[Finale] Sibelius promotion announced

2010-01-10 Thread John Howell
Just for your information (not pushing this in any way), Sibelius has 
just announced a special promotion for users of Finale, Notion, 
encore and Mosaic to crossgrade to Sibelius 6 at a discount by March 
19.


http://www.sibelius.com/landingpages/finale_crossgrade.html

If someone wanted to experiment, perhaps now's the time.  As I read 
it, one could crossgrade from an earlier version of Finale and keep 
your later version, but you'd want to double check on that.


Sibelius' marketing continues to be pretty smart, as does their 
upgrade schedule and bug fixes.


John


--
John R. Howell, Assoc. Prof. of Music
Virginia Tech Department of Music
College of Liberal Arts  Human Sciences
Blacksburg, Virginia, U.S.A. 24061-0240
Vox (540) 231-8411  Fax (540) 231-5034
(mailto:john.how...@vt.edu)
http://www.music.vt.edu/faculty/howell/howell.html

We never play anything the same way once.  Shelly Manne's definition
of jazz musicians.
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[Finale] Completely OT: IMAP vs POP

2010-01-10 Thread Johannes Gebauer
I this really has only very remotely to do with Finale. On the other 
hand it has to do with the Finale mailing list, so perhaps there will be 
some clever person here with some answers.


I currently use several email accounts as POP accounts. All the mail 
gets downloaded to my computer, and deleted on the server. On my 
computer the mail is sorted. so that Finale list mail goes into the 
Finale list folder and so on.


I have been living quite happily with this arrangement. Other than list 
mail I don't usually delete mail at all, and I keep all these emails in 
my email application. I estimate the amount of email on all my accounts, 
including the complete sent-mail folders (which I never empty, so I 
still have every single email I ever wrote) to be around 5 emails. 
Add to that the Finale list, which I erase sporadically. Usually I empty 
the folder after a few months, but I have been lazy lately, so it has 
filled up with almost 1 mails. I have a few other mailing lists I 
subscribe to, but none as active as Finale.


Now something has changed: Santa gave me a nice little iPhone, and I am 
happily writing emails from it, too. And questions came up. Would IMAP 
serve me better?


One of the reasons I started thinking about this is the Finale mail 
which I'd love to at least sort into a folder. The only way to do this 
on the iPhone is to use IMAP and do it on the server. I can work out how 
all of this functions, but surely it is not practical to keep thousands 
of emails on the server?


Is there a way to have IMAP emails live on only on my computer after a 
certain period of time, say a few days for Finale, and perhaps a month 
for personal email, yet never lose anything completely?


Perhaps I am missing something, but does IMAP allow me to use it like 
POP with only added convenience, or am I then required to keep 
everything on the server all the time?


Perhaps someone with similar needs can give me some advice.

Johannes
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Re: [Finale] Completely OT: IMAP vs POP

2010-01-10 Thread Dennis Bathory-Kitsz
On Sun, January 10, 2010 9:12 am, Johannes Gebauer wrote:
 Perhaps I am missing something, but does IMAP allow me to use it like
 POP with only added convenience, or am I then required to keep
 everything on the server all the time?

I'll give you the simple answer by example.

I use both. I check most mail via IMAP so I can reach it pretty much anywhere,
and sort it into just a few mailboxes. That mail, for the time being, stays on
the server.

Mail that I answer via IMAP is Bcc'd to myself so I have a copy. This message,
for example, is being answered via IMAP, but will Bcc to my address so that I
have a copy with the same time stamp.

When I'm ready to grab the mail that I want to keep, I move everything back to
the IMAP inbox, mark it as unread, and run my POP mail program (where I have
all my email since 1993). It downloads  automatically deletes everything on
the server's inbox. The other boxes are untouched, so I can keep mail stored
there temporarily.

Dennis






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Re: [Finale] Sibelius promotion announced

2010-01-10 Thread Lawrence Yates
If anyone does this, could you please let us know how the crossgrade works -
what are the implications?

Cheers,

Lawrence


-- 
Lawrenceyates.co.uk
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Re: [Finale] Sibelius promotion announced

2010-01-10 Thread dhbailey

Lawrence Yates wrote:

If anyone does this, could you please let us know how the crossgrade works -
what are the implications?

Cheers,

Lawrence





I've done it twice (so that my son can have his own copy of 
Sibelius) and it's very simple -- you contact Sibelius by 
following the link for the crossgrade on their web-site and 
order and pay for the product.  Then when it arrives, you 
install it and can use it for a very limited time without it 
being activated.  In order to get an activation number, you 
need to fill out a form and then send in the proof of 
ownership of Finale that they request -- in the past they 
have asked for either an installation disk or the original 
first few pages from the Finale manual.  Then they send you 
back the activation information and you're off and running. 
 You are allowed to install  Sibelius on up to two 
computers at a time, so once you get the first one 
activated, you can install on a second computer and you can 
then activate that one online (it takes just a few seconds).


