RE: Trading resolution for depth of field- IMAGE MAGNIFICATION

2009-04-07 Thread JC OConnell
For the sake of clarity, I neglected to post
the definition of in-camera image magnification (M).
in-camera image magnification is the ratio
of object size to image size. Longer lenses
and shorter object distances increase magnification,
shorter lenses and longer distances decrease magnification.

JC O'Connell
hifis...@gate.net
 


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viewfinder magnification (was Re: K100D SR)

2006-06-28 Thread Martin Trautmann
On 2006-06-27 15:43, John Francis wrote:
 Thanks for the clarification. I now understand better what magnification
 means. I did not expect that what you see in the viewfinder of a DSLR is
 that much smaller than the image of a full frame.
 
 Note that I'm comparing an MX (an early, minimal-automation camera)
 with the *ist-D.  The later Pentax bodies, with more information to
 be shown in the viewfinder, dedicate less of the total area to the
 image - they have to leave room for electronic readouts for aperture,
 shutter speed, focus point selection, focus confirmation, over/under
 exposure, etc.  The MX had minimal additional information; the shutter
 speed was superimposed on the image area, and the aperture was visible
 through a small window that let you see the aperture ring on the lens.
 The only extra information was the five coloured LEDs for exposure
 (an electronic form of the old match needle metering).
 
 By the time you get to the auto focus bodies, though, the magnification
 has been cut back to somewhere between 0.7x and 0.8x.  For bodies such
 as the MZ-6 (aka the ZX-L) or MZ-7 (ZX-7) the total image area, at 90%
 coverage and 0.7x magnification, is only a little larger than the *ist-D
 (95% coverage and 95% magnification of a rectangle only 67% of full frame).

That's an interesting info. Yes, the MX seems to be very special, where
MX-6/7 are special on the other edge of the scale.
The *istDL / K100D is within a different range than the  *istD / *istDS.

From http://medfmt.8k.com/mf/viewfinder.html I learn that a magnification
of 1.00 would be perfect when you have your standard lense (50 mm full
frame) and crosscheck with the open other eye. 

I guess this technique is hardly used with current cameras?

The page named above lists the magnification for different cameras. I
found those results after I checked Boris' (always excellent) overview,
since it lacked a viewfinder magnification for the LX (side note below).
Robert Monaghan's numbers differ slightly from the spec numbers: Both PZ-1
and ZX-5 are speced at 0.8, while Robert names 0.86 and 0.78.


Here's the full Pentax list from Boris:

model   VF  vis mount
MZ-6 / ZX-L 0.7 92% KAF
MZ-7 / ZX-7 0.7 92% KAF
MZ-30 / ZX-30   0.7 92% crippled KAF
*ist0.7 90% crippled KAF
MZ-S0.7592% KAF2
MZ-D0.7592% KAF2
MZ-10 / ZX-10   0.7792% KAF2
MZ-50 / ZX-50   0.7792% crippled KAF
MZ-60 / ZX-60   0.7790% crippled KAF
MZ-M / ZX-M 0.7792% KA2
Z-10 / PZ-100.7792% KAF2
Z-50p   0.7792% KAF2
Z-70 / PZ-700.7792% KAF2
MZ-30.8 92% KAF2
MZ-5n / ZX-5n   0.8 92% KAF2
MZ-5 / ZX-5 0.8 92% KAF2
Z-1p / PZ-1p0.8 92% KAF2
Z-1 / PZ-1  0.8 92% KAF2
Z-5p0.8 92% KAF2
Z-5 0.8 92% KAF2
Z-20 / PZ-200.8 92% KAF2
SFXn/SF1n   0.8192% KAF
SFX/SF1 0.8192% KAF
superA  0.8292% KA
programA0.8292% KA
A3/A30000.8292% KA
P5/P50  0.8292% KA
P3n/P30n0.8292% KA
P3/P30  0.8292% KA
SF7/SF100.8292% KAF
MV1 0.8592% K
MV  0.8592% K
*ist DL 0.8595% crippled KAF2
KM(motor)   0.8793% K
KM  0.8793% K
MG  0.8792% K
K2 DMD  0.8895% K
K2  0.8895% K
KX(motor)   0.8893% K
KX  0.8893% K
K1000SE 0.88? % K
K1000   0.88? % K
LX(early)   0.9 98% K
LX(late)0.9 98% K
ME F0.9592% KF
ME Super0.9592% K
ME  0.9592% K
*ist D  0.9595% crippled KAF2
*ist DS20.9595% crippled KAF2
*ist DS 0.9595% crippled KAF2
MX  0.9795% K


Comments on LX: there are eight exchangable viewfinders, but I did not see
specs for them. Some sources name 0.9, others 0.86. Visible area is speced
at 98%. Other sources confirm 98% vertically, but 95% horizontally.

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Re: viewfinder magnification (was Re: K100D SR)

2006-06-28 Thread John Francis
On Wed, Jun 28, 2006 at 12:18:17PM +0200, Martin Trautmann wrote:
 
 From http://medfmt.8k.com/mf/viewfinder.html I learn that a magnification
 of 1.00 would be perfect when you have your standard lense (50 mm full
 frame) and crosscheck with the open other eye. 
 
 I guess this technique is hardly used with current cameras?

I don't see anything special about a magnification of 1.0 for that.
I quite often keep both eyes open so that I can check for things
happening out of frame.  If anything, I use that technique more
with long focal lengths than with a 50mm lens, so I'm looking at
a very magnified view through the camera.  The human eye  brain
is amazingly good at reconciling the two different fields of view.


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Magnification has everything to do with it (WAS: Re: A10: Pentax Image Stabilization is here)

2006-01-09 Thread Pål Jensen


Sorry Steve, I dont believe this is correct. Magnification should have 
nothing to do with it. 



REPLY:

Magnification has everything to do with it. All IS patents I've read so far 
include focal lenght data in order to function.
Magnification matters for the same reason you need a very sturdy tripod o a 
super telephoto lens or a macro lens used in close up. If you move the 
camera even slightly with, say, a 1000mm lens the angular distance on film 
is huge wereas it is almost negligible with a super wide angle. Thats why 
you can handhold a 15mm at 1/15s but not a 1000mm lens. In fact you may not 
even find the subject in the finder anymore with the 1000mm lens.
An IS system that works without focal lenght (and distance information) will 
be far from optimal at best. 





Re: Magnification has everything to do with it (WAS: Re: A10: Pentax Image Stabilization is here)

2006-01-09 Thread Gonz



Pål Jensen wrote:


Sorry Steve, I dont believe this is correct. Magnification should have 
nothing to do with it. 



REPLY:

Magnification has everything to do with it. All IS patents I've read so 
far include focal lenght data in order to function.
Magnification matters for the same reason you need a very sturdy tripod 
o a super telephoto lens or a macro lens used in close up. If you move 
the camera even slightly with, say, a 1000mm lens the angular distance 
on film is huge wereas it is almost negligible with a super wide angle. 
Thats why you can handhold a 15mm at 1/15s but not a 1000mm lens. In 
fact you may not even find the subject in the finder anymore with the 
1000mm lens.
An IS system that works without focal lenght (and distance information) 
will be far from optimal at best.




Yes, you are correct, as far as most shake corrections are concerned, 
because they involve rotations, translations, and angular shifts.  The 
quote in question was referring to strictly parallel translations, which 
do not need focal length to compensate.


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was younger. Every picture of you is when you were younger. ...Here's 
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Modified Pentax F 35-70 lens does over 1:1 macro magnification without rings (is it good ???)

2005-07-05 Thread Joaquim Carvalho
Sorry to post again but I'm very intrigued with this, I do not have 
experience with true macro lenses, I want your comments on this:

A guy that does lens repairs showed me a Pentax 35-70mm macro lens 
modified to do 1.6:1 magnification without rings, more than any standard 
Pentax lens can do. I took it home to make some tests.

I took a close-up picture of the MX speed selector:

http://x64.com/joaquim/photo/photo05/
Second picture is a pixel by pixel center crop.

An ant would have been more interesting but it's 4:00 in the morning and
I couldn't find any. I'll post an ant picture as soon as I can find one.

Is this lens good? Will a 50mm F4.0 or F2.8 be sharper?



Re: Modified Pentax F 35-70 lens does over 1:1 macro magnification without rings (is it good ???)

2005-07-05 Thread Andre Langevin



Is this lens good? Will a 50mm F4.0 or F2.8 be sharper?


You would need to compare it using a subject with very fine details, 
unlike the speed dial.  A sramp for example.


Andre



Re: Modified Pentax F 35-70 lens does over 1:1 macro magnification without rings (is it good ???)

2005-07-05 Thread Andre Langevin

A sramp for example.


A live sramp of course...


...I meant a stamp!

Andre



Re: Modified Pentax F 35-70 lens does over 1:1 macro magnification without rings (is it good ???)

2005-07-05 Thread Godfrey DiGiorgi

On Jul 5, 2005, at 6:55 AM, Joaquim Carvalho wrote:


A guy that does lens repairs showed me a Pentax 35-70mm macro lens
modified to do 1.6:1 magnification without rings, more than any  
standard

Pentax lens can do. I took it home to make some tests.


I would be very interested to know what the modifications entail.


I took a close-up picture of the MX speed selector:

http://x64.com/joaquim/photo/photo05/
Second picture is a pixel by pixel center crop.


Looks pretty good. I don't expect it to compete with a true macro  
lens in ultimate quality, but the only way to say for sure would be  
to test the modified zoom at the same magnification against a  
particular macro lens with an appropriate target.



Is this lens good? Will a 50mm F4.0 or F2.8 be sharper?


I have the A50/2.8 Macro as well as the F35-70/3.5-4.5 Macro, which  
achieves 1:4 magnification.


There is no question that at 1:4 magnification, the A50/2.8 Macro  
prime lens has better rectilinear correction as well as higher  
resolution than the zoom.


Godfrey



Viewfinder magnification

2005-03-25 Thread Frantisek
Hi,
   I have thought about viewfinders on DSLR - Even the excellent one
   on Pentaxes is only APS sized, although with good magnification
   compared to other brands. Would it be possible to make an accessory
   that would magnify the viewfinder just about to look fullframe? I
   know there are clip-on magnifiers but these are usually ~2.5x which
   is too big to show the whole frame at once. I am thinking something
   similar to Leica's 1.25x magnifier (which magnifies the 0.56x
   Leicas to the same size as 0.72x Leicas, for example).

   Is there such a magnifier already? From some other brand, perhaps,
   that could be adapted? Canon has the EP-EX15, which does exact
   opposite - it makes the view smaller with higher eyepoint for
   eyeglass viewers. If there is no such accessory existing, would it
   be possible to make one? Getting the necessary lens elements
   wouldn't be such a problem, as one might select from large
   accessory of movie camera lenses and other sources to get elements
   of necessary power and diameter, and I know competent machinists
   that could create a mount tube without problems. One could then
   mount the tube in an eyepiece like the Canon's, or reuse a clip-on
   magnifier's mount.

   What I am not sure about is how should it be constructed optically.
   What construction are the clip-on 2.5x magnifiers like from Pentax?
   A kepplerian telescope? IIRC the viewfinder makes the groundglass
   look like it is at 1m distance, but I am not that versed in optics
   - is it afocal? I think not - it creates a virtual image at 1m
   distance that can be focused upon just like a normal object at 1m
   distance - right?

   Another option would be to try and adapt the Leica 1.25x magnifier,
   but that one is very very expensive.

   If we could find a 1.3-1.5x clip-on magnifier that could be adapted
   to Pentax (and for myself, Nikon's vbg) viewfinder accessory
   mount, that could make the IstD's finder look like LX finder again!

   One obvious problem would be that any magnifying of the finder
   would lower the eyepoint, and also make it dimmer. But modern AF
   screens are bright enough already.

   Any suggestions, ideas, etc?

   Thanks!

   Frantisek



Re: Viewfinder magnification

2005-03-25 Thread Frantisek
What I am not sure about is how should it be constructed optically.
What construction are the clip-on 2.5x magnifiers like from Pentax?
A kepplerian telescope? IIRC the viewfinder makes the groundglass
look like it is at 1m distance, but I am not that versed in optics
- is it afocal? I think not - it creates a virtual image at 1m
distance that can be focused upon just like a normal object at 1m
distance - right?

