RE: (313) nude photo vocal remix
Are you thinking of the Nexus 21 track? Real Love I think it was called. Came out on Network Records I think. -Original Message- From: Office [mailto:puzzle...@optic-universe.com] Sent: 22 September 2010 14:05 To: 313 Subject: (313) nude photo vocal remix Hello Everyone im trying to Find the nude photo vocal remix...Who is the artist and label thanks in advance Puzzlebox records
RE: (313) name that sample
Man, I must have listened to Amazon around 500 times in my life and own a
copy of Total Confusion, but never once have I ever made that connection!
-Original Message-
From: Marsel van der Wielen [mailto:mar...@nomorewords.net]
Sent: 11 September 2010 20:54
To: 313@hyperreal.org
Subject: (313) name that sample
agent x - in the morning -
chaka khan - i know you, i live you
apollo 440 - krupa, spoken part comes from -
taxidriver (directed by martin scorsese, with robert de niro)
neuropolitique - wide (new electronica) -
sylvester - you make me feel (mighty real) (Fantasy, 1979)
kenny dope unreleased project - inside (strictly rhythm or 220st, France) -
slave - just a touch of love
daniel wang - free lovin' (housedream) (balihu004) -
trussel - i love it (love Injection lp) (elektra 1980)
hainault -ozutsumi (irdial) -
nytro -nytro express (whitfield)
ray tracing -the internal exterior (irdial) -
rhythim is rhythim -strings of life (transmat)
demon -midnight funk (herbert rmx) (vocal hook) -
. alvin cash - the ali shuffle
theo parrish - commandf your soul (trackmode) -
. the last poets - mean machine chant
herbert-oo licky -
. faze - o riding high
andres - set you free -
. gil scott heron
moodyman - amerika -
. idris muhammad - turn this mutha out
norma jean bell - nobody's gonna love you -
. joe bataan - rock me all night long
moodymann-don't be misled -
. joe bataan-rock me allnight long
theo parrish-dark patterns -
. bohannon-rap on mr dj
theo parrish-electric alleycat -
. sly and the family stone-babies makin' babies
moodymann - i can't kick this feeling(planet e) -
. intro for barry manilow - copacabana
2001 - no where (lower east side) -
. rap is a remake of Gary Jackmaster Wallace - party time(houseefect)
babies from gong - decadent butterfly(new electronica) -
. throbing gristle - hamburger lady (mute)
afx twin - we are the music makers (rs) -
. sampled of the movie willi wonka choclate factory
kb project(dan bell) - feel it (elevate) -
. two tones of fun - i got the feeling(fantasy)
laurent garnier - the hoe (f com) -
. remake of Mark Imperialco - she aint nuthin but a hoe(house nation)
christian smith john selway - cosmopolitan (intec) -
. sleazy d - i lost control (chicago trax)
common factor - feel what i feel (planet e) -
. jackmaster dick's revenge - sensous woman goes disco(chicago trax)
morgan geist -nebula jersey 2 (environ) -
. erotic drum band-love disco style (prism)
herbert - oo licky ('part one' ep, phono 002) -
. antonio carlos jobim - the girl from ipanema
push button objects - striffle -
. de la soul - stakes is high
push button objects - non existant (keyed in by gescom) -
. bahamadia - three the hard way
wagon christ - reedin -
. the roots - mellow my man
. the roots - the session
paperclip people - good girls (planet e) -
. good men - give it up (fresh fruit)
paperclip people - stevie knows (planet e) -
. stevie wonder - another star
paperclip people - no control -
. john rocca - i want to be real (street wise, nyc 1983)
paperclip people - throw (planet e) -
. loletta holloway - hit and run
paperclip people - the climax (reworked) -
. first choice - love thang
moodymann - black mahogany (kdj, peacefrog) -
. earth wind fire - evil
69 - frequency finale [4 jazz funk classics] (planet e) -
. visage - frequency
hokusai - 12 'till 4 (source direct recs) -
. notorious b.i.g. - friend of mine (bad boy)
gescom - snackwitch -
. ultramagnetic mc's - critical beatdown
gescom - puzl (clear) -
. cybotron - clear (fantasy)
global communication - funk in the fridge -
. thomas crown affair - original sound track
herbie hancock - raindance
boards of canada - aquarius -
. hair (the musical) - age of aquarius
moodymann - long hot sexy nights -
. marvin gaye - got to give it up
mr hazeltine - the mechanic (plug research 14) -
. bohannon - me and the gang
sound hack - soundhack - soundhack -
. the wisphers -
morgan geist - remnants (environ 2) -
. curtis mayfield - kung fu
kenny dixon jr - soul sounds (soul city 02) -
. george benson - give me the night lp
theo parrish - only the begining -
. luther vandross - never too much
norma jean bell - i am the baddest bitch -
. roy ayers - sweet tears
lo soul - open door (theo parrish remix) (elevate) -
. jimmy bo horne - spank
moodymann - u can dance if you want too -
. prince - all the critics love u in NY
moodymann - tribute -
. marvin gaye - what's going on
moodymann - one night in the disco -
. sister sledge - he's the greatest dancer
moodymann - shades of 78 -
. barry white - the more i get the more i want
theo parrish - babysteps (elevate) -
. donald byrd - lanasana's priestess
innerzone orchestra - galaxy -
. war - galaxy
moodymann - amerika -
. gill scott heron
rick wilhite - the godson -
. nightwriters - let the music
moodymann - don't be misled (kdj) -
. bionic boogie - risky changes
rick wilhite - roots of detroit -
. prince - let it go
. pam todd - get it together
. peoples
(313) Krakow
Hey 313 list Used to be a subscriber many years ago and have been away for a while. No idea if it's still thriving or a deserted wasteland these days, but here goes. I'm off to Krakow for my stag weekend on the 28th and was hoping any seasoned techno travellers could recommend any clubs, bars,record stores worth checking out. If anyone knows of anything specifically going on that weekend that would be even better. Don't necessarily have to be techno clubs, anywhere playing good music, be it house, funk, soul etc... Thanks in advance Stewart Caig (Used to be stewart @ digital-soul)
Re: (313) Gospel techno?
I will kick off the confessions with owning and liking this Moby thing I'll add another one that I still really like http://www.discogs.com/release/20506
Re: (313) Convextion album now on iTunes
Whilst we are on the subject has anyone ever ordered anything from detroitdigitalvinyl.com? Ive just tried it for the first time and received no instructions on how to download anything and when I try and log on to the site it doesnt accept the password they gave me! Stu - Original Message - From: Thomas D. Cox, Jr. [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Wednesday, December 20, 2006 2:35 PM Subject: Re: (313) Convextion album now on iTunes On 12/20/06, Odeluga, Ken [EMAIL PROTECTED] wrote: Yep, DRM'S a negative looked at from some perspectives. But there are also a lot of positives - and luckily a lot of people actually like using iPods. you dont have to run apple's OS if you have an ipod: http://www.rockbox.org/ then you no longer need to use the poopy itunes. tom
Re: (313) radio interview about the early toronto rave scene
Was 'James Brown is Dead' considered underground? I remember it being all over the place in europe. Jamil (btw, I never liked that lyric. Viva J.B.!!!) I never thought so. There were so many hoover eurobeat rave Mentasm clones coming out around that time anyway and that wasnt one of the best ones to be honest. Stu
Re: (313) Luke Slater
- Original Message - From: Cyclone Wehner [EMAIL PROTECTED] To: 313 313 313@hyperreal.org Sent: Wednesday, October 18, 2006 7:16 AM Subject: (313) Luke Slater Luke Slater can be a bit hit or miss for me, but I have to say I always loved his Wireless album - some very eerie sounds, very space documentary. I played it last night and enjoyed it. I also enjoyed the album before with the song Love. Wondered what/if the essential Slater tunes for 313 listees would be? I definitely wasn't feeling his last electro project, though I'm not adverse to some of the new pop electro (love Kelley Polar, Goldfrapp, etc) Lloyd owes me a packet and the Pounder!! If you can find it his first ever record, Translucent is good as is his stuff on DJax. I pretty much gave up on him after the cheesy cover art on four cornered room!!
Re: (313) Hawtin
To be honest i dont pay a great deal of attention to Hawtin's career these days. The last thing I really got into by him was the first Plastikman album, but he'll always have a place in my heart for States of Mind, Technarchy, Technotropic and some of the other FUSE stuff, Plasticity and the handful of amazing DJ sets I heard him play in the early 90s! He could release an edit of Berlin djs farting now and that would never change. - Original Message - From: Stoddard, Kamal [EMAIL PROTECTED] To: [EMAIL PROTECTED]; 313@Hyperreal.Org 313@hyperreal.org Sent: Thursday, August 24, 2006 4:54 PM Subject: RE: (313) Hawtin Deeetroit keeps on making it and hawtin keeps on takin it! I think it's hella sick. His methods remind me of missionaries on the coast of Africa. And I practice tai chi, so tom if he gives you trouble...aww heck, eff that, just drop the b's on him dunny! K mwnb -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Thursday, August 24, 2006 11:46 AM To: 313@Hyperreal.Org Subject: RE: (313) Hawtin Arghhh!.arghhh! The monthly Hawtin thread. Unsub, unsub!!!
Re: (313) HIGH TECH SOUL DVD
Although i havent seen the film its frustrating, especially after seeing the French documentary recently and feeling it was over halfway there barring a few shortcomings that this documentary doesn't seem to have addressed. What we really need is a BBC funded 6 part documentary based on techno rebels with some money behind it! Stu - Original Message - From: Dan Bean [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Tuesday, July 18, 2006 1:59 PM Subject: RE: (313) HIGH TECH SOUL DVD Matt has addressed most of the points I would have made in response to Jason's post, but I would add the following: Such a film acts as a cultural ambassador for Detroit, its people and its music. For some people it will be their first exposure to the music, ideas and personalities involved. I find it extremely frustrating that at this important first encounter Detroit is being represented by such a sub-standard effort. Why should we cut the film some slack? The film-makers blew it, and pretending otherwise doesn't help anyone or achieve anything. Dan. P.S. If you want to know about the content, I can be be mostly summarised as badly shot, poorly lit gossip. The interviewer(s) totally failed to reach any depth with the subjects. Sure, hearing about Kevin knocking Derrick out is funny, but it's not really what it's all about is it? Now we're movie critics? Might come as a shocker to some but Scorsese and Stone turned down the opportunity to direct or even fund Hi Tech Soul. Are some of us that self righteous and petty that we must cut down everything that is attempting to make a difference? Outside this list most of the world knows nothing about Detroit, it's influence on Electronica or the people that made it happen. You are going to criticize a documentary calling it shoddy? Really, name one that isn't kind of shoddy (please don't you dare reference a Michael Moore documentary here). If you must wage an attack on what I will call reference material, then do so because it fails to provide facts or because it is biased. I personally haven't had the opportunity to see it. I personally can't wait. When I do see it I will take it for what it's worth...a low budget film. I will take what I can learn from it and pump it to all these kids that think this music culture is about drugs, fashion and who's been to more parties. So I ask, can anyone that has seen this film tell us about the content? Jason Trolian -Original Message- From: Dan Bean [mailto:[EMAIL PROTECTED] Sent: Tuesday, July 18, 2006 7:03 AM To: 313@hyperreal.org Subject: Re: (313) HIGH TECH SOUL DVD I (and some people on this list) went to see this film in London last year. It was shoddy and amateurish. Maybe they've totally re-shot and re-edited it since then... And for the record, it's not the first film to 'tackle the deep roots of techno music'. You wrote: HIGH TECH SOUL DVD Directed by Gary Bredow, HIGH TECH SOUL is the first film to to tackle the deep roots of techno music and the city that spawned it: Detroit. With Juan Atkins, Derrick May, Kevin Saunderson and many more. Bredow's cast of alumni -- the holy trinity of Atkins, May and Saunderson at the front -- fill out this tale with passion, pride and, oddly for music of the future, nostalgia too. - Dazed Confused HIGH TECH SOUL is the first documentary to tackle the deep roots of techno music alongside the cultural history of Detroit, its birthplace. From the race riots of 1967 to the underground party scene of the late 1980s, Detroit's economic downturn didn't stop the invention of a new kind of music that brought international attention to its producers and their hometown. Featuring in-depth interviews with many of the world's best exponents of the artform, High Tech Soul focuses on the creators of the genre -- Juan Atkins, Derrick May, and Kevin Saunderson -- and looks at the relationships and personal struggles behind the music. Artists like Richie Hawtin, Jeff Mills, Carl Craig, Eddie Fowlkes and a host of others explain why techno, with its abrasive tones and resonating basslines, could not have come from anywhere but Detroit. With classic anthems such as Rhythim Is Rhythim's Strings of Life and Inner City's Good Life, High Tech Soul celebrates the pioneers, the promoters and the city that spawned a global phenomenon. Soundtrack Includes: Aux 88, Cybotron, Inner City, Juan Atkins, Mayday, Model 500, Plastikman, Rhythim Is Rhythim, and more! The film features: Juan Atkins, Derrick May, Kevin Saunderson, Eddie (Flashin) Fowlkes, Richie Hawtin, Jeff Mills, John Acquaviva, Carl Cox, Carl Craig, Blake Baxter, Stacey Pullen, Thomas Barnett, Matthew Dear, Anthony Shake Shakir, Keith Tucker, Delano Smith, Mike Archer, Derrick Thompson, Mike Clark, Alan Oldham, Laura Gavoor, Himawari, Scan 7, Kenny Larkin, Stacey Hotwax Hale, Claus Bachor, Electrifying Mojo, Niko Marks, Barbara Deyo, Dan Sordyl,
Re: (313) old Strictly Rhythm 12s
Off the top of my head from the ones I have The Untouchables EP is wicked, an Old Todd terry thing under the name Youngbloods. er...theres an old Dan Curtin thing, Time Undefined Part one or something like that which isnt quite as oold as the other two. Not sure, tread carefully though, theres a lot of crap. Stu - Original Message - From: António Alves Felizardo [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, July 06, 2006 4:50 PM Subject: (313) old Strictly Rhythm 12s Hello list, Apologies if this has already been covered before. What are, in everyone's opinion, the best Strictly Rhythm releases, 313 related or not? I came across a huge Strictly Rhythm for sale list in some random shop, but I don't know many of them and there are probably some gems in that pack. Any help? Thanks in advance Antonio
Re: (313) old Strictly Rhythm 12s
Josh Wink- High State of Consciousness Though i'll admit to quite liking this the first few times I heard it before about a million variations of it came out, Id hardly class it as a forgotten gem. --- Stewart Caig [EMAIL PROTECTED] wrote: Off the top of my head from the ones I have The Untouchables EP is wicked, an Old Todd terry thing under the name Youngbloods. er...theres an old Dan Curtin thing, Time Undefined Part one or something like that which isnt quite as oold as the other two. Not sure, tread carefully though, theres a lot of crap. Stu - Original Message - From: António Alves Felizardo [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, July 06, 2006 4:50 PM Subject: (313) old Strictly Rhythm 12s Hello list, Apologies if this has already been covered before. What are, in everyone's opinion, the best Strictly Rhythm releases, 313 related or not? I came across a huge Strictly Rhythm for sale list in some random shop, but I don't know many of them and there are probably some gems in that pack. Any help? Thanks in advance Antonio __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com
Re: (313) DEMF 2006: To Go Or Not To Go?
