New member intro
Hello everyone! I've seriously been trying to join this list for about 4 years but something always seemed to screw up with my mail server; problem finally solved! Anyway, my name is Todd Gys. I've been dj'ing deep detroit/berlin minimal techno for about 6 years now. I'm a big fan of the chain reaction, main street, maurizio, and basic channel sound, but am also into the more minimal stuff like the Studio 1 releases, profan, etc. I'm sure I'll meet some great people here into the same music. I recently moved to Boston, MA from Columbus, OH. Quite different out here; haven't been able to find many people into the same sound I am. If you're from the Boston area, I'd love to get in touch and talk music! Within the last 3 years, I've started to make some of my own tracks. These days I finally have a fully functional studio up and running and I've been doing my best to churn out tracks. I'm involved in a few ambient projects right now, but have a few crunchy minimal tunes on cue to be released. Anyway, thought I'd drop a line and introduce myself. Anyone out there I know already? Todd Gys set.go.studio
detroit music e-zines and online stores?
Anyone know of some e-zines worth checking out that focus on detroit techno? Also, any good online record stores (besides submerge) that you could recommend? Thanks. Todd
RE: [313] (Yet another) Track ID
green velvet: Flash??? -Original Message- From: Deliverator [mailto:[EMAIL PROTECTED] Sent: Monday, September 25, 2000 4:32 PM To: Filip Sneppe; 313 Subject: Re: [313] (Yet another) Track ID greetings, No, It's def. not spastik. It's not nearly as manic as that. Is has a section of rapidly repeating snares, then a pause, then a series of snare hits in the pattern of 1-2, 1-2-3-4. I really need to hardwire my brain for audio out :-) thanks for the suggestion, jim - Original Message - From: "Filip Sneppe" <[EMAIL PROTECTED]> To: "Deliverator" <[EMAIL PROTECTED]>; "313" <313@hyperreal.org> Sent: Monday, September 25, 2000 4:08 PM Subject: Re: [313] (Yet another) Track ID > From: Deliverator <[EMAIL PROTECTED]> > > > I've heard both May & Hawtin spin this track recently. The only way I can > > describe it is as extremely minimal with this military/marching snare > > pattern. A great 5am track. > > Could it be Plastikman - Spastik ? > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Surgeon & tone-shifting
More on the ambient tip...but if you're interested in seeing how toneshifting can trick you into thinking something is there that isn't, take a listen to Steve Reich's "It's gonna rain". Reich was an early experimental/ambient musician that would sometimes take spoken word stuff and chop it up into really repetitive segments..but in a very subtle way. Anyway, the repetitiveness starts to get ingrained in your head and before long, you start fogetting you are hearing words and they start to take on a more percussive nature. There are no fancy effects or anything, just repetitive speech which your mind starts to interpret as something different. It's very cool stuff...definitely bringing out a unique feature of our mind, but you can't really shake your ass to it like you can with the Surgeon =] t o double d set.go.recordings -Original Message- From: darw_n [mailto:[EMAIL PROTECTED] Sent: Wednesday, September 27, 2000 1:39 PM To: Gwendal Cobert; 313@hyperreal.org Subject: Re: [313] Surgeon & tone-shifting Toneshifting (one word, for aesthetic reasons) is not a "style", it is a result... But generally, it only occurs with highly repetitive techno for anything complex or melodic becomes an oppressive agent... Simply put (I have to get to class), toneshifting is when the listener projects his/her own melody onto the repetition, rather then the music project out to the listener. The track, as simple as can be is merely a vehicle for whatever is in the listeners head, a compromise between the artist and the listener, a truly interactive music (and I contend a relative first in modern popular music)... The reason for the term "toneshift" is that the general trend amongst listeners is to change a monotonous single repeating tone or rhythm into a major/minor note shift, usually occurring in 2 bar patterns... sorry about the laymen's music terms... darw_n "create, demonstrate, toneshift..." http://www.mp3.com/darw_n http://www.sphereproductions.com/topic/Darwin.html http://www.mannequinodd.com - Original Message - From: "Gwendal Cobert" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Wednesday, September 27, 2000 7:30 AM Subject: RE: [313] Surgeon & tone-shifting > Talking about which... some time ago I let an interesting thread slip > through, the one about "tone-shifting" - on Surgeon's Balance, one of my > favourite tracks remain Circles - one of the simplest things I've ever > heard, just a pounding, heavy percussive line with an alarm bell-like sound > increasing and decreasing in volume on top of it... would that qualify for > "tone-shifting music" ? > Gwendal > > > -Original Message- > > From: Myke Mitchell [mailto:[EMAIL PROTECTED] > > Sent: Wednesday, September 27, 2000 4:07 PM > > To: [EMAIL PROTECTED]; 313@hyperreal.org > > Subject: [313] Surgeon > > > > > > Hey all, just thought I'd try and spark a little discussion > > here. I was > > going through some of my old vinyl and pulled out Surgeon's > > 'Comunication' > > album on Downwards from '96. DAMN, that's a KILLER album > > that I don't think > > I've heard anyone talk about yet. All tracks on this album > > are worthy of > > play. Wish he would do some work these days with that older > > feel to it, I > > love that stuff. Speaking of Surgeon albums, besides that and > > 'Basictonalvocabulary' has he released any other LP's?? > > Anyways Anthony > > Childs should be held up there with the Techno greats in my opinion. > > Pieces. > > > > MM > > __ > > ___ > > Get Your Private, Free E-mail from MSN Hotmail at > http://www.hotmail.com. > > Share information about yourself, create your own public profile at > http://profiles.msn.com. > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Black Nation in Germany