:-) responding to myself :-)

I had a look at Leica's website, and they clearly state that the 1.25x
magnifier is Galilean telescope system with 2/2 construction.

Any more thoughts on the idea, or pointers to such existing magnifiers
apretiated!

   Thanks!

   Frantisek



re: Viewfinder Magnification

2005-03-25 Thread Godfrey Digiorgi
I can't speak for everyone else's eyesight, but the DS finder is just right to 
allow me to see the entire finder and the information display at a glance 
without moving my head around, and has enough eye relief to work with my 
glasses properly. It feels to my eye just like the Nikon F3/T with hp finder 
did: nearly perfect.

I use magnifiers only for critical focus work, to magnify the central portion 
of the viewfinder.

Godfrey



Re: viewfinder magnification

2004-09-02 Thread Gonz
Since the *istD is using only a portion of the full 35mm frame, I wonder 
 why they dont do something like engrave a tiny grove showing where 
100% is on the viewfinder, but cover something like 110% of the frame, 
so you can see where you are cutting if off in context.  I don't know 
that the issues around alignment would be, probably the same as you 
mentioned.  But maybe if they had a simple means of alignment with this 
technique when it was built using some type of fixture, it might not be 
so bad?  I'm just musing here...

rg
John Francis wrote:
I don't quite buy that. What determines the size of the viewfinder image is the
size of the frame the screen sits in (as long as we are talking +/- a
millimeter). Make that frame a little bit larger and you have a 100%
viewfinder. Of course, all elements that attach to the mirror box have to be
'accurate' but I don't see why that would be so difficult here.

Ah, but that's precisely what *is* difficult.  It's not just the size of the
viewfinder - it's position the boundaries accurately.
It's easy(-ish) to make a 95% viewfinder, because you only have to position the
viewfinder region to +/- one mm.  Make the frame a little bit larger, though,
and you don't have a 100% viewfinder; if you're off by that same 1mm you might
have a viewfinder that showed 97.5% of the image, cropping off 2.5% on the left,
and showing an extra 2.5% on the right that wasn't part of the true image area.
This would be bad. If you can see it through the viewfinder, people expect it to
show up on the image. The extra 5% allows for a certain amount of inaccuracy.
To get a true 100% viewfinder (no more, no less) would require at least an order
of magnitude more accuracy - everything would have to be aligned to a precision
of 0.1mm or better.  That would require a camera considerably more rigid, and
manufactured to much closer tolerances, than consumer-level prices can support.




Re: viewfinder magnification

2004-09-02 Thread Peter J. Alling
The *ist-D viewfinder is designed from the ground up to show the APS 
sized image.  It's not just a masked down finder such as you'll find in 
Nikon and Canon mid to low end offerings.  If you ever compared the two 
side by side you would see the difference.  Based on that alone Pentax 
should sell a whole lot of them.

Gonz wrote:
Since the *istD is using only a portion of the full 35mm frame, I 
wonder  why they dont do something like engrave a tiny grove showing 
where 100% is on the viewfinder, but cover something like 110% of the 
frame, so you can see where you are cutting if off in context.  I 
don't know that the issues around alignment would be, probably the 
same as you mentioned.  But maybe if they had a simple means of 
alignment with this technique when it was built using some type of 
fixture, it might not be so bad?  I'm just musing here...

rg
John Francis wrote:
I don't quite buy that. What determines the size of the viewfinder 
image is the
size of the frame the screen sits in (as long as we are talking +/- a
millimeter). Make that frame a little bit larger and you have a 100%
viewfinder. Of course, all elements that attach to the mirror box 
have to be
'accurate' but I don't see why that would be so difficult here.

Ah, but that's precisely what *is* difficult.  It's not just the size 
of the
viewfinder - it's position the boundaries accurately.

It's easy(-ish) to make a 95% viewfinder, because you only have to 
position the
viewfinder region to +/- one mm.  Make the frame a little bit larger, 
though,
and you don't have a 100% viewfinder; if you're off by that same 1mm 
you might
have a viewfinder that showed 97.5% of the image, cropping off 2.5% 
on the left,
and showing an extra 2.5% on the right that wasn't part of the true 
image area.
This would be bad. If you can see it through the viewfinder, people 
expect it to
show up on the image. The extra 5% allows for a certain amount of 
inaccuracy.
To get a true 100% viewfinder (no more, no less) would require at 
least an order
of magnitude more accuracy - everything would have to be aligned to a 
precision
of 0.1mm or better.  That would require a camera considerably more 
rigid, and
manufactured to much closer tolerances, than consumer-level prices 
can support.




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in dogs.
   P. J. O'Rourke



Re: viewfinder magnification

2004-09-02 Thread Alan Chan
Except, most consumers don't seem to give a shxt about the viewing quality 
anymore.

Alan Chan
http://www.pbase.com/wlachan
The *ist-D viewfinder is designed from the ground up to show the APS sized 
image.  It's not just a masked down finder such as you'll find in Nikon and 
Canon mid to low end offerings.  If you ever compared the two side by side 
you would see the difference.  Based on that alone Pentax should sell a 
whole lot of them.
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Re: viewfinder magnification

2004-09-02 Thread Gonz
I know that's true, but I'm saying they have all that image circle to 
play with, and it looks to me that the mirror is the same size, so why 
not do a little playing around with the margin like I mentioned?

Peter J. Alling wrote:
The *ist-D viewfinder is designed from the ground up to show the APS 
sized image.  It's not just a masked down finder such as you'll find in 
Nikon and Canon mid to low end offerings.  If you ever compared the two 
side by side you would see the difference.  Based on that alone Pentax 
should sell a whole lot of them.

Gonz wrote:
Since the *istD is using only a portion of the full 35mm frame, I 
wonder  why they dont do something like engrave a tiny grove showing 
where 100% is on the viewfinder, but cover something like 110% of the 
frame, so you can see where you are cutting if off in context.  I 
don't know that the issues around alignment would be, probably the 
same as you mentioned.  But maybe if they had a simple means of 
alignment with this technique when it was built using some type of 
fixture, it might not be so bad?  I'm just musing here...

rg
John Francis wrote:
I don't quite buy that. What determines the size of the viewfinder 
image is the
size of the frame the screen sits in (as long as we are talking +/- a
millimeter). Make that frame a little bit larger and you have a 100%
viewfinder. Of course, all elements that attach to the mirror box 
have to be
'accurate' but I don't see why that would be so difficult here.


Ah, but that's precisely what *is* difficult.  It's not just the size 
of the
viewfinder - it's position the boundaries accurately.

It's easy(-ish) to make a 95% viewfinder, because you only have to 
position the
viewfinder region to +/- one mm.  Make the frame a little bit larger, 
though,
and you don't have a 100% viewfinder; if you're off by that same 1mm 
you might
have a viewfinder that showed 97.5% of the image, cropping off 2.5% 
on the left,
and showing an extra 2.5% on the right that wasn't part of the true 
image area.
This would be bad. If you can see it through the viewfinder, people 
expect it to
show up on the image. The extra 5% allows for a certain amount of 
inaccuracy.
To get a true 100% viewfinder (no more, no less) would require at 
least an order
of magnitude more accuracy - everything would have to be aligned to a 
precision
of 0.1mm or better.  That would require a camera considerably more 
rigid, and
manufactured to much closer tolerances, than consumer-level prices 
can support.







Re: viewfinder magnification

2004-09-02 Thread Ryan Lee
I think that's an excellent idea, Gonz. Now where's my boxcutter.. But
seriously, I'd welcome a feature like that..

Cheers,
Ryan

- Original Message - 
From: Gonz [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Friday, September 03, 2004 4:34 AM
Subject: Re: viewfinder magnification


 Since the *istD is using only a portion of the full 35mm frame, I wonder
   why they dont do something like engrave a tiny grove showing where
 100% is on the viewfinder, but cover something like 110% of the frame,
 so you can see where you are cutting if off in context.  I don't know
 that the issues around alignment would be, probably the same as you
 mentioned.  But maybe if they had a simple means of alignment with this
 technique when it was built using some type of fixture, it might not be
 so bad?  I'm just musing here...

 rg


 John Francis wrote:
 I don't quite buy that. What determines the size of the viewfinder image
is the
 size of the frame the screen sits in (as long as we are talking +/- a
 millimeter). Make that frame a little bit larger and you have a 100%
 viewfinder. Of course, all elements that attach to the mirror box have
to be
 'accurate' but I don't see why that would be so difficult here.
 
 
  Ah, but that's precisely what *is* difficult.  It's not just the size of
the
  viewfinder - it's position the boundaries accurately.
 
  It's easy(-ish) to make a 95% viewfinder, because you only have to
position the
  viewfinder region to +/- one mm.  Make the frame a little bit larger,
though,
  and you don't have a 100% viewfinder; if you're off by that same 1mm you
might
  have a viewfinder that showed 97.5% of the image, cropping off 2.5% on
the left,
  and showing an extra 2.5% on the right that wasn't part of the true
image area.
  This would be bad. If you can see it through the viewfinder, people
expect it to
  show up on the image. The extra 5% allows for a certain amount of inaccu
racy.
  To get a true 100% viewfinder (no more, no less) would require at least
an order
  of magnitude more accuracy - everything would have to be aligned to a
precision
  of 0.1mm or better.  That would require a camera considerably more
rigid, and
  manufactured to much closer tolerances, than consumer-level prices can
support.
 
 






Re: viewfinder magnification

2004-09-02 Thread graywolf
I sometimes wonder if that is not part of the reason most camera stores do not 
have an *istD on display.

Customer picks up the Canon, looks through the viewfinder, hey that is cool.
Customer picks up the Nikon, looks through the viewfinder, hey that is even 
cooler.

Customer picks up the Pentax, looks through the viewfinder, I'll take this one.
--
Peter J. Alling wrote:
Try to get a sales creature to let you compare viewfinders...
Alan Chan wrote:
Except, most consumers don't seem to give a shxt about the viewing 
quality anymore.

Alan Chan
http://www.pbase.com/wlachan
The *ist-D viewfinder is designed from the ground up to show the APS 
sized image.  It's not just a masked down finder such as you'll find 
in Nikon and Canon mid to low end offerings.  If you ever compared 
the two side by side you would see the difference.  Based on that 
alone Pentax should sell a whole lot of them.

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Re: viewfinder magnification

2004-09-02 Thread Caveman
Dunno about you guys but I definitely preffer to compose on a LCD screen 
on the back of the camera instead of looking through a peephole. If I 
want to see the small details in the scene I just directly look at them. 
The only exception I could see are action shots through a long lens. 
Please don't tell me about DOF preview, I know exactly what happens when 
you want to check it at f 1:16 on a SLR camera.

But since this is a matter of personal preference, I'm starting now to 
wonder why I wrote this in the first place.

graywolf wrote:
I sometimes wonder if that is not part of the reason most camera stores 
do not have an *istD on display.

Customer picks up the Canon, looks through the viewfinder, hey that is 
cool.

Customer picks up the Nikon, looks through the viewfinder, hey that is 
even cooler.

Customer picks up the Pentax, looks through the viewfinder, I'll take 
this one.

--
Peter J. Alling wrote:
Try to get a sales creature to let you compare viewfinders...
Alan Chan wrote:
Except, most consumers don't seem to give a shxt about the viewing 
quality anymore.

Alan Chan
http://www.pbase.com/wlachan
The *ist-D viewfinder is designed from the ground up to show the APS 
sized image.  It's not just a masked down finder such as you'll find 
in Nikon and Canon mid to low end offerings.  If you ever compared 
the two side by side you would see the difference.  Based on that 
alone Pentax should sell a whole lot of them.


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Re: viewfinder magnification

2004-09-02 Thread William Robb

- Original Message - 
From: Caveman
Subject: Re: viewfinder magnification


 Dunno about you guys but I definitely preffer to compose on a LCD
screen
 on the back of the camera instead of looking through a peephole.

All very well and good if you are using a PS. Some of the new ones
don't even have an optical viewfinder.
OTOH, if you are using an SLR, you are kinda stuck with a viewfinder.

William Robb




Re: viewfinder magnification

2004-09-02 Thread Alan Chan
One possible problem with LCD is that there is no way to tell where the 
exact focus is. The camera may AF slightly off and you cannot tell until too 
late. Or you want manual focus to compensate for this error but a mission 
impossibe with LCD, no matter how large the LCD is. There are times, DOF 
won't save the day.

