(313) Laurent Garnier
Anyone have any more thoughts on The Cloud Making Machine? I enjoyed it. My favourite track is Huis Clos - very Morricone. Evocative, filmic interesting album.
Re: (313) Octave One - Somedays
I think that's a bit of a harsh opinion! I hear it sounding very similar to Black Water, maybe even trying to recapture that sound in another EP. Is that Ann Saunderson on vocals? I quite like the vocal bit, but the Instrumental sounds quite the jam to me! Dennis On Thu, 17 Mar 2005, Maarten Baute wrote: And since when is Octave One making progressive house? http://www.juno.co.uk/products/173198-01.htm I'm not feeling this at all. Sorry. Cheers, Maarten - http://www.morthenkiang.com/
Re: (313) Re: SPAM-LOW: Re: (313) Rob Hood - Sleepcycles
i just heard rob is playing LIVE in detroit, and listmember (and fellow north carolinian yeahhh!) jamaul redmond LIVE alongside him (very rob hood style, actually superior to much of rob's stuff!), along with a bunch of other nice names (which were not elaborated) sometime next month...something thrown by those detroittechnomilitia guys i think? whats the info jamaul?!? you still on here? congrats and have fun! sounds dope!! -Original Message- From: [EMAIL PROTECTED] Sent: Mar 17, 2005 6:59 PM To: Tristan Watkins [EMAIL PROTECTED] Cc: [EMAIL PROTECTED], 313 Mailinglist List 313@hyperreal.org, [EMAIL PROTECTED], Klaa s-Jan Jongsma [EMAIL PROTECTED] Subject: Re: (313) Re: SPAM-LOW: Re: (313) Rob Hood - Sleepcycles I have to support those that support Rob. I think he is one of the best DJs out of Detroit, always playing things LIVE, spontaneous, and just plain however he wants. I don't think I've seen him out of form. This is a DJ that doesn't hesitate to go from hard techno to deep house to old acid to Classic Detroit Trax, and back and forth. I LOVE hearing him mix records... Dennis On Wed, 16 Mar 2005, Tristan Watkins wrote: I'm with Ian. Hadn't seen him until a couple of years ago but each of the 3 or 4 times since then have been wicked. KJ, your descriptions of his Dutch sets have always really baffled me! Only one of those sets felt unfunky to me, but in that case the brutality made up for it. Generally I find he plays some pretty deep stuff (if at 140-150 bpm) and generally a fair amount of his own stuff. And he's been one of the tightest mixers I've seen on each occasion. Sometimes it even seems like he mixes minimal techno like a deep house DJ, with really long blends, etc. Sounds weird but seems that way to me. Oh, and he sh*ts on the rest of the world from a great height when it comes to the 909. *Really* looking forward to he and Passarani at Fabric next Saturday (and Akufen and Crackhaus who I probably won't see because I'll be watching the other two all night, err at least a good chunk of it following some time at Flushpoint). Tristan === [EMAIL PROTECTED] http://www.phonopsia.co.uk Original message Subject: SPAM-LOW: Re: (313) Rob Hood - Sleepcycles Author: [EMAIL PROTECTED] Date: 16th March 2005 4:55:1 what? I can't believe thathe played at Split party in London and people were ravinf about him being on form..I saw him at the Custard Factory in Birmmingham a year or so ago and he was unreal! I have never heard him train wreck, honest. On Mar 16, 2005, at 3:29 PM, [EMAIL PROTECTED] wrote: I remember when I was a mere cheeky young scamp, and one day Rob Hood played at Swankys Soap in Manchester. He played a nice sounding record. I wandered up to the box. Kinda knew him to talk to at the time Hi Rob I said, in a polite voice. What's this record please? So you actually heard him play a good set recently? I heard him last saturday after 3 years avoiding him because of other horrible sets from the man. I have to say that he couldn't get a straight mix (and i am talking serious train-wrecks here) in the first 45 minutes. Once again his whole set was filled with nothing more then non-inspirational, non-funky music. We have chords and scales for a reason, they make music sound good, please use them. After Rob Hood however came James Ruskin and he was quite good to be honest. He dropped some more funkier stuff and even some Blaze, Blake Baxter and Electroids... I am so disappointed in Rob Hood the last couple of years, what happened to the Minimal Nation? Did the US listed it as a country that supported terrorism or what? KJ
Re: (313) dj entropy
i don't think so - if he was we'd know about it. he's not one who lurks. i first crossed electronic paths with him years back on new york city-raves. i was surprised when he showed up on 313, given that he's into a genre called cheesestep. maybe google will point you in the right direction. james www.jbucknell.com matt kane's brain [EMAIL PROTECTED] To 18/03/05 03:15 AM 313@hyperreal.org cc Subject (313) dj entropy is this dude still on the list? i was reminded of his existence yesterday. -- unsigned short int to_yer_mama; matt kane's brain http://www.hydrogenproject.com [EMAIL PROTECTED] || AIM: mkbatwerk ForwardSourceID:NT0001BA26
RE: (313) Octave One - Somedays
i second that statmement. i didnt like the tripple either dont get me wrong ill still bang some older octave ones but this new sh!t has to go. ryan From: Maarten Baute [EMAIL PROTECTED] And since when is Octave One making progressive house? http://www.juno.co.uk/products/173198-01.htm I'm not feeling this at all. Sorry. Cheers, Maarten - http://www.morthenkiang.com/
Re: (313) OOPS
Brian Prince wrote: [EMAIL PROTECTED] said: I don't even read what it says on my records anymore. I just know them by the colors and pictures mostly. Like, I know I have a green Drexciya record. And a blue one. And a couple others, they are in that one crate, hopefully, right next to the stack of books. A little to the left... I'm sort of the opposite of a trainspotter! That's okay. At times my CD collection has been sorted chromatically by spine color. Only way I can reliably find anything. I did the same with all my records at one stage. It looked purty. I found it was easy to find specific records with coloured sleeves, but anything with a black or white sleeve eventually became a bit of a b*tch.
Re: (313) OOPS
I place a colour every 10 black or white sleaves, and I remember them by placement.. so if i'm a bit off, its only 5 records away from being found :) go brain go! On 18/03/2005, at 12:48 PM, David Gillies wrote: Brian Prince wrote: [EMAIL PROTECTED] said: I don't even read what it says on my records anymore. I just know them by the colors and pictures mostly. Like, I know I have a green Drexciya record. And a blue one. And a couple others, they are in that one crate, hopefully, right next to the stack of books. A little to the left... I'm sort of the opposite of a trainspotter! That's okay. At times my CD collection has been sorted chromatically by spine color. Only way I can reliably find anything. I did the same with all my records at one stage. It looked purty. I found it was easy to find specific records with coloured sleeves, but anything with a black or white sleeve eventually became a bit of a b*tch.
