[313] Every Dog... Vol 3!
Look what landed in me box today... [voice of Homer] , new Mills...[drool]... Millsart: Every Dog Has Its Day Vol 3 (Axis) 2x12", AX-026, released 15 April 2002 No tracklisting, unfortunately, but it does come with a prime slice of 'Mills-speak'. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] every dog vol 3
on the most recent Bent Crayon mailout: > MILLSART: Every Dog Has Its Day Vol. 3 2x12" (AXIS). "In time, all > wrongdoings are eligible for correction. Even in the eye of a storm, we > must endure the invalid as a objective fragment in the existence of > mankind. Effortlessly, time passes over and onto, without you and without > us. On it, we mark the acceptance of the new with the chance to begin > again > and give away the hand of the past, free of unadmissibles. Those who are > punctual are thieves of time. Robbing from reserves of time that have been > > designated for nothing. In time, time tells truths or at least the truths > you've been waiting for. Time is the oldest living thing we own. Its rate > of speed is constant and in all, infinite. Some never have enough time, > which are those people that are quick to reconize those who waste it. Is > time or is it not? It has been said that seconds, minutes, hours, days, > weeks, months, years, decades and centuries are just about all the average > > human can imagine and plan for. Millsart believes not. All that is needed > to calculate is that 'one of these days is none of these days'. Now that > you've read this, please be advised that Every Dog Has Its Day." jason - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] every dog vol 3
meant to say before everyone on the list hits the bent crayon site for a copy, 'every dog vol 3' was listed in the 'forth coming titles' section, so you might want to pre-order with John C to avoid the rush when its eventually released. also worth a mention, and ready to ship is: MR FINGERS: Amnesia 2LP (JACK TRAX). UK reissue of this Chicago house classic, originally issued in 1988; licensed from Trax, in original color sleeve. "The classic Mr Fingers LP featuring all his finest early works. Tracklisting: A1 Can You Feel It, A2 Washing Machine, A3 Beyond The Clouds, B1 Slam Dance, B2 Stars, B3 Waterfalls, C1 Lets Dance All Night, C2 Bye Bye, C3 For So Long, D1 Amnesia, D2 Mystery Of Love, D3 The Juice." 16.99 jason - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] every dog vol 3
now available at bent crayon: MILLSART: Every Dog Has Its Day Vol. 3 2x12" (AXIS). "In time, all wrongdoings are eligible for correction. Even in the eye of a storm, we must endure the invalid as a objective fragment in the existence of mankind. Effortlessly, time passes over and onto, without you and without us. On it, we mark the acceptance of the new with the chance to begin again and give away the hand of the past, free of unadmissibles. Those who are punctual are thieves of time. Robbing from reserves of time that have been designated for nothing. In time, time tells truths or at least the truths you've been waiting for. Time is the oldest living thing we own. Its rate of speed is constant and in all, infinite. Some never have enough time, which are those people that are quick to recognize those who waste it. Is time or is it not? It has been said that seconds, minutes, hours, days, weeks, months, years, decades and centuries are just about all the average human can imagine and plan for. Millsart believes not. All that is needed to calculate is that 'one of these days is none of these days'. Now that you've read this, please be advised that Every Dog Has Its Day." --Millsart $16.99 $16.99 is roughly £12 sure beats £20 that some shops are looking for! bent crayon 11600 detroit ave cleveland oh 44102 www.bentcrayon.com 216.221.9200 www.hiaohiaohiao.com jason - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] every dog vol. 3
This is my fav vol. of this series by jeff...very deep and damn good...wish he would put out more of this kinda stuff. Classic Detroit techno and highly recommended! I got my copy through groovetech and I think it was worth the $16 I paid for it. :) also gotta say I dug Tom's new one on Nordic Trax too! ;) anyone heard the new Arpanet (dopplereffekt) 12" on Air's new label Record Makers? minto __ Do You Yahoo!? Yahoo! Movies - coverage of the 74th Academy Awards® http://movies.yahoo.com/ - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] every dog vol 3
Makes no sense whatsoever. Unfortunately Mills influenced a whole generation of producers to put this sort of gibberish on the back of their album sleeves. "Jason Donnelly" <[EMAIL PROTECTED]> on 08/01/2002 11:26:30 AM To: 313@hyperreal.org cc: Subject: [313] every dog vol 3 on the most recent Bent Crayon mailout: > > MILLSART: Every Dog Has Its Day Vol. 3 2x12" (AXIS). "In time, all > > wrongdoings are eligible for correction. Even in the eye of a storm, we > > must endure the invalid as a objective fragment in the existence of > > mankind. Effortlessly, time passes over and onto, without you and without > > us. On it, we mark the acceptance of the new with the chance to begin > > again > > and give away the hand of the past, free of unadmissibles. Those who are > > punctual are thieves of time. Robbing from reserves of time that have been > > > > designated for nothing. In time, time tells truths or at least the truths > > you've been waiting for. Time is the oldest living thing we own. Its rate > > of speed is constant and in all, infinite. Some never have enough time, > > which are those people that are quick to reconize those who waste it. Is > > time or is it not? It has been said that seconds, minutes, hours, days, > > weeks, months, years, decades and centuries are just about all the average > > > > human can imagine and plan for. Millsart believes not. All that is needed > > to calculate is that 'one of these days is none of these days'. Now that > > you've read this, please be advised that Every Dog Has Its Day." jason - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] -- Warning : The information contained in this message may be privileged and confidential and protected from disclosure. If the reader of this message is not the intended recipient, you are hereby notified that any dissemination, distribution or copying of this communication is strictly prohibited. If you have received this communication in error, please notify us immediately by replying to this message and then delete it from your computer. All e-mail sent to this address will be received by the Providian Financial corporate e-mail system and is subject to archiving and review by someone other than the recipient. == - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] every dog vol 3
> > Makes no sense whatsoever. i thought that, but then i thought maybe it was a zen trick to empty your mind. > Unfortunately Mills influenced a whole generation of producers to put this > sort of gibberish on the back of their album sleeves. what would you rather be written? hmm i think we (313) may have had this discussion before. :) robin... > > > MILLSART: Every Dog Has Its Day Vol. 3 2x12" (AXIS). "In time, all > > > wrongdoings are eligible for correction. Even in the eye of a storm, we > > > must endure the invalid as a objective fragment in the existence of > > > mankind. Effortlessly, time passes over and onto, without you and > without > > > us. On it, we mark the acceptance of the new with the chance to begin > > > again > > > and give away the hand of the past, free of unadmissibles. Those who > are > > > punctual are thieves of time. Robbing from reserves of time that have > been > > > > > > designated for nothing. In time, time tells truths or at least the > truths > > > you've been waiting for. Time is the oldest living thing we own. Its > rate > > > of speed is constant and in all, infinite. Some never have enough time, > > > which are those people that are quick to reconize those who waste it. > Is > > > time or is it not? It has been said that seconds, minutes, hours, days, > > > weeks, months, years, decades and centuries are just about all the > average > > > > > > human can imagine and plan for. Millsart believes not. All that is > needed > > > to calculate is that 'one of these days is none of these days'. Now > that > > > you've read this, please be advised that Every Dog Has Its Day." > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
FW: [313] every dog vol 3
Great music, but I wish someone would deal with his grammar before publishing his notes. It's embarrassing. Might be due to the fact that they're usually put out by companies in countries where English is language II ... >-Original Message- >From: Jason Donnelly [mailto:[EMAIL PROTECTED] >Sent: Tuesday, January 08, 2002 11:27 AM >To: 313@hyperreal.org >Subject: [313] every dog vol 3 > > >on the most recent Bent Crayon mailout: > >> > MILLSART: Every Dog Has Its Day Vol. 3 2x12" (AXIS). "In time, all >> > wrongdoings are eligible for correction. Even in the eye of a storm, we >> > must endure the invalid as a objective fragment in the existence of >> > mankind. Effortlessly, time passes over and onto, without you >and without >> > us. On it, we mark the acceptance of the new with the chance to begin >> > again >> > and give away the hand of the past, free of unadmissibles. >Those who are >> > punctual are thieves of time. Robbing from reserves of time >that have been >> > >> > designated for nothing. In time, time tells truths or at least >the truths >> > you've been waiting for. Time is the oldest living thing we >own. Its rate >> > of speed is constant and in all, infinite. Some never have enough time, >> > which are those people that are quick to reconize those who >waste it. Is >> > time or is it not? It has been said that seconds, minutes, hours, days, >> > weeks, months, years, decades and centuries are just about all >the average >> > >> > human can imagine and plan for. Millsart believes not. All >that is needed >> > to calculate is that 'one of these days is none of these >days'. Now that >> > you've read this, please be advised that Every Dog Has Its Day." > >jason > > > >- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] every dog vol 3