Alan Chan
http://www.pbase.com/wlachan
Dunno about you guys but I definitely preffer to compose on a LCD screen on 
the back of the camera instead of looking through a peephole. If I want to 
see the small details in the scene I just directly look at them. The only 
exception I could see are action shots through a long lens. Please don't 
tell me about DOF preview, I know exactly what happens when you want to 
check it at f 1:16 on a SLR camera.

But since this is a matter of personal preference, I'm starting now to 
wonder why I wrote this in the first place.
_
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Re: viewfinder magnification

2004-09-01 Thread keller.schaefer
I don't quite buy that. What determines the size of the viewfinder image is the
size of the frame the screen sits in (as long as we are talking +/- a
millimeter). Make that frame a little bit larger and you have a 100%
viewfinder. Of course, all elements that attach to the mirror box have to be
'accurate' but I don't see why that would be so difficult here. Even with a 90%
viewfinder I would have hoped that what I see is from the center portion of the
image, not from an edge...

I have always argued the *practicality* of any 100% viewfinder.
A 95% finder already shows *almost all* of the image: 95% of 24x36 is 23.4x35.1
mm (for APS-C it is 23.5x15.7 vs. 22.9x15.3).
No matter what application you are thinking of for either a negative or a slide,
you will have a hard time actually *using* more than 95% of it. A slide frame
will cut away about 7% and any lab (including home printing) will probably cut
away more.
In that sense it is *correct* to show 95% as it gives you a better indication of
what you will eventually get than 100%.

Sven


Zitat von [EMAIL PROTECTED]:

 
  I believe the manufacturing tolerance of a 100% viewfinder is way too
  difficult and expensive. It is not difficult to understand why once you
 have
  seen how the viewfinder is assemlbed. Every piece has to be 100% accurate
  (mirror, screen, pentaprism, eyepiece). Besides, even if the factory could
  do it at reasonable cost, the regional service centres can't.
 
  Alan Chan
  http://www.pbase.com/wlachan
 
  This is probably a silly question which has been discussed to bits, but I
  was wondering if someone could give me the quick answer as to why it was
  too
  hard to put a 100% viewfinder in the ist D (as opposed to the 90something
  percent..)

 I think it might be too expensive.  It might have other tradeoffs in
 things like viewfinder image size.  It's not impossible--most if not all
 of Nikon's F-series pro cameras have 100% viewfinder coverage and I
 believe at least one of their new pro digital cameras has 100% viewfinder
 coverage.  Shouldn't it even be easier given that the image area isn't as
 big as the image area of film?

 OTOH, most Nikons have HUGE pentaprisms.  That's not very Pentax-like.

 DJE







Re: viewfinder magnification

2004-09-01 Thread Dan
Quoting keller.schaefer [EMAIL PROTECTED]:

 I have always argued the *practicality* of any 100% viewfinder. A 95% finder
 already shows *almost all* of the image: 95% of 24x36 is 23.4x35.1
 mm (for APS-C it is 23.5x15.7 vs. 22.9x15.3). No matter what application you
 are
 thinking of for either a negative or a slide, you will have a hard time
 actually *using* more than 95% of it. A slide frame will cut away about 7%
 and
 any lab (including home printing) will probably cut away more. In that sense
 it
 is *correct* to show 95% as it gives you a better indication of what you will
 eventually get than 100%.

Most people won't be wanting negatives or slides though.  And home printing
should still get all of the frame: I don't think any inkjets crop the picture. 
For on screen display too you will not lose anything so to me a non-100%
viewfinder on DSLRs does not make sense.

This is probably a silly question which has been discussed to bits,
 but
  I
was wondering if someone could give me the quick answer as to why it
 was
too
hard to put a 100% viewfinder in the ist D (as opposed to the
  90something
percent..)



Re: viewfinder magnification

2004-09-01 Thread Ryan Lee
That's actually what I thought too.. a bigger frame the screen sits in. A
bit confused now. And not very impressed I have to refine my framing method
or be faced with hours of PS cropping (anyone know if there's a batch crop
function?)

Regards,
Ryan


- Original Message - 
From: keller.schaefer [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Wednesday, September 01, 2004 9:39 PM
Subject: Re: viewfinder magnification


 I don't quite buy that. What determines the size of the viewfinder image
is the
 size of the frame the screen sits in (as long as we are talking +/- a
 millimeter). Make that frame a little bit larger and you have a 100%
 viewfinder. Of course, all elements that attach to the mirror box have to
be
 'accurate' but I don't see why that would be so difficult here. Even with
a
 90% viewfinder I would have hoped that what I see is from the center
portion of
 the image, not from an edge...

 I have always argued the *practicality* of any 100% viewfinder. A 95%
finder
 already shows *almost all* of the image: 95% of 24x36 is 23.4x35.1
 mm (for APS-C it is 23.5x15.7 vs. 22.9x15.3). No matter what application
you are
 thinking of for either a negative or a slide, you will have a hard time
 actually *using* more than 95% of it. A slide frame will cut away about 7%
and
 any lab (including home printing) will probably cut away more. In that
sense it
 is *correct* to show 95% as it gives you a better indication of what you
will
 eventually get than 100%.

 Sven


  Zitat von [EMAIL PROTECTED]:
 
   
I believe the manufacturing tolerance of a 100% viewfinder is way
too
difficult and expensive. It is not difficult to understand why once
you
   have
seen how the viewfinder is assemlbed. Every piece has to be 100%
accurate
(mirror, screen, pentaprism, eyepiece). Besides, even if the factory
  could
do it at reasonable cost, the regional service centres can't.
   
Alan Chan
http://www.pbase.com/wlachan
   
This is probably a silly question which has been discussed to bits,
but
  I
was wondering if someone could give me the quick answer as to why
it was
too
hard to put a 100% viewfinder in the ist D (as opposed to the
  90something
percent..)
  
   I think it might be too expensive.  It might have other tradeoffs in
   things like viewfinder image size.  It's not impossible--most if not
all
   of Nikon's F-series pro cameras have 100% viewfinder coverage and I
   believe at least one of their new pro digital cameras has 100%
viewfinder
   coverage.  Shouldn't it even be easier given that the image area isn't
as
   big as the image area of film?
  
   OTOH, most Nikons have HUGE pentaprisms.  That's not very Pentax-like.
  
   DJE
  
  
 
 
 








Re: viewfinder magnification

2004-09-01 Thread William Robb

- Original Message - 
From: Ryan Lee
Subject: Re: viewfinder magnification


 That's actually what I thought too.. a bigger frame the screen sits
in. A
 bit confused now. And not very impressed I have to refine my
framing method
 or be faced with hours of PS cropping (anyone know if there's a
batch crop
 function?)

Umm, silly question, but why not just frame the picture reasonably
accurately, then you won't be in a position of having to batch
crop?
The istD is still an SLR, and still has a pretty accurate (albeit not
100% accurate viewfinder). It is certainly more accurate than the
numbered MZ cameras.

William Robb




Re: viewfinder magnification

2004-09-01 Thread keller.schaefer
Zitat von Dan [EMAIL PROTECTED]:

 Quoting keller.schaefer [EMAIL PROTECTED]:

  I have always argued the *practicality* of any 100% viewfinder. A 95%
 finder
  already shows *almost all* of the image: 95% of 24x36 is 23.4x35.1
  mm (for APS-C it is 23.5x15.7 vs. 22.9x15.3). No matter what application
 you
  are
  thinking of for either a negative or a slide, you will have a hard time
  actually *using* more than 95% of it. A slide frame will cut away about 7%
  and
  any lab (including home printing) will probably cut away more. In that
 sense
  it
  is *correct* to show 95% as it gives you a better indication of what you
 will
  eventually get than 100%.

 Most people won't be wanting negatives or slides though.  And home printing
 should still get all of the frame: I don't think any inkjets crop the
 picture.
 For on screen display too you will not lose anything so to me a non-100%
 viewfinder on DSLRs does not make sense.


Yes, I realise I was thinking of conventional printing on (light sensitive)
paper rather than inkjet printing. But then again, once you send your digital
files to a lab to 'print', they will crop.

Sven



Re: viewfinder magnification

2004-09-01 Thread Rob Studdert
On 1 Sep 2004 at 6:37, William Robb wrote:

 Umm, silly question, but why not just frame the picture reasonably
 accurately, then you won't be in a position of having to batch
 crop?
 The istD is still an SLR, and still has a pretty accurate (albeit not
 100% accurate viewfinder). It is certainly more accurate than the
 numbered MZ cameras.

Yep, it's pretty easy once you've been shooting for a while, just compose so 
that the subject hits the edges if you need real tight framing.


Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
UTC(GMT)  +10 Hours
[EMAIL PROTECTED]
http://members.ozemail.com.au/~distudio/publications/
Pentax user since 1986, PDMLer since 1998



Re: viewfinder magnification

2004-09-01 Thread Ryan Lee
Well, I'm just trying to get used of having to tighten my framing. I was
used to relating what I saw in the 5n's viewfinder to what I'd expect to see
in the resulting print. I've noticed that with the ist D, it adds some extra
space all around, so in order to avoid post processing (cropping, at least)
I now have to learn to take account of what's slightly obscured by those
black borders. Just not used to framing what I can't see..

Batch cropping sounds a bit extreme, but was just curious about it more than
looking to it as a solution.

Cheers,
Ryan

- Original Message - 
From: William Robb [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Wednesday, September 01, 2004 10:37 PM
Subject: Re: viewfinder magnification



 - Original Message - 
 From: Ryan Lee
 Subject: Re: viewfinder magnification


  That's actually what I thought too.. a bigger frame the screen sits
 in. A
  bit confused now. And not very impressed I have to refine my
 framing method
  or be faced with hours of PS cropping (anyone know if there's a
 batch crop
  function?)

 Umm, silly question, but why not just frame the picture reasonably
 accurately, then you won't be in a position of having to batch
 crop?
 The istD is still an SLR, and still has a pretty accurate (albeit not
 100% accurate viewfinder). It is certainly more accurate than the
 numbered MZ cameras.

 William Robb







Re: viewfinder magnification

2004-09-01 Thread Frantisek
ks Yes, I realise I was thinking of conventional printing on (light sensitive)
ks paper rather than inkjet printing. But then again, once you send your digital
ks files to a lab to 'print', they will crop.

Why? None of the labs I use do crop. Apart from the teeny bit of paper
that might rotate during processing. They even offer sizes of prints
to match these from a true 2:3 film/DSLR.

Good light!
   fra



Re: viewfinder magnification

2004-09-01 Thread keller.schaefer
Not much, but we are only talking one or two millimeters on each side of the
print (just the difference of 95% and 100%...).

Sven

 Zitat von Frantisek [EMAIL PROTECTED]:

 ks Yes, I realise I was thinking of conventional printing on (light
 sensitive)
 ks paper rather than inkjet printing. But then again, once you send your
 digital
 ks files to a lab to 'print', they will crop.

 Why? None of the labs I use do crop. Apart from the teeny bit of paper
 that might rotate during processing. They even offer sizes of prints
 to match these from a true 2:3 film/DSLR.

 Good light!
fra







Re: viewfinder magnification

2004-09-01 Thread John Francis
 
 I don't quite buy that. What determines the size of the viewfinder image is the
 size of the frame the screen sits in (as long as we are talking +/- a
 millimeter). Make that frame a little bit larger and you have a 100%
 viewfinder. Of course, all elements that attach to the mirror box have to be
 'accurate' but I don't see why that would be so difficult here.

Ah, but that's precisely what *is* difficult.  It's not just the size of the
viewfinder - it's position the boundaries accurately.

It's easy(-ish) to make a 95% viewfinder, because you only have to position the
viewfinder region to +/- one mm.  Make the frame a little bit larger, though,
and you don't have a 100% viewfinder; if you're off by that same 1mm you might
have a viewfinder that showed 97.5% of the image, cropping off 2.5% on the left,
and showing an extra 2.5% on the right that wasn't part of the true image area.
This would be bad. If you can see it through the viewfinder, people expect it to
show up on the image. The extra 5% allows for a certain amount of inaccuracy.
To get a true 100% viewfinder (no more, no less) would require at least an order
of magnitude more accuracy - everything would have to be aligned to a precision
of 0.1mm or better.  That would require a camera considerably more rigid, and
manufactured to much closer tolerances, than consumer-level prices can support.



