Yeah, been meaning to mention that one on the list. I like some tracks
more than others, but it's Fowlkes through and through.
- bp
Jamil Ali wrote:
Bought it off detroitdigitalvinyl (and will probably get the vinyl
later). If you like Eddie I think you'll like it. It's funky as hell,
and
Any of you downLow cats have Troy's contact info? I was listening to a
Cityboy EP on 1200 the other day, and I realized I had not communicated with
him in quite some time. I think the last we spoke he was down in Texas...
big into mountain biking. Wasn't Troy supposed to record a dL006 EP as
Fukhouse COMPRESSED Presents NAW - city saturate record release party
March, 30 2007 at Fukhouse COMPRESSED @ TOIBar
577A College St., Toronto, Ontario
Cost : Free!!
FRIDAY MARCH 30 2007: Fukhouse COMPRESSED @ TOIBar
welcomes Noise Factory recording artist NAW - performing LIVE in
Yep, I agree with Tom on that one.
Switch everything else except your drum box and one synth and see what
happens...
-Original Message-
From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED]
Sent: 26 March 2007 16:32
To: 313@hyperreal.org
Subject: Re: (313) could change laptop performances
Yes, but once again, advanced technology alone will not automatically
imbue folks with creativity that was not there to begin with.
absolutely. conversely, limitations of old gear don't always bring
out the best in artists either.
Just because a technology is available and inexpensive
A quick word about this new sublabel of Styrax (these people are my
fave label setup at the moment).
IMO if there's one Redshape release that you shouldn't skip it's the
one on Millions of Moments (Mad Dog). Slow chicago influenced techno
that breaks intoa breakbeat. Simple but
As has been pointed out to me. The name of the track is Dog Day (at
least I spell the label correctly in the body of my message!).
I'll shut up now :)
robin...
A quick word about this new sublabel of Styrax (these people are
my fave label setup at the moment).
IMO if there's one
Hi Folks
A quick reminder about our 10th release party this coming saturday
31st March Süd Electronic's 10th Record Release Party With Cassy ,
Portable Aka Body Code + Many More
We are still taking names for the £8 list . We will be doing so until
4 pm on saturday the 31st , so please
see you there lakuti!!
(and you too Tristan!! )
fab.
- Original Message -
From: [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Tuesday, March 27, 2007 3:47 PM
Subject: (313) 31st March ( This Coming Saturday ) SüdElectronic's 10th
Record Release Party With Cassy , Portable Aka Body
You'll also see me Fab, can't believe I've not met you yet (or least not been
aware of it!)
-Original Message-
From: fab. [mailto:[EMAIL PROTECTED]
Sent: 27 March 2007 14:54
To: 313@hyperreal.org
Subject: Re: (313) 31st March ( This Coming Saturday ) SüdElectronic's 10th
Record
If your argument is that gear doesn't make you creative or not
creative, how can the next thing out of your mouth (or fingers, as it
were,) be So you limit yourself to xyz technology ?
Does gear matter or does creativity matter?
And me. Haven't seen Tristan play out for ages, can't wait.
on 27/3/07 2:55 pm, Odeluga, Ken at [EMAIL PROTECTED] wrote:
You'll also see me Fab, can't believe I've not met you yet (or least not been
aware of it!)
-Original Message-
From: fab. [mailto:[EMAIL PROTECTED]
Sent:
On 3/27/07, robin [EMAIL PROTECTED] wrote:
absolutely. conversely, limitations of old gear don't always bring
out the best in artists either.
i dont even think its all about old technology. i know people who made
albums off of a sampling electribe and not much else. the tendency
with computer
noodling around
with mapping midi nonsense has nothing to do with performing music.
Eh - neither does hooking up cables, tuning strings or any number of
things which are analagous with any instrument.
On 3/27/07, theREALmxyzptlk [EMAIL PROTECTED] wrote:
noodling around
with mapping midi nonsense has nothing to do with performing music.
Eh - neither does hooking up cables, tuning strings or any number of
things which are analagous with any instrument.
most of which are far more
On 3/27/07, Thor Teague [EMAIL PROTECTED] wrote:
If your argument is that gear doesn't make you creative or not
creative, how can the next thing out of your mouth (or fingers, as it
were,) be So you limit yourself to xyz technology ?
Does gear matter or does creativity matter?
if you have the
noodling around
with mapping midi nonsense has nothing to do with performing music.