When I went to the DEMF a few years ago me and a friend got hauled in at Philadelphia airport and questioned in seperate rooms for almost an hour. With the customs official constantly going and checking out everything I said with my friend in the other room! We then made the mistake of getting the bus across to canada for a couple of hours to get the passport an extra stamp and have a steak. It took all of 10 minutes to get there and 2 hours to get back in again! - Original Message - From: Cyclone Wehner [EMAIL PROTECTED] To: O.L. From The Basement [EMAIL PROTECTED] Cc: 313 Mailing List 313@hyperreal.org Sent: Tuesday, April 25, 2006 10:07 AM Subject: Re: (313) DEMF 2006: To Go Or Not To Go? I had to miss last year and will miss again this year. I am broke. But even if I had the money, I just find travelling to the US too stressful these days. I don't see me going until there's a change of government policy. The fact that I work in media makes it v awkward to go into the US even on holiday. It's the only country that makes media get a visa to cover things for outside press and they've toughened it up so much that the small papers I work for can't help me and it's just too difficult. You go to Europe and Japan and Australia it's easy, you're greeted. In Melbourne they even have programs for visiting journos which includes people to take you to cool clubs and venues and so on. It's hard when I am going on a holiday and possibly writing on it - the US customs don't have a category for that. We've made enquiries here and it's just too difficult. On 24/04/2006, at 10:08 AM, O.L. From The Basement wrote: How many list members from outside the U.S. or from the U.S. but require air travel are going to this year's festival or are still waiting for the final artist lineup to make their decision. Do you think the artist lineups for the afterparties will be affected by the lineup for the festival? If the Detroit underground artists do not support the festival will they still have their afterparties and invite guests from far away or just take the weekend off? Will U.R. have an Interstellar Fugitives party; will Alex have an electro party? I just wish they could plan these events farther in advance. Some things to ponder. Orrin
Re: (313) complaining about the fuse-in line-up
I was about to comment (from the pov of a european who has been before and would like to go again) that the way the line-up has been announced and the nature of it so far is unlikely to draw the kind of people who'd normal stump up the 100s to come to Detroit for the festival. Yeah well im in the same boat, but having said that I spent about a grand all in coming over from the UK for the second festival and ended up spending most my time drunk in Greektown or somewhere chasing after some Texan girls from the hotel. To my credit I did find myself at an afterparty at one point which was great until I realised there was no bar and it was Adam X on the decks so I left, only to later discover that Drexciya played live about 20 minutes later (It was Alex's eyes only party)! So from a musical standpoint my jaunt to Detoit was an abject failure. From a getting it on with cute Texan chicks standpoint though it was worth every penny! I guess what im saying is if I ever stumped up the cash to go back it wouldn't neccesarily be for the line up as much as just to have a mad 3 days in Detroit again. Im sure there would always be enough good music going on at some point to satisfy my need for that.
Re: (313) new carl craig mixes/beauty room
Well there was 'Revelation Reprise 808 drum' on the Detroit Experiment LP which was produced by Carl. Do I win? Stu
Re: (313) The roving London report (because someone on this list must pretend like they go out somewhere) pt. 1
I'll never understand why Colin Dale took the direction he did. His Outer Limits show went from being one of the highlights of my week, forming the basis of the list of records I wanted to pick up to being one long 2 hour tech house crapfest seemingly overnight. No wonder it got canned! His compilations took the same direction as well, so I'm actually surprised he gets booked to play anywhere these days except Wiggle! Stu - Original Message - From: Paul Kendrick [EMAIL PROTECTED] To: [EMAIL PROTECTED]; 313@hyperreal.org Sent: Monday, April 10, 2006 9:33 AM Subject: RE: (313) The roving London report (because someone on this list must pretend like they go out somewhere) pt. 1 Tristan, that's sounds like a bit of a disappointing Space base, glad I couldn't go. Mark has one of the best funk collections around, he'll nail it on Plastic People sound system. Bring it on. -Original Message- From: Tristan Watkins [mailto:[EMAIL PROTECTED] Sent: 08 April 2006 05:09 To: 313@hyperreal.org Subject: (313) The roving London report (because someone on this list must pretend like they go out somewhere) pt. 1 So... Steve Bicknell was good as usual. Nothing flashy mixing-wise, as usual. He played the same two Ame tracks as last week, back-to-back again, and the same Donna Summer 'I Feel Love' version (maybe he plays this in every set???), but the rest was pretty dope. Never thought I'd hear him play 'Loose Lips', or any broken beat stuff for that matter, but he played two joints. He'll prolly play them both next week in the same order as well. I'm not crapping on him. I just can't see why someone with so many good records can mail in parts of his selection so often. Anyway... Colin Dale. Tough to sum up neatly. Ultimately incredibly disappointing, but he mixed Miura with Deep Burnt, which would have been genius if he didn't mix out of Deep Burnt half-way through. Would have been less disappointing if he'd played bland tech house all night, but he tantalised us with anout 5-10 gems along the way, and filled the gaps with turd. That was probably the most confused seamless set I've ever heard. He seemed to have no clue where he wanted to take things, and meandered along where he thought the crowd might take him. Such a crap effort. Worst Spacebase I've witnessed by far. Next week should be outstanding though. My friend Mark from the Outlet Collective will be starting things out with a jazz/funk/soul set which promises to be stunning. He's a funk collector extraordinaire. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED] -- Internal Virus Database is out-of-date. Checked by AVG Free Edition. Version: 7.1.385 / Virus Database: 268.3.4/299 - Release Date: 31/03/2006
Re: (313) Ai 2006
All I know is I got a CD in the post from AI that had some dude with a fist coming out of his mouth that was pretty freaky. Oh and Jacen Solo's LP was pretty good. - Original Message - From: Odeluga, Ken [EMAIL PROTECTED] To: Dan Bean [EMAIL PROTECTED]; 313@hyperreal.org Sent: Tuesday, March 21, 2006 4:05 PM Subject: RE: (313) Ai 2006 OK people, how about if we talk about some Detroit-related music on this list?!? Has anyone else acquired the aforementioned compilation since it was first mentioned? Would you like to volunteer your thoughts? I do feel that Ai is really trying to lay a marker down in the direction which the compilation seems to be pointing, although as I said, it's not the only atmosphere you'll find on Ai records. There is a distinct analogue, 'IDMish' tone in the music on that compilation, a lot of it is mid-tempo and it's closer to electro than techno. The emphasis on 'melancholy' rather than dark seems quite akin to the 'classic' Detroit tone, as much as there is one (and of course there are just as many exceptions in what we call 'Detroit techno'.) Also let me ask this: which Detroit-associated artist(s) do you think would fit most closely into this 'new direction' which Ai seems to want to travel in? Ken
(313) Logoc System
Hi Does anyone know where I might be able to track down some of the Logic System albums? I'm especially looking to get hold of the 'Logic' Album. Cheers Stewart
Re: (313) Logic System
Hi Ken Very intersting and cool early 80s computer music from Japan. I havent heard much by them, but what I have heard is wicked. Kinda Blade Runneresque with a beat! Not surprisd Alex is into them as its fits in nicely with the Italio Disco sound. I imagine JT is hip to them too. JT? Stewart - Original Message - From: Odeluga, Ken [EMAIL PROTECTED] To: [EMAIL PROTECTED]; 313@hyperreal.org; Stewart Caig [EMAIL PROTECTED] Sent: Monday, March 13, 2006 11:24 AM Subject: RE: (313) Logoc System Whew! As usual you guys are on a different planet with this stuff! ;-) What's Logoc System like? Any familiar names involved? (Not that it's necessary of course!) Which Harvey mix are we talking here? Presumably it's not a CD, in which case have you got a link for it? Cheers x 4 kEN -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 13 March 2006 11:18 To: 313@hyperreal.org Subject: Re: (313) Logoc System Does anyone know where I might be able to track down some of the Logic System albums? I'm especially looking to get hold of the 'Logic' Album. I found a couple on the car boot sales Stewart. Found some wicked new wave collection on the boot, guy had doubles in mint condition *brag* found another one in holland at waterlooplein market in amsterdam. gave them to mates. you can get the good tracks off that lp on a 12 - its a bit more tough to find though. infact its this one... they were pretty easy to find till harvey put one track on a mixtape then everyone hoovered them up. you could give chris a try at pure pleasure - you're in brighton yeah? www.purepleasuremusic.com he'll probs have one but might want £20 for it or something (just ring him, not much of his stuff is on the site) maybe try nick the record too??? www.djfriendly.co.uk Alex Bond Design Services PricewaterhouseCoopers LLP 101 Barbirolli Square Lower Mosley Street Manchester M2 3PW Telephone:+44 (0) 161 245 2875 Facsimile: +44 (0) 161 245 2910 E-Mail:[EMAIL PROTECTED] _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) Frankie Bones
From my perspective as a young kid on the late 80s, early 90s rave scene in the UK. Frankie Bones was very much a name we respected and always looked out for. I admit his music hasnt exactly aged well, but tracks like his bones breaks stuff, the loony tunes stuff he did with Lenny Dee, your house is my house and stuff like that were definatly tunes we all owned and DJed with a lot. He put out a lot of stuff back then and when I first heard him DJ at a club called Sterns in 1990 he drew a very big crowd. So, just saying he certainly made an impact over in the UK back then.
Re: (313) Re : Re: (313) DJ Frankie Bones vs Joey Beltram
was it? i dont agree. for me, the goodness of a record is the great equalizer in my eyes. my mortal enemy could put out a record, and if its hot, ill buy it. i own not a single record that had anything to do with frankie bones, unless some of his stuff was on the nu groove comp i picked up a little while back. ive passed on every single record with his name on it. Well maybe he overused some of the let the bass kick samples back in the day, but I kinda grew up on a lot of his nu groove/bones breaks/loony tunes/musto and bones stuff. Yeah it was never overly sophisticated or even particularly original, but it was that New York sound that I associated with guys like Bones, Lenny Dee and even Todd Terry back then. Yeah he has done a lot of ravey stuff, but tracks like 'you are the one' still sound pretty dope to me today.
Re: (313) Re : Re: (313) DJ Frankie Bones vs Joey Beltram
3. I never paid attention to NY techno. When it comes to Frankies from NY, I'm more Knuckles than Bones. I interviewed Frankie about 5 years ago and he told me that even as late as 89/90 the Detroit stuff hadn't really reached NY, he had not really heard of techno and his main inspirations were still house, electro, disco and hip hop. Don't know how much truth there was to that, but I guess to even consider it NY techno is something of a compliment if it was truly produced in a vacume from Detroit. - Original Message - From: Kent Williams [EMAIL PROTECTED] To: list 313 313@hyperreal.org Sent: Friday, March 03, 2006 2:26 PM Subject: Re: (313) Re : Re: (313) DJ Frankie Bones vs Joey Beltram 1. Pittsburgh, not Philadelphia. You might as well says someone from Galway is from Dublin! 2. Tom is opinionated, and sometimes even abrasive, but 'his way or the highway?' Please, Tom has no such power here. Feel free to disagree. 3. I never paid attention to NY techno. When it comes to Frankies from NY, I'm more Knuckles than Bones. On 3/3/06, Aidan O'Doherty [EMAIL PROTECTED] wrote: i know my opinion counts for nought on this list, as i am merely a lurker, but tom's extremely opinionated attitude can rub people up the wrong way. how many arguments in the past have been started or involved the abrasive philadelphian? it seems to be his way or the highway.
