Re: DA* 60-250/4 on ebsy

2023-12-20 Thread Larry Colen
Is that f/1 or f/1.2?  

> On Dec 20, 2023, at 2:58 PM, Comcast  wrote:
> 
> I offered this lens here a while back and have now put it on ebsy.  This was 
> my workhorse when I shot regularly with the APS-C cameras. The SDM motor was 
> replaced a whlle back with the latest version,and it was flawless thereafter.
> 
> I’m also selling my mint A50/1.0 in theoriginal packaging. Yes, the f1 
> low-light super-bokeh champ. Used only a handful of times by several very 
> cautious Pentaxians. I’ll let it go for $400 plus shipping.
> Paul
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Re: DA* 60-250 to C.R.I.S.

2012-09-30 Thread Paul Stenquist
I really like the SDM lenses, although I wish they were more reliable. My DA* 
60-250 dis over 20,000 frames before it failed. Of course it should never fail 
at that price, but it has served me well and helped earn a good amount of money.
Paul
On Sep 29, 2012, at 11:45 PM, Bipin Gupta bip...@gmail.com wrote:

 This word SDM on Pentax Star Lenses has begun to sound like the
 DEVIL's acronym for  Sadistic Design Mechanism (SDM). And I took the
 16-50 out of the US only to have this damn SDM Failure.Ultimately I
 bought the Tamron 17-50 f2-8 and God, am I in bliss - Devil begone!
 Why the hell Ricoh - Pentax won't listen to the hundreds of voices for
 providing screw drive as well, with software for switch to SDM or
 Screw Drive.
 Why are honest  loyal Pentax Customer's getting screwed instead?
 Bipin, camp: San Mateo, CA and not the far away enchanting land.
 
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Re: DA* 60-250 to C.R.I.S.

2012-09-30 Thread Mark Roberts
William Robb wrote:

It is a lens I use rarely, I've heard that this is harder on the SDM 
lenses than daily use.

I'm suspicious of the more likely to fail if not used regularly
idea. I bought one of the first 16-50/2.8 SDM lenses when it first
came out and it's been fine despite often going months without use.
 
-- 
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www.robertstech.com





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Re: DA* 60-250 to C.R.I.S.

2012-09-30 Thread Paul Stenquist
True. I've gone months without using the DA* 50-135, and it's still fine. I 
have three SDM lenses, and the 60-250 failure is my first. 
Not terrible.

On Sep 30, 2012, at 7:51 AM, Mark Roberts postmas...@robertstech.com wrote:

 William Robb wrote:
 
 It is a lens I use rarely, I've heard that this is harder on the SDM 
 lenses than daily use.
 
 I'm suspicious of the more likely to fail if not used regularly
 idea. I bought one of the first 16-50/2.8 SDM lenses when it first
 came out and it's been fine despite often going months without use.
 
 -- 
 Mark Roberts - Photography  Multimedia
 www.robertstech.com
 
 
 
 
 
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Re: DA* 60-250 to C.R.I.S.

2012-09-30 Thread Bruce Walker
I don't subscribe to the use it or lose it theory.

However, I also have three SDM lenses and I've had two motor failures,
both in the 50-135. The first was under warranty still, the 2nd is two
years later and I'll have to pay to fix it.

I regard it as pretty terrible. The same type of failure *twice* in
four years? Sheesh. If I get it fixed will it blow again in two more
years?


On Sun, Sep 30, 2012 at 8:06 AM, Paul Stenquist pnstenqu...@comcast.net wrote:
 True. I've gone months without using the DA* 50-135, and it's still fine. I 
 have three SDM lenses, and the 60-250 failure is my first.
 Not terrible.

 On Sep 30, 2012, at 7:51 AM, Mark Roberts postmas...@robertstech.com wrote:

 William Robb wrote:

 It is a lens I use rarely, I've heard that this is harder on the SDM
 lenses than daily use.

 I'm suspicious of the more likely to fail if not used regularly
 idea. I bought one of the first 16-50/2.8 SDM lenses when it first
 came out and it's been fine despite often going months without use.

 --
 Mark Roberts - Photography  Multimedia
 www.robertstech.com





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Re: DA* 60-250 to C.R.I.S.

2012-09-30 Thread Bulent Celasun
Another 50-135 with failed SDM here :(
It failed just after the warranty period. Was practically unused then.
It still is!
The SDM failed again; this time after a heavy fall, however...

Bulent
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2012/9/30 Bruce Walker bruce.wal...@gmail.com:
 I don't subscribe to the use it or lose it theory.

 However, I also have three SDM lenses and I've had two motor failures,
 both in the 50-135. The first was under warranty still, the 2nd is two
 years later and I'll have to pay to fix it.

 I regard it as pretty terrible. The same type of failure *twice* in
 four years? Sheesh. If I get it fixed will it blow again in two more
 years?


 On Sun, Sep 30, 2012 at 8:06 AM, Paul Stenquist pnstenqu...@comcast.net 
 wrote:
 True. I've gone months without using the DA* 50-135, and it's still fine. I 
 have three SDM lenses, and the 60-250 failure is my first.
 Not terrible.

 On Sep 30, 2012, at 7:51 AM, Mark Roberts postmas...@robertstech.com wrote:

 William Robb wrote:

 It is a lens I use rarely, I've heard that this is harder on the SDM
 lenses than daily use.

 I'm suspicious of the more likely to fail if not used regularly
 idea. I bought one of the first 16-50/2.8 SDM lenses when it first
 came out and it's been fine despite often going months without use.

 --
 Mark Roberts - Photography  Multimedia
 www.robertstech.com





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Re: DA* 60-250 to C.R.I.S.

2012-09-29 Thread Rob Studdert
On 30 September 2012 13:45, Bipin Gupta bip...@gmail.com wrote:

 Why are honest  loyal Pentax Customer's getting screwed instead?

Well I'm not, the last four lenses that I bought for my Pentax were
built by Sigma and they all seem to be great performers for the price,
significantly better value than the Pentax equivalents when they
exist.

-- 
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Tel: +61-418-166-870 UTC +10 Hours
Gmail, eBay, Skype, Twitter, Facebook, Picasa: distudio

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Re: DA* 60-250 to C.R.I.S.

2012-09-28 Thread William Robb

On 26/09/2012 6:29 PM, Paul Stenquist wrote:

The SDM motor of my workhorse lens seems to have failed after what must be 
about 20,000 frames.


My 60-250 failed after about a year of mostly sitting in a gadget bag. 
It was awarded an all expenses paid trip back to Japan, as they couldn't 
repair it in Canada for some reason. It's been good since it came back.
It is a lens I use rarely, I've heard that this is harder on the SDM 
lenses than daily use.


--

William Robb

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Re: DA* 60-250 to C.R.I.S.

2012-09-27 Thread Boris Liberman
Bummer.

Paul, I most certainly join you in your wishes to have your lens
repaired quickly and professionally.

On Wed, Sep 26, 2012 at 7:29 PM, Paul Stenquist pnstenqu...@comcast.net wrote:
 The SDM motor of my workhorse lens seems to have failed after what must be 
 about 20,000 frames. Not too bad, although I guess it shouldn't ever fail on 
 an expensive lens that is marketed as a premium product. A few weeks back I 
 started getting intermittent focus failures. Unmounting the lens and turning 
 the focus barrel manually would wake it up again. I had a couple assignments, 
 so I held onto it, figuring I'd send it out when the weather started to get 
 bad. But at yesterday's shoot it failed completely. Couldn't get a shot off. 
 That was inconvenient as hell, since I didn't have another lens between 135 
 and 400, and the Mopar Action editor likes the look I get in the 200 to 250 
 range. But I made do with the 50-135 and the A 400. That 400 is getting 
 harder to focus as my eyes age, so I shot numerous frames of each shot, 
 refocusing after every couple. Should have hung onto the DA 50-200 as a 
 spare, but I sold it to help cover the cost of the DA* lens.

 In any case, I hope C.R.I.S. has the part. Don't want to go through the kind 
 of ordeal that accompanied my K-5 repair in July.

 Paul
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RE: DA* 60-250 to C.R.I.S.

2012-09-26 Thread J.C. O'Connell
This is one of the reasons I like my prime SMCK MF lenses.
Nothing tricky to go wrong, still going strong after 35 yrs.
Sorry to hear your having problems with your newish lens...
-
J.C.O'Connell
hifis...@gate.net
-

-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of Paul
Stenquist
Sent: Wednesday, September 26, 2012 8:30 PM
To: Pentax-Discuss Mail List
Subject: DA* 60-250 to C.R.I.S.

The SDM motor of my workhorse lens seems to have failed after what must be
about 20,000 frames. Not too bad, although I guess it shouldn't ever fail on
an expensive lens that is marketed as a premium product. A few weeks back I
started getting intermittent focus failures. Unmounting the lens and turning
the focus barrel manually would wake it up again. I had a couple
assignments, so I held onto it, figuring I'd send it out when the weather
started to get bad. But at yesterday's shoot it failed completely. Couldn't
get a shot off. That was inconvenient as hell, since I didn't have another
lens between 135 and 400, and the Mopar Action editor likes the look I get
in the 200 to 250 range. But I made do with the 50-135 and the A 400. That
400 is getting harder to focus as my eyes age, so I shot numerous frames of
each shot, refocusing after every couple. Should have hung onto the DA
50-200 as a spare, but I sold it to help cover the cost of the DA* lens.

In any case, I hope C.R.I.S. has the part. Don't want to go through the kind
of ordeal that accompanied my K-5 repair in July.

Paul
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Re: DA* 60-250 to C.R.I.S.

2012-09-26 Thread Bruce Walker
Nothing tricky to go wrong? Yes there is: the gel-filled lenses in
your head. That's part of my issue and why I don't do much successful
manual focussing. I'd be in trouble without AF.


On Wed, Sep 26, 2012 at 8:35 PM, J.C. O'Connell hifis...@gate.net wrote:
 This is one of the reasons I like my prime SMCK MF lenses.
 Nothing tricky to go wrong, still going strong after 35 yrs.
 Sorry to hear your having problems with your newish lens...
 -
 J.C.O'Connell
 hifis...@gate.net
 -

 -Original Message-
 From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of Paul
 Stenquist
 Sent: Wednesday, September 26, 2012 8:30 PM
 To: Pentax-Discuss Mail List
 Subject: DA* 60-250 to C.R.I.S.

 The SDM motor of my workhorse lens seems to have failed after what must be
 about 20,000 frames. Not too bad, although I guess it shouldn't ever fail on
 an expensive lens that is marketed as a premium product. A few weeks back I
 started getting intermittent focus failures. Unmounting the lens and turning
 the focus barrel manually would wake it up again. I had a couple
 assignments, so I held onto it, figuring I'd send it out when the weather
 started to get bad. But at yesterday's shoot it failed completely. Couldn't
 get a shot off. That was inconvenient as hell, since I didn't have another
 lens between 135 and 400, and the Mopar Action editor likes the look I get
 in the 200 to 250 range. But I made do with the 50-135 and the A 400. That
 400 is getting harder to focus as my eyes age, so I shot numerous frames of
 each shot, refocusing after every couple. Should have hung onto the DA
 50-200 as a spare, but I sold it to help cover the cost of the DA* lens.

 In any case, I hope C.R.I.S. has the part. Don't want to go through the kind
 of ordeal that accompanied my K-5 repair in July.

 Paul
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RE: DA* 60-250 to C.R.I.S.

2012-09-26 Thread J.C. O'Connell
you could also buy a 200 or 250mm F4 prime as a backup to fill the 
gap between 135 and 400. Pentax 200mm F4 prime are cheap. I think
vivitar made a 250mm F4.5 which is also cheap. If you must have a 
zoom there was a tokina at-x 100-300 F4 that is superb. Cost more than
a prime though.

-
J.C.O'Connell
hifis...@gate.net
-

-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of Paul
Stenquist
Sent: Wednesday, September 26, 2012 8:30 PM
To: Pentax-Discuss Mail List
Subject: DA* 60-250 to C.R.I.S.

The SDM motor of my workhorse lens seems to have failed after what must be
about 20,000 frames. Not too bad, although I guess it shouldn't ever fail on
an expensive lens that is marketed as a premium product. A few weeks back I
started getting intermittent focus failures. Unmounting the lens and turning
the focus barrel manually would wake it up again. I had a couple
assignments, so I held onto it, figuring I'd send it out when the weather
started to get bad. But at yesterday's shoot it failed completely. Couldn't
get a shot off. That was inconvenient as hell, since I didn't have another
lens between 135 and 400, and the Mopar Action editor likes the look I get
in the 200 to 250 range. But I made do with the 50-135 and the A 400. That
400 is getting harder to focus as my eyes age, so I shot numerous frames of
each shot, refocusing after every couple. Should have hung onto the DA
50-200 as a spare, but I sold it to help cover the cost of the DA* lens.

In any case, I hope C.R.I.S. has the part. Don't want to go through the kind
of ordeal that accompanied my K-5 repair in July.

Paul
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RE: DA* 60-250 to C.R.I.S.

2012-09-26 Thread J.C. O'Connell
Id be in trouble without MF.

-
J.C.O'Connell
hifis...@gate.net
-

-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
Bruce Walker
Sent: Wednesday, September 26, 2012 8:40 PM
To: Pentax-Discuss Mail List
Subject: Re: DA* 60-250 to C.R.I.S.

Nothing tricky to go wrong? Yes there is: the gel-filled lenses in
your head. That's part of my issue and why I don't do much successful
manual focussing. I'd be in trouble without AF.


On Wed, Sep 26, 2012 at 8:35 PM, J.C. O'Connell hifis...@gate.net wrote:
 This is one of the reasons I like my prime SMCK MF lenses.
 Nothing tricky to go wrong, still going strong after 35 yrs.
 Sorry to hear your having problems with your newish lens...
 -
 J.C.O'Connell
 hifis...@gate.net
 -

 -Original Message-
 From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
Paul
 Stenquist
 Sent: Wednesday, September 26, 2012 8:30 PM
 To: Pentax-Discuss Mail List
 Subject: DA* 60-250 to C.R.I.S.

 The SDM motor of my workhorse lens seems to have failed after what must be
 about 20,000 frames. Not too bad, although I guess it shouldn't ever fail
on
 an expensive lens that is marketed as a premium product. A few weeks back
I
 started getting intermittent focus failures. Unmounting the lens and
turning
 the focus barrel manually would wake it up again. I had a couple
 assignments, so I held onto it, figuring I'd send it out when the weather
 started to get bad. But at yesterday's shoot it failed completely.
Couldn't
 get a shot off. That was inconvenient as hell, since I didn't have another
 lens between 135 and 400, and the Mopar Action editor likes the look I get
 in the 200 to 250 range. But I made do with the 50-135 and the A 400. That
 400 is getting harder to focus as my eyes age, so I shot numerous frames
of
 each shot, refocusing after every couple. Should have hung onto the DA
 50-200 as a spare, but I sold it to help cover the cost of the DA* lens.

 In any case, I hope C.R.I.S. has the part. Don't want to go through the
kind
 of ordeal that accompanied my K-5 repair in July.

 Paul
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Re: DA* 60-250 to C.R.I.S.

2012-09-26 Thread Paul Stenquist
What Bruce said. Forty years ago I could manual focus any lens, every time. I 
could even pull focus on a car moving toward me. But eyes wear out faster than 
old manual lenses. I had a heck of a time focusing the 400 yesterday, 
particularly when working from my knees with the camera on a low tripod. Manual 
focus is largely in my past. 
Paul

On Sep 26, 2012, at 8:39 PM, Bruce Walker bruce.wal...@gmail.com wrote:

 Nothing tricky to go wrong? Yes there is: the gel-filled lenses in
 your head. That's part of my issue and why I don't do much successful
 manual focussing. I'd be in trouble without AF.
 
 
 On Wed, Sep 26, 2012 at 8:35 PM, J.C. O'Connell hifis...@gate.net wrote:
 This is one of the reasons I like my prime SMCK MF lenses.
 Nothing tricky to go wrong, still going strong after 35 yrs.
 Sorry to hear your having problems with your newish lens...
 -
 J.C.O'Connell
 hifis...@gate.net
 -
 
 -Original Message-
 From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of Paul
 Stenquist
 Sent: Wednesday, September 26, 2012 8:30 PM
 To: Pentax-Discuss Mail List
 Subject: DA* 60-250 to C.R.I.S.
 
 The SDM motor of my workhorse lens seems to have failed after what must be
 about 20,000 frames. Not too bad, although I guess it shouldn't ever fail on
 an expensive lens that is marketed as a premium product. A few weeks back I
 started getting intermittent focus failures. Unmounting the lens and turning
 the focus barrel manually would wake it up again. I had a couple
 assignments, so I held onto it, figuring I'd send it out when the weather
 started to get bad. But at yesterday's shoot it failed completely. Couldn't
 get a shot off. That was inconvenient as hell, since I didn't have another
 lens between 135 and 400, and the Mopar Action editor likes the look I get
 in the 200 to 250 range. But I made do with the 50-135 and the A 400. That
 400 is getting harder to focus as my eyes age, so I shot numerous frames of
 each shot, refocusing after every couple. Should have hung onto the DA
 50-200 as a spare, but I sold it to help cover the cost of the DA* lens.
 
 In any case, I hope C.R.I.S. has the part. Don't want to go through the kind
 of ordeal that accompanied my K-5 repair in July.
 
 Paul
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RE: DA* 60-250 to C.R.I.S.

2012-09-26 Thread J.C. O'Connell
I think the A400/f5.6 is an exception, because its so slow. I even have
trouble with mine. Most of my MF SMCK lenses are shorter and faster like
F2.8 or faster, making them easy to MF. Having a split image screen doesnt
hurt either. I just dont like AF, it misses too much or hunts too long
ruining the decisive moment. I will concede AF is better for fast action
where its impossible to keep up manually focusing, but thats a special case.