Re: (313) OOPS
i too have many many records i have no idea who the artist is or the track name. not that ehy aren't on the record, but it's not how i identify and know them. when pitch adjustable cd players first came out i bought one. but i found that the thing i disliked the most about djing with cds was that it involved a different mental process to find the next track i wanted to play. with records i flick through my box and, if i'm on point, the next record practically leaps out, no thinking about who the artist is, what the track is called. no thought involved. but with cds i had to stop and think - what tracks are on here. no cd ever leapt out. i found it really ruined the exprerience of djing for me. james www.jbucknell.com r [EMAIL PROTECTED] music.net To David Gillies [EMAIL PROTECTED] 18/03/05 12:52 PM cc 313@hyperreal.org Subject Re: (313) OOPS I place a colour every 10 black or white sleaves, and I remember them by placement.. so if i'm a bit off, its only 5 records away from being found :) go brain go! On 18/03/2005, at 12:48 PM, David Gillies wrote: Brian Prince wrote: [EMAIL PROTECTED] said: I don't even read what it says on my records anymore. I just know them by the colors and pictures mostly. Like, I know I have a green Drexciya record. And a blue one. And a couple others, they are in that one crate, hopefully, right next to the stack of books. A little to the left... I'm sort of the opposite of a trainspotter! That's okay. At times my CD collection has been sorted chromatically by spine color. Only way I can reliably find anything. I did the same with all my records at one stage. It looked purty. I found it was easy to find specific records with coloured sleeves, but anything with a black or white sleeve eventually became a bit of a b*tch. ForwardSourceID:NT0001BAF2
Re: (313) OOPS
I suppose the remedy to that is to burn off a bunch of CDs with tracks you might use that night - then you've mentally attached yourself to the CDs (if that makes any sense). Would make it easier to remember what song is on each CD but also a pain in the butt to prepare. MEK [EMAIL PROTECTED] adersDigest.com To 03/17/2005 08:24 r [EMAIL PROTECTED] PM cc 313@hyperreal.org, David Gillies [EMAIL PROTECTED] Subject Re: (313) OOPS i too have many many records i have no idea who the artist is or the track name. not that ehy aren't on the record, but it's not how i identify and know them. when pitch adjustable cd players first came out i bought one. but i found that the thing i disliked the most about djing with cds was that it involved a different mental process to find the next track i wanted to play. with records i flick through my box and, if i'm on point, the next record practically leaps out, no thinking about who the artist is, what the track is called. no thought involved. but with cds i had to stop and think - what tracks are on here. no cd ever leapt out. i found it really ruined the exprerience of djing for me. james www.jbucknell.com r [EMAIL PROTECTED] music.net To David Gillies [EMAIL PROTECTED] 18/03/05 12:52 PM cc 313@hyperreal.org Subject Re: (313) OOPS I place a colour every 10 black or white sleaves, and I remember them by placement.. so if i'm a bit off, its only 5 records away from being found :) go brain go! On 18/03/2005, at 12:48 PM, David Gillies wrote: Brian Prince wrote: [EMAIL PROTECTED] said: I don't even read what it says on my records anymore. I just know them by the colors and pictures mostly. Like, I know I have a green Drexciya record. And a blue one. And a couple others, they are in that one crate, hopefully, right next to the stack of books. A little to the left... I'm sort of the opposite of a trainspotter! That's okay. At times my CD collection has been sorted chromatically by spine color. Only way I can reliably find anything. I did the same with all my records at one stage. It looked purty. I found it was easy to find specific records with coloured sleeves, but anything with a black or white sleeve eventually became a bit of a b*tch. ForwardSourceID:NT0001BAF2
RE: (313) Laurent Garnier
Yep, I agree with you, enjoying it thoroughly. Haven't spent enough time with it to comment on individual tunes yet, or really soaking in all the sounds, but definitely like what I am hearing so far. Seems like a good headphone album, perhaps aside from the rock song waiting for my plane. Suppose that should be played loudly somewhere. Curious to know if this cloud making machine made the little cloud that soul designer walks on? Cheers, Adam -Original Message- From: Cyclone Wehner [mailto:[EMAIL PROTECTED] Sent: Thursday, March 17, 2005 7:10 PM To: 313 Detroit Subject: (313) Laurent Garnier Anyone have any more thoughts on The Cloud Making Machine? I enjoyed it. My favourite track is Huis Clos - very Morricone. Evocative, filmic interesting album. -- No virus found in this incoming message. Checked by AVG Anti-Virus. Version: 7.0.308 / Virus Database: 266.7.3 - Release Date: 3/15/2005 -- No virus found in this outgoing message. Checked by AVG Anti-Virus. Version: 7.0.308 / Virus Database: 266.7.3 - Release Date: 3/15/2005
Re: (313) Re: SPAM-LOW: Re: (313) Rob Hood - Sleepcycles
http://www.detroitluv.com/index.php?topic=23340.45 I'd like to preface this by saying this lineup is tentative: Friday Night (List still growing) Sean Deason Dimitri Pike Popkan Mitch Walcott Brian Kage Kero Lee Curtiss Ryan Brogan Saturday Night Fabrice Lig Infinite Grey John Tejada John Clees Andy James Element8 Jason Patrick Josh Surma Derek Plasleiko Ryan Brogan Sunday Night Scan7 Alan Oldham Clandestine Rob Hood Ultradyne T. Linder Darkcube Ja'Maul Redmond Andy Hegler Annix Dan Lucas Niel V Manasyt Monday Night Twonz Docile Killbot Ryan Brogan Big Joe Hicks J.T. [EMAIL PROTECTED] 03/17/2005 07:39 PM Please respond to J.T. [EMAIL PROTECTED] To [EMAIL PROTECTED], Tristan Watkins [EMAIL PROTECTED] cc [EMAIL PROTECTED], 313 Mailinglist List 313@hyperreal.org Subject Re: (313) Re: SPAM-LOW: Re: (313) Rob Hood - Sleepcycles i just heard rob is playing LIVE in detroit, and listmember (and fellow north carolinian yeahhh!) jamaul redmond LIVE alongside him (very rob hood style, actually superior to much of rob's stuff!), along with a bunch of other nice names (which were not elaborated) sometime next month...something thrown by those detroittechnomilitia guys i think? whats the info jamaul?!? you still on here? congrats and have fun! sounds dope!! -Original Message- From: [EMAIL PROTECTED] Sent: Mar 17, 2005 6:59 PM To: Tristan Watkins [EMAIL PROTECTED] Cc: [EMAIL PROTECTED], 313 Mailinglist List 313@hyperreal.org, [EMAIL PROTECTED], Klaa s-Jan Jongsma [EMAIL PROTECTED] Subject: Re: (313) Re: SPAM-LOW: Re: (313) Rob Hood - Sleepcycles I have to support those that support Rob. I think he is one of the best DJs out of Detroit, always playing things LIVE, spontaneous, and just plain however he wants. I don't think I've seen him out of form. This is a DJ that doesn't hesitate to go from hard techno to deep house to old acid to Classic Detroit Trax, and back and forth. I LOVE hearing him mix records... Dennis On Wed, 16 Mar 2005, Tristan Watkins wrote: I'm with Ian. Hadn't seen him until a couple of years ago but each of the 3 or 4 times since then have been wicked. KJ, your descriptions of his Dutch sets have always really baffled me! Only one of those sets felt unfunky to me, but in that case the brutality made up for it. Generally I find he plays some pretty deep stuff (if at 140-150 bpm) and generally a fair amount of his own stuff. And he's been one of the tightest mixers I've seen on each occasion. Sometimes it even seems like he mixes minimal techno like a deep house DJ, with really long blends, etc. Sounds weird but seems that way to me. Oh, and he sh*ts on the rest of the world from a great height when it comes to the 909. *Really* looking forward to he and Passarani at Fabric next Saturday (and Akufen and Crackhaus who I probably won't see because I'll be watching the other two all night, err at least a good chunk of it following some time at Flushpoint). Tristan === [EMAIL PROTECTED] http://www.phonopsia.co.uk Original message Subject: SPAM-LOW: Re: (313) Rob Hood - Sleepcycles Author:[EMAIL PROTECTED] Date: 16th March 2005 4:55:1 what? I can't believe thathe played at Split party in London and people were ravinf about him being on form..I saw him at the Custard Factory in Birmmingham a year or so ago and he was unreal! I have never heard him train wreck, honest. On Mar 16, 2005, at 3:29 PM, [EMAIL PROTECTED] wrote: I remember when I was a mere cheeky young scamp, and one day Rob Hood played at Swankys Soap in Manchester. He played a nice sounding record. I wandered up to the box. Kinda knew him to talk to at the time Hi Rob I said, in a polite voice. What's this record please? So you actually heard him play a good set recently? I heard him last saturday after 3 years avoiding him because of other horrible sets from the man. I have to say that he couldn't get a straight mix (and i am talking serious train-wrecks here) in the first 45 minutes. Once again his whole set was filled with nothing more then non-inspirational, non-funky music. We have chords and scales for a reason, they make music sound good, please use them. After Rob Hood however came James Ruskin and he was quite good to be honest. He dropped some more funkier stuff and even some Blaze, Blake Baxter and Electroids... I am so disappointed in Rob Hood the last couple of years, what happened to the Minimal Nation? Did the US listed it as a country that supported terrorism or what? KJ