You still get to continue your ownership of Finale and can 
stay on that upgrade path along with being on the upgrade 
path for Sibelius, if you wish.


There are no implications other than the possible loss of 
the installation CD for an older version of Finale.  I can't 
remember if they returned that installation CD or not -- 
they definitely don't return the first few pages from the 
manual.


--
David H. Bailey
dhbai...@davidbaileymusicstudio.com
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Re: [Finale] Completely OT: IMAP vs POP

2010-01-10 Thread Johannes Gebauer

Am 10.01.10 15:26, schrieb Dennis Bathory-Kitsz:

When I'm ready to grab the mail that I want to keep, I move everything back to
the IMAP inbox, mark it as unread, and run my POP mail program (where I have
all my email since 1993). It downloads  automatically deletes everything on
the server's inbox. The other boxes are untouched, so I can keep mail stored
there temporarily.



Seems rather a lot of extra work: You have to first move everything back 
to the inbox and mark it unread?


Johannes
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Re: [Finale] Completely OT: IMAP vs POP

2010-01-10 Thread Dennis Bathory-Kitsz
On Sun, January 10, 2010 9:59 am, Johannes Gebauer wrote:
 Seems rather a lot of extra work: You have to first move everything back
 to the inbox and mark it unread?

Depends on your IMAP interface, I guess.

I only have two other mailboxes (Delayed Followup and Temp -- one is stuff I'm
done with, the other things I have to answer). For me it's a just a few
clicks: change to Delayed Followup, toggle all, move mail to inbox, change
to Temp, toggle all, move mail to inbox, change to inbox, toggle all, mark
unread. Then I'm ready to download. (Mark unread isn't necessary depending
on your POP client.)

Dennis





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Re: [Finale] Completely OT: IMAP vs POP

2010-01-10 Thread Eric Dannewitz
I'd say go imap. Get a gmail account. You can set up folders and what  
not. Computers (multiple) and iPhones can use the account via imap,  
and all your messages will be there. Plus gmail can also function as  
an exchange server service for the iPhone, and immediately beep the  
phone when you get mail.


I don't think yahoo or other services have the exchange function, but  
they too offer imap which will work with the iPhone.


I dunno, I haven't used pop mail ina decade? I've always used imap  
because I like to keep my mail all synced up between home and the  
studio, and since 2007 on the road.


--- send out and aboot on my iPhone ---

On Jan 10, 2010, at 6:12 AM, Johannes Gebauer  
li...@musikmanufaktur.com wrote:


I this really has only very remotely to do with Finale. On the other  
hand it has to do with the Finale mailing list, so perhaps there  
will be some clever person here with some answers.


I currently use several email accounts as POP accounts. All the mail  
gets downloaded to my computer, and deleted on the server. On my  
computer the mail is sorted. so that Finale list mail goes into the  
Finale list folder and so on.


I have been living quite happily with this arrangement. Other than  
list mail I don't usually delete mail at all, and I keep all these  
emails in my email application. I estimate the amount of email on  
all my accounts, including the complete sent-mail folders (which I  
never empty, so I still have every single email I ever wrote) to be  
around 5 emails. Add to that the Finale list, which I erase  
sporadically. Usually I empty the folder after a few months, but I  
have been lazy lately, so it has filled up with almost 1 mails.  
I have a few other mailing lists I subscribe to, but none as active  
as Finale.


Now something has changed: Santa gave me a nice little iPhone, and I  
am happily writing emails from it, too. And questions came up. Would  
IMAP serve me better?


One of the reasons I started thinking about this is the Finale mail  
which I'd love to at least sort into a folder. The only way to do  
this on the iPhone is to use IMAP and do it on the server. I can  
work out how all of this functions, but surely it is not practical  
to keep thousands of emails on the server?


Is there a way to have IMAP emails live on only on my computer after  
a certain period of time, say a few days for Finale, and perhaps a  
month for personal email, yet never lose anything completely?


Perhaps I am missing something, but does IMAP allow me to use it  
like POP with only added convenience, or am I then required to keep  
everything on the server all the time?


Perhaps someone with similar needs can give me some advice.

Johannes
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Re: [Finale] Sibelius crossgrade price $129

2010-01-10 Thread Jari Williamsson

dhbailey wrote:

I wonder if Finale ever offers a reduction in the crossgrade (they call 
it a competitive upgrade) price of $199.