I wish I was taking a trip there! Archetype, if you haven't heard him, is pretty amazing. His stuff ranges from funky-smooth, to minimal, to out-there experimental, and back again (sometimes within the same track!)...all the while keeping a certain signature to it. Definitely worth checking out if you ever get a chance. His record releases are pretty sweet too- take a listen! I've seen a few of his live PA's in Columbus and have been pretty blown away; he knows how to get a crowd moving! peace GYS -Original Message- From: Aaron M Bennett [mailto:[EMAIL PROTECTED] Sent: Wednesday, September 27, 2000 3:26 PM To: 313@hyperreal.org Subject: [313] Black Nation in Germany thought this tour schedule might be of interest to you all aaron bennett black nation records: kalamazoo, michigan [EMAIL PROTECTED]www.black-nation.com halfway between detroit and chicago -- Black Nation Fall Tour 2000 October 7th Ultraschall: Munich, Germany Jay Denham: Black Nation Records (Kalamazoo, Michigan) Anthony "Shake" Shakir: Frictional/7th City Records (Detroit) Archetype (Live P.A.): Black Nation/21-22 Corporation (Columbus, Ohio) Roberto Q. Ingram: Black Nation/Parasound (Los Angeles/Munich) October 13th Alcatraz Club: Landau Isar, Germany Jay Denham Anthony "Shake" Shakir Archetype (Live P.A.) interfaced.ave: Rohton (Munich) Aaron Bennett: Black Nation Records (Kalamazoo, Michigan) October 14th Nylon: Crimmitschau, Germany Anthony "Shake" Shakir Archetype (Live P.A.) interfaced.ave Aaron Bennett YOU'RE PAYING TOO MUCH FOR THE INTERNET! Juno now offers FREE Internet Access! Try it today - there's no risk! For your FREE software, visit: http://dl.www.juno.com/get/tagj. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] BT
I'm not really into his music at all, but an interesting tid bit; his latest release was created entirely from a computer! Absolutely no hardware synths or beat boxes were used. That says something about the power of music software these days as the production quality of his latest is quite nice. GYS -Original Message- From: darw_n [mailto:[EMAIL PROTECTED] Sent: Monday, October 02, 2000 11:50 AM To: Cyclone Wehner; 313 Detroit Subject: Re: [313] BT he's from Washington DC and we have him booked next week (to my chagrin)... From: "Cyclone Wehner" <[EMAIL PROTECTED]> To: "313 Detroit" <313@hyperreal.org> Sent: Monday, October 02, 2000 1:03 AM Subject: Re: [313] BT > To be fair, he is a great person, very approachable, very extrovert in an > 'LA' kinda way though he is from Maryland in Washington, it's just that I > can't stand his music (too derivative to my ears and just doesn't appeal) > and I think you'll find that there could be a sudden thread "why BT sucks" > as he is seen as ideologically distant from most of the music discussed on > 313. He has had formal musical training at Berklee College but left and > worked on sessions with Salt-N-Pepa and even did the incidental music for Dr > Dre and Snoop Doggy Dogg's Murder Was The Case (true!) - all these unlikely > things like that. He's been working with Peter Gabriel of late, I believe. > Many see him as one of the progenitors of progressive house, as he spent > time in the UK and was taken under the wing of Sasha and signed to Perfecto, > which he later left. His music is going more down the breaktrance route at > the moment. To bring it back to 313 I think Carl Craig did a remix for him? > > He was a colleague of Deep Dish's very, very early on but they had some kind > of differences. > > I have no doubt that he will blow up in the US sometime, he has MTV all over > him. He moved to LA to chase more movie work. > > > >Hey peeps, > > > >I have recently become intrigued by BT and was wondering if anyone could > >give me some input on what you think about Brian TranseauI would love to > >know if anyone likes him besides me. I love it.. > >thanx > >angel > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] BT / Software music
I've heard that some of the Chain Reaction peeps like monolake have run entire live PA's running only Reaktor and using a midi-knob controller to shape the sound. That's pretty cool to use a single program, though Reaktor is like having as many synths and modules as you want... Awesome. Kinda making me feel foolish for dishing out about 7k for my home studio...oh well though, I'm having fun using hardware and software =] GYS set.go.recordings. -Original Message- From: Jongsma, K.J. [mailto:[EMAIL PROTECTED] Sent: Monday, October 02, 2000 9:52 AM To: '[EMAIL PROTECTED]' Cc: '313@hyperreal.org' Subject: RE: [313] BT / Software music Aphex Twin creates most of his music on his laptop. AFAIK was 90% of 'Window Licker' created on a powerbook. He did most of his recent livsets on a powerbook. [EMAIL PROTECTED] > I'm not really into his music at all, but an interesting tid > bit; his latest > release was created entirely from a computer! Absolutely no > hardware synths > or beat boxes were used. That says something about the > power of music > software these days as the production quality of his latest > is quite nice. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Moby
I never really took Moby seriously until I heard his release under the name "Voodoo Child". This was one incredible album...definitely worth a listen. There weren't too many made, but I've seen some cd's floating around... It's very chill and minimal. Almost a mix of deep detroity house with some oldschool electro thrown in; it comes together quite well and is quite un-Moby sounding. GYS -Original Message- From: J. S. Landau [mailto:[EMAIL PROTECTED] Sent: Monday, October 02, 2000 4:13 PM To: 313@hyperreal.org Subject: [313] Moby Just thought this was an interesting piece of news I received about everyone's favorite artist. Courtesy of Sideline news. >Moby phones home >Mute succes Moby is to work together with John Williams, who composed the >soundtracks for toppers as "ET" and its predecessor "Close Encounters Of >The Third Kind". Moby and John will be composing the music for a brand new >computer game. The duo will also be writing the score for the cartoon >"Astro Knights", an animated series about aliens that live on the moon. >Moby, 28, will also be writing a special dance-track for an "Astro >Knights" character, the space pirate Bertha Budd. That dance-track will >most probably be issued as a single. Moby meets the king of orchestral pop music. Should be wonderful, really. Josh Landau phase 10, the grind WCBN-FM 88.3 FM, Ann Arbor www.wcbn.org - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Anyone out there in the Boston area?