(313) Octave One - Somedays
Date: Thu, 17 Mar 2005 18:56:55 +0100 To: 313@hyperreal.org From: Maarten Baute [EMAIL PROTECTED] Subject: Octave One - Somedays Message-ID: [EMAIL PROTECTED] And since when is Octave One making progressive house? http://www.juno.co.uk/products/173198-01.htm I'm not feeling this at all. Sorry. You're not obliged! :-). In fact this track isn't really new. I first heard it on the 430 West collection http://www.discogs.com/release/76423 ...put together to promote Lawrence Burden's mix cd in 2002 http://www.discogs.com/release/82572. Maybe you might have liked it back then ... Anyway, one thing I'm sure of is that it's not what most people would call progressive house ... Music is an open sky. http://bleep43.com
Re: (313) Octave One - Somedays
Bit harsh but I kinda like the fact that the boys are trying something new and not sticking to safe ground. I was more upset about the bad guillotining/typesetting of the sleeve than them trying something different. Cheers Martin On 18 Mar 2005, at 01:08, ryan burns wrote: i second that statmement. i didnt like the tripple either dont get me wrong ill still bang some older octave ones but this new sh!t has to go. ryan From: Maarten Baute [EMAIL PROTECTED] And since when is Octave One making progressive house? http://www.juno.co.uk/products/173198-01.htm I'm not feeling this at all. Sorry.
Re: (313) OOPS
Phew - and I thought it was just me that had no grasp of names and labels! I'll tell you where it's at in my collection, know the sleeve design, know how it sounds, but names?... I try and pay attention but just don't remember them. Non-trainspotters unite! I'm sorry, what did you say your name was again?... (actually I'm much better with people's names. He says, ha!) Dan Date: Thu, 17 Mar 2005 17:41:26 - To: 313@hyperreal.org From: [EMAIL PROTECTED] [EMAIL PROTECTED] Subject: Re: (313) OOPS Message-Id: [EMAIL PROTECTED] Oh wait, it's James Stinson... okay I didn't know that Clarence G pseudonym. I don't even read what it says on my records anymore. I just know them by the colors and pictures mostly. Like, I know I have a green Drexciya record. And a blue one. And a couple others, they are in that one crate, hopefully, right next to the stack of books. A little to the left... I'm sort of the opposite of a trainspotter! ~David
(313) YoavB mix
If anyone's interested a new mix from DJYoavB: http://www.bringtheheat.com/BTHForum/Forum/topic.asp?TOPIC_ID=1955 usual mad mix of disco/house/boogie/funk made the train journey in this morning a lot nicer... robin...
Re: (313) OOPS
[EMAIL PROTECTED] wrote: Phew - and I thought it was just me that had no grasp of names and labels! I'll tell you where it's at in my collection, know the sleeve design, know how it sounds, but names?... I try and pay attention but just don't remember them. Non-trainspotters unite! as much as i try i'm the same...ask alex, i'm rubbish at spotting what things are/remembering anything. oh yeah and dan i haven't seen your name pop up on here in a while, welcome back. robin...
(313) New mix
Dont know if anyone else noticed this but hidden in the the last submerge mail out is a Los Hermanos house mix by DJ S2 http://www.loshermanosdetroit.com/media/Guest_List_Mix.mp3 Cheers BT
(313) Autechre - Untitled...
I can confirm the album is well bonkers, broken and deep... M
Re: (313) Autechre - Untitled...
pro radii is my fav sick, sick album. -Joe - Original Message - From: Martin Dust [EMAIL PROTECTED] To: 313 Mailinglist List 313@hyperreal.org Sent: Friday, March 18, 2005 6:29 AM Subject: (313) Autechre - Untitled... I can confirm the album is well bonkers, broken and deep... M
(313) Carl Craig '
Well ' I love Carl. The short order of the gig in Christchurch. Apx 30 people paid to get in. Carl turned up smiling, and played for three hours. It was real it was so solid, and ever person in the culb was dancing. I'm so tierd, and a but fuzzy. We drove 5 hours each way and worked either side to see this happen. Thank you Carl for giving us your love. .simon [EMAIL PROTECTED] wrote: Oh, I forgot to say about this: (what I wrote) good djs dj for the people. you know the ones they are there to entertain? and then simon kong wrote: Techno used to have some balls. People used to stand in front of sound systems out of fear and admiration of what the dj was capable of doing. snip Shouldn't a djs make your hair stand on end?? I forgot to say that maybe you mis-understood my comment a little. I was kinda trying to say, that if I'm going to pay a load of money to get into a club, which has in turn paid that dj a load of money, I want to be entertained. and, well, if its me that needs entertaining, I wanna hear them playing something crazy, something that will make my hair stand on end. so, I agree basically. oh yeah, my mate was playing the new frantic flowers jamal moss over some mad beats from an ibadan record on saturday. and that sounded crazy! and my hair stood on end! _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) Octave One - Somedays
woah. just got in work now, went to record shop on the way, bought this octave one somedays 12. well - I confess I'm still drunk from last night, and everything sounded great in the record shop, but it sounded pretty alright to me? I remember thinking oh, they got the vocal bit nice, then listening further it kinda descended into a mess, so i doubt I'll play the full vocal mix, but well, kinda thought it was ok. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) OOPS
the thing i disliked the most about djing with cds was that it involved a different mental process to find the next track i wanted to play. with records i flick through my box and, if i'm on point, the next record practically leaps out, I'm having this problem at the moment!! I can't, for some reason, seem to find any tracks I want to play from my computer with ableton! (at gigs) Its really really odd. Like really odd. I've got over 500 things to choose from, and none 'jump' out at me. thing is, they're just all my records that I've recorded in anyway, so its not like they are different tracks or anything. it's really weird. does anyone have anything resembling a solution, (apart from just playing records of course)? alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) OOPS
Practice more on your computer On 18 Mar 2005, at 13:24, [EMAIL PROTECTED] wrote: the thing i disliked the most about djing with cds was that it involved a different mental process to find the next track i wanted to play. with records i flick through my box and, if i'm on point, the next record practically leaps out, I'm having this problem at the moment!! I can't, for some reason, seem to find any tracks I want to play from my computer with ableton! (at gigs) Its really really odd. Like really odd. I've got over 500 things to choose from, and none 'jump' out at me. thing is, they're just all my records that I've recorded in anyway, so its not like they are different tracks or anything. it's really weird. does anyone have anything resembling a solution, (apart from just playing records of course)? alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) OOPS
Practice more on your computer you know what, you're probably right. I cant say I ever, ever do 'a mix' on it at home (maybe once every 6 months?). or even mess about that much really, I dont get much time at all, and when I do get time, its usually spent trying to learn more things about it as opposed to having fun. good tip, ta! alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) OOPS
We have 500 gigs of tracks sat on external disks, we pull tracks like you pull records, building sets as we go. We also play a game of impossible, where you pick a track that you think will be impossible to mix into/out off - we just shout instruction at each other, drop the bass, lose the tops etc. Great fun and we've built some interesting stuff that way. The last set tonight at Supercondutor was built this way, the only rule was it had to be made of tracks we've always wanted to play but never had a chance. So we have UR going into Beloved into FSOL into Black Dog into TDE Think Twice etc. Martin On 18 Mar 2005, at 13:36, [EMAIL PROTECTED] wrote: Practice more on your computer you know what, you're probably right. I cant say I ever, ever do 'a mix' on it at home (maybe once every 6 months?). or even mess about that much really, I dont get much time at all, and when I do get time, its usually spent trying to learn more things about it as opposed to having fun. good tip, ta! alex
Re: (313) OOPS
martin, when you play records do you have a definite 'set' that you do when you play out too? just wondered. (ie. you effectively do the same as with files below) robin... Martin Dust wrote: We have 500 gigs of tracks sat on external disks, we pull tracks like you pull records, building sets as we go. We also play a game of impossible, where you pick a track that you think will be impossible to mix into/out off - we just shout instruction at each other, drop the bass, lose the tops etc. Great fun and we've built some interesting stuff that way. The last set tonight at Supercondutor was built this way, the only rule was it had to be made of tracks we've always wanted to play but never had a chance. So we have UR going into Beloved into FSOL into Black Dog into TDE Think Twice etc. Martin
