ME Super: will a winder shorten its life?

2002-01-22 Thread Clive Williams

Morning all - I've been thinking for a while of adding a winder to my ME
Super.  Since I got the -5n, I've come to appreciate that there are
times when it really helps to have the film wound for me.  (Although
there have been as many times when I've been glad of the Super's
relative quietness.)  I keep looking on the wrong side of the viewfinder
for the shutter speed too, but that's another story.

The only thing that concerns me is that I'm a little afraid that a
winder will put extra strain on the Super's advance mechanism and
possibly shorten its life.  The camera has been unfailingly reliable
over 17 years and on three continents, and I admit I have a degree of
sentimental attachment to it as my first Proper Camera, so I wouldn't
want to put that at risk.  Anyone have any experiences, good or bad,
that would help me decide?

Much obliged,
Clive.
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Re: ME Super: will a winder shorten its life?

2002-01-22 Thread Tom Ivar Helbekkmo

Clive Williams [EMAIL PROTECTED] writes:

 The only thing that concerns me is that I'm a little afraid that a
 winder will put extra strain on the Super's advance mechanism and
 possibly shorten its life.

For what it's worth, I once asked my Pentax service tech this as a
general question, and he suggested that the winders actually would
lengthen the life of the cameras.  He explained that the mechanical,
automatic winder stop function made sure the winder never strained
against a fully wound mechanism, while manual winding tends to do that
every time.  Still, he didn't seem to feel it made a big difference.

-tih
-- 
Puritanism -- the haunting fear that someone, somewhere, may be happy.
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Re: Pentax 645(?) vacuum ( digital) back

2002-01-22 Thread Pål Audun Jensen

Are there indeed electrical contacts between the film back and the camera 
back on the 645NII? I think I have to visit Pentax and take a look at it.
Anyway, Pentax have recently patented both a vacuum back and a digital back 
for the 645. This could be interesting indeed. I had dropped the idea of 
upgrading my 645N but if the new one has electrical contacts I'll reconsider.

Pål




Mark wrote:

Pål (and all), I took a look at the patent in question (6338580). The 
drawing looks very much like a 645n film insert. Further, in his Luminous 
Landscape review of the Pentax 645nii 
(http://www.luminous-landscape.com/645nii.htm), Michael Reichmann 
mentionsl that a primary reason for the upgrade from the 645n was to add 
digital contacts between the camera body and film (or digital) insert. It 
seems to me that such contacts would support either a digital insert or 
the vacuum insert. Finally, Pentax patents with generic-looking drawings 
seem to disappear without a trace, while patents with very 
specific-looking drawings may actually see the light of day. Keep hope 
alive, Pål! This one might actually make it to market. You'll have to 
upgrade your 645n to a 645nii, though
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Re: 645 or 67 and Tech Pan

2002-01-22 Thread Pål Audun Jensen

Aaron wrote:


I haven't seen the film flatness issues that you've experienced in your
645 in my 67, though I'll confess I haven't gone out of my way to look
for the problem.  Are the transports similar?


No the transports are not similar. I don't think film flatness is a big 
issue with the 67. It's the bending backwards of the film on the 6 X 4,5 
system that produce the film flatness problem.

Pål
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Re: Aren't those prayer poles kinda greasy?

2002-01-22 Thread mike wilson

Hi,

Mike Johnston wrote:
 
  I have mine shipped to a small valley in Bhutan where they're
  hand-washed by Bon nuns on rocks eroded by the crystal headwaters
  of the Brahmaputra. After that they're transported by semi-wild dzos
  to Mount Kailash then wind-dried on prayer poles.
 
 So don't leave us hanging, Walkden. Does this method work well, or not?

Unfortunately, the ozone layer hole allows enough ionising
radiation through at that altitude to burn holes in them. 
Anyone want some Pentax microfibre lace?

mike
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Re: Marx is overvalued

2002-01-22 Thread Cotty

 A slight (pedantic?) clarification is in order, perhaps.


Or, perhaps not. Nip of Bob W.'s cooking sherry then, Bob H.? There's a good
lad.

;-) ---(dreaded wink twice in a row--O, bad night, bad night)

Shouldn't that be: a slight (pedantic?) claret

___
Personal email traffic to [EMAIL PROTECTED]
MacAds traffic to [EMAIL PROTECTED]
Check out the UK Macintosh ads 
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Re: How many lenses do you WANT to own?

2002-01-22 Thread Frantisek Vlcek

Monday, January 21, 2002, 7:50:55 PM, Cotty wrote:
Actually, some assignment / editorial photogs these days are getting by with
2 zooms--an f/2.8 super WA (17-35, that sort of thing) and an f/2.8 80-200.

C Mike,
C ALL the press snappers I see out on jobs have exactly those lenses - 
C almost exclusively Nikon D1Xs, although the Canon faithful have soldiered 
C on with the D30 - until now. I dare say there will be the odd brace of 
C EOS1-Ds now.

C Cotty

True, Cotty, I have seen many of them with this double-setup too. But
the few I know personally want to be more creative (one works for a
weekly, though, there's _somewhat_ more time there for creativity).
One war reporter and when not in war a normal PJ uses a lot his
1.4/35mm for creative DOF, even in plain daylight (I guess the 1/8000
speed of these bodies helps thereg). Even for normal, fast,
reportage. I must admit, his photographs are really good, they stand
out of the usual PJ snappers crowd.

Good light,
   Frantisek Vlcek
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Re: For Pål: Film Flatness snip from Zeiss (Long )

2002-01-22 Thread Frantisek Vlcek

[...long quote from papa Zeiss]
 As a rule of thumb: For best sharpness in medium format, prefer 220
 type roll film and run it through the camera rather quickly.
 -

Evan, thanks for the forward. Interesting read. But just cuting out
the last paragraph as above, it seems to my overparanoid mind (and I
am _not_ a World Conspiracy loving American G) as a way to increase
film sales and revenues in meduim format ;-)) 220 means better bucks
than 2x120, as you have to run 2x more exposures with 5min between
each exposure... Heh ;-)

Good light,
   Frantisek Vlcek
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Re: I still want the A* 135/1.8

2002-01-22 Thread Frantisek Vlcek

BB Economics is not about dollars (or euros, or yen, or pesos). Economics is about 
the trade
BB of goods and services among people. Dollars are simply an abstract representation 
of this
BB trade among people.
BB Regards,
BB Bob...

Tempted, but I won't go into this one. No. *must resist* ! No. Nooo.
Nooo! Let it be, please REALLY!

Good light,
   Frantisek Vlcek
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Re: Repeated messages

2002-01-22 Thread Frantisek Vlcek

Monday, January 21, 2002, 6:49:12 PM, Doug wrote:
DB Yes, I've seen them and have taken action.
DB Thanks,
DB Doug

Doug, thank you!

Good light,
   Frantisek Vlcek
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Re: MI6 use Pentax

2002-01-22 Thread Tom Rittenhouse

Not AH. HA.

Ciao,
graywolf
[EMAIL PROTECTED]



- Original Message - 
From: Brendan [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Monday, January 21, 2002 11:53 PM
Subject: Re: MI6 use Pentax


 AH he's confused the British regulars for the Canadian
 Army, well the
 local and Provincial regiments were in aqua green tail
 coats and
 single bandoler, except Quebec, they were in a bright
 Blue not to be
 mistaken for the dark blue of the US Blue coats.
 
 
 
  --- Tom Rittenhouse [EMAIL PROTECTED] wrote:
  No, no, Mounties wear bright red frock coats. Army
  wears bright red tail
  coats with crossed white bandolers. Look I have seen
  them in the movies, so
  you can't tell me otherwise.
  
  Ciao,
  graywolf
  [EMAIL PROTECTED]
  
  
  
  - Original Message -
  From: Aaron Reynolds [EMAIL PROTECTED]
  To: [EMAIL PROTECTED]
  Sent: Monday, January 21, 2002 1:43 PM
  Subject: Re: MI6 use Pentax
  
  
   On Sunday, January 20, 2002, at 09:51  PM, Tom
  Rittenhouse wrote:
  
Heck, and I thought you blokes wore bright red
  tail coats.
  
   Tom, Tom, Tom...those are Mounties!  The Royal
  Canadian Mounted Police
   would probably not appreciate being confused with
  the Canadian Armed
   Forces, much like your FBI would not appreciate
  being confused with the
   Marines.
  
   Do the FBI have horses?
  
   -Aaron
  
   trying to picture the Mounties' musical ride with
  black sedans and men
   in black shades
   -
  
 
 __ 
 Web-hosting solutions for home and business! http://website.yahoo.ca
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Australian PDMLRS - 35-105 A

2002-01-22 Thread Bob Rapp

I found a f3.5 35-105 KA zoom at a local shop. They marked the price
down from 399 to 299. It is in excellent condition but does not include
original lens cap.
If there is any interest, contact me off line and I will give you their
details.

Regards,

Bob Rapp {:~)
[EMAIL PROTECTED]
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Re: OT -- sort of -- What makes a photographer?

2002-01-22 Thread Camdir

Ultraman is alive and well in today's Japan. To be found in any toystore in 
the niknak dept.

Kind regards

Peter
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Re: OT:party in Sunny Brighton

2002-01-22 Thread Camdir

Hello Steve

I am planning some special deals for that day. Watch the AP ad for more info. 
Andmine's a pint - Super Dry, of course.

Forty years old and twenty of those in the camera business - you'd think I 
would have learned something by now.

Kind regards

Peter
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Start-up B/W kit

2002-01-22 Thread Artur Ledchowski

Hi,
So it finally got me:) I decided to enter the blackwhite world... I've alre
ady bought a developing tank but I don't know what film and chemicals I shou
ld get at the beginning - Ilford, Agfa, Kodak (no, you won't talk me into us
ing the Kodak Academy:)) What are their pros and cons?
What do you think?
TIA
Greetz
Artur
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Re: Didn't someone want a 135/1.8?

2002-01-22 Thread Waterson

 Take a look at the U.S. EBay listing mentioned at the start of this
thread. It was indeed a star lens, issued during the A series; I should have
said 135/1.8 PKA*. Last year a pair of them sold back-to-back on EBay for
$1800 and $1810. They are among the very scarcest and sought-after Pentax
K-mount primes of any focal length. Everyone seems to want the biggest 135.

I just have my Takumar 135/2.8 but it only cost me $60.00AUD

Kevin
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RE: So that's who's got all the fun

2002-01-22 Thread Malcolm Smith

 That's nothing, according to the bottom of this disposable camera in
 front of me, Kodak owns not only the word Gold, but also the word
 Fun.  Careful, now, kids, don't be having any fun that isn't
 authorized by the Eastman Kodak Company!