-
J.C.O'Connell
hifis...@gate.net
-

-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of Paul
Stenquist
Sent: Wednesday, September 26, 2012 8:56 PM
To: Pentax-Discuss Mail List
Subject: Re: DA* 60-250 to C.R.I.S.

What Bruce said. Forty years ago I could manual focus any lens, every time.
I could even pull focus on a car moving toward me. But eyes wear out faster
than old manual lenses. I had a heck of a time focusing the 400 yesterday,
particularly when working from my knees with the camera on a low tripod.
Manual focus is largely in my past. 
Paul

On Sep 26, 2012, at 8:39 PM, Bruce Walker bruce.wal...@gmail.com wrote:

 Nothing tricky to go wrong? Yes there is: the gel-filled lenses in
 your head. That's part of my issue and why I don't do much successful
 manual focussing. I'd be in trouble without AF.
 
 
 On Wed, Sep 26, 2012 at 8:35 PM, J.C. O'Connell hifis...@gate.net wrote:
 This is one of the reasons I like my prime SMCK MF lenses.
 Nothing tricky to go wrong, still going strong after 35 yrs.
 Sorry to hear your having problems with your newish lens...
 -
 J.C.O'Connell
 hifis...@gate.net
 -
 
 -Original Message-
 From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
Paul
 Stenquist
 Sent: Wednesday, September 26, 2012 8:30 PM
 To: Pentax-Discuss Mail List
 Subject: DA* 60-250 to C.R.I.S.
 
 The SDM motor of my workhorse lens seems to have failed after what must
be
 about 20,000 frames. Not too bad, although I guess it shouldn't ever fail
on
 an expensive lens that is marketed as a premium product. A few weeks back
I
 started getting intermittent focus failures. Unmounting the lens and
turning
 the focus barrel manually would wake it up again. I had a couple
 assignments, so I held onto it, figuring I'd send it out when the weather
 started to get bad. But at yesterday's shoot it failed completely.
Couldn't
 get a shot off. That was inconvenient as hell, since I didn't have
another
 lens between 135 and 400, and the Mopar Action editor likes the look I
get
 in the 200 to 250 range. But I made do with the 50-135 and the A 400.
That
 400 is getting harder to focus as my eyes age, so I shot numerous frames
of
 each shot, refocusing after every couple. Should have hung onto the DA
 50-200 as a spare, but I sold it to help cover the cost of the DA* lens.
 
 In any case, I hope C.R.I.S. has the part. Don't want to go through the
kind
 of ordeal that accompanied my K-5 repair in July.
 
 Paul
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Re: DA* 60-250 to C.R.I.S.

2012-09-26 Thread Walt
Maybe I need to start setting aside some money for a future Lasik 
procedure. I truly dread the day when my eyeballs finally betray me.


(Not that they haven't before, but it usually only happens around 
closing time.)


-- Walt

On 9/26/2012 7:55 PM, Paul Stenquist wrote:

What Bruce said. Forty years ago I could manual focus any lens, every time. I 
could even pull focus on a car moving toward me. But eyes wear out faster than 
old manual lenses. I had a heck of a time focusing the 400 yesterday, 
particularly when working from my knees with the camera on a low tripod. Manual 
focus is largely in my past.
Paul

On Sep 26, 2012, at 8:39 PM, Bruce Walker bruce.wal...@gmail.com wrote:


Nothing tricky to go wrong? Yes there is: the gel-filled lenses in
your head. That's part of my issue and why I don't do much successful
manual focussing. I'd be in trouble without AF.


On Wed, Sep 26, 2012 at 8:35 PM, J.C. O'Connell hifis...@gate.net wrote:

This is one of the reasons I like my prime SMCK MF lenses.
Nothing tricky to go wrong, still going strong after 35 yrs.
Sorry to hear your having problems with your newish lens...
-
J.C.O'Connell
hifis...@gate.net
-

-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of Paul
Stenquist
Sent: Wednesday, September 26, 2012 8:30 PM
To: Pentax-Discuss Mail List
Subject: DA* 60-250 to C.R.I.S.

The SDM motor of my workhorse lens seems to have failed after what must be
about 20,000 frames. Not too bad, although I guess it shouldn't ever fail on
an expensive lens that is marketed as a premium product. A few weeks back I
started getting intermittent focus failures. Unmounting the lens and turning
the focus barrel manually would wake it up again. I had a couple
assignments, so I held onto it, figuring I'd send it out when the weather
started to get bad. But at yesterday's shoot it failed completely. Couldn't
get a shot off. That was inconvenient as hell, since I didn't have another
lens between 135 and 400, and the Mopar Action editor likes the look I get
in the 200 to 250 range. But I made do with the 50-135 and the A 400. That
400 is getting harder to focus as my eyes age, so I shot numerous frames of
each shot, refocusing after every couple. Should have hung onto the DA
50-200 as a spare, but I sold it to help cover the cost of the DA* lens.

In any case, I hope C.R.I.S. has the part. Don't want to go through the kind
of ordeal that accompanied my K-5 repair in July.

Paul
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RE: DA* 60-250 to C.R.I.S.

2012-09-26 Thread J.C. O'Connell
Since I have turned 50, my near range vision is no longer any good
and I need reading glasses or bifocals now for reading, but fortunately my
infinity vision (which is what a camera finder requires) is still 20-20 so I
dont have any problem MF focusing even without glasses at this point.

-
J.C.O'Connell
hifis...@gate.net
-

-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of Walt
Sent: Wednesday, September 26, 2012 9:10 PM
To: Pentax-Discuss Mail List
Subject: Re: DA* 60-250 to C.R.I.S.

Maybe I need to start setting aside some money for a future Lasik 
procedure. I truly dread the day when my eyeballs finally betray me.

(Not that they haven't before, but it usually only happens around 
closing time.)

-- Walt

On 9/26/2012 7:55 PM, Paul Stenquist wrote:
 What Bruce said. Forty years ago I could manual focus any lens, every
time. I could even pull focus on a car moving toward me. But eyes wear out
faster than old manual lenses. I had a heck of a time focusing the 400
yesterday, particularly when working from my knees with the camera on a low
tripod. Manual focus is largely in my past.
 Paul

 On Sep 26, 2012, at 8:39 PM, Bruce Walker bruce.wal...@gmail.com wrote:

 Nothing tricky to go wrong? Yes there is: the gel-filled lenses in
 your head. That's part of my issue and why I don't do much successful
 manual focussing. I'd be in trouble without AF.


 On Wed, Sep 26, 2012 at 8:35 PM, J.C. O'Connell hifis...@gate.net
wrote:
 This is one of the reasons I like my prime SMCK MF lenses.
 Nothing tricky to go wrong, still going strong after 35 yrs.
 Sorry to hear your having problems with your newish lens...
 -
 J.C.O'Connell
 hifis...@gate.net
 -

 -Original Message-
 From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
Paul
 Stenquist
 Sent: Wednesday, September 26, 2012 8:30 PM
 To: Pentax-Discuss Mail List
 Subject: DA* 60-250 to C.R.I.S.

 The SDM motor of my workhorse lens seems to have failed after what must
be
 about 20,000 frames. Not too bad, although I guess it shouldn't ever
fail on
 an expensive lens that is marketed as a premium product. A few weeks
back I
 started getting intermittent focus failures. Unmounting the lens and
turning
 the focus barrel manually would wake it up again. I had a couple
 assignments, so I held onto it, figuring I'd send it out when the
weather
 started to get bad. But at yesterday's shoot it failed completely.
Couldn't
 get a shot off. That was inconvenient as hell, since I didn't have
another
 lens between 135 and 400, and the Mopar Action editor likes the look I
get
 in the 200 to 250 range. But I made do with the 50-135 and the A 400.
That
 400 is getting harder to focus as my eyes age, so I shot numerous frames
of
 each shot, refocusing after every couple. Should have hung onto the DA
 50-200 as a spare, but I sold it to help cover the cost of the DA* lens.

 In any case, I hope C.R.I.S. has the part. Don't want to go through the
kind
 of ordeal that accompanied my K-5 repair in July.

 Paul
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Re: DA* 60-250 to C.R.I.S.

2012-09-26 Thread Paul Stenquist
Autofocus is fine for shooting cars off a tripod, which is my most critical 
work. It's not hard to lock onto a headlight or bumper edge. I shot a group of 
executive portraits for a consulting company last week and used the DA( 50-135, 
focusing on the close eye with a single point. Almost all were critically sharp 
at full magnification. Missed maybe 2 or 3 out of about 100 frames.

i think you're correct about the 400/5.6 being particularly difficult to focus 
with the small wide-open stop. I'll have to dig out my K series 85/1.8 and 
shoot some pics of Grace in the studio. I'll see if my tired old right eye can 
still manage. I do get enough diopter correction to get a sharp focusing 
screen, but I'm not sure that's all that's involved.

Paul
On Sep 26, 2012, at 9:05 PM, J.C. O'Connell hifis...@gate.net wrote:

 I think the A400/f5.6 is an exception, because its so slow. I even have
 trouble with mine. Most of my MF SMCK lenses are shorter and faster like
 F2.8 or faster, making them easy to MF. Having a split image screen doesnt
 hurt either. I just dont like AF, it misses too much or hunts too long
 ruining the decisive moment. I will concede AF is better for fast action
 where its impossible to keep up manually focusing, but thats a special case.
 
 -
 J.C.O'Connell
 hifis...@gate.net
 -
 
 -Original Message-
 From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of Paul
 Stenquist
 Sent: Wednesday, September 26, 2012 8:56 PM
 To: Pentax-Discuss Mail List
 Subject: Re: DA* 60-250 to C.R.I.S.
 
 What Bruce said. Forty years ago I could manual focus any lens, every time.
 I could even pull focus on a car moving toward me. But eyes wear out faster
 than old manual lenses. I had a heck of a time focusing the 400 yesterday,
 particularly when working from my knees with the camera on a low tripod.
 Manual focus is largely in my past. 
 Paul
 
 On Sep 26, 2012, at 8:39 PM, Bruce Walker bruce.wal...@gmail.com wrote:
 
 Nothing tricky to go wrong? Yes there is: the gel-filled lenses in
 your head. That's part of my issue and why I don't do much successful
 manual focussing. I'd be in trouble without AF.
 
 
 On Wed, Sep 26, 2012 at 8:35 PM, J.C. O'Connell hifis...@gate.net wrote:
 This is one of the reasons I like my prime SMCK MF lenses.
 Nothing tricky to go wrong, still going strong after 35 yrs.
 Sorry to hear your having problems with your newish lens...
 -
 J.C.O'Connell
 hifis...@gate.net
 -
 
 -Original Message-
 From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
 Paul
 Stenquist
 Sent: Wednesday, September 26, 2012 8:30 PM
 To: Pentax-Discuss Mail List
 Subject: DA* 60-250 to C.R.I.S.
 
 The SDM motor of my workhorse lens seems to have failed after what must
 be
 about 20,000 frames. Not too bad, although I guess it shouldn't ever fail
 on
 an expensive lens that is marketed as a premium product. A few weeks back
 I
 started getting intermittent focus failures. Unmounting the lens and
 turning
 the focus barrel manually would wake it up again. I had a couple
 assignments, so I held onto it, figuring I'd send it out when the weather
 started to get bad. But at yesterday's shoot it failed completely.
 Couldn't
 get a shot off. That was inconvenient as hell, since I didn't have
 another
 lens between 135 and 400, and the Mopar Action editor likes the look I
 get
 in the 200 to 250 range. But I made do with the 50-135 and the A 400.
 That
 400 is getting harder to focus as my eyes age, so I shot numerous frames
 of
 each shot, refocusing after every couple. Should have hung onto the DA
 50-200 as a spare, but I sold it to help cover the cost of the DA* lens.
 
 In any case, I hope C.R.I.S. has the part. Don't want to go through the
 kind
 of ordeal that accompanied my K-5 repair in July.
 
 Paul
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Re: DA* 60-250 to C.R.I.S.

2012-09-26 Thread Jack Davis
Sorry to read this, Paul. I feel I can put myself in your predicament.  I can't 
relate a like story, but I can sense and understand your disappointment with 
the failure of such a faithful tool.
Hope it's back soon and ready to provide another 20,000 beautiful frames.

Jack 
 

From: Paul Stenquist pnstenqu...@comcast.net
To: Pentax-Discuss Mail List pdml@pdml.net 
Sent: Wednesday, September 26, 2012 5:29 PM
Subject: DA* 60-250 to C.R.I.S.

The SDM motor of my workhorse lens seems to have failed after what must be 
about 20,000 frames. Not too bad, although I guess it shouldn't ever fail on an 
expensive lens that is marketed as a premium product. A few weeks back I 
started getting intermittent focus failures. Unmounting the lens and turning 
the focus barrel manually would wake it up again. I had a couple assignments, 
so I held onto it, figuring I'd send it out when the weather started to get 
bad. But at yesterday's shoot it failed completely. Couldn't get a shot off. 
That was inconvenient as hell, since I didn't have another lens between 135 and 
400, and the Mopar Action editor likes the look I get in the 200 to 250 range. 
But I made do with the 50-135 and the A 400. That 400 is getting harder to 
focus as my eyes age, so I shot numerous frames of each shot, refocusing after 
every couple. Should have hung onto the DA 50-200 as a spare, but I sold it to 
help cover the cost of the DA* lens.

In any case, I hope C.R.I.S. has the part. Don't want to go through the kind of 
ordeal that accompanied my K-5 repair in July.

Paul
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Re: DA* 60-250 arrived

2009-05-14 Thread Peter Zalabai

Congrats Paul! Can't wait to see pictures with your new 'toy'. :)

Regards,
.timber

paul stenquist wrote:
It showed up just before dark, and I only played with it a bit. But it 
has a wonderful feel. Zero wobble when extended. Solid as a rock.I 
noticed that with the K20d and battery grip, it seems to balance 
perfectly on the tripod foot.


 I shot a bit. The bokeh looks fabulous. First impression is that 
autofocus is right on, and the focus field appears to be flat. I'll 
check that more carefully tomorrow. Perhaps I'll even make a few 
photographs.

Paul

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Re: DA* 60-250/4 - the first intoxicating tests

2009-05-14 Thread mike wilson

William Robb wrote:

- Original Message - 
From: AlunFoto

Subject: DA* 60-250/4 - the first intoxicating tests




In one cautious sentence:

I think this one has indeed been worth waiting for.




Shut up.
Just STFU.


The Ozzies must be asleep.

HTFU, William.

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Re: DA* 60-250 arrived

2009-05-14 Thread David J Brooks
On Wed, May 13, 2009 at 9:41 PM, paul stenquist pnstenqu...@comcast.net wrote:
 Perhaps I'll even make a few photographs.
 Paul

You'd never make it on the pentax forums. More talk all day long, like
AM 640.:-)

Dave

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York Region, Ontario, Canada

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Re: DA* 60-250 arrived

2009-05-14 Thread Luiz Felipe
Glad to read that! So when are you going to pick a new K7 to pair with 
the new DA*? We would pleased to help you, taking good an proper care of 
any camera you throw in the cold... ;-)


LF (don't forget to post the actual pics)

paul stenquist escreveu:
It showed up just before dark, and I only played with it a bit. But it 
has a wonderful feel. Zero wobble when extended. Solid as a rock.I 
noticed that with the K20d and battery grip, it seems to balance 
perfectly on the tripod foot.


 I shot a bit. The bokeh looks fabulous. First impression is that 
autofocus is right on, and the focus field appears to be flat. I'll 
check that more carefully tomorrow. Perhaps I'll even make a few 
photographs.

Paul

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Re: DA* 60-250 arrived

2009-05-14 Thread Margus Männik

Congrats!
... and wasn't that you, who wanted to buy some Tamron... ;)
DA*60-250 is expensive lens and worth of every penny. Yesterday I made 
some direct comparisons with DA*50-135 (my favorite zoom so far!) and 
now it seems that I'll sell my DA*50-135.


BR, Margus


paul stenquist wrote:
It showed up just before dark, and I only played with it a bit. But it 
has a wonderful feel. Zero wobble when extended. Solid as a rock.I 
noticed that with the K20d and battery grip, it seems to balance 
perfectly on the tripod foot.


 I shot a bit. The bokeh looks fabulous. First impression is that 
autofocus is right on, and the focus field appears to be flat. I'll 
check that more carefully tomorrow. Perhaps I'll even make a few 
photographs.

Paul

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Re: DA* 60-250 arrived

2009-05-14 Thread William Robb

- Original Message - 
From: Margus Männik
Subject: Re: DA* 60-250 arrived


 Congrats!
 ... and wasn't that you, who wanted to buy some Tamron... ;)
 DA*60-250 is expensive lens and worth of every penny. Yesterday I made 
 some direct comparisons with DA*50-135 (my favorite zoom so far!) and now 
 it seems that I'll sell my DA*50-135.

Please, just stop talking about it.

William Robb 



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RE: DA* 60-250 arrived

2009-05-14 Thread JC OConnell
If you took any pix of exact same subject and lighting and aperture and
focal length
with both we would love to see them.

JC O'Connell (mailto:hifis...@gate.net)
Honesty is the first chapter in the book of wisdom - Thomas Jefferson


-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
Margus Männik
Sent: Thursday, May 14, 2009 3:29 PM
To: Pentax-Discuss Mail List
Subject: Re: DA* 60-250 arrived


Congrats!
... and wasn't that you, who wanted to buy some Tamron... ;) DA*60-250
is expensive lens and worth of every penny. Yesterday I made 
some direct comparisons with DA*50-135 (my favorite zoom so far!) and 
now it seems that I'll sell my DA*50-135.

BR, Margus


paul stenquist wrote:
 It showed up just before dark, and I only played with it a bit. But it
 has a wonderful feel. Zero wobble when extended. Solid as a rock.I 
 noticed that with the K20d and battery grip, it seems to balance 
 perfectly on the tripod foot.