Re: (313) OOPS
martin, when you play records do you have a definite 'set' that you do when you play out too? just wondered. It depends, sometimes we'll build a set to use, but we always carry loads more than we need and we always take the externals so we can change everything on the fly, this lets us jump around a lot more and move with or against the crowd. But we have used the methods below live but it's a lot of pressure. We also have loads of loops that we play over each others tracks. If it's a hard crowd we can experiment more as we find they are more open to it, we have had 20+ tracks going on each machine! We double up the controllers, so on one button press you are dealing with volume/tops/middle/bottom, press again and you have echo/filter/gate/distort - meaning you have 40 knobs not 20 :) Hope that helps Martin (ie. you effectively do the same as with files below) robin... Martin Dust wrote: We have 500 gigs of tracks sat on external disks, we pull tracks like you pull records, building sets as we go. We also play a game of impossible, where you pick a track that you think will be impossible to mix into/out off - we just shout instruction at each other, drop the bass, lose the tops etc. Great fun and we've built some interesting stuff that way. The last set tonight at Supercondutor was built this way, the only rule was it had to be made of tracks we've always wanted to play but never had a chance. So we have UR going into Beloved into FSOL into Black Dog into TDE Think Twice etc. Martin
Re: (313) OOPS
At 09:08 AM 3/18/2005, Martin Dust wrote: We double up the controllers, so on one button press you are dealing with volume/tops/middle/bottom, press again and you have echo/filter/gate/distort - meaning you have 40 knobs not 20 :) Just out of curiosity, what do you use for controllers? -- unsigned short int to_yer_mama; matt kane's brain http://www.hydrogenproject.com [EMAIL PROTECTED] || AIM: mkbatwerk
Re: (313) OOPS
But we have used the methods below live but it's a lot of pressure. I've found this lately. I have this strange thing in my head, that if I'm going to use pc over records, then I best be offering something records can't. so, I do all my re-edits 'live' and 'on the fly' however, this is tricky. My dad is building me a controller at the moment to make this more possible. but, I think I need to do more preparation - it always seems like cheating a bit though! (I know its not really, just in my head) alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) OOPS
On 18 Mar 2005, at 14:18, matt kane's brain wrote: At 09:08 AM 3/18/2005, Martin Dust wrote: We double up the controllers, so on one button press you are dealing with volume/tops/middle/bottom, press again and you have echo/filter/gate/distort - meaning you have 40 knobs not 20 :) Just out of curiosity, what do you use for controllers? We use these live: http://www.dolphinmusic.co.uk/page/shop/flypage/product_id/3336/ category_id/5ef4569fba889a5cb7724bb0b341085a Feels like it's just dropped out of a Kinder egg, but they are light, easy to use and fits in the bag. We also have these: http://www.dolphinmusic.co.uk/page/shop/flypage/product_id/3826/ category_id/5ef4569fba889a5cb7724bb0b341085a I recommend trying them out before you buy... Martin
Re: (313) OOPS
but, I think I need to do more preparation - it always seems like cheating a bit though! (I know its not really, just in my head) Nah, this is simply like when a smoker stops smoking - you don't know what to do with your hands - There's always stuff to do, use the controller like you would the mixer and then use the mixer as well! Martin
Re: (313) OOPS
Re Ableton midi controllers, I had a very good look around to see what was on the market, and basically I didn't really like any of them. Rubbish build, one might have enough sliders, but not enough buttons and vice versa. I know Martin has said to me before you have to make do with what you can get, and thats true. but, I wasn't satisfied. However, have a look here www.doepfer.de to find kits to build your own, there are cheaper ones but these ones are kinda ready to go. alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
(313) Ok. Full length Clarence G record discussion
Ok. This is the 313 techno list, so I thought we should have a discussion about this record. (As it's the most expensive 313 techno record ever by a country mile.) Something is really bugging me about this record, and I KNOW there's peeps here who know the answers they just choose to lurk innit. Anyway. This record - how can it be so rare? I can't think how. Surely there's a minimum pressing wherever you go. Also, this is 'only' 12/13 years old right? Records that go for this kinda money do so because there's not that many good condition copies left, and enough time hasn't gone by for them all to get ruined. This is serious money, the kind funk/soul collectors pay for one offs. This is no one off really. It got a release no? Someone told me it was in record time at the time of its release - I dont remember it making it to these shores (probably didn't). So, somewhere, theres a few of these knocking about in theory I guess. Where are they? I know theres two people on the list who deffo have a copy, theres probably more - theres a few people who are on the list who never post that I imagine might have a copy... wonder if they might stick their heads out. Come on folks! I need to know the story! It's bugging me, and we're the 313 techno list - this is our chosen specialist subject!! we should be able to do better than this! If no one knows, someone just make something up to put me out of my misery ta! alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) Ok. Full length Clarence G record discussion
well i guess the simple answer is that this is just cos of the curious way in which ebay works when people with too much money are pitted against one another. and, as it happened in the UK, and the record didn't make it here in appreciable numbers then it's quite (but not stupidly) rare. i still can't quite believe it went for £5400 tho. robin... [EMAIL PROTECTED] wrote: Ok. This is the 313 techno list, so I thought we should have a discussion about this record. (As it's the most expensive 313 techno record ever by a country mile.) Something is really bugging me about this record, and I KNOW there's peeps here who know the answers they just choose to lurk innit. Anyway. This record - how can it be so rare? I can't think how. Surely there's a minimum pressing wherever you go. Also, this is 'only' 12/13 years old right? Records that go for this kinda money do so because there's not that many good condition copies left, and enough time hasn't gone by for them all to get ruined. This is serious money, the kind funk/soul collectors pay for one offs. This is no one off really. It got a release no? Someone told me it was in record time at the time of its release - I dont remember it making it to these shores (probably didn't). So, somewhere, theres a few of these knocking about in theory I guess. Where are they? I know theres two people on the list who deffo have a copy, theres probably more - theres a few people who are on the list who never post that I imagine might have a copy... wonder if they might stick their heads out. Come on folks! I need to know the story! It's bugging me, and we're the 313 techno list - this is our chosen specialist subject!! we should be able to do better than this! If no one knows, someone just make something up to put me out of my misery ta! alex
Re: (313) Ok. Full length Clarence G record discussion
At 09:47 AM 3/18/2005, [EMAIL PROTECTED] wrote: This record - how can it be so rare? Ooo, maybe a shipment was lost at sea. Perhaps, there is a fleet of Clarence G records chasing the fleet of rubber duckies around the globe: http://www.guardian.co.uk/international/story/0,3604,996684,00.html -- unsigned short int to_yer_mama; matt kane's brain http://www.hydrogenproject.com [EMAIL PROTECTED] || AIM: mkbatwerk
Re: (313) Ok. Full length Clarence G record discussion
robin wrote: i still can't quite believe it went for £5400 tho. Sorry, haven't been following this thread fully, but it's been confirmed that the actual money has passed hands and this wasn't a fake bid? Just use and anonymous web proxy and anonymous email system and setup an ebay account and start bidding £1,000,000. Just wondering if it's been confirmed that this was a real transaction. Cheers, Dave
Re: (313) Ok. Full length Clarence G record discussion
i think placid knows the seller. p, do you know if it is for real yet? robin... D B wrote: robin wrote: i still can't quite believe it went for £5400 tho. Sorry, haven't been following this thread fully, but it's been confirmed that the actual money has passed hands and this wasn't a fake bid? Just use and anonymous web proxy and anonymous email system and setup an ebay account and start bidding £1,000,000. Just wondering if it's been confirmed that this was a real transaction.