Re: (313) RE: Derrick May
I remember when juan played at demf and he trainwrecked so bad that it started hailing out. Yeah I remember that, the second DEMF, right after Inner City and right before Derrick was meant to come on. I was gutted we missed Derrick that night, but yeah Juan was awful. I remember he started out playing a lot of old electro that was quite promising, but then ended up dropping stuff like Red Alert by Basement Jaxx that I just didnt feel was a fitting ending to such a great weekend. - Original Message - From: /0 [EMAIL PROTECTED] To: Robert Taylor [EMAIL PROTECTED] Cc: Hardie, Nick [EMAIL PROTECTED]; Mark Pays [EMAIL PROTECTED]; 313@hyperreal.org Sent: Thursday, February 23, 2006 1:27 PM Subject: RE: (313) RE: Derrick May I remember when juan played at demf and he trainwrecked so bad that it started hailing out. Robert Taylor [EMAIL PROTECTED] wrote: I was there - don't remember Atkins playing there though - I've always thought I'd never heard him DJ - obviously he must have been very unmemorable! Twas a great night - The Advent were due to play too, but because the sh*tty venue double booked with another event, the night was condensed from 2 to 1 room and The Advent lost their slot. -Original Message- From: Mark Pays [mailto:[EMAIL PROTECTED] Sent: 21 February 2006 14:44 To: Hardie, Nick; 313@hyperreal.org Subject: RE: (313) RE: Derrick May Yeah that's right. I'd forgotten about that bit. Weren't the two clubs separated by a bit of scaffolding and some large curtains? Not exactly sound proofing! Those were the days. -Original Message- From: Hardie, Nick [mailto:[EMAIL PROTECTED] Sent: 21 February 2006 14:23 To: Mark Pays; 313@hyperreal.org Subject: RE: (313) RE: Derrick May And if memory serves me right, it was made all the more impressive by having to play over some awful UK garage coming from the club next door. -Original Message- From: Mark Pays [mailto:[EMAIL PROTECTED] Sent: 21 February 2006 13:57 To: 313@hyperreal.org Subject: RE: (313) RE: Derrick May I've only seen DM play once but it was a belter. It showed me what it means to be a truly professional DJ. I've often thought of sharing it with the list. The evening went something like this. It was an event called Hybrid sometime around '96 in a London warehouse type venue just south of the river. The line-up was mouth watering - Juan Atkins, Joey Beltram and Derrick May in that order. It started Badly. After the warm-up came Juan. He played a bad set that got worse. He looked like he'd rather be anywhere but behind the decks. He started getting booed. So he responded by playing 25 minutes of beatless ambient nonsense mixed badly with a beatless mix of strings of life. Someone started throwing empty plastic water bottles at the stage and off he went. Rubbish. Started to think I'd wasted my money. On came Beltram. As ever, he started with Energy Flash and then dropped a classic set of his own stuff interlaced with plenty of dark Chicago jacking grooves and a load of the Robert Armani catalogue. The place came to life. Then the power went. The music stopped for about an hour. Everyone waited it out though. When the power came back DM came on. I can only think that DM felt he had to make up for what went before. Juan was an embarrassment, while Joey was great, he was stopped in his tracks by the power cut. DM dropped an absolutely classic set of house and techno. His mixing was lightning fast, often using the headphones for just a few seconds before dropping the next track. The crowd responded brilliantly. He worked the eq, and cut and scratched superbly. He went way, way, over time until the bouncers came to the stage and started shouting at him to stop. He wasn't having any of it so this big bouncer guy just starts shaking the scaffold that May is standing on and the record starts jumping all over the place. May looks at the guy and shakes his head then picks the up the deck and holds it out in his palm right above the bouncer and plays the tune again. This time the shaking doesn't make the record jump. May is grinning his head off, the crowd are cheering like mad and the bouncer looks like he's going to explode. We got a few more minutes of his last track before they turned off the power to make him stop! He then hung around for 30 mins afterwards chatting with stragglers and getting well deserved thanks and compliments from all. It was one of the best sets I've seen, but most impressive was the work rate, passion and commitment. He could have done his two hours and left, but instead he turned a bad night into one of the most memorable and that makes him a great DJ in my eyes. It was a long time ago now, but I've heard plenty of people with similar stories. I really must see him play again sometime -Original Message- From: Paul Kendrick [mailto:[EMAIL PROTECTED] Sent: 20 February 2006 11:05 To: [EMAIL PROTECTED]; 313@hyperreal.org
Re: (313) Sunshine in Croydon
Hey Tristan, I liked it a lot. I've never been to croydon, but it seems aptly named, in that it really is a sunshine-y track! Jamil Although the sun doesnt actually shine in Croydon! Great track though, I agree with that.
Re: (313) RE: Derrick May
What happened to Stacy Pullen.he use to be soo good. Whenever I think of Pullen I just think of Bodyrock off his Silent Phase LP, one of my fave tracks of all time without a doubt. I don't think his music ever topped that LP since either.
Re: (313) RE: Derrick May
The Black Flag eps were good but defo pointing toward the tech house sound.. Yeah, he clearly spent one too many evenings getting drunk with Mr C
Re: (313) Juan Atkins Up For A Grammy
Stupid question time, but how do you actually vote? Another stupid question, whats actually the point? I can't personally see how voting for a track that sampled Juan Atkins is giving support to him beyond possibly landing him another royalties pay cheque from the extra radio play/sales it'll get. Sorry if I sound like an old negative bitter miser, but its not like the kids are gonna be snapping up the Metroplex back catalogue cos of Missy. -Original Message- From: Odeluga, Ken [mailto:[EMAIL PROTECTED] Sent: 12 January 2006 14:33 To: 313 Mailinglist List Subject: RE: (313) Juan Atkins Up For A Grammy Right, done it. For those who haven't yet (and want to) scroll down to category 34. Ken -Original Message- From: Odeluga, Ken Sent: 12 January 2006 14:27 To: Klaas-Jan Jongsma; 313 Mailinglist List Subject: RE: (313) Juan Atkins Up For A Grammy F me! How depressing a read is that list of nominations, especially the 'dance' ones ... but I press on to find the category I want to vote in... (One man's depressant is another's ecstasy, I know.) -Original Message- From: Klaas-Jan Jongsma [mailto:[EMAIL PROTECTED] Sent: 11 January 2006 21:04 To: 313 Mailinglist List Subject: Re: (313) Juan Atkins Up For A Grammy Herre is the link to the official website... 48th grammy awards 8th february 8pm et/pt CBS http://www.grammy.com/awards/grammy/48Awards.aspx On 11-jan-2006, at 21:54, Klaas-Jan Jongsma wrote: --begin transmission Troops your services are required. Juan Atkins has been nominated as a writer as part of the song Losing Control by: Missy Elliot. Tell everybody you know that owes they're @ss to Juan Atkins to vote for Missy Elliot's Losing Control for best rap single. Lets show these motherf*ckaz the power of what they cannot see... Mad Mike 040 - UR - -end transmission--- http://www.undergroundresistance.com/main/
Re: (313) Juan Atkins Up For A Grammy
BEST PERSON WHO PROMISES TO SEND YOU A COPY OF THE ART COMP AND FORGETS Alex Bond :) - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, January 12, 2006 2:52 PM Subject: RE: (313) Juan Atkins Up For A Grammy 313 GRANNY AWARDS NOMINATIONS: BEST HIPPY STYLE FISHTANK AWARD: NewWorldAquarium BEST WAY TO TAKE YOUR GIRL OUT ON HER FIRST TRIP TO SCOTLAND AND GET SMASHED OUT OF YOUR FACE AWARD: Guilherme Morgan Arantes BEST 313 MEMBER TO WRITE TO IF YOUR CAR BREAKS DOWN AWARD: Steven Kelly @ AA.com BEST MEMBER WITH A NAME LIKE A WEATHER PHENOMENON: Cyclone Wheeler BEST TECHNO FRIEND FROM SINGAPORE AWARD: Colin Chen TOP ANAESTHETIC JOB OF 2006 AWARD: Alex Lugo She went under good and proper, out like a light, didnt wake up for 3 weeks BEST MEMBER WITH A NAME THAT SOUNDS NEARLY LIKE A MINT: Minto George _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) Juan Atkins Up For A Grammy
BEST NON UK FRANK SPENCER LOOK-A-LIKE Marsel http://www.claimwatch.co.uk/delsinep.jpg Sorry marsel, couldnt resist and Im bored at work. I dont actually think you look like Frank Spencer or anything!! :) groet, Jochem, Servicedesk ICT -Original Message- From: Stewart Caig [mailto:[EMAIL PROTECTED] Sent: donderdag 12 januari 2006 15:57 To: 313@hyperreal.org Subject: Re: (313) Juan Atkins Up For A Grammy BEST PERSON WHO PROMISES TO SEND YOU A COPY OF THE ART COMP AND FORGETS Alex Bond :) - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, January 12, 2006 2:52 PM Subject: RE: (313) Juan Atkins Up For A Grammy 313 GRANNY AWARDS NOMINATIONS: BEST HIPPY STYLE FISHTANK AWARD: NewWorldAquarium BEST WAY TO TAKE YOUR GIRL OUT ON HER FIRST TRIP TO SCOTLAND AND GET SMASHED OUT OF YOUR FACE AWARD: Guilherme Morgan Arantes BEST 313 MEMBER TO WRITE TO IF YOUR CAR BREAKS DOWN AWARD: Steven Kelly @ AA.com BEST MEMBER WITH A NAME LIKE A WEATHER PHENOMENON: Cyclone Wheeler BEST TECHNO FRIEND FROM SINGAPORE AWARD: Colin Chen TOP ANAESTHETIC JOB OF 2006 AWARD: Alex Lugo She went under good and proper, out like a light, didnt wake up for 3 weeks BEST MEMBER WITH A NAME THAT SOUNDS NEARLY LIKE A MINT: Minto George _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring. The information contained in this e-mail communication is solely intended for the person/legal person to whom it has been sent, and as it may contain information of a personal or confidential nature, it may not be made public by virtue of law, regulations or agreement. If someone other than the intended recipient should receive or come into possession of this e-mail communication, he/she will not be entitled to read, disseminate, disclose or duplicate it. If you are not the intended recipient, you are requested to inform the sender of this e-mail message of this immediately, and to destroy the original e-mail communication. Neither Randstad Holding nv nor its subsidiaries accept any liability for incorrect and incomplete transmission or delayed receipt of this e-mail.
Re: (313) Interstellar Fugitives 2 - Artwork
Dont think its the logo is it? It was just the artwork for one of their EPs about 5 years ago. - Original Message - From: Pryor, Ryan N [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, November 17, 2005 5:38 PM Subject: RE: (313) Interstellar Fugitives 2 - Artwork What's with the cover artwork? Isn't that the Pi Gao Movement logo? Why would UR use the PGM logo? http://www.undergroundgallery.jp/shop/m_image/UGCD-UR2005.jpg Mr. Lugo?
Re: (313) Frank De Wulf
I spoke to him about 4 years ago now and he was running a video production company and had no plans to get back into making or playing electronic music so its good to hear hes out and about again. Is he actually putting any new stuff out, would be interesting to hear what hes doing these days because his late 80s/early 90s stuff was pretty legendary. - Original Message - From: De Block, Mario [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Monday, November 07, 2005 5:01 PM Subject: (313) Frank De Wulf hi guys just if you're having a chance to see him, like next month in Leeds (don't know where his guest appearance will be), or any other rare set he'll do later on: Frank De Wulf is still sooh great! He played at Brussels airport last weekend and was as sharp as you expect a true legend to be not to be missed ! M
Re: (313) What you listening to?
Life Before 40 UK hip Hop comp on Low Life Records Rup = best UK rapper out there and a local Brighton boy! - Original Message - From: vmax [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Friday, November 04, 2005 2:42 PM Subject: Re: (313) What you listening to? Mission: Black Mountain The next and up coming static transmission underground static www.vmax.net
Re: (313) right now
Listening = Alice Russell - my Favourite letters Eating = Dolly Mixtures Drinking = Water Thinking = Alice Russell is cute
(313) German translation wanted for Debug review
Any German heads out there that could help translate this for my website would be much appreciated. Ive tried Google translator, but this is Bleed at Debug we are talking about here and it still amkes nos ense! Concrate Soul Collective: Electronical funk with soul vol 1 (Digital Soul records) Schon wirklich ein ziemliches Meisterwerk diese EP auf der das Concrete Soul Collective nicht einfach nur smoothe etroittracks macht, sondern sich so in die Melodien vertieft, dass man sofort auf eine andere Ebene geführt wird in der die Grooves und Melodien eine Allianz eingehen die einen die Augen schliessen lässt und bis zum nächsten Tag durchtanzen lassen dürfte. Magische Tracks die einfach nur immer deeper werden. Sehr schön. * many thanks Stewart
Re: (313) DJ Heart
I've heard of heather heart. dunno who that is though. thought she was from nyc maybe. Heather Heart is Frankie Bones' missus, used to work at Sonic Groove. Definatly not from Detroit
Re: (313) todays questions...
2) Why are there always pretty girls at train stations (any pretty girls out there can write in and let us know?) Yeah I've noticed that. Always getting the horn at the station before work in the morning!
(313) over expensive vinyl - putting it in perspective.