I **KNEW** I wasn't having as much fun as I used to.  :-(


--Mike



~

Do I have to process my *fun* after I have had it? If you are having a bad
day can you buy some disposable *fun*?

You can't licence words like that, although I would have to agree you have
to be careful with some. For example, if you were taking pictures in the
Scottish Highlands and were hungry and enjoy fast food, I wouldn't say
Gosh! I could murder a McDonalds on the grounds it may be the last thing
you say ;-)

Malcolm
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Re: Vivitar Series 1 70-210 models

2002-01-22 Thread Paul F. Stregevsky

The second-generation version (f/2.8 to 3.5, introduced 1984) was made by 
Komine Ltd. of Japan.

Komine also made the third-generation version, introduced 1986 (f/2.8 to 
4.0). It takes a 58mm filter and has 14 elements in 11 groups. Weight is 24 
ounces, like the Pentax 70-210/4 PKA. It and the 2/8 to 3.5 were available 
in PKA mount.

In an earlier posting I praised the Tamron SP Macro 70-210 f3.5. I 
neglected to mention in its name that it is a macro (constant 1:2.6). It's 
a push-pull one-touch; it weighs 30 ounces (860 g), uses a 62mm filter, has 
15 elements in 11 groups, and has 7 blades in its diaphragm.

Paul Franklin Stregevsky
13 Selby Court
Poolesville, Maryland 20837-2410
[EMAIL PROTECTED]
H (301) 349-5243
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RE: Cleaning Micro-Fibre Cloths

2002-01-22 Thread Alan Abbott

Does that mean that if I use my cloth on a 77 Ltd first before I clean my
A28 it will improve the bokeh? ;)
Alan

Aaron said:
Shel, though I'm not Bob I feel that I should warn you that by mixing 
your cloths you are seriously risking rubbing some of the bokeh off of 
your lenses,



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Re: I still want the A* 135/1.8

2002-01-22 Thread Rob Studdert

On 22 Jan 2002 at 7:36, Paul F. Stregevsky wrote:

 My lens set ranged from 16 to 500mm and consists entirely of lenses 
 highly  praised by PDML members. But I've never spent more than $400 on a lens.

I have spent over US$1000 on my current lenses over 14 times and I feel OK 
about it too, each to their own I guess?

Cheers,

Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
UTC(GMT)  +10 Hours
[EMAIL PROTECTED]
http://members.ozemail.com.au/~distudio/publications.html
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eBay Bargain motordrive?

2002-01-22 Thread Christian Skofteland

http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItemitem=1321229882r=0t=0showTutorial=0ed=1011676026indexURL=0rd=1

Granted, it says the ni-cad pack needs work because it can't hold a charge 
for more than a day but it looks to me like someone got a bargain.  

I tried to enable myself but I just don't have the funding to support my 
habits!

Christian
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Re: Start-up B/W kit

2002-01-22 Thread Terence Mac Goff

Well at the risk of appearing not to answer the question at all, here goes:

The choice of darkroom process really depends on your setup, and 
preferences. I use Ilford Delta 400, underexposed by about 1/3 stop, and 
developed normally in Agfa Rodinal Special Developer, printed on Ilford  RC 
Multigrade paper at grade 3. Why? because I like the result.

After a while messing about with various combinations, this is the one I 
like the best. Depending on what you want, you probably will need to 
experiment a bit as well. I personally prefer the new T-grain films from 
Ilfod (Ilford Delta) because I like the smaller grain. I don't like Kodak 
T-Max (many people wont use anything else).

However, others will argue that the older type films such as AgfaPan, Kodak 
Tri-X, Ilfod HP5 plus, and Ilford FP4, give better contrast range, an 
tonality. So really, its probably a case of getting out and about over a 
few months, and trying a few combinations.

So essentially, you need to take a lot of notes, and be able to pinpoint 
how you developed a roll of film, what the prints were printed on etc, and 
when you have a fair selection of prints, and negs, you'll certainly know 
what you do and don't like (also, this changes every few years in my own 
experience).

A good place to start though is with something like Ilford Ilfosol-S, which 
is a fairly good allround developer, and something like Ilfod HP5, or FP4 
(I don't have much experience with T-Max, although Tri-X should be ok in 
Ilfosol).

Hope this helps (although I realize it probably didn't)

T.

At 11:27 22/01/2002 +0100, =?iso-8859-2?Q?Artur_Led=F3chowski?= wrote:
Hi,
So it finally got me:) I decided to enter the blackwhite world... I've alre
ady bought a developing tank but I don't know what film and chemicals I shou
ld get at the beginning - Ilford, Agfa, Kodak (no, you won't talk me into us
ing the Kodak Academy:)) What are their pros and cons?
What do you think?
TIA
Greetz
Artur
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Re: Vivitar Series 1 70-210 models

2002-01-22 Thread Bill Owens

Paul

According to my info: http://people.smu.edu/rmonagha/third/cult.html#vivitar
it was the third version that was made by Komine.  The first was by Kiron
and the second (the one I have) was made by Tokina.

Bill  KG4LOV
[EMAIL PROTECTED]



- Original Message -
From: Paul F. Stregevsky [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Tuesday, January 22, 2002 7:47 AM
Subject: Re: Vivitar Series 1 70-210 models


 The second-generation version (f/2.8 to 3.5, introduced 1984) was made by
 Komine Ltd. of Japan.

 Komine also made the third-generation version, introduced 1986 (f/2.8 to
 4.0). It takes a 58mm filter and has 14 elements in 11 groups. Weight is
24
 ounces, like the Pentax 70-210/4 PKA. It and the 2/8 to 3.5 were available
 in PKA mount.

 In an earlier posting I praised the Tamron SP Macro 70-210 f3.5. I
 neglected to mention in its name that it is a macro (constant 1:2.6). It's
 a push-pull one-touch; it weighs 30 ounces (860 g), uses a 62mm filter,
has
 15 elements in 11 groups, and has 7 blades in its diaphragm.

 Paul Franklin Stregevsky
 13 Selby Court
 Poolesville, Maryland 20837-2410
 [EMAIL PROTECTED]
 H (301) 349-5243
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RE: Cleaning Micro-Fibre Cloths

2002-01-22 Thread Paris, Leonard

It could, if you rub real hard. ;-)

Len
---

-Original Message-
From: Alan Abbott [mailto:[EMAIL PROTECTED]]
Sent: Tuesday, January 22, 2002 6:37 AM
To: '[EMAIL PROTECTED]'
Subject: RE: Cleaning Micro-Fibre Cloths


Does that mean that if I use my cloth on a 77 Ltd first before I clean my
A28 it will improve the bokeh? ;)
Alan
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Re: Very OT

2002-01-22 Thread Christian Skofteland

No Mike, you've lost it a long long time ago. ;-)

Christian

On Monday 21 January 2002 21:39, Mike wrote:
  why do butlers iron newspapers?

 If the butlers are ironing the newspapers they just better be sure the
 colors are web-safe before they throw them in the washing machine with no
 fabric softener.

 ZM!! There goes Michael Schumacher!!!

 *sigh*

 I'm losin' it.

 --Mike
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Re: Vs: Michael A.'s an ASS

2002-01-22 Thread Christian Skofteland

Well, to be fair, so was Kimi.  McLaren started testing the new car after 
those times were set.

Christian

On Monday 21 January 2002 17:22, Ed wrote:
 And Michael is basically driving last year's car.

 Thanks,
 Ed
 http://lightandsilver.com
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Re: New Fisheye

2002-01-22 Thread William Kane

Antti-Pekka,

   No this is the manual focus version . . . the one thing that I have
noticed (or rather not noticed), is that with this lens, focusing is not
much of an issue.  EVERYTHING I can see is in focus . . . I turn the
focus ring, and don't see any changes.  Now I was using this in my
family room, so, it might just be that I wasn't looking at infinity, but
it doesn't seem that focus would be necessary.

Illinois Bill

Antti-Pekka Virjonen wrote:
 
 At 09:21 20.1.2002 -0800, you wrote:
 Hey gang,
 
Got a Sigma 8 f/4 circular fisheye off of ebay recently.  It's a very
 interesting lens, which presents an entirely new way of looking at the
 world to me.  I've taken a couple of test shots, which I have to take in
 to get process still.  When I get them back, I'll scan and upload them
 so the list can take a look.
 
 EXCITED as always,
 Illinois Bill
 
 Great!
 
 I previously asked the list if anyone had this lens. At that time no-one
 seemed to have it and now that you told us you do, I am very anxious to
 see the scanned results ! Is it the auto focus version ?
 
 I'd want a circular fish-eye for those specatacular all sky phenomena
 like noctilucent clouds and aurora.
 
 Antti-Pekka
 
 ---
 * Antti-Pekka Virjonen * Fiskarsinkatu 7 D   * GSM: +358 400 789753 *
 * Computec Oy Turku* FIN-20750 Turku Finland * Fax: +358 2 413  *
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Re: I still want the A* 135/1.8

2002-01-22 Thread Rfsindg

[EMAIL PROTECTED] writes:

 How many of us can really take more than a few shots with the $1800 
135/1.8 
 PKA that we could not have got with a lens costing one-tenth as much?  

Paul,

You've got to try shooting a high school gymnastics meet in a dim field 
house.  Even with Fuji 800, I had trouble with blurr on the moving gymnasts.  
The 135/2.5 just won't cut it.  I'm trying 1600 Ecktachrome pushed to 3200 
this Saturday.

Not all of us paid $1,800 for these lenses, and not all of us lock them away 
in some display case.  Lenses are for using.  The A*135/1.8 has made more 
trips to my daughter's high school events than any other.  It's the one I use 
the most in the gym or the theater.

Regards,  Bob S.
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Favorite Body Roll Call Results UPDATE 12

2002-01-22 Thread Albano_Garcia

1- You must choose JUST ONE Pentax brand body of any era and format.
2- You must have personal experience with it, no matter if you own it,
owned it, borrowed it, rented it. You must have used it (it's not a wish
list).
3- Again, you must choose JUST ONE.
4- Send the answers OFF-LIST, TO ME, to don't disturb list members. I'll
not count votes sent to list.
Regards

DISCLAIMER: For the winner category, I'll count all the variants of a
same model (ie all Spotties together), so don't start arguing hey, you
must put all this or that together. Thanks



Winner by now: LX with 22 votes.