(313) VMAX
Was someone asking about new Vmax stuff the other day? Was it Brendan? Can't remember. Anyway, someone played this in blackheartdisco the other day, pitched down alot mind, and I just noticed its by the vmax dude, and its new: http://www.clone.nl/item5106.html oh, and if one of you doesn't make up a clarence g story soon I'm going to cry. thanks alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
RE: (313) VMAX
You won't see Brendan today. Paddy's night last night. He ended up south of the river and still hasn't returned! -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 18 March 2005 15:20 To: 313@hyperreal.org Subject: (313) VMAX Was someone asking about new Vmax stuff the other day? Was it Brendan? Can't remember. Anyway, someone played this in blackheartdisco the other day, pitched down alot mind, and I just noticed its by the vmax dude, and its new: http://www.clone.nl/item5106.html oh, and if one of you doesn't make up a clarence g story soon I'm going to cry. thanks alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring. # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
Re: (313) Ok. Full length Clarence G record discussion
Perhaps, there is a fleet of Clarence G records chasing the fleet of rubber duckies around the globe: http://www.guardian.co.uk/international/story/0,3604,996684,00.html At 4 inches wide each, that's 1.8 miles of Rubber Ducky...I would have paid to sit in the meeting when they suggested it... Martin
Re: (313) VMAX
That's a great record, I can't wait to get hold of a copy.. Good to see Heath back in business - I see he's been doing some live sets again too - http://www.littledetroit.net/forums/viewtopic.php?t=8664 . Has anyone ever heard a Silicon live set? Are they as good as they should be?? - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Friday, March 18, 2005 3:19 PM Subject: (313) VMAX Was someone asking about new Vmax stuff the other day? Was it Brendan? Can't remember. Anyway, someone played this in blackheartdisco the other day, pitched down alot mind, and I just noticed its by the vmax dude, and its new: http://www.clone.nl/item5106.html oh, and if one of you doesn't make up a clarence g story soon I'm going to cry. thanks alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) Ok. Full length Clarence G record discussion
i think so robin wrote: i think placid knows the seller. p, do you know if it is for real yet? robin... D B wrote: robin wrote: i still can't quite believe it went for £5400 tho. Sorry, haven't been following this thread fully, but it's been confirmed that the actual money has passed hands and this wasn't a fake bid? Just use and anonymous web proxy and anonymous email system and setup an ebay account and start bidding £1,000,000. Just wondering if it's been confirmed that this was a real transaction.
Re: (313) VMAX
That's a great record sounds very very good on a large system. pitched down a bit. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) Ok. Full length Clarence G record discussion
for £5,400 i would sell mine without a slightest hesitation... so if anyone wants tio make an offer :) (apart from alex.who will undoubtably offer me a pair of axis flip flops) p robin wrote: Placid wrote: i think so wow
Re: (313) Ok. Full length Clarence G record discussion
I first heard it about 5-6 years back when played by BMG at the Motor Lounge. I remember asking him about it briefly, and even back then he only knew one or two other people that had copies. And this is in Detroit, so it is a bit of a mystery where they all went.?.. BMG might know more. Or maybe someone who was working at Record Time back then. Was that when Dan Bell was working? pete - Original Message - From: [EMAIL PROTECTED] Date: Friday, March 18, 2005 9:47 am Subject: (313) Ok. Full length Clarence G record discussion Ok. This is the 313 techno list, so I thought we should have a discussion about this record. (As it's the most expensive 313 techno record ever by a country mile.) Something is really bugging me about this record, and I KNOW there's peeps here who know the answers they just choose to lurk innit. Anyway. This record - how can it be so rare? I can't think how. Surely there's a minimum pressing wherever you go. Also, this is 'only' 12/13 years old right? Records that go for this kinda money do so because there's not that manygood condition copies left, and enough time hasn't gone by for them all to get ruined. This is serious money, the kind funk/soul collectors pay for one offs. This is no one off really. It got a release no? Someone told me it was in record time at the time of its release - I dont remember it making it to these shores (probably didn't). So, somewhere, theres a few of these knocking about in theory I guess. Where are they? I know theres two people on the list who deffo have a copy, theres probably more - theres a few people who are on the list who neverpost that I imagine might have a copy... wonder if they might stick their heads out. Come on folks! I need to know the story! It's bugging me, and we're the 313 techno list - this is our chosen specialist subject!! we should be able to do better than this! If no one knows, someone just make something up to put me out of my misery ta! alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
(313) Lost
It's Lost innit: looks like it will be a good one. LOST Easter Sunday 27th March 10pm - 6am @ Weston St SE1 Tickets available on-line @ www.lost.co.uk / Reservations further info e. [EMAIL PROTECTED] / t. 020 7791 0402 CHECK THE WEBSITE www.lost.co.uk FOR FURTHER UPDATES RED. dancefloor RICHIE HAWTIN (dexnfx)Exclusive uk date PLAID (laptop/dj set) STEVE BICKNELL PURPLE.alternative sound and vision experience + LOST DJS + STASI _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) VMAX
That record is really a bomb! Matt Chester [EMAIL PROTECTED] schrieb: That's a great record, I can't wait to get hold of a copy.. Good to see Heath back in business - I see he's been doing some live sets again too - http://www.littledetroit.net/forums/viewtopic.php?t=8664 . Has anyone ever heard a Silicon live set? Are they as good as they should be?? - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Friday, March 18, 2005 3:19 PM Subject: (313) VMAX Was someone asking about new Vmax stuff the other day? Was it Brendan? Can't remember. Anyway, someone played this in blackheartdisco the other day, pitched down alot mind, and I just noticed its by the vmax dude, and its new: http://www.clone.nl/item5106.html oh, and if one of you doesn't make up a clarence g story soon I'm going to cry. thanks alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring. -- ° www.arneweinberg.de °
Re: (313) VMAX
when i see VMAX all i can think is 'very fast Yamaha motorcycle' -; On Mar 18, 2005, at 7:19 AM, [EMAIL PROTECTED] wrote: Was someone asking about new Vmax stuff the other day? Was it Brendan? Can't remember. Anyway, someone played this in blackheartdisco the other day, pitched down alot mind, and I just noticed its by the vmax dude, and its new: http://www.clone.nl/item5106.html oh, and if one of you doesn't make up a clarence g story soon I'm going to cry. thanks alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) Ok. Full length Clarence G record discussion
ok, this is good, thanks pete. we're getting there, we'll have it out soon! anyway, here's a totally unsubstantiated piece of gossip: around 3 years or so ago, a mate was telling me a story about it. He said: He didn't like the record, so only a few got out, the rest are sat somewhere in detroit, either in his basement or a warehouse but, I dont wether thats true or not, and I also cant remember if he was referring to the glass domain or this one _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) Ok. Full length Clarence G record discussion
(apart from alex.who will undoubtably offer me a pair of axis flip flops) watch it yoda, they're proper rare. one pair only, I made them myself. actually, I was going to offer you my METROPLEX VACUUM CLEANER, crafted by my own fair hand. but you've blown it now. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
RE: (313) Ok. Full length Clarence G record discussion
From: [EMAIL PROTECTED] actually, I was going to offer you my METROPLEX VACUUM CLEANER, crafted by my own fair hand. but you've blown it now. Think you're better off out of it, I remember giving him the Axis 7pack in exchange for some KMS chopsticks, and I've still got a mouthful of splinters...
