(313) Back with a Vengeance (Wild Kingdom)
I'm back from my business trip and pretty much in my home time zone again - I was away long enough to get messed up, but not long enough to acclimate - between two time zones.. Tomorrow night's Wild Kingdom has in store cuts from Atom Heart, Deep Space Network, Ellen Allien, Paperclip People, Ozoona, Orbital, Khan, Connection Machine, and Eddie Fowlkes, among others. Abacus Finch hosted last week's Wild Kingdom in my absence - his playlist is here - http://www.kfjc.org/music/playlist.php?i=40079 . My playlist from the week before that is at http://www.kfjc.org/music/playlist.php?i=40027 . The Wild Kingdom airs on KFJC-FM 89.7, Friday Night/Saturday Morning, 10P-2A (6A-10A GMT). Potential listeners outside the San Francisco Bay area can find a webcast at http://www.kfjc.org/netcast/index.php . Present and past Wild Kingdom playlists are also archived at kfjc.org. You can also check out archived playlists from my first KFJC show Just Desserts that was on Fridays 10P-2A from 1992 through 1999. Archived playlists exist for that show starting from Fall 1995 to New Year's Eve 1999/2000, so you can see what what I'm up to these days is pretty much consistent with what I was up to all along. If you do tune in (especially via the web), please take a little time to let me know your locale. I'm also interested in promo music from all over and in promoting local (San Francisco Bay area) techno-type events. If you want to do some promotion for an event, contact the KFJC promotions department at pr...@kfjc.org to arrange ticket giveaways and/or to send information for inclusion in our concert outlook. Thanks to those who have sent promo music so far. Regards, Richard Hester Mr. Goodwrench The Wild Kingdom FR 10P-2A KFJC-FM 89.7 Los Altos Hills, California, USA
(313) Back to Normal Wild Kingdom
Well, the KFJC fundraiser ended this past Wednesday, so it's back to the normal break clock. This means I can also get my trainee on the fast track, as he can now tend to normal business and get used to it. Expect a scattershot selection of new (to me at least) stuff tonight. I'm also pulling some random selections so my trainee can lash together his own set. The playlists for the last two weeks are at http://www.kfjc.org/music/playlist.php?i=36704 and http://www.kfjc.org/music/playlist.php?i=36758. Limited time archives for all shows on KFJC (including this one) are available at http://www.kfjc.org/broadcast_archives/ . These are rolling archives, available for two weeks after any given show. My shows are listed under Goodwrench. Send comments and suggestions to i...@kfjc.org . The Wild Kingdom airs on KFJC-FM 89.7, Saturday night/Sunday Morning, 12A-3A (8A-10A GMT). Potential listeners outside the San Francisco Bay area can find a webcast at http://www.kfjc.org/netcast/index.php . Present and past Wild Kingdom playlists are also archived at kfjc.org. You can also check out archived playlists from my first KFJC show Just Desserts that was on Fridays 10P-2A from 1992 through 1999. Archived playlists exist for that show starting from Fall 1995 to New Year's Eve 1999/2000, so you can see what what I'm up to these days is pretty much consistent with what I was up to all along. If you do tune in (especially via the web), please take a little time to let me know your locale. I'm also interested in promo music from all over and in promoting local (San Francisco Bay area) techno-type events. If you want to do some promotion for an event, contact the KFJC promotions department at pr...@kfjc.org to arrange ticket giveaways and/or to send information for inclusion in our concert outlook. Thanks to those who have sent promo music so far. Regards, Richard Hester Mr. Goodwrench The Wild Kingdom SU 12A-3A KFJC-FM 89.7 Los Altos Hills, California, USA
Re: (313) back on the list
When ordering Detroit stuff, I always look here first: http://electrofunk.com/main/catalog/index.php They don't really cover all of Detroit Techno, but they're no more expensive than Beatport the others, and you're giving money to the primary distributor of the music. RE Juan -- We saw him after Jeff Mills played during the Festival at Buzz Goree's party. I was too tired to stick it out, and had been pummeled by Mills for 3 hours. I stuck around long enough to hear him do some sorta shaky mixes. On Fri, Aug 7, 2009 at 4:57 AM, Aidan O'Dohertyaidan.b.odohe...@gmail.com wrote: hello, my name is aidan and i'm back on the list after a break of about two years. i used to buy vinyl, but have now switched to digital, as a domestic dispute ended with my collection nestling in a landfill and my decks smashed up and left in an attic. just wondering where the best place is to buy (yes, buy) digital files of detroit techno/house artists. i have bought mp3s/wavs off juno, beatport, dj download and beatport, but none seem to be that great for detroit stuff. what ever happened to the detroit digital store? i need to rebuild my transmat, metroplex, ur, redplanet, planet e, etc collection, but vinyl as a format is out of the question for me now. also, on related detroit matters, was in a dublin (ireland) club for the first time in 18 months last week and saw juan atkins play. he turned up quite late, but he looked fairly healthy and his mixing was very tight, as far as i could tell. the music he played was ok. seemed very contemporary. but at the end he did play 'strings of life', some model 500 stuff, and 'i feel love'. then finished with a beautiful string-laden track. good to be back, aidan
Re: (313) back on the list
thanks for all the tips, much appreciated On Sat, Aug 8, 2009 at 7:07 AM, kent williamschaircrus...@gmail.com wrote: When ordering Detroit stuff, I always look here first: http://electrofunk.com/main/catalog/index.php They don't really cover all of Detroit Techno, but they're no more expensive than Beatport the others, and you're giving money to the primary distributor of the music. RE Juan -- We saw him after Jeff Mills played during the Festival at Buzz Goree's party. I was too tired to stick it out, and had been pummeled by Mills for 3 hours. I stuck around long enough to hear him do some sorta shaky mixes. On Fri, Aug 7, 2009 at 4:57 AM, Aidan O'Dohertyaidan.b.odohe...@gmail.com wrote: hello, my name is aidan and i'm back on the list after a break of about two years. i used to buy vinyl, but have now switched to digital, as a domestic dispute ended with my collection nestling in a landfill and my decks smashed up and left in an attic. just wondering where the best place is to buy (yes, buy) digital files of detroit techno/house artists. i have bought mp3s/wavs off juno, beatport, dj download and beatport, but none seem to be that great for detroit stuff. what ever happened to the detroit digital store? i need to rebuild my transmat, metroplex, ur, redplanet, planet e, etc collection, but vinyl as a format is out of the question for me now. also, on related detroit matters, was in a dublin (ireland) club for the first time in 18 months last week and saw juan atkins play. he turned up quite late, but he looked fairly healthy and his mixing was very tight, as far as i could tell. the music he played was ok. seemed very contemporary. but at the end he did play 'strings of life', some model 500 stuff, and 'i feel love'. then finished with a beautiful string-laden track. good to be back, aidan
(313) back on the list
hello, my name is aidan and i'm back on the list after a break of about two years. i used to buy vinyl, but have now switched to digital, as a domestic dispute ended with my collection nestling in a landfill and my decks smashed up and left in an attic. just wondering where the best place is to buy (yes, buy) digital files of detroit techno/house artists. i have bought mp3s/wavs off juno, beatport, dj download and beatport, but none seem to be that great for detroit stuff. what ever happened to the detroit digital store? i need to rebuild my transmat, metroplex, ur, redplanet, planet e, etc collection, but vinyl as a format is out of the question for me now. also, on related detroit matters, was in a dublin (ireland) club for the first time in 18 months last week and saw juan atkins play. he turned up quite late, but he looked fairly healthy and his mixing was very tight, as far as i could tell. the music he played was ok. seemed very contemporary. but at the end he did play 'strings of life', some model 500 stuff, and 'i feel love'. then finished with a beautiful string-laden track. good to be back, aidan