Hey, I'm looking to meet some people around boston who are into the detroit techno scene.especially musicians looking to collaborate. Let me know. Todd
RE: [313] R: [313] women and electronic music
I was involved with a crew in columbus that promoted/supported women dj's and musicians in the exact same manner as any male dj's. Personally, I think women have a better natural ability to pick up on dj'ing and producing music. "Biologically" it's been shown that women have a predisposed talent in detail-oriented tasks; something definitely worthwhile when learning to beatmatch, or make music. I'll never forget the first time my girlfriend went to my turntables...she matched a beat on her very first try. Luck? Doubt it...she had a natural knack. She showed the same talent when she all of the sudden decided to make a track on her own. So why aren't there more? My thought is that a lot of girls lack the confidence to really go for it. Let me explain myself before I get scorched =] Confidence is probably hard to come by for a lot of women because it is such a male dominated scene right now. Plus, there are going to be skeptics who expect women dj's to prove themselves...that equates to more work to get to the same point as a male in some cases. Some may not even think about trying it if they don't see other women doing the same thing... Again though, I was lucky to be involved in a crew where we did support the female talent...if you're good, you're good. I for one really enjoy seeing women behind the decks; on the whole, the women dj's I've seen have been extremely charismatic and could really get the crowd pumping. GYS -Original Message- From: Nick Walsh [mailto:[EMAIL PROTECTED] Sent: Thursday, October 05, 2000 11:02 AM To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: Re: [313] R: [313] women and electronic music > Sexism says that women Djs are not "real" Djs. I don't think so... They have women's football... that's a "male" dominated scene. If they wanna do it they can, the likes of K.Hand prove this. They just don't get involved, they're in no more danger in the dj box than if they were on the dancefloor. The toilets is where you get mugged anyhow... What are they scared of? Most male dj's and promoters I know want more women in the scene... l8r, Nick (Dj Pacific:) __ Do You Yahoo!? Yahoo! Photos - 35mm Quality Prints, Now Get 15 Free! http://photos.yahoo.com/ - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Deee-Lite
Nope, 2 different people. -Original Message- From: Gerald [mailto:[EMAIL PROTECTED] Sent: Friday, October 06, 2000 8:59 AM To: 313@hyperreal.org Cc: FC3 Richards Subject: Re: [313] Deee-Lite > Supa DJ Dimitri? Is this Dimitri from Paris? G - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Bluetrain Records....
Anyone know of an online place that still has some leftovers from the Bluetrain label on vinyl? Any help would be greatly appreciated. Thanks! GYS set.go.recordings.
RE: [313] Tresor DJ-mix available online (downloadable mp3)
All of you should be downloading these sets if you have the HD space...really great mixes. The May 1999 mix has Christian feeding his already great turntable skillz through a Space Echo for a truly crazy aural experience; dubby, dirty, deep, detroit. GYS set.go.recordings -Original Message- From: Christian Bloch [mailto:[EMAIL PROTECTED] Sent: Wednesday, October 18, 2000 3:40 AM To: 313@hyperreal.org Subject: [313] Tresor DJ-mix available online (downloadable mp3) New mix available at http://erave.org/profiles/bloch.shtml This time live at the tresor club in berlin july 1999. As always in downloadable mp3 format (filesize 50MB). The may 1999 mix temp down, should be back up soon though. Christian Bloch www.mp3.com/bloch Tresor/Simple Music/LL/Funque Droppings/Deep Night Essentials/Set.Go - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Detroit music making gear list
Hugh, There's a list on e-groups called "tech gear" that specializes in making detroit style techno. It's a bit dead, but if people from this list join, I'm sure it will pick up momentum! GYS set.go.recordings www.mp3.com/gys
Vladislav Delay 2 hour live mp3 set
Stumbled across this gem: http://www.native-instruments.com/english/1_news/6_lab_archive.html Keep in mind the whole set was done using only the Reaktor software program. Incredible!!! The encoding isn't the best quality and it's recorded at a pretty low volume, but it's still pretty nice. More on the ambient dubby side of things...not many beats to speak of. Anyway, enjoy. GYS set.go.recordings www.mp3.com/gys
RE: [313] Napster story...
I respect BMG either way for realizing that Napster and other file sharing technologies are going to stick around (legal or not) and working to find a way to incorporate it into a business model. I think if all the major labels would see this like BMG, and worked together to create a subscription service, it would be worth it to still be a member for most of the mainstream music community. Even if the service was $20 a month, it would still be worth it for most people, considering the amount of music that would be available, and would serve the artists and napster well. That said, I would equally hate to see the Napster model drown in corporate poo poo. I guess I'm hoping it's determined that listers have a right to file sharing; that way Napster can decide what's best for the service. GYS set.go.recordings www.mp3.com/gys
RE: [313] OT: Propellerheads:Reason Soft Synth
Reason will be quite a cool program and I know the Propheads will get it out sooner or later. I think it's a sweet "Dynamo/Reaktor meets Nord Modular" program that will definitely be a welcome addition to my studio! Hopefully user created modules will be easy to createthat's where I see the real power of Reason. GYS set.go.recordings. -Original Message- From: Christian Bloch [mailto:[EMAIL PROTECTED] Sent: Tuesday, October 31, 2000 8:42 PM To: darw_n; 313@hyperreal.org Subject: Re: [313] OT: Propellerheads:Reason Soft Synth yeah, i've been lookin' forward to this program for quite a while now, hope it comes out soon... Christian Bloch www.mp3.com/bloch Tresor/Simple Music/LL/Funque Droppings/Deep Night Essentials/Set.Go - Original Message - From: "darw_n" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Wednesday, November 01, 2000 1:56 AM Subject: [313] OT: Propellerheads:Reason Soft Synth > these things are getting kinda crazy... > > http://formen.ign.com/news/26672.html > > > darw_n > > "create, demonstrate, toneshift..." > http://www.mp3.com/stations/clevelandunderground > http://www.mp3.com/darw_n > http://www.sphereproductions.com/topic/Darwin.html > http://www.mannequinodd.com > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Paul Oakenfold