  I shot a bit. The bokeh looks fabulous. First impression is that
 autofocus is right on, and the focus field appears to be flat. I'll 
 check that more carefully tomorrow. Perhaps I'll even make a few 
 photographs.
 Paul

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Re: DA* 60-250 focus tests

2009-05-14 Thread jtainter
The autofocus is very close, so I don't think I'll adjust it. It appeared  
to be right on at 60mm and registered  a wee bit of front focus at  
250mm.

Congratulations on getting the lens.

Pentax's recommendation for AF testing with a zoom lens is to do
it at an intermediate focal length. But it sounds like you'll find it okay.

Reports on this lens so far look favorable.

Joe



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RE: DA* 60-250 focus tests

2009-05-14 Thread JC OConnell
ideally, really good zoom lenses dont change focus when zoomed in or
out. I guess this
is a separate issue from AF focus errors vs focal length. I still dont
understand
why these pentax cameras dont auto focus all the lenses the same when
the
af sensing is in the body. The AF bodies need calibration/tweeking to
every AF lens?

JC O'Connell (mailto:hifis...@gate.net)
Honesty is the first chapter in the book of wisdom - Thomas Jefferson


-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
jtainter
Sent: Thursday, May 14, 2009 5:26 PM
To: pdml@pdml.net
Subject: Re: DA* 60-250 focus tests


The autofocus is very close, so I don't think I'll adjust it. It
appeared  
to be right on at 60mm and registered  a wee bit of front focus at  
250mm.

Congratulations on getting the lens.

Pentax's recommendation for AF testing with a zoom lens is to do it at
an intermediate focal length. But it sounds like you'll find it okay.

Reports on this lens so far look favorable.

Joe



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Re: DA* 60-250 arrived

2009-05-14 Thread Margus Männik
Unfortunately I have already deleted those files (as I do with most of 
my technical shots).

But I have wrote down some observations:
60mm - DA*60-250 is sharper at f/4. At f/8 two lenses are practically 
the same in sharpness, but I like the bokeh of 60-250 a bit more.
90mm - no significant difference in sharpness between the lenses. For 
me, longer zoom still has better bokeh.
135mm - at f/4 DA*50-135 seems to be a bit sharper at corners, but I 
can't find any difference at center of frames. At smaller apertures 
DA*60-250 jpegs show slightly more contrast than DA50-135 ones.


I really like the internal zoom mechanism and relative compactness of 
50-135. However, I can not use this lens with film body (Z-1p). Also, 
the focal range of DA*60-250 seems more practical and f/2.8 aperture 
have never been my first priority. For ULTIMATE quality I have and use 
50, 70, 135 and 300mm Pentax primes (and 90mm Tamron macro). So it seems 
that although I have no real urge to sell DA*50-135, there's also no 
good reason to keep both zooms.


BR, Margus


JC OConnell wrote:

If you took any pix of exact same subject and lighting and aperture and
focal length
with both we would love to see them.

JC O'Connell (mailto:hifis...@gate.net)
Honesty is the first chapter in the book of wisdom - Thomas Jefferson


-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
Margus Männik
Sent: Thursday, May 14, 2009 3:29 PM
To: Pentax-Discuss Mail List
Subject: Re: DA* 60-250 arrived


Congrats!
 and wasn't that you, who wanted to buy some Tamron... ;) DA*60-250
is expensive lens and worth of every penny. Yesterday I made 
some direct comparisons with DA*50-135 (my favorite zoom so far!) and 
now it seems that I'll sell my DA*50-135.


BR, Margus


paul stenquist wrote:
  

It showed up just before dark, and I only played with it a bit. But it
has a wonderful feel. Zero wobble when extended. Solid as a rock.I 
noticed that with the K20d and battery grip, it seems to balance 
perfectly on the tripod foot.


 I shot a bit. The bokeh looks fabulous. First impression is that
autofocus is right on, and the focus field appears to be flat. I'll 
check that more carefully tomorrow. Perhaps I'll even make a few 
photographs.

Paul

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Re: DA* 60-250 at BH

2009-05-14 Thread Margus Männik

Oops :)
(actually I wanted to say that I inspected also other FRAMES on the 
film, but it's also true that I really had 2 identical DA*60-250 LENSES 
for testing. No difference between the copies)


BRM

mike wilson wrote:
 Margus Männik mar...@eol.ee wrote: 
  
I've inspected also my other DA*60-250. 



Mark!


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Re: DA* 60-250 arrived

2009-05-14 Thread paul stenquist
I definitely plan on keeping both. The extra stop of the DA* 50-135 is  
needed for indoor work, like concerts and wedding ceremonies. Plus  
it's relative compact size makes it a good walkaround lens. On the  
other hand, I'm thrilled with the DA* 60-250 thus far. I'll use it for  
outdoor events, outdoor wedding ceremonies and a whole range of other  
things.

Paul
On May 14, 2009, at 6:11 PM, Margus Männik wrote:

Unfortunately I have already deleted those files (as I do with most  
of my technical shots).

But I have wrote down some observations:
60mm - DA*60-250 is sharper at f/4. At f/8 two lenses are  
practically the same in sharpness, but I like the bokeh of 60-250 a  
bit more.
90mm - no significant difference in sharpness between the lenses.  
For me, longer zoom still has better bokeh.
135mm - at f/4 DA*50-135 seems to be a bit sharper at corners, but I  
can't find any difference at center of frames. At smaller apertures  
DA*60-250 jpegs show slightly more contrast than DA50-135 ones.


I really like the internal zoom mechanism and relative compactness  
of 50-135. However, I can not use this lens with film body (Z-1p).  
Also, the focal range of DA*60-250 seems more practical and f/2.8  
aperture have never been my first priority. For ULTIMATE quality I  
have and use 50, 70, 135 and 300mm Pentax primes (and 90mm Tamron  
macro). So it seems that although I have no real urge to sell  
DA*50-135, there's also no good reason to keep both zooms.


BR, Margus


JC OConnell wrote:
If you took any pix of exact same subject and lighting and aperture  
and

focal length
with both we would love to see them.

JC O'Connell (mailto:hifis...@gate.net)
Honesty is the first chapter in the book of wisdom - Thomas  
Jefferson



-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On  
Behalf Of

Margus Männik
Sent: Thursday, May 14, 2009 3:29 PM
To: Pentax-Discuss Mail List
Subject: Re: DA* 60-250 arrived


Congrats!
 and wasn't that you, who wanted to buy some Tamron... ;)  
DA*60-250
is expensive lens and worth of every penny. Yesterday I made some  
direct comparisons with DA*50-135 (my favorite zoom so far!) and  
now it seems that I'll sell my DA*50-135.


BR, Margus


paul stenquist wrote:

It showed up just before dark, and I only played with it a bit.  
But it
has a wonderful feel. Zero wobble when extended. Solid as a rock.I  
noticed that with the K20d and battery grip, it seems to balance  
perfectly on the tripod foot.


I shot a bit. The bokeh looks fabulous. First impression is that
autofocus is right on, and the focus field appears to be flat.  
I'll check that more carefully tomorrow. Perhaps I'll even make a  
few photographs.

Paul

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Re: Sample Image - A70-210 on digital was RE: DA* 60-250 at BH

2009-05-13 Thread James
Look at the first image here.

www.eftel.net.au/~james_bradford/peso.htm

taken with an A70/210 at F32 on macro setting with a K10D, no flash.
That lens has been pulled apart and fungus cleaned off. (not by me)

James



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RE: Sample Image - A70-210 on digital was RE: DA* 60-250 at BH

2009-05-13 Thread JC OConnell
I can see using f32 for macro dof issues, but the lens is
sharper in the f8-f11 range

JC O'Connell (mailto:hifis...@gate.net)
Honesty is the first chapter in the book of wisdom - Thomas Jefferson


-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
James
Sent: Wednesday, May 13, 2009 7:57 AM
To: Pentax-Discuss Mail List
Subject: Re: Sample Image - A70-210 on digital was RE: DA* 60-250 at BH


Look at the first image here.

www.eftel.net.au/~james_bradford/peso.htm

taken with an A70/210 at F32 on macro setting with a K10D, no flash.
That lens has been pulled apart and fungus cleaned off. (not by me)

James



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Re: DA* 60-250/4 - the first intoxicating tests

2009-05-13 Thread paul stenquist
Mine is scheduled to arrive today. I'm looking forward to playing with  
it.

Paul
On May 13, 2009, at 1:25 PM, AlunFoto wrote:


In one cautious sentence:

I think this one has indeed been worth waiting for.

Jostein

Btw,
Anyone want to buy a cheap Sigma EX 70-200 f/2.8?


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Re: DA* 60-250/4 - the first intoxicating tests

2009-05-13 Thread William Robb

- Original Message - 
From: AlunFoto
Subject: DA* 60-250/4 - the first intoxicating tests


 In one cautious sentence:

 I think this one has indeed been worth waiting for.


Shut up.
Just STFU.

William Robb 



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Re: DA* 60-250 at BH

2009-05-12 Thread mike wilson

 P. J. Alling p_all...@hotmail.com wrote: 
 Maybe it's the subject matter or just my eyes, but I seem to detect a 
 bit of image degradation at the edges and corners.  Not a lot different 
 than the FA 28-200mm.  I don't think I'd want to use the DA* 60-250mm on 
 film, ( or a 24x36mm sensor if or when it becomes available on a K mount 
 body), if critically sharp imaging was required, (not that it would 
 actually be worthwhile on any of the Film cameras I still own)..

It's a single web image taken and processed under unkown circumstances.  As an 
evaluation tool (unless you are using it to evaluate how that image looks on 
your monitor) it's about as much use as a fire extinguisher filled with petrol.

 
 Mark Roberts wrote:
  paul stenquist wrote:
 

  If I have time, I'll put it on the LX and shoot some test frames.  
  Might be interesting.
  
 
  This appeared about a week ago:
  http://nagi.ee/photos/photo_sizes.php?id=10450739size=oalbum_id=148643
  Z-1p, DA*60-250 at 60mm, f/4, AGFA Vista 200 


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Re: DA* 60-250 at BH

2009-05-12 Thread mike wilson

 Margus Männik mar...@eol.ee wrote: 
 I've inspected also my other DA*60-250. 

Mark!

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Re: DA* 60-250 at BH

2009-05-12 Thread P. J. Alling
You're right  it is just one web image.  However you can usually see 
lens defects in a single image.   I'm talking about what appears to me 
be softness, when used on 35mm film a medium that is /beyond/ /the/ 
/advertised/ /limits/ /o/f /the/ /lens./  The impression is the same one 
I get from film shots taken with my copy of the FA 28-200 on film.  A 
lens I would have dumped if I hadn't tried it on digital.  Like I said 
it could simply be the subject matter or my eyes.  If I look only at the 
section of the image that would be covered by the APS-C sized sensor, it 
looks just fine.  I'm sure that someone will do some tests that will 
prove that the DA* 60-250 is better on the APS-C sensor than the 28-200 
could ever be, I would sure hope it is based on the price.+


mike wilson wrote:
 P. J. Alling p_all...@hotmail.com wrote: 
  
Maybe it's the subject matter or just my eyes, but I seem to detect a 
bit of image degradation at the edges and corners.  Not a lot different 
than the FA 28-200mm.  I don't think I'd want to use the DA* 60-250mm on 
film, ( or a 24x36mm sensor if or when it becomes available on a K mount 
body), if critically sharp imaging was required, (not that it would 
actually be worthwhile on any of the Film cameras I still own)..



It's a single web image taken and processed under unkown circumstances.  As an 
evaluation tool (unless you are using it to evaluate how that image looks on 
your monitor) it's about as much use as a fire extinguisher filled with petrol.

  

Mark Roberts wrote:


paul stenquist wrote:

  
  
If I have time, I'll put it on the LX and shoot some test frames.  
Might be interesting.



This appeared about a week ago:
http://nagi.ee/photos/photo_sizes.php?id=10450739size=oalbum_id=148643
Z-1p, DA*60-250 at 60mm, f/4, AGFA Vista 200 
  



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Re: DA* 60-250 at BH

2009-05-12 Thread mike wilson
Gross defects, probably.  Marginal changes in sharpness, with this image, not 
in a million years.

The trees appear to be in a line closest to the camera on the right and 
furthest away on the left.  Those in the middle are in focus, the rest are not, 
as I would expect at f4.  The leaves are probably moving in the wind, adding to 
the impression of blurriness.

The negative has also been scanned, adding even more defects into the mixture.

 P. J. Alling p_all...@hotmail.com wrote: 
 You're right  it is just one web image.  However you can usually see 
 lens defects in a single image.   I'm talking about what appears to me 
 be softness, when used on 35mm film a medium that is /beyond/ /the/ 
 /advertised/ /limits/ /o/f /the/ /lens./  The impression is the same one 
 I get from film shots taken with my copy of the FA 28-200 on film.  A 
 lens I would have dumped if I hadn't tried it on digital.  Like I said 
 it could simply be the subject matter or my eyes.  If I look only at the 
 section of the image that would be covered by the APS-C sized sensor, it 
 looks just fine.  I'm sure that someone will do some tests that will 
 prove that the DA* 60-250 is better on the APS-C sensor than the 28-200 
 could ever be, I would sure hope it is based on the price.+
 
 mike wilson wrote:
   P. J. Alling p_all...@hotmail.com wrote: 

  Maybe it's the subject matter or just my eyes, but I seem to detect a 
  bit of image degradation at the edges and corners.  Not a lot different 
  than the FA 28-200mm.  I don't think I'd want to use the DA* 60-250mm on 
  film, ( or a 24x36mm sensor if or when it becomes available on a K mount 
  body), if critically sharp imaging was required, (not that it would 
  actually be worthwhile on any of the Film cameras I still own)..
  
 
  It's a single web image taken and processed under unkown circumstances.  As 
  an evaluation tool (unless you are using it to evaluate how that image 
  looks on your monitor) it's about as much use as a fire extinguisher filled 
  with petrol.
 

  Mark Roberts wrote:
  
  paul stenquist wrote:
 


  If I have time, I'll put it on the LX and shoot some test frames.  
  Might be interesting.
  
  
  This appeared about a week ago:
  http://nagi.ee/photos/photo_sizes.php?id=10450739size=oalbum_id=148643
  Z-1p, DA*60-250 at 60mm, f/4, AGFA Vista 200 


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Re: DA* 60-250 at BH

2009-05-12 Thread Mark Roberts
mike wilson wrote:

 P. J. Alling p_all...@hotmail.com wrote: 
 Maybe it's the subject matter or just my eyes, but I seem to detect a 
 bit of image degradation at the edges and corners.  Not a lot different 
 than the FA 28-200mm.  I don't think I'd want to use the DA* 60-250mm on 
 film, ( or a 24x36mm sensor if or when it becomes available on a K mount 
 body), if critically sharp imaging was required, (not that it would 
 actually be worthwhile on any of the Film cameras I still own)..

It's a single web image taken and processed under unkown circumstances.  As an 
evaluation tool (unless you are using it to evaluate how that image looks on 
your monitor) it's about as much use as a fire extinguisher filled with petrol.

I believe the image was only intended to show the extent of light
falloff in the corners at max aperture and minimum focal length. It's
adequate for that (unless one is given to conspiracy theories and
suspects Photoshop manipulation and such).

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Re: DA* 60-250 at BH

2009-05-12 Thread P. J. Alling

Mark Roberts wrote:

mike wilson wrote:

  
 P. J. Alling p_all...@hotmail.com wrote: 

Maybe it's the subject matter or just my eyes, but I seem to detect a 
bit of image degradation at the edges and corners.  Not a lot different 
than the FA 28-200mm.  I don't think I'd want to use the DA* 60-250mm on 
film, ( or a 24x36mm sensor if or when it becomes available on a K mount 
body), if critically sharp imaging was required, (not that it would 
actually be worthwhile on any of the Film cameras I still own)..
  

It's a single web image taken and processed under unkown circumstances.  As an 
evaluation tool (unless you are using it to evaluate how that image looks on 
your monitor) it's about as much use as a fire extinguisher filled with petrol.



I believe the image was only intended to show the extent of light
falloff in the corners at max aperture and minimum focal length. It's
adequate for that (unless one is given to conspiracy theories and
suspects Photoshop manipulation and such).
  
There's no denying that the image circle covers the 24x36mm format, 
however there have been lots of lenses made that cover formats larger 
than they were intended for.  The question is does it do it well.  Based 
on my view of the sample I'd say not really.  Look I'm  not saying it's 
a bad lens.  I'm just saying don't expect it to be better than advertised.


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Re: DA* 60-250 at BH

2009-05-12 Thread John Francis
On Mon, May 11, 2009 at 10:08:40AM -0600, William Robb wrote:
 
 - Original Message - 
 From: Bob Sullivan
 Subject: Re: DA* 60-250 at BH
 
 
 I also noticed that BH lists the DA*60-250/4 in the full frame lens
 category on their site, not the APS-C sensor.  Could this be the start
 of something?  Regards,  Bob S.
 
 I read somewhere that the reason for the really long delay on this lens was 
 caused by a complete redesign of the optical formula to allow for full frame 
 coverage. The 55/1.4 also covers the 24x36 format.
 I'm just guessing here, but I expect Pentax knows that whether they go 
 willingly or kicking and screaming, full frame is the future.
 
 William Robb 

I doubt it.  I think the K7 may well be the last DSLR from Pentax;
certainly the last high-end model (think PZ-1p/MZ-S, which marked
the end of technological advancement on the PEntax film bodies).
The future is in cameras with far less mechanical parts - definitely
no mirror box and moving mirror, and probably no mechanical shutter
either.  Mechanical assemblies with many moving parts are expensive
to manufacture, and tricky to align correctly.

The 4/3 and micro 4/3 cameras have shown that you don't even need a
sensor as large as 16x24mm to produce image quality more than good
enough for the upper end of the mass market, which is where Pentax
target their products.  By going to a micro 4/3 camera complete with
EVF Pentax will be able to achieve the smaller, lighter goal that
Hoya seem to have in mind.  A camera with a 36x24mm sensor will not.


