With these mp3 players, you could do midi
quite easily (well for the consumer) and match effortlessly (even though
would take some of the fun out of djing, as well as some frustration --
for me at least).
well isnt that the point of dj'ing? fun and frustration?
thank you, i think i just might try some booty in da mix.
sounds very dancefloor friendly
every detroit record has some soul for the dancefloor...
...well, nearly every detroit record.
have fun and experiment in da mix,
and push tha wurlitser mentality to da kerb..
don't create
guns 'n' roses - welcome to the jungle ?
fab...your man in rome wrote:
i was at the whisperMinistry of Sound/whisper this weekend and in the
back room they were playing some slamming deepe house and tech-house..it
was
pretty good anyway. They played this one song with the
In a message dated 11/29/00 6:03:48 PM Eastern Standard Time,
[EMAIL PROTECTED] writes:
hmmm...
I'd say that turntables will go the way of the guitar
(that they've replaced). Sure guitars are still
played, but are our kids going to be right into what
we listen to? How many people these
Where is the skill?
Fred
From: darw_n [EMAIL PROTECTED]
To: aziza vasco [EMAIL PROTECTED], 313@hyperreal.org
Subject: Re: [313] trading on napster
Date: Wed, 29 Nov 2000 17:30:09 -0800
h,
here's an issue I was talking about today with some friends...
There is now a program out that
Where is the skill?
That's what my friends were saying, but there is one way to really make it
an art...
with this, you could feasibly create symphonies with dance tracks, have 20
tracks going within a minute or less (I think this is where Hawtin is
heading), and it wont sound garbled,
I do think it will be a while before anyone is able to do the tricks ala
Claude Young, DJ Craze, Kid Koala, Scratch Pickles, Cox, any other
turntablist. Digital still doesn't have that sound that vinyl has. It's
hard to fake it.
When anyone starts talking about a well worn format going away I
With these mp3 players, you could do midi
quite easily (well for the consumer)
Can we please be careful about using the term midi? Midi has nothing to do
with .mp3 technology whatsoever. I see lots of people making this mistake.
Midi provides no definitive sound characteristics, and is
i agree whole-heartedly! Rolando's remix is especially impressive. The UR
remix is somewhat repetitive but it still has some classic detroit elements
to it that make it very alluring and even mysterious.
these records make an amazing addition to any detroit tech-lovers collection
detroit- we so
On Wed, 29 Nov 2000, Chris Ege wrote:
The point that everyone's missing is that a better solution can be
devised. True, vinyl is still the best solution. But we're quickly
approaching a point where it won't be anymore. it won't be long till
someone comes up with a truly elegant and
:
jeff mills- metropolis
As I said before, I just got this CD, and I have to admit, it is near close
to brilliant, although, I am having trouble seeing about half the tracks as
movie scores, but the use of sounds in some of the more dancy tracks is
stunning to say the least.
I don't have the
One damn fine set check out the archive from Nov 22 in the San Francisco
Archives. I love that opening track Interview I think it's called anyone
know who did it.
___
Tired of slow Internet? Get @Home Broadband Internet
Not to boost my own theory here, but Mills captured, to me, the sounds of
what toneshifting sounds like in these three tracks...
Have you listened to any of his Purposemaker releases? There are some
amazing sounds here which I believe are the essence of your theory. At least
this is the stuff
Call me dumb but I never wonder how it is that Mills music is considered in
such theoretical terms, even he speaks of it in this way. I guess if I
composed I would be very intuitive and mood-based and think not in terms of
theories but emotion and experience. Not that it would like conventional
That didn't make sense at all. Sorry I have a temperature, apparently, and
am downloading the wrong words from my memory!! Enuff posts for me today!
Here it is again.
Call me dumb but I always wonder how it is that Mills' music is considered
in
such theoretical terms, even he speaks of it in
Somebody said that the Andrew Holland Infiltrator mix was hard work or
sumtin.
I thought that this was a very approachable reworking myself.
Respect.
On UR, does anybody know of any other material by Chuck Gibson besides the
Perception track on Interstellar.
Oh and any stuff by Gerald Mitchell
Gerald Mitchell is not Wildplanet, he's from the US
and WP is from Sweden. Wildplanet is Simon Hartley I
think.
My favourite Gerald M. is M3 on Metroplex - Celestial
Highways. Came out around the same time as the
original Jaguar, stringy soulful d-techno.
Dave
--- scott mcgill [EMAIL
Somebody said that the Andrew Holland Infiltrator mix was hard work or
sumtin.
I thought that this was a very approachable reworking myself.
Respect.
I really like Andre's mix, it's really dark and has some great beats to it.
On UR, does anybody know of any other material by Chuck Gibson
On Wed, 29 Nov 2000, Jon Schoning wrote:
If yes, can someone point me to the direction of some essential tunes
every detroit techno DJ must have?
transmat, metroplex and red planet series, that's _all_ you need... ;)
i think, this is still a matter of opinion, so go to the record shop and
This mix is excellent. You even get to hear the results of two 313ers making
music together on the last track. It's weird hearing the Sutekh track at 33
too. All sorts of tones jump out that aren't there at 45.