But, if I haven't misunderstand something, the costs if you want to 
share notation data back and forth are:

Finale: $199 + $0
That other app: $129+$199 (for either the Dolet or PDFtoMusic addition).


Best regards,

Jari Williamsson


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Re: [Finale] Completely OT: IMAP vs POP

2010-01-10 Thread Johannes Gebauer

Am 10.01.10 19:03, schrieb Eric Dannewitz:

I'd say go imap. Get a gmail account. You can set up folders and what
not. Computers (multiple) and iPhones can use the account via imap, and
all your messages will be there. Plus gmail can also function as an
exchange server service for the iPhone, and immediately beep the phone
when you get mail.

I don't think yahoo or other services have the exchange function, but
they too offer imap which will work with the iPhone.

I dunno, I haven't used pop mail ina decade? I've always used imap
because I like to keep my mail all synced up between home and the
studio, and since 2007 on the road.


How many emails do you keep in your google account?

I am certainly not going google, but IMAP is an option...

Johannes
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Re: [Finale] Completely OT: IMAP vs POP

2010-01-10 Thread Eric Dannewitz
Tens of thousands of messages. If not close to 100,000. I have emails 
going back to 1997 on there, plus interesting messages I've saved from 
the 40 or so lists I am on (Flute, Klarinet, etc).


I don't know why you wouldn't consider Google mail. It works amazingly 
well. And it's free. And the exchange option is great. Apple also offers 
mobileme.com which is really great too, and it keeps your bookmarks and 
contact information synced between the iphone and computers. You don't 
need to attach the iPhone to iTune or anything. Though it costs $99 a 
year, I find it invaluable to have.


On 1/10/10 10:14 AM, Johannes Gebauer wrote:

Am 10.01.10 19:03, schrieb Eric Dannewitz:

I'd say go imap. Get a gmail account. You can set up folders and what
not. Computers (multiple) and iPhones can use the account via imap, and
all your messages will be there. Plus gmail can also function as an
exchange server service for the iPhone, and immediately beep the phone
when you get mail.

I don't think yahoo or other services have the exchange function, but
they too offer imap which will work with the iPhone.

I dunno, I haven't used pop mail ina decade? I've always used imap
because I like to keep my mail all synced up between home and the
studio, and since 2007 on the road.


How many emails do you keep in your google account?

I am certainly not going google, but IMAP is an option...

Johannes
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Re: [Finale] Completely OT: IMAP vs POP

2010-01-10 Thread Dennis Bathory-Kitsz
On Sun, January 10, 2010 1:14 pm, Johannes Gebauer wrote:
 I am certainly not going google, but IMAP is an option...

Johannes,

Does your musikmanufaktur.com web host not offer both IMAP and POP for the
same account? If so, you can have the benefits of both -- IMAP as needed, POP
for archiving locally. That's what I'm using and, like Eric, find using IMAP
with my phone an easy task on the road.

Yes, I have Gmail as a rarely-used backup account, but hate its interface (it
can also be accessed via POP, as I understand).

The options today are fairly extensive.

(I don't use IMAP exclusively because I simply don't trust distant servers to
preserve my mail. I have an investment in that archive; they don't.)

Dennis




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Re: [Finale] Completely OT: IMAP vs POP

2010-01-10 Thread Johannes Gebauer

Am 10.01.10 19:29, schrieb Dennis Bathory-Kitsz:

Does your musikmanufaktur.com web host not offer both IMAP and POP for the
same account? If so, you can have the benefits of both -- IMAP as needed, POP
for archiving locally. That's what I'm using and, like Eric, find using IMAP
with my phone an easy task on the road.

As far as I can see it cannot be used at the same time unless you unsort 
the mail before using the pop access. That sort of defeats the purpose, no?


Yes, all my accounts can use both pop and IMAP access. I am currently 
doing mostly what you suggest, but I can't really use the benefits of 
IMAP when I then load everything onto the computer via POP.


Johannes
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Re: [Finale] Completely OT: IMAP vs POP

2010-01-10 Thread Johannes Gebauer

Am 10.01.10 19:20, schrieb Eric Dannewitz:

I don't know why you wouldn't consider Google mail. It works amazingly
well. And it's free. And the exchange option is great. Apple also offers
mobileme.com which is really great too, and it keeps your bookmarks and
contact information synced between the iphone and computers. You don't
need to attach the iPhone to iTune or anything. Though it costs $99 a
year, I find it invaluable to have.


So what is so special about Google mail?

I don't like the idea of monopolies at all, and Google is doing 
everything to get monopolies, no?


Johannes
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Re: [Finale] Completely OT: IMAP vs POP

2010-01-10 Thread Eric Dannewitz
POP mail can be set to delete itself from the server after a specified
amount of time.

I don't see why you could not just set everything to IMAP, and create
local folders on your computer and drag and drop the messages you want
to savethen you wouldn't have to worry about this whole
POP/IMAP thing

On Sun, Jan 10, 2010 at 11:22 AM, Johannes Gebauer
li...@musikmanufaktur.com wrote:
 As far as I can see it cannot be used at the same time unless you unsort the
 mail before using the pop access. That sort of defeats the purpose, no?

 Yes, all my accounts can use both pop and IMAP access. I am currently doing
 mostly what you suggest, but I can't really use the benefits of IMAP when I
 then load everything onto the computer via POP.

 Johannes
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Re: [Finale] Completely OT: IMAP vs POP

2010-01-10 Thread Eric Dannewitz
Well, what are you using that isn't a Monopoly? Apple? Microsoft?

I use Google Mail cause it is robust. Millions of people use it. They
provide lots of storage. They aren't going to disappear. And they had
just one blip in their service since they started (last year, like 1/2
a day).

And again it's free, and you don't see the ads if you use it through
your email program or the iphone.

On Sun, Jan 10, 2010 at 11:16 AM, Johannes Gebauer
li...@musikmanufaktur.com wrote:
 Am 10.01.10 19:20, schrieb Eric Dannewitz:

 I don't know why you wouldn't consider Google mail. It works amazingly
 well. And it's free. And the exchange option is great. Apple also offers
 mobileme.com which is really great too, and it keeps your bookmarks and
 contact information synced between the iphone and computers. You don't
 need to attach the iPhone to iTune or anything. Though it costs $99 a
 year, I find it invaluable to have.

 So what is so special about Google mail?

 I don't like the idea of monopolies at all, and Google is doing everything
 to get monopolies, no?

 Johannes
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Re: [Finale] Completely OT: IMAP vs POP

2010-01-10 Thread Dennis Bathory-Kitsz
On Sun, January 10, 2010 2:22 pm, Johannes Gebauer wrote:
 As far as I can see it cannot be used at the same time unless you unsort
 the mail before using the pop access. That sort of defeats the purpose, no?

Yes, I understand. I don't really worry about sorting until I download, which
I generally do nightly.

On the road, yes, I do sort into a handful of separate mailboxes. When I'm
home I move them to the inbox one at a time for POP download.

 Yes, all my accounts can use both pop and IMAP access. I am currently
 doing mostly what you suggest, but I can't really use the benefits of
 IMAP when I then load everything onto the computer via POP.

Got it. I don't really like IMAP -- the only reason I use it at all is because
my POP mail is accessed from and stored on my laptop (with external backup)
and I don't use the laptop for 'real' work at home.  When I use the laptop at
home (such as for POP download), I VNC to it. Otherwise it's never touched
except for travel.

Dennis


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[Finale] Re: Force windows to appear at different screen resolution

2010-01-10 Thread phayden649
On 1/9/10 Darcy James Argue wrote:

 Trashing the prefs works. Try it again. Make sure you have the right prefs.

Thanks for the suggestion! You're right -- I trashed 
com.makemusic.Finale.plist when I should have trashed Finale 2009 
Preferences. 

All is good now.

Paul Hayden

 
 On 9 Jan 2010, at 2:25 PM, phayden...@cox.net phayden...@cox.net wrote:
 
  FinMac09
  Mac OS 10.5.8
  
  Okay, here's a weird one:
  
  Page LayoutSystemsEdit Margins...
  Page LayoutPage MarginsEdit Page Margins...
  
  I cloned my computer's internal hard drive (Mac Pro with big monitor) to a 
  small external hard drive so I could attach it to my wife's laptop while 
  we're on the road for a week. I can't see the two windows shown at the top 
  of this message as Finale remembered where they were on my big monitor. On 
  the laptop (MacBook Pro), I've tried:
  
  1. Changing the laptop's monitor resolution (it was at the maximum 
  resolution).
  2. Trashing Finale's prefs and restarting Finale.
  
  Can anybody suggest anything to try so I can see those two windows?
  
  Thanks.
  
  Paul Hayden
  
  www.paulhayden.com

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Re: [Finale] Completely OT: IMAP vs POP

2010-01-10 Thread Johannes Gebauer

Am 10.01.10 20:40, schrieb Dennis Bathory-Kitsz:

Got it. I don't really like IMAP -- the only reason I use it at all is because
my POP mail is accessed from and stored on my laptop (with external backup)
and I don't use the laptop for 'real' work at home.  When I use the laptop at
home (such as for POP download), I VNC to it. Otherwise it's never touched
except for travel.



So when you are using email at home you don't have direct access to your 
mail database?


Johannes
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Re: [Finale] Completely OT: IMAP vs POP

2010-01-10 Thread Johannes Gebauer

Am 10.01.10 20:29, schrieb Eric Dannewitz:

I don't see why you could not just set everything to IMAP, and create
local folders on your computer and drag and drop the messages you want
to savethen you wouldn't have to worry about this whole
POP/IMAP thing



Drag and drop? That seems like an enormous step backwards after 
automatic sorting.


You know, other than automatic sorting, I am so lazy about moving 
messages by hand that I have close to 1 messages in my inbox.


I guess setting pop mail to leave things on the server for a specified 
amount of time will serve some purpose, however, it doesn't solve the 
problem of folder sorting. It seems rather inconvenient to have all 
those Finale messages along with some other mail in the same inbox.


I guess I could make an account just for Finale...

Johannes
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Re: [Finale] Completely OT: IMAP vs POP

2010-01-10 Thread Dennis Bathory-Kitsz
On Sun, January 10, 2010 3:03 pm, Johannes Gebauer wrote:
 So when you are using email at home you don't have direct access to your
 mail database?

Yes. I use VNC to operate the laptop from my desktop (screen-in-screen, with
cross-computer copy/paste of text, etc.)

Dennis







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Re: [Finale] Completely OT: IMAP vs POP

2010-01-10 Thread mmathew1942
There is an article in the current issue of macilife wherein they seem to be 
discussing this topic on page 88 and ƒ. 


Does this help? 


Michael 
mmathew_musicp...@comcast.net 
mmathew_musicp...@yahoo.com 
http://www.musicengravers.com/cgi-bin/engravers.pl 
Phone and Fax: 503 641 6127 

- Original Message - 
From: Dennis Bathory-Kitsz bath...@maltedmedia.com 
To: finale@shsu.edu 
Sent: Sunday, January 10, 2010 12:35:28 PM GMT -08:00 US/Canada Pacific 
Subject: Re: [Finale] Completely OT: IMAP vs POP 

On Sun, January 10, 2010 3:03 pm, Johannes Gebauer wrote: 
 So when you are using email at home you don't have direct access to your 
 mail database? 

Yes. I use VNC to operate the laptop from my desktop (screen-in-screen, with 
cross-computer copy/paste of text, etc.) 

Dennis 







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Re: [Finale] Completely OT: IMAP vs POP

2010-01-10 Thread Darcy James Argue
What mail client are you using?

In Apple Mail, it is very easy to have both online (IMAP) folders and On My 
Mac folders, with automatic rules to handle sorting to each. You could have a 
rule that moved all messages older than 30 days from your (online) inbox to 
your (offline) inbox archive, for instance. And obviously you could keep your 
Finale mail separate from the rest of your inbox. I have been doing this sort 
of thing for years now.

Cheers,

- DJA
-
WEB: http://secretsociety.typepad.com

On 10 Jan 2010, at 3:01 PM, Johannes Gebauer wrote:

 Am 10.01.10 20:29, schrieb Eric Dannewitz:
 I don't see why you could not just set everything to IMAP, and create
 local folders on your computer and drag and drop the messages you want
 to savethen you wouldn't have to worry about this whole
 POP/IMAP thing
 
 
 Drag and drop? That seems like an enormous step backwards after automatic 
 sorting.
 
 You know, other than automatic sorting, I am so lazy about moving messages by 
 hand that I have close to 1 messages in my inbox.
 
 I guess setting pop mail to leave things on the server for a specified amount 
 of time will serve some purpose, however, it doesn't solve the problem of 
 folder sorting. It seems rather inconvenient to have all those Finale 
 messages along with some other mail in the same inbox.
 
 I guess I could make an account just for Finale...
 
 Johannes
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Re: [Finale] Sibelius crossgrade price $129

2010-01-10 Thread dhbailey

Jari Williamsson wrote:

dhbailey wrote:

I wonder if Finale ever offers a reduction in the crossgrade (they 
call it a competitive upgrade) price of $199.


But, if I haven't misunderstand something, the costs if you want to 
share notation data back and forth are:

Finale: $199 + $0
That other app: $129+$199 (for either the Dolet or PDFtoMusic addition).



That's true -- however there isn't a great way to get the 
music from one to the other (despite how close MusicXML 
comes, there is still a lot of tweaking to do) so I've found 
that the best way to continue to work is that projects begun 
in Finale are completed in Finale and projects begun in 
Sibelius are completed in Sibelius.