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Re: DA* 60-250 at BH

2009-05-11 Thread Mark Roberts
paul stenquist wrote:

If I have time, I'll put it on the LX and shoot some test frames.  
Might be interesting.

This appeared about a week ago:
http://nagi.ee/photos/photo_sizes.php?id=10450739size=oalbum_id=148643
Z-1p, DA*60-250 at 60mm, f/4, AGFA Vista 200 


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Re: DA* 60-250 at BH

2009-05-11 Thread Paul Stenquist
Well, there you have it. Only minor vignetting. Would that increase or  
decrease at a smaller aperture?
In any case, it's probably useable on full frame, although I would  
think it's optimized for APS-C.

Paul
On May 11, 2009, at 9:08 AM, Mark Roberts wrote:


paul stenquist wrote:


If I have time, I'll put it on the LX and shoot some test frames.
Might be interesting.


This appeared about a week ago:
http://nagi.ee/photos/photo_sizes.php?id=10450739size=oalbum_id=148643
Z-1p, DA*60-250 at 60mm, f/4, AGFA Vista 200


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RE: DA* 60-250 at BH

2009-05-11 Thread JC OConnell
thats interesting, isnt DA for aps designation or not?
this is all too confusing from pentax. If this is a FF
lens it should be designated as such to diferentiate from
aps.

as for image quality, the A70-210 is no slouch, especially
when used on aps, thats why I wanted somebody to do some
comparison testing of the two.

JC O'Connell (mailto:hifis...@gate.net)
Honesty is the first chapter in the book of wisdom - Thomas Jefferson


-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
Bob Sullivan
Sent: Sunday, May 10, 2009 7:51 PM
To: Pentax-Discuss Mail List
Subject: Re: DA* 60-250 at BH


I also noticed that BH lists the DA*60-250/4 in the full frame lens
category on their site, not the APS-C sensor.  Could this be the start
of something?  Regards,  Bob S.

2009/5/10 Margus Männik mar...@eol.ee:
 Much more
 * image quality - sharp and nice right from full aperture
 * usability - quite fast SDM AF and weatherproofing
 * build quality - solid and quite well balanced

 I have had several FA zooms (including one really nice FA100-300 PZ) 
 and DA50-200 (not fast, but surprisingly good image quality for the 
 price). Yes, of course, I would be even happier if DA*60-250/4 would 
 be less pricey (it's 1550 USD in here and our salaries are not 
 comparable to US or Western European ones), but I still feel that 
 money well spent..

 BR, Margus


 JC OConnell wrote:

 Its much more what?

 JC O'Connell (mailto:hifis...@gate.net)
 Honesty is the first chapter in the book of wisdom - Thomas 
 Jefferson


 -Original Message-
 From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf 
 Of Margus Männik
 Sent: Sunday, May 10, 2009 11:05 AM
 To: Pentax-Discuss Mail List
 Subject: Re: DA* 60-250 at BH


 Well, it's also clearly stated, that no-one is forcing me or you to 
 buy it. Nevertheless, I have had my lens now for about two weeks and 
 I'm extremely satisfied. IMNSHO, it IS much more than my previous 
 long zooms.

 BR, Margus
 (renovating hallway)


 JC OConnell wrote:


 I clearly stated that the DA wouldnt be worth
 $1200 more to ME **IF** the image quality were the
 same as the A70-210/4. I didnt state the 70-210
 **WAS** the same image quality as the DA60-250/4, that's still 
 unknown




 to me at least. I would not assume they are the same IQ nor 
 specualate




 which one's better IQ without serious testing and evaluation being 
 done on them.


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RE: DA* 60-250 at BH

2009-05-11 Thread JC OConnell
No, that would imply APS only. Why, because you can always use
digital optimized lenses on film, unless of course, they
wont cover the larger format ff format.

JC O'Connell (mailto:hifis...@gate.net)
Honesty is the first chapter in the book of wisdom - Thomas Jefferson


-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
paul stenquist
Sent: Sunday, May 10, 2009 9:03 PM
To: Pentax-Discuss Mail List
Subject: Re: DA* 60-250 at BH


Look here:
http://www.pentaximaging.com/camera-lenses/smc_PENTAX_DA_Star_60-250mm_F
4_ED_(IF)_SDM/

Exclusively for Pentax digital SLR cameras  is how Pentax puts it.  
At the moment, Pentax doesn't seem to be preparing in any way for full  
frame. I'm okay with that. But it seems to be the reality of the  
situation.
On May 10, 2009, at 7:51 PM, Bob Sullivan wrote:

 I also noticed that BH lists the DA*60-250/4 in the full frame lens 
 category on their site, not the APS-C sensor.  Could this be the start

 of something?  Regards,  Bob S.

 2009/5/10 Margus Männik mar...@eol.ee:
 Much more
 * image quality - sharp and nice right from full aperture
 * usability - quite fast SDM AF and weatherproofing
 * build quality - solid and quite well balanced

 I have had several FA zooms (including one really nice FA100-300
 PZ) and
 DA50-200 (not fast, but surprisingly good image quality for the  
 price). Yes,
 of course, I would be even happier if DA*60-250/4 would be less  
 pricey (it's
 1550 USD in here and our salaries are not comparable to US or Western
 European ones), but I still feel that money well spent..

 BR, Margus


 JC OConnell wrote:

 Its much more what?

 JC O'Connell (mailto:hifis...@gate.net)
 Honesty is the first chapter in the book of wisdom - Thomas
 Jefferson


 -Original Message-
 From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On
 Behalf Of
 Margus Männik
 Sent: Sunday, May 10, 2009 11:05 AM
 To: Pentax-Discuss Mail List
 Subject: Re: DA* 60-250 at BH


 Well, it's also clearly stated, that no-one is forcing me or you
 to buy
 it. Nevertheless, I have had my lens now for about two weeks and I'm
 extremely satisfied. IMNSHO, it IS much more than my previous long
 zooms.

 BR, Margus
 (renovating hallway)


 JC OConnell wrote:


 I clearly stated that the DA wouldnt be worth
 $1200 more to ME **IF** the image quality were the
 same as the A70-210/4. I didnt state the 70-210
 **WAS** the same image quality as the DA60-250/4, that's still
 unknown




 to me at least. I would not assume they are the same IQ nor
 specualate




 which one's better IQ without serious testing and evaluation
 being done
 on them.


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Re: DA* 60-250 at BH

2009-05-11 Thread Paul Stenquist
Some lenses that are optimized for APS will still cover the full  
frame, particularly those of longer focal length. Pentax has indicated  
that all the DA* lenses are intended for digital APS use. See Ned  
Brunell's recent column ad the listing for the DA* 60-250 on the  
Pentax USA website. The fact that you can use a lens as a hammer  
doesn't make it a good hammer.

Paul
Paul
On May 11, 2009, at 9:22 AM, JC OConnell wrote:


thats interesting, isnt DA for aps designation or not?
this is all too confusing from pentax. If this is a FF
lens it should be designated as such to diferentiate from
aps.

as for image quality, the A70-210 is no slouch, especially
when used on aps, thats why I wanted somebody to do some
comparison testing of the two.

JC O'Connell (mailto:hifis...@gate.net)
Honesty is the first chapter in the book of wisdom - Thomas  
Jefferson



-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf  
Of

Bob Sullivan
Sent: Sunday, May 10, 2009 7:51 PM
To: Pentax-Discuss Mail List
Subject: Re: DA* 60-250 at BH


I also noticed that BH lists the DA*60-250/4 in the full frame lens
category on their site, not the APS-C sensor.  Could this be the start
of something?  Regards,  Bob S.

2009/5/10 Margus Männik mar...@eol.ee:

Much more
* image quality - sharp and nice right from full aperture
* usability - quite fast SDM AF and weatherproofing
* build quality - solid and quite well balanced

I have had several FA zooms (including one really nice FA100-300 PZ)
and DA50-200 (not fast, but surprisingly good image quality for the
price). Yes, of course, I would be even happier if DA*60-250/4 would
be less pricey (it's 1550 USD in here and our salaries are not
comparable to US or Western European ones), but I still feel that
money well spent..

BR, Margus


JC OConnell wrote:


Its much more what?

JC O'Connell (mailto:hifis...@gate.net)
Honesty is the first chapter in the book of wisdom - Thomas
Jefferson


-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf
Of Margus Männik
Sent: Sunday, May 10, 2009 11:05 AM
To: Pentax-Discuss Mail List
Subject: Re: DA* 60-250 at BH


Well, it's also clearly stated, that no-one is forcing me or you to
buy it. Nevertheless, I have had my lens now for about two weeks and
I'm extremely satisfied. IMNSHO, it IS much more than my previous
long zooms.

BR, Margus
(renovating hallway)


JC OConnell wrote:



I clearly stated that the DA wouldnt be worth
$1200 more to ME **IF** the image quality were the
same as the A70-210/4. I didnt state the 70-210
**WAS** the same image quality as the DA60-250/4, that's still
unknown






to me at least. I would not assume they are the same IQ nor
specualate






which one's better IQ without serious testing and evaluation being
done on them.



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Re: DA* 60-250 at BH

2009-05-11 Thread Mark Roberts
Paul Stenquist wrote:

Well, there you have it. Only minor vignetting. Would that increase or  
decrease at a smaller aperture?

It's probably falloff, rather than vignetting, and it would improve at
smaller apertures.

In any case, it's probably useable on full frame, although I would  
think it's optimized for APS-C.

Since it was originally designated the D-FA 60-250 I expect it was
designed for full-frame (they probably changed the designation to DA
when they decided to eliminate the aperture ring), but since virtually
all lenses show some light falloff at wide apertures and are sharper
in the center than the corners, any lens could be considered
optimized for APS-C :)



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Re: DA* 60-250 at BH

2009-05-11 Thread Paul Stenquist
True enough. I haven't tried my DA* 50-135 on full frame, but I expect  
the results would be similar. I know the DA 50-200 covers full frame.  
But if you believe Ned and the Pentax website, none of these lenses  
were designed for full-frame use. As you point out, the 60-250 may be  
different in that regard.  Or not. Some of those early roadmaps were  
full of confusing nomenclature.

Paul
On May 11, 2009, at 9:45 AM, Mark Roberts wrote:


Paul Stenquist wrote:

Well, there you have it. Only minor vignetting. Would that increase  
or

decrease at a smaller aperture?


It's probably falloff, rather than vignetting, and it would improve at
smaller apertures.


In any case, it's probably useable on full frame, although I would
think it's optimized for APS-C.


Since it was originally designated the D-FA 60-250 I expect it was
designed for full-frame (they probably changed the designation to DA
when they decided to eliminate the aperture ring), but since virtually
all lenses show some light falloff at wide apertures and are sharper
in the center than the corners, any lens could be considered
optimized for APS-C :)



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RE: DA* 60-250 at BH

2009-05-11 Thread JC OConnell
This is the confusing part, if these lenses cover full frame
and at a quality level standard and optimized for digital, they
should have designation as such and could be used on ff film
or ALL digital. Its really dumb for pentax to have a series
of lenses than are designed for different formats but designated
the same.

regard using lens like hammer I dont understand that. the A70-210
is considerably smaller and lighter than the 60-250 even though it
covers
FF. As for its image quality, I am not assuming anything, thats
why I would like to see good scientific comparison testing on APS
between
A70-210 and DA60-250 and ditto for the SMCK55/1.8-2.0 and the DA55/1.4.

What I would like to see is all cases of any new pentax lens that
has a former similar version be tested/compared to the former roughly
similar versions.
Regardless of formats, costs, sizes, etc. i.e. say you want to use
a Pentax APS SLR, why not compare a given new DA lens to every similar
Pentax lens
that would fit like K,M,A,F,FA versions that are similar in focal
length
range and speed. It would be interesting because there not a lot of
good info on the vintage lenses being used on APS. I find some are
fantastic on digital and some arent, but only by personal usage. We
need a better collective database on such matters.

JC O'Connell (mailto:hifis...@gate.net)
Honesty is the first chapter in the book of wisdom - Thomas Jefferson


-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
Paul Stenquist
Sent: Monday, May 11, 2009 9:33 AM
To: Pentax-Discuss Mail List
Subject: Re: DA* 60-250 at BH


Some lenses that are optimized for APS will still cover the full  
frame, particularly those of longer focal length. Pentax has indicated  
that all the DA* lenses are intended for digital APS use. See Ned  
Brunell's recent column ad the listing for the DA* 60-250 on the  
Pentax USA website. The fact that you can use a lens as a hammer  
doesn't make it a good hammer.
Paul
Paul
On May 11, 2009, at 9:22 AM, JC OConnell wrote:

 thats interesting, isnt DA for aps designation or not?
 this is all too confusing from pentax. If this is a FF
 lens it should be designated as such to diferentiate from aps.

 as for image quality, the A70-210 is no slouch, especially when used 
 on aps, thats why I wanted somebody to do some comparison testing of 
 the two.

 JC O'Connell (mailto:hifis...@gate.net)
 Honesty is the first chapter in the book of wisdom - Thomas
 Jefferson


 -Original Message-
 From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf  
 Of
 Bob Sullivan
 Sent: Sunday, May 10, 2009 7:51 PM
 To: Pentax-Discuss Mail List
 Subject: Re: DA* 60-250 at BH


 I also noticed that BH lists the DA*60-250/4 in the full frame lens
 category on their site, not the APS-C sensor.  Could this be the start
 of something?  Regards,  Bob S.

 2009/5/10 Margus Männik mar...@eol.ee:
 Much more
 * image quality - sharp and nice right from full aperture
 * usability - quite fast SDM AF and weatherproofing
 * build quality - solid and quite well balanced

 I have had several FA zooms (including one really nice FA100-300 PZ)
 and DA50-200 (not fast, but surprisingly good image quality for the
 price). Yes, of course, I would be even happier if DA*60-250/4 would
 be less pricey (it's 1550 USD in here and our salaries are not
 comparable to US or Western European ones), but I still feel that
 money well spent..

 BR, Margus


 JC OConnell wrote:

 Its much more what?

 JC O'Connell (mailto:hifis...@gate.net)
 Honesty is the first chapter in the book of wisdom - Thomas
 Jefferson


 -Original Message-
 From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf
 Of Margus Männik
 Sent: Sunday, May 10, 2009 11:05 AM
 To: Pentax-Discuss Mail List
 Subject: Re: DA* 60-250 at BH


 Well, it's also clearly stated, that no-one is forcing me or you to
 buy it. Nevertheless, I have had my lens now for about two weeks and
 I'm extremely satisfied. IMNSHO, it IS much more than my previous
 long zooms.

 BR, Margus
 (renovating hallway)


 JC OConnell wrote:


 I clearly stated that the DA wouldnt be worth
 $1200 more to ME **IF** the image quality were the
 same as the A70-210/4. I didnt state the 70-210
 **WAS** the same image quality as the DA60-250/4, that's still
 unknown




 to me at least. I would not assume they are the same IQ nor
 specualate




 which one's better IQ without serious testing and evaluation being
 done on them.


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 http://pdml.net/mailman/listinfo/pdml_pdml.net
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RE: DA* 60-250 at BH

2009-05-11 Thread JC OConnell
Um no, there are lots of lenses without any visibly noticable light
falloff 
on the edges of the intended format, mostly long ones.

I would not agree with the statement that all lenses could be considered
optimized for APS-C just because they dont have as much light falloff
or corner sharpness falloff on APS-C as FF. There are other factors like
overall sharpness and flare control situations too, not to mention that
with Pentax, at this time, digital recording is tied to AS-C format so
if there are optical considerations for digital sensors, most FF lenses
would NOT be optimized for APS-C(digital sensored).

JC O'Connell (mailto:hifis...@gate.net)
Honesty is the first chapter in the book of wisdom - Thomas Jefferson


-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
Mark Roberts
Sent: Monday, May 11, 2009 9:46 AM
To: Pentax-Discuss Mail List
Subject: Re: DA* 60-250 at BH


Paul Stenquist wrote:

Well, there you have it. Only minor vignetting. Would that increase or
decrease at a smaller aperture?

It's probably falloff, rather than vignetting, and it would improve at
smaller apertures.

In any case, it's probably useable on full frame, although I would
think it's optimized for APS-C.

Since it was originally designated the D-FA 60-250 I expect it was
designed for full-frame (they probably changed the designation to DA
when they decided to eliminate the aperture ring), but since virtually
all lenses show some light falloff at wide apertures and are sharper in
the center than the corners, any lens could be considered optimized for
APS-C :)



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Re: DA* 60-250 at BH

2009-05-11 Thread Margus Männik
Unfortunately DA*50-135 doesn't fit FF. Wide open you can see dark 
corners clearly at 50mm, vignette achieves the maximum at 70mm and then 
reduces to mild falloff after 90mm (but you can still see it at 135mm). 
Stopping down makes it worse and at small apertures you can clearly see 
a round imaging area at all focal lengths.


BR, Margus


Paul Stenquist wrote:
True enough. I haven't tried my DA* 50-135 on full frame, but I expect 
the results would be similar. I know the DA 50-200 covers full frame. 
But if you believe Ned and the Pentax website, none of these lenses 
were designed for full-frame use. As you point out, the 60-250 may be 
different in that regard.  Or not. Some of those early roadmaps were 
full of confusing nomenclature.

Paul
On May 11, 2009, at 9:45 AM, Mark Roberts wrote:


Paul Stenquist wrote:


Well, there you have it. Only minor vignetting. Would that increase or
decrease at a smaller aperture?


It's probably falloff, rather than vignetting, and it would improve at
smaller apertures.


In any case, it's probably useable on full frame, although I would
think it's optimized for APS-C.


Since it was originally designated the D-FA 60-250 I expect it was
designed for full-frame (they probably changed the designation to DA
when they decided to eliminate the aperture ring), but since virtually
all lenses show some light falloff at wide apertures and are sharper
in the center than the corners, any lens could be considered
optimized for APS-C :)



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Re: DA* 60-250 at BH

2009-05-11 Thread Paul Stenquist
So that would suggest that perhaps the DA 60-250 was designed to be  
used with both formats. That would certainly be a plus.