Members: 71

M42:
- Spotmatic (1)
- Spotmatic II (1)
- Spotmatic SP (2)
- Spotmatic F (1)
- SP 500 (2)
- ES (1)

K Manual Focus:
- KX (4)
- K2 (1)
- K2 DMD (1)
- MX (7)
- LX (22)
- Super Program (2)
- Program A (1)

K Auto Focus:
- Z1 (1)
- Z1p (1)
- PZ1p (4)
- MZ S (11)
- ZX5n (2)
- MZ5n (1)

Medium Format:
- 645 (1)
- 6x7 (4)
- 67 (1)
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Favorite Lens Roll Call Results UPDATE 46

2002-01-22 Thread Albano_Garcia

These are the conditions:
1 - You must answer off-list exclusively. On-list votes will not be
included.
2 - You must choose Your Favorite Pentax Lens. ONLY ONE. Yes, ONLY ONE.
3 - It must be original, no third-party allowed.
4 - Primes and zooms.
5 - You must specifiy: Tak, Super Tak, SMC Tak, K, M, A, F, FA, etc.
6 - You must have personal experience with it, no matter if you have it,
had it,
lost it, sold it, borrowed it, but you must have used it. If not it would
be a wish list.

First Place (11 votes): FA* 24 2

Members: 151


K 15 3.5 (2)
A 15 3.5 (1)
A 20 2.8 (1)
K 24 2.8 (3)
A 24 2.8 (2)
FA* 24 2 (11)
K 28 3.5 (1)
K 28 3.5 Shift (1)
M 28 2.8 (1)
A 28 2 (1)
A 28 2.8 (1)
K 35 3.5 (1)
M 35 2 (1)
FA 35 2 (2)

M 40 2.8 (4)
FA 43 1.9 Limited (2)
SuperTak 50 1.4 (1)
SMC Tak 50 1.4 (3)
SMC Tak 55 1.8 (2)
K 50 1.2 (1)
K 50 1.4 (1)
M 50 1.4 (5)
M 50 1.7 (3)
M 50 4 Macro (1)
A 50 1.4 (6)
A 50 1.7 (1)
F 50 1.4 (1)
F 50 1.7 (1)
FA 50 1.4 (2)
FA 50 1.7 (1)
K 55 1.8 (2)

FA 77 1.8 Limited (3)
SMC Tak 85 1.8 (3)
SMC Tak 85 1.9 (2)
K 85 1.8 (3)
M 85 2 (2)
A* 85 1.4 (2)
FA* 85 1.4 (2)
M 100 2.8 (2)
M 100 4 Dental Macro (1)
A 100 2.8 (1)
A 100 2.8 Macro (4)
F 100 2.8 (1)
F 100 2.8 Macro (2)
FA 100 2.8 Macro (5)
K 105 2.8 (2)
K 135 2.5 (1)
A* 135 1.8 (1)
A 135 2.8 (1)
Tak 200 3.5 Preset (1)
K 200 4 (1)
A* 200 2.8 (1)
A* 200 4 Macro (5)
A* 300 2.8 (2)
F* 300 4.5 (2)
FA* 300 4.5 (1)
FA* 400 5.6 (1)


FA 20-35 4 (3)
M 24-50 4 (1)
FA 24-90 3.5-4.5 (3)
FA 28-70 4 AL (1)
FA 28-80 3.5-4.7 (1)
F 35-70 3.5-4.5 Macro (3)
FA 28-105 4-5.6 powerzoom (1)
A 35-105 3.5 (7)
K 45-125 4 (1)
M 75-150 4 (3)
A 70-210 4 (2)
A 80-200 4.7-5.6 (1)
FA* 80-200 2.8 (1)


645 35 3.5 (1)
6x7 SMC 45 4 (1)
6x7 SMC Tak 55 3.5 (1)
6x7 SMC 55 4 (1)
67 165 4 LS (1)
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Bodies Roll Call Results UPDATE 145

2002-01-22 Thread Albano_Garcia

Please send the messages to me directly, to not disturb other
members,thanks.
Also, I've not included 110 and digital cameras, just because I started
this way, and I didn't want to change in the middle of the way.
Also, if you already submited and want to add new items, please put clearly
in your message: this is not my first submission, so I don't put you twice
in
the total answers.
Thanks to all contributors.

TOTAL ANSWERS: 451 members
MANUAL FOCUS:

Screw Mount:
- Asahiflex IIa5
- Asahiflex IIb6
- Asahi Pentax (AP)5
- K4
- SL...8
- SV..11
- S1...3
- S1a.11
- S2...2
- S3...5
- SP500...14
- SP1000..12
- Spotmatic...35
- Spotmatic II18
- Spotmatic IIa2
- Spotmatic SP34
- Spotmatic SP II.15
- Spotmatic F.43
- Spotmatic F MD...2
- Spotmatic MD.3
- ES..18
- ES II...25
- ElectroSpotmatic.4
- H1...2
- H1a..5
- H2...5
- H3...7
- H3v..5

Bayonette:

- KM..18
- KX..45
- KX MD1
- K2..42
- K2 DMD..11
- K1000...86
- K1000 SE.9
- MX.135
- ME..43
- MF-1.1
- ME SE2
- ME Super...141
- ME Super SE..4
- MV...7
- MV1..2
- MG..13
- LX.155
- Super Program...78
- Super A.47
- Program Plus18
- Program A...10
- A30004
- A3...2
- A3(date).1
- P3...8
- P3n..8
- P30..8
- P30n.1
- P30t14
- P5...8
- P50..3
- ZX M25
- MZ M15

AUTOFOCUS:

- ME F11
- SF 1.5
- SFX..3
- SF 1n8
- SFXn14
- SF 7.2
- SF 107
- PZ 118
- PZ 1 SE..2
- Z1..25
- PZ 1p...71
- Z1p.41
- Z5...2
- Z5p..1
- PZ 105
- Z 10.5
- PZ 20...13
- Z 20.4
- Z 50p2
- PZ 706
- Z 70.1
- MZ S28
- MZ 322
- ZX 511
- MZ 515
- ZX 5n...58
- MZ 5n...40
- ZX 7.9
- MZ 7.8
- ZX 10...10
- MZ 10...14
- ZX 308
- MZ 301
- ZX 508
- MZ 50...11

MEDIUM FORMAT:
- 645.18
- 645n.4
- 6x7.18
- 67...9
- 67 II7
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Favorite Film Roll Call Results UPDATE 37

2002-01-22 Thread Albano_Garcia

These are the conditions:
1 - You must answer off-list, right to me.
2 - You must choose your favorite emulsion (35 and 120/220 allowed. Color
and b
and w)
3 - You must choose ONLY ONE (color print OR slide OR b and w, etc).
4 - You must have personal experience with it.

WINNER by now: Tri-X with 10 votes.

Members: 97

COLOR Slide:

Kodak Kodachrome 25 (2)
Fuji Velvia (9)
Agfa RSX II 50 (1)
Kodak Kodachrome 64 (4)
Kodak Elitechrome Extra Color 100 (3)
Kodak Ektachrome 100 VS (3)
Kodak Ektachrome 100 SW (2)
Kodak Ektachrome 100 (1)
Fuji Sensia II 100 (3)
Fuji Provia 100F (7)
Kodak Kodachrome 200 (1)
Kodak Ektachrome E200 (2)
Fuji Provia 400F (1)

COLOR Print:

Konica Impressa 50 (1)
Kodak Supra 100 (1)
Kodak Royal 100 (1)
Fuji Reala 100 (2)
Agfa XRG 100 (1)
Kodak Portra 160 NC (1)
Fuji Superia 200 (1)
Agfa HDC Plus 200 (1)
Kodak Max 400 (1)
Kodak Ektapress PJ 400 (1)
Kodak Supra 400 (4)
Fuji Press 400 (1)
Fuji Superia 400 (1)
Fuji NPH 400 (1)
Kodak Portra 800 (1)
Fuji Press 800 (3)
Kodak PJC 1600 (1)

BLACK AND WHITE:

Agfapan APX 25 (2)
Agfapan APX 100 (1)
Ilford Pan F (2)
Ilford Delta 100 (4)
Kodak Plus-X (2)
Ilford FP4 Plus (3)
Agfa Scala 200x (1)
Kodak Tri-X (10)
Kodak T400 CN (1)
Kodak Porta 400 BW (1)
Fuji Neopan 400 (1)
Agfa APX 400 (1)
Ilford HP5 (1)
Ilford HP5+ (1)
Ilford XP2 (2)
Konica VX 400 (1)

INFRARED:

Kodak HIE (1)
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Re: I still want the A* 135/1.8

2002-01-22 Thread Paul Stenquist

Paul F. Stregevsky wrote:

  There is a very correlation between price and value...

 Make that perceived value. The maker of a higher-priced product always
 wants you to believe You get what you pay for.

And part of what you pay for is imagery. If a high priced product makes you feel
good about yourself, then perhaps it's worth the money. If image and perceived
value were taken out of the equation, life would be rather boring. And, worse yet,
I'd be out of a job.

 It's not uncommon for a product's perceived value to be ratcheted up by
 hype. What makes a $50/ounce perfume worth more than a $10/ounce
 chemically equivalent generic? Will the man that a woman wishes to attract
 know that she's wearing the name-brand?

No, but she'll know, and it may very well affect her self esteem. And perhaps she
likes the look of that fancy, name brand bottle on her dressing table. That's
value.

 Why do certain German and Italian cars sell in America for multiples of
 their domestic selling price? Hype.

They don't sell for multiples of domestic selling prices. That's popular BS. I
once worked on Mercedes advertising for the US market. Believe me, we did
everthing we could to keep the price point down, but the prices reflected the
costs of producing the product and marketing it here. But over the years, Daimler
figured it out. Mercedes automobiles are no less expensive than they were 12 years
ago.

Paul Stenquist
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Re: Start-up B/W kit

2002-01-22 Thread Evan Hanson

Artur, In my very non-professional opinion, Kodak Tri-X and D-76 make an
excellent film developer combo for those just beginning bw.  My first batch
of Tri-X I'm sure was way off specs for temperature and time but I still got
acceptable results.

Evan


- Original Message -
From: Artur Ledchowski

 Hi,
 So it finally got me:) I decided to enter the blackwhite world... I've
alre
 ady bought a developing tank but I don't know what film and chemicals I
shou
 ld get at the beginning - Ilford, Agfa, Kodak (no, you won't talk me into
us
 ing the Kodak Academy:)) What are their pros and cons?
 What do you think?
 TIA
 Greetz
 Artur
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Re: Vivitar Series 1 70-210 models

2002-01-22 Thread Fred

 The second-generation version (f/2.8 to 3.5, introduced 1984) was
 made by Komine Ltd. of Japan.Komine also made the third-generation
 version, introduced 1986 (f/2.8 to  4.0).

Hmmm...  That's interesting...  Paul, what is your source of this
information (on the maker of the second-generation version)?  Robert
Monaghan's third-party lens site claims that Tokina is the
manufacturer of the middle zoom (referencing Keppler in Modern
Photography as the source of this information).