ha ha hahere we go! -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Thursday, November 02, 2000 10:57 AM To: 313@hyperreal.org Subject: Re: [313] Paul Oakenfold uh oh... At 10:56 AM -0500 11/2/00, [EMAIL PROTECTED] wrote: >Hey, i heard that Paul Oakenfold is going to be in Grand Rapids either this >weekend or next. does anyone have any info on that. i really want to go >but i don't even know the date, info line, or where in G.R, it is. >thanx :) >Cori > > >- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Fw: (tech-house) ford focus commercial
That's what you get when you don't use a well known detroit techno pioneer like Paul Oakenfold. GYS -Original Message- From: paul [mailto:[EMAIL PROTECTED] Sent: Tuesday, November 14, 2000 12:55 PM To: 313@hyperreal.org Subject: [313] Fw: (tech-house) ford focus commercial thought you may like this - Original Message - From: Scott Findley <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]> Sent: Tuesday, November 14, 2000 4:48 PM Subject: (tech-house) ford focus commercial > so Im sittin in bed last night firin one up, and a car commercial comes on > > crappy 'techno', you know, the standard fare.. not a quality commercial by > any means.. and the at the end of the commercial (for the lovely ford > focus), in big letters "DETROIT TECHNO" > > I just about dry heaved. > > anybody else see this? I think Id be a little less appaled if they had > gotten some proper detroit techno for the background :P > > oh well, most people probablly wont get it anyway > > > _scott findley > _robot factory > _losangeles CA > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Friendliest UK record shops
If you're looking for the most helpful record stores, these are my picks:
1. Ambient Soho
Their staff is really really cool and very knowledgable about all genres of
musik. Do some artist/label name dropping and they'll point you to some
great stuff. They turned me on to so many new artists and labels...really
incredible experiences in there.
2. Atlas Records
Ok, this place is the bomb for the detroit sound and the help there is
really into the same stuff. Again, tell them the kind of stuff you're
looking for and they'll expose you to all sorts of new stuff you've probably
never heard, but will love. I discovered a lot of UK labels from that place
including Bluetrain. That's also where I found my copy of 3MB (Maurizio)
and Juan Atkin's colaboration...very cool.
Now, I have to also mention Sister Ray it's a great store, but a very
eclectic collection so the staff isn't as good at helping you find cool
stuff. But, that said, I found all sorts of great classic Tresor, Plus 8,
etc. Tons of rare IDM stuff in there too. You'll like it. I found one of
Hawtin's first ever releases in there ("From Our Minds to Yours" on States
of Mind).
Anyway you look at it, London has some kick ass record stores...but, alas,
you'll get screwed a little bit on the exchange rate. It's worth it.
GYS
RE: [313] Redefinitions (was: Re: trading on napster)
Vinyl and/or turntables will never die out. CD DJ decks have been out for over 5 years. Smaller sized units, digital sound, and CD's are a much physically smaller media with a ton more storage it would seem like a sure fire replacement... But, it hasn't caught on at all and most likely never will. You will never be able to manipulate a digital sound source the same way you can with the tactile analogue interface of a record on a platter. So you see, vinyl will never be "replaced"...sure the actual sounds can be replicated in digital form but the actual art of vinyl mixing won't die out. If anything, I think MP3 piracy in the dj domain actually helps music sales of most techno artists. Why? Because most underground techknows produce primarily on vinyl... and if I like the MP3 of the song, you can count on me searching out where I can pick it up on wax. GYS -Original Message- From: Craig Stodolenak [mailto:[EMAIL PROTECTED] Sent: Wednesday, November 29, 2000 3:29 PM To: 313@hyperreal.org Subject: [313] Redefinitions (was: Re: trading on napster) [EMAIL PROTECTED]: >Why don't you pay for the music instead of ripping artists and >labels off ! [EMAIL PROTECTED]: >don't worry im going to pay a lot of money for my music 'cuz im >going to buy decks and so many many vinyls but till this moment >i go on ripping music on napster...have you got any problem about >that? You might think this is funny now... but... it won't be. What happens when the current techological barriers to widespread adoption of all-digital music performance-mixing are removed? That is to say, when the D in DJ will stand for Digital and not Disc. And yes, the word I used is "when", not "if". Vinyl can already be more easily replaced with a digital file; all we're waiting on is the interface. And who the hell is going to lug around a 50 lb. box of discs of plastic with little squiggly lines on them after they're presented with a quality alternative? I'd be interested in knowing when you think this will happen. Because when it does, I'd like to know what you think will happen to the small independent record labels because of it. Just some post-Thanksgiving food for thought... - Craig - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] a simple holiday wish (T-Shirts)