Re: (313) VMAX
On Mar 18, 2005, at 9:18 AM, Matt Chester wrote: That's a great record, I can't wait to get hold of a copy.. Good to see Heath back in business - I see he's been doing some live sets again too - http://www.littledetroit.net/forums/viewtopic.php?t=8664 . Has anyone ever heard a Silicon live set? Are they as good as they should be?? When I lived in Lansing I saw so many VMAX live PA's and DJ sets I lost count.. at least a dozen.. they rock it. Actually moved into Heath's old house during grad school when he pushed on to Detroit proper. I think there was leftover bass reverb stuck in the walls for months after they moved out. They had more gear and sound reinforcement than the Advent for chrissakes. Rooms and rooms of gear blinking lights, and 4 powerstrips jammed into every power outlet... first time i saw the complete roland x0x box lineup in one place too. It's that deep, they weren't using computers for anything at that time... all old school. -- MM http://sonicsunset.com
Re: (313) OOPS
Seems like this is some kind of common way for dj's of telling where the records are and how they sound. I have tons of records that I know by their looks. My mental process goes something like: Hmm, there is this track on the record which has white and yellow sleeve and the record has red labels. It's on the picture side track two. It would go perfectly with this track.. Also a friend of mine (dj) said that usually that's a sign of one smoking too much... -- Jari Tolkkinen | dj ken-guru | http://www.ken-guru.net --
Re: (313) OOPS
i know the artist, title and label of most of my records but i don't have a clue where any of them are doing a mix is very frustrating. as is trying to sort them out p Jari Tolkkinen wrote: Seems like this is some kind of common way for dj's of telling where the records are and how they sound. I have tons of records that I know by their looks. My mental process goes something like: Hmm, there is this track on the record which has white and yellow sleeve and the record has red labels. It's on the picture side track two. It would go perfectly with this track.. Also a friend of mine (dj) said that usually that's a sign of one smoking too much... -- Jari Tolkkinen | dj ken-guru | http://www.ken-guru.net --
Re: (313) OOPS
On Fri, 18 Mar 2005, Placid wrote: i know the artist, title and label of most of my records but i don't have a clue where any of them are doing a mix is very frustrating. as is trying to sort them out Ok I sort of know at the time of purchase (and later on) the title of the ep and the artist but the names of single tracks escape me... -- Jari Tolkkinen | dj ken-guru | http://www.ken-guru.net --
(313) 3rd Party-Ayro/J. Arnold tonight!
Hello list, Please help us celebrate our last third party tonight. All live, freestyle, mpc madness. There are going to be some dope guests in the house tonight. Besides the residents, we are hoping to see some of the D's finest role through... African dance/drum crew Mr. Randolph Mr. Fiddler Wendell Harrison etc. 3RD PARTY CANDIDATE (3.18.05) THE INAUGURATION THE FINAL 3RD PARTY John Arnold (Ubiquity/Transmat) Jeremy Ellis (Ubiquity/Omoa) Pathe Jassi (West African Bass Player Exraordinaire) + Guests 5th Avenue (Comerica Park) 2100 Woodward Ave, Detroit 313.471.2555 10pm-2am $5 [EMAIL PROTECTED]
FW: (313) 3rd Party-Ayro/J. Arnold tonight!