This may come through twice by the way In response to all the recent posts discussing over expensive italio disco records or rare Clarence Gs I thought Id just post a little ebay story of my own that really dumbfounded me. A good friend of mine is friends with he brother of one of the guys from that G4 band (for those that dont know they are a new UK boy band cashing in on the current trend for fusing opera and pop music and recent winners of some pop idol style TV show). The guy released a solo album on CD about 3 years ago before they won X-factor which sold about 500 copies. My friend managed to get hold of one of these CDs, stuck it on Ebay and it finally sold yesterday for £800! A commercially released CD from 3 years ago! Im doing my best to try and blag myself a signed copy of it at the moment to fund a new house!! Ridiculous Stu
Re: (313) Niko Marks - Live in Detroit tonight
Does anyone remember an album by Niko Marks and Eddie Fowlkes that came out years ago. It was a mix of electronic music and live instruments. I used to have it and have lost it somewhere, but it was dead good. Stewart - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, July 14, 2005 4:55 PM Subject: Re: (313) Niko Marks - Live in Detroit tonight his live show at fuse:in this year was definitely one of the highlights. from chune to carnal to a couple bob marley covers, him and his band were smoking. i wish i could go see him tonight! the flyer says, and I quote: a live house, techno jazz, reggatech experience reckon it'll be good : ) _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) Niko Marks - Live in Detroit tonight
Yeah City Boy Players, thats the one. That was a great album. Met him in Recordtime a few years later and kissed his ass a bit about how good that album was and he sold me a copy of some solo album he had just put out which was pretty dissapointing in comparison. - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, July 14, 2005 5:06 PM Subject: Re: (313) Niko Marks - Live in Detroit tonight I remember it! this one...? http://www.discogs.com/artist/Niko+Marks+%26+City+Boy+Players+Feat.+Eddie+Fowlkes _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) Prince musicology tour
Cheers dude, but didn't Musicology only come out in like February or March this year in the UK? And the musicology tour in the states was only this year too I think, so dont think he would have been promoting the album over here in 2002. I haven't heard of any UK musicology tour dates, so just wondered if any were planned. - Original Message - From: Nik Stoltzman [EMAIL PROTECTED] To: Stewart Caig [EMAIL PROTECTED] Sent: Monday, July 11, 2005 11:37 AM Subject: RE: (313) Prince musicology tour Err... I know my mate went to see him in London two years ago. I am fairly sure it was the musicology tour. Hang on, let me dig out his e-mail: -- (sent on the 10th of July 2002) Awight? Right, thought I'd better update a few of you on how the gig went,because if you're not interested, you should be. In case you didn't hearI went to see Prince in concert at the Hammersmith Apollo 12 years afterthe last time I saw him live, (though the likelihood of anyone not havingheard is very low given that I've been running around shouting it outfrom the top of my lungs for the past week). As a kid I was into hisstuff in a big way, but a combination of his movement into R n' B and myown feelings of embarassement meant that me and the Paisley Pigmy (as anesteemed and respected colleague of mine termed him) parted company.Anyway, I would like to officially come back out of the closet andre-establish myself as a true admirer. In short; hi, my name is marc, andyes, I'm not ashamed to admit I'm a Prince fan. There, I said it, itwasn't that difficult. But, and I add a sub-clause, I would suggest that my plea of innocencehas gained credibility and strength from the fact that the Purple perverthas gone back to his roots, and is now doing electro-funk in a big way.Quoting a musical tradition continuous with the likes of Miles, JamesBrown, George Clinton, Parliament, Funkadelic and Maceo Parker themajestic midget is not far wrong. The music was hard jazz/funkorientated, his band as tight as a nun's arse with a wardrobe to match(don't worry, I don't know what that means either). The evenings guestwas Maceo Parker, and after doing my research I discovered that the bassplayer was Larry Graham Juniour, (from the 70's Graham central stationband; played on a few Sly Stone tunes). Anyway, I enjoyed it so much that next morning I went out, bought the newalbum, which at 20 quid (on import) is no small price, but had to bedone, and in addition, managed to pick up a few of his old classicssecond hand. It's been so long since I listened to anything he's doneeverything I had was on cassette. So there you go, I'd just like to saythat don't worry if next time you see me I'm back in me 'eels and hairnet, because I'm back on the scene, and not ashamed.(well, maybe alittle) -- N -Original Message- From: Stewart Caig [mailto:[EMAIL PROTECTED] Sent: 10 July 2005 10:45 To: 313@hyperreal.org Subject: (313) Prince musicology tour Does anyone know if the Musicology tour is ever coming to the UK? Or did it already and I totally missed it somehow? Stu __ This email has been scanned by the MessageLabs Email Security System. For more information please visit http://www.messagelabs.com/email __ ** This email and any files transmitted with it are confidential and intended solely for the use of the individual or entity to whom they are addressed. If you have received this email in error please notify the system manager. This footnote also confirms that this email message has been swept by MIMEsweeper for the presence of computer viruses. www.mimesweeper.com ** __ This email has been scanned by the MessageLabs Email Security System. For more information please visit http://www.messagelabs.com/email __
Re: (313) Prince musicology tour
My bad it was released February last year over here. That still doesnt explain why he was touring in 2002 though. My guess is that was totally unrelated to this album and he has yet to actually bring the Musicology tour to the UK. So my question remains...Why did he not bring it to the UK and is there any word of a future UK tour? - Original Message - From: Nik Stoltzman [EMAIL PROTECTED] To: Stewart Caig [EMAIL PROTECTED] Sent: Monday, July 11, 2005 12:19 PM Subject: RE: (313) Prince musicology tour N! I saw it in Safeway (of all places) at least a year ago. It came in a digipak (or whatever those cardboard CD cases are called). Hang on. Let me check that we are talking about the same album... Yep thats the one. http://www.amazon.com/exec/obidos/tg/sim-explorer/explore-items/-/B0001X TRCI/0/101/1/none/purchase/ref%3Dpd%5Fsxp%5Fr0/103-5262329-0278221 This has been available for quite a while now. I am confused though because you seem pretty sure of yourself! The mystery deepens N -Original Message- From: Stewart Caig [mailto:[EMAIL PROTECTED] Sent: 11 July 2005 12:13 To: 313 Subject: Re: (313) Prince musicology tour Cheers dude, but didn't Musicology only come out in like February or March this year in the UK? And the musicology tour in the states was only this year too I think, so dont think he would have been promoting the album over here in 2002. I haven't heard of any UK musicology tour dates, so just wondered if any were planned. - Original Message - From: Nik Stoltzman [EMAIL PROTECTED] To: Stewart Caig [EMAIL PROTECTED] Sent: Monday, July 11, 2005 11:37 AM Subject: RE: (313) Prince musicology tour Err... I know my mate went to see him in London two years ago. I am fairly sure it was the musicology tour. Hang on, let me dig out his e-mail: -- (sent on the 10th of July 2002) Awight? Right, thought I'd better update a few of you on how the gig went,because if you're not interested, you should be. In case you didn't hearI went to see Prince in concert at the Hammersmith Apollo 12 years afterthe last time I saw him live, (though the likelihood of anyone not havingheard is very low given that I've been running around shouting it outfrom the top of my lungs for the past week). As a kid I was into hisstuff in a big way, but a combination of his movement into R n' B and myown feelings of embarassement meant that me and the Paisley Pigmy (as anesteemed and respected colleague of mine termed him) parted company.Anyway, I would like to officially come back out of the closet andre-establish myself as a true admirer. In short; hi, my name is marc, andyes, I'm not ashamed to admit I'm a Prince fan. There, I said it, itwasn't that difficult. But, and I add a sub-clause, I would suggest that my plea of innocencehas gained credibility and strength from the fact that the Purple perverthas gone back to his roots, and is now doing electro-funk in a big way.Quoting a musical tradition continuous with the likes of Miles, JamesBrown, George Clinton, Parliament, Funkadelic and Maceo Parker themajestic midget is not far wrong. The music was hard jazz/funkorientated, his band as tight as a nun's arse with a wardrobe to match(don't worry, I don't know what that means either). The evenings guestwas Maceo Parker, and after doing my research I discovered that the bassplayer was Larry Graham Juniour, (from the 70's Graham central stationband; played on a few Sly Stone tunes). Anyway, I enjoyed it so much that next morning I went out, bought the newalbum, which at 20 quid (on import) is no small price, but had to bedone, and in addition, managed to pick up a few of his old classicssecond hand. It's been so long since I listened to anything he's doneeverything I had was on cassette. So there you go, I'd just like to saythat don't worry if next time you see me I'm back in me 'eels and hairnet, because I'm back on the scene, and not ashamed.(well, maybe alittle) -- N -Original Message- From: Stewart Caig [mailto:[EMAIL PROTECTED] Sent: 10 July 2005 10:45 To: 313@hyperreal.org Subject: (313) Prince musicology tour Does anyone know if the Musicology tour is ever coming to the UK? Or did it already and I totally missed it somehow? Stu __ This email has been scanned by the MessageLabs Email Security System. For more information please visit http://www.messagelabs.com/email __ ** This email and any files transmitted with it are confidential and intended solely for the use of the individual or entity to whom they are addressed. If you have received this email in error please notify the system manager. This footnote also confirms that this email message has been swept by MIMEsweeper for the presence of computer viruses. www.mimesweeper.com
(313) Prince musicology tour
Does anyone know if the Musicology tour is ever coming to the UK? Or did it already and I totally missed it somehow? Stu
Re: (313) MM's Freaky Motherf*cka
Maybe this is a live version or somting but it sounds mighty differentto what i remember... Well I've only heard it live and I dont remember it sounding like that. The bass was different, the beat was different. This version is too deep, when he played it a few weeks back in London it was a lot more raw and jackin'!
Re: (313) MM's Freaky Motherf*cka
Maybe this is a live version or somting but it sounds mighty differentto what i remember... Having said that its clearly the same set 'cos Roberta Swan comes in at the end and does all the same numbers she did at the Jazz cafe. Maybe Im just tripping!
Re: (313) monolake
I was all up for watching monolake in Manchester TONIGHT. then I realised. it was last night. oh well. just have to drink 1 million pints tonight instead. Or go and see him play at Outlets party tomorrow night in london :)
Re: (313) jaime read
since we're talking. i'm already for a long time looking for his album on fragmented The End Of The Beginning vinyl or cd doesn't matter any help? Nope, but I have some of his early stuff on Ugly which is great too.
(313) Digital Soul records spam
Just thought Id give people a heads up that Juno have a few pre release copies of the new Digital Soul 12 that isnt out till September. It features Wild Planet and a remix from our very own Brian Prince for those that are interested. http://www.juno.co.uk/artists/Concrete+Soul+Collective/ Stu
Re: (313) Digital Soul records spam
Hey I was as surprised as anyone to see them on sale there. Someone else sent me the link as it was! As to why they have them to begin with, beats the hell out of me. Although I'm assuming its not uncommon for them and other larger retailers to receive promos from certain distributors. Stu - Original Message - From: Jason Brunton [EMAIL PROTECTED] To: David Easy [EMAIL PROTECTED] Cc: 313 313@hyperreal.org Sent: Tuesday, July 05, 2005 10:44 PM Subject: Re: (313) Digital Soul records spam I didn't want to say :) Jason PS I'm only joking here- i KNOW how much effort Stuart has put into his productions and how little (relative) success he has had with it so whatever he needs to do for his label is fine with me personally. I mean its not as if he's licensing his tracks to a major label/games company that he has railed against for years or anything is it? On 5 Jul 2005, at 22:32, David Easy wrote: Why have they given promos to Juno? This just annoys the independent shops, who actually CARE about the music. Juno will stock it anyway without the label giving them exclusives on the promo. ps link didn't work for me Just thought Id give people a heads up that Juno have a few pre release copies of the new Digital Soul 12 that isnt out till September. It features Wild Planet and a remix from our very own Brian Prince for those that are interested. http://www.juno.co.uk/artists/Concrete+Soul+Collective/ Stu
Re: (313) the meaning of...life in general
Hmpf! 23 is all about the hippies ov gaia 42 is all about /. nerds Whats the actual deal with the number 23. I remember people banging on about it being the number for chaos and stuff when i used to go to the odd Spiral party and quite a few people there had a bit of a thing for it. In fact I seem to remember one of the old Spiral Tribe 12s had a big 23 on the sleeve as well. Always just thought it was a bunch of old ass myself but still moderatly intrigued to know what its all about
Re: (313) the meaning of...life in general
The Spiral's stole it wholesale from T.O.P.Y and Burroughs... ok, and so whats the deal with this Bob Dobbs character then, or whatever he's called. The dude with the pipe. On 1 Jul 2005, at 17:16, Stewart Caig wrote: Hmpf! 23 is all about the hippies ov gaia 42 is all about /. nerds Whats the actual deal with the number 23. I remember people banging on about it being the number for chaos and stuff when i used to go to the odd Spiral party and quite a few people there had a bit of a thing for it. In fact I seem to remember one of the old Spiral Tribe 12s had a big 23 on the sleeve as well. Always just thought it was a bunch of old ass myself but still moderatly intrigued to know what its all about
Re: (313) the meaning of...life in general
-- Original Message -- From: Stewart Caig [EMAIL PROTECTED] ok, and so whats the deal with this Bob Dobbs character then, or whatever he's called. The dude with the pipe. thats the church of the subgenius. hilarious stuff. also i reccomend crowley's the book of lies, the principia discordia, and the illuminatus trilogy. great great stuff! Hmm, I lived with a guy once who was into the whole crowley, bob dobbs, 23, chaos, numerology thing and it didn't do him much good. He lost it, got sectioned, became a monk and is now an alcaholic street beggerso might give it a miss. thanks anyway :)
Re: (313) b-boy/girl groups (electrofunk)
David Elsewhere rocks. have you seen the one of him popping to Autechre? - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Friday, June 24, 2005 4:01 PM Subject: (313) b-boy/girl groups (electrofunk) After looking at David Elsewhere Bernal's videos (including the VW GTI commercial) I want to watch some more I used to have a bunch of sites bookmarked that had b-boy/girl teams - mostly pop lock stuff seems like these websites have a short lifespan as they've all gone 404 I know there's a lot of dance groups out on the West Coast - I can't recall the exact name but there was one group of about five or six guys called Demon Eyez or something they had a few changes in their name over the year but I do recall one clip of them wearing those silver firefighter outfits and doing a routine to a wicked electro track They would always wear masks - one of the coolest groups I've seen in the last five or so years So, if you're holding any links to any electro funk/hip-hop dance groups please pass them on I'm interested in seeing people spin on their heads and do helicopters for hours on end Looking for well thought out routines where they're actually dancing to the music and not just showing off their muscle moves if they're dancing to electro all the better MEK
Re: (313) Axis Wrist Sweat Bands
Delsin dance cage tennis racket are all things I will be looking into producing. I think a little Marsel action figure with a gyrating cage dancing pelvis would be good too. Not that I in any way shape or form get your Marsel cage dancing gag, but it makes me laugh all the same. We had him over at a strip club in London and he didn't once take to the stage!