Tristan
==
PHONOPSIA[EMAIL PROTECTED]
i have been djing for quite a few years, and have been fortunate enough to
rock dancefloors around the us as well as europe. i believe you are missing
the whole point of djing. if you are at home and you feel like dancing
chances are someone else would to. the only trax essential to any dj
http://www.salon.com/tech/feature/2000/11/30/adult/index.html
Otto
Otto Koppius:
http://www.salon.com/tech/feature/2000/11/30/adult/index.html
It's a revolution: EROTIC STYLE of music ($54286.78) ;)
Proffit
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When the MP3 revolution comes, you can send your unwanted vinyl to me -
don't burn it after some baseball game :)
Jonny.
jamonrevenge
fri151200
@ säätämö, turku, finland
feat. the who's who of finnish electronic scene...
more info:
http://www.jamonrevenge.com
e. rautio, also known as pHinn
* the webmaster of pHinnWeb - the old skool, the nu skool *
* and the pHuture skool of Finnish electronic music *
Sorry for the late reply. B-day this weekend and only now recovered enough to
go
trough my 313 mailbox. (had a blast at a verry big commercial party but with
Kevin, Derrick Stacey + Luke Slater playing in the Technoroom and Bob sinclar
Roger Sanchez(a big ego but does know how to rock a big
Oh, and your record will never crash, or you needle with
never have an irq
conflict...
yes but your digital file won't get a scratch in it, and it won't be
a 500 press run that is almost impossible to find...
now thats good and bad
i dont think digital file mixers/tables are going to be too
Does anyone know the track that comes in afterwards ?
have heard this track b4 but have absolutely no idea what its called !!
Rich
-Original Message-
From: hans kaufmann
One damn fine set check out the archive from Nov 22 in the San Francisco
Archives. I love that opening track
Why has no one mentioned the sound quality in this debat (or have they and
I've missed it).
For me, the most important thing about music is not the ideas behind it, not
who's written it or from where, not what format it's on or how easy it is to
mix. The most important thing, for me anyway, is
On Thu, 30 Nov 2000, Paul Hudson wrote:
Vinyl sounds better than CD and CD sounds better than MP3. While the
popular media say Mp3's sound as good as CD's, I don't think anyone believes
them do they? I mean, just play a CD next to a high quality MP3 on quality
Hi-Fi. They tow don't even
These are the records I picked up, all of which I'm very happy with
(possibly the first time I ever had no buyer's remorse once I got the wax
home). All of them are excellent. If some of the reviews are shorter, it's
b/c I've only had a chance to listen to them all twice (once on my Mom's
stereo
If I ever sellout, this would be the way to do it.
Tristan
==
PHONOPSIA[EMAIL PROTECTED]
http://www.geocities.com/SunsetStrip/Lounge/5102
FrogboyMCI on AOL Instant Messenger
Most people have the cataract.
They do not see what they look at.
Dum Dee Dum Dee
It depends on how it's been coded. 256kbps isn't too
bad... the problem is that you have to have a really
high level of kbps to get anything like something
worth purchasing which obviously means massive files.
I don't see why anyone would wanna BUY mp3's so
they're not really commercially viable
hahahha--im with u on that 1 johnny. lmfao
mike
On Thu, 30 Nov 2000, Nick Walsh wrote:
It depends on how it's been coded. 256kbps isn't too
bad... the problem is that you have to have a really
well, if one wants quality, one buys audioactive production studio.
otherwise, lame does almost as good job. occasionally better, depending on
the
These are the records I picked up, all of which I'm very happy with
(possibly the first time I ever had no buyer's remorse once I got the wax
home). All of them are excellent. If some of the reviews are shorter, it's
b/c I've only had a chance to listen to them all twice (once on my Mom's
stereo
Hi everyone,
A while ago someone posted a link to what I think was a car mag that had a
photo of the now infamous Made in Detroit Ford Focus. Can anyone repost
that or pass it on to me? What station is airing the commercial in the
Detroit area?
Thanks
Ken
CJAM 91.5 FM WIndsor/Detroit
Got this from Juno:
VARIOUS: Disco Not Disco (compiled by Joey Negro/Sean P; incl. Liquid
Liquid, Was (Not Was), Dinosaur, Indian Ocean, etc.) (Strut)
3xLP: (STRUTLP 008) [11.99]
unmixed CD: (STRUTCD 008) [13.50]
Half shameless plug for Sean P this (who works with me, but at the front
On Thu, Nov 30, 2000 at 09:53:33AM -0800, joshtwentythree wrote:
this i a conversation I've had with a friend several
times, I think that there will always be vinyl Dj's,
because there is such a strong Dj culture, but I feel
that slowly but surely all Dj's will be moving towards
a more de9
thing I wrote. (yes it still regards music)
http://www.neksis.com
click on the how to be a DJ Ho piece
there's still some changes that are needed, but its basically done.