I'm up for the challenge... I'd love to be a part of it. Todd -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Friday, December 01, 2000 12:33 PM To: 313@hyperreal.org Subject: [313] a simple holiday wish (T-Shirts) I hate to sound like a broken record, but has the 313 T-shirt idea been completely abandoned? I hate to sound like a broken record, but has the 313 T-shirt idea been completely abandoned? (twice as nice) It would be great to set aside time for more design submissions and have them posted on a website similar to: http://objektsynth.com/313/ (then proceed with an official vote) I would volunteer to head it all up if it weren't for the fact I am unfamiliar with the process for publishing a web page... Is anybody willing to either create another page for new and existing submissions, and/or locate (or know of) a business capable of fulfilling a large T-shirt request? There's a good deal of time until the next DEMF, but if worse comes to worse there's always puffy paint... Joe - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Gemini
I think I recall seing some Gemini releases on PeaceFrog way back in the day...could be wrong though. The stuff I heard about 6 years ago was on the deep house tip. Pretty good from what I remember =] GYS > -Original Message- > From: Dennis Donohue [mailto:[EMAIL PROTECTED] > Sent: Tuesday, December 05, 2000 11:41 AM > To: [EMAIL PROTECTED]; 313@hyperreal.org > Subject: Re: [313] Gemini > > > > I've seen him spin a few times here in Chicago about > two-three years ago, > and I was neither impressed nor dissappointed. His set > fluctuated between > Deep house and tech-house. I also have a couple of his > releases on a label > which I can't remember at the moment. They are sort of on > the Trip-hop tip: > some really mild repeating vocals, and kind of ambient > minimal music behind. > Decent records.. > If anyone is interested I can look them up and give you a > more accurate > description and review... > > Dennis > > >From: "Cyclone Wehner" <[EMAIL PROTECTED]> > >To: 313 Detroit <313@hyperreal.org> > >Subject: [313] Gemini > >Date: Sun, 03 Dec 2000 17:43:33 +1100 > > > > > >I am looking for info on the elusive Gemini for a little article I am > >writing. Does anyone have any experince watching him DJ, ideas on his > >releases etc. He just brought out The Music Hall this year > which has a > >kinda > >Detoit/Chicago feel and of course he's released material on > Planet E (not > >sure of all the titles). > > > >Cheers > > > >Cyclone > > > >- > >To unsubscribe, e-mail: [EMAIL PROTECTED] > >For additional commands, e-mail: [EMAIL PROTECTED] > > > > __ > ___ > Get more from the Web. FREE MSN Explorer download : http://explorer.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Fw: Plus 8 contest WINNER on ACIDplanet
Congrats to you Christian. Looking forward to hearing the end result. GYS > -Original Message- > From: Christian Bloch [mailto:[EMAIL PROTECTED] > Sent: Wednesday, December 06, 2000 1:04 PM > To: 313 > Subject: [313] Fw: Plus 8 contest WINNER on ACIDplanet > Importance: High > > > check below ;) > > Christian Bloch > www.mp3.com/bloch > Tresor/LL/Deep Night Essentials/Simple Muzik/Funque Droppings/Set.Go > > > - Original Message - > From: "Steve Foldvari" <[EMAIL PROTECTED]> > To: <[EMAIL PROTECTED]> > Sent: Wednesday, December 06, 2000 6:37 PM > Subject: Plus 8 contest on ACIDplanet > > > > Christian - > > > > You've won the Plus 8 remix contest on ACIDplanet. > > > > In fact, you've won twice. Not only are you the Grand > Prize winner, but > > another of your tracks was selected as the runner-up. > > > > Please contact me asap regarding some bio information on > you, so that we > can > > showcase you and your compositions on ACIDplanet. > > > > Thanks. > > > > Steve > > > > Steve Foldvari > > Online Promotions Manager > > Sonic Foundry > > 1617 Sherman Avenue > > Madison, WI 53704 > > Phone: 608.204.8024 > > Cell: 608.206.2202 > > Fax: 608.256.7300 > > http://www.sonicfoundry.com > > http://acidplanet.com > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > >
RE: [313] PC Recording
I've got a whole studio set up so I have a master mixer where my dj mixer plugs into. The main mixer then goes into my PC soundcard. I record the whole mix to SoundForge. You could record directly from your Dj mixer into your PC. Only tricky part is calibrating the levels on your mixer and the recording level of the software you're using. As a rule of thumb, I try to keep the mix peaking at about -2...that gives me a bit of headroom if I want to crank the bass without getting a clipped signal. So far, the set up has worked really well. Me and fellow 313 lister, John Shipman have used my set up for recording to HD and then burning mixes to Cd; the results have been spectacular. Let me know if you need a deeper explaination of the setup. GYS set.go.recordings > -Original Message- > From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] > Sent: Monday, December 11, 2000 1:35 PM > To: 313@hyperreal.org > Subject: [313] PC Recording > > > I'm interested in finding out what methods people out there > use to record mixes on a PC. Is going straight out of the > mixer to the hard drive an option? Any software or hardware > recommendations would be appreciated. Since this is more of a > technical question and maybe not applicable as a thread, you > can reply in private. > > dave > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > >
Tripped out Detroit
I've always found old school dub music to be the most psychedellic of all music; they way King Tubby and the other great ones used flanger, delay, and reverb was incredible...and in my opinion, impossible to recreate with digital effects (as has been made painfully apparentl with most modern dub). So naturally I've gravitated to the dub infected sound of Maurizio, Maus & Stolle, Basic Channel label, Chain Reaction, Thule, Klang, etc. Of course most of this isn't really rooted in Detroit, but hey, 313ers talk about it anyway =] For me, it's the minimal techno & house sound heavy on well placed delays, dub chords, etc. that really gets the noodle thinking on another level. Juan's "Starlight" fits this to a T and that's surely d-town spawned =P I like my techno sparse and my d'n'b dense =] GYS np: Porter Ricks > > > > > I personally would love to see something like > > > goa-style trippiness and experimentation explored in > > > Detroit techno. I've heard hints of it in a few > > > things and its been quite fun. > > this sounds interesting.. can you give some examples? > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > >
RE: [313] Maus & Stolle
To tell you the truth 1. I don't know much about their bio at all 2. Anything you find by them is spectacular! They are very dubby and deep sounding...along the lines of Maurizio. But, they use really really sweet moving melodies that are just so chill they make your spine tingle. Think really deep minimal beats with lush sweeping melodic pads smeared on top =] They do it in such a great way! I know they've released stuff on Klang...and maybe Thule? Not sure one that one. Anyway, they are some really incredible producers that truly have their own sound in this growing dub/tech house niche. GYS > -Original Message- > From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] > Sent: Monday, December 11, 2000 3:18 PM > To: 313@hyperreal.org > Subject: [313] Maus & Stolle > > > Hello, > > Who are Maus and Stolle? I am familiar with everything else mentioned, > but I have never heard of these guys, what have they done > that is worth > checking out? > > take care, > Mike > > NP evax : glacier : putting the morr back in morrissey comp > > not 313, but still pretty darn good. > > Todd Gys wrote: > > > > I've always found old school dub music to be the most > psychedellic of all > > music; they way King Tubby and the other great ones used > flanger, delay, and > > reverb was incredible...and in my opinion, impossible to > recreate with > > digital effects (as has been made painfully apparentl with > most modern dub). > > So naturally I've gravitated to the dub infected sound of > Maurizio, Maus & > > Stolle, Basic Channel label, Chain Reaction, Thule, Klang, > etc. Of course > > most of this isn't really rooted in Detroit, but hey, > 313ers talk about it > > anyway =] For me, it's the minimal techno & house sound > heavy on well > > placed delays, dub chords, etc. that really gets the noodle > thinking on > > another level. Juan's "Starlight" fits this to a T and > that's surely d-town > > spawned =P > > > > I like my techno sparse and my d'n'b dense =] > > > > GYS > > > > np: Porter Ricks > > > > > > > > > I personally would love to see something like > > > > > goa-style trippiness and experimentation explored in > > > > > Detroit techno. I've heard hints of it in a few > > > > > things and its been quite fun. > > > > > > this sounds interesting.. can you give some examples? > > > > > > > > > > - > > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > > For additional commands, e-mail: [EMAIL PROTECTED] > > > > > > > > > > > - > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > For additional commands, e-mail: [EMAIL PROTECTED] > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > >
OT: Tube Compression (was Basic Channel sound)
Sorry for the OT post, but I know the people on this list can give me the help I need! Can someone explain exactly how a compressor can give tracks that nice warm sound? I know that Maurizio and the likes use a compressor almost as an instrument. How is this done? What sound qualities is the compressor putting into the track? The only compression I've ever messed with was on ReBirth and in SoundForgethe only thing I could really get it to do was to reduce clipping. I'm making deep dubby techno and house stuff and I know that eventually I'll want to pick up a tube compressor to help my sound...but right now I'm clueless as to what it will actually do for me. Anyone out there knowledgable on this subject? Also, what are some good brands/models of tube compressors? Would I be able to get a decent one for around $500? Thanks so much for any help! Again, I apologize for the OT post. The Tech Gear list tends to not be very active sometimes. GYS
Track ID.. from DEFX909
Hi, Last year when Hawtin did his defx909 tour in Boston, he played this pretty hard techno song that sounded like it had distorted cheerleader yells in it. Can't remember what the chants were, but they sounded something like "Let's...all...hold...feet!" =]. Any help? I haven't had a chance to pick up the album yet. GYS set.go.recordings www.mp3.com/gys
Info needed! Please help!
Hello, I was wondering if anyone out there had Sonic Groove's (NYC) phone numberThanks so much! I'm having a shipped record order nightmare!!! =[ GYS
RE: [313] Recomendations
Bluetrain Label's "no lightweight stuff" is a MUST haveit's on CD. Really minimal deep stuff sorta along the lines of Maurizio. GYS set.go.recordings www.mp3.com/gys > -Original Message- > From: Mann, Ravinder [CCS] [mailto:[EMAIL PROTECTED] > Sent: Wednesday, January 17, 2001 4:56 AM > To: '313' > Subject: [313] Recomendations > > > New to this list so Hi. > > For those quiet moments ive tried and prefered in order > Maurizio (Maurizio) > Infinity (Skynet, Infinity Collection) > Richie Hawkin (Consumed) > Jeff Mills (parts of The Other Day) > > So emotional minimalism ? Enjoyed them eyes closed, ears on. > So where nextMonolake ? > > Its gonna have to be on CD though... > > Rav > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > >
RE: [313] equipment
I've been able to get some really nice sounds like that out of my Yamaha AN1X, but you can get those sorts of sounds with pretty much any analogue/virtual analogue synth. The secret lies in the filtering and effects you use. I like the AN1x because the onboard effects can really be pushed and abused to compliment the sounds. GYS set.go.recordings www.mp3.com/gys > -Original Message- > From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] > Sent: Thursday, January 18, 2001 9:26 AM > To: 313@hyperreal.org > Subject: Re: [313] equipment > > > > > try yamaha tx81z, fm synthesis, armani-the pulse/the dance/basic > channel(honkytonk piano preset) kenny larkin/ all those porta > metal sounding > percussive(mills)weirdness starts with this dreammachine. > programming is a bitch > though, just let your hair hang loose and tweek those > parameters till it sounds > divine! > > > 154 > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > >
Digital Jockey vs. Disc Jockey (was: Future of DJ'ing, also anyone at MIDEM?)