(313) domestic was Re: (313) back on the list
Aidan O'Doherty wrote: hello, my name is aidan and i'm back on the list after a break of about two years. i used to buy vinyl, but have now switched to digital, as a domestic dispute ended with my collection nestling in a landfill and my decks smashed up and left in an attic. Welcome back, Aidan. I feel for you re: the above. Though nowhere near as extreme, once around 1987-ish had a girlfriend go ballistic on my vinyl collection such that all got unsleeved, walked on, and strewn around the house, then had various food items dumped on 'em. Another girlfriend (10 years after the first incident) held my computer, turntables, mixer, and vinyl collection hostage for 1.5 years, but I was lucky to get all back. Computer and mixer had been rendered useless, but still got vinyl (collection version 2 because of first incident) back. Again, I'm sitting here thinking back at my bad domestic experiences re: the above and really feeling for you. Hope you're keeping your head up and glad to see it hasn't dampened your enthusiasm for good music. Take care, Aidan. Andrew -- http://myspace.com/andrewduke http://cognitionaudioworks.com
Re: (313) back on the list
Hi Aidan Welcome back. I buy mainly digital now also. Mostly get my stuff from www.whatpeopleplay.com they have quite a lot of detroit stuff. Cheers nath On 7/08/09 7:27 PM, Aidan O'Doherty aidan.b.odohe...@gmail.com wrote: hello, my name is aidan and i'm back on the list after a break of about two years. i used to buy vinyl, but have now switched to digital, as a domestic dispute ended with my collection nestling in a landfill and my decks smashed up and left in an attic. just wondering where the best place is to buy (yes, buy) digital files of detroit techno/house artists. i have bought mp3s/wavs off juno, beatport, dj download and beatport, but none seem to be that great for detroit stuff. what ever happened to the detroit digital store? i need to rebuild my transmat, metroplex, ur, redplanet, planet e, etc collection, but vinyl as a format is out of the question for me now. also, on related detroit matters, was in a dublin (ireland) club for the first time in 18 months last week and saw juan atkins play. he turned up quite late, but he looked fairly healthy and his mixing was very tight, as far as i could tell. the music he played was ok. seemed very contemporary. but at the end he did play 'strings of life', some model 500 stuff, and 'i feel love'. then finished with a beautiful string-laden track. good to be back, aidan
Re: (313) Back by dope demand....or not.
Hey Francis- cheers- nice to be back! I think the main distributor is Clone now but we carry all their stuff in the UK- there's some short clips on our site if you want to check it out further cheers Jason On 14/04/2008, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote: Jason Welcome back! Do you know if this is going to be distributed by Black Hole? From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of [EMAIL PROTECTED] Sent: 12 April 2008 16:45 Anyway, on the music front, newly arrived Glasgow resident Arne Weinberg dropped off a new double LP compilation on his own label today including some very nice material from Convextion, Strand, Stephen Brown and lots more- y'all should check it out!
Re: (313) Back by dope demand....or not.
Says on back of the album sleeve that its being distributed by neuton and clone, surely some copies will find its way to blackhole. m. [EMAIL PROTECTED] wrote: Jason Welcome back! Do you know if this is going to be distributed by Black Hole? From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of [EMAIL PROTECTED] Sent: 12 April 2008 16:45 Anyway, on the music front, newly arrived Glasgow resident Arne Weinberg dropped off a new double LP compilation on his own label today including some very nice material from Convextion, Strand, Stephen Brown and lots more- y'all should check it out!
RE: (313) Back by dope demand....or not.
Jason Welcome back! Do you know if this is going to be distributed by Black Hole? From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of [EMAIL PROTECTED] Sent: 12 April 2008 16:45 Anyway, on the music front, newly arrived Glasgow resident Arne Weinberg dropped off a new double LP compilation on his own label today including some very nice material from Convextion, Strand, Stephen Brown and lots more- y'all should check it out!
Re: (313) Back by dope demand....or not.
The comp is on Arne's own label, AW Recordings- I've skimmed through the tracks so far but haven't had a chance to match them up with the producers so I'll have another listen in the shop today and get back to ya. cheers Jason On 12/04/2008, Balacktus [EMAIL PROTECTED] wrote: What label will this compilation be on? what is the Strand Track like? don't mind Tom Cox, he means well, really he does, he just doesn't have the... how do you say, social graces. aside from that, he is an outstanding citizen. On Sat, Apr 12, 2008 at 11:45 AM, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote: Hello everybody- been away for a year or so- left at the time Tom Cox and Fred were threatening to firebomb each others' mums and.came back to find Tom and o/ threatening to disassemble each other's DNA or something! Anyway, on the music front, newly arrived Glasgow resident Arne Weinberg dropped off a new double LP compilation on his own label today including some very nice material from Convextion, Strand, Stephen Brown and lots more- y'all should check it out! Jason Brunton
(313) Back by dope demand....or not.
Hello everybody- been away for a year or so- left at the time Tom Cox and Fred were threatening to firebomb each others' mums and.came back to find Tom and o/ threatening to disassemble each other's DNA or something! Anyway, on the music front, newly arrived Glasgow resident Arne Weinberg dropped off a new double LP compilation on his own label today including some very nice material from Convextion, Strand, Stephen Brown and lots more- y'all should check it out! Jason Brunton
(313) back in the 313
After moving from Liverpool to Detroit in June, I lost my email address that was signed up to the hyperreal account. Finally had the time to sign up to hyperreal again, and I'm very happy to be back. Missed the ongoing discussions about the global views and opinions of Detroit. Thanks again to those who aided in my University dissertation about Detroit's international social networks. I received the highest UK standard of a 1st mark. All of your input really helped a lot. All the best, Jodie
(313) Back to 313
http://www.youtube.com/watch?v=G9zmoQ3QhaQmode=relatedsearch= don't know if this has been posted but a lovely piece of video from Fuse In of Aril Brikha's live set... M -- www.midnightbeats.de www.tekknikexprimental.de www.kube72.com www.myspace.com/kubeseventy2
(313) Back In The Day
Seems to a lot of bickering going down, so here's a couple of links from back in the day :) http://www.richcolour.com/mastermix/vol1/ http://www.richcolour.com/mastermix/ Some great stuff that hasn't aged that well... M
(313) Back into Cyberspace
Http://www.acidmixes.com Have finally sorted out some server space..and will get some more mixes up in the near future... For the time being I have re compressed placid acid vol 1 at 192k and 68 minutes of acid... Placid acid - Chicago Acid 87 88 68 minutes harder, faster p
(313) Back :)
Hi! I'm back btw... after a few months absense. I guess nobody missed me tho ;-D R. (The man who deciphered the Shari Vari lyrics for the 313 FAQ :) --- http://www.funxiun.com .dark.elektronix.
Re: [313] back to the future
Did someone else already mention that this NYT article on 80s revivalism is actually by our old friend Simon Reynolds? Once again: http://www.nytimes.com/2002/05/05/arts/music/05REYN.html - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] back to the future
Speaking of back to the future. I will be attending a show at Emo's here in Austin, TX on wednesday to see The Faint. It's bizarre to see things like this rehashed in such twisted ways. Anyone ever seen them live? I've been looking forward to it for awhile now. -Aaron On Mon, 6 May 2002, Fred Heutte wrote: Did someone else already mention that this NYT article on 80s revivalism is actually by our old friend Simon Reynolds? Once again: http://www.nytimes.com/2002/05/05/arts/music/05REYN.html - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] back to the future
is Detroit Techno® still music of and for the future or is it now considered retro to make Detroit style techno? has the future envisoned by the original Detroit Techno® generation passed us by? Some irony: In '88 or '89, the Face did a map of house music and its various subgenres. For Detroit techno they pretty much slammed it - they said it was too retro. This was when the first wave was at its peak. H... I think the slam came because the whole world was finally over early 80's electro and new wave, but Detroit was still referencing it, deepening and mining it for its more serious implications, while still referencing and furthering the new revolution in dance music that was happening. The NY Times Sunday arts section had a good picture (of Adult) and a (lame) article on how the 80's are in now and how nostalgic revivalism goes in 20 yr cycles. So, say the article, the retro electro stuff of the 90's is just hitting its stride and is poised to go mainstream this year (maybe). In 5-6 years, I predict Sean Deason will spearhead the mainstream retro techno revival. Or something :-) yrs, mark p.s. spidey rules! - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] back to the future
well i must say its an intersti`n argu,ent you have here. i also miss the old sounds of the past. but AFAIK even if u try very much you still have the notion of what happend inside you. i guess u use different recording and production devices. you make something else. things (like techno) has their own way of ivolving and to change. i still start jumping full of joy from tracks like it is what it is and old stuff may and craig did, like i enjoy seeing a movie from sergi eizenstein or fritz lang.but like many other stuff the music industy and techno had become something else. vision is one thing reality is another, but in this couple of years i see a come-back of the more old feeling stuff like delsin,emoticon and others which i really like. i feel u need to take the good in the old and add some new than u make the ultimate good. in a way we all miss the good old days i also put some of my old MoWax records and ask why dont they make music like they did? well if they were still doing the good old music i would never get to know techno. u need to understand techno had a vision of the future , but in many aspects that future is here. you cannot see the evolution of all elektronik music with out pioneers like atkins,may and others. the tourch is still alive AFAIK and lets hope it will never will be. so u do not need to get back to the future since (for good or for bad) the future is now kind regards Yair aint nothing like the past hombreEtziony. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] back to the future
i'm on my way to star clipper comics to take advantage of free comic book day (and also to pick up volume one of lone wolf and cub...was reminded to do so by lone wolf's appearance on samurai jack), banging IT IS WHAT IT IS from my minivan (i know i know...no minivan jokes). and i'm thinking that detroit techno is retro like the new transformers comic with the dope ass red star type graphics. peace lks - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] back to the future
In my ongoing way of capitalising on the Eminem thing, I was thinking of alarm clocks with 'Wake Up - It's Techno!' on them. It would good if you could get it to play Purposemaker's Alarm too. You could give them away at the DEMF. Of course the alarm clocks would have to be super slick in design too. Of course if Techno were marketed that way, it might well kill it in a way mass indifference has not. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] back to the future
made by ford? :P -Joe fux www.emmrecords.com/teh_fux - Original Message - From: Cyclone Wehner [EMAIL PROTECTED] To: 313 Detroit 313@hyperreal.org Sent: Sunday, May 05, 2002 11:48 AM Subject: Re: [313] back to the future In my ongoing way of capitalising on the Eminem thing, I was thinking of alarm clocks with 'Wake Up - It's Techno!' on them. It would good if you could get it to play Purposemaker's Alarm too. You could give them away at the DEMF. Of course the alarm clocks would have to be super slick in design too. Of course if Techno were marketed that way, it might well kill it in a way mass indifference has not. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] back to the future
one of the books you might be referring to is Stalking Detroit - a great book. it explores ideas around the 20th Century city, using detroit as its prime example - a city conceived to serve capitalism but constrained by this very definition. lots of very interesting and digestable facts about detroit to challenge those that still question race as a key issue in the city and, thus, the music. the future that was envisiged cannot be 'retro', as pointed out; it still alludes us. -Original Message- From: [EMAIL PROTECTED] [EMAIL PROTECTED] To: [EMAIL PROTECTED] [EMAIL PROTECTED] Cc: 313@hyperreal.org 313@hyperreal.org; [EMAIL PROTECTED] [EMAIL PROTECTED] Date: 04 May 2002 23:02 Subject: Re: [313] back to the future I don't think that Detroit Techno (I'm not sure how to do that little registered mark so this will have to do) has been surpassed by the future. I do believe that it is still of and for the future considering that so many people have yet to hear Detroit Techno (of which there are many sounds). Take UR's new Inspired EP. I played a sample of it for a friend and he said, paraphrasing here, That's like - totally new - I don't think I've ever heard anything like that before. Currently, I'm trying to hunt down releases on Plink Plonk - which as far as I'm concerned might as well been a Detroit label. There is so much music on that label that has never been made like that before and rarely is made like that now but for lots of people that I know - it would be hard for them to get their heads around it. Detroit Techno for me is what tech-house *used* to be - innovative and explorative. When I hear Mills' Apollo - I feel like I'm riding on a space probe. It puts me out there. has the future envisioned by the original Detroit Techno® generation passed us by? Not sure - what exactly *is/was* this future? Are we talking about flying cars or equality? We have neither still so I'd say that no, it hasn't passed us by at all. Old Detroit style techno like Derrick May and Carl Craig used to make will still f*ck you up like no other. What is really cool is that I'm seeing more and more essays and books about the city of Detroit that describe it as the ultimate city of the 20th Century and still others who are writing about how Detroit, if allowed to grow in an organic manner, could have a rebirth like no other city in America. I'll find my sources and send them to you if you like. MEK sean deason [EMAIL PROTECTED]To: [EMAIL PROTECTED] .netcc: 313@hyperreal.org Subject: [313] back to the future 05/04/02 02:44 PM Please respond to seandeason that reminds me of the question I wanted to ask Jeff Mills at the Submerge/Metropolis showing (but unfortunately the QA period was dominated by some clown with a big mouth and small brain): is Detroit Techno® still music of and for the future or is it now considered retro to make Detroit style techno? has the future envisoned by the original Detroit Techno® generation passed us by? When people ask me what kind of music I'm making these days I tell them old Detroit style techno like Derrick May and Carl Craig used to make. I think if the future has indeed passed us by, then it's time we went Back to the Future. Anyone feel the same way or is it just me? sean old school g.e.d. receipient deason glyph1001 wrote: I would believe that alot of comic book/superhero fans are into Techno or may have played a role in the creation of Techno music because of the fantasy and romanticism of superheros and the pining for space travel and anything to do with Futurism. So in that sense, I'm not surprised. Actually I think its cool. :-) g. Mxyzptlk wrote: At 09:21 AM 5/4/2002, you wrote: hm detroit relevance...let me think...if only the director were from Detroit or something. (to make matters worse/risking the ire of the 'purists', I would ask:) How many of you would 'fess up to being/have been comic book fanciers/collectors/followers? I ask because I have a feeling there's more overlap than some may anticipate; music geeks are geeks looking for an obsession (from personal experience anyway). I know when I was young I had hefty bags upon bags full of comix...early Marvel (Spiderman, Daredevil, FF, X-Men, Dr. Strange, Avengers, etc., etc) and D.C. I used to spend my weekly allowance on them. My guess is that many of you know the origin of my email handle from other sources than Saturday morning cartoons of yore. It's pretty amazing how many former comic book junkies populate email music lists. jeff - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e
Re: [313] back to the future
one of the books you might be referring to is Stalking Detroit - a great book. it explores ideas around the 20th Century city, using detroit as its prime example - a city conceived to serve capitalism but constrained by this very definition. lots of very interesting and digestable facts about detroit to challenge those that still question race as a key issue in the city and, thus, the music. the future that was envisiged cannot be 'retro', as pointed out; it still alludes us. -Original Message- From: [EMAIL PROTECTED] [EMAIL PROTECTED] To: [EMAIL PROTECTED] [EMAIL PROTECTED] Cc: 313@hyperreal.org 313@hyperreal.org; [EMAIL PROTECTED] [EMAIL PROTECTED] Date: 04 May 2002 23:02 Subject: Re: [313] back to the future I don't think that Detroit Techno (I'm not sure how to do that little registered mark so this will have to do) has been surpassed by the future. I do believe that it is still of and for the future considering that so many people have yet to hear Detroit Techno (of which there are many sounds). Take UR's new Inspired EP. I played a sample of it for a friend and he said, paraphrasing here, That's like - totally new - I don't think I've ever heard anything like that before. Currently, I'm trying to hunt down releases on Plink Plonk - which as far as I'm concerned might as well been a Detroit label. There is so much music on that label that has never been made like that before and rarely is made like that now but for lots of people that I know - it would be hard for them to get their heads around it. Detroit Techno for me is what tech-house *used* to be - innovative and explorative. When I hear Mills' Apollo - I feel like I'm riding on a space probe. It puts me out there. has the future envisioned by the original Detroit Techno® generation passed us by? Not sure - what exactly *is/was* this future? Are we talking about flying cars or equality? We have neither still so I'd say that no, it hasn't passed us by at all. Old Detroit style techno like Derrick May and Carl Craig used to make will still f*ck you up like no other. What is really cool is that I'm seeing more and more essays and books about the city of Detroit that describe it as the ultimate city of the 20th Century and still others who are writing about how Detroit, if allowed to grow in an organic manner, could have a rebirth like no other city in America. I'll find my sources and send them to you if you like. MEK sean deason [EMAIL PROTECTED]To: [EMAIL PROTECTED] .netcc: 313@hyperreal.org Subject: [313] back to the future 05/04/02 02:44 PM Please respond to seandeason that reminds me of the question I wanted to ask Jeff Mills at the Submerge/Metropolis showing (but unfortunately the QA period was dominated by some clown with a big mouth and small brain): is Detroit Techno® still music of and for the future or is it now considered retro to make Detroit style techno? has the future envisoned by the original Detroit Techno® generation passed us by? When people ask me what kind of music I'm making these days I tell them old Detroit style techno like Derrick May and Carl Craig used to make. I think if the future has indeed passed us by, then it's time we went Back to the Future. Anyone feel the same way or is it just me? sean old school g.e.d. receipient deason glyph1001 wrote: I would believe that alot of comic book/superhero fans are into Techno or may have played a role in the creation of Techno music because of the fantasy and romanticism of superheros and the pining for space travel and anything to do with Futurism. So in that sense, I'm not surprised. Actually I think its cool. :-) g. Mxyzptlk wrote: At 09:21 AM 5/4/2002, you wrote: hm detroit relevance...let me think...if only the director were from Detroit or something. (to make matters worse/risking the ire of the 'purists', I would ask:) How many of you would 'fess up to being/have been comic book fanciers/collectors/followers? I ask because I have a feeling there's more overlap than some may anticipate; music geeks are geeks looking for an obsession (from personal experience anyway). I know when I was young I had hefty bags upon bags full of comix...early Marvel (Spiderman, Daredevil, FF, X-Men, Dr. Strange, Avengers, etc., etc) and D.C. I used to spend my weekly allowance on them. My guess is that many of you know the origin of my email handle from other sources than Saturday morning cartoons of yore. It's pretty amazing how many former comic book junkies populate email music lists. jeff - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e
Re: [313] back to the future
one of the books you might be referring to is Stalking Detroit - a great book. it explores ideas around the 20th Century city, using detroit as its prime example - a city conceived to serve capitalism but constrained by this very definition. lots of very interesting and digestable facts about detroit to challenge those that still question race as a key issue in the city and, thus, the music. the future that was envisiged cannot be 'retro', as pointed out; it still alludes us. having trouble sending this..could someone let me know if they got it.in which case, sorry for the repeat -Original Message- From: [EMAIL PROTECTED] [EMAIL PROTECTED] To: [EMAIL PROTECTED] [EMAIL PROTECTED] Cc: 313@hyperreal.org 313@hyperreal.org; [EMAIL PROTECTED] [EMAIL PROTECTED] Date: 04 May 2002 23:02 Subject: Re: [313] back to the future I don't think that Detroit Techno (I'm not sure how to do that little registered mark so this will have to do) has been surpassed by the future. I do believe that it is still of and for the future considering that so many people have yet to hear Detroit Techno (of which there are many sounds). Take UR's new Inspired EP. I played a sample of it for a friend and he said, paraphrasing here, That's like - totally new - I don't think I've ever heard anything like that before. Currently, I'm trying to hunt down releases on Plink Plonk - which as far as I'm concerned might as well been a Detroit label. There is so much music on that label that has never been made like that before and rarely is made like that now but for lots of people that I know - it would be hard for them to get their heads around it. Detroit Techno for me is what tech-house *used* to be - innovative and explorative. When I hear Mills' Apollo - I feel like I'm riding on a space probe. It puts me out there. has the future envisioned by the original Detroit Techno® generation passed us by? Not sure - what exactly *is/was* this future? Are we talking about flying cars or equality? We have neither still so I'd say that no, it hasn't passed us by at all. Old Detroit style techno like Derrick May and Carl Craig used to make will still f*ck you up like no other. What is really cool is that I'm seeing more and more essays and books about the city of Detroit that describe it as the ultimate city of the 20th Century and still others who are writing about how Detroit, if allowed to grow in an organic manner, could have a rebirth like no other city in America. I'll find my sources and send them to you if you like. MEK sean deason [EMAIL PROTECTED]To: [EMAIL PROTECTED] .netcc: 313@hyperreal.org Subject: [313] back to the future 05/04/02 02:44 PM Please respond to seandeason that reminds me of the question I wanted to ask Jeff Mills at the Submerge/Metropolis showing (but unfortunately the QA period was dominated by some clown with a big mouth and small brain): is Detroit Techno® still music of and for the future or is it now considered retro to make Detroit style techno? has the future envisoned by the original Detroit Techno® generation passed us by? When people ask me what kind of music I'm making these days I tell them old Detroit style techno like Derrick May and Carl Craig used to make. I think if the future has indeed passed us by, then it's time we went Back to the Future. Anyone feel the same way or is it just me? sean old school g.e.d. receipient deason glyph1001 wrote: I would believe that alot of comic book/superhero fans are into Techno or may have played a role in the creation of Techno music because of the fantasy and romanticism of superheros and the pining for space travel and anything to do with Futurism. So in that sense, I'm not surprised. Actually I think its cool. :-) g. Mxyzptlk wrote: At 09:21 AM 5/4/2002, you wrote: hm detroit relevance...let me think...if only the director were from Detroit or something. (to make matters worse/risking the ire of the 'purists', I would ask:) How many of you would 'fess up to being/have been comic book fanciers/collectors/followers? I ask because I have a feeling there's more overlap than some may anticipate; music geeks are geeks looking for an obsession (from personal experience anyway). I know when I was young I had hefty bags upon bags full of comix...early Marvel (Spiderman, Daredevil, FF, X-Men, Dr. Strange, Avengers, etc., etc) and D.C. I used to spend my weekly allowance on them. My guess is that many of you know the origin of my email handle from other sources than Saturday morning cartoons of yore. It's pretty amazing how many former comic book junkies populate email music lists. jeff
[313] back to the future
that reminds me of the question I wanted to ask Jeff Mills at the Submerge/Metropolis showing (but unfortunately the QA period was dominated by some clown with a big mouth and small brain): is Detroit Techno® still music of and for the future or is it now considered retro to make Detroit style techno? has the future envisoned by the original Detroit Techno® generation passed us by? When people ask me what kind of music I'm making these days I tell them old Detroit style techno like Derrick May and Carl Craig used to make. I think if the future has indeed passed us by, then it's time we went Back to the Future. Anyone feel the same way or is it just me? sean old school g.e.d. receipient deason glyph1001 wrote: I would believe that alot of comic book/superhero fans are into Techno or may have played a role in the creation of Techno music because of the fantasy and romanticism of superheros and the pining for space travel and anything to do with Futurism. So in that sense, I'm not surprised. Actually I think its cool. :-) g. Mxyzptlk wrote: At 09:21 AM 5/4/2002, you wrote: hm detroit relevance...let me think...if only the director were from Detroit or something. (to make matters worse/risking the ire of the 'purists', I would ask:) How many of you would 'fess up to being/have been comic book fanciers/collectors/followers? I ask because I have a feeling there's more overlap than some may anticipate; music geeks are geeks looking for an obsession (from personal experience anyway). I know when I was young I had hefty bags upon bags full of comix...early Marvel (Spiderman, Daredevil, FF, X-Men, Dr. Strange, Avengers, etc., etc) and D.C. I used to spend my weekly allowance on them. My guess is that many of you know the origin of my email handle from other sources than Saturday morning cartoons of yore. It's pretty amazing how many former comic book junkies populate email music lists. jeff - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] back to the future
oops! almost forgot: Spiderman rules! tee hee youve been a lovely audience. thank you. goodnight. sean deason sean deason wrote: that reminds me of the question I wanted to ask Jeff Mills at the Submerge/Metropolis showing (but unfortunately the QA period was dominated by some clown with a big mouth and small brain): is Detroit Techno® still music of and for the future or is it now considered retro to make Detroit style techno? has the future envisoned by the original Detroit Techno® generation passed us by? When people ask me what kind of music I'm making these days I tell them old Detroit style techno like Derrick May and Carl Craig used to make. I think if the future has indeed passed us by, then it's time we went Back to the Future. Anyone feel the same way or is it just me? sean old school g.e.d. receipient deason glyph1001 wrote: I would believe that alot of comic book/superhero fans are into Techno or may have played a role in the creation of Techno music because of the fantasy and romanticism of superheros and the pining for space travel and anything to do with Futurism. So in that sense, I'm not surprised. Actually I think its cool. :-) g. Mxyzptlk wrote: At 09:21 AM 5/4/2002, you wrote: hm detroit relevance...let me think...if only the director were from Detroit or something. (to make matters worse/risking the ire of the 'purists', I would ask:) How many of you would 'fess up to being/have been comic book fanciers/collectors/followers? I ask because I have a feeling there's more overlap than some may anticipate; music geeks are geeks looking for an obsession (from personal experience anyway). I know when I was young I had hefty bags upon bags full of comix...early Marvel (Spiderman, Daredevil, FF, X-Men, Dr. Strange, Avengers, etc., etc) and D.C. I used to spend my weekly allowance on them. My guess is that many of you know the origin of my email handle from other sources than Saturday morning cartoons of yore. It's pretty amazing how many former comic book junkies populate email music lists. jeff - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] back to the future
it feels retro to me now.. just because I remember being in detroit and having it all happen.. its not new and futuristic sounding, but it still has a lot to offer. it all depends on your point of view I guess.. I still love it. theres a lot of great music everywhere -Joe fux www.emmrecords.com/teh_fux - Original Message - From: sean deason [EMAIL PROTECTED] To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Sent: Saturday, May 04, 2002 3:44 PM Subject: [313] back to the future that reminds me of the question I wanted to ask Jeff Mills at the Submerge/Metropolis showing (but unfortunately the QA period was dominated by some clown with a big mouth and small brain): is Detroit Techno® still music of and for the future or is it now considered retro to make Detroit style techno? has the future envisoned by the original Detroit Techno® generation passed us by? When people ask me what kind of music I'm making these days I tell them old Detroit style techno like Derrick May and Carl Craig used to make. I think if the future has indeed passed us by, then it's time we went Back to the Future. Anyone feel the same way or is it just me? sean old school g.e.d. receipient deason glyph1001 wrote: I would believe that alot of comic book/superhero fans are into Techno or may have played a role in the creation of Techno music because of the fantasy and romanticism of superheros and the pining for space travel and anything to do with Futurism. So in that sense, I'm not surprised. Actually I think its cool. :-) g. Mxyzptlk wrote: At 09:21 AM 5/4/2002, you wrote: hm detroit relevance...let me think...if only the director were from Detroit or something. (to make matters worse/risking the ire of the 'purists', I would ask:) How many of you would 'fess up to being/have been comic book fanciers/collectors/followers? I ask because I have a feeling there's more overlap than some may anticipate; music geeks are geeks looking for an obsession (from personal experience anyway). I know when I was young I had hefty bags upon bags full of comix...early Marvel (Spiderman, Daredevil, FF, X-Men, Dr. Strange, Avengers, etc., etc) and D.C. I used to spend my weekly allowance on them. My guess is that many of you know the origin of my email handle from other sources than Saturday morning cartoons of yore. It's pretty amazing how many former comic book junkies populate email music lists. jeff - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] back to the future
Saturday, May 04, 2002, 12:44:12 PM, a knob was tweaked and out came: sd that reminds me of the question I wanted to ask Jeff Mills at the sd Submerge/Metropolis showing (but unfortunately the QA period was dominated sd by some clown with a big mouth and small brain): is Detroit Techno® still sd music of and for the future or is it now considered retro to make Detroit sd style techno? has the future envisoned by the original Detroit Techno® sd generation passed us by? When people ask me what kind of music I'm making sd these days I tell them old Detroit style techno like Derrick May and Carl sd Craig used to make. I think if the future has indeed passed us by, then sd it's time we went Back to the Future. Anyone feel the same way or is it sd just me? Its interesting . . . even though younger genres like drum n' bass and glitch hop sound very futuristic from a production standpoint, I always mentally associate them with the present day. They seem largely a soundtrack for the late nineties design aesthetic. But techno . . . techno is 300 years from now. What old school Detroit has that most of its children don't is a core yearning for tomorrow. It overstates that futurism at times, it can be a bit gaudy in its roboticisms . . . but you always know that its about more than putting on your stylish clothes and rocking the scene. Its always got that long term scope . . . its always pushing towards the horizon. I see nothing wrong with lingering on that sentiment. No UFOs will be as futuristic in 2006 as it was in 1986. It sounds like the past, but it thinks about the future. - Brian balistic Prince http://www.bprince.com - art and techno Strokes of Defiance EP . . . soon. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] back to the future
- Original Message - From: sean deason [EMAIL PROTECTED] To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Sent: Saturday, May 04, 2002 3:44 PM Subject: [313] back to the future that reminds me of the question I wanted to ask Jeff Mills at the Submerge/Metropolis showing (but unfortunately the QA period was dominated by some clown with a big mouth and small brain): is Detroit Techno® still music of and for the future or is it now considered retro to make Detroit style techno? has the future envisoned by the original Detroit Techno® generation passed us by? When people ask me what kind of music I'm making these days I tell them old Detroit style techno like Derrick May and Carl Craig used to make. I think if the future has indeed passed us by, then it's time we went Back to the Future. Anyone feel the same way or is it just me? I feel like there's plenty still to be explored there. Delsin and Digital Soul are great examples of the new, old school IMHO. I think I prefer it when people go back and add a new twist, informed by all the other developments of the past 10 years, but there's nothing wrong with making stuff that sounds like it came out in '87. If that's the funk you feel, then that's the funk you should make. Bottom line: classic Detroit Techno still sounds good today because it was timeless music. If people make new timeless music today, that happens to sound like yesterday, then we're better-off for it. It's not like there are many more than a few hundred classic Detroit Techno tracks. Tristan --- http://www.mp313.com - Music http://www.metrotechno.net - DC techno + more http://www.metatrackstudios.com - DC DJ/Production studios http://phonopsia.tripod.com - Hub [EMAIL PROTECTED] - email - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] back to the future
I don't think that Detroit Techno (I'm not sure how to do that little registered mark so this will have to do) has been surpassed by the future. I do believe that it is still of and for the future considering that so many people have yet to hear Detroit Techno (of which there are many sounds). Take UR's new Inspired EP. I played a sample of it for a friend and he said, paraphrasing here, That's like - totally new - I don't think I've ever heard anything like that before. Currently, I'm trying to hunt down releases on Plink Plonk - which as far as I'm concerned might as well been a Detroit label. There is so much music on that label that has never been made like that before and rarely is made like that now but for lots of people that I know - it would be hard for them to get their heads around it. Detroit Techno for me is what tech-house *used* to be - innovative and explorative. When I hear Mills' Apollo - I feel like I'm riding on a space probe. It puts me out there. has the future envisioned by the original Detroit Techno® generation passed us by? Not sure - what exactly *is/was* this future? Are we talking about flying cars or equality? We have neither still so I'd say that no, it hasn't passed us by at all. Old Detroit style techno like Derrick May and Carl Craig used to make will still f*ck you up like no other. What is really cool is that I'm seeing more and more essays and books about the city of Detroit that describe it as the ultimate city of the 20th Century and still others who are writing about how Detroit, if allowed to grow in an organic manner, could have a rebirth like no other city in America. I'll find my sources and send them to you if you like. MEK sean deason [EMAIL PROTECTED]To: [EMAIL PROTECTED] .netcc: 313@hyperreal.org Subject: [313] back to the future 05/04/02 02:44 PM Please respond to seandeason that reminds me of the question I wanted to ask Jeff Mills at the Submerge/Metropolis showing (but unfortunately the QA period was dominated by some clown with a big mouth and small brain): is Detroit Techno® still music of and for the future or is it now considered retro to make Detroit style techno? has the future envisoned by the original Detroit Techno® generation passed us by? When people ask me what kind of music I'm making these days I tell them old Detroit style techno like Derrick May and Carl Craig used to make. I think if the future has indeed passed us by, then it's time we went Back to the Future. Anyone feel the same way or is it just me? sean old school g.e.d. receipient deason glyph1001 wrote: I would believe that alot of comic book/superhero fans are into Techno or may have played a role in the creation of Techno music because of the fantasy and romanticism of superheros and the pining for space travel and anything to do with Futurism. So in that sense, I'm not surprised. Actually I think its cool. :-) g. Mxyzptlk wrote: At 09:21 AM 5/4/2002, you wrote: hm detroit relevance...let me think...if only the director were from Detroit or something. (to make matters worse/risking the ire of the 'purists', I would ask:) How many of you would 'fess up to being/have been comic book fanciers/collectors/followers? I ask because I have a feeling there's more overlap than some may anticipate; music geeks are geeks looking for an obsession (from personal experience anyway). I know when I was young I had hefty bags upon bags full of comix...early Marvel (Spiderman, Daredevil, FF, X-Men, Dr. Strange, Avengers, etc., etc) and D.C. I used to spend my weekly allowance on them. My guess is that many of you know the origin of my email handle from other sources than Saturday morning cartoons of yore. It's pretty amazing how many
[313] back to the future
I think the audience for techno in the US is aging. The younger demographic groups have different things on their minds. Of course techno has always been something people have to seek out to really appreciate. If techno was really marketed, the way Christina and Justin and Britney and Sheryl are to young people, it might be different. Of course if Techno were marketed that way, it might well kill it in a way mass indifference has not. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Back To May's djing - uncut opinions
An elaboration on 'total ass' would be helpful - it's quite hard to be a TOTAL ass in a DJ booth, there's really not much to do but play! Plus your experiences of him being 'wasted when he DJs Detroit' I eagerly await. -Original Message- From: Catherine Eberhardt [mailto:[EMAIL PROTECTED] Sent: Wednesday, February 27, 2002 3:07 AM To: 313@hyperreal.org Subject: Re: RE: [313] may's djing (was Lost - further details) IMO You people are crazy. I live in Detroit and most any time I hear him spin or see him he's a total ass. I am not much for his DJing, maybe he just likes to be wasted when he DJs Detroit. allnight [EMAIL PROTECTED] 02/26/02 09:24 AM man i dont just respect him. in fact i never meet anyone who feels the way i do about his tracks. he is by far my bigest influence in producing as well. it would be a dream to me if i could only see him. but i really dont like some styles of eletronic music. at the same time that good techno is maybe the most important thing in my life, dancing tribal techousy is something that i just cant stand. but u bet i respect derrick may or anyother famous dj who spin for living. if i had the oportunity of live by spining records i would also play all the christian smith discography. but i think im free to say that i dont like tribal techouse. whatever.. i stil have my hope of seeing the man spin and listen to something like Icon or Ilusion. take care u all. love henrique Good??? and commercial? well everyone has their off days, I am sure you do too..so lets be kind to all those who do mix as , well we all have off days.. Well I have had the pleasure and he plays three decks like a wizard.. great choice of music and styles, very good all round three deck mixer... So yeah he is more than good, but then that's my opinion.. -Original Message- From: allnight [mailto:[EMAIL PROTECTED] Sent: 26 February 2002 13:10 To: 313@hyperreal.org Subject: [313] may's djing (was Lost - further details) you people mean that derrick may's djing is good? man that would make me happy, since i'm a gigant fan of his work.. the mixed sets i could check out of him were anything but good.. but who knows.. maybe in detroit his sets can sound from a detroit artist. the last mix i heard from him was depressing. even M4J (a pop eletronic band from brazil, leaded by dj MauMau whos totaly comercial) appear in that mixed set. any coments about his djing in detroit? -- Mensagem original --- De : John Bush [EMAIL PROTECTED] Para: Toby Frith [EMAIL PROTECTED],313 313@hyperreal.org Cc : Data: Tue, 26 Feb 2002 07:57:40 -0500 Assunto : RE: [313] Lost - further details Oooh, at least one 734 313'er will be in England round then -- I'm leaving Detroit on March 28 and getting back April 10 (though, granted, I did just see Derrick last month). If there are any other intriguing shows happening anywhere in England around these dates, I'd love to hear about them -Original Message- From: Toby Frith [mailto:[EMAIL PROTECTED] Sent: Tuesday, February 26, 2002 6:37 AM To: 313 Subject: [313] Lost - further details Juan Atkins Derrick May Sun 31 March no venue as of yet - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