I am envious of detroiters right now. Wish I was there. Someone go and get me reports please! Sounds hella fun! Kamal K. Stoddard Turner Broadcasting Systems -Original Message- From: john arnold [mailto:[EMAIL PROTECTED] Sent: Friday, March 18, 2005 12:02 PM To: 313@hyperreal.org Subject: (313) 3rd Party-Ayro/J. Arnold tonight! Hello list, Please help us celebrate our last third party tonight. All live, freestyle, mpc madness. There are going to be some dope guests in the house tonight. Besides the residents, we are hoping to see some of the D's finest role through... African dance/drum crew Mr. Randolph Mr. Fiddler Wendell Harrison etc. 3RD PARTY CANDIDATE (3.18.05) THE INAUGURATION THE FINAL 3RD PARTY John Arnold (Ubiquity/Transmat) Jeremy Ellis (Ubiquity/Omoa) Pathe Jassi (West African Bass Player Exraordinaire) + Guests 5th Avenue (Comerica Park) 2100 Woodward Ave, Detroit 313.471.2555 10pm-2am $5 [EMAIL PROTECTED]
Re: (313) brother from another planet LP
Nowt wrong with Japanese rappers, I've heard some good ones in my time, though err...I couldn't name any. BTW, Claude Young might have a few worries with the title of the Brother From Another Planet LP, since DJ Format is about to release an LP with exactly the same title on Genuine/PIAS in April... At 1:37 pm + 17/3/05, [EMAIL PROTECTED] wrote: Japanese rappers eh?! Now that, I HAVE to hear. teehee. http://www.littledetroit.net/News/artl.php?id=501PHPSESSID=42614920d887a43067ee0098213c2af7 _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) brother from another planet LP
At 01:01 PM 3/18/2005, [EMAIL PROTECTED] wrote: Nowt wrong with Japanese rappers, I've heard some good ones in my time, though err...I couldn't name any. I know there is one named Rino, who appears on DJ Krush's Milight. His new one, Jaku, has a couple Japanese MC's on it too, I think. Haven't listened to it in a while but it's his best yet, imho. There's a ncie compilation on Shadow called Si-Con that's all Japanese hip hop but I forget if it's all instrumental. -- unsigned short int to_yer_mama; matt kane's brain http://www.hydrogenproject.com [EMAIL PROTECTED] || AIM: mkbatwerk
Re: (313) Dan Bell Cabanne Friday in NYC
Friday March 18 ***THE BUNKER*** DOWNSTAIRS Cabanne (Telegraph, Perlon | Paris) Dan Bell (Accelerate, 7th City, Logistic | Berlin) anyone else going to this? or to the show in boston on monday? -- unsigned short int to_yer_mama; matt kane's brain http://www.hydrogenproject.com [EMAIL PROTECTED] || AIM: mkbatwerk
Re: (313) brother from another planet LP
Muro's been known to grace the mic from time to time, he's also got a ridiculous collection of breaks, so if anyone ever comes across his crate digging mixes for DITC, snap 'em up, they're awesome! I got given one of his mixes on a free tape (Muro on one side, Finesse on the other) when I was shopping at Manhattan records in Osaka, I think they felt a bit sorry for me because I was trying to carry out almost more than my own weight in vinyl. One day I shall return, mwahahahaha.. At 1:06 pm -0500 18/3/05, matt kane's brain wrote: At 01:01 PM 3/18/2005, [EMAIL PROTECTED] wrote: Nowt wrong with Japanese rappers, I've heard some good ones in my time, though err...I couldn't name any. I know there is one named Rino, who appears on DJ Krush's Milight. His new one, Jaku, has a couple Japanese MC's on it too, I think. Haven't listened to it in a while but it's his best yet, imho. There's a ncie compilation on Shadow called Si-Con that's all Japanese hip hop but I forget if it's all instrumental. -- unsigned short int to_yer_mama; matt kane's brain http://www.hydrogenproject.com [EMAIL PROTECTED] || AIM: mkbatwerk
(313) Netstockfest
Just a heads up to let y'all know that these folks: http://www.netstockfest.net/ are running a big electronic music netaudio marathon for the next several days. I don't know many of the listed artists (besides myself - I play at midnight GMT), so I don't really have any idea what to expect in terms of style. But if you have some bandwidth lying around and want to check out some music, this might be an interesting opportunity. -- Dennis DeSantis www.dennisdesantis.com
Re: (313) OOPS
That's wicked Martin... I really want to hear one of these sets. If I was rich I'd bring ya to Chicago... ~David -- Original Message - Subject: Re: (313) OOPS Date: Fri, 18 Mar 2005 13:49:41 + From: Martin Dust [EMAIL PROTECTED] To: [EMAIL PROTECTED] We have 500 gigs of tracks sat on external disks, we pull tracks like you pull records, building sets as we go. We also play a game of impossible, where you pick a track that you think will be impossible to mix into/out off - we just shout instruction at each other, drop the bass, lose the tops etc. Great fun and we've built some interesting stuff that way. The last set tonight at Supercondutor was built this way, the only rule was it had to be made of tracks we've always wanted to play but never had a chance. So we have UR going into Beloved into FSOL into Black Dog into TDE Think Twice etc. Martin On 18 Mar 2005, at 13:36, [EMAIL PROTECTED] wrote: Practice more on your computer you know what, you're probably right. I cant say I ever, ever do 'a mix' on it at home (maybe once every 6 months?). or even mess about that much really, I dont get much time at all, and when I do get time, its usually spent trying to learn more things about it as opposed to having fun. good tip, ta! alex
Re: (313) Netstockfest
Well, this is interesting. Are all the artists playing from the same location? Some other internet friends and I tried this but it collapsed, and it was only supposed to be prerecorded mixtapes! At 01:50 PM 3/18/2005, Dennis DeSantis wrote: Just a heads up to let y'all know that these folks: http://www.netstockfest.net/ are running a big electronic music netaudio marathon for the next several days. I don't know many of the listed artists (besides myself - I play at midnight GMT), so I don't really have any idea what to expect in terms of style. But if you have some bandwidth lying around and want to check out some music, this might be an interesting opportunity. -- Dennis DeSantis www.dennisdesantis.com -- unsigned short int to_yer_mama; matt kane's brain http://www.hydrogenproject.com [EMAIL PROTECTED] || AIM: mkbatwerk
Re: (313) Netstockfest
No, the artists are broadcasting from wherever they are. I'm playing from my home studio. I'll likely be wearing a bathrobe and eating a pizza, which is how I'd prefer to do live shows in the first place. -- Dennis DeSantis www.dennisdesantis.com matt kane's brain wrote: Well, this is interesting. Are all the artists playing from the same location? Some other internet friends and I tried this but it collapsed, and it was only supposed to be prerecorded mixtapes! At 01:50 PM 3/18/2005, Dennis DeSantis wrote: Just a heads up to let y'all know that these folks: http://www.netstockfest.net/ are running a big electronic music netaudio marathon for the next several days. I don't know many of the listed artists (besides myself - I play at midnight GMT), so I don't really have any idea what to expect in terms of style. But if you have some bandwidth lying around and want to check out some music, this might be an interesting opportunity. -- Dennis DeSantis www.dennisdesantis.com -- unsigned short int to_yer_mama; matt kane's brain http://www.hydrogenproject.com [EMAIL PROTECTED] || AIM: mkbatwerk
(313) mix WNUR chicago - 4 Mar 2005 - How Do You Plead ?
Clinically Inclined 4 March 2005 Fridays 9:30pm - 12:30am, 89.3 FM WNUR Chicago http://SonicSunset.com for audio archives Part 1: The range of funk electric. Francois K in dub mix form, crosstalk of Shari Vari and Joakim remixing John Foxx. Deep arrangements from Mr. Geist (DJing across town tonight) and a favorite NewOrder b-side w/ chi-house '88 influence. Crisp electro from Holland's Dexter. Techno from new label Frantic Flowers, and wicked new grinder by Half Inch Jack in tasteful homage to Tyree Cooper. Part 2: smoothed out vintage house sounds from chicago and new york lead to a smattering of the more recent eras, including soul run through the grinder by germany's soundhack. then all goes dark, lights gradually appearing in hyper-hypnotic fashion with m. rahn and a fresh batch of bleeped-up electrowerk, featuring a shimmering pair of cuts from electro-don carl finlow. Part 1 Matt MacQueen Undisputed Truth - Sandman (Moxie) Logic System - Unit - Logic (EMI) Newcleus - Auto Man instr. (boot) Metro Area - Machine Vibes - 2 (Environ) Wuf Ticket - The Key [Francois Kervorkian mix] (Prelude) Sharon Redd - Beat the Street [Francois Kervorkian Instr.] (Prelude) A Number of Names - Shari Vari (Puzzlebox) John Foxx - Mr. No [Joakim Rmx] - The Vanity Project (New Religion) Claro Intelecto - Peace of Mind (Electrosoul) (Ai) Arne Weinberg - Arcadia - Various Flowers 1 (Frantic Flowers) Dexter - Valve [live] - (Klakson) Morgan Geist - Vectors of Interpretation - Quadrilocular EP (Metamorphic) Joakim - Cotton Gun (Versatile) New Order - Best Marsh - Round Round (Qwest) Hal Varian - Catalysm - Catalysm EP (New Religion) Soofle - How Do You Plead? (Fragile) 1/2 Inch Jack - Mr Cooper's House (Half Inch) Part 2 Dave Siska william s - i'll never let you go [instrumental mix] (trax) logic - final frontier [the groove] (strictly rhythm) reflection - cube loop [morgan geist rmx] (clear) eerik - exformation (raw fusion) iz diz - mouth [brad peep's remix for friends] (classic) sascha funke - campus (kompakt) soundhack - untitled (soundhack 1) john tejada arian leviste - it's only music (groovetech) oniero - experimental (blue cucaracha) shake - perseverence - revisionist's theory (frictional) mark broom - funked up - angie is a shoplifter (pure plastic) fluxion - redundant (vibrant music) fumiya tanaka - move - move ep (torema) m. rahn - sunblocker - sunblocker ep (konvex konkav) sleeparchive - track 4 [recycled] - (sleeparchive) morganistic - wonder - fluids amniotic (input neuron) nitevision - 2110 (synewave) voice stealer - evaluation - the all electric house (subvert) silicon scally - informatics - the silent years (satamile) anders ilar - gramineous glow - treasure garden ep (echocord) audision - song of the ocean - spectral face ep (playmade) process - odd angles (traum) black dog - evoke - bite thee back ep (dust science) Audio archives at http://SonicSunset.com --- Clinically Inclined is mixed live on air, 89.3 FM in Chicago every Friday night.