--
David H. Bailey
dhbai...@davidbaileymusicstudio.com
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Re: [Finale] Sibelius crossgrade price $129

2010-01-10 Thread Lawrence Yates
I'm very happy with Finale but I am increasingly being given Sibelius files
to work with and so am seriously considering buying Sibelius as well.  This
offer, if, as someone has suggested, applies to older versions of Finale,
sounds very attractive but I don't want to give up my current Finale.

(I currently have the demo version of Sib 6 and, in my inexperience, am
finding it very, very difficult to use.  The demo instruction book seems to
offer less help than I would like.  As I said, I am very inexperienced so
it's probably my fault)

Lawrence



2010/1/10 dhbailey dhbai...@davidbaileymusicstudio.com

 Jari Williamsson wrote:

 dhbailey wrote:

  I wonder if Finale ever offers a reduction in the crossgrade (they call
 it a competitive upgrade) price of $199.


 But, if I haven't misunderstand something, the costs if you want to share
 notation data back and forth are:
 Finale: $199 + $0
 That other app: $129+$199 (for either the Dolet or PDFtoMusic addition).


 That's true -- however there isn't a great way to get the music from one to
 the other (despite how close MusicXML comes, there is still a lot of
 tweaking to do) so I've found that the best way to continue to work is that
 projects begun in Finale are completed in Finale and projects begun in
 Sibelius are completed in Sibelius.



 --
 David H. Bailey
 dhbai...@davidbaileymusicstudio.com

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Re: [Finale] Sibelius crossgrade price $129

2010-01-10 Thread Will Roberts
Lawrence Yates wrote:
 I'm very happy with Finale but I am increasingly being given Sibelius files
 to work with and so am seriously considering buying Sibelius as well.  This
 offer, if, as someone has suggested, applies to older versions of Finale,
 sounds very attractive but I don't want to give up my current Finale.

I don't think you have to give up Finale at all.  You just have to send
them two pages of your Finale user guide or one of your Finale program
discs.

 (I currently have the demo version of Sib 6 and, in my inexperience, am
 finding it very, very difficult to use.  The demo instruction book seems to
 offer less help than I would like.  As I said, I am very inexperienced so
 it's probably my fault)

When I last tried the Sibelius demo, I found that the full documentation
available for download from the site was more helpful than the limited
information in the demo.  The full manual is here:

http://www.sibelius.com/download/documentation

I don't have Sibelius 6, but am thinking about upgrading.

Best,
-WR
-- 
  Will Roberts
  whrcompo...@fastmail.fm

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Re: [Finale] Sibelius crossgrade price $129

2010-01-10 Thread toronado455
On Sun, Jan 10, 2010 at 2:38 PM, Will Roberts whrcompo...@fastmail.fmwrote:



 I don't think you have to give up Finale at all.  You just have to send
 them two pages of your Finale user guide or one of your Finale program
 discs.


When I read about this special crossgrade price on the Sibelius site (I'm
currently trying out the Sibelius 6 Demo) I saw where it says you can tear
out the first two pages of your Finale user guide and send them that, or
send them a Finale program disc, and was wondering if it matters which
program disk you send them. Like, could you send them your old Finale 2008
CD and keep your Finale 2009 and your user guide remains intact?

Also it says you must currently be a student. So faculty doesn't count?
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Re: [Finale] Sibelius crossgrade price $129

2010-01-10 Thread Will Roberts

toronado...@gmail.com wrote:

... was wondering if it matters which
program disk you send them. Like, could you send them your old Finale 2008
CD and keep your Finale 2009 and your user guide remains intact?


I don't think it matters, provided it's an original program CD.  David, 
can you comment on this?



Also it says you must currently be a student. So faculty doesn't count?


Where did you see that?  No mention of needing to be a student here:

http://www.sibelius.com/shop/panels/competitive_upgrade_tnc.html

Best,
-WR
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Re: [Finale] Sibelius crossgrade price $129

2010-01-10 Thread Lawrence Yates
I can't find any mention of the need to be a student to qualify either.

Cheers,

Lawrence
-- 
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Re: [Finale] minimum font size for lyrics in score?

2010-01-10 Thread John Howell

At 4:54 PM -0800 1/9/10, Ryan wrote:

Hi,

Just curious if any of you have a limit on the minimum size of lyrics in a
score, or if there's a general rule of thumb I should follow.


In Mosaic I used 12 point for entering lyrics (so I could read them 
on screen), then changed them to 10 point for the final layout, using 
16 point or 18 point staves for choral scores.  But once you get into 
system reductions I'm lost.  Mosaic didn't have that capability.



I'm preparing a score with lyrics set at 13 point. I'm using a system
reduction of 50%, giving me a real size of 6.5 point. While I feel it's
proportional to the size of the music, it's not very legible to a conductor
who's trying to lead the orchestra and chorus. But, I'm curious if it really
matters to the conductor. The choral parts will be larger, and I doubt the
chorus master would use the full score to rehearse.