Paul
On May 11, 2009, at 10:39 AM, Margus Männik wrote:

Unfortunately DA*50-135 doesn't fit FF. Wide open you can see dark  
corners clearly at 50mm, vignette achieves the maximum at 70mm and  
then reduces to mild falloff after 90mm (but you can still see it at  
135mm). Stopping down makes it worse and at small apertures you can  
clearly see a round imaging area at all focal lengths.


BR, Margus


Paul Stenquist wrote:
True enough. I haven't tried my DA* 50-135 on full frame, but I  
expect the results would be similar. I know the DA 50-200 covers  
full frame. But if you believe Ned and the Pentax website, none of  
these lenses were designed for full-frame use. As you point out,  
the 60-250 may be different in that regard.  Or not. Some of those  
early roadmaps were full of confusing nomenclature.

Paul
On May 11, 2009, at 9:45 AM, Mark Roberts wrote:


Paul Stenquist wrote:

Well, there you have it. Only minor vignetting. Would that  
increase or

decrease at a smaller aperture?


It's probably falloff, rather than vignetting, and it would  
improve at

smaller apertures.


In any case, it's probably useable on full frame, although I would
think it's optimized for APS-C.


Since it was originally designated the D-FA 60-250 I expect it was
designed for full-frame (they probably changed the designation to DA
when they decided to eliminate the aperture ring), but since  
virtually

all lenses show some light falloff at wide apertures and are sharper
in the center than the corners, any lens could be considered
optimized for APS-C :)



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Re: DA* 60-250 at BH

2009-05-11 Thread Margus Männik

Absolutely,
and this is probably why it shows so good results right from wide open 
(at APS-C bodies).


One more interesting fact. As you may know, there is a MTF sub-program 
at K10D and K20D (actually the setting have been there since FA lenses 
and Z/PZ bodies appeared - for example Z-1p has it). In this mode camera 
tries to use the sweetest aperture range of attached lens. I do use it 
quite often as my normal shooting mode and simply adjust aperture if I 
don't like what camera likes (Hyper Program). Usually it means that 
camera is trying to keep the aperture somewhere between f/5.6... f/8 or 
so, but you never see any lens used wide open - even if there's no light 
at all. Now, when I got DA*60-250 I was really surprised to notice, that 
camera quite often decided to use f/4. I made a simple test and found 
out, that in low(er) light situations (indoor at sunny day is enough) 
K20D MTF program really chooses f/4 from 60-135mm and switches to 
f/5...f/5.6 at longer focal lengths. Z-1p preferred f/5.6 through the 
whole zoom range.
Isn't it a clear message from Pentax optical engineers - the lens is 
really good enough to be used (at APS-C bodies) wide open?


BR, Margus
(and sorry for my muddy english)


Paul Stenquist wrote:
So that would suggest that perhaps the DA 60-250 was designed to be 
used with both formats. That would certainly be a plus.

Paul
On May 11, 2009, at 10:39 AM, Margus Männik wrote:

Unfortunately DA*50-135 doesn't fit FF. Wide open you can see dark 
corners clearly at 50mm, vignette achieves the maximum at 70mm and 
then reduces to mild falloff after 90mm (but you can still see it at 
135mm). Stopping down makes it worse and at small apertures you can 
clearly see a round imaging area at all focal lengths.


BR, Margus


Paul Stenquist wrote:
True enough. I haven't tried my DA* 50-135 on full frame, but I 
expect the results would be similar. I know the DA 50-200 covers 
full frame. But if you believe Ned and the Pentax website, none of 
these lenses were designed for full-frame use. As you point out, the 
60-250 may be different in that regard.  Or not. Some of those early 
roadmaps were full of confusing nomenclature.

Paul
On May 11, 2009, at 9:45 AM, Mark Roberts wrote:


Paul Stenquist wrote:

Well, there you have it. Only minor vignetting. Would that 
increase or

decrease at a smaller aperture?


It's probably falloff, rather than vignetting, and it would improve at
smaller apertures.


In any case, it's probably useable on full frame, although I would
think it's optimized for APS-C.


Since it was originally designated the D-FA 60-250 I expect it was
designed for full-frame (they probably changed the designation to DA
when they decided to eliminate the aperture ring), but since virtually
all lenses show some light falloff at wide apertures and are sharper
in the center than the corners, any lens could be considered
optimized for APS-C :)



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Re: DA* 60-250 at BH

2009-05-11 Thread Paul Stenquist
Sounds good. I've noticed that the MTF choice for the DA8 50-135 is f4  
at shorter focal lengths as well. It goes to 6.7 at the longest focal  
lengths.

Paul
On May 11, 2009, at 11:42 AM, Margus Männik wrote:


Absolutely,
and this is probably why it shows so good results right from wide  
open (at APS-C bodies).


One more interesting fact. As you may know, there is a MTF sub- 
program at K10D and K20D (actually the setting have been there since  
FA lenses and Z/PZ bodies appeared - for example Z-1p has it). In  
this mode camera tries to use the sweetest aperture range of  
attached lens. I do use it quite often as my normal shooting mode  
and simply adjust aperture if I don't like what camera likes (Hyper  
Program). Usually it means that camera is trying to keep the  
aperture somewhere between f/5.6... f/8 or so, but you never see any  
lens used wide open - even if there's no light at all. Now, when I  
got DA*60-250 I was really surprised to notice, that camera quite  
often decided to use f/4. I made a simple test and found out, that  
in low(er) light situations (indoor at sunny day is enough) K20D MTF  
program really chooses f/4 from 60-135mm and switches to f/5...f/5.6  
at longer focal lengths. Z-1p preferred f/5.6 through the whole zoom  
range.
Isn't it a clear message from Pentax optical engineers - the lens is  
really good enough to be used (at APS-C bodies) wide open?


BR, Margus
(and sorry for my muddy english)


Paul Stenquist wrote:
So that would suggest that perhaps the DA 60-250 was designed to be  
used with both formats. That would certainly be a plus.

Paul
On May 11, 2009, at 10:39 AM, Margus Männik wrote:

Unfortunately DA*50-135 doesn't fit FF. Wide open you can see dark  
corners clearly at 50mm, vignette achieves the maximum at 70mm and  
then reduces to mild falloff after 90mm (but you can still see it  
at 135mm). Stopping down makes it worse and at small apertures you  
can clearly see a round imaging area at all focal lengths.


BR, Margus


Paul Stenquist wrote:
True enough. I haven't tried my DA* 50-135 on full frame, but I  
expect the results would be similar. I know the DA 50-200 covers  
full frame. But if you believe Ned and the Pentax website, none  
of these lenses were designed for full-frame use. As you point  
out, the 60-250 may be different in that regard.  Or not. Some of  
those early roadmaps were full of confusing nomenclature.

Paul
On May 11, 2009, at 9:45 AM, Mark Roberts wrote:


Paul Stenquist wrote:

Well, there you have it. Only minor vignetting. Would that  
increase or

decrease at a smaller aperture?


It's probably falloff, rather than vignetting, and it would  
improve at

smaller apertures.

In any case, it's probably useable on full frame, although I  
would

think it's optimized for APS-C.


Since it was originally designated the D-FA 60-250 I expect it  
was
designed for full-frame (they probably changed the designation  
to DA
when they decided to eliminate the aperture ring), but since  
virtually
all lenses show some light falloff at wide apertures and are  
sharper

in the center than the corners, any lens could be considered
optimized for APS-C :)



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RE: DA* 60-250 at BH

2009-05-11 Thread JC OConnell
If I get the time and remember, I will take my A70-210 out
to Boca Inlet and get some seascapes with it and some similar
primes and zooms for comparison. I aint be able to shoot
the DA60-250 because theres no way Im buying that at $1350
now. From what I recall my Tamron SP 80-200/2.8 is at the
top of the heap, followed closely by the Tokina AT-X 80-200
which I also have. Now that I think of it, there must have
been a lot of good telezooms produced over the years if
you count from 1970's to date. Even the original 85-210
SMCK F4.5 zoom is pretty damn good IQ, just slow, physically long and
wont
focus close at all.

FWIW, I think I have these zooms still:

smcA 70-210/ F4.0
smck 85-210/ F4.5
smck 85-210/ F3.5
tamron sp 80-200/2.8
tokina at-x 80-200/ F2.8
tokina at-x 100-300/ F4
smcm 80-200/f4.5

plus another dozen or more primes in that range.

All above are manual focus models however if you
fall into the AF gotta have camp.

JC O'Connell (mailto:hifis...@gate.net)
Honesty is the first chapter in the book of wisdom - Thomas Jefferson



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Re: DA* 60-250 at BH

2009-05-11 Thread William Robb

- Original Message - 
From: Bob Sullivan
Subject: Re: DA* 60-250 at BH


I also noticed that BH lists the DA*60-250/4 in the full frame lens
category on their site, not the APS-C sensor.  Could this be the start
of something?  Regards,  Bob S.

I read somewhere that the reason for the really long delay on this lens was 
caused by a complete redesign of the optical formula to allow for full frame 
coverage. The 55/1.4 also covers the 24x36 format.
I'm just guessing here, but I expect Pentax knows that whether they go 
willingly or kicking and screaming, full frame is the future.

William Robb 



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Re: DA* 60-250 at BH

2009-05-11 Thread P. J. Alling
Maybe it's the subject matter or just my eyes, but I seem to detect a 
bit of image degradation at the edges and corners.  Not a lot different 
than the FA 28-200mm.  I don't think I'd want to use the DA* 60-250mm on 
film, ( or a 24x36mm sensor if or when it becomes available on a K mount 
body), if critically sharp imaging was required, (not that it would 
actually be worthwhile on any of the Film cameras I still own)..


Mark Roberts wrote:

paul stenquist wrote:

  
If I have time, I'll put it on the LX and shoot some test frames.  
Might be interesting.



This appeared about a week ago:
http://nagi.ee/photos/photo_sizes.php?id=10450739size=oalbum_id=148643
Z-1p, DA*60-250 at 60mm, f/4, AGFA Vista 200 



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Re: DA* 60-250 at BH

2009-05-11 Thread William Robb

- Original Message - 
From: John Francis
Subject: Re: DA* 60-250 at BH




 I doubt it.  I think the K7 may well be the last DSLR from Pentax;
 certainly the last high-end model (think PZ-1p/MZ-S, which marked
 the end of technological advancement on the PEntax film bodies).
 The future is in cameras with far less mechanical parts - definitely
 no mirror box and moving mirror, and probably no mechanical shutter
 either.  Mechanical assemblies with many moving parts are expensive
 to manufacture, and tricky to align correctly.

 The 4/3 and micro 4/3 cameras have shown that you don't even need a
 sensor as large as 16x24mm to produce image quality more than good
 enough for the upper end of the mass market, which is where Pentax
 target their products.  By going to a micro 4/3 camera complete with
 EVF Pentax will be able to achieve the smaller, lighter goal that
 Hoya seem to have in mind.  A camera with a 36x24mm sensor will not.

I hope you are wrong about the EVF part, unless they get several magnitudes 
of quality better. I haven't seen one yet that I think is usable.
Apparently the Lumix DMC G1 is supposed to be a good one, and it gave me a 
headache in less than half a minute of using it.

William Robb 



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Re: DA* 60-250 at BH

2009-05-11 Thread Margus Männik
I've inspected also my other DA*60-250 on film frames. To get maximum 
performance, I would use f/5.6 or smaller. I lab-printed (direct 
film-to-paper copies) couple of  frames to A3 size (30x40cm) and those 
look quite good. I just dont' like AGFA colors - too yellowish and 
redish for me. I'm much more like Fuji-man :)


For this particular shot I should choose the better scene - trees at 
right edge are much closer than the ones at center and left. It creates 
the illusion of right edge being softer. Sorry for that, I wanted to 
finish the roll fast and get back to sickbed (this damn virus still 
tortures me)...


BR, Margus


P. J. Alling wrote:
Maybe it's the subject matter or just my eyes, but I seem to detect a 
bit of image degradation at the edges and corners.  Not a lot 
different than the FA 28-200mm.  I don't think I'd want to use the DA* 
60-250mm on film, ( or a 24x36mm sensor if or when it becomes 
available on a K mount body), if critically sharp imaging was 
required, (not that it would actually be worthwhile on any of the Film 
cameras I still own)..


Mark Roberts wrote:

paul stenquist wrote:

 
If I have time, I'll put it on the LX and shoot some test frames.  
Might be interesting.



This appeared about a week ago:
http://nagi.ee/photos/photo_sizes.php?id=10450739size=oalbum_id=148643
Z-1p, DA*60-250 at 60mm, f/4, AGFA Vista 200

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RE: DA* 60-250 at BH

2009-05-11 Thread JC OConnell
well, pentax has been doing med format since
1970, and ultra high quality FF digital would be nearly he same thing
as med format in todays PS marketplace.

JC O'Connell (mailto:hifis...@gate.net)
Honesty is the first chapter in the book of wisdom - Thomas Jefferson


-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
John Francis
Sent: Monday, May 11, 2009 12:52 PM
To: Pentax-Discuss Mail List
Subject: Re: DA* 60-250 at BH


On Mon, May 11, 2009 at 10:08:40AM -0600, William Robb wrote:
 
 - Original Message -
 From: Bob Sullivan
 Subject: Re: DA* 60-250 at BH
 
 
 I also noticed that BH lists the DA*60-250/4 in the full frame lens 
 category on their site, not the APS-C sensor.  Could this be the start

 of something?  Regards,  Bob S.
 
 I read somewhere that the reason for the really long delay on this 
 lens was
 caused by a complete redesign of the optical formula to allow for full
frame 
 coverage. The 55/1.4 also covers the 24x36 format.
 I'm just guessing here, but I expect Pentax knows that whether they go

 willingly or kicking and screaming, full frame is the future.
 
 William Robb

I doubt it.  I think the K7 may well be the last DSLR from Pentax;
certainly the last high-end model (think PZ-1p/MZ-S, which marked the
end of technological advancement on the PEntax film bodies). The future
is in cameras with far less mechanical parts - definitely no mirror box
and moving mirror, and probably no mechanical shutter either.
Mechanical assemblies with many moving parts are expensive to
manufacture, and tricky to align correctly.

The 4/3 and micro 4/3 cameras have shown that you don't even need a
sensor as large as 16x24mm to produce image quality more than good
enough for the upper end of the mass market, which is where Pentax
target their products.  By going to a micro 4/3 camera complete with EVF
Pentax will be able to achieve the smaller, lighter goal that Hoya
seem to have in mind.  A camera with a 36x24mm sensor will not.


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Re: DA* 60-250 at BH

2009-05-11 Thread Graydon
On Mon, May 11, 2009 at 11:00:29AM -0600, William Robb scripsit:
 - Original Message - From: John Francis
   By going to a micro 4/3 camera complete with EVF Pentax will be
   able to achieve the smaller, lighter goal that Hoya seem to have
   in mind.  A camera with a 36x24mm sensor will not.
 
 I hope you are wrong about the EVF part, unless they get several
 magnitudes of quality better. I haven't seen one yet that I think is
 usable.  Apparently the Lumix DMC G1 is supposed to be a good one, and
 it gave me a headache in less than half a minute of using it.

While getting rid of as many parts as possible is a good idea (better
reliability, lower cost), there needs to be some market differentiation.

I suspect that APS-C, DSLR performance, K mount lenses, weather
sealing, and optical viewfinders are all part of the intended market
differentiation for Pentax.

Note that Panasonic is a consumer electronics company; Pentax (and Hoya)
are optical companies.  They don't want to wander out of the area of
their strengths into those of the competition, which is what moving to
an EVF would do.

Also (and more speculatively) note that there's been a very large RD
effort put into optical switching over the last thirty years.  It's
quite possible that the mirror box replacement will be some sort of
electronically switched nanoscale coating.  (All sorts of these have
been demonstrated in the lab, starting around 1990.)

Pragmatically, if that thing on top of the K-7 is an EVF, you're likely
right.  If it's a full-view, full magnification pentaprism, I'm going to
suggest that it means I'm right, at least as far as optical viewfinder
being included in the intended market differentiation strategy goes.

-- Graydon

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Re: DA* 60-250 at BH

2009-05-11 Thread John Francis
On Mon, May 11, 2009 at 01:25:30PM -0400, Graydon wrote:
 
 Note that Panasonic is a consumer electronics company; Pentax (and Hoya)
 are optical companies.  They don't want to wander out of the area of
 their strengths into those of the competition, which is what moving to
 an EVF would do.

I think the driving factor behind moving to an EVF (apart from cost)
is the requirement for HD video - that's going to be a must-have item.
Personally I don't care, but I know that I'm not the target customer.

The capability is already showing up in consumer cameras, although as
yet it isn't always fully integrated (no auto-focus adjustments, say).
But once you have live view and 60fps video, you've already got an EVF.

If that means venturing into the strengths of Panasonic, so be it; the
alternative is to be left on the sidelines.  And, in any case, there's
still a lot of space in front of the sensor for an optics company to
showcase their capabilities.



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Re: DA* 60-250 at BH

2009-05-11 Thread Mark Roberts
William Robb wrote:

I read somewhere that the reason for the really long delay on this lens was 
caused by a complete redesign of the optical formula to allow for full frame 
coverage. The 55/1.4 also covers the 24x36 format.
I'm just guessing here, but I expect Pentax knows that whether they go 
willingly or kicking and screaming, full frame is the future.

True. But, just like Nikon, they'll need to public ally deny it for as
long as possible or people will put off purchases of APS-C cameras
while waiting for full-frame magic (fantasizing that full-frame is
going to be possible at an APS-C price). I'd expect Pentax will get
full-frame right around the time it's feasible at/under the $2000 USD
price point. I can wait.