Re: (313) Hello 313, I am....
Why not eh Name Stewart Caig Age: 31 Live: Worthing UK Born: Shoreham UK Into Techno since: 1989 Music that got me into techno: the wave of Chicago acid house that hit the UK around 88 and then having Luke Slater play me records in Mi Price First detroit record to blow my tits off: It is what it is Fave techno Clubs: Lost (when it was at the Vox) Fave labels: UR, Transmat, Metroplex Label whose back catalogue I'd I'd most like to magically appear in my living room right now: KDJ Track that I would sell my own grandmother to own: Freaky motherfu*ker white by Moodymann Best ever DJ performance: Toss up between Dan Curtin in London last Summer and Richie Hawtin at Club UK many years ago. Best live gig: Kraftwerk at Brixton acadamy Techno record that most has the ability to reduce me to tears after a heavy night out: As part one by Ian O Brien
Re: (313) Friday Top 5.....
5) Kirk Degiorgio Ian O Brien : Night On The Promenade : New Religion/A.R.T Is this out yet???
Re: (313) following on from Stewarts message - Tracks you would sell your granny for
i reckon i'd have to go along with the Freaky MF. been searching for 3 years now.. Man, right now Id sell her for just a soundfile of it!
Re: (313) following on from Stewarts message - Tracks you would sell your granny for
I've been hearing about this record for weeks. Who is it by, what's the release called, and I'll try and get a soundfile of it for you Good luck, but by all accounts its as rare as hens teeth. Its by Moodymann and I'd never even heard it before until I heard him do it live the other night in London. Think its just available as a white on KDJ records, although I have no idea as to if it was ever actually released or in what numbers. ps. You wouldnt actually be wanting my granny if you found it would u? -Original Message- From: Stewart Caig [mailto:[EMAIL PROTECTED] Sent: 17 June 2005 10:35 To: Placid Cc: 313 Subject: Re: (313) following on from Stewarts message - Tracks you would sell your granny for i reckon i'd have to go along with the Freaky MF. been searching for 3 years now.. Man, right now Id sell her for just a soundfile of it!
(313) Moodymann live
Thought Id hit the list with my report of the Moodymann show at the Jazz Cafe last night. Basically blew me away, really enjoyed it. Started off with Piranahhead playing keyboard and singing through a couple of nice jazzy numbers before he got up and did a little guitar solo. At this point the sound system seemed to be a little quiet, plus the bar chatter was drowning him out so I moved into the center where the sound was much better. Then Moody came on as his drunk P Funked out alter ego with a fake beer belly, blonde plaited hair and a hairnet over one side of his head. All very funny. He then introduced Lisa O who came on sounding and looking much like Erikah Badu and belted out a few really soulful numbers that really got the crowd going. Next up Moody introduced Paul Randolph who sang and played guitar. First track was a really nice jazz funkesque track, then it started getting a little more housey before he settled down for a couple of slower tracks that he did with Kirk Degorgio and (I think) are going to be on the upcoming As One album. He finished off with a track on Ubiquity he did with John Arnold that simply rocked. Then it was time for the main man and the amazing freaky motherfu*ker track, its the first time Ive ever heard it and man, what a track. The bassline and percussion sent shivers down my spine and combined with Moody silohetted behind a white screen growling into the mic whilst Lisa O danced in the tightest pair of hot pants Ive ever seen in a sort of homage to the Prince Kiss video, I think it was probably the highlight of the show. Eventually he got the crowd baying 'Moody' in an attempt to entice him out on stage, to which he obliged and came out and performed a couple of more tracks with the whole band on stage. Eventually he handed the stage over to Roberta Swann who came on and belted a few Jazz numbers sounding very much like Shirley Bassey. Overall the band spanned the spectrum of funk, disco, soul and house with an almost Parliment like showmanship. Top top night. ps. are there any mixes online with the freaky motherfu*ker track that anyone knows of? Stu
(313) Moodyman
Did anyone go and see him in London last night? Ive heard a few reports from the Glasgow gig saying that KDJ didnt go near a keyboard or MPC all night, despite this being heavily billed for the London gig. Im going to see the show tonight and just wondered if its going to be the same deal as Glasgow. Stu
Re: (313) Moodyman
Cheers for the info. To be honest I'm looking forward to it more than I would be if I was just expecting 4/4 Moodyman stuff. Was just curious because the London gig specifically is billed as KDJ on keys and MPC, wasnt sure if this was the case elsewhere. - Original Message - From: Klaas-Jan Jongsma [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Wednesday, June 15, 2005 10:51 AM Subject: Re: (313) Moodyman I don't know why you ask about the London show specifically but i went to see his Moodymann (or the Moodybandd as some friends called it ;)) in Amsterdam last friday. They played for almost 2 hours there and it was more of a Mahogany records show case then a live set from Moodymann. It started with Nicky O. preforming a couple of soul tracks, followed by Paul Randolph on bass and vocals preforming some of his material and with Andres on percussion on some of the tracks. Piranahead was doing keys and playing guitar with both Nicky O.'s and Paul Randolph's tracks. The whole show was hosted by KDJ's cousin (nudge, nudge, wink, wink). After that Moodymann came on stage and started out with this amazing tracks called Sexy Mothaf*cka (That was a really great track btw!) and did a show that reminded me a bit of the same show he did when i saw him at the Majestic theater in Detroit. Only this time the girl (Nicky O.) was not under a sheet but both behind a white screen with a lamp behind it so you saw silhouettes of KDJ and Nicky O. doing there erm... thing. KDJ sing/talked on top of tracks, they played some more tracks as well. Then he brought on Roberta Sweet who did a track together with Andres finally she did an acapella toghether with Paul Randolph. Great show but don't expect a lot of 4/4 Moodymann tracks it was extremly nice to listen too. KJ On Wednesday, June 15, 2005, at 10:55AM, Stewart Caig [EMAIL PROTECTED] wrote: Did anyone go and see him in London last night? Ive heard a few reports from the Glasgow gig saying that KDJ didnt go near a keyboard or MPC all night, despite this being heavily billed for the London gig. Im going to see the show tonight and just wondered if its going to be the same deal as Glasgow.
Re: (313) (LONDON) Bleep43.com with Jacen Solo
Hyped this album a while back. Its dope. Quite Vince Watsony. - Original Message - From: Anya K Stang [EMAIL PROTECTED] To: 313 313@hyperreal.org Sent: Thursday, June 09, 2005 10:15 PM Subject: Re: (313) (LONDON) Bleep43.com with Jacen Solo Gotta stick my oar in and say that you can listen to Jacen Solo's upcoming album Virgo (release date 20 June 2005) on the Ai Records website http://www.airecords.com/ Enjoy - and hope to see you on 25 June at Public Life! Cheers, Anya On Thursday, Jun 9, 2005, at 15:00 Europe/London, Odeluga, Ken wrote: Hello all, We're pleased to introduce Jacen Solo as our special guest at the next bleep43.com event. http://www.bleep43.com/ Jacen recently had a well-received 12 released on Ai records. http://www.discogs.com/artist/Jacen+Solo His LP on Ai will be released around the time he appears at Bleep43. Please join us if you can. Thanks, Ken
Re: (313) virtual sex lp repressed!
If the original pressing is sold out long ago, the only people whose beans are nicked are the record collectors/dj's/everybody who own the original record. If there is a legit repress floating around, then they're taking the beans off carl's kids. Not really, cos Carl Craig should still reserve the right to repress one day should his kids ever need some beans and he is less likley to sell as many units if everyone has already snapped up the boots.
Re: (313) summer techno
Summer Funk by Pioneers of fine Funk - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, May 12, 2005 2:38 PM Subject: Re: (313) summer techno - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, May 12, 2005 2:29 PM Subject: Re: (313) summer techno you f'ing weirdo :) there's nowt wrong with QC sherry on a sunny day. ask your local 'hobo'. (please note the american term, I like to mix it with the foreigners) its like pimms. but different ; ) Most Americans don't know what PIMMS is etiher, and wouldn't think you any less of a weirdo for comparing it to your Summer beverage of choice. Anyway... Summer techno, eh? I tend to be more of Summer house guy, but couldn't begin to list them off. Or maybe I can. How about The Bucketheads' 'Whew'. Tristan
Re: (313) summer techno
Summer affair - Gene farris Summer EP - Gary martin er...Summer of Blood - Rue East - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, May 12, 2005 2:45 PM Subject: Re: (313) summer techno Summer Funk by Pioneers of fine Funk nice, beats mine. oh well. how about Model 500 SONIC SUNSET (special summer sunset mix version on rare cdr) _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) detroit, may 12, autechre(live) + SND(live) + robhall(dj)
God, I remember the first ever rave there. when it was still a roller skate rink. it seemed like the whole school went. I thought hmm, f**k that. Was it a roller skate rink? I went to Dreamscape 2 or something and remember there was a huge roller skate rink next door, but the rave was just in a huge dusty big empty warehouse space. Think this was before it became known as the sanctuary? I never went back, so i always assumed that the Sanctury was this building and not the rollerskate joint next door. Not that I actually care in any way shape or form at this point in my life so please feel free to completly ignore this musing. HAPPY HARDCORE! Ha ha ha. No wonder I turned out like this. Never quite grasped the concept of something being both happy and hardcore at the same time to be honest. Never got into all those happy piano breaks myself too much and much as I didnt really get into the whole gabber thing either I did chuckle when Lenny Dee came to town for the first time and ruined the party with a 200bpm 2 hour set of angry noise! The looks on the faces of the happy hardcore brigade was priceless! It's weird, but when I think back, early on going to raves was quite a universal thing, alot of different people went. I remember the first signs of people splitting off was when all the birds I knew wanted to go to loveranch, and loads of lads wanted to go to, say, labyrinth. Thats the first time I noticed things splitting off into smaller genres. Its true. I guess it was around late 89 when I started going out and I remember DJs like Grooverider playing Nu Groove, Transmat, Trax, Warp. House one minute, techno the next, then some acid, then some Italian piano number etc... There didnt seem to be any boundaries becuase all the music was new to everyone. I remember sometimes the only oasis for us was Eddie Richard's crew would occasionally put something on in say Bletchley, they were always good. otherwise, it was the eclipse in coventry, or london... The Eclipse rocked! Although my regualar haunt was Sterns on the South coast. Anyone ever go there? Stu
Re: (313) Hardcore u no the score (was rob hall etc)
The MC's at raves circa late 89 were using the phrase hardcore back then, but the phrase happy hardcore hadnt been invented at that point as far as I knew of. I remember aroun d the time that music started getting a little harder with the likes of Cubik, Technarchy and then in thier wake all the hard Euro rave stuff that was coming out on Target and Music Man was considered 'hardcore'. It wasn't during that period around 91 when there were all the Fantasia raves and the like and there were 500+ uplifiting piano samples over a breakbeat and a female vocal tracks coming out every week that I started hearing the term 'happy hardcore'. - Original Message - From: fab. [EMAIL PROTECTED] To: 313 Org 313@hyperreal.org Sent: Friday, May 06, 2005 12:32 PM Subject: Re: (313) Hardcore u no the score (was rob hall etc) (i dont want to brethe new life into an out-of-control thread but here goes) yeah i agree with you, at first it was called just plain hardcore (or 'ardkore) but then as the sub-genres developed, it became known as happy hardcore. actually i think this is also to differentiate it the gabber, rotterdam variety that came out later on fab. - Original Message - From: robin [EMAIL PROTECTED] To: Dan Bean [EMAIL PROTECTED] Cc: 313 Org 313@hyperreal.org Sent: Friday, May 06, 2005 12:53 PM Subject: Re: (313) Hardcore u no the score (was rob hall etc) i find the use of the term 'happy' when used with hardcore a bit wierd here. wasn't it just 'hardcore'? i thought the 'happy' came later, along with 160bpm four to the floor instead of breaks could be wrong tho as what i know as hardcore lost me when i became more interested in house music. robin... On 6 May 2005, at 11:37, Dan Bean wrote: Hardcore and Jungle/DB share musical elements such as tempo and the use of breaks + there was a fair bit of crossover in terms of producers and DJs. DJs at the time would play sets either mixing the two or have a happy hardcore set and a jungle set (e.g. Kenny Ken). Danny Breaks was one of many producers that crossed over. In fact the Essex jungle peeps (especially the Suburban Base crew) probably had the closest links to hardcore, though not necessarily the happy end of things. Early jungle comps such as Drum Bass Selection Vol 1: http://www.discogs.com/release/97955 illustrate the link quite well. At the time it was marketed as a DB compilation, but listening back the hardcore element is pretty strong. Suburban Base's 'The Joint' is probably another good example: http://www.discogs.com/release/157323 Check the Sonz Of Loop Da Loop Era (Danny Breaks) track for breakbeat madness! Having said all that, there was definitely a distinction between the stereotypical happy hardcore and DB fans. The former would be pilled up with their shirts off, jogging on the spot for hours on end, whereas the DB fans tended to be more into spliffs and punctuate standing around with the occassional burst of frenetic activity. Obviously it was more complicated than that though.. You wrote: This thread isn't long enough already in my opinion, so I'd like to add that I can't see much relation to happy hardcore and drum 'n' bass, (or 'jungle') although I do see how they evolved from similar origins.