Fred
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Re: I still want the A* 135/1.8

2002-01-22 Thread Paul Stenquist

Darn, I insert typos in the worst places.

Paul Stenquist wrote:

 Paul F. Stregevsky wrote:
 I meant to say, Merces automobiles are less expensive now than they were 12 years
 ago.

  Mercedes automobiles are no less expensive than they were 12 years
 ago.

 Paul Stenquist
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RE: Iron and...

2002-01-22 Thread Peifer, William [OCDUS]

Mike Johnston opined:
 why do butlers iron newspapers?

 Because it's too hard to steel them?

 I give up. g

 --Mike

Ooooh, I know this one!!  It dries the ink and keeps it from soiling the
hands of their burgeois oppressors -- err, uhh... employers.  I have no idea
where I heard this or why I remembered it.  Now what do I win?  ;-)

Comrade Bill
Rochestergrad, NY
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Re: Vivitar Series 1 70-210 models

2002-01-22 Thread Jozef Balaz

Thanks to all of you for the link and clarification. I had the oldest model
in Minolta mount but had to part with it when getting my MZ-5N. My younger
brother got his new MX recently and I think a well-performing MF 70-210
zoom with a Macro function would be nice for him... ehm, for us. :-) So I
try to go after something I already know. I have heard praise on Pentax A
70-210, but since it lacks Macro, I'd rather bought Vivitar (or Tamron SP?).

What are reasonable prices for each of the Vivitar S1 70-210 models?

Thanks again!

Jozef Balaz
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Re: Surly polar bear

2002-01-22 Thread Frantisek Vlcek

Tuesday, January 22, 2002, 6:47:19 AM, David wrote:
DAM Aaron Reynolds wrote:

 That's nothing, according to the bottom of this disposable camera in 
 front of me, Kodak owns not only the word Gold, but also the word 
 Fun.  Careful, now, kids, don't be having any fun that isn't 
 authorized by the Eastman Kodak Company!

DAM  I seem to recall a lawsuit here a few years back when NZ Telecom decided 
DAM that it owned a specific shade of yellow (as used for their online Yellow Pages 
DAM site).  They tried to sue a web designer who used that colour for something 
DAM else, and if I remember right they didn't get very far.

DAM Cheers,
DAM - Dave

Be glad they didn't put a TM on all the NAMES in the yellow pages!

Good light,
   Frantisek Vlcek (TM)(R)(C). All other mentioned trademarks are
   property of their disrespectful stealers, and William Shakespeare.
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Re: P67 impressions continued, Lenses

2002-01-22 Thread Norman Baugher

OH JUST SHUT UP!!!
Norm

Aaron Reynolds wrote:

 snip I'm loving the 75 f2.8.  I have some more bokeh-oriented shots
 processed
 and scanned that I intend to put up on the net this afternoon. snip
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Now trademarks, was:Re: Surly polar bear

2002-01-22 Thread Bill Owens

There was until recently a night spot in Charlotte called The Polo Lounge
Ralph Lauren and Co. sued saying the name polo was their property.  Sure
fooled me.  I always thought polo was a game similar to croquet played by
rich Englishmen on ponies.

Bill  KG4LOV
[EMAIL PROTECTED]



 Good light,
Frantisek Vlcek (TM)(R)(C). All other mentioned trademarks are
property of their disrespectful stealers, and William Shakespeare.
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Re: ME Super: will a winder shorten its life?

2002-01-22 Thread Aaron Reynolds

My ME Super died because of the stresses on the advance mechanism from 
my thumb.  I had a winder ME II, but didn't use it much (and still don't 
with my new ME Super) because of the slight delay in firing and because 
the shutter button doesn't seem to have a 'stop' where it is about to 
fire...know what I mean?  I didn't like the feel of it.

-Aaron
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Re: Favorite Body Roll Call Results UPDATE 12

2002-01-22 Thread Aaron Reynolds

On Tuesday, January 22, 2002, at 08:18  AM, [EMAIL PROTECTED] 
wrote:

 - 6x7 (4)
 - 67 (1)

Am I fighting for a lost cause here?

-Aaron
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Re: ME Super: will a winder shorten its life?

2002-01-22 Thread Denny Baptie

MY experience with a winder on a ME Super is that 
it is bad for the camera I have had the mechanism 
repaired once and recently I am starting to have
problems again. After using it continuously for eight
years I have removed it replaced the screw cover to
the body and put the winder away.
Also the winder does not always load properly, you never
feel 100% sure it has loaded at times. I never used it 
in the continuous position because trying that position
a couple of times, it went through the whole roll of film.

Is it that difficult a job to crank a ME Super?


Denny B 



Subject: Re: ME Super: will a winder shorten its life?
   From: Fred [EMAIL PROTECTED]
   Date: Tue, 22 Jan 2002 07:06:31 -0500
 To: [EMAIL PROTECTED]

 Morning all - I've been thinking for a while of adding a winder to
 my ME Super.  [snip]  The only thing that concerns me is that I'm
 a little afraid that a winder will put extra strain on the Super's
 advance mechanism and possibly shorten its life.  [snip]  Anyone
 have any experiences, good or bad, that would help me decide?

Clive:

I used a pair of ME Supers with Winder II's on them for probably
most of the 1980's, running countless rolls of film through them,
and they never had a problem (of any sort) during all that time.
And, these cameras were thoroughly ~used~ under less-than-ideal (for
camera bodies) conditions (they were my main camera bodies for my
work on a whale watch fleet, which is a tough environment for photo
gear).  I hardly ever used the Continuous function of the winders,
but almost always used them for Single shots.  However, my
impression of the winders is that they may have actually ~increased~
the life of the winding mechanism, since the film advance lever
itself never had to be used at all.  In any case, they always worked
like the proverbial charm. (Your mileage may vary, of course.)
Anyhow, that's my thoughts.

Fred
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Re: Cleaning Micro-Fibre Cloths

2002-01-22 Thread Aaron Reynolds

On Tuesday, January 22, 2002, at 07:37  AM, Alan Abbott wrote:

 Does that mean that if I use my cloth on a 77 Ltd first before I clean 
 my
 A28 it will improve the bokeh?

Quite possibly, Alan, though the bokeh may be jarring or distracting 
because of the difference in focal lengths.  I recommend using a lens of 
similar (or better yet identical) focal length when attempting 
bokeh-transfer in this manner.

-Aaron

p.s. remember not to store the lenses on their sides, or all of the 
bokeh will run to one edge, making half of your image sharp and jarring 
and the other half unnaturally smooth.
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RE: Now trademarks, was:Re: Surly polar bear

2002-01-22 Thread Malcolm Smith

Funny, we have had a brand of mints called Polo for decades!

Malcolm

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of Bill Owens
Sent: 22 January 2002 14:03
To: [EMAIL PROTECTED]
Subject: Now trademarks, was:Re: Surly polar bear


There was until recently a night spot in Charlotte called The Polo Lounge
Ralph Lauren and Co. sued saying the name polo was their property.  Sure
fooled me.  I always thought polo was a game similar to croquet played by
rich Englishmen on ponies.

Bill  KG4LOV
[EMAIL PROTECTED]



 Good light,
Frantisek Vlcek (TM)(R)(C). All other mentioned trademarks are
property of their disrespectful stealers, and William Shakespeare.
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Re[2]: Favorite Body Roll Call Results UPDATE 12

2002-01-22 Thread Bruce Dayton

Aaron,

Well, I don't have one yet to consider changing my vote.  Hopefully
not too far away...


Bruce Dayton



Tuesday, January 22, 2002, 6:09:56 AM, you wrote:

AR On Tuesday, January 22, 2002, at 08:18  AM, [EMAIL PROTECTED] 
AR wrote:

 - 6x7 (4)
 - 67 (1)

AR Am I fighting for a lost cause here?

AR -Aaron
AR -
AR This message is from the Pentax-Discuss Mail List.  To unsubscribe,
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RE: Static -- and how to get rid of it

2002-01-22 Thread Peifer, William [OCDUS]

Hi folks,

Thanks to all who responded with helpful advice about static control.  And
thanks, Bob G., for the information about RubaChem wipes!  Those ZeroStat
guns look like they'd work pretty well, although it's somewhat more
expensive than I expected.  The wipes and sprays sound pretty economical,
and I'm anxious to see if the wipes leave any kind of residue.

I looked into those Staticmaster brushes from NRD (Grand Island, NY), and
found out that in Canada, one apparently needs a CDN $700 license to possess
these -- due to the small amount of polonium-210 they contain??!!  Wow!  (At
least this is what is listed on a distributor's website.)  Good thing
there's an exemption from such requirements in the US!  I found a
distributor who lists the 1 and 3 brushes for US $20 and $33,
respectively.  Not sure if the manufacturer will sell these direct for a
better price.

Thanks again,

Bill Peifer
Rochester, NY
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Re: Now trademarks, was:Re: Surly polar bear

2002-01-22 Thread Christian Skofteland

I heard a story on Public Radio a while back that a couple of disgruntled 
Australian song writers had trademarked every possible combination of 
telephone touch-tones as songs (their reasoning is that two notes equals a 
musical composition).  Last I heard they were fighting in the courts for 
royalties for each time ANYONE ANYWHERE in the world dials ANY number from 
ANY touch-tone telephone! 

Christian (using rotary phones from now on!)

On Tuesday 22 January 2002 09:30, you wrote:
 Funny, we have had a brand of mints called Polo for decades!

 Malcolm

 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of Bill Owens
 Sent: 22 January 2002 14:03
 To: [EMAIL PROTECTED]
 Subject: Now trademarks, was:Re: Surly polar bear


 There was until recently a night spot in Charlotte called The Polo Lounge
 Ralph Lauren and Co. sued saying the name polo was their property.  Sure
 fooled me.  I always thought polo was a game similar to croquet played by
 rich Englishmen on ponies.

 Bill  KG4LOV
 [EMAIL PROTECTED]

  Good light,
 Frantisek Vlcek (TM)(R)(C). All other mentioned trademarks are
 property of their disrespectful stealers, and William Shakespeare.
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Re: Start-up B/W kit

2002-01-22 Thread Shel Belinkoff

Hi Artur,

There are so many BW films and developers that it would be hard to make
a suggestion as to the brand of film to start with.  Kodak's Tri-X is a
very forgiving film, is readily available almost anywhere, has good
keeping properties and requires little in the way of special handling or
storage.  Some people consider its granularity to be too great, but that
depends on the developer used, the technique used to develop the film,
the type of enlarger and paper used to make the print, and, of course,
the exposure.  This is true for all BW emulsions, BTW, not just TX.