Damn right it's important to the conductor!  Rehearsal starts or 
corrections for singers are often given in terms of lyrics, much more 
often than rehearsal letters or numbers.



I could bump up the lyric size to 16 point, giving me a real size of 8
point. But since the choral octavo is linked to the score, the lyrics will
be too large. I could use a fixed point size, but I'm not happy with how
Finale spaces lyrics of a fixed point size.


Do whatever you have to to make the lyrics properly sized in BOTH the 
score and the vocal score.  In my opinion 8 point is still too small.



Should I not worry about the conductor's eyes, or is there a solution to the
problem?


Worry about the eyes, and just leave enough room for the lyrics. 
Speaking as a conductor, of course, and not an engraver for the 
moment.  I've had to read too many scores and too many parts that had 
used system reduction just because it's too easy to do in Finale, and 
the engraver was more concerned with number of pages than with 
readability!  I recommend putting readability FIRST in your 
priorities.


John


--
John R. Howell, Assoc. Prof. of Music
Virginia Tech Department of Music
College of Liberal Arts  Human Sciences
Blacksburg, Virginia, U.S.A. 24061-0240
Vox (540) 231-8411  Fax (540) 231-5034
(mailto:john.how...@vt.edu)
http://www.music.vt.edu/faculty/howell/howell.html

We never play anything the same way once.  Shelly Manne's definition
of jazz musicians.
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Re: [Finale] Sibelius crossgrade price $129

2010-01-10 Thread J D Thomas
When I crossgraded from Finale to Sibelius over 2 years ago, I sent  
them my CD for Finale 2002, which won't run under OS X.  No problems.


HTH

J D  Thomas
ThomaStudios


On Jan 10, 2010, at 4:14 PM, Will Roberts wrote:


toronado...@gmail.com wrote:

... was wondering if it matters which
program disk you send them. Like, could you send them your old  
Finale 2008

CD and keep your Finale 2009 and your user guide remains intact?


I don't think it matters, provided it's an original program CD.   
David, can you comment on this?


Also it says you must currently be a student. So faculty doesn't  
count?


Where did you see that?  No mention of needing to be a student here:

http://www.sibelius.com/shop/panels/competitive_upgrade_tnc.html

Best,
-WR
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Re: [Finale] Sibelius crossgrade price $129

2010-01-10 Thread toronado455
On Sun, Jan 10, 2010 at 4:14 PM, Will Roberts whrcompo...@fastmail.fmwrote:

 toronado...@gmail.com wrote:

  Also it says you must currently be a student. So faculty doesn't count?


 Where did you see that?  No mention of needing to be a student here:

 http://www.sibelius.com/shop/panels/competitive_upgrade_tnc.html

 Best,
 -WR


OK. Well, now I don't see that bit about the student. Strange. Oh well, much
better that there is no such requirement!
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Re: [Finale] Sibelius crossgrade price $129

2010-01-10 Thread toronado455
On Sun, Jan 10, 2010 at 4:28 PM, J D Thomas j...@thomastudios.com wrote:

 When I crossgraded from Finale to Sibelius over 2 years ago, I sent them my
 CD for Finale 2002, which won't run under OS X.  No problems.



Awesome. I'll send them my 2008 CD.
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[Finale] OT Trb. Info

2010-01-10 Thread Dean M. Estabrook
Any of  you folks have a line on a decent used Bass Bone (just missed  
my chance last night on e bay, buy going to bed instead of bidding on  
a Holton that really looked nice ... oh well)?  Would like a double  
rotor for somewhere between 1k and $1500, if I could find it ..


Pacem,

Dean


Canto ergo sum
And,
I'd rather be composing than decomposing

Dean M. Estabrook
http://sites.google.com/site/deanestabrook/




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Re: [Finale] Sibelius crossgrade price $129

2010-01-10 Thread John Howell

At 4:09 PM -0800 1/10/10, toronado...@gmail.com wrote:

On Sun, Jan 10, 2010 at 2:38 PM, Will Roberts whrcompo...@fastmail.fmwrote:

Also it says you must currently be a student. So faculty doesn't count?


Where do you find that?  I don't see it on the Competitive Crossgrade 
page at all.