(313) Re: SPAM-LOW: Re: (313) OOPS
I have vague idea what lots of my records look like, and I know pretty well which tracks are the good ones on which record - like if I own it and hear it I usually know which record it's on, but when it comes to playing a set, the only way I can do it is to go through *all* of my records, creating a pile of stuff that may fit together, usually about three times the size of what I'm gonna play (simply because my records are organised only by previous pilings), then eliminating what doesn't fit. [deep breath after all those improper commas] Dunno how I'd go about it in Ableton. With CDs I've always only brought a couple or burned two copies of the same CD to work from that night. Frankly, dunno how I would DJ well if I didn't substantially limit my choices in advance. I'd probably make a load of really regrettable decisions. Tristan === [EMAIL PROTECTED] http://www.phonopsia.co.uk Original message Subject:SPAM-LOW: Re: (313) OOPS Author: Jari Tolkkinen [EMAIL PROTECTED] Date: 18th March 2005 6:28:34 Seems like this is some kind of common way for dj's of telling where the records are and how they sound. I have tons of records that I know by their looks. My mental process goes something like: Hmm, there is this track on the record which has white and yellow sleeve and the record has red labels. It's on the picture side track two. It would go perfectly with this track.. Also a friend of mine (dj) said that usually that's a sign of one smoking too much... -- Jari Tolkkinen | dj ken-guru | http://www.ken-guru.net --
Re: (313) Ok. Full length Clarence G record discussion
Nike's from 1999? Find me a pair of those water logged, dry them out, and sell them to someone in Japan! You think 5,400 pounds is crazy amount ;) MEK Martin Dust [EMAIL PROTECTED] com To matt kane's brain [EMAIL PROTECTED] 03/18/2005 09:22 cc AM313@hyperreal.org, [EMAIL PROTECTED] Subject Re: (313) Ok. Full length Clarence G record discussion Perhaps, there is a fleet of Clarence G records chasing the fleet of rubber duckies around the globe: http://www.guardian.co.uk/international/story/0,3604,996684,00.html At 4 inches wide each, that's 1.8 miles of Rubber Ducky...I would have paid to sit in the meeting when they suggested it... Martin
Re: (313) Ok. Full length Clarence G record discussion
and, as it happened in the UK, and the record didn't make it here in appreciable numbers then it's quite (but not stupidly) rare. They didn't make them around the US in appreciable numbers either. I'd say most Detroit(-ish) labels still don't (outside of Submerge/Big50 dist.) MEK
Re: (313) Octave One - Somedays
You play that here to a bunch of techno heads and they'll accuse you of playing Trance music. Me? I like it. MEK Martin Dust [EMAIL PROTECTED] com To ryan burns 03/18/2005 02:52 [EMAIL PROTECTED] AM cc 313@hyperreal.org, [EMAIL PROTECTED] Subject Re: (313) Octave One - Somedays Bit harsh but I kinda like the fact that the boys are trying something new and not sticking to safe ground. I was more upset about the bad guillotining/typesetting of the sleeve than them trying something different. Cheers Martin On 18 Mar 2005, at 01:08, ryan burns wrote: i second that statmement. i didnt like the tripple either dont get me wrong ill still bang some older octave ones but this new sh!t has to go. ryan From: Maarten Baute [EMAIL PROTECTED] And since when is Octave One making progressive house? http://www.juno.co.uk/products/173198-01.htm I'm not feeling this at all. Sorry.
(313) the only good reason to go to Miami/WMC
AUX 88 LIVE! Saturday March 26, 2005 End Of Conference Global Electro Showcase Aux 88 Live Larry McCormick Alpha 606 Ectomorph Bytecon Nktar Satamile Uprokk Brotherhood 214 Khar Danny Daze Medley Control Skate Park 380 NW 24th Street/Downtown Miami 305.576.9012 I have an electronic flyer if anyone wants to see it email me MEK
(313) ok - a few more reason to go to Miami/WMC
Wed 3/23 8:00PM - 5:00AM For Those Who Know? Chamber Lounge, 2940 Collins Avenue, Miami Beach, FL 33139 Talent: Kenny Bobien Performing Live, Stephanie Cook Performing Live, K.T. Brooks Performing Live, DJ Spen, Norm Talley Free Admission for WMC 2005 Badge Holders Wednesday / Thursday Thursday 3/24 10:00PM - 11:00AM FUSEin: Detroit Electronic Movement House 2041 Biscayne Blvd, Miami, FL 33139 Talent: Kevin Sauderson, Stacey Pullen, Norm Tally, Buzz Goree, and other Detroit DJ's Free Admission for WMC 2005 Badge Holders Friday 3/25 11:00AM - 7:00PM WMC and 101 Distribution partner to throw ?A Taste of Chicago' Wyndham Poolside From the birthplace of house music Shannon ?DJ Skip' Syas of Pushpac Records and Steve ?Silk' Hurley of Silk Entertainment have teamed up as SS Records to give you ?A Taste of Chicago' by bringing together the pioneers with the next generation of this dynamic genre. Join us in celebrating the release of the hottest dance album coming soon in 2005, ?The Chicago LP', which will feature an all star cast of producers and DJs showcasing their talent in this event. Featuring: Steve ?Silk' Hurley, DJ Skip, Paul Johnson, ESmoove, Farley ?Jackmaster' Funk, Maurice Joshua, Ron Carroll, Terry Hunter, DJ Rhythm, CZR, DJ Wayne Williams, KAlexi, James Principle, Stacy Kid, Jesse Saunders, Hyper Harp, DJ Pierre Saturday 2/26 1:30PM New Concepts In Electronic Music Valencia Ready room Madrid Room How does an experimental electronica label sustain itself? Trends in electronic music. Discussion of the idea of ?sound as art'. Creative/organic sampling, audio collages, etc. Moderator: Ectomorph - Interdimensional Transmissions Panelists: Sam Valenti IV - Ghostly Int'l/Spectral Sound Richard Devine - Schematic Music Co., Native Instruments Diplo ? Mad Decent Productions/Hollertronix Joshua Kay ? Schematic Music Co. Vivian Host ? Editor, XLR8R Magazine Tommie Sunshine ? Xylophone Jones Recordings Gabe Koch - Merck Records / Narita Records