You'll find similar qualities for many other BW films.  Having tried
and used many, I keep coming back to TX as the standard, but I like
Agfa APX 100 quite a bit, as well as Ilford 100 Delta, Fuji's new Across
100, and have been experimenting with Bergger 200.  In general, I like
the older style emulsions.  Others swear by the newer T-grained films -
Ilford's Delta series, Kodak's T-Max, and so forth.

The truth is, it almost doesn't matter where you start.  You just need a
point of beginning to learn technique and what your preferences are. 
Until you've established your own exposure index and developing time for
a given film, and learned how to make some decent prints, you won't even
have a reference point to determine your preferences.  Once you've
learned what you need to know about a given film/developer combination
you can then, intelligently, say that you prefer more or less of certain
qualities, and then find either another film or developer that will halp
you achieve the desired results.

Anyone that tells you a certain film is best is, quite frankly, full
of it.  There is no best film, just films with different
characteristics that may or may not be ideal for a given subject.

Further, unless you're going to be printing your own negatives, you'll
never learn the craft of BW.  I hope you're planning on getting an
enlarger and setting up a small darkroom.  That's the only way you'll
have the control needed to determine with any accuracy which films and
chemicals you prefer.

And speaking of chemicals, both Kodak's D-76 and Ilford's ID-11 are good
places to start.  Defferent results can be had by using different
dilutions, which will allow you some room for experimentation without
having to buy many different developers, and both are generally
available, inexpensive, and easy to use.  Once you know the properties
of the developer you can decide if you'd like something else, just like
with the film.

So, go down to the photo shop, grab a few rolls of one type of film, a
couple of packages of developer, and go to it.  But remember - first
things first: establish the correct EI for the film using your gear,
technique, and conditions.  Otherwise you may as well shoot color neg
film or C-41 BW.

HTH


Artur Ledóchowski wrote:

 So it finally got me:) I decided to enter the blackwhite world... I've alre
 ady bought a developing tank but I don't know what film and chemicals I shou
 ld get at the beginning - Ilford, Agfa, Kodak (no, you won't talk me into us
 ing the Kodak Academy:)) What are their pros and cons?
 What do you think?

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
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Re: Start-up B/W kit

2002-01-22 Thread Aaron Reynolds

On Tuesday, January 22, 2002, at 08:00  AM, Terence Mac Goff wrote:

 A good place to start though is with something like Ilford Ilfosol-S, 
 which is a fairly good allround developer, and something like Ilford 
 HP5, or FP4 (I don't have much experience with T-Max, although Tri-X 
 should be ok in Ilfosol).

One of the instructors at Sheridan tell his students to start with 
Ilfosol-S because he believes it is simple to mix and easy to work with 
in terms of temperature and agitation (it is not overly sensitive to 
minor variations).  I have not used it myself, but I sell a fair amount 
of it.

-Aaron
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Re: Vivitar Series 1 70-210 models

2002-01-22 Thread [EMAIL PROTECTED]

Fred wrote:

 a great condition Pentax A 70-210/4 often goes for $125 (plus or minus) on eBay, 
with more used ones sometimes dipping below $100, I think. 

Yep. I hereby offer my Pentax PKA 70-210/4 for $90, or $115 with the B+H multicoated 
UV filter. It shows wear by the aperture ring but the glass is clean. It's a fine 
lens; I'm just not a zoomer.

I'll ship anywhere. PayPal or BidPay preferred.

[EMAIL PROTECTED]


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Re: Start-up B/W kit

2002-01-22 Thread Shel Belinkoff

While I agree with you WRT the TX/D-76 combination, one may argue
(although it's not my position) that it's almost a too easy and
forgiving combination, and that more can be learned by using a
film/developer combination that forces one to be more precise.

Evan Hanson wrote:
 
 Artur, In my very non-professional opinion, Kodak Tri-X and D-76 make an
 excellent film developer combo for those just beginning bw.  My first batch
 of Tri-X I'm sure was way off specs for temperature and time but I still got
 acceptable results.

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
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Re: Vivitar Series 1 70-210 models

2002-01-22 Thread Fred

 My younger brother got his new MX recently and I think a
 well-performing MF 70-210 zoom with a Macro function would be nice
 for him... ehm, for us. :-)

Smart move, Jozef.  Just don't forget to let him use his lens once
in a while - g.

 I have heard praise on Pentax A 70-210, but since it lacks Macro,
 I'd rather bought Vivitar (or Tamron SP?).

I'm not trying to turn you away from the Vivitar and Tamron lenses,
Jozef, but I should point out that the Pentax A 70-210/4 does have a
macro function (well, sort of).  At the wide end of its zoom range
only (unfortunately), it can be shifted into a Macro mode, but it
is not particularly good as a macro lens.

Actually, now that I think of it, many of the Pentax so-called
macro zooms that ~I~ am familiar with - A 28-135/4 (1:3), A
35-105/3.5 (1:4), A 35-70/4 (1:2.7), A 70-210/4 (1:4) - are really
not particularly good as macro lenses (although it is still nice to
have the feature, just for those emergencies when one is caught
without a regular macro lens).  The pleasant exception here is the
little A 35-70/4, which actually is a rather decent macro lens (and
at its useful long end, at 70mm, too).

Now, for a macro zoom lens that has a ~really~ good macro mode (at
1:2.5), there is that Angenieux 70-201/3.5 that I just sold a couple
of weeks ago (and am starting to miss already - g)...

Fred
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Re: Re: Favorite Body Roll Call Results UPDATE 12

2002-01-22 Thread David Brooks

Should I buy one then Aaron??g

Dave

 Begin Original Message 

From: Aaron Reynolds [EMAIL PROTECTED]
Sent: Tue, 22 Jan 2002 09:09:56 -0500
To: [EMAIL PROTECTED]
Subject: Re: Favorite Body Roll Call Results UPDATE 12


On Tuesday, January 22, 2002, at 08:18  AM, 
[EMAIL PROTECTED] 
wrote:

 - 6x7 (4)
 - 67 (1)

Am I fighting for a lost cause here?

-Aaron
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 End Original Message 




Pentax User
Stouffville Ontario Canada

Sign up today for your Free E-mail at: http://www.canoe.ca/CanoeMail 
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Re: For Pål: Film Flatness snip from Zeiss (Long )

2002-01-22 Thread Pål Audun Jensen

The issues below are my findings as well. At first I didn't know what 
caused my film flatness problems except that it happened in cold weather. 
My camera back has been at service a couple of times and the last time 
everything was tightened up. If anything, this made the problem slightly 
worse. Last summer I shot a roll over two days. All the frames were sharp 
except the second frame of the second day; ie. the piece of film that spent 
the night bent backwards over the rollers.
Indeed if you shot one frame at the time in cold weather with a 645 camera 
the solution is to shoot only every second frame; ie. frame 1, 3, 5 etc. In 
this way, the exposed frame has never spent time bent over the rolls.


Pål





2.
Film flatness problems are mainly caused by the combined influence of
two factors: the rollers in the camera or magazine that bend the film,
and the time a certain part of the film is bent by such a roller.

Camera manufacturers usually space the rollers in a way that bent
portions of the film will never be positioned near the center of the
image. Therefore only marginal regions of the image should be affected
by sharpness problems due to film flatness errors.

Since the photographer cannot alter the geometry and mechanics of his
camera, he can only influence the other factor: time. A film run
through the camera without much time between exposures should result
in good flatness and hence sharpness. Five minutes between exposures
may be some sort of limit, depending on brand and type of film. 15
minutes are likely to show an influence of bending around rollers. Two
hours definitively will.
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Re: How many lenses do you WANT to own?

2002-01-22 Thread Cotty

Hi Frantisek,

True, Cotty, I have seen many of them with this double-setup too. But
the few I know personally want to be more creative (one works for a
weekly, though, there's _somewhat_ more time there for creativity).
One war reporter and when not in war a normal PJ uses a lot his
1.4/35mm for creative DOF, even in plain daylight (I guess the 1/8000
speed of these bodies helps thereg). Even for normal, fast,
reportage. I must admit, his photographs are really good, they stand
out of the usual PJ snappers crowd.

That's an interesting point. One wonders whether or not most press 
snappers are simply using the '2 body 2 zoom' setup almost because it's 
de riguer. By that I mean that - heaven forbid - it's the fashion! Not so 
long ago, I'd see all snappers with a gadget bag, namely a Billingham. 
Then I started to see them disappearing in favour of rucksacks - more 
mobility. Once you've got your bodies and lenses that you want, the rest 
can go on your back, freeing up arms and legs. This is ideal for papping 
celebs, or outside court. But now, the bags seem to have gone altogether! 
Two bodies with 2 zooms, one or both with flash and NiCad(s) in jacket 
pocket(s). So if I saw someone with a 35 1.4, I'd take a closer look - 
this guy isn't following the fashion! He's probably *setting* the trends, 
not following them.

I wonder how many of the trend-followers could shoot something decent 
with just one body and one prime? I'll bet your friend could. That's the 
acid test, eh!

Good light to you too,

Cotty

___
Personal email traffic to [EMAIL PROTECTED]
MacAds traffic to [EMAIL PROTECTED]
Check out the UK Macintosh ads 
http://www.macads.co.uk
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Re: Cleaning Micro-Fibre Cloths

2002-01-22 Thread Mark Roberts

Aaron wrote:

p.s. remember not to store the lenses on their sides, or all of the 
bokeh will run to one edge, making half of your image sharp and jarring

and the other half unnaturally smooth.

And for god's sake, be sure to store them in the dark. Allowing light to
pass through lenses when you're not using them is a waste of their light
transmissivity. If you allow it to be frittered away in this manner it will
be used up very quickly (possibly running out in the middle of an important
shoot!) and the life of the lens will be shortened considerably.


-- 
Mark Roberts
www.robertstech.com
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Re: Start-up B/W kit

2002-01-22 Thread gabriel bovino

I just got into BW photography... well, I just got into photography
recently.  I've been shooting Tri-X and developing with Tri-X developer...
which seems pretty easy to do.  The results were pretty good considering I
haven't developed film since highschool (10 years).  I'm hoping that since I
can't fit an enlarger into my tiny bathroom in my apartment I might just
buy a decent scanner and print them the pics on my HP 932c printer (don't
know what the results will be though).  That way, I can have my own little
digital darkroom and process the film in my bathroom with no worries.

The only things I noticed is that it was tricky loading my stainless steel
developing reel in the dark.  But, I've been practicing loading it with some
test film while I watch T.V. or something... so that I'm not looking at what
I'm doing and until it just becomes second nature to me.

But, maybe you've been shooting for a while and already know a lot of
this...

I just want to say everyone here in this group has been pretty helpful when
I asked about how to develop my first roll of film.

Thanks people!