John


--
John R. Howell, Assoc. Prof. of Music
Virginia Tech Department of Music
College of Liberal Arts  Human Sciences
Blacksburg, Virginia, U.S.A. 24061-0240
Vox (540) 231-8411  Fax (540) 231-5034
(mailto:john.how...@vt.edu)
http://www.music.vt.edu/faculty/howell/howell.html

We never play anything the same way once.  Shelly Manne's definition
of jazz musicians.
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Re: [Finale] OT Trb. Info

2010-01-10 Thread dershem

Dean M. Estabrook wrote:
Any of  you folks have a line on a decent used Bass Bone (just missed 
my chance last night on e bay, buy going to bed instead of bidding on 
a Holton that really looked nice ... oh well)?  Would like a double 
rotor for somewhere between 1k and $1500, if I could find it ..


Pacem,

Dean
You can often find some good stuff at Dillon Music 
http://www.dillonmusic.com/ in the used brass section.


cd
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Re: [Finale] Sibelius crossgrade price $129

2010-01-10 Thread John Howell

At 4:28 PM -0800 1/10/10, J D Thomas wrote:
When I crossgraded from Finale to Sibelius over 2 years ago, I sent 
them my CD for Finale 2002, which won't run under OS X.  No problems.


Yes.  When I crossgraded from Mosaic to Sib 5 I sent in the pages 
from the Mosaic manual--after photocopying them and taping the copies 
back in!  No questions asked, even though I could no longer run 
Mosaic under OS 10.  They really aren't looking for excuses to back 
out of the registration, just to get you started using Sibelius.


One caveat:  the identification number of your copy of Sibelius (it 
isn't actually a serial number because it isn't serial!) stays with 
you through future upgrades (which is why it isn't serial).  If 
you're eligible for an educational/church price, you might be better 
off in the long run to avoid the crossgrade, because it won't entitle 
you to the educational price in future upgrades.


John


--
John R. Howell, Assoc. Prof. of Music
Virginia Tech Department of Music
College of Liberal Arts  Human Sciences
Blacksburg, Virginia, U.S.A. 24061-0240
Vox (540) 231-8411  Fax (540) 231-5034
(mailto:john.how...@vt.edu)
http://www.music.vt.edu/faculty/howell/howell.html

We never play anything the same way once.  Shelly Manne's definition
of jazz musicians.
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Re: [Finale] OT Trb. Info

2010-01-10 Thread Ray Horton

Try:

http://www.trombone.org/classifieds

Only horns there in your price range right now are single valve, but it gets 
updated on Mondays.


Raymond Horton
Bass Trombonist, 
Louisville Orchestra





Dean M. Estabrook wrote:
Any of  you folks have a line on a decent used Bass Bone (just missed 
my chance last night on e bay, buy going to bed instead of bidding on 
a Holton that really looked nice ... oh well)?  Would like a double 
rotor for somewhere between 1k and $1500, if I could find it ..


Pacem,

Dean


Canto ergo sum
And,
I'd rather be composing than decomposing

Dean M. Estabrook
http://sites.google.com/site/deanestabrook/




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Re: [Finale] Sibelius crossgrade price $129

2010-01-10 Thread John Howell

At 5:31 PM -0800 1/10/10, toronado...@gmail.com wrote:

On Sun, Jan 10, 2010 at 4:14 PM, Will Roberts whrcompo...@fastmail.fmwrote:


 toronado...@gmail.com wrote:

  Also it says you must currently be a student. So faculty doesn't count?




 Where did you see that?  No mention of needing to be a student here:

 http://www.sibelius.com/shop/panels/competitive_upgrade_tnc.html

 Best,
 -WR



OK. Well, now I don't see that bit about the student. Strange. Oh well, much
better that there is no such requirement!


They did mention (on a different page) Sibelius Student as being 
eligible for the crossgrade.  That's the name of their cut-down 
entry-level version.


John


--
John R. Howell, Assoc. Prof. of Music
Virginia Tech Department of Music
College of Liberal Arts  Human Sciences
Blacksburg, Virginia, U.S.A. 24061-0240
Vox (540) 231-8411  Fax (540) 231-5034
(mailto:john.how...@vt.edu)
http://www.music.vt.edu/faculty/howell/howell.html

We never play anything the same way once.  Shelly Manne's definition
of jazz musicians.
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Re: [Finale] OT Trb. Info

2010-01-10 Thread Horace Brock
Sorry, all I have is a Bach 50B, one rotor, built late Sixties.

Horace

On Sun, 10 Jan 2010 17:56:05 -0800, you wrote:

Any of  you folks have a line on a decent used Bass Bone (just missed  
my chance last night on e bay, buy going to bed instead of bidding on  
a Holton that really looked nice ... oh well)?  Would like a double  
rotor for somewhere between 1k and $1500, if I could find it ..

Pacem,

Dean


Canto ergo sum
And,
I'd rather be composing than decomposing

Dean M. Estabrook
http://sites.google.com/site/deanestabrook/




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