Re: viewfinder magnification

2004-09-01 Thread Bob W
Hi,

 No matter what application you are
 thinking of for either a negative or a slide, you will have a hard time
 actually *using* more than 95% of it. A slide frame will cut away about 7% and
 any lab (including home printing) will probably cut away more. In that sense it
 is *correct* to show 95% as it gives you a better indication of what you will
 eventually get than 100%.

it is not correct - it takes away the choice from the person who knows best, and who 
may
not do any of the things you describe above.

-- 
Cheers,
 Bob



Re: viewfinder magnification

2004-09-01 Thread Shel Belinkoff
Thank you Bob ... many peopleI have no trouble using 100% of the negative.  

Shel 

 From: Bob W [EMAIL PROTECTED]

  No matter what application you are
  thinking of for either a negative or a slide, you will have a hard time
  actually *using* more than 95% of it. A slide frame will cut away about
7% and
  any lab (including home printing) will probably cut away more. In that
sense it
  is *correct* to show 95% as it gives you a better indication of what
you will
  eventually get than 100%.

 it is not correct - it takes away the choice from the person who knows
best, and who may
 not do any of the things you describe above.

 -- 
 Cheers,
  Bob




Re: AW: viewfinder magnification

2004-09-01 Thread John Francis


 Hmm - I agree with all you are saying, except for the tolerances. The ME
 Super mirror box that I am looking at right now is a cast aluminium part. It
 attaches to the body, to the mount and to the prism. If it is only machined
 to *standard* engineering tolerances of 0.1 mm then it will easily position
 the screen frame within +/- 0.2 mm of the film window (or relative to the
 sensor) and that is all that is needed to reasonably center any frame size
 (+/- 1 mm would be really awfull).

Don't forget the mirror also has to be at *exactly* the correct angle.
Is there any foam backing behind the mirror?  That's another error to
be added in (and probably one with rather more than 0.1mm variation).

 A 100% sized screen set off by 0.2 mm in one direction would still show
 about 99.4% of the true image.

99.1% if that 0.2mm error happens to be along the short side of the frame
(which would be the case for an error in mirror angle).

That 95% is probably a conservative figure; I wouldn't be at all surprised
to find that many of my Pentax bodies actually are accurate to 98% levels.
But that's still not 100%.  To get to 100% (or even to 99.9) gets expensive.



Re: viewfinder magnification

2004-09-01 Thread William Robb

- Original Message - 
From: keller.schaefer
Subject: AW: viewfinder magnification


 Hmm - I agree with all you are saying, except for the tolerances.
The ME
 Super mirror box that I am looking at right now is a cast aluminium
part. It
 attaches to the body, to the mount and to the prism. If it is only
machined
 to *standard* engineering tolerances of 0.1 mm then it will easily
position
 the screen frame within +/- 0.2 mm of the film window (or relative
to the
 sensor) and that is all that is needed to reasonably center any
frame size
 (+/- 1 mm would be really awfull).
 A 100% sized screen set off by 0.2 mm in one direction would still
show
 about 99.4% of the true image.

It's not just positioning of the screen that's important. The lens
mount also has to be in perfect registration, and the camera has to
be solidly enough built to keep it that way. The mirror alignment is
critical, and cannot shift it's rest position at all over some tens
of thousand of exposures. The prism must be precisely aligned as well
as the viewfinder elements.
In order to build a camera with a 100% accurate viewfinder, you
cannot use modern assembly line techniques.
You are back to the old school of bench building each camera
individually past a certain point.

100% accurate means just that. There is no allowable slop in the
build. That means shimming each composnet of the viewing system in
peice by peice and ensuring that perfect alignment is maintainted.
This may not be an especially difficult task, but it is a time
consuming one, and ensures that the camera in question will not be a
mass produced item.
It also ensures that the product will be substantially more expensive
than the same camera without the 100% viewfinder.

William Robb




viewfinder magnification

2004-08-31 Thread Ryan Lee
This is probably a silly question which has been discussed to bits, but I
was wondering if someone could give me the quick answer as to why it was too
hard to put a 100% viewfinder in the ist D (as opposed to the 90something
percent..)

Thanks,
Ryan




Re: viewfinder magnification

2004-08-31 Thread William Robb

- Original Message - 
From: Ryan Lee
Subject: viewfinder magnification


 This is probably a silly question which has been discussed to bits,
but I
 was wondering if someone could give me the quick answer as to why
it was too
 hard to put a 100% viewfinder in the ist D (as opposed to the
90something
 percent..)

We aren't willing to pay for the close manufacturing tolerances
required.
A 100% viewfinder requires a lot of shimming in by hand. It's very
time consuming and expensive.
When I bought my Nikon F2s, I was told by the rep that a significant
portion of the cost of the camera went into ensuring the 100%
viewfinder was 100% accurate.

William Robb




Re: viewfinder magnification

2004-08-31 Thread John Francis

It's no harder (and no easier) to put a 100% viewfinder in the *ist-D
than to put one in the MZ-S; in both cameras the viewfinder is optical.
100% viewfinders are expensive - far more expensive than 9x% finders.

 This is probably a silly question which has been discussed to bits, but I
 was wondering if someone could give me the quick answer as to why it was too
 hard to put a 100% viewfinder in the ist D (as opposed to the 90something
 percent..)
 
 Thanks,
 Ryan
 
 



RE: viewfinder magnification

2004-08-31 Thread Alan Chan
I believe the manufacturing tolerance of a 100% viewfinder is way too 
difficult and expensive. It is not difficult to understand why once you have 
seen how the viewfinder is assemlbed. Every piece has to be 100% accurate 
(mirror, screen, pentaprism, eyepiece). Besides, even if the factory could 
do it at reasonable cost, the regional service centres can't.

Alan Chan
http://www.pbase.com/wlachan
This is probably a silly question which has been discussed to bits, but I
was wondering if someone could give me the quick answer as to why it was 
too
hard to put a 100% viewfinder in the ist D (as opposed to the 90something
percent..)

Thanks,
Ryan
_
Take charge with a pop-up guard built on patented Microsoft® SmartScreen 
Technology. 
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 Start enjoying all the benefits of MSN® Premium right now and get the 
first two months FREE*.



Re: viewfinder magnification

2004-08-31 Thread graywolf
Why not a 150% viewfinder and thus make the image the same size as a full frame 
35mm. Wouldn't you farsighted folks have fun trying to focus on that?

--
Ryan Lee wrote:
This is probably a silly question which has been discussed to bits, but I
was wondering if someone could give me the quick answer as to why it was too
hard to put a 100% viewfinder in the ist D (as opposed to the 90something
percent..)
Thanks,
Ryan

--
graywolf
http://graywolfphoto.com/graywolf.html



Re: viewfinder magnification

2004-08-31 Thread graywolf
Hum? Read the subject line, Bill
HAR!
--
William Robb wrote:
- Original Message - 
From: Ryan Lee
Subject: viewfinder magnification


This is probably a silly question which has been discussed to bits,
but I
was wondering if someone could give me the quick answer as to why
it was too
hard to put a 100% viewfinder in the ist D (as opposed to the
90something
percent..)

We aren't willing to pay for the close manufacturing tolerances
required.
A 100% viewfinder requires a lot of shimming in by hand. It's very
time consuming and expensive.
When I bought my Nikon F2s, I was told by the rep that a significant
portion of the cost of the camera went into ensuring the 100%
viewfinder was 100% accurate.
William Robb

--
graywolf
http://graywolfphoto.com/graywolf.html



Re: viewfinder magnification

2004-08-31 Thread William Robb

- Original Message - 
From: graywolf
Subject: Re: viewfinder magnification


 Why not a 150% viewfinder and thus make the image the same size as
a full frame
 35mm. Wouldn't you farsighted folks have fun trying to focus on
that?

The LX sport finder is pretty close to that, I bet.

William Robb




Re: AW: *ist D finder magnification

2004-01-05 Thread Sylwek
on 04.01.04 18:03, graywolf at [EMAIL PROTECTED] wrote:

 High magnification finders have a low-viewpoint (your eye has to be very close
 to it). Nikon started all this lower magnification stuff with the HP
 (high-viewpoint) finder for the F3, and suddenly eyeglass wearers could see
 the 
 whole screen without have to move their eye. Things like this are alway a
 tradeoff.
And that's another plus for *istD - despite having the greatest
magnification of all APS-sized CCD DSLRs, its viewfinder is undoubtly of HP
type with 21 mm eye point.

-- 
Best Regards
Sylwek




Re: AW: *ist D finder magnification

2004-01-05 Thread Alin Flaider
keller.schaefer wrote:

ks I still wonder, why they don't make those finders a bit larger. Would this
ks really require a very large prism - or do the manufacturers just find it
ks unimportant?

  I suspect larger viewfinders are perfectly possible within the
  current prism dimensions (the prism does not magnify per se).
  However the higher the magnification the less bright is the
  resulting image in the viewfinder. The total amount of light
  entering an APS sized SLR is less than half the light a full frame
  SLR gets. The difference must be compensated somehow by smaller
  viewfinders but comparable in brightness. Even so I think the
  manufacturers have more stringent demands in optimizing light path
  to minimize light loss in an APS DSLR - and this could contribute
  significantly to the price.

  Servus,  Alin



Re: *ist D finder magnification

2004-01-04 Thread Heiko Hamann
Hi Sven,

on 04 Jan 04 you wrote in pentax.list:

I still wonder, why they don't make those finders a bit larger. Would
this really require a very large prism - or do the manufacturers just
find it unimportant? How wonderfull if the *ist D had a ME-Super-sized
finder image...

Yes, but the ME Super has no built in flash ;-) Those small viewfinders  
are not a DSLR problem but a problem of modern SLRs with loads of  
electronics and/or flash components in the prism housing. Actually you  
have to buy a Nikon F100 or a comparable EOS if you want to get a modern  
SLR with a real viewfinder.

I'm very satisfied with my *istD's viewfinder but it is also the  
absolute minimum. I'm wearing glasses and maybe I would have bought a  
Nikon D100 which is a great camera, too. But I wouldn't pay 1500-1800  
Euro for a great camera with a viewfinder that I cannot use.


Cheers, Heiko



AW: *ist D finder magnification

2004-01-04 Thread keller.schaefer
I don't know about the Canons but neither a Nikon F100 nor F5 would be an
alternative - they both have a .7 finder magnification.

Does anybody know how cameras with digital viewfinders (like the Minolta A1)
compare to this?

Sven



-Ursprüngliche Nachricht-
Von: Heiko Hamann [mailto:[EMAIL PROTECTED]
Gesendet: Sonntag, 4. Januar 2004 11:23
An: [EMAIL PROTECTED]
Betreff: Re: *ist D finder magnification


Hi Sven,

on 04 Jan 04 you wrote in pentax.list:

I still wonder, why they don't make those finders a bit larger. Would
this really require a very large prism - or do the manufacturers just
find it unimportant? How wonderfull if the *ist D had a ME-Super-sized
finder image...

Yes, but the ME Super has no built in flash ;-) Those small viewfinders
are not a DSLR problem but a problem of modern SLRs with loads of
electronics and/or flash components in the prism housing. Actually you
have to buy a Nikon F100 or a comparable EOS if you want to get a modern
SLR with a real viewfinder.

I'm very satisfied with my *istD's viewfinder but it is also the
absolute minimum. I'm wearing glasses and maybe I would have bought a
Nikon D100 which is a great camera, too. But I wouldn't pay 1500-1800
Euro for a great camera with a viewfinder that I cannot use.


Cheers, Heiko



Re: *ist D finder magnification

2004-01-04 Thread Heiko Hamann
Hi Sven,

on 04 Jan 04 you wrote in pentax.list:

I don't know about the Canons but neither a Nikon F100 nor F5 would be an
alternative - they both have a .7 finder magnification.

I didn't care of the magnfication but of the viewfinder size: the  
viewfinders of the F100 and F5 are quite big and you get a similar  
impression as if you would use a good old manual SLR ;-)

Cheers, Heiko



Re: *ist D finder magnification

2004-01-04 Thread William Robb

- Original Message - 
From: keller.schaefer
Subject: AW: *ist D finder magnification


 Nice work - and makes the *ist D look a little better when compared to its
 competitors rather than to film cameras (and this looks like a major
 disadvantage of the Olympus E1 system, too).
 I still wonder, why they don't make those finders a bit larger. Would this
 really require a very large prism - or do the manufacturers just find it
 unimportant?