Gabe
- Original Message -
From: Artur Ledchowski [EMAIL PROTECTED]
To: PDML [EMAIL PROTECTED]
Sent: Tuesday, January 22, 2002 4:27 AM
Subject: Start-up B/W kit


 Hi,
 So it finally got me:) I decided to enter the blackwhite world... I've
alre
 ady bought a developing tank but I don't know what film and chemicals I
shou
 ld get at the beginning - Ilford, Agfa, Kodak (no, you won't talk me into
us
 ing the Kodak Academy:)) What are their pros and cons?
 What do you think?
 TIA
 Greetz
 Artur
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Re: Now trademarks, was:Re: Surly polar bear

2002-01-22 Thread Evan Hanson

On soapbox
Some of you might remember a few years ago that Rupert Murdoch threatened to
sue a small Maryland paper called The Times, Murdoch's contention was that
there could only be one The Times and that of course was The Times of
London.  The Maryland paper not having the assets to stand up to NewsCorp
changed it's name to the Picayune Times or some such.  So behold the sad of
IP law as giant corporations try to lay claim to common words, ever wonder
why Microsofts word processor was named Word, perhaps very soon there will
be a © by every word in the great Oxford Dictionary of the English Language.
In the meantime individual photographers have to jump through hoops to keep
their photographs from image stealing web crawlers.

off soapbox
Evan

- Original Message -
From: Bill Owens
 There was until recently a night spot in Charlotte called The Polo
Lounge
 Ralph Lauren and Co. sued saying the name polo was their property.  Sure
 fooled me.  I always thought polo was a game similar to croquet played by
 rich Englishmen on ponies.

 Bill  KG4LOV
 [EMAIL PROTECTED]



  Good light,
 Frantisek Vlcek (TM)(R)(C). All other mentioned trademarks are
 property of their disrespectful stealers, and William Shakespeare.
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Re: I still want the A* 135/1.8

2002-01-22 Thread [EMAIL PROTECTED]

Bob S ([EMAIL PROTECTED]) wrote: 

 The A*135/1.8 has made more trips to my daughter's high school events than  any 
other.  It's the one I use the most in the gym or the theater. 

And my most used lens is my $150 single-coated Vivitar Series One 135/2.3, which 
f/stop for f/stop delivers 1/2 to a full stop faster shutter speed than my SMC 
135/2.5K. Like you, I use it to shoot indoor school events. I agree, for indoor sports 
ISO 800 won't cut it. I've been shooting at 1250 and push-processing one stop, but I'm 
now starting to shoot at 2000 and push-processing two stops.

[EMAIL PROTECTED]



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Re: End of OM

2002-01-22 Thread Pål Audun Jensen

Mike wrote:


I suppose many of you have heard this already, but yesterday Olympus Optical
Co. announced the end of the OM line.

 
Citing increasing difficulty in finding stable suppliers for parts, Olympus
will discontinue the OM series of 35mm cameras.



Lack of parts was what killed the LX as well, although I suspect that the 
LX may have been discontinued soon anyway...
Shame about the demise of  the OM system though. We can now be sure that 
the coming Olympus digital slr (with interchangeable lenses) will have 
nothing in common with the OM system. It will be interesting to see what 
Olympus offers when they start at scratch.


Pål
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Re: Start-up B/W kit

2002-01-22 Thread Shel Belinkoff

What is Tri-X developer?  I never heard of it.

gabriel bovino wrote:
 
 I just got into BW photography... well, I just got into photography
 recently.  I've been shooting Tri-X and developing with Tri-X developer...

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
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Re: I still want the A* 135/1.8

2002-01-22 Thread [EMAIL PROTECTED]

Paul Stenquist wrote:
And part of what you pay for is imagery. If a high priced product makes you 
 feel good about yourself, then perhaps it's worth the money. If image and  
perceived value were taken out of the equation, life would be rather boring.

Then why not substitute placebos whenever possible and save ourselves some cash?

If certain alternative therapies--say, foot reflexology--work principally by the power 
of suggestion, let's give the unemployed a one-day training course in the basic 
manipulations and the mumbo-jumbo, and heal the sick for a $10 session.

Hey, maybe I'll buy my wife one bottle of Chanel No. 5. When it's empty, I'll refill 
it with the clone, claiming I discarded the old bottle and bought her a new one. OK, 
so I'm omitted some of the necessary logistics. But if she'd be none the wiser, why 
not? How are matters worse?

I routinely pose the following question to husbands: If there was a jewelry item that 
your wife wanted, and you could afford only the manmade copy, would you buy it for her 
and pass it off for the real thing if you knew she'd never try to sell it and I could 
somehow guarantee you that no one else would ever know? The husband usually replies, 
I guess I would, sure. The wife glares at him and snaps, Over my dead body!

Why should she object?

(But then, having seen The Matrix, I don't understand why we shouldn't just let the 
humans exist in their dreamworld.)

[EMAIL PROTECTED]

 


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RE: What lens do you wish Pentax made?

2002-01-22 Thread Ed Mathews

A quality portrait lens around 105mm, Maybe F2 or F2.8.

Thanks,
Ed
http://lightandsilver.com 
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Re: Vivitar Series 1 70-210 models

2002-01-22 Thread [EMAIL PROTECTED]

Fred wrote:

 Now, for a macro zoom lens that has a ~really~ good macro mode (at 
 1:2.5), there is that Angenieux 70-201/3.5 that I just sold a couple 
 of weeks ago (and am starting to miss already - )... 

..or the Vivitar Series One 90-180 Macro Zoom (1:2 throughout its focal range). I'll 
poising to sell my K-mount version soon to let it go to a home that would use it more 
often. And I'll probably miss it, too. 


[EMAIL PROTECTED]


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Re: What lens do you wish Pentax made?

2002-01-22 Thread Mark Erickson

Shel,

Pentax (almost) makes (or made) a couple of the lenses on your wish list.  
There's a Pentax A* 200mm F2.8 on eBay right now, and the FA* 24mm F2.0 is a 
pretty nice lens.  Oh, I forgot one other lens I'd like to see:  bring back 
a 135mm F1.8!  A fast lens like this would be superb for available-light 
action photography! 

 --Mark 

Shel wrote: 

I'd like to see a 150/2.5, a 180mm/f2.8 or so, manual focus, with high
build-quality and optical excellence.  Likewise a 35mm/1.4, a 28/2.0, a
24/mm2.0, and a 20mm/2.0 - all A* quality or better. 
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Re: Cleaning Micro-Fibre Cloths

2002-01-22 Thread Aaron Reynolds

On Tuesday, January 22, 2002, at 10:02  AM, Mark Roberts wrote:

 And for god's sake, be sure to store them in the dark. Allowing light to
 pass through lenses when you're not using them is a waste of their light
 transmissivity. If you allow it to be frittered away in this manner it 
 will
 be used up very quickly (possibly running out in the middle of an 
 important
 shoot!) and the life of the lens will be shortened considerably.

Oh, I almost forgot!  And make sure to paint the interior of your 
lenscaps 18% grey to avoid colour and density shifts during storage.

-Aaron
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Re: What lens do you wish Pentax made?

2002-01-22 Thread Bob Blakely

100mm (or there abouts) f/1.4 designed essentially the same as the 77 limited. Must 
come
with tailored hood.

Regards,
Bob...

Let us contemplate our forefathers, and posterity,
and resolve to maintain the rights bequeathed to us
from the former, for the sake of the latter.
The necessity of the times, more than ever, calls
for our utmost circumspection, deliberation, fortitude,
and perseverance. Let us remember that 'if we
suffer tamely a lawless attack upon our liberty,
we encourage it, and involve others in our doom.'
It is a very serious consideration that millions yet
unborn may be the miserable sharers of the event.
- Samuel Adams, 1771

From: Mark Erickson [EMAIL PROTECTED]


 I want an autofocus 80-200 zoom lens that has the optical quality of the FA*
 80-200 F2.8 zoom, but with a maximum aperture of F3.5 or F4.  This lens
 would be a perfect companion for the MZ-S and 24-90 zoom lens.

 What lens do you wish Pentax made?
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Re: What lens do you wish Pentax made?

2002-01-22 Thread Shel Belinkoff

Yes, I know about the A*200/2.8 - in fact I have one - but I'd still
like something between 150mm and 200mm. Also, a 250mm/2.8 or so would be
nice.  The FA*24/2.0 is huge, and it's auto focus.  Not my cup o' tea.

Mark Erickson wrote:
 
 Shel,
 
 Pentax (almost) makes (or made) a couple of the lenses on your wish list.
 There's a Pentax A* 200mm F2.8 on eBay right now, and the FA* 24mm F2.0 is a
 pretty nice lens.  Oh, I forgot one other lens I'd like to see:  bring back
 a 135mm F1.8!  A fast lens like this would be superb for available-light
 action photography!

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
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Re: Surly polar bear

2002-01-22 Thread Evan Hanson

Actually IIRC most of the modern idea of Santa Claus comes from T'was The
Night Before Christmas Coca-Cola expanded upon the description for its
famous ad campaign.  By skinny Santa I'm assuming you mean Saint Nicholas
who visits Dutch children every year after arriving by ship from his home in
Spain.  St. Nick proved to be so different than Santa that I snapped a
picture of him in a Amsterdam department store with the K1000 with a M50 f2
in 1991 .

Evan
trying to be on topic

- Original Message -
From: Amita Guha

  P.S. Polar bears are a trademark of Coca-ColaTM now, did you know
  that?

 So is Santa Claus. I'm not kidding. The modern image of Santa Claus,
 fat and decked out in red, was created for an ad campaign for Coke
 around the turn of the last century. Before that, Santa was supposed
 to be skinny and I think his clothing was different.
 -
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Re: What lens do you wish Pentax made?

2002-01-22 Thread Shel Belinkoff

Would you not consider the K105/2.8, or the SMC Tak version, a quality
portrait lens?

Ed Mathews wrote:
 
 A quality portrait lens around 105mm, Maybe F2 or F2.8.

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
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Re: Program-Plus right hand grip missing

2002-01-22 Thread William Johnson

KEH has one right now, under Pentax/grips, it is called grip Super A. 
It's $29.00, which seems high, but I've not really priced them
elsewhere.

William in Utah.

Fred wrote:
 
  Recently rescued a near-mint ProgramPlus from a pawn shop...body
  is missing its grip...was this piece an option or a standard
  attachment...
 
 Bob:
 
 The grip on the Program Plus (Program A) came with the camera body
 as standard equipment when bought new.  (It was the same grip as
 used on the Super Program (Super A.)
 
 It has to be removed to attach a winder, and so it may end up being
 misplaced before the body is resold.
 
 A few sellers on eBay have been known to sell the body and the grip
 separately, and a few more sellers may offer it for auction
 presumably when one finally turns after being misplaced for a while.
 That might be your best chance of getting one.
 