===
Eh - neither does hooking up cables, tuning strings or any number of
things which are analagous with any instrument.
===
most of which
On 3/27/07, kate simko [EMAIL PROTECTED] wrote:
mapping out midi in ableton takes literally 1 minute...
you just assign parameters to knobs on a controller and keep them the same
for the whole set.
but what if you want to change it? or what if something starts going
wrong and you need to fix
Thomas D. Cox, Jr. wrote:
On 3/27/07, kate simko [EMAIL PROTECTED] wrote:
mapping out midi in ableton takes literally 1 minute...
you just assign parameters to knobs on a controller and keep them the
same
for the whole set.
but what if you want to change it? or what if something starts
On 3/27/07, theREALmxyzptlk [EMAIL PROTECTED] wrote:
Intuitive for whom?
i mean, plugging and unplugging 1/4 cables is not hard. nor is tuning
a guitar (they even make devices that will do it for you so all you
have to do is turn the pegs). replacing a drum head or something like
that is a
On 3/27/07, theREALmxyzptlk [EMAIL PROTECTED] wrote:
Ever blown an amp?
indeed i have ;)
How much experience do you have with 'real'
instruments going funky or things frying in midstream performance?
not a ton, but enough. the things that can go wrong (strings breaking,
drumsticks
On 3/27/07, Thomas D. Cox, Jr. [EMAIL PROTECTED] wrote:
On 3/27/07, theREALmxyzptlk [EMAIL PROTECTED] wrote:
Intuitive for whom?
i mean, plugging and unplugging 1/4 cables is not hard. nor is tuning
a guitar (they even make devices that will do it for you so all you
have to do is turn the
On 3/27/07, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote:
Okay I'm totally confused. What the heck are you guys arguing about?
the ability for technology to either enhance or hinder creativity and
the ability to make/perform music.
tom
On 3/27/07, Nick Breinich [EMAIL PROTECTED] wrote:
i've watched friends restring their guitars while singing songs as
much as i've seen someone rebooting a laptop. the laptop reboot is
just more disastrous if you have made the choice to rely on it alone
as your sole instrument.
which is
Nothing I wish to waste any more time on.
I understand Tom's point, but he needs to work on his analogies, which
usually depend on everyone experiencing everything just like he does. ;-)
[EMAIL PROTECTED] wrote:
Okay I'm totally confused. What the heck are you guys arguing about?
On 3/27/07, kate simko [EMAIL PROTECTED] wrote:
i know what you're saying about dorking around on the computer. it takes
time to get over the hump of mastering
your gear (software or hardware) so you can enter a creative space and stop
wasting time troubleshooting all the time.
but i found the
On 3/27/07, Thomas D. Cox, Jr. [EMAIL PROTECTED] wrote:
On 3/27/07, Nick Breinich [EMAIL PROTECTED] wrote:
i've watched friends restring their guitars while singing songs as
much as i've seen someone rebooting a laptop. the laptop reboot is
just more disastrous if you have made the choice
ANYTHING can hinder creativity.
It would be an exceptionally hard sell to prove anything can enhance it.
How would you know what would have happened if you did or did not do
'x'? Or added (fill in the blank with love/hate gear)?
By whose standards?
Just because you think music is either
On 3/27/07, Thomas D. Cox, Jr. [EMAIL PROTECTED] wrote:
On 3/27/07, theREALmxyzptlk [EMAIL PROTECTED] wrote:
noodling around
with mapping midi nonsense has nothing to do with performing music.
Eh - neither does hooking up cables, tuning strings or any number of
things which are
On 3/27/07, theREALmxyzptlk [EMAIL PROTECTED] wrote:
Just because you think music is either already handbasketed in hell or
on the way says nothing about what made it happen...it might have gotten
stale with or without thechnology. There are plenty of records made
without computers out there
Pint? Anyone? :)
m
I already answered that. See below (i.e., you ASSUME technology is the
culprit based on your stance (begging the question, as it were) - but
based on what? You have no idea, really. What if he just plain ran out
of ideas?).
ta.
j
[EMAIL PROTECTED] wrote:
Just because you think music is
On 3/27/07, David Powers [EMAIL PROTECTED] wrote:
Tom, have you ever programmed a digital keyboard from the 80's or
90's?
yes, in fact i have a yamaha tx81z. which i almost never use because
of its lack of ease. compared to the sh-101 which is probably the most
intuitive synth i own, which
On 3/27/07, Thomas D. Cox, Jr. [EMAIL PROTECTED] wrote:
On 3/27/07, theREALmxyzptlk [EMAIL PROTECTED] wrote:
Just because you think music is either already handbasketed in hell or
on the way says nothing about what made it happen...it might have gotten
stale with or without thechnology.