I think that some of finder size is based on screen size, which relates to
sensor (or film) size.
APS sized digital cameras are starting at a disadvantage because the sensor
is quite a bit smaller than the 35mm film cameras that people want to
compare them to.
What surprised me about the ist D was that it appears that the finder is
just a cropped 35mm finder, which is why the magnification is close to 1x
with a 50mm lens.

William Robb



*ist D finder magnification

2004-01-03 Thread keller.schaefer
I had a discussion with a friend the other day, who is much concerned about
finder quality. He basically says that the way an image is displayed in the
viewfinder has a lot to do with how good the photographer can assess it and
how good eventually the final picture will be. I think this is a bit
stretched, but at least we both agree that the LX has a very, very good
finder image and that things have deteriorated since then...
What is also clear is that AF cameras can somehow 'live' with smaller finder
images.

As the size of the finder image depends on its magnification we were
comparing the magnifications of various cameras.

Some values, taken from 'Dimitrov' or from owner literature:

MX  0,97
LX  0,95
Z1P 0,8
MZ-S0,75
*ist0,7

(there is a trend, n'est ce pas?)

Now comes the *ist D with a stated finder magnification of 0,95 (!) which
sounds pretty good and while its finder image is said to be larger than the
competition it still is much smaller than that of any of the analogue
bodies. This of course comes from the fact that it magnifies the smaller
sensor.

I still think that Pentax is cheating with the 0,95 figure as they base it
on a 50mm lens. If stating finder magnifications is to serve a purpose
(other than to fill the data sheet), then this figure should be given for a
'standard' lens focal length that relates to the sensor size. This way, a
direct comparison of finder image size could be done. Pentax themselves vary
the focal length, as for the 67 they state 0,75 for a 105mm lens - and they
should have done so for the *ist D as well.

Based on a 35mm lens, the *ist D finder magnification figure would look like
0,62 - and would illustrate how small the finder image really is.

Sven



Re: *ist D finder magnification

2004-01-03 Thread Rüdiger Neumann
Hallo
here are the viewfinder magnification. The size of the ccd  has to be taken
in accound. The *ist D has the highest magnification of the APS size
cameras.

FULL FRAME:
Kodak DCS-14n___0,80
Canon 1Ds___0,72

APS-SIZE:
Pentax *istD_0,62
Canon 1D___0,57
Canon 10D__0,55
Nikon D2h___0,55
Nikon D1x/D1h___0,52
Nikon D100_0,52
Fuji S2 Pro__0,51
Canon 300D_0,50
Olympus E-1_0,46
Sigma SD9__0,44

And now the surprise: apart from the full-frame DSLR's, the
smallest camera, the Pentax *istD has the biggest viewfinder
magnification. It is not far away from anolog cameras magnifications.
Canons are 10% smaller, Nikons are 15% smaller and the Oly and Sigma
are more than 25% smaller.

Rüdiger


Von: keller.schaefer [EMAIL PROTECTED]

I had a discussion with a friend the other day, who is much concerned about
finder quality. He basically says that the way an image is displayed in the
viewfinder has a lot to do with how good the photographer can assess it and
how good eventually the final picture will be. I think this is a bit
stretched, but at least we both agree that the LX has a very, very good
finder image and that things have deteriorated since then...
What is also clear is that AF cameras can somehow 'live' with smaller
finder
images.

As the size of the finder image depends on its magnification we were
comparing the magnifications of various cameras.

Some values, taken from 'Dimitrov' or from owner literature:

MX 0,97
LX 0,95
Z1P 0,8
MZ-S 0,75
*ist 0,7

(there is a trend, n'est ce pas?)

Now comes the *ist D with a stated finder magnification of 0,95 (!) which
sounds pretty good and while its finder image is said to be larger than the
competition it still is much smaller than that of any of the analogue
bodies. This of course comes from the fact that it magnifies the smaller
sensor.

I still think that Pentax is cheating with the 0,95 figure as they base it
on a 50mm lens. If stating finder magnifications is to serve a purpose
(other than to fill the data sheet), then this figure should be given for a
'standard' lens focal length that relates to the sensor size. This way, a
direct comparison of finder image size could be done. Pentax themselves
vary
the focal length, as for the 67 they state 0,75 for a 105mm lens - and they
should have done so for the *ist D as well.

Based on a 35mm lens, the *ist D finder magnification figure would look
like
0,62 - and would illustrate how small the finder image really is.

Sven




Re: Viewfinder magnification of DSLRs: *istD best, E-1 und SD9 last

2003-11-09 Thread Rob Studdert
On 8 Nov 2003 at 22:22, jmb wrote:

 Strange. . .
 
 I have used my LX for ~20 years and my E10 for 1.  I've never noticed
 that the E10 VF was cr*p!  Is it because I wear glasses or that it's
 usually overcast here in NE Ohio?

Put them side by side and you can tell the difference, I do have the 60 series 
screens loaded in my LX though. When using the LX I can see perfectly through 
the finder at any point in the finder window FA-1. The E-10 finder is 
relatively dark, is has a small view and it's not remotely sharp unless the eye 
is centred precisely (and I don't wear glasses). It's much like the P645 
finder, never did like that much either.

Cheers,

Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
UTC(GMT)  +10 Hours
[EMAIL PROTECTED]
http://members.ozemail.com.au/~distudio/publications/
Pentax user since 1986, PDMLer since 1998



Re: Viewfinder magnification of DSLRs: *istD best, E-1 und SD9 last

2003-11-09 Thread Christian
I picked up an E-1 in the store the other day.
Yuck all around.  The view through the viewfinder
was like death (light at the end of a tunnel).

Christian


 Put them side by side and you can tell the
difference, I do have the 60 series
 screens loaded in my LX though. When using the
LX I can see perfectly through
 the finder at any point in the finder window
FA-1. The E-10 finder is
 relatively dark, is has a small view and it's
not remotely sharp unless the eye
 is centred precisely (and I don't wear glasses).
It's much like the P645
 finder, never did like that much either.

 Cheers,

 Rob Studdert
 HURSTVILLE AUSTRALIA
 Tel +61-2-9554-4110
 UTC(GMT)  +10 Hours
 [EMAIL PROTECTED]

http://members.ozemail.com.au/~distudio/publications/
 Pentax user since 1986, PDMLer since 1998




Re: Viewfinder magnification of DSLRs: *istD best, E-1 und SD9 last

2003-11-09 Thread William Robb

- Original Message - 
From: Christian
Subject: Re: Viewfinder magnification of DSLRs: *istD best, E-1 und SD9 last


 I picked up an E-1 in the store the other day.
 Yuck all around.  The view through the viewfinder
 was like death (light at the end of a tunnel).

Isn't death a tunnel at the end of the light?
Curious

William Robb



Re: Viewfinder magnification of DSLRs: *istD best, E-1 und SD9 last

2003-11-09 Thread Christian Skofteland
sorry, how about a near-death experience?

Christian Skofteland
[EMAIL PROTECTED]


- Original Message - 
From: William Robb [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Sunday, November 09, 2003 6:34 PM
Subject: Re: Viewfinder magnification of DSLRs: *istD best, E-1 und SD9 last



 - Original Message - 
 From: Christian
 Subject: Re: Viewfinder magnification of DSLRs: *istD best, E-1 und SD9
last


  I picked up an E-1 in the store the other day.
  Yuck all around.  The view through the viewfinder
  was like death (light at the end of a tunnel).

 Isn't death a tunnel at the end of the light?
 Curious

 William Robb




Re: Viewfinder magnification of DSLRs: *istD best, E-1 und SD9 last

2003-11-08 Thread jmb
Rob Studdert wrote:

The finder on the E-1 better be more impressive than the E-10/20 which really 
is crap, it's like looking at the image though a pipe and dark too. Not very 
impressive if you are used to good SLR finders.

Strange. . .

I have used my LX for ~20 years and my E10 for 1.  I've never noticed
that the E10 VF was cr*p!  Is it because I wear glasses or that it's
usually overcast here in NE Ohio?
John `:^ )



Viewfinder magnification of DSLRs: *istD best, E-1 und SD9 last

2003-10-24 Thread Rüdiger Neumann
Reading the popphoto review of the Oly E-1, I was suprised, 
that it was stated, that the E-1 should have the lowest 
viewfinder magnification they ever testet. 

Looking at the good overview about the D-SLR's at 
http://www.photozone.de/2Equipment/digitalSLR.htm 
a very good magnification for the E-1 of 0.96 was stated. 
The average magnification of analog SLR's is between 0.7 and 0.8. 

The viewfinder magnifications which are on the photozone side give 
a wrong impression, they can not be compared among each other. 
The croping factor has to be taken into account. 
Now I have calculated the comparable magnification in a way 
that I multiplied the magnification bei the CCD width divided bei 36. 

Example: Oly E-1 0.96*17.3/36=0.46 
This is far smaller than for analog SLR's. 

I have done that with all cameras and have listed them below: 

FULL FRAME: 
Kodak DCS-14n___0,80 
Canon 1Ds___0,72 

APS-SIZE: 
Pentax *istD_0,62 
Canon 1D___0,57 
Canon 10D__0,55 
Nikon D2h___0,55 
Nikon D1x/D1h___0,52 
Nikon D100_0,52 
Fuji S2 Pro__0,51 
Canon 300D_0,50 
Olympus E-1_0,46 
Sigma SD9__0,44 

And now the surprise: apart from the full-frame DSLR's, the 
smallest camera, the Pentax *istD has the biggest viewfinder 
magnification. It is not far away from anolog cameras magnifications. 
Canons are 10% smaller, Nikons are 15% smaller and the Oly and Sigma 
are more than 25% smaller. 

It seems that the Pentax is realy designed from scratch as a DSLR. 
The Nikon D100 comes from the F80, the Sigma SD9 from the SA9, 
that is the reason for the the low viewfinder magnification. 
Olympus, which stated that the E-1 is specifically developed 
as a DSLR gives only a dissapointing result. 



Re: Viewfinder magnification of DSLRs: *istD best, E-1 und SD9 last

2003-10-24 Thread Rob Studdert
On 24 Oct 2003 at 17:01, Rüdiger Neumann wrote:
 
 It seems that the Pentax is realy designed from scratch as a DSLR. 
 The Nikon D100 comes from the F80, the Sigma SD9 from the SA9, 
 that is the reason for the the low viewfinder magnification. 
 Olympus, which stated that the E-1 is specifically developed 
 as a DSLR gives only a dissapointing result. 

The finder on the E-1 better be more impressive than the E-10/20 which really 
is crap, it's like looking at the image though a pipe and dark too. Not very 
impressive if you are used to good SLR finders.

Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
UTC(GMT)  +10 Hours
[EMAIL PROTECTED]
http://members.ozemail.com.au/~distudio/publications/
Pentax user since 1986, PDMLer since 1998




Re: Viewfinder magnification 0.8x vs. 0.7x, why ?

2003-09-01 Thread Alan Chan
This is curious, as I have been unable to manual-focus any 28, 24,
or 20mm lens manually at long-to-infinity range, and that's using
older cameras (KX, MX, SuperProgram.  I just stop down and use
hyperfocus at an estimated distance.  Anyone else have this problem?
A magnifier can greatly solve this problem. However, I would not assume all 
cameras must focus at infinity just like the lenses shown. What I have found 
is that many used Pentax cameras focus past infinity because of the 
missing washers between the front cast and the main body (typical Pentax 
manual focus camera design). This is due to inexperience repair job. So, for 
instance, with a 24mm lens, the actual film plane might hit infinity when 
the lens shows 3m (because the film plane to lens distance is shorter than 
the specification). And what's even more susprising is that my 3+ years old 
Z-1p which was purchased brand new and has never been serviced, also suffers 
from this problem. So I cannot rely on the focus scale alone for hyperfocal, 
I must focus first. However, the focus screen  AF were calibrated according 
to the actual film plane focus so there is no AF or MF error. Perhaps you 
guys could try to use your widest lens and see if they focus past infinity 
(ther reason I suggest widest lenses because they are more likely to show 
the error).

Alan Chan
http://www.pbase.com/wlachan
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Re: Viewfinder magnification 0.8x vs. 0.7x, why ?