ENJOY
diana
_
Get more from the Web.
Great article, and hilarious - you're one sassy female ;)
From: Diana Potts [EMAIL PROTECTED]
To: 313@hyperreal.org
Subject: [313] Another funny
Date: Thu, 30 Nov 2000 18:14:19
thing I wrote. (yes it still regards music)
http://www.neksis.com
click on the how to be a DJ Ho piece
this is funny as hell!
and let's give a round of applause to all the females that *aren't* dj
hos!!! (313 list girls included)
ani
record time
[EMAIL PROTECTED]
icq# 33610265
ph 810.775.1550
fax 810.775.5830
- Original Message -
From: Diana Potts [EMAIL PROTECTED]
To: 313@hyperreal.org
If you are a DJ that happens to bag Ms. Potts, make
sure to get up before she does in the morning and
start cooking bacon.
Tristan
--- Diana Potts [EMAIL PROTECTED] wrote:
thing I wrote. (yes it still regards music)
http://www.neksis.com
click on the how to be a DJ Ho piece
there's
Tristan Watkins will be getting beat down for using
bag diana potts
in a phrase.
thank you
diana
From: tristan watkins [EMAIL PROTECTED]
To: Diana Potts [EMAIL PROTECTED], 313@hyperreal.org
Subject: Re: [313] Another funny
Date: Thu, 30 Nov 2000 11:37:24 -0800 (PST)
If you are a DJ that
On Thu, 30 Nov 2000, Diana Potts wrote:
Tristan Watkins will be getting beat down for using
bag diana potts
in a phrase.
thank you
diana
So will it be wrong to ask for pics of you Diana to see if we'd hit it?
On Thu, Nov 30, 2000 at 02:38:14PM -0600, Kent williams wrote:
to see if we'd hit it?
Hahaha!
--
:: atomly ::
[EMAIL PROTECTED] | [EMAIL PROTECTED] | [EMAIL PROTECTED]
http://www.atomly.com | http://www.mp3.com/atomly
with this, you could feasibly create symphonies with dance tracks, have 20
tracks going within a minute or less (I think this is where Hawtin is
heading), and it wont sound garbled, this is the future of mixing, where
(finally) the DJ is considered a true composer not just a disk-jockey. In
i just recently got the Dan Bell Tresor mix. i HAVE to get that track by
Matthew Herbert, Dropped; does anybody know which 12 it's on?
Mike
_
Get more from the Web. FREE MSN Explorer download :
Mistakes
Christian Bloch
www.mp3.com/bloch
Tresor/LL/Deep Night Essentials/Simple Muzik/Funque Droppings/Set.Go
- Original Message -
From: Michael Kim [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Thursday, November 30, 2000 11:24 PM
Subject: [313] herbert track
i just recently got
ah, sorry i read your mail wrong, i don't which one that track is off of
Christian Bloch
www.mp3.com/bloch
Tresor/LL/Deep Night Essentials/Simple Muzik/Funque Droppings/Set.Go
- Original Message -
From: Christian Bloch [EMAIL PROTECTED]
To: [EMAIL PROTECTED]; 313@hyperreal.org
Sent:
records are becoming keys on a piano as opposed to songs in and of
themselves...
? yeah
Yes, that is what DJ's want you to believe.
In order to further take credit for the creative
inspiration of the producers, who, without which,
In a message dated 11/30/00 11:09:50 AM, [EMAIL PROTECTED] writes:
Hi everyone,
A while ago someone posted a link to what I think was a car mag that had
a
photo of the now infamous Made in Detroit Ford Focus. Can anyone repost
that or pass it on to me? What station is airing the commercial
records are becoming keys on a piano as opposed to songs in and of
themselves...
? yeah
Yes, that is what DJ's want you to believe.
In order to further take credit for the creative
inspiration of the producers, who, without which,
they would have nothing but empty turntables,
and god
This is totally wrong, at no time to I dismiss producers as pointless, they
write tracks, so do I. But the DJ can do other things with those tracks in
which 1.) the producer of that track didn't think of 2.) make a much larger
picture...
I can understand the input and skills of
Much of the vaunted 'creative DJ'ing' is largely a phenomenon of the past.
Producers make records that are made for DJs, so the only real skill
required is beat matching. That's why any tracks I do for vinyl will
have mixin, track, and mixout sections. If I don't do that, I'll pay
the price in
It's on phonography. Originally on the Never Give Up 12, also on 'we all
need love' C5.
Scott
- Original Message -
From: Christian Bloch [EMAIL PROTECTED]
To: Christian Bloch [EMAIL PROTECTED]; [EMAIL PROTECTED];
313@hyperreal.org
Sent: Thursday, November 30, 2000 4:32 PM
Subject: Re:
Why does creative DJing only have to revolve around tricks, wouldn't
mixing three tables for five minutes simultaneously while doing effects
yield something totally different that what the artist intended? And I will
further that by saying that I think that's more creative than juggling a 30
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