FW: [313] Back To May's djing - uncut opinions
-Original Message- From: Ken Odeluga [mailto:[EMAIL PROTECTED] Sent: Wednesday, February 27, 2002 9:10 AM To: Catherine Eberhardt; [EMAIL PROTECTED] Org Subject: RE: [313] Back To May's djing - uncut opinions An elaboration on 'total ass' would be helpful - it's quite hard to be a TOTAL ass in a DJ booth, there's really not much to do but play! Plus your experiences of him being 'wasted when he DJs Detroit' I eagerly await. -Original Message- From: Catherine Eberhardt [mailto:[EMAIL PROTECTED] Sent: Wednesday, February 27, 2002 3:07 AM To: 313@hyperreal.org Subject: Re: RE: [313] may's djing (was Lost - further details) IMO You people are crazy. I live in Detroit and most any time I hear him spin or see him he's a total ass. I am not much for his DJing, maybe he just likes to be wasted when he DJs Detroit. allnight [EMAIL PROTECTED] 02/26/02 09:24 AM man i dont just respect him. in fact i never meet anyone who feels the way i do about his tracks. he is by far my bigest influence in producing as well. it would be a dream to me if i could only see him. but i really dont like some styles of eletronic music. at the same time that good techno is maybe the most important thing in my life, dancing tribal techousy is something that i just cant stand. but u bet i respect derrick may or anyother famous dj who spin for living. if i had the oportunity of live by spining records i would also play all the christian smith discography. but i think im free to say that i dont like tribal techouse. whatever.. i stil have my hope of seeing the man spin and listen to something like Icon or Ilusion. take care u all. love henrique Good??? and commercial? well everyone has their off days, I am sure you do too..so lets be kind to all those who do mix as , well we all have off days.. Well I have had the pleasure and he plays three decks like a wizard.. great choice of music and styles, very good all round three deck mixer... So yeah he is more than good, but then that's my opinion.. -Original Message- From: allnight [mailto:[EMAIL PROTECTED] Sent: 26 February 2002 13:10 To: 313@hyperreal.org Subject: [313] may's djing (was Lost - further details) you people mean that derrick may's djing is good? man that would make me happy, since i'm a gigant fan of his work.. the mixed sets i could check out of him were anything but good.. but who knows.. maybe in detroit his sets can sound from a detroit artist. the last mix i heard from him was depressing. even M4J (a pop eletronic band from brazil, leaded by dj MauMau whos totaly comercial) appear in that mixed set. any coments about his djing in detroit? -- Mensagem original --- De : John Bush [EMAIL PROTECTED] Para: Toby Frith [EMAIL PROTECTED],313 313@hyperreal.org Cc : Data: Tue, 26 Feb 2002 07:57:40 -0500 Assunto : RE: [313] Lost - further details Oooh, at least one 734 313'er will be in England round then -- I'm leaving Detroit on March 28 and getting back April 10 (though, granted, I did just see Derrick last month). If there are any other intriguing shows happening anywhere in England around these dates, I'd love to hear about them -Original Message- From: Toby Frith [mailto:[EMAIL PROTECTED] Sent: Tuesday, February 26, 2002 6:37 AM To: 313 Subject: [313] Lost - further details Juan Atkins Derrick May Sun 31 March no venue as of yet - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: RE: [313] Back To May's djing - uncut opinions
It's not really much to talk about, it's just May. The last time I saw him his set was ok, but why does he always have to play that cheesy latino stuff? Off the tables, he was running around hitting on every woman in the building like a perverse hormone-driven teenage boy. I've seen him probably 5 or 6 times in and around Detroit. Every time I have seen him he is nothing to get excited over. It's not a horrible set or anything, but I know it could be a lot better. Odeluga, Ken [EMAIL PROTECTED] 02/27/02 04:06 AM An elaboration on 'total ass' would be helpful - it's quite hard to be a TOTAL ass in a DJ booth, there's really not much to do but play! Plus your experiences of him being 'wasted when he DJs Detroit' I eagerly await. -Original Message- From: Catherine Eberhardt [mailto:[EMAIL PROTECTED] Sent: Wednesday, February 27, 2002 3:07 AM To: 313@hyperreal.org Subject: Re: RE: [313] may's djing (was Lost - further details) IMO You people are crazy. I live in Detroit and most any time I hear him spin or see him he's a total ass. I am not much for his DJing, maybe he just likes to be wasted when he DJs Detroit. allnight [EMAIL PROTECTED] 02/26/02 09:24 AM man i dont just respect him. in fact i never meet anyone who feels the way i do about his tracks. he is by far my bigest influence in producing as well. it would be a dream to me if i could only see him. but i really dont like some styles of eletronic music. at the same time that good techno is maybe the most important thing in my life, dancing tribal techousy is something that i just cant stand. but u bet i respect derrick may or anyother famous dj who spin for living. if i had the oportunity of live y spining records i would also play all the christian smith discography. but i think im free to say that i dont like tribal techouse. whatever.. i stil have my hope of seeing the man spin and listen to something like Icon or Ilusion. take care u all. love henrique Good??? and commercial? well everyone has their off days, I am sure you do too..so lets be kind to all those who do mix as , well we all have off days.. Well I have had the pleasure and he plays three decks like a wizard.. great choice of music and styles, very good all round three deck mixer... So yeah he is more than good, but then that's my opinion.. -Original Message- From: allnight [mailto:[EMAIL PROTECTED] Sent: 26 February 2002 13:10 To: 313@hyperreal.org Subject: [313] may's djing (was Lost - further details) you people mean that derrick may's djing is good? man that would make me happy, since i'm a gigant fan of his work.. the mixed sets i could check out of him were anything but good.. but who knows.. maybe in detroit his sets can sound from a detroit artist. the last mix i heard from him was depressing. even M4J (a pop eletronic band from brazil, leaded by dj MauMau whos totaly comercial) appear in that mixed set. any coments about his djing in detroit? -- Mensagem original --- De : John Bush [EMAIL PROTECTED] Para: Toby Frith [EMAIL PROTECTED],313 313@hyperreal.org Cc : Data: Tue, 26 Feb 2002 07:57:40 -0500 Assunto : RE: [313] Lost - further details Oooh, at least one 734 313'er will be in England round then -- I'm leaving Detroit on March 28 and getting back April 10 (though, granted, I did just see Derrick last month). If there are any other intriguing shows happening anywhere in England around these dates, I'd love to hear aout them -Original Message- From: Toby Frith [mailto:[EMAIL PROTECTED] Sent: Tuesday, February 26, 2002 6:37 AM To: 313 Subject: [313] Lost - further details Juan Atkins Derrick May Sun 31 March no venue as of yet - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Back!
Hi there! After a few months absence, I back 'n subscribed to 313! Beware! :) R. --- f:un[x]iun http://funxiun.2y.net 'When computers started to boot from disk, history went wrong' --- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Back On Topic Please!
In a message dated 03/10/00 22:54:31 GMT Daylight Time, [EMAIL PROTECTED] writes: Hey now, Carl Cocks is where I draw the line, bro. Carl is one of very few who can cater to many audiences. His sets can vary from progressive clubby house all the way to banging techno. This is very true, I've heard him play techno sets that would make the best of the best drool. He's got all the right records, and he's definately got the skills, I've heard him play proper techno sets a few times, 3 decks on the go every time, and each time he's been totally flawless all the way through. You just have to catch him at a techno club, if you go see him at a house club, he's guaranteed to be cheesy. He's got a night in London, or at least he did - Ultimate B.A.S.E, Jim Masters is the other resident and also very good, and they get in some really good guests as well. Aaron
Re: [313] Back On Topic Please!