Re: (313) Hardcore u no the score (was rob hall etc)
C'mon let's face it, hardcore, whether it was 'ardkore, or happy was a big pile of sh*t and had the musical content of a cheese sandwich. Yeah but most the hardcore stuff from back then was never meant to stand the test of time and have any great musical merit. It was largley made by people who liked doing Es and was made for people who liked doing Es. Maybe not all the time, but it was music that was all about the moment. Anyone who was caught up in that era such as myself will always find it hard to fully dismiss that music no matter how crap a lot of it sounds now because it was still the soundtrack to hundreds of pilled up nights that helped make me the person I am today. Yeah, I was digging a lot of 'better' music back then, but I haven't experienced many better buzzes in my life than being pilled up to the eyeballs and hearing $hit like Charlie for the first time. So what if it doesn't hold up musically, it made me wanna dance like a loon when I was 17 and there's something to be said for music that JUST does that and nothing more. Having said that though I do shudder when I think of what half my record collection back then sounds like! Stu
Re: (313) Hardcore u no the score (was rob hall etc)
Fair enough. For me the beginning of the end was when Charlie went on top of the pops. Dont get me wrong it wasnt the Charlie sample or anything that I liked, it was just hearing a sound that wasnt quite like any sound you had heard before for the first time. Ditto tracks like Cubik, Track with no name by Flowmasters and countless others that I cant think of off hand. I was perfectly able to go home and appreciate a bit of Model 500, Rhythim is Rhythim or Nexus 21 and then go mad to something like The Horn track down Sterns on a Saturday night. Yeah, it was music purley for getting off your head too, but hey, when I was 17 thats pretty much all I did! - Original Message - From: Placid [EMAIL PROTECTED] To: Stewart Caig [EMAIL PROTECTED]; 313 313@hyperreal.org Sent: Friday, May 06, 2005 4:03 PM Subject: Re: (313) Hardcore u no the score (was rob hall etc) for me, when i heard charlie for the 1st time..(i was in the zap club, at a tonka party) it was the beginning of the end. my beloved house was being dirtied by this horrible breakbeat, sampled disposable music... for many, it was the start of something fresh and unique, their own stamp, a uk thing, which was all good i jus didn't get it. in fact i still don't get it...music for purely for getting off your head to but lacking any depth...kind of belittles the whole thing for me but then i am very picky and closed minded... p Stewart Caig wrote: C'mon let's face it, hardcore, whether it was 'ardkore, or happy was a big pile of sh*t and had the musical content of a cheese sandwich Yeah but most the hardcore stuff from back then was never meant to stand the test of time and have any great musical merit. It was largley made by people who liked doing Es and was made for people who liked doing Es. Maybe not all the time, but it was music that was all about the moment. Anyone who was caught up in that era such as myself will always find it hard to fully dismiss that music no matter how crap a lot of it sounds now because it was still the soundtrack to hundreds of pilled up nights that helped make me the person I am today. Yeah, I was digging a lot of 'better' music back then, but I haven't experienced many better buzzes in my life than being pilled up to the eyeballs and hearing $hit like Charlie for the first time. So what if it doesn't hold up musically, it made me wanna dance like a loon when I was 17 and there's something to be said for music that JUST does that and nothing more. Having said that though I do shudder when I think of what half my record collection back then sounds like! Stu
Re: (313) April Charts Up
In defence of Mr Angel he did do that Seas of Tranquility EP on Rotation which is probably one of my fave records of days gone by, so I can forgive him for the odd moment of self promotion - Original Message - From: Jason Brunton [EMAIL PROTECTED] To: David Beattie [EMAIL PROTECTED] Cc: 313 313@hyperreal.org Sent: Thursday, April 21, 2005 12:07 PM Subject: Re: (313) April Charts Up Fair point my man, fair point! Always keep an open mind and ear. I've got a cold today so maybe I'm just extra grumpy! Jason On 21 Apr 2005, at 11:55, David Beattie wrote: well, I didnt want to say that since I havnt listened to any of the recent Rotation stuff (like Alex said, didnt even realise it was still going), but I am inclined to take your word for it mate ;-) I just remember my reaction not too long ago when someone in the very shop in which you work told me to check out the new CJ Bolland 12 Cheers BT --- Jason Brunton [EMAIL PROTECTED] wrote: Especially since 99% of his output is total pish! Jason On 21 Apr 2005, at 11:27, David Beattie wrote:
Re: (313) iPod DJ
Interesting concept. Would you apply the same thinking to a turntabalist? Does a live band need to put on a show if the music in itself is wholly sufficient. If you take it one step further then why bother with DJs at all? You may as well just play pre-recorded mix CDs in clubs, at least that way you can guarantee a flawless, perfectly mixed set of all the best music. - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Friday, April 15, 2005 9:38 AM Subject: Re: (313) iPod DJ since when did a dj have to put on a 'show'? oh, wait, I know, since all the idiots who put dj's on pedestals wanted to see one. dj = disc jockey, someone who plays records yeah? thats the entertainment. you know, the sounds coming out the speakers. f**k me, have a dance, lose yourself in music, hey, maybe even try some social interaction - give it a whirl - sometimes it can be a rewarding experience. don't watch the dj, thats for f**king idiots. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) festivals (part 1)
LOL. Those parties look like fun. Browsing the site I suddently have this strange urge to regress 13 years and go to one!! - Original Message - From: Robert Taylor [EMAIL PROTECTED] To: Robert Taylor [EMAIL PROTECTED]; Jason Brunton [EMAIL PROTECTED]; [EMAIL PROTECTED] Cc: 313 313@hyperreal.org Sent: Thursday, April 14, 2005 10:21 AM Subject: RE: (313) festivals (part 1) Sorry, that's http://www.bangface.com/ -Original Message- From: Robert Taylor Sent: 14 April 2005 09:20 To: Jason Brunton; [EMAIL PROTECTED] Cc: 313 Subject: RE: (313) festivals (part 1) Difficult decision, but if you've never witnessed a Kosmik Kommando Acid Attack, you have to check it out - caught him for the third time in six months at Bangface last week(http://www.bangface.com/ - check out the vids and pics here - they're mental) - he's goes insane with those little silver boxes. -Original Message- From: Jason Brunton [mailto:[EMAIL PROTECTED] Sent: 14 April 2005 08:13 To: [EMAIL PROTECTED] Cc: 313 Subject: Re: (313) festivals (part 1) Yeah, it's pretty tough living in Glasgow at the moment- can't decide whether to go and see Mike Dredd doing his Kosmik Kommando live set at Monox or Dan Bell at Trax doing his minimal bleepy stuff on Saturday night :) Jason On 13 Apr 2005, at 09:21, [EMAIL PROTECTED] wrote: Rhythm Sound 45 Session w/ Paul St. Hilaire 30.04. @ Tryptich Festival (Glasgow) Hmmm yes, being up in Scotland last week I saw publicity for Triptych - as I have each of the past 2 or 3 years when I've gone up there at Easter and seen the line up for the festival a month later and thought now I really should come up for that but not made it. This year's line up seems like another cracker - how come this festival hasn't been mentioned (with the exception of the above) on this list? Are our Scottish brothers keeping this one to themselves? BT, Jason et al is this another act of Scottish nationalism? - laughing behind our backs as you present: Juan Atkins Stacey Pullen HERBIE HANCOCK LAURIE ANDERSON ESG Prince Buster CANDI STATON KARLHEINZ STOCKHAUSEN fer goodness sake! and everyone else from Akufen to Bugz In The Attic, LCD Soundsystem etc. the truth must be told! # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. # # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
Re: (313) has anyone seen this?
Brighton! Cool, laid back, by the sea Arne Weinberg, Peter Ford, Tom Churchill and Vince Watson all playing here this summer Hedonizm and Covert records Lots of clubs playing Soul, jazz, latin, funk, etc... - Original Message - From: robin [EMAIL PROTECTED] Cc: 313 Org 313@hyperreal.org Sent: Thursday, April 14, 2005 1:06 PM Subject: Re: (313) has anyone seen this? i was thinking how i like living/working in and around manchester. we have some of the finest record shops in the world for a start. there's a certain buzz about the place, despite the rain then again i live in sunny warrington :), so what do i know. robin... On 14 Apr 2005, at 14:02, Robert Taylor wrote: Brixton is where's it's at - all the cool people live there and they keep coming in. -Original Message- From: fab. [mailto:[EMAIL PROTECTED] Sent: 14 April 2005 12:01 To: 313@hyperreal.org Subject: Re: (313) has anyone seen this? the site is funny but it's actually making irony on that ridiculous article so its a little gratuitious IMO im actually thinking of moving to vancouverbut i need more info about weather and what sorts of jobs i can find there, so its still in thinking-about phase amsterdam would have been another choice, but i really cant take pewter-grey skies form more than 2 months; tel-aviv is also an optioni still need to think about this listening to: nothing eating: just ate drinking: uliveto mineral water thinking about: what to listen to fab. - Original Message - From: Martin Dust [EMAIL PROTECTED] To: David Beattie [EMAIL PROTECTED] Cc: 313@hyperreal.org Sent: Thursday, April 14, 2005 1:12 PM Subject: Re: (313) has anyone seen this? does it rain in glasgow? Not every day - but were working on it Weather: When it does, tell me, raining one side of the building, sunny on the other!!! Sheffield is so twisted. Drinking: Coffee Eating: Flapjack Listening: Load of stuff by Kero and Kage Thinking: Do I really fancy 7 ov 9? ### ## Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. ### ##
Re: (313) Fwd: Record Time - The Midgets Are Coming
LOL, yeah, I already tried posting about that, but it didnt get through. I remember when they used to put people like Alan Oldham on as in store entertainment!! - Original Message - From: Greg Earle [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, April 14, 2005 4:09 PM Subject: (313) Fwd: Record Time - The Midgets Are Coming LOL ... WTF?!? Midget wrestling?!? Did anyone else get this e-mail from Record Time? Seems like they're branching out ... ;-) - Greg Begin forwarded message: From: [EMAIL PROTECTED] Date: April 14, 2005 7:11:41 AM PDT To: Greg Earle [EMAIL PROTECTED] Subject: Record Time - The Midgets Are Coming Record Time in Roseville Presents: Live Hardcore Midget Wrestling with the The Half Pint Brawlers Saturday April 16 at 2:00 PM celebrating the release of the 'Half Pint Brawlers Volume 1' DVD image.tiff attachment removed
Re: (313) festivals (part 1)
Free Horrorspeedcore party this Saturday!! See Manchester's top 'avin it 'ardcore horrorspeedcore DJ perform exclusivly in London Free Amyl Nitrate for the person who looks most like he should be investigating an anthrax attack Public Life, this Saturday .Ooops, wrong newsgroup. Meant to post this to alt.whiteglovesandglowsticks - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, April 14, 2005 4:02 PM Subject: RE: (313) festivals (part 1) I'm gonna be doing that your set on Saturday if they don't let me on the plane to Berlin *hastily packs acme flamethrower, and can of acme raver deterrent* ; ) _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) dynamic duo's
Well it was fronted by 2 people. They weren't actually responsible for any of the music though, so I can forgive them for that at least. As a side note and to add to the Carl Cox on that Techno film discussiuon a week or so back, I actually heard him play that 'techno, techno, techno' record they did at a Dance 91 party in Stevenage once. Stu - Original Message - From: Martin Dust [EMAIL PROTECTED] To: Odeluga, Ken [EMAIL PROTECTED] Cc: 313@hyperreal.org Sent: Monday, April 04, 2005 9:36 AM Subject: Re: (313) dynamic duo's On 4 Apr 2005, at 09:32, Odeluga, Ken wrote: Since someone stooped to 2 Unlimited I'm raising them Believe it or not, 2U was actually 4 people and the fact that I know this scares me to death.
Re: (313) Main Street records - buy or die?