I see benefits in both styles. In any given party, there's always a group of people that like to be up close to the dj to see him/her work the tables, and then there are people that are into the music just as much who sit back and dance/chill away from the dj. So, if you're not hell bent on seeing exactly what the dj is doing, then it shouldn't matter what medium s/he is using. I think being a digital-J could be really sweetbut for different reasons. With vinyl mixing, most of the effort and time is spent matching beats, creating a flow a flow on the fly. This creates a great live energy feeland is (and always will be) awesome to experience both as the dj and the listener. However, with a digital set already put together, the effort of the dj can be spent in other departments; especially effects. I've been toying around with some pre-made sets, and then working them through a Space Echo, Filter, spring reverb, and digi-reverb. The result is quite mind blowing and I'm actually way more animated tweaking all those effects than when I'm doing a straight up turntable mix. Though the source may be pre-made, the result is anything but stagnant sounding. For me, what counts is the end producthow it SOUNDS. As long as you're doing something creative on the fly...something that can compliment the mood of the crowd, isn't that what really counts for a dj? As a dj, I will always have a deep love for the tactile feel of vinyl. But, I'm not gonna turn my shoulder to new things that can enhance the experience. GYS set.go.recordings www.mp3.com/gys > -Original Message- > From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] > Sent: Monday, January 22, 2001 10:47 AM > To: Cyclone Wehner > Cc: 313 Detroit > Subject: Re: [313] Future of DJ'ing, also anyone at MIDEM? > > > > > Yeah, I am on the artform side. I think it will be the > demise of DJing the > > day that it becomes a machine-led thing. > > how is it any less of an "artform" when technology is involved? > > I think the real issue here is unwarranted nostalgia holding > us back from > a better experience. How can you confidently state that there's no > "art" to mixing mp3s using finalscratch when you haven't even > tried it, > and most likely haven't even seen anyone else try it? > > What, just because it doesn't rely on a crappy, outdated, extremely > inconvenient technology, it's not as good? > > It's not about "finding song x on npaster vs finding song x on a > record" and which is more rewarding - of course it's more rewarding to > find song x on vinyl. but try to think of the possibilities > that digital > mixing opens up - you could easily play your own songs, the > ones you don't > want to spend $50 getting an acetate cut, or even more to > have it actually > released. You could work in live elements, you could do effects, the > creative control is only limited to what your computer can do. > > And remember, this system works WITH your turntables - you > can still bring > your records along and play them the same as you did before. > You're not > being asked to abandon vinyl here... just to accept the > possibility that > vinyl is not the end-all, be-all of mixed music. > > Please don't waste my time arguing practicalities like "mp3s > don't sound > as good" or "computers crash!" - and don't waste my time > telling me vinyl > is superior becuase it's what "we've always used." So what? It's > romantic notions like that that'll hold the music back and let it > stagnate. Of course there's room to acknowledge the past, but there's > also plenty of room to move forward... the problem with accepting new > technology might be striking a balance between the two... but > denying new > technology because it's not what we've always used is not the > solution. > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > >
RE: [313] Titonton @ Betalounge, 25th Jan 2001 8pm (PT)
Titonton must be heard to be believed...he's one of the most energetic djs I've ever had the pleasure of knowing and he's one of the few where you can feel his energy in his sets. Awesome. GYS > -Original Message- > From: Nick Walsh [mailto:[EMAIL PROTECTED] > Sent: Monday, January 22, 2001 9:22 AM > To: 313@hyperreal.org > Cc: [EMAIL PROTECTED] > Subject: [313] Titonton @ Betalounge, 25th Jan 2001 8pm (PT) > > > Hi 313ers, > > It is my duty to tell everyone bout this so check it > if you can... > > 25th January 2001 > 8.00pm (Pacific Time(? If this is wrong... I'm sorry)) > > *Titonton Duvante on Betalounge* > > and someone called > Dj Anna (who I've never heard of) > > l8r, > Nick (Dj Pacific:) > > __ > Do You Yahoo!? > Yahoo! Auctions - Buy the things you want at great prices. > http://auctions.yahoo.com/ > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > >
RE: [313] Digital Jockey vs. Disc Jockey (was: Future of DJ'ing, also anyone at MIDEM?)
> >I totally agree, but what I'm saying is that you can have > presence with > >equipment other than turntables. > > > How? It would have to be something that demands some kind of > physicality. (Great debate by the way.) I'm talking about effects. The effects I use are old school analogue with lots of physical manipulations possible: knobs, switches, etc., all that can drastically change the sound of whatever is going through it...if you've ever used a space echo, you'll know what I'm talking about. Very very physical device. Every dj that has used my set up has fallen in love with the effects I use; upon the first try, they are all really comfortable tweaking them. The effects are very dj friendly in that you can manipulate the sounds with the same actions as you do on a mixer or on the turntable itself. Using the effects is such a natural progression and compliments the turntable experience because of the spontaneity- if you take away the turntables and replaced them with a different sound source, this spontaneity can still be maintained through the use of the effects. They are analogue, like the turntable and thus all parameters can only be adjusted on the fly...no programming. Whatever signal you put through the effect chain becomes something much deeper than hitting "play" and letting people listen to some predisposed set. Hell, I've done entire ambient sets by routing an A.M. talk radio through this stuff...the result is quite musical and vibrant and you can't get a much more mundane source signal =] But alas, I'm sorta stepping into the realm of live production vs. djing so I'm not sure what this has contributed to the debate (and yes, this is a great one!) GYS
RE: [313] Digital Jockey vs. Disc Jockey (was: Future of DJ'ing, also anyone at MIDEM?)
Just slap a UR sticker on the special control records and watch as everyone on the list drools over the new technology =] GYS It's pretty hard to explain quickly, but you get these special > records that you put on any turntable... these records then > send a signal > to the computer which uses the signal to control the pitch, > position, etc, > of the mp3 or cd audio or whatever. You're still using > vinyl, that's the > cool thing. you're not "just pushing buttons" or whatever, > you're playing > records, but you're playing mp3s. > > here's an article: > http://www.wirednews.com/news/culture/0,1284,18840,00.html > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > >
Birth of 313TechKnow
Hey 313ers, Quick announcement and invitation: The Tech-Gear list seems to have drifted away; this was an eGroups list with 313 music production techniques as the main focus. I was going to take over Tech-Gear as moderator, but apparently it was taken down before I got a response. Reason being that the active community just wasn't large enough. However, I think that list was a great idea, so a new list has been created to provide 313 producers, both novice and experienced, with a place to talk about specific production techniques, reviews of gear, etc. If you produce your own music and want to share ideas or get tips from other musicians, this is the place to do it. If you've ever wanted to start making your own detroit-style tracks and don't know where to begin, this is a great opportunity. I'm hoping to make 313TechKnow the perfect compliment to our list here at hyperreal. 313@hyperreal.org deals with the music we love; [EMAIL PROTECTED] will deal with how to make it. I'm going to keep an active role as moderator to ensure that all posts are 313 relevant so no one will have to deal with candy-ravers asking how to make Goa trance from their cracked copy of ReBirth =] That in mind however, the list will be still be open minded in styles; trying to enlist members with interests in everything from hard UR-style electro to the deep dubby minimal sounds coming out of berlin. Anyway, I would love to establish a strong community for the list, so if you are interested please subscribe. I'm going to do my best to recruit members with a throrough knowledge base about 313-related production techniques. http://www.egroups.com/group/313techknow GYS set.go.recordings
RE: [313] streaming mixes
beta lounge has some great ones. > -Original Message- > From: Greg Malcolm [mailto:[EMAIL PROTECTED] > Sent: Thursday, February 01, 2001 10:20 AM > To: 313@hyperreal.org > Subject: [313] streaming mixes > > > any good sites out there that offer streaming mixes, besides > freq detroit? > > Greg Malcolm > Digital Audio Engineer/Multimedia > http://www.ontimetraining.com > 330.422.2028x163 > [EMAIL PROTECTED] > > > > > > _ > Get your FREE download of MSN Explorer at http://explorer.msn.com > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > >
RE: [313] experimental hip hop?