Yes, I think that we have been here before. Am I the only one who gets slightly irritated by people thanking God for their musical abilities? It's completely unnecessary. Besides, what the lord giveth, the lord taketh away. "robin pinning" <[EMAIL PROTECTED]> on 08/01/2002 11:45:11 AM Please respond to [EMAIL PROTECTED] To: [EMAIL PROTECTED] cc: "Jason Donnelly" <[EMAIL PROTECTED]>, 313@hyperreal.org Subject: Re: [313] every dog vol 3 > > Makes no sense whatsoever. i thought that, but then i thought maybe it was a zen trick to empty your mind. > Unfortunately Mills influenced a whole generation of producers to put this > sort of gibberish on the back of their album sleeves. what would you rather be written? hmm i think we (313) may have had this discussion before. :) robin... > > > MILLSART: Every Dog Has Its Day Vol. 3 2x12" (AXIS). "In time, all > > > wrongdoings are eligible for correction. Even in the eye of a storm, we > > > must endure the invalid as a objective fragment in the existence of > > > mankind. Effortlessly, time passes over and onto, without you and > without > > > us. On it, we mark the acceptance of the new with the chance to begin > > > again > > > and give away the hand of the past, free of unadmissibles. Those who > are > > > punctual are thieves of time. Robbing from reserves of time that have > been > > > > > > designated for nothing. In time, time tells truths or at least the > truths > > > you've been waiting for. Time is the oldest living thing we own. Its > rate > > > of speed is constant and in all, infinite. Some never have enough time, > > > which are those people that are quick to reconize those who waste it. > Is > > > time or is it not? It has been said that seconds, minutes, hours, days, > > > weeks, months, years, decades and centuries are just about all the > average > > > > > > human can imagine and plan for. Millsart believes not. All that is > needed > > > to calculate is that 'one of these days is none of these days'. Now > that > > > you've read this, please be advised that Every Dog Has Its Day." > -- Warning : The information contained in this message may be privileged and confidential and protected from disclosure. If the reader of this message is not the intended recipient, you are hereby notified that any dissemination, distribution or copying of this communication is strictly prohibited. If you have received this communication in error, please notify us immediately by replying to this message and then delete it from your computer. All e-mail sent to this address will be received by the Providian Financial corporate e-mail system and is subject to archiving and review by someone other than the recipient. == - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] every dog vol 3
Here's one I'll never forget: Blake Baxter presents '313' (Tresor, '96) "Detroit as a city is a forgotten place but it can develop a new urban role..." (or very close). That's Detroit as a city mind, not as a pumpkin. >-Original Message- >From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] >Sent: Tuesday, January 08, 2002 11:33 AM >To: Jason Donnelly >Cc: 313@hyperreal.org >Subject: Re: [313] every dog vol 3 > > > >Makes no sense whatsoever. >Unfortunately Mills influenced a whole generation of producers to put this >sort of gibberish on the back of their album sleeves. > > > > >"Jason Donnelly" <[EMAIL PROTECTED]> on 08/01/2002 11:26:30 AM > >To: 313@hyperreal.org >cc: > >Subject: [313] every dog vol 3 > > >on the most recent Bent Crayon mailout: > >> > MILLSART: Every Dog Has Its Day Vol. 3 2x12" (AXIS). "In time, all >> > wrongdoings are eligible for correction. Even in the eye of a storm, we >> > must endure the invalid as a objective fragment in the existence of >> > mankind. Effortlessly, time passes over and onto, without you and >without >> > us. On it, we mark the acceptance of the new with the chance to begin >> > again >> > and give away the hand of the past, free of unadmissibles. Those who >are >> > punctual are thieves of time. Robbing from reserves of time that have >been >> > >> > designated for nothing. In time, time tells truths or at least the >truths >> > you've been waiting for. Time is the oldest living thing we own. Its >rate >> > of speed is constant and in all, infinite. Some never have enough time, >> > which are those people that are quick to reconize those who waste it. >Is >> > time or is it not? It has been said that seconds, minutes, hours, days, >> > weeks, months, years, decades and centuries are just about all the >average >> > >> > human can imagine and plan for. Millsart believes not. All that is >needed >> > to calculate is that 'one of these days is none of these days'. Now >that >> > you've read this, please be advised that Every Dog Has Its Day." > >jason > > > >- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] > > > > > > > > >--- >--- >Warning : The information contained in this message may be >privileged and confidential and protected from disclosure. If the >reader of this message is not the intended recipient, you are >hereby notified that any dissemination, distribution or copying of >this communication is strictly prohibited. If you have received >this communication in error, please notify us immediately by >replying to this message and then delete it from your computer. >All e-mail sent to this address will be received by the Providian >Financial corporate e-mail system and is subject to archiving and >review by someone other than the recipient. > >=== >=== > > > >- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] every dog vol 3
> Here's one I'll never forget: Blake Baxter presents '313' (Tresor, '96) > "Detroit as a city is a forgotten place but it can develop a new urban > role..." (or very close). >That's Detroit as a city mind, not as a pumpkin. not as a state of mind? :) robin... - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] every dog vol 3
Very good. >-Original Message- >From: robin pinning [mailto:[EMAIL PROTECTED] >Sent: Tuesday, January 08, 2002 11:58 AM >To: Odeluga, Ken >Cc: [EMAIL PROTECTED] Org >Subject: RE: [313] every dog vol 3 > > > >> Here's one I'll never forget: Blake Baxter presents '313' (Tresor, '96) >> "Detroit as a city is a forgotten place but it can develop a new urban >> role..." (or very close). > >>That's Detroit as a city mind, not as a pumpkin. > >not as a state of mind? :) > >robin... > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] every dog vol 3
I wasn't suggesting insincerity, just that if you believe in God (or a god) then it's between you and him, and there's no need to hand out the credits. Bit like a over-long Oscars acceptance speech. "robin pinning" <[EMAIL PROTECTED]> on 08/01/2002 12:04:06 PM Please respond to [EMAIL PROTECTED] To: [EMAIL PROTECTED] cc: Subject: Re: [313] every dog vol 3 > > Yes, I think that we have been here before. > Am I the only one who gets slightly irritated by people thanking God for > their musical abilities? It's completely unnecessary. Besides, what the > lord giveth, the lord taketh away. it only irritates me if it seems insincere (cos eveyone does it to seem deep that particular artist does too), i guess if it's heartfelt then i don't mind. how you can tell if it's sincere or not i don't know :) robin... -- Warning : The information contained in this message may be privileged and confidential and protected from disclosure. If the reader of this message is not the intended recipient, you are hereby notified that any dissemination, distribution or copying of this communication is strictly prohibited. If you have received this communication in error, please notify us immediately by replying to this message and then delete it from your computer. All e-mail sent to this address will be received by the Providian Financial corporate e-mail system and is subject to archiving and review by someone other than the recipient. == - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] every dog vol 3
Well, since others are throwing around their opinions about this, I guess I'll toss mine out there. I enjoy writings like this. The concept of time and its existence have perplexed intelligent minds for forever (if forever exists). Without time there is no forever and with forever there is no need for time. Without forever there is time. If time exists, who created it--man or greater? What is the definition of existence? Does this email exist? Prove it! I know this sounds like a bunch of ranting about nothing, but topics such as this are interesting to me and many other people :) TJ www.wireframerecords.com www.mp313.com PeoplePC: It's for people. And it's just smart. http://www.peoplepc.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] every dog vol 3
The grammar isn't to the point where it bothers me.I'd have to read it directly from the record and not Jason's retyping it to actually analyze it though. Maybe Jeff should hire an editor to fend off grammatical analysts! ;) On Tue, 08 January 2002, robin pinning wrote: > > > >> Well, since others are throwing around their opinions about this, I > >guess I'll toss mine out there. I enjoy writings like this. The concept > >of time and its existence have perplexed intelligent minds for forever > >(if forever exists). Without time there is no forever and with forever > >there is no need for time. Without forever there is time. If time > >exists, who created it--man or greater? What is the definition of > >existence? Does this email exist? Prove it! > > :) > > > > > I know this sounds like a bunch of ranting about nothing, but topics such > > as this are interesting to me and many other people :) > > > i'm with you, i think the grammer on mills stuff is a little irritating > but i guess that must be deliberate. > > robin... TJ www.wireframerecords.com www.mp313.com PeoplePC: It's for people. And it's just smart. http://www.peoplepc.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] every dog vol 3
The grammar is not the point at all ... (but it is just as bad in the origianl notes as in the transcript, I'm afraid) The point is whether we really think Jeff is adding a great deal to the history of Western philosophy with all this? Of course the validity of temporality (or not), the beauty of the oppressed and rejected are noble topics and further, this is not to suggest there's some sort of elitism about who can make a point or write anything on a particular subject ... but at the end of the day (upon which a dog will have his) facile, primary school sentiments are easily recognisable as just that. >-Original Message- >From: T.J.Johnson [mailto:[EMAIL PROTECTED] >Sent: Tuesday, January 08, 2002 1:17 PM >To: [EMAIL PROTECTED] >Cc: 313@hyperreal.org >Subject: Re: [313] every dog vol 3 > > >The grammar isn't to the point where it bothers me.I'd have to >read it directly from the record and not Jason's retyping it to >actually analyze it though. Maybe Jeff should hire an editor to >fend off grammatical analysts! ;) > >On Tue, 08 January 2002, robin pinning wrote: > >> >> >> >> Well, since others are throwing around their opinions about this, I >> >guess I'll toss mine out there. I enjoy writings like this. >The concept >> >of time and its existence have perplexed intelligent minds for forever >> >(if forever exists). Without time there is no forever and with forever >> >there is no need for time. Without forever there is time. If time >> >exists, who created it--man or greater? What is the definition of >> >existence? Does this email exist? Prove it! >> >> :) >> >> > >> > I know this sounds like a bunch of ranting about nothing, but >topics such as this are interesting to me and many other people :) >> >> >> i'm with you, i think the grammer on mills stuff is a little irritating >> but i guess that must be deliberate. >> >> robin... > >TJ >www.wireframerecords.com >www.mp313.com > >PeoplePC: It's for people. And it's just smart. >http://www.peoplepc.com > >- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] every dog vol 3
... The Everydog Has It's Day CD edition out on Musicman last year was a different item? >-Original Message- >From: Jason Donnelly [mailto:[EMAIL PROTECTED] >Sent: Tuesday, January 08, 2002 1:42 PM >To: 313@hyperreal.org >Subject: [313] every dog vol 3 > > >meant to say before everyone on the list hits the bent crayon site for a >copy, 'every dog vol 3' was listed in the 'forth coming titles' >section, so >you might want to pre-order with John C to avoid the rush when its >eventually released. > >also worth a mention, and ready to ship is: > >MR FINGERS: Amnesia 2LP (JACK TRAX). UK reissue of this Chicago house >classic, originally issued in 1988; licensed from Trax, in original color >sleeve. "The classic Mr Fingers LP featuring all his finest early works. >Tracklisting: A1 Can You Feel It, A2 Washing Machine, A3 Beyond >The Clouds, >B1 Slam Dance, B2 Stars, B3 Waterfalls, C1 Lets Dance All Night, C2 Bye >Bye, C3 For So Long, D1 Amnesia, D2 Mystery Of Love, D3 The Juice." 16.99 > >jason > > >- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] every dog vol 3
> The grammar is not the point at all ... (but it is just as bad in the > origianl notes as in the transcript, I'm afraid) The point is whether we > really think Jeff is adding a great deal to the history of Western > philosophy with all this? hmm, does that matter? the text JM provides is surely just setting the stage for the music to follow. to get you in the right frame of mind to get (grok) what JM wants you to take from the music. robin... - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] every dog vol 3
On Tue, 08 January 2002, "Odeluga, Ken" wrote: ... but at the end of the day (upon > which a dog will have his) facile, primary school sentiments are easily > recognisable as just that. Whoops! Recognizable. ;) So the point is, that whoever recognizes Jeff's discussion topics are smarter than he is? I don't get it. I'm probably missing your point. Anyways... One good thing about Jeff's grammar: He doesn't use a thesaurus when he writes. He actually may, but what I'm actually trying to say is, he doesn't use huge words that only 4 people use on a regular basis, just to try to sound intelligent. Grammar and vocabulary are not the only contributors to one's intelligence, as many of you know. So, to try to pick apart someone's brain and basing an opinion about his/her intelligence on grammar and discussion topic choice is just as elementary as Jeff's discussions about time/space theories. =) TJ www.wireframerecords.com www.mp313.com PeoplePC: It's for people. And it's just smart. http://www.peoplepc.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] every dog vol 3
> hmm, does that matter? the text JM provides is surely just setting the > stage for the music to follow. to get you in the right frame of mind to > get (grok) what JM wants you to take from the music. > > robin... I agree whole-heartedly! The text is there to try to get the listener into the same state of mind Jeff was in when he created the tracks, perhaps! He does a great job too. I don't think he is trying to prove to people how smart he thinks he is. Duh! I can't believe I just said "Duh!" Remember that from 6th grade all you Gen-Xers?!?!?! TJ www.wireframerecords.com www.mp313.com PeoplePC: It's for people. And it's just smart. http://www.peoplepc.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] every dog vol 3
I've actually been thinking about offering my services as a liner notes writer to detroit influenced artists. Taking the liner notes from EVERY DOG HAS ITS DAY away from the context of the album makes it even more apparent that techno artists need "real" writers if they are serious about taking their artform and making it into a long term life altering movement. peace lks - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] every dog vol 3
time exists to organise the universe's knowlege > -- Mensagem original --- > > De : Jason Donnelly <[EMAIL PROTECTED]> > Para: 313@hyperreal.org > Cc : > Data: Tue, 08 Jan 2002 11:26:30 +0000 > Assunto : [313] every dog vol 3 > > on the most recent Bent Crayon mailout: > > > > MILLSART: Every Dog Has Its Day Vol. 3 2x12" (AXIS). "In time, all > > > wrongdoings are eligible for correction. Even in the eye of a storm, we > > > must endure the invalid as a objective fragment in the existence of > > > mankind. Effortlessly, time passes over and onto, without you and without > > > us. On it, we mark the acceptance of the new with the chance to begin > > > again > > > and give away the hand of the past, free of unadmissibles. Those who are > > > punctual are thieves of time. Robbing from reserves of time that have been > > > > > > designated for nothing. In time, time tells truths or at least the truths > > > you've been waiting for. Time is the oldest living thing we own. Its rate > > > of speed is constant and in all, infinite. Some never have enough time, > > > which are those people that are quick to reconize those who waste it. Is > > > time or is it not? It has been said that seconds, minutes, hours, days, > > > weeks, months, years, decades and centuries are just about all the average > > > > > > human can imagine and plan for. Millsart believes not. All that is needed > > > to calculate is that 'one of these days is none of these days'. Now that > > > you've read this, please be advised that Every Dog Has Its Day." > > jason > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] every dog vol 3
I don't think that musicians need writers to transform their work into something that is more meaningful. Most music is equivocal, and it is this that has imbued it with so much power and meaning throughout history. If an artist wants some sort of narrative to their work, you'd expect that they would be able to string a few sentences together themselves. "Lester Kenyatta Spence" <[EMAIL PROTECTED]> on 08/01/2002 04:03:44 PM To: "Jason Donnelly" <[EMAIL PROTECTED]> cc: 313@hyperreal.org Subject: Re: [313] every dog vol 3 I've actually been thinking about offering my services as a liner notes writer to detroit influenced artists. Taking the liner notes from EVERY DOG HAS ITS DAY away from the context of the album makes it even more apparent that techno artists need "real" writers if they are serious about taking their artform and making it into a long term life altering movement. peace lks - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] -- Warning : The information contained in this message may be privileged and confidential and protected from disclosure. If the reader of this message is not the intended recipient, you are hereby notified that any dissemination, distribution or copying of this communication is strictly prohibited. If you have received this communication in error, please notify us immediately by replying to this message and then delete it from your computer. All e-mail sent to this address will be received by the Providian Financial corporate e-mail system and is subject to archiving and review by someone other than the recipient. == - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] every dog vol 3
On Tue, 8 Jan 2002 [EMAIL PROTECTED] wrote: > > I don't think that musicians need writers to transform their work into > something that is more meaningful. Most music is equivocal, and it is this > that has imbued it with so much power and meaning throughout history. If an > artist wants some sort of narrative to their work, you'd expect that they > would be able to string a few sentences together themselves. Well yes and no. The bottom line is that the music should speak for itself...it really doesn't NEED notes right? I've got the cd, and it would've STILL been played at full blast for nine hours straight on the way home from the demf, without the notes. But if you're going to add another layer to it...why not use a WRITER? This is the jazz model more or less...and it works. Wynton Marsalis doesn't write his liner notes...Stanley Crouch does. Now in some cases the artist is a qualified writer in his/her own rightbut I'd argue that these cases are the minority. peace lks - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] every dog vol 3
what´s the problem ? interesting thoughts - written in a simple understandable way - don´t know if someone else would write down those thoughts - language will be moving along and the advanced definitions of how people should communicate - seperating the classes will be gone tommorow so why you worry about this ? m planetz2002 -- LoveThemPlanetZ peoplez plantz peaze pluz m GMX - Die Kommunikationsplattform im Internet. http://www.gmx.net - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] every dog vol 3
Well, yes I see your point. The same could be said for classical music. Very few musicians have presumed themselves to be good writers as well. But as a music enthusiast, I am interested in how the music came about, not in a set of imposed ideas about what the music means. alastair "Lester Kenyatta Spence" <[EMAIL PROTECTED]> on 08/01/2002 04:26:07 PM To: [EMAIL PROTECTED] cc: 313@hyperreal.org Subject: Re: [313] every dog vol 3 On Tue, 8 Jan 2002 [EMAIL PROTECTED] wrote: > > I don't think that musicians need writers to transform their work into > something that is more meaningful. Most music is equivocal, and it is this > that has imbued it with so much power and meaning throughout history. If an > artist wants some sort of narrative to their work, you'd expect that they > would be able to string a few sentences together themselves. Well yes and no. The bottom line is that the music should speak for itself...it really doesn't NEED notes right? I've got the cd, and it would've STILL been played at full blast for nine hours straight on the way home from the demf, without the notes. But if you're going to add another layer to it...why not use a WRITER? This is the jazz model more or less...and it works. Wynton Marsalis doesn't write his liner notes...Stanley Crouch does. Now in some cases the artist is a qualified writer in his/her own rightbut I'd argue that these cases are the minority. peace lks - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] -- Warning : The information contained in this message may be privileged and confidential and protected from disclosure. If the reader of this message is not the intended recipient, you are hereby notified that any dissemination, distribution or copying of this communication is strictly prohibited. If you have received this communication in error, please notify us immediately by replying to this message and then delete it from your computer. All e-mail sent to this address will be received by the Providian Financial corporate e-mail system and is subject to archiving and review by someone other than the recipient. == - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] every dog vol 3
I think some people are slightly embarrassed by the futurist philosophy/mythology that sometimes informs techno and look upon it with the same disdain as punks did on some of the excesses of progressive rock, musical or otherwise. Personally, I like some decorations, so to speak...be they heartfelt, insightful, tongue-in-cheek or just plain pretentious rubbish. Its always intriguing at the very least. From: [EMAIL PROTECTED] To: "Lester Kenyatta Spence" <[EMAIL PROTECTED]> CC: 313@hyperreal.org Subject: Re: [313] every dog vol 3 Date: Tue, 8 Jan 2002 08:30:30 -0800 Well, yes I see your point. The same could be said for classical music. Very few musicians have presumed themselves to be good writers as well. But as a music enthusiast, I am interested in how the music came about, not in a set of imposed ideas about what the music means. alastair "Lester Kenyatta Spence" <[EMAIL PROTECTED]> on 08/01/2002 04:26:07 PM To: [EMAIL PROTECTED] cc: 313@hyperreal.org Subject: Re: [313] every dog vol 3 On Tue, 8 Jan 2002 [EMAIL PROTECTED] wrote: > > I don't think that musicians need writers to transform their work into > something that is more meaningful. Most music is equivocal, and it is this > that has imbued it with so much power and meaning throughout history. If an > artist wants some sort of narrative to their work, you'd expect that they > would be able to string a few sentences together themselves. Well yes and no. The bottom line is that the music should speak for itself...it really doesn't NEED notes right? I've got the cd, and it would've STILL been played at full blast for nine hours straight on the way home from the demf, without the notes. But if you're going to add another layer to it...why not use a WRITER? This is the jazz model more or less...and it works. Wynton Marsalis doesn't write his liner notes...Stanley Crouch does. Now in some cases the artist is a qualified writer in his/her own rightbut I'd argue that these cases are the minority. peace lks - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] -- Warning : The information contained in this message may be privileged and confidential and protected from disclosure. If the reader of this message is not the intended recipient, you are hereby notified that any dissemination, distribution or copying of this communication is strictly prohibited. If you have received this communication in error, please notify us immediately by replying to this message and then delete it from your computer. All e-mail sent to this address will be received by the Providian Financial corporate e-mail system and is subject to archiving and review by someone other than the recipient. == - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Join the worlds largest e-mail service with MSN Hotmail. http://www.hotmail.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] every dog vol 3
On Tue, 8 Jan 2002, james boylan wrote: > I think some people are slightly embarrassed by the futurist > philosophy/mythology that sometimes informs techno and look upon it with the > same disdain as punks did on some of the excesses of progressive rock, > musical or otherwise. You're right. > Personally, I like some decorations, so to speak...be they heartfelt, > insightful, tongue-in-cheek or just plain pretentious rubbish. I do too. I think it creates an overall vibe that I find enjoyable. > Its always intriguing at the very least. I just wish it were done better. peace lks - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] every dog vol 3
But if you're going to add another layer to it...why not use a WRITER? I don't know that we're supposed to take it that seriously. I think it's just supposed to come off as whimsical stoned nonsense. hire a copywriter, and then you just get *insincere* whimsical stoned nonsense. (please see backs of countless '60's psychedelic-era albums with 'hip' notes from the band's manager etc.) k - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] every dog vol 3
> The grammar is not the point at all ... (but it is just as bad in the > origianl notes as in the transcript, I'm afraid) The point is whether we > really think Jeff is adding a great deal to the history of Western > philosophy with all this? Of course the validity of temporality (or not), > the beauty of the oppressed and rejected are noble topics and further, this > is not to suggest there's some sort of elitism about who can make a point or > write anything on a particular subject ... but at the end of the day (upon > which a dog will have his) facile, primary school sentiments are easily > recognisable as just that. If you buy CDs to be touched deep down inside by the liner notes, you will most likely be disappointed. if you want to read about time and space, get a book by carl sagan or stephen hawking. turn to mills when you want hard techno. I personally think mills is being a bullshit artist because his writings sound a lot like your average guy trying to project intelligence through abstract CD liner rantings. dont get me wrong, he can write whatever he wants on cds and records, and I encourage him to do so. I just know better than to waste my time reading that wankery. remember, time and space = stephen hawking, banging techno = mills. I haven't slept in a while tho so I might just be grouchy :\ -Joe - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] every dog vol 3
whaaa this is funny I remember a quote from Drexcya about why they give that much interviews (not) it's to cult or not to cult Mad'R jullie zijn een stelletje droogkloten zonder dat je het zelf door hebt - Original Message - From: <[EMAIL PROTECTED]> To: "Lester Kenyatta Spence" <[EMAIL PROTECTED]> Cc: <313@hyperreal.org> Sent: Tuesday, January 08, 2002 5:14 PM Subject: Re: [313] every dog vol 3 > > I don't think that musicians need writers to transform their work into > something that is more meaningful. Most music is equivocal, and it is this > that has imbued it with so much power and meaning throughout history. If an > artist wants some sort of narrative to their work, you'd expect that they > would be able to string a few sentences together themselves. > > > > > > "Lester Kenyatta Spence" <[EMAIL PROTECTED]> on 08/01/2002 04:03:44 PM > > To: "Jason Donnelly" <[EMAIL PROTECTED]> > cc: 313@hyperreal.org > > Subject: Re: [313] every dog vol 3 > > > I've actually been thinking about offering my services as a liner notes > writer to detroit influenced artists. Taking the liner notes from EVERY > DOG HAS ITS DAY away from the context of the album makes it even more > apparent that techno artists need "real" writers if they are serious about > taking their artform and making it into a long term life altering > movement. > > > peace > lks > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > > > > > > > > -- > Warning : The information contained in this message may be privileged and confidential and protected from disclosure. If the reader of this message is not the intended recipient, you are hereby notified that any dissemination, distribution or copying of this communication is strictly prohibited. If you have received this communication in error, please notify us immediately by replying to this message and then delete it from your computer. All e-mail sent to this address will be received by the Providian Financial corporate e-mail system and is subject to archiving and review by someone other than the recipient. > > == > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] _ Do You Yahoo!? Get your free @yahoo.com address at http://mail.yahoo.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] every dog vol 3
It's usually sincerely meant. Why dhouldn't they? You don't have to read it, right? :) -- >From: [EMAIL PROTECTED] >To: [EMAIL PROTECTED] >Subject: Re: [313] every dog vol 3 >Date: Tue, 8 Jan 2002 10:43 PM > > >Yes, I think that we have been here before. >Am I the only one who gets slightly irritated by people thanking God for >their musical abilities? It's completely unnecessary. Besides, what the >lord giveth, the lord taketh away. > > > > >"robin pinning" <[EMAIL PROTECTED]> on 08/01/2002 11:45:11 AM > >Please respond to [EMAIL PROTECTED] > >To: [EMAIL PROTECTED] >cc: "Jason Donnelly" <[EMAIL PROTECTED]>, 313@hyperreal.org > >Subject: Re: [313] every dog vol 3 > > > >> >> Makes no sense whatsoever. > >i thought that, but then i thought maybe it was a zen trick to empty your >mind. > >> Unfortunately Mills influenced a whole generation of producers to put >this >> sort of gibberish on the back of their album sleeves. > >what would you rather be written? > >hmm i think we (313) may have had this discussion before. :) > > >robin... > >> > > MILLSART: Every Dog Has Its Day Vol. 3 2x12" (AXIS). "In time, all >> > > wrongdoings are eligible for correction. Even in the eye of a storm, >we >> > > must endure the invalid as a objective fragment in the existence of >> > > mankind. Effortlessly, time passes over and onto, without you and >> without >> > > us. On it, we mark the acceptance of the new with the chance to begin >> > > again >> > > and give away the hand of the past, free of unadmissibles. Those who >> are >> > > punctual are thieves of time. Robbing from reserves of time that have >> been >> > > >> > > designated for nothing. In time, time tells truths or at least the >> truths >> > > you've been waiting for. Time is the oldest living thing we own. Its >> rate >> > > of speed is constant and in all, infinite. Some never have enough >time, >> > > which are those people that are quick to reconize those who waste it. >> Is >> > > time or is it not? It has been said that seconds, minutes, hours, >days, >> > > weeks, months, years, decades and centuries are just about all the >> average >> > > >> > > human can imagine and plan for. Millsart believes not. All that is >> needed >> > > to calculate is that 'one of these days is none of these days'. Now >> that >> > > you've read this, please be advised that Every Dog Has Its Day." >> > > > > > > > > > > >-- >Warning : The information contained in this message may be privileged and >confidential and protected from disclosure. If the reader of this message >is not the intended recipient, you are hereby notified that any >dissemination, distribution or copying of this communication is strictly >prohibited. If you have received this communication in error, please notify >us immediately by replying to this message and then delete it from your >computer. All e-mail sent to this address will be received by the Providian >Financial corporate e-mail system and is subject to archiving and review by >someone other than the recipient. > >== > > > >- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] every dog vol 3
i am not saying nothing about mills. but sagen and hawking? i would touch their stuff about time too. martin heidegger -time and being sounds better. or henri Bergson. *BTW* i am really like the music mills but it got nothing to do with that. A - Original Message - From: ":P" <[EMAIL PROTECTED]> To: "Odeluga, Ken" <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Tuesday, January 08, 2002 11:30 PM Subject: Re: [313] every dog vol 3 > > > > The grammar is not the point at all ... (but it is just as bad in the > > origianl notes as in the transcript, I'm afraid) The point is whether we > > really think Jeff is adding a great deal to the history of Western > > philosophy with all this? Of course the validity of temporality (or not), > > the beauty of the oppressed and rejected are noble topics and further, > this > > is not to suggest there's some sort of elitism about who can make a point > or > > write anything on a particular subject ... but at the end of the day (upon > > which a dog will have his) facile, primary school sentiments are easily > > recognisable as just that. > > > If you buy CDs to be touched deep down inside by the liner notes, you will > most likely be disappointed. > > if you want to read about time and space, get a book by carl sagan or > stephen hawking. turn to mills when you want hard techno. > > I personally think mills is being a bullshit artist because his writings > sound a lot like your average guy trying to project intelligence through > abstract CD liner rantings. > > dont get me wrong, he can write whatever he wants on cds and records, and I > encourage him to do so. I just know better than to waste my time reading > that wankery. > > remember, time and space = stephen hawking, banging techno = mills. > > I haven't slept in a while tho so I might just be grouchy :\ > > > -Joe > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] every dog vol 3
That Mills stuff sounds like classic jive-nonsense talk. I think it's actually supposed to be funny; if you read it aloud it has that kind of swing rhythm... I don't think he is going for the Serious Jazz mode, or else he *should* hire you to do the liner notes! Just think, you could be the Ralph Gleason of the new decade ... phred - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] every dog vol 3
I haven't really looked at this topic as it looked a bit too active but, would this be a good time to ask whether anybody liked Mills' Mono? That was his piece of art; I saw it at Sonar 2001. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] every dog vol 3
True. The embarrassment bit though ... hmmm. It's never crossed my mind (ever) that techno was not an analogue or allegorical too what I feel to be man's eternal yearning for the future ... But this yearning, does not seem to be about technology per se (although the theme of what machines can do for man has a certain poignancy to us who live in 'The Future' which classical Sci-Fi envisaged, 'cause machines have expressly NOT liberated us ... certainly not our spirits) ... It's more about 'Electric Dreams' than dreams about electricity. I can understand however that not everyone who likes this spectrum of music, is a dreamer ... :o) >-Original Message- >From: james boylan [mailto:[EMAIL PROTECTED] >Sent: Tuesday, January 08, 2002 4:57 PM >To: [EMAIL PROTECTED]; [EMAIL PROTECTED] >Cc: 313@hyperreal.org >Subject: Re: [313] every dog vol 3 > > >I think some people are slightly embarrassed by the futurist >philosophy/mythology that sometimes informs techno and look upon >it with the >same disdain as punks did on some of the excesses of progressive rock, >musical or otherwise. > >Personally, I like some decorations, so to speak...be they heartfelt, >insightful, tongue-in-cheek or just plain pretentious rubbish. > >Its always intriguing at the very least. > > > >>From: [EMAIL PROTECTED] >>To: "Lester Kenyatta Spence" <[EMAIL PROTECTED]> >>CC: 313@hyperreal.org >>Subject: Re: [313] every dog vol 3 >>Date: Tue, 8 Jan 2002 08:30:30 -0800 >> >> >>Well, yes I see your point. The same could be said for classical music. >>Very few musicians have presumed themselves to be good writers as >well. But >>as a music enthusiast, I am interested in how the music came about, not in >>a set of imposed ideas about what the music means. >>alastair >> >> >> >> >>"Lester Kenyatta Spence" <[EMAIL PROTECTED]> on 08/01/2002 04:26:07 PM >> >>To: [EMAIL PROTECTED] >>cc: 313@hyperreal.org >> >>Subject: Re: [313] every dog vol 3 >> >> >>On Tue, 8 Jan 2002 [EMAIL PROTECTED] wrote: >> >> > >> > I don't think that musicians need writers to transform their work into >> > something that is more meaningful. Most music is equivocal, and it is >>this >> > that has imbued it with so much power and meaning throughout >history. If >>an >> > artist wants some sort of narrative to their work, you'd expect that >>they >> > would be able to string a few sentences together themselves. >> >>Well yes and no. The bottom line is that the music should speak for >>itself...it really doesn't NEED notes right? I've got the cd, and it >>would've STILL been played at full blast for nine hours straight on the >>way home from the demf, without the notes. >> >>But if you're going to add another layer to it...why not use a WRITER? >>This is the jazz model more or less...and it works. Wynton Marsalis >>doesn't write his liner notes...Stanley Crouch does. Now in some cases >>the artist is a qualified writer in his/her own rightbut I'd argue >>that these cases are the minority. >> >> >>peace >>lks >> >> >>- >>To unsubscribe, e-mail: [EMAIL PROTECTED] >>For additional commands, e-mail: [EMAIL PROTECTED] >> >> >> >> >> >> >> >> >>-- > >>Warning : The information contained in this message may be privileged and >>confidential and protected from disclosure. If the reader of this message >>is not the intended recipient, you are hereby notified that any >>dissemination, distribution or copying of this communication is strictly >>prohibited. If you have received this communication in error, >please notify >>us immediately by replying to this message and then delete it from your >>computer. All e-mail sent to this address will be received by the >Providian >>Financial corporate e-mail system and is subject to archiving and >review by >>someone other than the recipient. >> >>== > >> >> >> >>- >>To unsubscribe, e-mail: [EMAIL PROTECTED] >>For additional commands, e-mail: [EMAIL PROTECTED] >> > > > > >_ >Join the worlds largest e-mail service with MSN Hotmail. >http://www.hotmail.com > > >- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] every dog vol 3
fuck.. what's going on with this list these days?... is anybody going to comment on how the record sounds - or are you all happy debating how good/bad the sleeve notes are?.. two digests full of this shit about the sleeve notes and nobody has said anything about the record.. i'm right here aren't i?.. [EMAIL PROTECTED] _ Chat with friends online, try MSN Messenger: http://messenger.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
FW: [313] every dog vol 3
-Original Message- From: Ken Odeluga [mailto:[EMAIL PROTECTED] Sent: Thursday, January 10, 2002 6:37 AM To: Lester Kenyatta Spence Subject: RE: [313] every dog vol 3 That could be interesting ... and I'm not being ironic. >-Original Message- >From: Lester Kenyatta Spence [mailto:[EMAIL PROTECTED] >Sent: Wednesday, January 09, 2002 3:41 PM >To: Odeluga, Ken >Subject: RE: [313] every dog vol 3 > > >On Wed, 9 Jan 2002, Odeluga, Ken wrote: > >> Hmmm ... I wouldn't go this far. You want to take someone's >inconsequential >> writing and take liner notes to the next level?!? > >Nope. I wouldn't mind taking someone's consequential SONGS and then tying >them to a nuanced understanding of detroit, politics, and culture. > > >peace >lks > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
FW: [313] every dog vol 3
-Original Message- From: Ken Odeluga [mailto:[EMAIL PROTECTED] Sent: Thursday, January 10, 2002 6:48 AM To: [EMAIL PROTECTED] Subject: RE: [313] every dog vol 3 Wrong. The music gets mentioned almost in every posting; the general consensus is that the music could stand tall, footnotes or not ... you have a nice line in Anglo-Saxon bluster btw. Neat. >-Original Message- >From: Stephen Kelly [mailto:[EMAIL PROTECTED] >Sent: Wednesday, January 09, 2002 11:59 PM >To: 313@hyperreal.org >Subject: Re: [313] every dog vol 3 > > >fuck.. what's going on with this list these days?... > >is anybody going to comment on how the record sounds - or are you >all happy >debating how good/bad the sleeve notes are?.. two digests full of >this shit >about the sleeve notes and nobody has said anything about the record.. > >i'm right here aren't i?.. > >[EMAIL PROTECTED] > > > >_ >Chat with friends online, try MSN Messenger: http://messenger.msn.com > > >- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] every dog vol 3
no, i think you're right Steve - a bunch of posts about the sleeve notes on Every Dog Vol 3, and (unless i've missed something) there's been nothing about the music on that particular record just yet... and talking about music, has anyone heard the new Drexciya 12"? -Original Message- From: Ken Odeluga [mailto:[EMAIL PROTECTED] Sent: Thursday, January 10, 2002 6:48 AM To: [EMAIL PROTECTED] Subject: RE: [313] every dog vol 3 Wrong. The music gets mentioned almost in every posting; the general consensus is that the music could stand tall, footnotes or not ... you have a nice line in Anglo-Saxon bluster btw. Neat. >-Original Message- >From: Stephen Kelly [mailto:[EMAIL PROTECTED] >Sent: Wednesday, January 09, 2002 11:59 PM >To: 313@hyperreal.org >Subject: Re: [313] every dog vol 3 > > >fuck.. what's going on with this list these days?... > >is anybody going to comment on how the record sounds - or are you >all happy >debating how good/bad the sleeve notes are?.. two digests full of >this shit >about the sleeve notes and nobody has said anything about the record.. > >i'm right here aren't i?.. > >[EMAIL PROTECTED] _ Join the worlds largest e-mail service with MSN Hotmail. http://www.hotmail.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] every dog vol 3
At 08:04 AM 1/10/02 +, you wrote: >no, i think you're right Steve - a bunch of posts about the sleeve notes on Every Dog Vol 3, and (unless i've missed something) there's been nothing about the music on that particular record just yet... Most likely due to the fact that it isn't out yet... (the original post started with a quote from the Bent Crayon mailout, where you could only pre-order it since it isn't released yet) > and talking about music, has anyone heard the new Drexciya 12"? Yep, and didn't buy it. It's not bad by any means, but from Drexciya I just expect a little more. Some recommendations: I quite like the new Dimension 5 - Control Complex on Delsin, looking forward to the album! Speaking of albums, Fabrice Lig's forthcoming album on F-Com as Soul Designer hasn't left my CD player so far, top quality stuff as you'd come to expect. For the house heads: the Ibadan label can do no wrong in my book and the recent DJ Tools 2 release is definitely up to their high standards (don't let the title fool you btw, the tracks stand up very well on their own). Otto - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] every dog vol 3
ok - can I just ask about the cd of the same name (on Music Man): "Every Dog ..." ... Is that anything to do with vol 3 or am I hopelessly behind the times? ... >-Original Message- >From: Otto [mailto:[EMAIL PROTECTED] >Sent: Thursday, January 10, 2002 11:08 AM >To: 313@hyperreal.org >Subject: Re: [313] every dog vol 3 > > >At 08:04 AM 1/10/02 +, you wrote: > >no, i think you're right Steve - a bunch of posts about the sleeve notes >on Every Dog Vol 3, and (unless i've missed something) there's >been nothing >about the music on that particular record just yet... > >Most likely due to the fact that it isn't out yet... >(the original post started with a quote from the Bent Crayon >mailout, where >you could only pre-order it since it isn't released yet) > > > and talking about music, has anyone heard the new Drexciya 12"? > >Yep, and didn't buy it. It's not bad by any means, but from >Drexciya I just >expect a little more. > >Some recommendations: I quite like the new Dimension 5 - Control >Complex on >Delsin, looking forward to the album! Speaking of albums, Fabrice Lig's >forthcoming album on F-Com as Soul Designer hasn't left my CD player so >far, top quality stuff as you'd come to expect. For the house heads: the >Ibadan label can do no wrong in my book and the recent DJ Tools 2 release >is definitely up to their high standards (don't let the title fool >you btw, >the tracks stand up very well on their own). > >Otto > > >- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] every dog vol 3
Ken Odeluga: ok - can I just ask about the cd of the same name (on Music Man): "Every Dog ..." ... Is that anything to do with vol 3 or am I hopelessly behind the times? ... i think the cd includes tracks from Vol1 and Vol2 (both of which are limited vinyl doublepacks on Axis). rob _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] every dog vol 3
Otto: Most likely due to the fact that it isn't out yet... (the original post started with a quote from the Bent Crayon mailout, where you could only pre-order it since it isn't released yet) yeah, i realise that. so, for arguments sake, has anyone actually heard it, or are we stuck with discussing the sleevenotes? btw, imho it seems like Mills writes his sleevenotes in German or perhaps French and then uses Babelfish to translate them into English. anyone else think this is likely? rob _ MSN Photos is the easiest way to share and print your photos: http://photos.msn.com/support/worldwide.aspx - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] every dog vol 3
> btw, imho it seems like Mills writes his sleevenotes in German or perhaps > French and then uses Babelfish to translate them into English. anyone else > think this is likely? > Maybe that´s the reason why I do understand it :D but more serious also to Stephen - (with most respect 4 your great passion and work on 2playa) I think it´s important to discuss all the art and ideas connected to the music too - if you talk about music and it´s very important not to isolate the music from the way the musicians want it to be presented, the context they present themselves in - Otherwise you come to that one philosophy: "It´s only the music, that counts" (which is simular 2 "it´s only music") Yes, that is the philosophy for some artists but for some others, it´s NOT only about that - For some artists - the messages and emotional edits they put into their work by using special artwork and words is very important too - otherwise it would all be about white nameless labels - without any words - which would interesting too - but it ain´t like that I do even miss more (respectfull) discussions here sometimes about the meanings of words and the artwork connected to the music - But I can never agree with people taking that out - isolating ideas, messages, when they are there - and to dig a lil deeper - older 313-debates - it sometimes seemed to me, that some people don´t want to hear "messages" - especially, when it´s about "the struggle of my people" (Mike Grant) - kind of messages - it´s a shame 4 every one, but a crime 4 any white man to force to ignore messages like that - cauze that´s a part of the big problems on this planet m planetz2002 -- LoveThemPlanetZ peoplez plantz peaze pluz m GMX - Die Kommunikationsplattform im Internet. http://www.gmx.net - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] every dog vol 3
ahhh words that speak sense.. finally the 313 gets back to basics.. well done Jason! -Original Message- From: Jason Donnelly [mailto:[EMAIL PROTECTED] Sent: 11 March 2002 15:55 To: 313@hyperreal.org Subject: [313] every dog vol 3 now available at bent crayon: MILLSART: Every Dog Has Its Day Vol. 3 2x12" (AXIS). "In time, all wrongdoings are eligible for correction. Even in the eye of a storm, we must endure the invalid as a objective fragment in the existence of mankind. Effortlessly, time passes over and onto, without you and without us. On it, we mark the acceptance of the new with the chance to begin again and give away the hand of the past, free of unadmissibles. Those who are punctual are thieves of time. Robbing from reserves of time that have been designated for nothing. In time, time tells truths or at least the truths you've been waiting for. Time is the oldest living thing we own. Its rate of speed is constant and in all, infinite. Some never have enough time, which are those people that are quick to recognize those who waste it. Is time or is it not? It has been said that seconds, minutes, hours, days, weeks, months, years, decades and centuries are just about all the average human can imagine and plan for. Millsart believes not. All that is needed to calculate is that 'one of these days is none of these days'. Now that you've read this, please be advised that Every Dog Has Its Day." --Millsart $16.99 $16.99 is roughly £12 sure beats £20 that some shops are looking for! bent crayon 11600 detroit ave cleveland oh 44102 www.bentcrayon.com 216.221.9200 www.hiaohiaohiao.com jason - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] every dog vol 3
I paid £22 It's top notch though. - Original Message - From: Jason Donnelly <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Monday, March 11, 2002 3:55 PM Subject: [313] every dog vol 3 > now available at bent crayon: > > MILLSART: Every Dog Has Its Day Vol. 3 2x12" (AXIS). "In time, all > wrongdoings are eligible for correction. Even in the eye of a storm, we > must endure the invalid as a objective fragment in the existence of > mankind. Effortlessly, time passes over and onto, without you and without > us. On it, we mark the acceptance of the new with the chance to begin again > and give away the hand of the past, free of unadmissibles. Those who are > punctual are thieves of time. Robbing from reserves of time that have been > designated for nothing. In time, time tells truths or at least the truths > you've been waiting for. Time is the oldest living thing we own. Its rate > of speed is constant and in all, infinite. Some never have enough time, > which are those people that are quick to recognize those who waste it. Is > time or is it not? It has been said that seconds, minutes, hours, days, > weeks, months, years, decades and centuries are just about all the average > human can imagine and plan for. Millsart believes not. All that is needed > to calculate is that 'one of these days is none of these days'. Now that > you've read this, please be advised that Every Dog Has Its Day." > --Millsart $16.99 > > $16.99 is roughly £12 > > sure beats £20 that some shops are looking for! > > bent crayon 11600 detroit ave cleveland oh 44102 > www.bentcrayon.com 216.221.9200 > www.hiaohiaohiao.com > > jason > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] every dog vol 3
Memo from Alex Bond of PricewaterhouseCoopers Start of message text £23 for this double-pack in Manchester. That's an outrage in my opinion. I mean, some of the import 12's are £8.99 which is bad enough, but this is £11.50 per twelve. Someone is taking the piss somewhere. I wish I could boycott it, but you know I'm not capable. I guess that's why they know they can get away with it. Anyway, if Jeff is on this list, I heard you already got a Porsche pal, so I can't afford your new double pack cos me shoes need new soles. Jason Donnelly <[EMAIL PROTECTED]> on 11/03/2002 15:55:17 To:313@hyperreal.org cc: Subject:[313] every dog vol 3 now available at bent crayon: MILLSART: Every Dog Has Its Day Vol. 3 2x12" (AXIS). "In time, all wrongdoings are eligible for correction. Even in the eye of a storm, we must endure the invalid as a objective fragment in the existence of mankind. Effortlessly, time passes over and onto, without you and without us. On it, we mark the acceptance of the new with the chance to begin again and give away the hand of the past, free of unadmissibles. Those who are punctual are thieves of time. Robbing from reserves of time that have been designated for nothing. In time, time tells truths or at least the truths you've been waiting for. Time is the oldest living thing we own. Its rate of speed is constant and in all, infinite. Some never have enough time, which are those people that are quick to recognize those who waste it. Is time or is it not? It has been said that seconds, minutes, hours, days, weeks, months, years, decades and centuries are just about all the average human can imagine and plan for. Millsart believes not. All that is needed to calculate is that 'one of these days is none of these days'. Now that you've read this, please be advised that Every Dog Has Its Day." --Millsart $16.99 $16.99 is roughly £12 sure beats £20 that some shops are looking for! bent crayon 11600 detroit ave cleveland oh 44102 www.bentcrayon.com 216.221.9200 www.hiaohiaohiao.com jason - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. Any review, retransmission, dissemination or other use of, or taking of any action in reliance upon, this information by persons or entities other than the intended recipient is prohibited. If you received this in error, please contact the sender and delete the material from any computer. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] every dog vol 3
as far as i remember the other 2 were about 20 quid - i think they were limited run and more albums than double packs hence the more expensive than usual price tag. when you consider cds in chain stores are now above 15quid and thats for a bloody CD which costs virtually nothing to manufacture i think is not unreasonable. if you think something is too expensive dont buy it then - if you do buy it you obviously thought it was worth the price so quit bitching about it. :-Original Message- :From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] :Sent: Monday, March 11, 2002 4:11 PM :To: [EMAIL PROTECTED] :Cc: 313@hyperreal.org :Subject: Re: [313] every dog vol 3 : : : :Memo from Alex Bond of PricewaterhouseCoopers : : Start of message text : :£23 for this double-pack in Manchester. :That's an outrage in my opinion. : :I mean, some of the import 12's are £8.99 which is bad enough, but this is :£11.50 per twelve. :Someone is taking the piss somewhere. I wish I could boycott it, but you :know I'm not capable. :I guess that's why they know they can get away with it. : :Anyway, if Jeff is on this list, I heard you already got a Porsche pal, so :I can't afford your new double pack cos me shoes need new soles. : : : : :Jason Donnelly <[EMAIL PROTECTED]> on 11/03/2002 15:55:17 :To:313@hyperreal.org :cc: : : :Subject:[313] every dog vol 3 : : :now available at bent crayon: : :MILLSART: Every Dog Has Its Day Vol. 3 2x12" (AXIS). "In time, all :wrongdoings are eligible for correction. Even in the eye of a storm, we :must endure the invalid as a objective fragment in the existence of :mankind. Effortlessly, time passes over and onto, without you and without :us. On it, we mark the acceptance of the new with the chance to begin again :and give away the hand of the past, free of unadmissibles. Those who are :punctual are thieves of time. Robbing from reserves of time that have been :designated for nothing. In time, time tells truths or at least the truths :you've been waiting for. Time is the oldest living thing we own. Its rate :of speed is constant and in all, infinite. Some never have enough time, :which are those people that are quick to recognize those who waste it. Is :time or is it not? It has been said that seconds, minutes, hours, days, :weeks, months, years, decades and centuries are just about all the average :human can imagine and plan for. Millsart believes not. All that is needed :to calculate is that 'one of these days is none of these days'. Now that :you've read this, please be advised that Every Dog Has Its Day." :--Millsart $16.99 : :$16.99 is roughly £12 : :sure beats £20 that some shops are looking for! : :bent crayon 11600 detroit ave cleveland oh 44102 :www.bentcrayon.com 216.221.9200 :www.hiaohiaohiao.com : :jason : : :- :To unsubscribe, e-mail: [EMAIL PROTECTED] :For additional commands, e-mail: [EMAIL PROTECTED] : : : :- End of message text : :This e-mail is sent by the above named in their :individual, non-business capacity and is not on :behalf of PricewaterhouseCoopers. : :PricewaterhouseCoopers may monitor outgoing and incoming :e-mails and other telecommunications on its e-mail and :telecommunications systems. : :The information transmitted is intended only for the person or entity to :which it is addressed and may contain confidential and/or privileged :material. Any review, retransmission, dissemination or other use of, or :taking of any action in reliance upon, this information by persons or :entities other than the intended recipient is prohibited. If you received :this in error, please contact the sender and delete the material from any :computer. : : :- :To unsubscribe, e-mail: [EMAIL PROTECTED] :For additional commands, e-mail: [EMAIL PROTECTED] : : - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] every dog vol 3
Memo from Alex Bond of PricewaterhouseCoopers Start of message text That's my point though, album or double pack, this cost the same to produce. If someone was trying to sell twelves at £11.50, you'd think it was cheeky. If no one moans, then everyone will start charging £23 for their albums. I just can't see a reason for it, can anyone else? (There's no picture sleeve, no heavy weight vinyl etc) Maybe the production side cost more, but, then, I can't see that either. There's no session musicians to be paid or anything. I just would like to know if it's just me that thinks the piss is being taken. And, if anyone knows of a good reason why this LP cost more, let us all know and maybe we won't mind putting our hands in our pockets. Neil Wallace <[EMAIL PROTECTED]> on 11/03/2002 16:23:41 To: cc:313@hyperreal.org Subject:RE: [313] every dog vol 3 as far as i remember the other 2 were about 20 quid - i think they were limited run and more albums than double packs hence the more expensive than usual price tag. when you consider cds in chain stores are now above 15quid and thats for a bloody CD which costs virtually nothing to manufacture i think is not unreasonable. if you think something is too expensive dont buy it then - if you do buy it you obviously thought it was worth the price so quit bitching about it. :-Original Message- :From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] :Sent: Monday, March 11, 2002 4:11 PM :To: [EMAIL PROTECTED] :Cc: 313@hyperreal.org :Subject: Re: [313] every dog vol 3 : : : :Memo from Alex Bond of PricewaterhouseCoopers : : Start of message text : :£23 for this double-pack in Manchester. :That's an outrage in my opinion. : :I mean, some of the import 12's are £8.99 which is bad enough, but this is :£11.50 per twelve. :Someone is taking the piss somewhere. I wish I could boycott it, but you :know I'm not capable. :I guess that's why they know they can get away with it. : :Anyway, if Jeff is on this list, I heard you already got a Porsche pal, so :I can't afford your new double pack cos me shoes need new soles. : : : : :Jason Donnelly <[EMAIL PROTECTED]> on 11/03/2002 15:55:17 :To:313@hyperreal.org :cc: : : :Subject:[313] every dog vol 3 : : :now available at bent crayon: : :MILLSART: Every Dog Has Its Day Vol. 3 2x12" (AXIS). "In time, all :wrongdoings are eligible for correction. Even in the eye of a storm, we :must endure the invalid as a objective fragment in the existence of :mankind. Effortlessly, time passes over and onto, without you and without :us. On it, we mark the acceptance of the new with the chance to begin again :and give away the hand of the past, free of unadmissibles. Those who are :punctual are thieves of time. Robbing from reserves of time that have been :designated for nothing. In time, time tells truths or at least the truths :you've been waiting for. Time is the oldest living thing we own. Its rate :of speed is constant and in all, infinite. Some never have enough time, :which are those people that are quick to recognize those who waste it. Is :time or is it not? It has been said that seconds, minutes, hours, days, :weeks, months, years, decades and centuries are just about all the average :human can imagine and plan for. Millsart believes not. All that is needed :to calculate is that 'one of these days is none of these days'. Now that :you've read this, please be advised that Every Dog Has Its Day." :--Millsart $16.99 : :$16.99 is roughly £12 : :sure beats £20 that some shops are looking for! : :bent crayon 11600 detroit ave cleveland oh 44102 :www.bentcrayon.com 216.221.9200 :www.hiaohiaohiao.com : :jason : : :- :To unsubscribe, e-mail: [EMAIL PROTECTED] :For additional commands, e-mail: [EMAIL PROTECTED] : : : :- End of message text : :This e-mail is sent by the above named in their :individual, non-business capacity and is not on :behalf of PricewaterhouseCoopers. : :PricewaterhouseCoopers may monitor outgoing and incoming :e-mails and other telecommunications on its e-mail and :telecommunications systems. : :The information transmitted is intended only for the person or entity to :which it is addressed and may contain confidential and/or privileged :material. Any review, retransmission, dissemination or other use of, or :taking of any action in reliance upon, this information by persons or :entities other than the intended recipient is prohibited. If you received :this in error, please contact the sender and delete the material from any :computer. : : :---
RE: [313] every dog vol 3
| -Original Message- | From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] | Sent: 11 March 2002 16:38 | | I just can't see a reason for it, can anyone else? Well, the only reason I can think of is that a limited run results in a larger overhead per copy pressed - especially if there's anything 'different' about the vinyl (locked grooves, backwards tracks and so on). That probably doesn't justify it, though. Plus, there's the collector-geek value to consider. Look at how much original pressing of Minimal Nation are going for these days! Mills probably knows that people will be flogging these records to one another for pretty ridiculous sums within a few years, and might well be keen to get a bit of that action himself... Brendan Legal Disclaimer This message contains confidential information and is intended only for the individual named. If you are not the named addressee you should not disseminate, distribute or copy this e-mail. Please notify the sender immediately by e-mail if you have received this e-mail by mistake and delete this e-mail from your system. mail transmission cannot be guaranteed to be secure or error-free as information could be intercepted, corrupted, lost, destroyed, arrive late or incomplete, or contain viruses. The sender therefore does not accept liability for any errors or omissions in the contents of this message that arise as a result of e-mail transmission. If verification is required please request a hard-copy version. This message is provided for informational purposes only. our website at: http://www.widelearning.com Wide Learning is a trading name of Wide Multimedia Ltd Registered office: 33-41 Dallington Street, London EC1V 0BB Company number: 3339664 VAT number: 690 8399 83 - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Fw: [313] every dog vol 3
that's ($16.99) the price in usa. obviously by the time it's shipped > over the uk distributors need their profit and us shops need ours. > we're selling them at £19.99 if anyone still needs a copy. > we're probably joint cheapest in uk as usual. > > £8.95 for imports in manchester? come to leeds it's > between £7.25 - £7.95 and attitude free. > > paul, innercity. > > > > > > > - Original Message - > From: Jason Donnelly <[EMAIL PROTECTED]> > To: <313@hyperreal.org> > Sent: Monday, March 11, 2002 3:55 PM > Subject: [313] every dog vol 3 > > > now available at bent crayon: > > MILLSART: Every Dog Has Its Day Vol. 3 2x12" (AXIS). "In time, all > wrongdoings are eligible for correction. Even in the eye of a storm, we > must endure the invalid as a objective fragment in the existence of > mankind. Effortlessly, time passes over and onto, without you and without > us. On it, we mark the acceptance of the new with the chance to begin again > and give away the hand of the past, free of unadmissibles. Those who are > punctual are thieves of time. Robbing from reserves of time that have been > designated for nothing. In time, time tells truths or at least the truths > you've been waiting for. Time is the oldest living thing we own. Its rate > of speed is constant and in all, infinite. Some never have enough time, > which are those people that are quick to recognize those who waste it. Is > time or is it not? It has been said that seconds, minutes, hours, days, > weeks, months, years, decades and centuries are just about all the average > human can imagine and plan for. Millsart believes not. All that is needed > to calculate is that 'one of these days is none of these days'. Now that > you've read this, please be advised that Every Dog Has Its Day." > --Millsart $16.99 > > $16.99 is roughly £12 > > sure beats £20 that some shops are looking for! > > bent crayon 11600 detroit ave cleveland oh 44102 > www.bentcrayon.com 216.221.9200 > www.hiaohiaohiao.com > > jason > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] every dog vol 3
that's ($16.99) the price in usa. obviously by the time it's shipped over the uk distributors need their profit and us shops need ours. we're selling them at £19.99 if anyone still needs a copy. we're probably joint cheapest in uk as usual. £8.95 for imports in manchester? come to leeds it's between £7.25 - £7.95 and attitude free. paul, innercity. - Original Message - From: Jason Donnelly <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Monday, March 11, 2002 3:55 PM Subject: [313] every dog vol 3 now available at bent crayon: MILLSART: Every Dog Has Its Day Vol. 3 2x12" (AXIS). "In time, all wrongdoings are eligible for correction. Even in the eye of a storm, we must endure the invalid as a objective fragment in the existence of mankind. Effortlessly, time passes over and onto, without you and without us. On it, we mark the acceptance of the new with the chance to begin again and give away the hand of the past, free of unadmissibles. Those who are punctual are thieves of time. Robbing from reserves of time that have been designated for nothing. In time, time tells truths or at least the truths you've been waiting for. Time is the oldest living thing we own. Its rate of speed is constant and in all, infinite. Some never have enough time, which are those people that are quick to recognize those who waste it. Is time or is it not? It has been said that seconds, minutes, hours, days, weeks, months, years, decades and centuries are just about all the average human can imagine and plan for. Millsart believes not. All that is needed to calculate is that 'one of these days is none of these days'. Now that you've read this, please be advised that Every Dog Has Its Day." --Millsart $16.99 $16.99 is roughly £12 sure beats £20 that some shops are looking for! bent crayon 11600 detroit ave cleveland oh 44102 www.bentcrayon.com 216.221.9200 www.hiaohiaohiao.com jason - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Every Dog Vol 3 again...
...and on the subject of Detroit techno, my copy of "Every Dog Has It's Day" Vol 3 arrived today. i've only played it the once, but i've gotta say it's the best thing i've heard from Mills on Axis in feckin ages... perhaps since Humana. if you're into Mills' more subtle and less pounding moments then you need to check this record out. regarding the price, it's pressed on 2 lovely fat heavyweight pieces of vinyl! i don't know if that accounts entirely for the price hike, but it might have something to do with it... after all, Warp are due to release a v.expensive (40 quid!) pressing of Aphex's "Drukqs" lp which is apparently being manufactured at some bad ass plant in California. from the Warp site - "4 discs of highest grade vinyl (the best audiophile vinyl available, made at a single plant in California, with higher quality control and labour intensive manufacturing processes, and made of 100% virgin vinyl- not recycled) that will cost around £40.00." so, um, there you go. rob _ Send and receive Hotmail on your mobile device: http://mobile.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] RE: (313) every dog vol 3
So what can we expect? Another 2 slabs of old, dusty tracks? W -Original Message- From: Jason Donnelly <[EMAIL PROTECTED]> at INET-1 Sent: Tuesday, January 08, 2002 11:26 AM To: 313@hyperreal.org at INET-1 Subject: [313] every dog vol 3 on the most recent Bent Crayon mailout: - ATTENTION: The information in this electronic mail message is private and confidential, and only intended for the addressee. Should you receive this message by mistake, you are hereby notified that any disclosure, reproduction, distribution or use of this message is strictly prohibited. Please inform the sender by reply transmission and delete the message without copying or opening it. Messages and attachments are scanned for all viruses known. If this message contains password-protected attachments, the files have NOT been scanned for viruses by the ING mail domain. Always scan attachments before opening them. - - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: FW: [313] every dog vol 3
On Tue, 8 Jan 2002, Odeluga, Ken wrote: > > Great music, but I wish someone would deal with his grammar before > publishing his notes. It's embarrassing. Might be due to the fact that > they're usually put out by companies in countries where English is language > II ... > Mills isn't stupid or illiterate. I've thought often I could punch up his pronouncements, but I believe he's saying exactly what he means to say. I thought his Every Dog 3 essay was actually pretty sneaky and clever. He's talking as directly as he can about what, to my mind, is the central theme of his music. Just because someone's writing is difficult doesn't mean it's bad. If you want to deal with artists who are easy to understand, check out David Lee Roth. If anyone wants me to annotate that little essay for them, I will. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Every Dog Vol 3 again...
> ...and on the subject of Detroit techno, my copy of "Every Dog Has It's Day" > Vol 3 arrived today. i've only played it the once, but i've gotta say it's > the best thing i've heard from Mills on Axis in feckin ages... and i dont know if you guys will agree, but this 3° vol. is much closer to techno then the other two(thank god!!). at least in the drums.. henrique casanova S.O.M. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Every Dog Vol 3 again...
henrique casanova: and i dont know if you guys will agree, but this 3° vol. is much closer to techno then the other two(thank god!!). at least in the drums.. i don't know that i feel quite right saying one record is more techno than another. to me, techno is *so* much more than just the "right" sounds and structure. it's difficult to put my finger on it, save for chucking around words like soulful and emotional, but there's a certain vibe running thru the tracks on Vol 3 that i'm a bit of a sucker for. rob _ Send and receive Hotmail on your mobile device: http://mobile.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] every dog vol. 3/arpanet
Oh yeah, i love the axis, i think it is old stuff from the master. And as for the arpanet, heard it , and love it... Haven't found a place that sells it yet though :( I've heard the arpanet album as well, listening to it right now actually And i think it's really a step further in the dataphysics sound. I think i'm gonna power up my arpeggiator :) - Original Message - From: "Minto George" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: 25 March, 2002 8:05 PM Subject: [313] every dog vol. 3 > > This is my fav vol. of this series by jeff...very deep > and damn good...wish he would put out more of this > kinda stuff. Classic Detroit techno and highly > recommended! I got my copy through groovetech and I > think it was worth the $16 I paid for it. :) > > also gotta say I dug Tom's new one on Nordic Trax too! > ;) > > anyone heard the new Arpanet (dopplereffekt) 12" on > Air's new label Record Makers? > > minto > > > __ > Do You Yahoo!? > Yahoo! Movies - coverage of the 74th Academy Awards® > http://movies.yahoo.com/ > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] every dog vol. 3 / quality of the recordings
It only has that nasty 'leeking' broom sound of noise in the back which I thought was coming from my mixer. Anyway I'm listening now for the first time and I think It could be recorded before vol 1 or recorded elsewhere then vol 1 I still looking for some pushy/rolling basslines but they aren't there yet ;-) MadR btw nice car !! - Original Message - From: "Minto George" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Monday, March 25, 2002 8:05 PM Subject: [313] every dog vol. 3 > > This is my fav vol. of this series by jeff...very deep > and damn good...wish he would put out more of this > kinda stuff. Classic Detroit techno and highly > recommended! I got my copy through groovetech and I > think it was worth the $16 I paid for it. :) > > also gotta say I dug Tom's new one on Nordic Trax too! > ;) > > anyone heard the new Arpanet (dopplereffekt) 12" on > Air's new label Record Makers? > > minto > > > __ > Do You Yahoo!? > Yahoo! Movies - coverage of the 74th Academy Awards® > http://movies.yahoo.com/ > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] _ Do You Yahoo!? Get your free @yahoo.com address at http://mail.yahoo.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