If anyone wants a cheaper option Smallfish.co.uk has the CD of 1 to 5 in stock. - Original Message - From: Dan Bean [EMAIL PROTECTED] To: fab. [EMAIL PROTECTED] Cc: 313@hyperreal.org Sent: Friday, April 01, 2005 1:33 PM Subject: Re: (313) Main Street records - buy or die? There's only 5, might as well get them all no? They're all awesome imo, and as placid said feature Ron Trent (and Chez Daimier + Paul St Hilaire) I'm waiting for them to repress Pelon - 'No Stunts' on Chain Reaction, but I'm told this is unlikely. Anyone got a spare copy they want to trade/sell? D. You wrote: Hi listers Hardwax has almost all of the Burial Mix, RhytmSound, Maurizio, Chain Reaction, Basic Channel and Main Street back catalogs in stock i am avid fan of all of the above (almost to the point of religious devotion) but have never heard anything from Main Street - HW describe it as Basic Channel's deep house project, which obviously had me drolling over my keyboard. Can anyone tell me more and recommend me some definitive releases? i need to know if i gotta get a loan for all the things HW has in stock this week! ta, fab. CITYMORB MUSIC www.citymorb.net | [EMAIL PROTECTED] next release: CTM001 Receptor - Moving Head ep.
Re: (313) personal stereo
DJ Yoav B mixes (2 of the older ones) Sonic Sunset mixes (Loads of em!!!) Digital Soul Back catalogue A bunch of other stuff So...where can I find this Stinko mix online - Original Message - From: robin [EMAIL PROTECTED] To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Sent: Thursday, March 24, 2005 2:24 PM Subject: Re: (313) personal stereo well: $tinkleton mix djyoavb mix (the new one) TP web mix march 05 Octex When Mix Alex Bond BHD mix part1 and 2 (heh heh) robin... [EMAIL PROTECTED] wrote: I just got my mp3 player I got for my birthday working! Woo! Now I can actually start listening to the pile of around 40 cd's I have to go through. Here's what I've put on it: Kdj on Radio Nova, Paris Ron Hardy Live at the Music Box 06/19/1984 ab Stinkleton Mix (stinkworx mixtape) Danny Webb's blackheartdiscomix Matt Macqueen You Are In My System Mix from sonicsunset. What's on yours? alex p.s. I've lost that damn patrick russel tape again - does anyone have an mp3 of it? _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) Laurent Garnier Contest
Didnt he do something like this before. And didn't Fabrice Lig win? And didnt that lead to his album on F-Com? Stu - Original Message - From: robin [EMAIL PROTECTED] To: fab. [EMAIL PROTECTED] Cc: 313@hyperreal.org Sent: Thursday, March 24, 2005 2:46 PM Subject: Re: (313) Laurent Garnier Contest March 30th deadline folks I like the artwork on that site robin... fab. wrote: Hi, Laurent Garnier is having a contest, or 3 rather, for aspiring remixers, filmmakers and screenwriters in order to promote his latest lp The Cloud Making Machine. Basically you can either submit a remix of his track Controlling the House, or make a video for Waiting for my Plane, or write a film synopsis on The Cloud Making Machine. all the details are available on his site www.thecloudmakingmachine.com - just click on the Contest link. pretty cool huh? fab. CITYMORB MUSIC www.citymorb.net | [EMAIL PROTECTED] next release: CTM001 Receptor - Moving Head
Re: (313) Slowing down (was Stasis)
Ive thought about this before. When I waa going pout in the late 80s early 90s I never once remember thinking 'man all this music is kinda slow', but now when I play some of the older stuff theres an automatic impulse to wanna pitch it up. I guess the transition is so gradual that you dont notice it happening, but the knock on effect is I probably jerk my body in various rhthmic motions at least twice as often in the course of a night now than I did 10 years ago! I blame Lenny Dee and his so called gabba techno! Nothing seemed fast enough after that era! - Original Message - From: J.T. [EMAIL PROTECTED] To: Stoddard,Kamal [EMAIL PROTECTED]; 'robin' [EMAIL PROTECTED]; 313@hyperreal.org Sent: Thursday, March 24, 2005 4:28 PM Subject: RE: (313) Slowing down (was Stasis) yeah i think a lot of early techno was real slow, maybe cus it was just an offshoot of house anyways... maybe it's coming fullcircle again now, people want to mix techno and house together again, at least i do, they're becoming less distinct from each other again... some of my alltime favorite stuff is stuff that sits between techno and house...orlando (all these reissues are kicking my ass, and they keep coming!!), paperclip peeps, eff, prescription, ferox (who borrowed eddie's techno soul line), model 500 (the chase, ocean to ocean)...the slower the tempo, the more soulful, in some ways...sometimes? well thats probably nonsense, i dunno
Re: (313) Hi Tech Soul - The Movie
I still find Carl Cox an odd choice of UK representation in a film such as this, sure he was playing some techno sets back in the day, but he was also playing garage, house, jungle, db, happy hardcore and just about anything else he could get booked for! And his actual music has never really been any good. Stu - Original Message - From: robin [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Tuesday, March 22, 2005 10:06 AM Subject: Re: (313) Hi Tech Soul - The Movie Robert Taylor wrote: Anyone seen this? http://www.hightechsoulthemovie.com/ Intriguing. it was apparently shown last sunday. anyone see it? robin...
Re: (313) Hi Tech Soul - The Movie
Well I knew Carl back when he was selling rave tickets from his flat in Brighton and heard him out often (It was hard to miss him in the late 80s early 90s) and I dont remember him once ever truly blowing me away. Sure he would do the whole 6 deck mixing thing and he was definatly one of the more competent mixers on the rave scene back then, but I always felt his track selection, whatever genre he was playing, was just too obvious and uninspired. Its as if he always had ambitions to be a radio friendly figure and always played the 'big' tunes. I dunno, maybe I'm being harsh, but I just feel as both an artist and a DJ he has always left me cold. If they really wanted a big recognisable UK name to be represented on the movie then Dave Clarke would actually have been the better bet maybe. Stu - Original Message - From: Erin Bate [EMAIL PROTECTED] Cc: 313 313@hyperreal.org Sent: Tuesday, March 22, 2005 5:44 PM Subject: Re: (313) Hi Tech Soul - The Movie I know Carl isn't who I personally would pick for this movie, but if you talk with some of the guys from back in the day, they give alot of respect to Carl Cox... I am not sure why, because I have never heard anything from him I was impressed with either..I remember when he was playing the DEMF...I got a ear full about his influences on Detroit music...From artists who have been around since the beginning. ~Erin Stewart Caig wrote: I still find Carl Cox an odd choice of UK representation in a film such as this, sure he was playing some techno sets back in the day, but he was also playing garage, house, jungle, db, happy hardcore and just about anything else he could get booked for! And his actual music has never really been any good. Stu
Re: (313) save me, I think I'm going over to the darkside...
mood strikes him. Maybe if we praise him for those rare rise-abover tracks, instead of always slagging him off as a sell-out, he might do more of them. I'd like to praise him for that Voodoo Child Horses track he did years ago if I may.
Re: (313) ..earth calling francis....or other berlin goers....
Yeah although when Basic Channel played behind a screen at Lost it was alongside Jeff Mills DJ set, who wasnt behind a screen. At least thats how I remember it. Anyway, one of the most intense DJ performances I've seen recently was Dan Curtin. He didnt dance or sing or acknowledge the crowd in any way, but he didnt stop tweaking knobs, moving sliders, cuing records for one second during his set and it was fascinating to see him so focussed in creating a seamless set of blinding music, which is all I really want at the end of the day. - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Tuesday, March 15, 2005 2:50 PM Subject: Re: (313) ..earth calling francisor other berlin goers First off, what a load of boll*cks. nice touch Martin. You sound as if you're in a similar mood to me. : ) I have to say, I 'watched' a dj once before. I was ill. (could hardly stand) It lasted about 30 minutes. I learnt something I guess, but I can't say I'll ever do it again. While I see Robins point of view (its just what some people want to see - nowt wrong with that), I just dont subscribe to this theory. My mate saw Basic Channel live at Lost, behind a screen. Awesome he said. Moodymann played behind a sheet in Manchester. No difference there either.. Kraftwerk, stood still, didnt move a jot in 2 ours of a live show. Possibly the most stunning thing I've ever seen in my life. So, I think, in summary, its just what one person thinks over another, so therefore no ones right and no ones wrong. hmm. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) Carl Craig '
yeah I remember that too. I also remember trawling the streets of Brighton with you looking for your lost 'phone' at one stage of the night, LOL. - Original Message - From: Paul Kendrick [EMAIL PROTECTED] To: Tristan Watkins [EMAIL PROTECTED]; Fred Heutte [EMAIL PROTECTED] Cc: 313@hyperreal.org; [EMAIL PROTECTED] Sent: Monday, March 14, 2005 9:25 AM Subject: RE: (313) Carl Craig ' I share your opinion about the Brighton gig Tristan, not sure if you would be able to remember the first half that well because I seem to recall your being kicked out of the club ( and sneaking back in) and falling a sleep at the front leaning on the booth while Carl was playing HAHAHAHAHAH- classic moment. And I was also at the Kings cross gig last year and it was may be my best night out for the whole of last year. Stunning. 3 decks and 2 cd players- don't sound like the CC I've seen before In Brighton he only used CD decks. Paul -Original Message- From: Tristan Watkins [mailto:[EMAIL PROTECTED] Sent: 13 March 2005 20:23 To: Fred Heutte Cc: 313@hyperreal.org; [EMAIL PROTECTED] Subject: Re: (313) Carl Craig ' I think my problem is that isn't always the case anymore. When I saw him in Brighton in Nov/Dec the first half of his set was fairly bland, despite following a Harvey-esque DJ. Like I said, he made up for it, but maybe a little too little a little too late. That said, reports of his set in Kings Cross last year were nothing short of stunning. Tristan === [EMAIL PROTECTED] http://www.phonopsia.co.uk Original message Subject: Re: (313) Carl Craig ' Author: Fred Heutte [EMAIL PROTECTED] Date: 12th March 2005 7:25:39 Like all the best DJs in Detroit, Carl can play anything and basically will, even sometimes pushing well past where the crowd will go. I'm not always thrilled with his playing but it's always interesting. -- fh
Re: (313) Mostly Listening To
Ahhh, now that's the one Ian O'Brien track that DID stand out for me- there's another EP on this label that really blows me awayjust can't remember which one of the Wavescape EP's it is- short lived but generally excellent label. Jay For other top Ian OB tracks check As Part 1 (from Gigantic Days LP- Peacefrog) Moonlight (From Future Sound of Jazz Vol 6 - Compost) Telex - I dont like music (Ian O Brien mix) (SSR) That Was Now 12 - Pacific Records TeenTown Beats (Peacefrog) Monjey jazz - Ferox HeartStrings EP - Peacefrog Stewart
Re: (313) Mostly Listening To
Yes, he was telling me all about that. I think he actually played it at the Digital Soul/Outlet party last year. Wasnt it going to be released on the ART comp? - Original Message - From: [EMAIL PROTECTED] To: 313 313@hyperreal.org Sent: Thursday, March 10, 2005 10:25 AM Subject: Re: (313) Mostly Listening To ian o'brien did a track with kirk degiorgio, which, to my ears, is a very honor paid to derrick may (think icon, praise rmx) - should be released, somewhere soon?
Re: (313) Mostly Listening To
LOL. Well I hope he doesnt take this stuff to heart. I told him As part 1 brings a tear to my eye, then realised how bumlicky that sounded so told him all his other stuff was $hite though! - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, March 10, 2005 10:50 AM Subject: RE: (313) Mostly Listening To I don't have loads of Ian O Brien stuff btw, didn't you once recommend he should be less jazzy? you twonk! theres a story behind that. its not quite how it sounds. now I have to half tell it. err, it was about 7am in the morning round my mates house after that secret history launch party and me and my mate were extremly drunk. and high I guess. ian o brien was round too. and err, we kinda got on ians case - in a playful comedy type way of course. poor lad. dont think he'll ever speak to me again! *hope he doesnt remember actually, he was pretty plastered too* I think I might have called him a f**king jazzy c**t or something. in jest like. amongst about a million other things. he's a really sound lad ian. only met him once like. I should be a diplomat. alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) Mostly Listening To
His 4th album is due out soon on Peacefrog. Apparently he's gone in a very different direction than his previous stuff, a lot more down tempo. I'm pretty sure he played a load of it at the party last year, but buggered if I can remember. - Original Message - From: [EMAIL PROTECTED] To: 313 313@hyperreal.org Sent: Thursday, March 10, 2005 11:01 AM Subject: Re: (313) Mostly Listening To does Ian O'Brien has any releases coming? Is he still signed to Peacfrog?
Re: (313) Mostly Listening To
I heard a rumour that Ian is also doing something with Claude Young... Well they are good friends and have already collaborated once if I remember correctly. Memory Tree or something??
Re: (313) Mostly Listening To
Dan Curtin - When Worlds Align (Starbaby) Cool. Is that the one thats got that one side A track that seems to tell a story of covert martian secret agents on a planetside nightime stealth mission to infiltrate the HQ of cavedwelling alien insurgents? I love that track!