 Fred
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MX Zooms

2002-01-22 Thread Collin Brendemuehl

With the discussion of the (very fine) Pentax-A
70-210/4, there's also the inexpensive option of 
the Sears (Kiron?) 80-200/4, which is well-though-
of in this group, and commonly selling for about 
$50.  In addition, KEH has a Tokina 80-200/2.8 
AT-X for $199.  A bit more money, but a significant-
bit more lens.

They both feel in an a Pentax MX.

my 2c,

Collin

--
.
---
Cats are evil incarnate. They are only your friend 
until someone makes a better offer. They are the whores of the animal kingdom.

-- an fellow hater of cats who requested anonymity --
--
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OT Re: Now trademarks, was:Re: Surly polar bear

2002-01-22 Thread Aaron Reynolds

On Tuesday, January 22, 2002, at 12:31  PM, Tom Rittenhouse wrote:

 They may have threatened to sue, but trademarks can only be restricted 
 for
 use in a competetive manner. That means you can not call clothing you 
 sell
 Polo, but you can call your bar Polo. So if they caved in they had a 
 piss
 poor lawyer.

I recall a polo supply company being bullied by WIPO and Ralph Lauren to 
give up the polo.com domain.  I don't recall the outcome, but the WIPO 
do not impress me with their logical thinking or decision making 
skills.  They seem, from what I have read, to be simply a lobby group 
for big business.

-Aaron
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Re: Now trademarks, was:Re: Surly polar bear

2002-01-22 Thread Evan Hanson

You are of course correct.  My point was simply corporations are
increasingly using more general terms and applying copyrights to them in a
deliberate effort to impede their usage by others who might or might not be
competitors.

Evan


From: Tom Rittenhouse


 You can not copyright or trademark words, except in conjucntion with
 something. You can not keep people from using the word except in a
 competitive manner. That is the reason for coined words like Kodak and
 Xerox, they only apply to the product so any use is an infringement.

 Ciao,
 graywolf
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Re: I still want the A* 135/1.8

2002-01-22 Thread Paul Stenquist

[EMAIL PROTECTED] wrote:

 Then why not substitute placebos whenever possible and save ourselves some cash?

Go ahead, feel free. But others will continue to buy advertised brands. And I will 
continue to try to convince them to buy. In fact, I will do my damnedest to talk 
people into buying things they don't need. It's my job.


 Hey, maybe I'll buy my wife one bottle of Chanel No. 5. When it's empty, I'll refill 
it with the clone, claiming I discarded the old bottle and bought her a new one. OK, 
so I'm omitted some of the necessary logistics. But if she'd be none the wiser, why 
not? How are matters worse?

That's fine as well. But if the brand didn't exist, with all its imagery value, then 
there would be no Chanel bottle to refill, nothing to aspire to. And the generic 
perfume wouldn't have to try to mimic the scent of the brand name. In fact, it really 
wouldn't have to smell good at all if there were no target. If one were to extend that 
thought, and think about what might happen without brand identity,  one must conclude
that we'd soon be swimming in a sea of mediocrity. Imagine for a moment that there are 
no camera brands, just one line of equipment produced in one state-owned factory. 
There would be no need to aspire to greatness, no need to create a market for your 
product. It wouldn't matter if the aperture blades were oily and the focus rough, 
because there would be no alternatives.

Value is partly inherent and partly a result of hype (as you call it). But that 
portion of overall value that is a product of marketing hype is just as valuable in 
its own way as the object itself. In truth, a brand name is nothing more than a form 
of hype. The more value you can attach to that brand name, the better chance it has of 
succeeding in the marketplace.

Paul Stenquist
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Re: What lens do you wish Pentax made?

2002-01-22 Thread Brendan

He wants a 101mm limited Prime in titanium with one of
those green leather soft cases and non removable
hoods.

--- Shel Belinkoff [EMAIL PROTECTED] wrote:
 Would you not consider the K105/2.8, or the SMC Tak
 version, a quality
 portrait lens?
 
 Ed Mathews wrote:
  
  A quality portrait lens around 105mm, Maybe F2 or
 F2.8.
 
 

__ 
Web-hosting solutions for home and business! http://website.yahoo.ca
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Serial or batch-numbers on LX

2002-01-22 Thread Peter Smekal

I talked to Pentax/Sweden today. According to them serial numbers don't say
anything about the age of an Pentax LX. There is however a batchnumber -
at least since 1990 - which gives accurate information about place and date
of production. Is this information correct?

Peter Smekal
Uppsala, Sweden
[EMAIL PROTECTED]
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Re: Didn't someone want a 135/1.8?

2002-01-22 Thread Peter Alling

I don't know but $600 US seems a bit high to be sending a seller with 0 
feedback.

Ok, I'll admit it, I have too much time on my hands.  Did anyone else check 
out the
current high bidders previous purchases.  Defiantly a Pentax fan.  His 
previous camera
body purchase was a 'Beater' LX for $165.  Now he's buying arguably the 
most expensive
135mm lens he could buy for this camera.  I'm not sure if this is a 
brilliant strategy,
or what?

At 08:05 PM 1/22/2002 +1100, you wrote:
  Take a look at the U.S. EBay listing mentioned at the start of this
thread. It was indeed a star lens, issued during the A series; I should have
said 135/1.8 PKA*. Last year a pair of them sold back-to-back on EBay for
$1800 and $1810. They are among the very scarcest and sought-after Pentax
K-mount primes of any focal length. Everyone seems to want the biggest 135.

I just have my Takumar 135/2.8 but it only cost me $60.00AUD

Kevin
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Re: Didn't someone want a 135/1.8?

2002-01-22 Thread Bob Blakely

Well, it's the glass that does the job...

Regards,
Bob...

Let us contemplate our forefathers, and posterity, 
and resolve to maintain the rights bequeathed to us
from the former, for the sake of the latter.
The necessity of the times, more than ever, calls
for our utmost circumspection, deliberation, fortitude,
and perseverance. Let us remember that 'if we
suffer tamely a lawless attack upon our liberty,
we encourage it, and involve others in our doom.'
It is a very serious consideration that millions yet
unborn may be the miserable sharers of the event.
- Samuel Adams, 1771
 
From: Peter Alling [EMAIL PROTECTED]


 I don't know but $600 US seems a bit high to be sending a seller with 0 
 feedback.
 
 Ok, I'll admit it, I have too much time on my hands.  Did anyone else check 
 out the
 current high bidders previous purchases.  Defiantly a Pentax fan.  His 
 previous camera
 body purchase was a 'Beater' LX for $165.  Now he's buying arguably the 
 most expensive
 135mm lens he could buy for this camera.  I'm not sure if this is a 
 brilliant strategy,
 or what?
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Re: Cleaning Micro-Fibre Cloths

2002-01-22 Thread Bill Owens

 Oh, I almost forgot!  And make sure to paint the interior of your
 lenscaps 18% grey to avoid colour and density shifts during storage.

 -Aaron

Unless you are using a camera w/o TTL metering, in which case black would be
a better color to prevent stray photons from entering the lens.

Bill  KG4LOV
[EMAIL PROTECTED]
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LX spotted on ebay

2002-01-22 Thread Peter Smekal

LX on ebay
http://cgi.ebay.de/aw-cgi/eBayISAPI.dll?ViewItemitem=1323336130
Might be something. Only problem: the seller doesn't answer any questions
about his offer. Is this normal ebay-behavior?

Peter Smekal
Uppsala, Sweden
[EMAIL PROTECTED]
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RE: What lens do you wish Pentax made?

2002-01-22 Thread Ed Mathews

I should have added: with AF.

Thanks,
Ed
http://lightandsilver.com 

 -Original Message-
 From: [EMAIL PROTECTED] 
 [mailto:[EMAIL PROTECTED]] On Behalf Of Shel Belinkoff
 Sent: Tuesday, January 22, 2002 1:01 PM
 To: [EMAIL PROTECTED]
 Subject: Re: What lens do you wish Pentax made?
 
 
 Would you not consider the K105/2.8, or the SMC Tak version, 
 a quality portrait lens?
 
 Ed Mathews wrote:
  
  A quality portrait lens around 105mm, Maybe F2 or F2.8.
 
 -- 
 Shel Belinkoff
 mailto:[EMAIL PROTECTED] http://home.earthlink.net/~belinkoff/
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Re: eBay bargain motordrive

2002-01-22 Thread Bmacrae

Yes, it is still available I bought my LX battery pack new last year from the Colorado 
service/parts center.

Brendan MacRae
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RE: OT Re: Now trademarks, was:Re: Surly polar bear

2002-01-22 Thread Mick Maguire

There was a run of cases in the UK a few years back with McDonald's claiming
that they owned the Mc prefix on just about anything (and tasking legal
action against anybody who used it), and not just for fast food. Toys-R-us
also did the same with the backwards R (and indeed forwards too!) and won at
least several cases against small sole trader outlets. The main one I
remember being a tire dealer in Bedford called tires-r-us.

Regards,
/\/\ick...
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RE: What lens do you wish Pentax made?

2002-01-22 Thread Ed Mathews

And a special plaque that comes with it, suitable for hanging on my
wall.  Oh, and a free toy (like a happy meal has).

Thanks,
Ed
http://lightandsilver.com 

 -Original Message-
 From: [EMAIL PROTECTED] 
 [mailto:[EMAIL PROTECTED]] On Behalf Of Brendan
 Sent: Tuesday, January 22, 2002 1:15 PM
 To: [EMAIL PROTECTED]
 Subject: Re: What lens do you wish Pentax made?
 
 
 He wants a 101mm limited Prime in titanium with one of
 those green leather soft cases and non removable
 hoods.
snip 
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RE: Surly polar bear

2002-01-22 Thread Mick Maguire

Amita Guha wrote:
The modern image of Santa Claus,
fat and decked out in red, was created for an ad campaign for Coke
around the turn of the last century.

Sorry Amita, this is an urban myth (which I believed for many years and
helped to spread too)... see http://www.snopes2.com/cokelore/santa.htm

Regards,
/\/\ick...
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Throw him to the lions, Centurion!

2002-01-22 Thread Mike Johnston

 - 6x7 (4)
 - 67 (1)
 
 Am I fighting for a lost cause here?



Yes, but you're so entertaining to watch while you do it. Carry on.


--Mike


Photography is simple. The only complicated thing is keeping it simple.
(Ken Archer)

* * *
Find out about Mike Johnston's unique photography newsletter, The 37th
Frame, at http://www.37thframe.com.
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Re: Now trademarks, was:Re: Surly polar bear

2002-01-22 Thread Otis Wright, Jr.

Odd.  Beverly Hills Hotel has a Polo Lounge --- as I remember, Hyatt has
something similar, and I suspect there were many others around the country.
Would seem RLC must have had something else than just the name on which to make
a winning case?