2003-09-01 Thread Bruce Rubenstein
You're looking for a single figue of merit to quantify ability to MF 
lense on a AF body, and magnification isn't it, because there isn't one. 
 There were differences in the quality of viewfinders with MF cameras 
and there are with AF cameras. Like many other things, the best 
correlation between a number and the quality of the viewfinder is the 
cost of the camera. The highend AF cameras have much better viewfinders.

BR


Bruce, I am aware of the differences between eyepoint, magnification and 
coverage. I was specifically asking about modern AF camera that boasts 
magnification higher than 0.8.

You see, what I, personally and humbly, want is an AF camera that allows 
for reasonable ability to do MF without having to rely on AF confimation 
light or sound. I think that it would be necessary to have at least 0.8 
magnification for that. I think that 0.85 or even 0.9 would be ever better.



Re: Viewfinder magnification 0.8x vs. 0.7x, why ?

2003-09-01 Thread Rofini
 Minolta 7 - 0.8x
 Z-1p - 0.8X
 MZ-S - 0.75X
 N1 - 0.73X
 Minolta 9 - 0.73X
 EOS 1V - 0.72X
 EOS 3 - 0.72X
 EOS 7 - 0.7X
 F100 - 0.7X
 F5 - 0.7X
 
 Alan Chan

Going back a generation: 
SF1/SF1n with 0.81x
SF7/SF10 with 0.82x

Unlike Z-1p, SF1 and SF1n appear to have coated glass outer eyepieces. 

Mark Rofini




Re: Viewfinder magnification 0.8x vs. 0.7x, why ?

2003-08-31 Thread Alan Chan
I think F801 series, F90 series  F100 have better viewfinders than the Z-1p 
in general. The best way to test the quality of the viewfinder, imho, is to 
manual focus with wide angles at distance subjects. You will see the 
difficulty as soon as you try to snap in focus.

When using slow lenses (usually f2.8 or slower), 1/2 stops is quite 
noticable when looking through the viewfinder.

Alan Chan
http://www.pbase.com/wlachan
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Viewfinder magnification 0.8x vs. 0.7x, why ?

2003-08-31 Thread Bo-Ming Tong
Dear all,

I think my old trusty Z-1p would stand up well against any camera from 
Nikon/Canon except the top and second top models, except for AF, and I 
would expect the finder to be larger, brighter and more clear in 
particular. Comparing it to a friend's Canon Elan 7E, my friend made the 
comment that the Elan 7E's finder looks larger. How come ? The Canon is 
spec'ed at 0.7x and the Pentax, 0.8x. So we could expect the Pentax's 
finder to be more than 10% larger. To my eyes the sizes look pretty much 
the same with no differences.

Also, comparing the Canon 28-105 and the Pentax 28-105 in the finder, 
the Canon had a wider field of view. According to a test of popular 
photography, it should be the other way around since Canon cheated much 
more on the wide end of the lens (around 30mm) than Pentax, although I 
haven't test-shot these two particular samples side by side to know for 
sure. The Canon has 92% coverage horizontally and the Pentax also 92%. I 
don't get these at all.

Why ? Quite depressed that the pinnacle of the Z series not to defeat 
the Elan which is pretty low on Canon's food chain in these areas. In 
terms of features they are pretty much equal and the Canon even have 
eye-controlled focus. Well the Pentax has illuminated LCD though...

In terms of brightness, the lenses have a 1/2 stop difference, and the 
Pentax finder looks darker, but I can't tell it is 1/2 stops darker, 
more than 1/2 stops, or less than 1/2 stops.

Bo-Ming Tong



Re: Viewfinder magnification 0.8x vs. 0.7x, why ?

2003-08-31 Thread Bob Walkden
Hi,

Sunday, August 31, 2003, 3:21:04 PM, you wrote:

 Lots of folks say they want 100% finders, but I don't
 know why. Slide mounts block part of the image and developers never 
 print the entire negative anyway.

not everybody mounts their slides, and some people print their own,
especially nowadays when scanning and digital printing is so easy.

It's quite disconcerting  annoying to see intrusions on the slide or
neg that you couldn't see when you framed the picture.

-- 
Cheers,
 Bobmailto:[EMAIL PROTECTED]



Re: Viewfinder magnification 0.8x vs. 0.7x, why ?

2003-08-31 Thread William Robb

- Original Message - 
From: Bob Walkden
Subject: Re: Viewfinder magnification 0.8x vs. 0.7x, why ?


 Hi,

 Sunday, August 31, 2003, 3:21:04 PM, you wrote:

  Lots of folks say they want 100% finders, but I don't
  know why. Slide mounts block part of the image and developers never
  print the entire negative anyway.

 not everybody mounts their slides, and some people print their own,
 especially nowadays when scanning and digital printing is so easy.

 It's quite disconcerting  annoying to see intrusions on the slide or
 neg that you couldn't see when you framed the picture.

A 100% veiwfinders will take a camera that would costs a few hundred dollars
and push it up into the thousand and a half range. Most people don't want to
spend the kind of money it costs to make their cameras that accurate.

William Robb



Re: Viewfinder magnification 0.8x vs. 0.7x, why ?

2003-08-31 Thread Sylwester Pietrzyk
on 31.08.03 9:43, Bo-Ming Tong at [EMAIL PROTECTED] wrote:

 Why ? Quite depressed that the pinnacle of the Z series not to defeat
 the Elan which is pretty low on Canon's food chain in these areas. In
 terms of features they are pretty much equal and the Canon even have
 eye-controlled focus. Well the Pentax has illuminated LCD though...
 
 In terms of brightness, the lenses have a 1/2 stop difference, and the
 Pentax finder looks darker, but I can't tell it is 1/2 stops darker,
 more than 1/2 stops, or less than 1/2 stops.
 
Well, if it makes you feel better, I have compared lately finders of MZ-S
and EOS-3. They are similar in size, but Canon's is obviously darker - all
with f4.5 lenses. Both cameras have similar eye-points (althought Pentax
dooesn't mention what exact value of this parameter in MZ-S is)

-- 
Regards
Sylwek




Re: Viewfinder magnification 0.8x vs. 0.7x, why ?

2003-08-31 Thread Boris Liberman
Hi!

On Sun, 31 Aug 2003 10:21:04 -0400
 Bruce Rubenstein [EMAIL PROTECTED] wrote:
Coverage percentage is the ratio of what you see in the finder to 
what is on the film. Lots of folks say they want 100% finders, but I 
don't know why. Slide mounts block part of the image and developers 
never print the entire negative anyway.
Bruce, I am aware of the differences between eyepoint, magnification 
and coverage. I was specifically asking about modern AF camera that 
boasts magnification higher than 0.8.

You see, what I, personally and humbly, want is an AF camera that 
allows for reasonable ability to do MF without having to rely on AF 
confimation light or sound. I think that it would be necessary to have 
at least 0.8 magnification for that. I think that 0.85 or even 0.9 
would be ever better.

I do agree with you about the unjustified desire for coverage. It 
seems like 92% in each direction is quite enough. Though of course, 
people who scan their negatives/slides themselves may have their 
reasons. They don't depend on photo lab. So for them 100% coverage may 
be a logical thing to ask. After all, in 35 mm format each mm matters 
[grin].

Boris



Re: Viewfinder magnification 0.8x vs. 0.7x, why ?

2003-08-31 Thread Boris Liberman
Hi!

Yes it exists. Pentax ME-F has 0.95x. Have I won anything? ;-)))

--
Best regards
Sylwek
No, you haven't [evil grin]. Actually I was asking about modern AF 
cameras. ME-F is anything but.

Boris



Re: Viewfinder magnification 0.8x vs. 0.7x, why ?

2003-08-31 Thread Sylwester Pietrzyk
on 31.08.03 11:08, Boris Liberman at [EMAIL PROTECTED] wrote:

 Alan, (and other wizards of course grin) do you happen to know
 whether there exists an AF camera (of any manufacturer) who boasts
 more than 0.8 viewfinder magnification? I realize that cameras such as
 F-5 having 100% coverage would give slightly better viewfinder
 picture. But I was wondering more about magnification, regardless of
 coverage...
Yes it exists. Pentax ME-F has 0.95x. Have I won anything? ;-)))

-- 
Best regards
Sylwek




Re: Viewfinder magnification 0.8x vs. 0.7x, why ?

2003-08-31 Thread ernreed2
Bob quoted and posted:
 
  Lots of folks say they want 100% finders, but I don't
  know why. Slide mounts block part of the image and developers never 
  print the entire negative anyway.
 
 not everybody mounts their slides, and some people print their own,
 especially nowadays when scanning and digital printing is so easy.
 
 It's quite disconcerting  annoying to see intrusions on the slide or
 neg that you couldn't see when you framed the picture.
 

Yeah! What he said!
When I used to print, I often printed full-frame; and I also scan
full-frame.



Re: Viewfinder magnification 0.8x vs. 0.7x, why ?

2003-08-31 Thread Alan Chan
Minolta 7 - 0.8x
Z-1p - 0.8X
MZ-S - 0.75X
N1 - 0.73X
Minolta 9 - 0.73X
EOS 1V - 0.72X
EOS 3 - 0.72X
EOS 7 - 0.7X
F100 - 0.7X
F5 - 0.7X
Mind you that the magnification alone do not determine the viewing quality. 
The quality of the eyepieces is equally important, or more. The major reason 
those MZ bodies have poor viewing quality is that they all have uncoated 
highly distorted plastic eyepieces. MZ-S is the only exception. The 
eyepieces of the Z-1p are composed of 3 elements, while the inner 2 are 
coated, the outer one is uncoated plastic which degrades the contrast and 
colour. Z-1p is still ok for manual focus most of the time, but there are 
times I have found manual focus with MX (which has the highest magnification 
of all) is a lot easier.

Alan Chan
http://www.pbase.com/wlachan
Alan, (and other wizards of course grin) do you happen to know whether 
there exists an AF camera (of any manufacturer) who boasts more than 0.8 
viewfinder magnification? I realize that cameras such as F-5 having 100% 
coverage would give slightly better viewfinder picture. But I was wondering 
more about magnification, regardless of coverage...
_
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Re: Viewfinder magnification of the LX

2003-06-26 Thread Lukasz Kacperczyk
 And the FE-1 magni-finder has impressive 1,35x !
 A joy to use, really!

I imagine :-) Does it show the whole frame?

Regards,
Lukasz



Re: Viewfinder magnification of the LX

2003-06-26 Thread Th. Stach
Lukasz Kacperczyk schrieb:
 
  And the FE-1 magni-finder has impressive 1,35x !
  A joy to use, really!
 
 I imagine :-) Does it show the whole frame?#


 Yes Lukasz,
 it does!

 The only drawback on this finder: No indication of the aperutre here.

 Greetinx,
 
 Thomas



Re: Viewfinder magnification of the LX

2003-06-26 Thread Lukasz Kacperczyk
  I imagine :-) Does it show the whole frame?#
 
  Yes Lukasz,
  it does!

Not good - I may want a LX one time after all... ;-)

  The only drawback on this finder: No indication of the aperutre here.

Tell that to Olympus OM users :-)

Regards,
Lukasz



Re: Magnification

2002-01-17 Thread Frantisek Vlcek

Thursday, January 17, 2002, 5:16:37 AM, Mike wrote:
 I was sitting in my spare bedroom the
 other nite, camera and FA 28-70 1:4 lens (that my coworkers got me for
 Christmas!) just kind of zooming in and out, when I noticed that my field
 of view in my free eye matched that of the lens at about 65mm.  It's pretty
 close to normal, but not too close.


MJ Chris,
MJ That depends entirely on finder magnification. It doesn't really have
MJ anything to do with the field of view you find most comfortable.

To elaborate: finder magnification of newer bodies is about 0.75x so
0.75x65mm=49mm, pretty close to normal 50mm. With older bodies,
which had higher magnification, around 0.85x-0.9x was the norm I think in
the good old days, notice that Exakta's normal prime lens (first cine
SLR I think) was 58mm, to allow easy viewing with both eyes open. That
would mean Exakta had 0.85x magnification. The abundant 55mm (Pentax
too) is meant for the K series with 0.9x magnification.