Re: (313) new record observations
Mad Mike meets Ian O'Brien, thats what I want to see! Or failing that just Mad Mike doing 'Ian O'Brien disease'. - Original Message - From: Jason Brunton [EMAIL PROTECTED] To: Matt MacQueen [EMAIL PROTECTED] Cc: 313@hyperreal.org Sent: Wednesday, March 02, 2005 10:42 PM Subject: Re: (313) new record observations I'd back that opinion up- I've lost count of how many tracks I've heard now that SHOULD work on paper (Fat Freddie's Drop meets Recloose, Joey Beltram meets Juan Atkins, errr, 808 State meets UB40- maybe not!) but just don't quite jell when you hear the tune cheers Jason On 2 Mar 2005, at 22:08, Matt MacQueen wrote: On Mar 2, 2005, at 4:05 PM, Stoddard, Kamal wrote: can anyone post links of clips of this online... (new recloose). sorry if i missed them in an earlier post. http://www.planetxusa.com/pub/audio/djram/2005/179304.ram This is a link to planet-x's clips. If I find better ones I'll link 'em. thanks. while i like it so-so, man oh man could this track benefit from a really spaced apart disco-style dub. just using a few chunks of the vocal, and air it all out Francois K style in full Prelude era.. yet still keep the bounce and funk. my silly opinion, anyway.. -- MM http://sonicsunset.com
Re: (313) new record observations
Well to be honest, I would never have thought of Mad Mike had he not been in the track title, just like the tune. As for not taking to Ian O'Brien!! Man, Im shocked! Gigantic days?? - Original Message - From: Jason Brunton [EMAIL PROTECTED] To: Stewart Caig [EMAIL PROTECTED] Cc: 313@hyperreal.org Sent: Wednesday, March 02, 2005 10:48 PM Subject: Re: (313) new record observations Aargh- that's probably the main reason I've never really taken to Ian's stuff- I really see that track as being Mad Mike Lite :) Jason On 2 Mar 2005, at 22:43, Stewart Caig wrote: Mad Mike meets Ian O'Brien, thats what I want to see! Or failing that just Mad Mike doing 'Ian O'Brien disease'. - Original Message - From: Jason Brunton [EMAIL PROTECTED] To: Matt MacQueen [EMAIL PROTECTED] Cc: 313@hyperreal.org Sent: Wednesday, March 02, 2005 10:42 PM Subject: Re: (313) new record observations I'd back that opinion up- I've lost count of how many tracks I've heard now that SHOULD work on paper (Fat Freddie's Drop meets Recloose, Joey Beltram meets Juan Atkins, errr, 808 State meets UB40- maybe not!) but just don't quite jell when you hear the tune cheers
Re: (313) Guide to K. Hand?
You could check out her 'on a Journey' LP on Studio K7. Best thing I remember hearing from her and also has quite a few different styles going on on it. - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Sunday, February 27, 2005 4:50 AM Subject: (313) Guide to K. Hand? would like to get to know her music better - anyone have suggestions for records out of her discog? techno styles or house - either is fine her music has always been a curiosity for me but I've never really taken the time to get into it (until now) MEK
Re: (313) SHUT UP DANCE
The only shut up and dance track i ever remember really liking was Lamborghini, but I havent heard it in 10 years and cant remember if it bore a passing resemblance to oscillator, I kinda blanked SUaD out my mind after the track they did that bore more than a passing resemblance to Walking in Memphis. (shudders) - Original Message - From: Aidan O'Doherty [EMAIL PROTECTED] To: 313@HYPERREAL.ORG Sent: Friday, February 18, 2005 2:27 PM Subject: (313) SHUT UP DANCE what track by shut up dance bears more than a passing resemblance to paperclip people's 'oscillator'? and which came first? also, anyone know the source of the sample for schatrax's 'sunshine'? thanks, aidan
Re: (313) Martins Bag
Im down with the Vince Watson CD. A lot better than his older stuff on Rotation and the BioSphere album which were ok, but nowhere near as deep as the fractured, melodic outer space yearnings coming out his new joint. Best bit of techno Ive heard in a while if Im honest. - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, February 17, 2005 9:53 AM Subject: (313) Martins Bag Well, I don't really want to look in Martin's bag, but I shall join in the fun. Blacklabel CD on Blacklabel Vince Watson CD on Headspace Don't think I have any new records to add, I'm proper broke. The cd's are nice though! Recommended. : ) _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) Martins Bag
Agreed Stewart. So, asks the question - anything else along these lines coming out lately? Doesn't seem to be, maybe I'm sleeping though - that's likely. Well not to jump the gun too early I got a few things due out this year. Next month sees the re-release of the Splinterfaction remix 12, then straight after that i got a 12 from a Swedish collective called Concrete Soul who did a PA last year in London at the Digital Soul/Outlet party and features WildPlanet and a splendid mix from our very own Brien Prince. Then I got 2 pure techno EPs that are absolutly killing me on CDR at the mo! Think Mad Mike travelling back in time to record with Kenny Larkin in 1990 and you are halfway there. :)
Re: (313) Apex twin
or as Richard says: I'm creating a consistent variant sound template for easy self-selection across an increased product offer or,as alex says what a load of f**king bul***t Are we meant to take anything he says seriously though? I always got the impression that everything he did or said was meant to be taken with a pinch of humour. Personally I've really liked a lot of his stuff down the years. SoSW was fantastic, I still love hearing analogue bubblebath and Didgeridoo and his wierd projects like that MB games spoof thing were interesting. Not to mention both SAW albums. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) Apex twin
when you listen to RDJ, do you skip through the milkman's wife track? i couldnt listen to that twice in my life, it was pure novelty for me. LOL yeah, but still kinda hilarious the first time you heard it!!!
Re: (313) mark kinchen about to return?
Well after he moved to NY he did a few things that got in the pop charts and had his trademark sound. Didnt he mix that Nightwriters track many years ago? For me he relied a bit too much on the looped cut up vocal sound that most of the stuff of his I heard had. - Original Message - From: fabrice Lig [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, February 17, 2005 4:59 PM Subject: RE: (313) mark kinchen about to return? Funny as a friend was in my studio yesterday and we listened few of his remixes for Chez Damier, K Saunderson etc... And we wondered what happened to him... Does anyone know what he did during the last few years ? I heard he was producing for dance artists ? Fabrice Lig From: jurren baars [EMAIL PROTECTED] To: 313@hyperreal.org Subject: (313) mark kinchen about to return? Date: Thu, 17 Feb 2005 15:05:44 + just saw this thread on the dhp messageboard: http://deephousepage.com/ubb/ultimatebb.php?ubb=get_topic;f=23;t=003565 that should be good news to some people here :) _
Re: FW: (313) london next sat
The Headspace night at Public life will be better than Fabric by a mile. - Original Message - From: [EMAIL PROTECTED] To: [EMAIL PROTECTED] Cc: 313@hyperreal.org; [EMAIL PROTECTED] [EMAIL PROTECTED] Sent: Wednesday, February 16, 2005 7:41 PM Subject: Re: FW: (313) london next sat haven't been to fabric, but man i'd love to. seems like you'll also get more diversity at fabric. more rooms, more artists and such yeah, that's what I thought too. It's big but it attracts loads of people who don't give a toss about the music. It gets so packed it's like a sardine can. If you bring a girlfriend/wife you might want to warn her about the groping from ugly drunk cnuts. Went once and I doubt I'd ever go back if I was in London again. small parties are better in London MEK
Re: (313) fwd: Da Big Sale-(lots including Dance Mania/Djax/RARE...)
-Acen-Trip 2 the moon part2 (production house/PNT 042R) -Acen-Close Your Eyes (Production House/PNT 034) LOL, good to see you were part of the rave brigade too Marsel !! - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Monday, February 14, 2005 10:56 AM Subject: (313) fwd: Da Big Sale-(lots including Dance Mania/Djax/RARE...) from dj yoav b. === Hello, I'm cleaning my crates and selling tons of recs, here is the (partial) list some r very rare, feel free to hit me for more details at [EMAIL PROTECTED] -Joe T. Vannelii/Csilla-Play with the voice in the USA,Beltram remix,apeard on Jeff Mills' mix cd,very sought after and rare! (Sorted) -Drexciya 3-Molecular Enhancement (Rephlex) -Acen-Trip 2 the moon part2 (production house/PNT 042R) -Acen-Close Your Eyes (Production House/PNT 034) -Technasia-Motion (Technasia/ta2) -Dr. Mottes Euphorythm-Patrik (DJ Hell remix) (Space Teddy) -Nigel Richards-It Must Be Nice (611) -Cari Lekebusch-Vet Dom Som Sor Att L.P. (Hybrid) -Techno Grooves-Mach 3 (RS) -Gaetano Parisio-Chapter Three (Southsoul) -The Youngsters-Illogique (FComm) -Laurent Garnier-Greed+The Man With The Red Face (part two/Dave Clarke/Fabrice Lig/Ashley Biddle Mixes)(FComm) -User-User07 (User) -Technasia-Hydra (Superstition/Superstition2100) -Dave Clarke-Red 3 (Deconstruction) -Aubrey-Distant Echoes (Solid Groove) -Robotman-Do Da Do remixes 2x12 (Novamute) -Gary Martin-Basis 2x12 (Teknotika) -Sygrid/Emanuel Top-Phase/Shaker (Electret) -Adam X-Steel Giants (Scandinavia) -Envoy-Rundown (Funk D'void Remix) (soma) -Trevor Rockliffe-Take A Chance (Strive) -Phuture303-Acid Soul (Djax) -Donieus-Bang It! (Underground Construction) -Joey Beltram-STX02 test pressing (STX) -A.Paul-The Funk (Difference) -Air Frog-Bon Voyage (Stacey Pullen Remix) (RS) -User-User12 (User) -User-User03 (User) -V/A-Tresor Comp.Vol7 2x12(Baxter/Sterac/Dan Bell and more) (Tresor) -James Ruskin-Into Subbmition, Tresor 173 promo 2x12 LP (Tresor) -Co Fusion-The Color Of Beetroot (Reel Musiq) -Recycled Loops-Reloop001 (Recycled Loops) -Purpose Maker-Circus (Purpose Maker) -Ellery Cowles vs Jay Denham (Black Nation/bnr300) - Madonna-The Power Of Goodbye Luke Slater Remix! (Warner) -Richie Hawtin-Minus Orange (first pressing) (Minus) -DJ Rush-Remixes pt.1/motherfukin bass (Mental Groove) -Dark Knight (Funk D'void+Envoy)- Bass Is The Place (Dark Night) -Puthure303-AlphaOmega 2x12 L.P. (IDT) -Bryan Zentz-Dirt Boxx E.P. (High Octane) -D-Knox-Music Is Music E.P. (Sheep) -Eric Ericksson- Synchronized Minds (Fragile) -Sound Of K-Silvery Sounds Technasia Remix (FComm) -Technasia-Force (Technasia) -Andrew Mclauchlan -Love Story (Bush) -The Blunted Boy Wonder-Crossroads (Novamuste) -Green Velvet/Damon Wind/Sterac-Intergalactic Kozzmozz (exlusive tracks for this comp e.p.) (Kozzmozz) -L.F.O.- Sonic Attack/Lord Of Light (Bleep 3/white lable) -Jori Hulkkonen Hemista-Latuaii 2x12 (Trainspoter's Nightmear) --G Flame and Mr. G-Playaz Club Dubz (Majik Gruuv) -Nigel Richards-Wastline (Stickman) -Green Velvet-Land Of the Lost Remixes (Musicman) -Group X-Da X Files (Djax) -Technasia-The Declamation (Technasia) -Samurai Sam-House Of Japanese (Trax) -Brennan Green-Downsreamers (CSM) -3Phase-Snafu Sessions (Novamute) -Organ Grinder/DJ Rush-Analogical (Organ Beat OB501) -Trevor Rockcliffe-Need You Remixes (Mr G remix) (Mentor) -Steve Rachmad-Sinosphere (sino) -Marco Bernardi-Error Messgae (Frustrated Funk) -Reggie Dokes-The Rhythmicity E.P. (Psychostasia) -Steve Stoll-Model T/Aux 88 Remix (Novamute) -Mark Broom vs Ployfex-Volume Two (Speaker Attack) -Robert Hood-Nighttime World Vol.2 3x12 (M-Plant) -A Scorpion's Dream/Steve Rachmad-Aqua Dance/Graphics (Fragile) -The Operator- Line 02 (Djax) -Oxia-Body E.P. (Goodlife) -Rue East- Indoor Culture Remixes/Ben Sims Remix (Pure Plastic) -Turbulant Force-Turbulant Force LP 2x12 (Emissions Audio Output) -Mr G.-Time For Change (Phoenix G) -XP (Beltram/Wild)-Groundhog (Synwave SW05) -Ben Sims-Tresor 172 Promo (Tresor) -Shawn Rudiman-My Life, My Groove (7th city) -D.I.E.-Only Time Can Stop A Dream (M.A.P.) (Awsom Detroit Electro/Booty) -Bizz O.D.-Disco Trash (Force INC) -Morph-The Advent Remixes (Synwave SW20) -Minfield Geleral-Coatnoise/Dave Clarke Remix (Skint) -Subcode-Work (Universal Code) -Lost Sector- Groove Trax Vol. 1 (Fishtank) -Green Velvet-Lala Land (Relief) -Jeff Mills-Metropolis, Tresor 155 promo (Tresor) -Dave Tarrida-Paranoid L.P promo (Tresor) -DJ Deeon-Freak Like Me (Dance Mania DM185) -DJ Clent-100% Ghetto (Dance Mania DM 262) -Millitia-Sleeping With The Enemy (rare DBX involved production) (Trance Fusion 1993) -Joey Beltram-Dance Generator 2x12 (Trax) -Joey Beltram-The Start It Up/Cloud Young Remixes (Trax) -Winx (Josh Wink)- Meditation Will Manifest (RS) -Gez Varley presents Tony Montana- 2x12 (!K7) -Purpose Maker-Our Man In Havana (Purpose Maker) -Dj Deeon-U.G. white lable
