) - Duplex (DJ + Live!) Clone/Keynote - The Moderator (Live) Keynote/TechnoTourist/Eevolute - Lady Aida (DJ) Booty and acid by: - DJ Merijn - DJ Draft Be early, duplex will be opening the night with a DJ set, followed by their live set. I'll be playing after them (That's the plug part :)) Expect a full report on TechoTourist.org Need more info? http://www.rebelbass.com http://www.burgerweeshuis.nl -- [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