Not exactly experimental in their beats...but Digable Planets have always been a favorite of mine. Definite dub influences in a lot of their tracks and sweet stream-of-conscious lyrics. You may also want to check out some of dj slip's stuff. He does some hip-hop type stuff that's pretty out there. I'm currently working on a project combining berlin/detroit dub techniques with dirt deep hip hop beatsI'll keep you posted on that if you're interested. GYS set.go.recordings www.mp3.com/gys > -Original Message- > From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] > Sent: Tuesday, February 06, 2001 9:50 PM > To: 313@hyperreal.org > Subject: [313] experimental hip hop? > > > Is there such a thing as "experimental hip hop? > I listened to DJ Assault's "belle isle tech" and found it > interesting. > Are there other things that are - like the hip hop > counterpart - of Berlin > Techno? > Is there dubby hip hop? > Is there something like a Profan label? > > mediadrome > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > >
RE: [313] Archetype (was Help!!!)
Hey, Archetype will have a track on the first release of set.go.recordings. It's a new label mainly focussing on deep detroit/berlin styles- from minimal to maximal =] Also planned for the first release are tracks from Christian Bloch, Monolake, and Twine. I'm expecting the record to be released in early summer. Keep your eyes open. More info on the label and release to come shortly. GYS set.go.recordings www.mp3.com/gys > -Original Message- > From: Batory, Jason [mailto:[EMAIL PROTECTED] > Sent: Tuesday, February 13, 2001 7:55 PM > To: 'Jonny McIntosh'; '313' > Subject: RE: [313] Archetype (was Help!!!) > > > >Was just about to say the same! Does anybody know of any new > Archetype > stuff > >due? > > The latest 21/22 Corporation 12" (Redshot by 1954) has an > Archetype remix on > it, if that counts as new stuff ;-) > > Respect > JasonB > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > >
RE: [313] Deep Chord Questions.
Many artists in that vein of glitchy dubby stuff do their final masters on cassette tapes. That's where the hiss comes from but also what gives the records a lot of warmth. GYS www.mp3.com/gys set.go.recording aquaFM records > -Original Message- > From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] > Sent: Wednesday, March 14, 2001 1:26 PM > To: 313@hyperreal.org > Subject: Re: [313] Deep Chord Questions. > > > www.deepchord.com > > And I've noticed the hiss too. Doesn't stop me from using > their records in > my mixes. > > > > > > > "Scotto" <[EMAIL PROTECTED]> on 03/14/2001 01:10:50 PM > > Please respond to "Scotto" <[EMAIL PROTECTED]> > > To: "313" <313@hyperreal.org> > cc: > Subject: [313] Deep Chord Questions. > > > jist woundering if anyone knew why the deep chord records > have a high end > static/tape hiss sound I thaught it was the mixer I was using but on a > diferent (better) mixer it is there even more prevelent than before. > > also are these guys trying to hide there identies like those > other two that > start with a "D". if they are not please give me some info > there website is > pretty blank. > > Scott Laakso --- > --- i majin > http://www.mp3.com/i_majin > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > > > > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > >
New tracks from GYS
Hey, I've got some new tracks up on the web for anyone that's interested. If you like the sound of the dubby detroit/berlin sound a la Chain Reaction, Basic Channel, etc., you'll probably dig it. Feed back is always appreciated. www.ampcast.com/gys GYS set.go.recordings aquaFM records
RE: [313] The spam must never stop flowing
ha ha ha... nice one! The end of the commercial would have a freeze frame of Juan doing a "superman" stunt with the wheels of steel =] GYS > -Original Message- > From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] > Sent: Thursday, March 22, 2001 3:41 PM > To: 313@hyperreal.org > Subject: Re: [313] The spam must never stop flowing > > > SUNDAY, SUNDAY, SUNDAY! > > SEE > > Juan Atkins as he MANGLES the turntables in this > > <> > > Juan will amaze with his SKZ on the one and two!!! > > SUNDAY, SUNDAY, SUNDAY! > > B THRE! > > > hahahahahahahaha! > > > > > "Mike Taylor" <[EMAIL PROTECTED]> on 03/22/2001 03:37:35 PM > > To: [EMAIL PROTECTED], 313@hyperreal.org > cc: > Subject: [313] The spam must never stop flowing > > > > gees, can you at least be kinda subtle and only post about > your event 6 > times a week. > > next thing you know there will be a TV commerical with the > guy who does all > the voice overs for monster truck shows. > > >From: THEMUSIC MUST NEVER STOP FLOWING <[EMAIL PROTECTED]> > >To: 313@hyperreal.org > >Subject: [313] get your tickets for juan atkins April 7th at discount > price > >Date: Thu, 22 Mar 2001 15:36:15 -0500 > > > >the originator juan atkins show is on and you can be there > for $10 just > >call and say you hear it from the 313 and get your tickets. > place 39940 > >ford rd canton 2 blocks e of i 275 call 734-464-8447 > > > >GET INTERNET ACCESS FROM JUNO! > >Juno offers FREE or PREMIUM Internet access for less! > >Join Juno today! For your FREE software, visit: > >http://dl.www.juno.com/get/tagj. > > > >- > >To unsubscribe, e-mail: [EMAIL PROTECTED] > >For additional commands, e-mail: [EMAIL PROTECTED] > > > > _ > Get your FREE download of MSN Explorer at http://explorer.msn.com > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > >