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RE: DA* 60-250 at BH

2009-05-11 Thread JC OConnell
the untold problem with doing hd video with still camera lenses
is that the zoom lenses you can get are not well suited for video
use, no power zoom, no proportional power zoom. It might be fun
once in a while to do HD but it wouldnt be fun full time with
typcial SLR camera lens zooms.

JC O'Connell (mailto:hifis...@gate.net)
Honesty is the first chapter in the book of wisdom - Thomas Jefferson


-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
John Francis
Sent: Monday, May 11, 2009 2:08 PM
To: Pentax-Discuss Mail List
Subject: Re: DA* 60-250 at BH


On Mon, May 11, 2009 at 01:25:30PM -0400, Graydon wrote:
 
 Note that Panasonic is a consumer electronics company; Pentax (and 
 Hoya) are optical companies.  They don't want to wander out of the 
 area of their strengths into those of the competition, which is what 
 moving to an EVF would do.

I think the driving factor behind moving to an EVF (apart from cost) is
the requirement for HD video - that's going to be a must-have item.
Personally I don't care, but I know that I'm not the target customer.

The capability is already showing up in consumer cameras, although as
yet it isn't always fully integrated (no auto-focus adjustments, say).
But once you have live view and 60fps video, you've already got an EVF.

If that means venturing into the strengths of Panasonic, so be it; the
alternative is to be left on the sidelines.  And, in any case, there's
still a lot of space in front of the sensor for an optics company to
showcase their capabilities.



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Re: DA* 60-250 at BH

2009-05-11 Thread John Francis
On Mon, May 11, 2009 at 01:25:30PM -0400, Graydon wrote:

 Pragmatically, if that thing on top of the K-7 is an EVF, you're likely
 right.  If it's a full-view, full magnification pentaprism, I'm going to
 suggest that it means I'm right, at least as far as optical viewfinder
 being included in the intended market differentiation strategy goes.

Basing predictions for Pentax bodies on features showing up in past bodies
has not, historically, been a sure-fire strategy.  A few examples:

  o Pentax put a 1/8000 shutter speed and 1/250 flash sync in the PZ-1p;
features that never showed up again in any future Pentax bodies (so
far; we'll see whether this remains true later this month).

  o They went back to requiring lenses with aperture rings for the MZ/ZX
(after having introduced the two-thumbwheel control model on the PZ-
series bodies).  But, as the DA lenses have shown, that didn't last.


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Re: DA* 60-250 at BH

2009-05-11 Thread Graydon
On Mon, May 11, 2009 at 02:07:42PM -0400, John Francis scripsit:
 On Mon, May 11, 2009 at 01:25:30PM -0400, Graydon wrote:
  Note that Panasonic is a consumer electronics company; Pentax (and
  Hoya) are optical companies.  They don't want to wander out of the
  area of their strengths into those of the competition, which is what
  moving to an EVF would do.
 
 I think the driving factor behind moving to an EVF (apart from cost)
 is the requirement for HD video - that's going to be a must-have item.
 Personally I don't care, but I know that I'm not the target customer.

I'm not sure this is the case.

Clearly people want a combined still and video camera -- since this is
what their phone does, and everything that isn't a phone camera is a
niche camera -- but this may not overlap with the people wanting the
best possible stills for the money.

So I suspect it's at least as likely that the camera market will split
into art cameras -- DSLRs and medium format, best-possible-stills --
and video cameras with a decent stills capability than that it will
collapse into exclusively stills-and-video cameras.  The tradeoffs are
significantly different for the hardware design as well as the users.

 The capability is already showing up in consumer cameras, although as
 yet it isn't always fully integrated (no auto-focus adjustments, say).
 But once you have live view and 60fps video, you've already got an EVF.

Only if you've got the hardware to record video and play video at the
same time.  This isn't really a given.  Nor are the zoom-to-check-focus,
etc. functions of an EVF obviously present in the usual back-of-camera
LCD.

 If that means venturing into the strengths of Panasonic, so be it; the
 alternative is to be left on the sidelines.  And, in any case, there's
 still a lot of space in front of the sensor for an optics company to
 showcase their capabilities.

Not really; once you've got the massive data loss involved in the EVF
sitting there, there's a bunch of stuff you just can't do, starting with
seeing what you're looking at through the lens or seeing it at the
actual level of brightness.

I'd rather give up photography than go back to an EVF.

If there are enough people who think that way, there's a very
comfortable niche available.

-- Graydon

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Re: DA* 60-250 at BH

2009-05-11 Thread Mark Roberts
William Robb wrote:

I hope you are wrong about the EVF part, unless they get several magnitudes 
of quality better. I haven't seen one yet that I think is usable.
Apparently the Lumix DMC G1 is supposed to be a good one, and it gave me a 
headache in less than half a minute of using it.

I'll give you two daring predictions for the future:

1 - EVF's *will* eventually compete with mirror/prism viewfinders in
terms of image quality.

2 - The transition from mirror/prism to EVF will take place *before*
the abovementioned transition (and we users will suffer through lower
quality electronic viewfinders while financing the RD that eventually
results in the high quality EVF).


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Re: DA* 60-250 at BH

2009-05-11 Thread Graydon
On Mon, May 11, 2009 at 02:23:53PM -0400, John Francis scripsit:
 On Mon, May 11, 2009 at 01:25:30PM -0400, Graydon wrote:
  Pragmatically, if that thing on top of the K-7 is an EVF, you're likely
  right.  If it's a full-view, full magnification pentaprism, I'm going to
  suggest that it means I'm right, at least as far as optical viewfinder
  being included in the intended market differentiation strategy goes.
 
 Basing predictions for Pentax bodies on features showing up in past bodies
 has not, historically, been a sure-fire strategy.  A few examples:

Nothing is a sure fire strategy for predicting the future.

   o Pentax put a 1/8000 shutter speed and 1/250 flash sync in the PZ-1p;
 features that never showed up again in any future Pentax bodies (so
 far; we'll see whether this remains true later this month).
 
   o They went back to requiring lenses with aperture rings for the MZ/ZX
 (after having introduced the two-thumbwheel control model on the PZ-
 series bodies).  But, as the DA lenses have shown, that didn't last.

Sure.  And even if there is a plan, that doesn't mean it's going to be
followed.

-- Graydon

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Re: DA* 60-250 at BH

2009-05-11 Thread William Robb

- Original Message - 
From: Mark Roberts
Subject: Re: DA* 60-250 at BH



 I'll give you two daring predictions for the future:

 1 - EVF's *will* eventually compete with mirror/prism viewfinders in
 terms of image quality.

 2 - The transition from mirror/prism to EVF will take place *before*
 the abovementioned transition (and we users will suffer through lower
 quality electronic viewfinders while financing the RD that eventually
 results in the high quality EVF).

I won't one of the users helping to finance the transition.
What's left of my sanity is too important to me for that.

William Robb 



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Sample Image - A70-210 on digital was RE: DA* 60-250 at BH

2009-05-11 Thread JC OConnell
I got curious and went out in the parking lot
and snapped this one today handheld with the A70-210mm/4 on digital
(istDS).
I think I was around 180mm and F8 on this.

http://www.jchriso.com/temp/A70-210CAR.jpg

Not a critial test but based on this and some others I shot, I can see
no flaring problems, no distortion
or CA corrections needed at all, good color saturation, exc shadow
detail. etc. As for
sharpness it may be not quite as good as my SP tamron 80-200/2.8 but I
would
want to shoot both to compare and with tripod to be sure. Bottom line,
nothing
so far that definately disqualifies it for digital use. I didnt
see any purple fringing so far with this as others have noted, but this
needs
more testing. Overall I can say that the A70-210 is at least a very good
lens on APS digital, possibly better than that with more testing
confirmation
against other zooms and primes I have on hand.

JC O'Connell (mailto:hifis...@gate.net)
Honesty is the first chapter in the book of wisdom - Thomas Jefferson


-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
Mark Roberts
Sent: Monday, May 11, 2009 2:20 PM
To: Pentax-Discuss Mail List
Subject: Re: DA* 60-250 at BH


William Robb wrote:

I read somewhere that the reason for the really long delay on this lens

was
caused by a complete redesign of the optical formula to allow for full
frame 
coverage. The 55/1.4 also covers the 24x36 format.
I'm just guessing here, but I expect Pentax knows that whether they go 
willingly or kicking and screaming, full frame is the future.

True. But, just like Nikon, they'll need to public ally deny it for as
long as possible or people will put off purchases of APS-C cameras while
waiting for full-frame magic (fantasizing that full-frame is going to be
possible at an APS-C price). I'd expect Pentax will get full-frame right
around the time it's feasible at/under the $2000 USD price point. I can
wait.


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Re: Sample Image - A70-210 on digital was RE: DA* 60-250 at BH

2009-05-11 Thread William Robb
John,
Your site is still reported as a security risk.

Reported Attack Site!

 This web site at www.jchriso.com has been reported as an attack site and 
has been blocked based on your security preferences.

And whats with all the carriage returns in your emails?


William Robb



- Original Message - 
From: JC OConnell
Subject: Sample Image - A70-210 on digital was RE: DA* 60-250 at BH


I got curious and went out in the parking lot
 and snapped this one today handheld with the A70-210mm/4 on digital
 (istDS).
 I think I was around 180mm and F8 on this.

 http://www.jchriso.com/temp/A70-210CAR.jpg

 Not a critial test but based on this and some others I shot, I can see
 no flaring problems, no distortion
 or CA corrections needed at all, good color saturation, exc shadow
 detail. etc. As for
 sharpness it may be not quite as good as my SP tamron 80-200/2.8 but I
 would
 want to shoot both to compare and with tripod to be sure. Bottom line,
 nothing
 so far that definately disqualifies it for digital use. I didnt
 see any purple fringing so far with this as others have noted, but this
 needs
 more testing. Overall I can say that the A70-210 is at least a very good
 lens on APS digital, possibly better than that with more testing
 confirmation
 against other zooms and primes I have on hand.

 JC O'Connell (mailto:hifis...@gate.net)
 Honesty is the first chapter in the book of wisdom - Thomas Jefferson


 -Original Message-
 From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
 Mark Roberts
 Sent: Monday, May 11, 2009 2:20 PM
 To: Pentax-Discuss Mail List
 Subject: Re: DA* 60-250 at BH


 William Robb wrote:

I read somewhere that the reason for the really long delay on this lens

was
caused by a complete redesign of the optical formula to allow for full
 frame
coverage. The 55/1.4 also covers the 24x36 format.
I'm just guessing here, but I expect Pentax knows that whether they go
willingly or kicking and screaming, full frame is the future.

 True. But, just like Nikon, they'll need to public ally deny it for as
 long as possible or people will put off purchases of APS-C cameras while
 waiting for full-frame magic (fantasizing that full-frame is going to be
 possible at an APS-C price). I'd expect Pentax will get full-frame right
 around the time it's feasible at/under the $2000 USD price point. I can
 wait.


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RE: Sample Image - A70-210 on digital was RE: DA* 60-250 at BH

2009-05-11 Thread JC OConnell
blame google, I have repeated reported to them the problem ( russian
hack)
was corrected over 6 months ago but they refuse to update the status
or even reply to my requests for update. I can email photo if requested
for now.

JC O'Connell (mailto:hifis...@gate.net)
Honesty is the first chapter in the book of wisdom - Thomas Jefferson


-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
William Robb
Sent: Monday, May 11, 2009 4:03 PM
To: Pentax-Discuss Mail List
Subject: Re: Sample Image - A70-210 on digital was RE: DA* 60-250 at BH


John,
Your site is still reported as a security risk.

Reported Attack Site!

 This web site at www.jchriso.com has been reported as an attack site
and 
has been blocked based on your security preferences.

And whats with all the carriage returns in your emails?


William Robb



- Original Message - 
From: JC OConnell
Subject: Sample Image - A70-210 on digital was RE: DA* 60-250 at BH


I got curious and went out in the parking lot
 and snapped this one today handheld with the A70-210mm/4 on digital  
(istDS).  I think I was around 180mm and F8 on this.

 http://www.jchriso.com/temp/A70-210CAR.jpg

 Not a critial test but based on this and some others I shot, I can see

 no flaring problems, no distortion or CA corrections needed at all, 
 good color saturation, exc shadow detail. etc. As for
 sharpness it may be not quite as good as my SP tamron 80-200/2.8 but I
 would
 want to shoot both to compare and with tripod to be sure. Bottom line,
 nothing
 so far that definately disqualifies it for digital use. I didnt
 see any purple fringing so far with this as others have noted, but
this
 needs
 more testing. Overall I can say that the A70-210 is at least a very
good
 lens on APS digital, possibly better than that with more testing
 confirmation
 against other zooms and primes I have on hand.

 JC O'Connell (mailto:hifis...@gate.net)
 Honesty is the first chapter in the book of wisdom - Thomas 
 Jefferson




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Re: DA* 60-250 at BH

2009-05-11 Thread Thibouille
I don't think electronic shutter will replace soon mechanical ones.
Nikon did use electronic shutter. It increased flash sync easily but
reliability was difficult to obtain it seems.

D3/D3X is back to 1/250, d700/D90 as well AFAIK. Seems it wasn't that
easy to control, for now at least.

On Mon, May 11, 2009 at 6:52 PM, John Francis jo...@panix.com wrote:
 On Mon, May 11, 2009 at 10:08:40AM -0600, William Robb wrote:

 - Original Message -
 From: Bob Sullivan
 Subject: Re: DA* 60-250 at BH


 I also noticed that BH lists the DA*60-250/4 in the full frame lens
 category on their site, not the APS-C sensor.  Could this be the start
 of something?  Regards,  Bob S.

 I read somewhere that the reason for the really long delay on this lens was
 caused by a complete redesign of the optical formula to allow for full frame
 coverage. The 55/1.4 also covers the 24x36 format.
 I'm just guessing here, but I expect Pentax knows that whether they go
 willingly or kicking and screaming, full frame is the future.

 William Robb

 I doubt it.  I think the K7 may well be the last DSLR from Pentax;
 certainly the last high-end model (think PZ-1p/MZ-S, which marked
 the end of technological advancement on the PEntax film bodies).
 The future is in cameras with far less mechanical parts - definitely
 no mirror box and moving mirror, and probably no mechanical shutter
 either.  Mechanical assemblies with many moving parts are expensive
 to manufacture, and tricky to align correctly.

 The 4/3 and micro 4/3 cameras have shown that you don't even need a
 sensor as large as 16x24mm to produce image quality more than good
 enough for the upper end of the mass market, which is where Pentax
 target their products.  By going to a micro 4/3 camera complete with
 EVF Pentax will be able to achieve the smaller, lighter goal that
 Hoya seem to have in mind.  A camera with a 36x24mm sensor will not.


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Re: Sample Image - A70-210 on digital was RE: DA* 60-250 at BH

2009-05-11 Thread Bran Everseeking
On Mon, 11 May 2009 16:18:07 -0400
JC OConnell hifis...@gate.net wrote:

 blame google, I have repeated reported to them the problem ( russian
 hack)
 was corrected over 6 months ago but they refuse to update the status
 or even reply to my requests for update. I can email photo if
 requested for now.

What happened when Google visited this site?

Of the 9 pages we tested on the site over the past 90 days, 8
page(s) resulted in malicious software being downloaded and
installed without user consent. The last time Google visited this
site was on 2009-05-10, and the last time suspicious content was
found on this site was on 2009-05-10.

Malicious software includes 11 trojan(s), 5 scripting exploit(s).

Malicious software is hosted on 12 domain(s), including cnld.ru/,
okcd.ru/, jetp6.ru/.





-- 
Love is that condition in which the happiness of another person is
essential to your own... Jealousy is a disease, love is a healthy
condition.- Robert Heinlein

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Re: DA* 60-250 at BH

2009-05-11 Thread Joseph McAllister
From information absorbed by my little noggin way back when, I am now  
under the impression that optimized for aps-c meant, among other  
things, that it was an effort to make the light rays more parallel as  
they struck the sensor to prevent the color fringing we see in our  
digital images. Supposedly caused by the angle of incidence of light  
rays to the sensor pixels in the corners and periphery of said sensor,  
which allowed the light ray to strike more than one pixel under such  
circumstances.


If that was the case, would not the center portion of a lens designed  
to cover full frame or larger have these properties?


I'm not an optical engineer, and it's hard for me to wrap my brain  
around the visual of more than one point of light passing through an  
optical assembly at a time. This concept may have been BS propagated  
by the industry to get us to buy the newer, lighter, more plastic  
offerings they have come out with.


Comments?

Joe


On May 11, 2009, at 06:54 , Paul Stenquist wrote:

True enough. I haven't tried my DA* 50-135 on full frame, but I  
expect the results would be similar. I know the DA 50-200 covers  
full frame. But if you believe Ned and the Pentax website, none of  
these lenses were designed for full-frame use. As you point out, the  
60-250 may be different in that regard.  Or not. Some of those early  
roadmaps were full of confusing nomenclature.

Paul
On May 11, 2009, at 9:45 AM, Mark Roberts wrote:


Paul Stenquist wrote:

Well, there you have it. Only minor vignetting. Would that  
increase or

decrease at a smaller aperture?


It's probably falloff, rather than vignetting, and it would improve  
at

smaller apertures.


In any case, it's probably useable on full frame, although I would
think it's optimized for APS-C.


Since it was originally designated the D-FA 60-250 I expect it was
designed for full-frame (they probably changed the designation to DA
when they decided to eliminate the aperture ring), but since  
virtually

all lenses show some light falloff at wide apertures and are sharper
in the center than the corners, any lens could be considered
optimized for APS-C :)


Joseph McAllister
pentax...@mac.com

http://gallery.me.com/jomac
http://web.me.com/jomac/show.me/Blog/Blog.html






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Re: DA* 60-250 at BH

2009-05-11 Thread Graydon
On Mon, May 11, 2009 at 02:07:07PM -0700, Joseph McAllister scripsit:
 From information absorbed by my little noggin way back when, I am now
 under the impression that optimized for aps-c meant, among other
 things, that it was an effort to make the light rays more parallel as
 they struck the sensor to prevent the color fringing we see in our
 digital images. Supposedly caused by the angle of incidence of light
 rays to the sensor pixels in the corners and periphery of said sensor,
 which allowed the light ray to strike more than one pixel under such
 circumstances.

Remember that the sensor isn't sitting out there in the air; it's got a
cover, the cover has thickness, and reflects and refracts.  The rear
lens element reflects, too.  Film is an absorptive medium -- the photon
hits and sticks -- so the optical behaviour of the digital sensor stack
is considerably different.

more vertical incident light may help with getting consistent
behaviour from the sensor stack; there's certainly no obvious reason
that you couldn't design a full frame lens that way.  It'd have to be
the whole lens, though.

This may be part of Pentax's decision not to go with full-frame digital;
they'd have to redo the whole lens lineup to get performance they
considered acceptable.

-- Graydon, who really does think it's going to be APS-C, MF, and nought
else from Pentax

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Re: Sample Image - A70-210 on digital was RE: DA* 60-250 at BH

2009-05-11 Thread Joseph McAllister
One of the reasons I / we are nervous about jco's carriage returns, if  
in fact that's all they are.


Fix it, damn it!


On May 11, 2009, at 13:51 , Bran Everseeking wrote:


On Mon, 11 May 2009 16:18:07 -0400
JC OConnell hifis...@gate.net wrote:


blame google, I have repeated reported to them the problem ( russian
hack)
was corrected over 6 months ago but they refuse to update the status
or even reply to my requests for update. I can email photo if
requested for now.


What happened when Google visited this site?

   Of the 9 pages we tested on the site over the past 90 days, 8
   page(s) resulted in malicious software being downloaded and
   installed without user consent. The last time Google visited this
   site was on 2009-05-10, and the last time suspicious content was
   found on this site was on 2009-05-10.

   Malicious software includes 11 trojan(s), 5 scripting exploit(s).

   Malicious software is hosted on 12 domain(s), including cnld.ru/,
   okcd.ru/, jetp6.ru/.




Joseph McAllister
pentax...@mac.com

http://gallery.me.com/jomac
http://web.me.com/jomac/show.me/Blog/Blog.html





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Re: Sample Image - A70-210 on digital was RE: DA* 60-250 at BH

2009-05-11 Thread Luiz Felipe
Sorry, but something in there is still alive and kicking. Whatever it 
is, lives in the ebay info html and tried to download stuff from a long 
series of .ru sites. I think all the attempts were blocked, but a 
complete checkup is in order.


Sorry, but there may be a serious risk - not in the link posted with the 
photo... that link looks safe, since it's a simple jpeg.


LF

Bran Everseeking escreveu:

On Mon, 11 May 2009 16:18:07 -0400
JC OConnell hifis...@gate.net wrote:


blame google, I have repeated reported to them the problem ( russian
hack)
was corrected over 6 months ago but they refuse to update the status
or even reply to my requests for update. I can email photo if
requested for now.


What happened when Google visited this site?

Of the 9 pages we tested on the site over the past 90 days, 8
page(s) resulted in malicious software being downloaded and
installed without user consent. The last time Google visited this
site was on 2009-05-10, and the last time suspicious content was
found on this site was on 2009-05-10.

Malicious software includes 11 trojan(s), 5 scripting exploit(s).

Malicious software is hosted on 12 domain(s), including cnld.ru/,
okcd.ru/, jetp6.ru/.







--
Luiz Felipe
luiz.felipe at techmit.com.br
http://techmit.com.br/luizfelipe/

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Re: DA* 60-250 at BH

2009-05-11 Thread Luiz Felipe
I was thinking about some DA longish lens to solve a problem much like 
yours - but with the need to cover at least marginally a 35mm frame 
since I'll be going to places a 35mm camera is an interesting backup. 
But that price is out of my budget for the time being. I'd like to think 
that may change in the future.


For the kind of result I'll be turning out I'll be shopping for a third 
party FF lens as soon as the deal is signed.


Funny thing is I could get a very interesting cash figure for the gear - 
mixing Canon 35mm and digital cameras. Sometimes using Pentax is more 
than just business.


LF

Paul Stenquist escreveu:
I use zooms for event coverage. I shoot with two cameras. One gets the 
wide: the DA* 16-50, the other gets a longer lens. For that I've been 
using the DA* 50-135. But I've found that I can't always get close 
enough for the 135 FOV. So I'd like to have better reach on my second 
camera. The 60-250 fills the bill perfectly. I wouldn't even consider a 
manual focus lens for this role. It's bang, bang, shoot them dead work. 
Fast is good. And my eyes are old. What's more, I've found that the DA* 
lenses deliver better image quality on my Pentax digitals than lenses 
that were designed for full-frame cameras. Yes, Pentax may some day 
introduced a larger sensor camera. But I live in the here and now, and I 
have to get the job done with the equipment that's available.

Paul
On May 9, 2009, at 9:55 AM, JC OConnell wrote:


Like I said earlier, you can get smc-A/70-210mm/4 lenses in LIKE NEW
stone mint
condition for $139 fairly easily on ebay. Sure, weather sealing, greater
zoom
range, and AF definately add value to the DA lens but it would
NOT add over a $1200 value to a $139 lens to ME if the image
quality was only the same in the DA lens. To each his own. There is also
the
possiblility that the DA lens wont cover FF digital in the future
as well as the A lens does. Thats a possible liability, not a plus
for the DA lens. Bottom line is that I wouldnt pay the $1200 premium
if the A70-210 was just as good optically for the DA60-250. The $1200
saved could buy to many other MUCH more valuable features to me like
more
good lenses and good DSLR bodies. To some, the extra things the DA60-250
does
would be worth that premium, but not for me. We are talking 10 times the
price
or approx $1200 more for the DA lens vs the A lens mentioned. Thats
really
a huge difference in price to be considering.

JC O'Connell (mailto:hifis...@gate.net)
Honesty is the first chapter in the book of wisdom - Thomas Jefferson


-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
Nick Wright
Sent: Saturday, May 09, 2009 7:36 AM
To: Pentax-Discuss Mail List
Subject: Re: DA* 60-250 at BH


For what it is, no it is not that much.

And no, I'm not particularly interested in seeing quality comparisons.
My el-cheapo 18-55 lens regularly knocks my socks off in terms of image
quality. I'm sure the $1,200 lens will be just fine.

Sure and I know that the 70-210A are great lenses. But they aren't
brand-new, they aren't weather sealed and they aren't autofocus.

I wonder if anyone would care to figure out how much the A70-210 went
for brand-new and adjust that for inflation? I'd bet there wouldn't be
that big a difference.

On Sat, May 9, 2009 at 2:56 AM, JC OConnell hifis...@gate.net wrote:

$1300+ is not that terrible much? Wouldnt you rather see a test
comparison to the $139 typical smc-A/70-210/F4 before judging that
$1300+ price?

JC O'Connell (mailto:hifis...@gate.net)
Honesty is the first chapter in the book of wisdom - Thomas
Jefferson


-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf
Of Nick Wright
Sent: Friday, May 08, 2009 10:12 PM
To: Pentax-Discuss Mail List
Subject: Re: DA* 60-250 at BH


I don't think it's all that terrible much.

The Canon 70-200/4L IS runs about $1,100.

Both lenses are weather-sealed f/4. The Canon has IS built in. But the



Pentax offers 10mm wider and 50mm longer range.

If I were still shooting for newspapers I would be chomping at the bit



to get this lens.

On Fri, May 8, 2009 at 8:07 PM, JC OConnell hifis...@gate.net wrote:

DAMN steep, you can get a nice clean smc-A 70-210/4 for 1/10 the
price. How would that compare? Id love to see a good aperture for
aperture test.

JC O'Connell (mailto:hifis...@gate.net)
Honesty is the first chapter in the book of wisdom - Thomas
Jefferson



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Re: DA* 60-250 at BH

2009-05-11 Thread Frits Wüthrich

John Francis wrote:

On Mon, May 11, 2009 at 01:25:30PM -0400, Graydon wrote:
  

Pragmatically, if that thing on top of the K-7 is an EVF, you're likely
right.  If it's a full-view, full magnification pentaprism, I'm going to
suggest that it means I'm right, at least as far as optical viewfinder
being included in the intended market differentiation strategy goes.



Basing predictions for Pentax bodies on features showing up in past bodies
has not, historically, been a sure-fire strategy.  A few examples:

  o Pentax put a 1/8000 shutter speed and 1/250 flash sync in the PZ-1p;
features that never showed up again in any future Pentax bodies (so
far; we'll see whether this remains true later this month).
  
Well, we have now a high speed sync, up to of 1/6000 isn't it? The 1/180 
is only needed for older flashes.

  o They went back to requiring lenses with aperture rings for the MZ/ZX
(after having introduced the two-thumbwheel control model on the PZ-
series bodies).  But, as the DA lenses have shown, that didn't last.


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RE: DA* 60-250 at BH

2009-05-11 Thread JC OConnell
I dont think so, if the film was so insensitive
to light angle hitting it and digital is very sensitive to it, its
possible even a
central portion of a FF lens has too much angle for
APS digital usage.

JC O'Connell (mailto:hifis...@gate.net)
Honesty is the first chapter in the book of wisdom - Thomas Jefferson


-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
Joseph McAllister
Sent: Monday, May 11, 2009 5:07 PM
To: Pentax-Discuss Mail List
Subject: Re: DA* 60-250 at BH


 From information absorbed by my little noggin way back when, I am now  
under the impression that optimized for aps-c meant, among other  
things, that it was an effort to make the light rays more parallel as  
they struck the sensor to prevent the color fringing we see in our  
digital images. Supposedly caused by the angle of incidence of light  
rays to the sensor pixels in the corners and periphery of said sensor,  
which allowed the light ray to strike more than one pixel under such  
circumstances.

If that was the case, would not the center portion of a lens designed  
to cover full frame or larger have these properties?

I'm not an optical engineer, and it's hard for me to wrap my brain  
around the visual of more than one point of light passing through an  
optical assembly at a time. This concept may have been BS propagated  
by the industry to get us to buy the newer, lighter, more plastic  
offerings they have come out with.

Comments?

Joe


On May 11, 2009, at 06:54 , Paul Stenquist wrote:

 True enough. I haven't tried my DA* 50-135 on full frame, but I
 expect the results would be similar. I know the DA 50-200 covers  
 full frame. But if you believe Ned and the Pentax website, none of  
 these lenses were designed for full-frame use. As you point out, the  
 60-250 may be different in that regard.  Or not. Some of those early  
 roadmaps were full of confusing nomenclature.
 Paul
 On May 11, 2009, at 9:45 AM, Mark Roberts wrote:

 Paul Stenquist wrote:

 Well, there you have it. Only minor vignetting. Would that
 increase or
 decrease at a smaller aperture?

 It's probably falloff, rather than vignetting, and it would improve
 at
 smaller apertures.

 In any case, it's probably useable on full frame, although I would 
 think it's optimized for APS-C.

 Since it was originally designated the D-FA 60-250 I expect it was 
 designed for full-frame (they probably changed the designation to DA 
 when they decided to eliminate the aperture ring), but since
 virtually
 all lenses show some light falloff at wide apertures and are sharper
 in the center than the corners, any lens could be considered
 optimized for APS-C :)

Joseph McAllister
pentax...@mac.com

http://gallery.me.com/jomac
http://web.me.com/jomac/show.me/Blog/Blog.html






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RE: DA* 60-250 at BH

2009-05-11 Thread JC OConnell
MF is dead forever. There would be FF digital before they ever
went back to those huge bodies and lenses of 67 or 645 size.

JC O'Connell (mailto:hifis...@gate.net)
Honesty is the first chapter in the book of wisdom - Thomas Jefferson


-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
Graydon
Sent: Monday, May 11, 2009 5:18 PM
To: Pentax-Discuss Mail List
Subject: Re: DA* 60-250 at BH


On Mon, May 11, 2009 at 02:07:07PM -0700, Joseph McAllister scripsit:
 From information absorbed by my little noggin way back when, I am now 
 under the impression that optimized for aps-c meant, among other 
 things, that it was an effort to make the light rays more parallel as 
 they struck the sensor to prevent the color fringing we see in our 
 digital images. Supposedly caused by the angle of incidence of light 
 rays to the sensor pixels in the corners and periphery of said sensor,

 which allowed the light ray to strike more than one pixel under such 
 circumstances.

Remember that the sensor isn't sitting out there in the air; it's got a
cover, the cover has thickness, and reflects and refracts.  The rear
lens element reflects, too.  Film is an absorptive medium -- the photon
hits and sticks -- so the optical behaviour of the digital sensor stack
is considerably different.

more vertical incident light may help with getting consistent
behaviour from the sensor stack; there's certainly no obvious reason
that you couldn't design a full frame lens that way.  It'd have to be
the whole lens, though.

This may be part of Pentax's decision not to go with full-frame digital;
they'd have to redo the whole lens lineup to get performance they
considered acceptable.

-- Graydon, who really does think it's going to be APS-C, MF, and nought
else from Pentax

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RE: Sample Image - A70-210 on digital was RE: DA* 60-250 at BH

2009-05-11 Thread JC OConnell
I already stated the problem with the carraige returns, they are
specific
only to this list and are coming in on the original posts, when I hit
reply
the original post gets quoted. Its got to be something specific with
this
list because its not happening elsewhere on all my other lists.

JC O'Connell (mailto:hifis...@gate.net)
Honesty is the first chapter in the book of wisdom - Thomas Jefferson


-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
Joseph McAllister
Sent: Monday, May 11, 2009 5:51 PM
To: Pentax-Discuss Mail List
Subject: Re: Sample Image - A70-210 on digital was RE: DA* 60-250 at BH


One of the reasons I / we are nervous about jco's carriage returns, if  
in fact that's all they are.

Fix it, damn it!


On May 11, 2009, at 13:51 , Bran Everseeking wrote:

 On Mon, 11 May 2009 16:18:07 -0400
 JC OConnell hifis...@gate.net wrote:

 blame google, I have repeated reported to them the problem ( russian
 hack)
 was corrected over 6 months ago but they refuse to update the status 
 or even reply to my requests for update. I can email photo if 
 requested for now.

 What happened when Google visited this site?

Of the 9 pages we tested on the site over the past 90 days, 8
page(s) resulted in malicious software being downloaded and
installed without user consent. The last time Google visited this
site was on 2009-05-10, and the last time suspicious content was
found on this site was on 2009-05-10.

Malicious software includes 11 trojan(s), 5 scripting exploit(s).

Malicious software is hosted on 12 domain(s), including cnld.ru/,
okcd.ru/, jetp6.ru/.



Joseph McAllister
pentax...@mac.com

http://gallery.me.com/jomac
http://web.me.com/jomac/show.me/Blog/Blog.html





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RE: Sample Image - A70-210 on digital was RE: DA* 60-250 at BH

2009-05-11 Thread JC OConnell
I took all that stuff out 6 month ago. I just went back
in today and not only was there weird stuff I dont know
what it was inlcuding some site stuff I cant delete, there was a bunch
of old stuff some as old
as 6 years ago of all mine even thought the site was totally
deleted by the hacker six months ago and even though the
site was totally wiped again by me after that. I have contacted my
provider on this and I am still waiting answer. Needless to
say on first hack the password was changed and was made
highest possible strength too. It almost looks like my
site was backed up by my  provider for everything in the last
6 years is back on their and not of my doing nor permission nor
request.

JC O'Connell (mailto:hifis...@gate.net)
Honesty is the first chapter in the book of wisdom - Thomas Jefferson


-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
Luiz Felipe
Sent: Monday, May 11, 2009 6:05 PM
To: Pentax-Discuss Mail List
Subject: Re: Sample Image - A70-210 on digital was RE: DA* 60-250 at BH


Sorry, but something in there is still alive and kicking. Whatever it 
is, lives in the ebay info html and tried to download stuff from a long 
series of .ru sites. I think all the attempts were blocked, but a 
complete checkup is in order.

Sorry, but there may be a serious risk - not in the link posted with the

photo... that link looks safe, since it's a simple jpeg.

LF

Bran Everseeking escreveu:
 On Mon, 11 May 2009 16:18:07 -0400
 JC OConnell hifis...@gate.net wrote:
 
 blame google, I have repeated reported to them the problem ( russian
 hack)
 was corrected over 6 months ago but they refuse to update the status 
 or even reply to my requests for update. I can email photo if 
 requested for now.
 
 What happened when Google visited this site?
 
 Of the 9 pages we tested on the site over the past 90 days, 8
 page(s) resulted in malicious software being downloaded and
 installed without user consent. The last time Google visited this
 site was on 2009-05-10, and the last time suspicious content was
 found on this site was on 2009-05-10.
 
 Malicious software includes 11 trojan(s), 5 scripting exploit(s).
 
 Malicious software is hosted on 12 domain(s), including cnld.ru/,
 okcd.ru/, jetp6.ru/.
 
 
 
 
 

-- 
Luiz Felipe
luiz.felipe at techmit.com.br
http://techmit.com.br/luizfelipe/

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Re: Sample Image - A70-210 on digital was RE: DA* 60-250 at BH

2009-05-11 Thread Graydon
On Mon, May 11, 2009 at 07:02:13PM -0400, JC OConnell scripsit:
 I already stated the problem with the carraige returns, they are
 specific only to this list and are coming in on the original posts,
 when I hit reply the original post gets quoted. Its got to be
 something specific with this list because its not happening elsewhere
 on all my other lists.

If it was the list processor, everyone's posts would have the extra
blank lines.  This is not observed to be the case.

I would suggest that something in the configuration of your mail user
agent, specific to this list, is responsible for the 185 blank lines
being appended to your replies to the list.

-- Graydon

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Re: DA* 60-250 at BH

2009-05-11 Thread John Francis
On Tue, May 12, 2009 at 12:32:47AM +0200, Frits W?thrich wrote:
 John Francis wrote:

   o Pentax put a 1/8000 shutter speed and 1/250 flash sync in the PZ-1p;
 features that never showed up again in any future Pentax bodies (so
 far; we'll see whether this remains true later this month).
   
 Well, we have now a high speed sync, up to of 1/6000 isn't it? The 1/180  
 is only needed for older flashes.

Well, high-speed flash sync only works if you are prepared to accept a
flash with significantly less power.  At 1/6000 (and a 1/180 sync speed)
the flash has to fire 32 times, once for each strip of the total frame.
That means you can't use more than 1/32 of the total light output on any
part of the exposure.



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Re: DA* 60-250 at BH

2009-05-11 Thread David Savage
A mate of mine was shooting HD video on his 5D MkII on the
weekendwith a Lensbaby attached to the camera.

The effect was very cool.

DS

2009/5/12 JC OConnell hifis...@gate.net:
 the untold problem with doing hd video with still camera lenses
 is that the zoom lenses you can get are not well suited for video
 use, no power zoom, no proportional power zoom. It might be fun
 once in a while to do HD but it wouldnt be fun full time with
 typcial SLR camera lens zooms.

 JC O'Connell (mailto:hifis...@gate.net)
 Honesty is the first chapter in the book of wisdom - Thomas Jefferson


 -Original Message-
 From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
 John Francis
 Sent: Monday, May 11, 2009 2:08 PM
 To: Pentax-Discuss Mail List
 Subject: Re: DA* 60-250 at BH


 On Mon, May 11, 2009 at 01:25:30PM -0400, Graydon wrote:

 Note that Panasonic is a consumer electronics company; Pentax (and
 Hoya) are optical companies.  They don't want to wander out of the
 area of their strengths into those of the competition, which is what
 moving to an EVF would do.

 I think the driving factor behind moving to an EVF (apart from cost) is
 the requirement for HD video - that's going to be a must-have item.
 Personally I don't care, but I know that I'm not the target customer.

 The capability is already showing up in consumer cameras, although as
 yet it isn't always fully integrated (no auto-focus adjustments, say).
 But once you have live view and 60fps video, you've already got an EVF.

 If that means venturing into the strengths of Panasonic, so be it; the
 alternative is to be left on the sidelines.  And, in any case, there's
 still a lot of space in front of the sensor for an optics company to
 showcase their capabilities.

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Re: Sample Image - A70-210 on digital was RE: DA* 60-250 at BH

2009-05-11 Thread Luiz Felipe
Could as well be the case of the unwanted backup - there is still a part 
of my old site hanging aroung in the net, and no amount of threat or 
plea is making the @$$%*le host service to take it down.


You can count on Murphy to turn even a backup against you.

LF

JC OConnell escreveu:

I took all that stuff out 6 month ago. I just went back
in today and not only was there weird stuff I dont know
what it was inlcuding some site stuff I cant delete, there was a bunch
of old stuff some as old
as 6 years ago of all mine even thought the site was totally
deleted by the hacker six months ago and even though the
site was totally wiped again by me after that. I have contacted my
provider on this and I am still waiting answer. Needless to
say on first hack the password was changed and was made
highest possible strength too. It almost looks like my
site was backed up by my  provider for everything in the last
6 years is back on their and not of my doing nor permission nor
request.

JC O'Connell (mailto:hifis...@gate.net)
Honesty is the first chapter in the book of wisdom - Thomas Jefferson


-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
Luiz Felipe
Sent: Monday, May 11, 2009 6:05 PM
To: Pentax-Discuss Mail List
Subject: Re: Sample Image - A70-210 on digital was RE: DA* 60-250 at BH


Sorry, but something in there is still alive and kicking. Whatever it 
is, lives in the ebay info html and tried to download stuff from a long 
series of .ru sites. I think all the attempts were blocked, but a 
complete checkup is in order.


Sorry, but there may be a serious risk - not in the link posted with the

photo... that link looks safe, since it's a simple jpeg.

LF

Bran Everseeking escreveu:

On Mon, 11 May 2009 16:18:07 -0400
JC OConnell hifis...@gate.net wrote:


blame google, I have repeated reported to them the problem ( russian
hack)
was corrected over 6 months ago but they refuse to update the status 
or even reply to my requests for update. I can email photo if 
requested for now.

What happened when Google visited this site?

Of the 9 pages we tested on the site over the past 90 days, 8
page(s) resulted in malicious software being downloaded and
installed without user consent. The last time Google visited this
site was on 2009-05-10, and the last time suspicious content was
found on this site was on 2009-05-10.

Malicious software includes 11 trojan(s), 5 scripting exploit(s).

Malicious software is hosted on 12 domain(s), including cnld.ru/,
okcd.ru/, jetp6.ru/.









--
Luiz Felipe
luiz.felipe at techmit.com.br
http://techmit.com.br/luizfelipe/

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RE: Sample Image - A70-210 on digital was RE: DA* 60-250 at BH

2009-05-11 Thread JC OConnell
FWIW, Until I get my web server sorted out I put
these over on the following site:

http://s599.photobucket.com/albums/tt71/hifisapi/

( a couple of sample images taken today with A70-210/4 on digital)

JC O'Connell (mailto:hifis...@gate.net)
Honesty is the first chapter in the book of wisdom - Thomas Jefferson


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Re: DA* 60-250 at BH

2009-05-11 Thread paul stenquist

Pentax claims that the 645D is going forward.

On May 11, 2009, at 6:57 PM, JC OConnell wrote:


MF is dead forever. There would be FF digital before they ever
went back to those huge bodies and lenses of 67 or 645 size.

JC O'Connell (mailto:hifis...@gate.net)
Honesty is the first chapter in the book of wisdom - Thomas  
Jefferson



-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf  
Of

Graydon
Sent: Monday, May 11, 2009 5:18 PM
To: Pentax-Discuss Mail List
Subject: Re: DA* 60-250 at BH


On Mon, May 11, 2009 at 02:07:07PM -0700, Joseph McAllister scripsit:

From information absorbed by my little noggin way back when, I am now
under the impression that optimized for aps-c meant, among other
things, that it was an effort to make the light rays more parallel as
they struck the sensor to prevent the color fringing we see in our
digital images. Supposedly caused by the angle of incidence of light
rays to the sensor pixels in the corners and periphery of said  
sensor,



which allowed the light ray to strike more than one pixel under such
circumstances.


Remember that the sensor isn't sitting out there in the air; it's  
got a

cover, the cover has thickness, and reflects and refracts.  The rear
lens element reflects, too.  Film is an absorptive medium -- the  
photon
hits and sticks -- so the optical behaviour of the digital sensor  
stack

is considerably different.

more vertical incident light may help with getting consistent
behaviour from the sensor stack; there's certainly no obvious reason
that you couldn't design a full frame lens that way.  It'd have to be
the whole lens, though.

This may be part of Pentax's decision not to go with full-frame  
digital;

they'd have to redo the whole lens lineup to get performance they
considered acceptable.

-- Graydon, who really does think it's going to be APS-C, MF, and  
nought

else from Pentax

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Re: DA* 60-250 at BH

2009-05-11 Thread Bruce Walker

Frits Wüthrich wrote:

John Francis wrote:


Basing predictions for Pentax bodies on features showing up in past 
bodies

has not, historically, been a sure-fire strategy.  A few examples:

  o Pentax put a 1/8000 shutter speed and 1/250 flash sync in the PZ-1p;
features that never showed up again in any future Pentax bodies (so
far; we'll see whether this remains true later this month).
  
Well, we have now a high speed sync, up to of 1/6000 isn't it? The 1/180 
is only needed for older flashes.


The K20D lets me run high-speed flash sync up to 1/4000 sec with the 
540FGZ flashes. Wireless too, which I have used a lot lately.


-bmw


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RE: DA* 60-250 at BH

2009-05-11 Thread JC OConnell
Makes no sense. I'd buy canon or nikon FF before I would
ever go back to those huge lenses and bodies, especially
the 67.

JC O'Connell (mailto:hifis...@gate.net)
Honesty is the first chapter in the book of wisdom - Thomas Jefferson


-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
paul stenquist
Sent: Monday, May 11, 2009 7:48 PM
To: Pentax-Discuss Mail List
Subject: Re: DA* 60-250 at BH


Pentax claims that the 645D is going forward.

On May 11, 2009, at 6:57 PM, JC OConnell wrote:

 MF is dead forever. There would be FF digital before they ever went 
 back to those huge bodies and lenses of 67 or 645 size.

 JC O'Connell (mailto:hifis...@gate.net)
 Honesty is the first chapter in the book of wisdom - Thomas
 Jefferson


 -Original Message-
 From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf  
 Of
 Graydon
 Sent: Monday, May 11, 2009 5:18 PM
 To: Pentax-Discuss Mail List
 Subject: Re: DA* 60-250 at BH


 On Mon, May 11, 2009 at 02:07:07PM -0700, Joseph McAllister scripsit:
 From information absorbed by my little noggin way back when, I am now
 under the impression that optimized for aps-c meant, among other
 things, that it was an effort to make the light rays more parallel as
 they struck the sensor to prevent the color fringing we see in our
 digital images. Supposedly caused by the angle of incidence of light
 rays to the sensor pixels in the corners and periphery of said  
 sensor,

 which allowed the light ray to strike more than one pixel under such
 circumstances.

 Remember that the sensor isn't sitting out there in the air; it's  
 got a
 cover, the cover has thickness, and reflects and refracts.  The rear
 lens element reflects, too.  Film is an absorptive medium -- the  
 photon
 hits and sticks -- so the optical behaviour of the digital sensor  
 stack
 is considerably different.

 more vertical incident light may help with getting consistent
 behaviour from the sensor stack; there's certainly no obvious reason
 that you couldn't design a full frame lens that way.  It'd have to be
 the whole lens, though.

 This may be part of Pentax's decision not to go with full-frame  
 digital;
 they'd have to redo the whole lens lineup to get performance they
 considered acceptable.

 -- Graydon, who really does think it's going to be APS-C, MF, and  
 nought
 else from Pentax

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Re: DA* 60-250 at BH

2009-05-11 Thread Bruce Walker

John Francis wrote:

On Tue, May 12, 2009 at 12:32:47AM +0200, Frits W?thrich wrote:

John Francis wrote:

  o Pentax put a 1/8000 shutter speed and 1/250 flash sync in the PZ-1p;
features that never showed up again in any future Pentax bodies (so
far; we'll see whether this remains true later this month).
  
Well, we have now a high speed sync, up to of 1/6000 isn't it? The 1/180  
is only needed for older flashes.


Well, high-speed flash sync only works if you are prepared to accept a
flash with significantly less power.  At 1/6000 (and a 1/180 sync speed)
the flash has to fire 32 times, once for each strip of the total frame.
That means you can't use more than 1/32 of the total light output on any
part of the exposure.


Seems to work just fine to overpower the full sun, anyway. I've used HSS 
with the K20D and 540FGZ flash to shoot flowers in full sun and still 
end up with a dark background and the flower lit only (mainly) by the 
gel'ed flash.  From 1/1000 up to 1/4000 sec. (I don't believe the K20 
goes to 1/6000.)


I know the flash was working hard because of the additional recovery 
time and that low whine you get when you pop the flash near full power.


-bmw

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Re: DA* 60-250 at BH

2009-05-11 Thread paul stenquist
There's a substantial pro market for medium format digital. If Pentax  
can build a price leader, they'll do okay with it.

Paul
On May 11, 2009, at 7:59 PM, JC OConnell wrote:


Makes no sense. I'd buy canon or nikon FF before I would
ever go back to those huge lenses and bodies, especially
the 67.

JC O'Connell (mailto:hifis...@gate.net)
Honesty is the first chapter in the book of wisdom - Thomas  
Jefferson



-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf  
Of

paul stenquist
Sent: Monday, May 11, 2009 7:48 PM
To: Pentax-Discuss Mail List
Subject: Re: DA* 60-250 at BH


Pentax claims that the 645D is going forward.

On May 11, 2009, at 6:57 PM, JC OConnell wrote:


MF is dead forever. There would be FF digital before they ever went
back to those huge bodies and lenses of 67 or 645 size.

JC O'Connell (mailto:hifis...@gate.net)
Honesty is the first chapter in the book of wisdom - Thomas
Jefferson


-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf
Of
Graydon
Sent: Monday, May 11, 2009 5:18 PM
To: Pentax-Discuss Mail List
Subject: Re: DA* 60-250 at BH


On Mon, May 11, 2009 at 02:07:07PM -0700, Joseph McAllister scripsit:
From information absorbed by my little noggin way back when, I am  
now

under the impression that optimized for aps-c meant, among other
things, that it was an effort to make the light rays more parallel  
as

they struck the sensor to prevent the color fringing we see in our
digital images. Supposedly caused by the angle of incidence of light
rays to the sensor pixels in the corners and periphery of said
sensor,



which allowed the light ray to strike more than one pixel under such
circumstances.


Remember that the sensor isn't sitting out there in the air; it's
got a
cover, the cover has thickness, and reflects and refracts.  The rear
lens element reflects, too.  Film is an absorptive medium -- the
photon
hits and sticks -- so the optical behaviour of the digital sensor
stack
is considerably different.

more vertical incident light may help with getting consistent
behaviour from the sensor stack; there's certainly no obvious reason
that you couldn't design a full frame lens that way.  It'd have to be
the whole lens, though.

This may be part of Pentax's decision not to go with full-frame
digital;
they'd have to redo the whole lens lineup to get performance they
considered acceptable.

-- Graydon, who really does think it's going to be APS-C, MF, and  
nought

else from Pentax

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Re: DA* 60-250 at BH

2009-05-11 Thread William Robb

- Original Message - 
From: paul stenquist
Subject: Re: DA* 60-250 at BH


 There's a substantial pro market for medium format digital. If Pentax  can 
 build a price leader, they'll do okay with it.

I kinda think that anyone with a significant investment in 645 glass will 
snap up a 645D in a heartbeat. There are so many advantages to the format 
for a working pro that small format, whether 35mm full frame of clipped 
format APS-C just doesn't offer.

William Robb 



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Re: Sample Image - A70-210 on digital was RE: DA* 60-250 at BH

2009-05-11 Thread William Robb

- Original Message - 
From: JC OConnell
Subject: RE: Sample Image - A70-210 on digital was RE: DA* 60-250 at BH


 FWIW, Until I get my web server sorted out I put
 these over on the following site:

 http://s599.photobucket.com/albums/tt71/hifisapi/

 ( a couple of sample images taken today with A70-210/4 on digital)

It's hard to say anything without seeing a larger rendering, other than it 
doesn't look like a swimming pool. :-)

William Robb 



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Re: DA* 60-250 at BH

2009-05-11 Thread paul stenquist
You're right. And even those without a prior investment may go for a  
Pentax MF digital, since there are numerous excellent used lenses  
available at very reasonable prices. The market isn't huge, but it's  
big enough to be profitable. You can be sure that Hoya has given this  
a lot of careful thought.

Paul
On May 11, 2009, at 8:49 PM, William Robb wrote:



- Original Message -
From: paul stenquist
Subject: Re: DA* 60-250 at BH


There's a substantial pro market for medium format digital. If  
Pentax  can

build a price leader, they'll do okay with it.


I kinda think that anyone with a significant investment in 645 glass  
will
snap up a 645D in a heartbeat. There are so many advantages to the  
format
for a working pro that small format, whether 35mm full frame of  
clipped

format APS-C just doesn't offer.

William Robb



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Re: DA* 60-250 at BH

2009-05-11 Thread P. J. Alling
My prediction:  Whatever the last model DSLR produced by Pentax is, it 
will be the last high end camera I'm likely to buy from them.  The 
14mp sensor is already higher resolution than I could reasonably achieve 
with 35mm film and its high ISO performance is better than I could have 
dreamed of just a few years ago.  So I won't be funding the RD on a 
good EVF.  In fact if the K7D is the last Pentaprism camera that 
Pentax makes, unless it's an order of magnitude better than the K20d, 
the K20D is likely to be the last DSLR I buy, well Buy New at least.


Mark Roberts wrote:

William Robb wrote:

  
I hope you are wrong about the EVF part, unless they get several magnitudes 
of quality better. I haven't seen one yet that I think is usable.
Apparently the Lumix DMC G1 is supposed to be a good one, and it gave me a 
headache in less than half a minute of using it.



I'll give you two daring predictions for the future:

1 - EVF's *will* eventually compete with mirror/prism viewfinders in
terms of image quality.

2 - The transition from mirror/prism to EVF will take place *before*
the abovementioned transition (and we users will suffer through lower
quality electronic viewfinders while financing the RD that eventually
results in the high quality EVF).


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RE: Sample Image - A70-210 on digital was RE: DA* 60-250 at BH

2009-05-11 Thread JC OConnell
well you cant see resolution in a small photo but you can see color
saturation and contrast and flare or lack thereof. That site reduces
everything to 1024 pixels wide so I cant make it any bigger there. 
I can do a crop at higher mag, maybe I'll add that.

FWIW, the second photo of the silver car had so much contrast coming
off the scene/lens that it strongly pegged both the black and white ends
of the
histogram in RAW! Total contrast ratio well beyond the capablity of the
camera
sensor. 

JC O'Connell (mailto:hifis...@gate.net)
Honesty is the first chapter in the book of wisdom - Thomas Jefferson


-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
William Robb
Sent: Monday, May 11, 2009 8:53 PM
To: Pentax-Discuss Mail List
Subject: Re: Sample Image - A70-210 on digital was RE: DA* 60-250 at BH



- Original Message - 
From: JC OConnell
Subject: RE: Sample Image - A70-210 on digital was RE: DA* 60-250 at BH


 FWIW, Until I get my web server sorted out I put
 these over on the following site:

 http://s599.photobucket.com/albums/tt71/hifisapi/

 ( a couple of sample images taken today with A70-210/4 on digital)

It's hard to say anything without seeing a larger rendering, other than
it 
doesn't look like a swimming pool. :-)

William Robb 



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