Now somebody can elaborate on why 50mm is considered normal ;-)

(I think there are two reasons - 1) technical: eyes have 20 diopter
vision normally, that means the little lens we have, when at ease, has
20 D=50mm focal length; 2) experimental: we see most easily about the
same FOV as 43-50mm lenses do on 24x36 frame /very roughly/. Of
course, I could easily be wrong.)

Good light,
   Frantisek Vlcek
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Re: Magnification

2002-01-17 Thread Tom Rittenhouse

50mm is normal because it is what came on the camera, and specifically
because that was what Barnnack (sp?) used on the original Leica.

The reason a lens of about the diagonal of the film is usually chosen as the
normal lens is simply because that is the most cost effective focal length
to use. IMNSHO, all the other quasi-technical reasons are simply BS.

Ciao,
graywolf
[EMAIL PROTECTED]



- Original Message -
From: Frantisek Vlcek [EMAIL PROTECTED]
To: Mike Johnston [EMAIL PROTECTED]
Sent: Thursday, January 17, 2002 5:27 PM
Subject: Re: Magnification


 Thursday, January 17, 2002, 5:16:37 AM, Mike wrote:
  I was sitting in my spare bedroom the
  other nite, camera and FA 28-70 1:4 lens (that my coworkers got me for
  Christmas!) just kind of zooming in and out, when I noticed that my
field
  of view in my free eye matched that of the lens at about 65mm.  It's
pretty
  close to normal, but not too close.


 MJ Chris,
 MJ That depends entirely on finder magnification. It doesn't really have
 MJ anything to do with the field of view you find most comfortable.

 To elaborate: finder magnification of newer bodies is about 0.75x so
 0.75x65mm=49mm, pretty close to normal 50mm. With older bodies,
 which had higher magnification, around 0.85x-0.9x was the norm I think in
 the good old days, notice that Exakta's normal prime lens (first cine
 SLR I think) was 58mm, to allow easy viewing with both eyes open. That
 would mean Exakta had 0.85x magnification. The abundant 55mm (Pentax
 too) is meant for the K series with 0.9x magnification.

 Now somebody can elaborate on why 50mm is considered normal ;-)

 (I think there are two reasons - 1) technical: eyes have 20 diopter
 vision normally, that means the little lens we have, when at ease, has
 20 D=50mm focal length; 2) experimental: we see most easily about the
 same FOV as 43-50mm lenses do on 24x36 frame /very roughly/. Of
 course, I could easily be wrong.)

 Good light,
Frantisek Vlcek
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Magnification

2002-01-16 Thread Mike Johnston

 I was sitting in my spare bedroom the
 other nite, camera and FA 28-70 1:4 lens (that my coworkers got me for
 Christmas!) just kind of zooming in and out, when I noticed that my field
 of view in my free eye matched that of the lens at about 65mm.  It's pretty
 close to normal, but not too close.


Chris,
That depends entirely on finder magnification. It doesn't really have
anything to do with the field of view you find most comfortable.

--Mike
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LX Viewfinder magnification?

2001-09-05 Thread Albano_Garcia

Hi,
The Boz's page doesn't include this info:

What's the viewfinder magnification of LX with FA1 or FA1w finder?
0,9x?
It's very high for sure, but how much exactly?
Please, I want to know this!

Albano
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RE: LX Viewfinder magnification?

2001-09-05 Thread Skofteland, Christian

according to:
http://members.ozemail.com.au/~distudio/thepentaxlx.html#AccessoriesFindermo
delsanddetails

the magnification is 0.9

The original LX brochure states 95% horizontal and 98% vertical.

hope this helps.

Christian Skofteland


-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]]
Sent: Wednesday, September 05, 2001 9:36 AM
To: [EMAIL PROTECTED]
Subject: LX Viewfinder magnification?


Hi,
The Boz's page doesn't include this info:

What's the viewfinder magnification of LX with FA1 or FA1w finder?
0,9x?
It's very high for sure, but how much exactly?
Please, I want to know this!

Albano
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Re: Naive question, viewfinder magnification

2001-06-26 Thread Alan Chan

I was just wondering, what's the significance of viewfinder magnification?  
I know that since I am used to my MX and ME Supers, I found it quite hard 
to manually focus on my friend's MZ-5n.  So my initial thought was that the 
bigger the better.  But then I noticed that the LX officially has a smaller 
magnification than the MX.  In fact, all Pentax cameras have smaller 
magnification than the MX.  So what's up?

AFAIK, MX has the highest magnificantion of all Pentax K mount bodies. I 
have had MX, LX, Super A/Program, P50, MZ-M and Z-1p over the years. I was 
amazed by how difficult to focus with the MZ-M due to the low 
magnificantion, because afterall, it's a manual focus body where good 
quality viewfinder is essential IMO.

Incidentally, according to the brochures on the Pentax USA website, the 
MZ-S has a viewfinder magnification of 0.75x, where as that of the MZ-5n is 
0.8x.

That's bad. :(

I've heard people complain that they can't see all of the viewfinder in the 
MX, and I know I have to press the camera hard into my face so that I can 
see all of it.  But why can't Pentax keep the same viewfinder magnification 
on the MX and just make the rear window bigger?  Am I just being too naive 
here?

I has been wondering the same too. Nikon made something called action finder 
for their F bodies so my only conclusion is cost cutting.
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Re: Naive question, viewfinder magnification

2001-06-26 Thread Francis Tang

On Tue, Jun 26, 2001 at 12:31:50AM -0700, Alan Chan wrote:
 I've heard people complain that they can't see all of the viewfinder in the 
 MX, and I know I have to press the camera hard into my face so that I can 
 see all of it.  But why can't Pentax keep the same viewfinder magnification 
 on the MX and just make the rear window bigger?  Am I just being too naive 
 here?
 
 I has been wondering the same too. Nikon made something called action finder 
 for their F bodies so my only conclusion is cost cutting.

H.  Action finder reminds me of that door you open on the top
cover of a Yashicamat to give you a direct viewfinder.  At least it's
distortion-free and, with relevance to this topic, has 1.0x
magnification.  Pity you get parallax error...

Incidentally, the Leica 0-Series has such a viewfinder too.

Frank.

-- 
Francis Tang, Postgraduate Research Student, LFCS, Edinburgh.
Visiting: AG14, FB Mathematik, TU Darmstadt, Deutschland.
Tel: +49 174/3545241 (D2 Voda)  ZNr: S215/215
Email: [EMAIL PROTECTED] WWW: http://www.dcs.ed.ac.uk/home/fhlt/
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Re: Naive question, viewfinder magnification

2001-06-26 Thread Todd Stanley

At 12:31 AM 6/26/01 -0700, you wrote:

AFAIK, MX has the highest magnificantion of all Pentax K mount bodies. I 
have had MX, LX, Super A/Program, P50, MZ-M and Z-1p over the years. I was 
amazed by how difficult to focus with the MZ-M due to the low 
magnificantion, because afterall, it's a manual focus body where good 
quality viewfinder is essential IMO.

Actually, the ME is the highest, at .98x verses .97x for the MX.  However,
the ME's focus srceen is optimized for 
fast lenses, a F4 zoom on the ME can be a challenge.  But a nice 50mm F1.4
on the ME is a great combo.

I have found that the ZX-M is easiest to focus using the Matte part of the
screen anyway, I only use the center aids generally with longer lenses.
It's also the easiest when it comes to focusing slow lenses too, for fast
lenses I'd rather have a KX or the ME.


Incidentally, according to the brochures on the Pentax USA website, the 
MZ-S has a viewfinder magnification of 0.75x, where as that of the MZ-5n is 
0.8x.

That's bad. :(

Yeap :(  Most AF camera users don't give a darn about manual lenses, and
just want a bright image to know what the camera is pointed at,
unfortunently.  (I'm not talking about most AF camera using list members here)


I've heard people complain that they can't see all of the viewfinder in the 
MX, and I know I have to press the camera hard into my face so that I can 
see all of it.  But why can't Pentax keep the same viewfinder magnification 
on the MX and just make the rear window bigger?  Am I just being too naive 
here?

I has been wondering the same too. Nikon made something called action finder 
for their F bodies so my only conclusion is cost cutting.

There is a simular finder for the LX too.  

Todd
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Re: Naive question, viewfinder magnification

2001-06-26 Thread Jaros³aw Brzeziñski

Unfortunately this is a case of a vicious circle: a viewfinder with bigger 
magnification gives you - yes, you've guessed it - bigger image in the finder, but 
that's why it is hard to see the whole image, including exposure data outside the 
image 
area, at a glance, especially for those wearing eyeglasses. Smaller viewfinder 
magnification gives you the so-called high viewpoint finder, which makes it easier 
to 
see the whole image and exposure information even with your eye detached form the 
eyepiece bit the image is smaller and thus manual focusing is more difficult. Numerous 
AF cameras have a smaller magnification relying on the fact that AF will do the job 
for 
you and your task is only to compose and see everything at a glance. Having high image 
magnification and full picture of the image plus exposure data is a contradiction in 
itself. Your MX finder makes manual focusing a snap; with MZ-5N the priority is on 
ability to see everything in the finder at a glance even when you are wearing 
eyeglasses.

Francis Tang [EMAIL PROTECTED] napisa³ / wrote: 

 I was just wondering, what's the significance of viewfinder magnification?  I know 
that since I am used to my MX and ME Supers, I found it quite hard to manually focus 
on 
my friend's MZ-5n.  So my initial thought was that the bigger the better.  But then I 
noticed that the LX officially has a smaller magnification than the MX.  In fact, all 
Pentax cameras have smaller magnification than the MX.  So what's up?
 
 Incidentally, according to the brochures on the Pentax USA website, the MZ-S has a 
viewfinder magnification of 0.75x, where as that of the MZ-5n is 0.8x.
 
 I've heard people complain that they can't see all of the viewfinder in the MX, and 
I 
know I have to press the camera hard into my face so that I can see all of it.  But 
why 
can't Pentax keep the same viewfinder magnification on the MX and just make the rear 
window bigger?  Am I just being too naive here?
 
 -- 
 Francis Tang, Postgraduate Research Student, LFCS, Edinburgh.
 Visiting: AG14, FB Mathematik, TU Darmstadt, Deutschland.
 Tel: +49 174/3545241 (D2 Voda)  ZNr: S215/215
 Email: [EMAIL PROTECTED] WWW: http://www.dcs.ed.ac.uk/home/fhlt/
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RE: MZ-S viewfinder magnification

2001-02-13 Thread Jens Bladt

Hello Mafud
True, I agree.
I myself tend to shoot an increasing ammount of 6x6. I never really liked
square pictures. So, I use my Pentagon/Rolleiflex as if they were a 645,
that I don't need to turn to get portrait/landscape format.

I think I'd prefere 100% coverage. For some jobs it's nice to know what's in
the picture, and what is not.

The eyepoint discussion may be about glasses (Is it?). People who are
wearing glasses, want to be able to see the whole frame too. Very
understandable.

I believe some of the fuzz is about us wanting our "idol" camera to be
perfect! Even if we do not buy one, we want to be able to say: Look what
Pentax can do, isn't that great! (By the way, I own a Pentax too!). I don't
feel this way. If I did, I'd buy a Leica R8 or M6 (and probably leave it on
a shelf in an insured cupboard, while shooting whith my Pentax Z1p or,
hopefully, my brand new MZ-S).

Best Regards
Jens

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MZ-S viewfinder magnification

2001-02-12 Thread Erwin Vereecken

Hi,

Like most I was a bit disappointed by the 0.75x viewfinder magnification.

However I rechecked
 http://www.smu.edu/~rmonagha/mf/viewfinder.html

The short list of the latest (in this article) top model camera's autofocus
AND manual focus:

Canon EOS1n : 0.75x
Contax RTSIII: 0.75x
Leica R8: 0.76x
Minolta 9xi: 0.76x
Nikon F5: 0.75x
Olympus OM-4: 0.75x

And now also Pentax MZ-S, which I suspect will be the most expensive 35mm
Pentax for now: 0.75x

What are we overlooking?
One cannot say it has something to do with size or price ticket after
looking at this list.
Also the difference in a 96% vertical coverage, like the R8, and  92%, like
it seems to be in the new Pentax, is only 2% on either side, so saying the
top camera's do this to see the LCD info better makes no sense either.

Now all seven major brands of camera are doing this, regardless of size or
price ticket of the camera, regardless of autofocus or manual focus.