On 3/27/07, theREALmxyzptlk [EMAIL PROTECTED] wrote:
I already answered that. See below (i.e., you ASSUME technology is the
culprit based on your stance (begging the question, as it were) - but
based on what? You have no idea, really. What if he just plain ran out
of ideas?).
so the same thing
On Mar 27, 2007, at 13:26, Thomas D. Cox, Jr. wrote:
so the same thing happened to him, aphex twin (who happened to regain
it just in time to make the analord stuff), and countless other
producers? and it all just happened to coincide with the change in the
technologies used to a less limited
On 3/27/07, Nick Breinich [EMAIL PROTECTED] wrote:
the only gear at fault is the human mind. i would wager that both
aril brikha and photek are making exactly what they want to make.
they could at any time choose any setup they like.
instead of just making music, theyre worried about
Because you are committed to your position of technology as the problem.
You believe if you ripped off all of his gear he'd make something you
find more palatable?
When you make the argument that of all causes of dilution technology is
the chief culprit, it is incumbent upon you to demonstrate
On 3/27/07, Thomas D. Cox, Jr. [EMAIL PROTECTED] wrote:
On 3/27/07, David Powers [EMAIL PROTECTED] wrote:
Tom, have you ever programmed a digital keyboard from the 80's or
90's?
yes, in fact i have a yamaha tx81z. which i almost never use because
of its lack of ease. compared to the sh-101
On 3/27/07, Matt Kane's Brain [EMAIL PROTECTED] wrote:
It's not the only coincidence though. There was a huge upsurge of
interest in electronic music followed by a huge downsurge. All the
guys who became stars had the whole star-thing happen to them.
that is also true. though photek's decline
On 3/27/07, theREALmxyzptlk [EMAIL PROTECTED] wrote:
Because you are committed to your position of technology as the problem.
but the problem is, i only committed to that position as a result of
seeing what happened as technology surged! not the other way around!
When you make the argument
On 3/27/07, Thomas D. Cox, Jr. [EMAIL PROTECTED] wrote:
On 3/27/07, Nick Breinich [EMAIL PROTECTED] wrote:
the only gear at fault is the human mind. i would wager that both
aril brikha and photek are making exactly what they want to make.
they could at any time choose any setup they like.
On 3/27/07, David Powers [EMAIL PROTECTED] wrote:
First of all, your argument was about whether things were intuitive.
Now you are saying it doesn't matter if things are intuitive. But it
does matter because I can spend MORE TIME MAKING MUSIC and less time
doing setup and unimportant technical
Thomas D. Cox, Jr. wrote:
On 3/27/07, theREALmxyzptlk [EMAIL PROTECTED] wrote:
Because you are committed to your position of technology as the problem.
but the problem is, i only committed to that position as a result of
seeing what happened as technology surged! not the other way around!
Thomas D. Cox, Jr. wrote:
On 3/27/07, David Powers [EMAIL PROTECTED] wrote:
First of all, your argument was about whether things were intuitive.
Now you are saying it doesn't matter if things are intuitive. But it
does matter because I can spend MORE TIME MAKING MUSIC and less time
doing
Any of you downLow cats have Troy's contact info? I was listening to a
Cityboy EP on 1200 the other day, and I realized I had not communicated with
him in quite some time. I think the last we spoke he was down in Texas...
big into mountain biking. Wasn't Troy supposed to record a dL006 EP as
On 3/27/07, David Powers [EMAIL PROTECTED] wrote:
Dude seriously, I don't know who you've seen using software, but it
really is that easy with a computer. In fact, these days I've been
experimenting with literally writing new patterns on the fly, DURING
my live PA in Ableton ... Once you have a
tom, 17 emails from you today, 18 from the rest of the list combined.
I didn't read them yet, but can I assume that you got your point across?
- Original Message -
From: Thomas D. Cox, Jr. [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Tuesday, March 27, 2007 3:23 PM
Subject: Re: (313)
On 3/27/07, /0 [EMAIL PROTECTED] wrote:
tom, 17 emails from you today, 18 from the rest of the list combined.
I didn't read them yet, but can I assume that you got your point across?
its a much better discussion when youre not involved, let's keep it that way.
tmo
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