Otis Wright

Bill Owens wrote:

 There was until recently a night spot in Charlotte called The Polo Lounge
 Ralph Lauren and Co. sued saying the name polo was their property.  Sure
 fooled me.  I always thought polo was a game similar to croquet played by
 rich Englishmen on ponies.

 Bill  KG4LOV
 [EMAIL PROTECTED]

  Good light,
 Frantisek Vlcek (TM)(R)(C). All other mentioned trademarks are
 property of their disrespectful stealers, and William Shakespeare.
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Re: Start-up B/W kit

2002-01-22 Thread Mike Johnston

 Artur, In my very non-professional opinion, Kodak Tri-X and D-76 make an
 excellent film developer combo for those just beginning bw.  My first batch
 of Tri-X I'm sure was way off specs for temperature and time but I still got
 acceptable results.


Evan, I'll second my professional opinion as a photo educator and former
photo magazine editor. Tri-X in D-76 may not be everybody's choice (it is
mine, BTW), but it's a great choice to start with. It's friendly and
forgiving, and yields good results with ordinary care.

I shoot Tri-X 400 at E.I. 200, and hand develop 3 rolls at a time in a
4-reel tank with a generous airspace, using D-76 diluted one-to-one with
water. At 68 degrees, I develop for 8.5 minutes agitating by inversion once
per minute. This gives nice, fully exposed, easily printable negatives.

If you like more grain, use a condenser enlarger; if you like less grain,
use a diffusion enlarger. Bear in mind that most enlarger light sources are
neither fully diffuse nor collimated. The range from most diffuse to least
looks something like this:

Cold light
Dichroic-style (quartz bulb with mixing box, i.e., color enlargers, Leitz
V35)
Large frosted bulb with single condenser (i.e., most Dursts)
Large frosted bulb with multiple condensers (Omega D series, etc.)
True condensing (e.g., Leitz Focomat II)
Point source enlargers

I prefer dichroic-style enlargers or standard Dursts (non-VC heads) with
Tri-X.

--Mike


Photography is simple. The only complicated thing is keeping it simple.
(Ken Archer)

* * *
Find out about Mike Johnston's unique photography newsletter, The 37th
Frame, at http://www.37thframe.com.
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RE: eBay bargain motordrive

2002-01-22 Thread Paris, Leonard

December of the 13th year?  Translate that one to a more familiar calendar,
if you'll be so kind.

Len
--- 

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]]
Sent: Tuesday, January 22, 2002 11:24 AM
To: [EMAIL PROTECTED]
Subject: Re: eBay bargain motordrive


Steve (et al)

The LX nicad pack is still available brand new. The date of manufacture is 
stamped inside the box -last one we supplied was dated juu-ni gatsu juu-san 
nen. 

 Alternatively I suppose that NiMH cells could be used, instead of nicads??

Apparently an LX winder and remote cord will arrive here tomorrow.

Kind regards from sunny Brighton

Peter
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Re: What lens do you wish Pentax made?

2002-01-22 Thread Matjaz Osojnik

 Mark started a poll with 
 I want an autofocus 80-200 zoom lens that has the optical quality of
 the FA* 80-200 F2.8 zoom, but with a maximum aperture of F3.5 or F4. 
 This lens would be a perfect companion for the MZ-S and 24-90 zoom
 lens.

Hi,
I definitely second that. My wish is a FA* 70(80)-200 with constant F4 
aperture. Top notch optical and mechanical quality, with FA* series 
AF/MF  (MF should be written in small letters mf, but it doesn't stand 
well besides AF designation :) clutch mechanism, without power zoom.

Besides being a good companion to FA 24-90 or FA 28-70, I also feel 
that such a lens would be in the line with MZ-S philosophy, top quality 
but portable piece of photographic equipment.

Cao, Matjaz
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RE: Now trademarks, was:Re: Surly polar bear

2002-01-22 Thread Paris, Leonard

Or their lawyer told them it would be more costly to fight than they were
willing to pay for.  Losers of lawsuits like that should have to pay the
other party's legal expenses but that ain't usually the way it works.

Len
---

-Original Message-
From: Tom Rittenhouse [mailto:[EMAIL PROTECTED]]
Sent: Tuesday, January 22, 2002 11:31 AM
To: [EMAIL PROTECTED]
Subject: Re: Now trademarks, was:Re: Surly polar bear


They may have threatened to sue, but trademarks can only be restricted for
use in a competetive manner. That means you can not call clothing you sell
Polo, but you can call your bar Polo. So if they caved in they had a piss
poor lawyer.

Ciao,
graywolf
[EMAIL PROTECTED]
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Re: Now trademarks, was: Re: Surly polar bear

2002-01-22 Thread Mike Johnston

 There was until recently a night spot in Charlotte called The Polo Lounge
 Ralph Lauren and Co. sued saying the name polo was their property.  Sure
 fooled me.  I always thought polo was a game similar to croquet played by
 rich Englishmen on ponies.


And let me guess, it changed its name without contending the case in court.
That sort of thing is related to something called a SLAPP--Strategic
Lawsuit Against Public Participation. What big companies do when they're
being opposed is to bring suits against the organizations opposing them,
knowing full well that they would lose the lawsuits in court but also
knowing full well that the smaller, weaker adversary can't pay the legal
costs to defend themselves. Ralph Lauren doesn't run nightclubs, so chances
are there was no way it could have won a suit against your local Polo
Lounge. But chances are also good that the Polo Lounge didn't want to spend
the umpteen thousand dollars it would have cost to defend its rights. It's
easier just to give up and change its name.

In most other civilized countries, the loser of such unsupportable suits
pays the legal costs of the winner. No such deal here. That's why just the
THREAT of a lawsuit can be wielded as a weapon--even when the aggressor
party is in the wrong.

Another word for it is bullying. Life in these United States.

--Mike


Photography is simple. The only complicated thing is keeping it simple.
(Ken Archer)

* * *
Find out about Mike Johnston's unique photography newsletter, The 37th
Frame, at http://www.37thframe.com.
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RE: Didn't someone want a 135/1.8?

2002-01-22 Thread Paris, Leonard

Maybe not, but if the body works, that lens will give him quality results,
whether the body is a beater or not.  It has to do with spending your money
where it will do the most good.

Len
---

-Original Message-
From: Peter Alling [mailto:[EMAIL PROTECTED]]
Sent: Tuesday, January 22, 2002 12:28 PM
To: [EMAIL PROTECTED]
Subject: Re: Didn't someone want a 135/1.8?


I don't know but $600 US seems a bit high to be sending a seller with 0 
feedback.

Ok, I'll admit it, I have too much time on my hands.  Did anyone else check 
out the
current high bidders previous purchases.  Defiantly a Pentax fan.  His 
previous camera
body purchase was a 'Beater' LX for $165.  Now he's buying arguably the 
most expensive
135mm lens he could buy for this camera.  I'm not sure if this is a 
brilliant strategy,
or what?
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RE: OT Re: Now trademarks, was:Re: Surly polar bear

2002-01-22 Thread Chris Brogden

On Tue, 22 Jan 2002, Mick Maguire wrote:

 There was a run of cases in the UK a few years back with McDonald's
 claiming that they owned the Mc prefix on just about anything (and
 tasking legal action against anybody who used it), and not just for
 fast food. Toys-R-us also did the same with the backwards R (and
 indeed forwards too!) and won at least several cases against small
 sole trader outlets. The main one I remember being a tire dealer in
 Bedford called tires-r-us.

Speaking of Mickey D's, they've also trademarked the phrase Have you had
your break today?  Rght.

chris
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RE: What lens do you wish Pentax made?

2002-01-22 Thread Brendan

But the toy must double as a film puller :-)

--- Ed Mathews [EMAIL PROTECTED] wrote:
 And a special plaque that comes with it, suitable
 for hanging on my
 wall.  Oh, and a free toy (like a happy meal has).
 
 Thanks,
 Ed
 http://lightandsilver.com 
   
  He wants a 101mm limited Prime in titanium with
 one of
  those green leather soft cases and non removable
  hoods.
 snip 
 -

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Re: Film Flatness

2002-01-22 Thread Mike Johnston

 The issues below are my findings as well. At first I didn't know what
 caused my film flatness problems except that it happened in cold weather.
 My camera back has been at service a couple of times and the last time
 everything was tightened up. If anything, this made the problem slightly
 worse. Last summer I shot a roll over two days. All the frames were sharp
 except the second frame of the second day; ie. the piece of film that spent
 the night bent backwards over the rollers.
 Indeed if you shot one frame at the time in cold weather with a 645 camera
 the solution is to shoot only every second frame; ie. frame 1, 3, 5 etc. In
 this way, the exposed frame has never spent time bent over the rolls.

Another solution is to choose a camera that has a relatively straight and
stress-free path for the film to follow. TLRs, Hasselblad-style cameras, and
most 645s bend the film rather radically so the backs can be compact.
Cameras like the Koni-Omega, Pentax 6x7, and Mamiya 6 are easier on the
film.

P.S. I am chagrined to admit that I once got rid of a camera I liked very
much because I simply didn't know about this problem. All I knew was that
every so often I'd get a frame that wasn't sharp, and I didn't know why. I
decided that the uncertainty of dealing with that was too much of a
distraction from photography, so I sold the camera. Wish I still had it.

--Mike


Photography is simple. The only complicated thing is keeping it simple.
(Ken Archer)

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Find out about Mike Johnston's unique photography newsletter, The 37th
Frame, at http://www.37thframe.com.
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RE: Didn't someone want a 135/1.8?

2002-01-22 Thread Brendan

for all we know that beater is going to be used as
parts for one he already has in MINT shape 

--- Paris, Leonard [EMAIL PROTECTED] wrote:
 Maybe not, but if the body works, that lens will
 give him quality results,
 whether the body is a beater or not.  It has to do
 with spending your money
 where it will do the most good.
 
 Len
 ---
 
 -Original Message-
 From: Peter Alling [mailto:[EMAIL PROTECTED]]
 Sent: Tuesday, January 22, 2002 12:28 PM
 To: [EMAIL PROTECTED]
 Subject: Re: Didn't someone want a 135/1.8?
 
 
 I don't know but $600 US seems a bit high to be
 sending a seller with 0 
 feedback.
 
 Ok, I'll admit it, I have too much time on my hands.
  Did anyone else check 
 out the
 current high bidders previous purchases.  Defiantly
 a Pentax fan.  His 
 previous camera
 body purchase was a 'Beater' LX for $165.  Now he's
 buying arguably the 
 most expensive
 135mm lens he could buy for this camera.  I'm not
 sure if this is a 
 brilliant strategy,
 or what?
 -

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