The question is WHY? They are not all stupid are they :)

Erwin







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Viewfinder, field of view/magnification

2001-02-12 Thread Wieland Willker

Can somebody explain to me why the viewfinders are so bad these days? What is the 
problem?

Best wishes
Wieland


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Re: Viewfinder, field of view/magnification

2001-02-12 Thread dees

I have been wondering about that, too. actually one of the reasons for
my prefering 'vintage' cameras is their wonderful viewfinders

Daphne

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Re: MZ-S viewfinder magnification

2001-02-12 Thread SudaMafud

In a message dated 2/12/01 5:35:24 AM Eastern Standard Time, 
[EMAIL PROTECTED] writes:

 What are we overlooking? 

Shoot slides with an LX and you KNOW you're seeing all there is; shoot slides 
with a 75% magnification finder and you'll always have that sneaky feeling 
that somehoe, something unwanted (or unexpected) will show up just beyond the 
limits of your vision.
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Viewfinder, field of view/magnification

2001-02-12 Thread Mike Johnston

Wieland wrote:

 Can somebody explain to me why the viewfinders are so bad these days? What is
 the problem?

I don't necessarily claim that they are "so bad," but my personal theory is
that a lot of engineering these days is devoted to taking cost out of
products while leaving in an "acceptable" amount of quality. What
"acceptable" means has to do NOT with what people LIKE, but WHAT THEY WILL
BUY. The fact is, certain features are more obvious from the spec sheet, or
from intuition, or are more easily gleaned from shared conventional wisdom,
and these are the features by which products are marketed.

I think part of the reason for poorer viewfinders is that they add a lot to
cost and manufacturing complexity, but they are not features that most
people are aware of before buying cameras. The reason for this is that now,
many cameras are purchased by mail order. We enthusiasts, who seek out
camera stores, may have the opportunity to handle and look through five
competing cameras before we buy, which might make it obvious to us which
ones have better finders. Most people don't have that opportunity. They buy
from reading about the product, comparing feature lists, and then ordering
by mail from discount houses far away. Then, when they get the camera, they
have nothing to compare it to, anyway, so whatever it is, seems acceptable.

Certain features are "up front," and those features are ones that the
manufacturers are careful to provide; because if they don't, they will lose
sales. But they have learned that most consumers are not very educated about
viewfinders, so this is an area where the manufacturers can skimp without
too much penalty.

An example of an "up front" feature is top motor drive speed in a premium
pro camera. Does it really make any difference if top speed is 5 fps. or 5.5
fps? Is any photographer really enabled to take better pictures at 6 fps
than at 4.5 fps? Maybe a few. But this is an obvious feature--it is easily
understood, it is easily compared. So people will BUY a camera with a faster
speed more readily.

Certain other features, such as viewfinders and shutter responsiveness
(shutter lag, the amount of time between when you press the button and when
the exposure is made) are important, but generally they're only noticed by a
tiny little segment of the market...namely, pros or serious photographers,
who tend to actually use their cameras a lot. So pro cameras are where you
find the manufacturers putting good finders and paying attenton to shutter
lag. 

And, in fact, the manufacturers are probably right about their choices,
since, as the products are positioned more and more to the mass market, cost
becomes proportionately higher in importance as a factor in buying
decisions. 

Let me ask you this. If you had the choice of two MZ-S versions, one that
weighed 18.5 ounces and cost $699, and one that weighed 21 oz. and cost
$1,029, and the ONLY difference between the two was that the latter version
had a 100% finder and better eye relief, which one would you buy? I'd buy
the latter without question, but I'm quite certain I'm in the minorty
market-wide. Probably a pretty small minority.

--Mike

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MZ-S viewfinder magnification

2001-02-12 Thread Mike Johnston

Erwin wrote:

 Canon EOS1n : 0.75x
 Contax RTSIII: 0.75x
 Leica R8: 0.76x
 Minolta 9xi: 0.76x
 Nikon F5: 0.75x
 Olympus OM-4: 0.75x
 
 And now also Pentax MZ-S, which I suspect will be the most expensive 35mm
 Pentax for now: 0.75x
 
 What are we overlooking?

Just that four of the six cameras you mentioned above have 100% finders or
very close to it. So the MZ-S is only really comparable to the Leica and the
Olympus.


Like most I was a bit disappointed by the 0.75x viewfinder magnification.

I'm not necessarily disappointed by the 0.75x viewfinder magnification; I'm
disappointed by the combination of low magnification and poor coverage. I
would accept a .75x mag finder if it had 98% coverage as Pal earlier
predicted. I also accept a 93% coverage finder if it has .95x magnification,
which (if memory serves) are the specs for the ME Super. But it's nice to
have one or the other.

Bear in mind that some people will not care in the least about a 92%
finder--it will match the cropping on their slides or their drugstore
4x6-inch prints.  

--Mike

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Re: MZ-S viewfinder magnification

2001-02-12 Thread Ed Mathews

Can someone please explain to me again why magnification and eyepoint are
not the same?  It seems to me, that for any given % (HV field of view), the
resulting magnification with a true 50mm lens would pretty much tell you the
eyepoint would be about the same, right?  I know I'm missing something here,
but since I'm missing it, I don't know what it is I'm missing..

Thanks,
Ed
- Original Message -
From: "Erwin Vereecken" [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Monday, February 12, 2001 5:22 AM
Subject: MZ-S viewfinder magnification


 Hi,

 Like most I was a bit disappointed by the 0.75x viewfinder magnification.

 However I rechecked
  http://www.smu.edu/~rmonagha/mf/viewfinder.html

 The short list of the latest (in this article) top model camera's
autofocus
 AND manual focus:

 Canon EOS1n : 0.75x
 Contax RTSIII: 0.75x
 Leica R8: 0.76x
 Minolta 9xi: 0.76x
 Nikon F5: 0.75x
 Olympus OM-4: 0.75x

 And now also Pentax MZ-S, which I suspect will be the most expensive 35mm
 Pentax for now: 0.75x

 What are we overlooking?
 One cannot say it has something to do with size or price ticket after
 looking at this list.
 Also the difference in a 96% vertical coverage, like the R8, and  92%,
like
 it seems to be in the new Pentax, is only 2% on either side, so saying the
 top camera's do this to see the LCD info better makes no sense either.

 Now all seven major brands of camera are doing this, regardless of size or
 price ticket of the camera, regardless of autofocus or manual focus.

 The question is WHY? They are not all stupid are they :)

 Erwin







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Re: Viewfinder, field of view/magnification

2001-02-12 Thread Alin Flaider

Wieland wrote:

WW Can somebody explain to me why the viewfinders are so bad these
WW days? What is the problem? 

  Reason no. 1:
   More info in the viewfinder - lower magnification.
   Nowadays people like to be in control without taking the camera
   from the eye. The old adagio about seeing the picture with your
   eyes first seems to be less valued than ever. In this line I'd be
   surprised to see optical viewfinders 10 years from now. More likely
   a TV screen with superimposed "new" critical data, like subject
   velocity, exposure levels map, etc.
  Reason no. 2:
   Better autofocus needs more light, on the detriment of the
   viewfinder. What's then to be done to preserve the viewfinder's
   brightness? Easy, make it smaller and call it higher eye point to
   keep the customer happy.
  It's all about evolution. :o/

  Cynicism aside, I can live with my MZ-5N viewfinder. The very fine
  matte area that allows good manual focus makes up for the low
  magnification (0.8, still one of the highest). If only that eyepiece
  wouldn't scratch that easy...

  Servus, Alin


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Re: MZ-S viewfinder magnification

2001-02-12 Thread SudaMafud

In a message dated 2/12/01 8:14:50 AM Eastern Standard Time, 
[EMAIL PROTECTED] writes:

 Bear in mind that some people will not care in the least about a 92% 
finder--it will match the cropping on their slides or their drugstore 
4x6-inch prints.   

But..but aren't *we* responsible for what the final product is? Don't we need 
to *know* the limitations of the camera and doesn't a 92% finder give us 
(except for those of us who print odd sizes or edge to edge) the final 
product? 
And even when we shoot 100% viefinders, don't we mentally "crop" to the final 
image anyway? 
Lastly, doesn't the viewfinder only represent an extension of the lens itself?

Mafud
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Re: MZ-S viewfinder magnification

2001-02-12 Thread Lawrence Kwan

Here's another comparison of modern cameras' viewfinders:

MZ-S92% 0.75x   520g18.3oz  Pop-up flash
PZ-1P   92% 0.8x650g22.7oz  Pop-up flash
EOS 3   97% 0.72x   780g27.5oz  No flash
EOS A2  94%/92% 0.73x   665g23.5oz  Pop-up flash
Elan7   92%/90% 0.70x   575g20.3oz  Pop-up flash
F10096% 0.76x   27.7oz  No flash
F90x92% 0.78x   26.6oz  No flash
F80 92% 0.71-0.75x  18.2oz  Pop-up flash

There are many things the camera designer has to consider in deciding the
specifications.  And I am sure for MZ-S, size, packaging and presence of
pop-up flash have a big role in determining the viewfinder specs.  And
looking at the chart above, MZ-S compares well against modern batch of
cameras (especially those with comparable weight and built-in flash).  Of
course, I have not included EOS1v, F5 class cameras which have 100%
coverage.  And cameras such as F90x is not much better with its
viewfinder, and I have not seen many complaints about it.  My point is not
to diminish the importance of a good viewfinder for those who need it; I
just want to illustrate that MZ-S is simply following the trend in its
market segment. 

Another important factor in deciding the viewfinder coverage could be its
digital twin.  If 92% is all that can be recorded by the CCD, then MZ-S
would have to follow the specs.  This maybe one of the compromise one have
to accept in sharing the chasis for both film and digital versions.


--Lawrence Kwan --- SMS Info Service for FidoPro --- PGP: finger/www--
[EMAIL PROTECTED] http://www.vex.net/~lawrence/ -Key ID:0x6D23F3C4--

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Re: MZ-S viewfinder magnification

2001-02-12 Thread Alan Chan

The question is WHY? They are not all stupid are they :)
Erwin

Of course not, but they think we are.

regards,
Alan Chan

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Re: MZ-S viewfinder magnification

2001-02-12 Thread Alan Chan

But..but aren't *we* responsible for what the final product is? Don't we 
need
to *know* the limitations of the camera and doesn't a 92% finder give us
(except for those of us who print odd sizes or edge to edge) the final
product?

That's the beauty of it. The manufacturers have already decided how much our 
photos should be cropped.

regards,
Alan Chan

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Re: MZ-S viewfinder magnification

2001-02-12 Thread Alan Chan

My main concern isn't the 92%/0.75 viewfinder data, but the posibility that 
they have used the viewfinder of the MZ-5 wholesale.

Pål

Now that's really bad!!! Last time I did a side by side comparsion between 
Z-1p and MZ-5n. Their difference is quite significant.

regards,
Alan Chan

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Re: MZ-S viewfinder magnification

2001-02-12 Thread William Robb

- Original Message -
From: "Ed Mathews" [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: February 12, 2001 8:41 PM
Subject: Re: MZ-S viewfinder magnification


 I own an F3HP.  It has what I consider to be the best
viewfinder on any
 camera I've ever owned.  See my other post about where my
confusion lies.
 It's in not understanding why lower magnification doesn't
always mean higher
 eyepoint.  Seems to me if you made the magnification 50%, it
would
 automatically mean the eyepoint would be high enough to see
the whole frame,
 regardless of how many mm of relief it would equate to.

It's funny how things are sometimes. It was the F3HP that turned
me away from Nikon and towards Pentax in the first place. I
never liked the viewfinder on that camera. Then the F4 came
along, and I just got completely annoyed with camera bloat.
William Robb



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Re: LCD viewfinders Was: Re: MZ-S viewfinder magnification

2001-02-12 Thread Chris Brogden

On Tue, 13 Feb 2001 [EMAIL PROTECTED] wrote:

 Suppose, as someone jokingly suggested, PENTAX 35mm SLR bodies came with 
 color LCD viewfinders with 24 x 36mm heads-up exposure displays representing 
 the same size as a 35mm negative? Would that not be 100% magnification and 
 100% relief? 
 
 And would not some find serious fault with that arrangement?

I would!  *L*  That "sluuurp" you hear is the sounds of your batteries
dying in about five minutes.  Those LCD screens are the main reason why
digital cameras go through batteries so quickly.  :)

chris

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