I was only kidding... jeez... Don't p*ss yer britches... Nick (Dj Pacific:) --- [EMAIL PROTECTED] wrote: In a message dated 10/3/00 8:48:44 AM, [EMAIL PROTECTED] writes: Dickweed This is what he should be called anyhow... A bit like Judge (family) Jewels and Carl Cocks Nick(Dj Pacific:) Hey now, Carl Cocks is where I draw the line, bro. Carl is one of very few who can cater to many audiences. His sets can vary from progressive clubby house all the way to banging techno. It is he who drove the crowd mad at MotorDetroit this past spring (I think it was), who kicked a** at the Tresor club in Berlin to another capacity crowd during Love Parade weekend...not to mention Love Parade itself to a tune of 2.5 million people. Those Germans do NOT play around, they know good music. He's a nice, witty guy and every time I've heard him play, he's never let me down. And besides, at least he's out there doing something. G l y p h __ Do You Yahoo!? Yahoo! Photos - 35mm Quality Prints, Now Get 15 Free! http://photos.yahoo.com/
Re: [313] Back On Topic Please!
So, hoping to actually get back to 313, I checked out supershere.com as suggested recently, and there are some nice sets from Carl Craig, Derrick May, Colette, Derrick Carter, Mouse On Mars and others. Well worth a visit. its actually supersphere.compiece. kyle
Re: [313] Back On Topic Please!
And supershere.com would be the new brand of panty hoes that Derrick may is marketing. :) Sorry... Tristan == PHONOPSIA[EMAIL PROTECTED] http://www.geocities.com/SunsetStrip/Lounge/5102 FrogboyMCI on AOL Instant Messenger New Album, Québécois, online now. -Original Message- From: Kyle J Dupuy [EMAIL PROTECTED] To: tristan watkins [EMAIL PROTECTED] Cc: 313@hyperreal.org 313@hyperreal.org Date: Monday, October 02, 2000 9:27 PM Subject: Re: [313] Back On Topic Please! So, hoping to actually get back to 313, I checked out supershere.com as suggested recently, and there are some nice sets from Carl Craig, Derrick May, Colette, Derrick Carter, Mouse On Mars and others. Well worth a visit. its actually supersphere.compiece. kyle - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] __ Do You Yahoo!? Talk to your friends online with Yahoo! Messenger. http://im.yahoo.com
Re: [313] Back On Topic Please!
In a message dated 10/3/00 8:48:44 AM, [EMAIL PROTECTED] writes: Dickweed This is what he should be called anyhow... A bit like Judge (family) Jewels and Carl Cocks Nick(Dj Pacific:) Hey now, Carl Cocks is where I draw the line, bro. Carl is one of very few who can cater to many audiences. His sets can vary from progressive clubby house all the way to banging techno. It is he who drove the crowd mad at MotorDetroit this past spring (I think it was), who kicked a** at the Tresor club in Berlin to another capacity crowd during Love Parade weekend...not to mention Love Parade itself to a tune of 2.5 million people. Those Germans do NOT play around, they know good music. He's a nice, witty guy and every time I've heard him play, he's never let me down. And besides, at least he's out there doing something. G l y p h
Re: (313) back from paris
actually pure science and dj hype were the scientist together! :) andrew duke thee ex-or-cist; i remember that fondly. Tom Churchill wrote: Kent: 4. Pure Science live at the Rex. Used to wimpy 40 minute sets from a laptop in the US? This brit went mental for 2.5 hours with very catchy tech house. At one point he was rolling a joint and switching patterns on his MPC at the same time. I would love to find out more information about Pure Science. I'm a bit of a Pure Science fan - he played live for us at Radius in Cardiff earlier this year and rocked the place. He has hours and hours of material, none of it's ever really blown my mind but it's always smooth and deep and funky. Trackwise, he's recorded quite a lot on labels like Re-Hab, Lunar Tunes (Eddie Richards' label), his own Pure Science Communications label, and various others. All worth checking, although his live sets are where his best material surfaces IMO. He also used to be The Scientist, making hardcore back in the day... Not particularly 313 I know, sorry :) Tom __ tom churchill headspace recordings e: [EMAIL PROTECTED] t: 0976 898514 __ -- Cognition/Andrew Duke's In The Mix mailto:[EMAIL PROTECTED] http://techno.ca/cognition 1096 Queen St #123 Halifax NS Canada B3H 2R9
Re: (313) back from paris
Kent: 4. Pure Science live at the Rex. Used to wimpy 40 minute sets from a laptop in the US? This brit went mental for 2.5 hours with very catchy tech house. At one point he was rolling a joint and switching patterns on his MPC at the same time. I would love to find out more information about Pure Science. I'm a bit of a Pure Science fan - he played live for us at Radius in Cardiff earlier this year and rocked the place. He has hours and hours of material, none of it's ever really blown my mind but it's always smooth and deep and funky. Trackwise, he's recorded quite a lot on labels like Re-Hab, Lunar Tunes (Eddie Richards' label), his own Pure Science Communications label, and various others. All worth checking, although his live sets are where his best material surfaces IMO. He also used to be The Scientist, making hardcore back in the day... Not particularly 313 I know, sorry :) Tom __ tom churchill headspace recordings e: [EMAIL PROTECTED] t: 0976 898514 __
(313) back from paris
I have survived Paris, and the flight home! Highlights of the trip: 1. Working. A lot. You don't want to know. On the bright side, they fed me at the Dassault Systemes cafeteria very well...French cooking really is all that, once you get used to chewing tougher beef that's raw in the middle ;-) 2. Wine. Omigod. The 20 franc bottle of french wine kicks major ass over the $10 bottles you get here. They don't export the REALLY good stuff. 3. Merguez Frite. Take a nice crusty french bun, add Merguez (kind of like a Slim Jim, only really spicy and good), a bunch of french fries, mayonnaise and mustard, and you have the premiere gutbomb a la Francais. Extra points if they deep fry the sausage and the fries together. 4. Pure Science live at the Rex. Used to wimpy 40 minute sets from a laptop in the US? This brit went mental for 2.5 hours with very catchy tech house. At one point he was rolling a joint and switching patterns on his MPC at the same time. I would love to find out more information about Pure Science. 5. Jeff Mills/Carl Cox/Sven Vath/Richie Hawtin at the Zenith. An opportunity to see Mills spin was a dream come true. And the boy delivers! Lots of ink has been spilled on Jeff as a DJ, and he is all that. What really impressed me is the steady booty dance he does when he's spinning. The top half of him is a blur of motion, and the bottom half is jacking full time, seemingly independent. 6. Meeting and hanging out briefly with Elodie Cousin, who is a very nice young woman, and her friend the other Elodie (DJ Laura Palmer). It is so nice to be in a foreign city and having at least a few folks willing to show you the ropes ... Merci plus bien Elodie! I tried to explain the english expression twist your arm to her and didn't get very far, but maybe it will catch on in Paris ;-) 7. Meeting and hanging with Chris O'Grady, who was a Motor DJ before moving to Paris a few weeks ago. I sorted him out for music software, so the boy is on the case making tracks. He and Emmanuelle gave me the grand tour of the Bastille and beyond... 8. The courtyard of the Louvre at night when it's lit up and the chamber groups are playing. Magnificent. 9. Meeting some label folks -- Goodlife Records from Grenoble have some very tasty tracks. I met some others but don't have all my business cards here to list them all. kent williams -- [EMAIL PROTECTED]
