that weird
silver cuboid building in the middle of Elephant Castle roundabout
story. What a genius!
Dan
P.S. Thanks for the shifted phases info Ken, your timing is
immaculate as usual.
oh please.
I bet Ford plopped down a LOT more money than all of this year's
sponsors combined.
-d
On Friday, May 9, 2003, at 01:26 PM, Sylvia wrote:
Clear Channel, Direct TV, General Motors a private investment group
take
combined $250 million stake in XM satellite radio (1999)
Learn
Oh, we're talking tracks now ... I meant Grava 4 was their best album
IMHO. My favorite track is still Depressurization off their first EP
on Shockwave.
-d
On Friday, May 9, 2003, at 02:23 PM, Thomas D. Cox, Jr. wrote:
-- Original Message --
From:
yep ... got the ABC Zillionaire album I had on vinyl in college and
sold back for groceries or beer money. :P
still waiting to see the electronic selections pick up though.
On Saturday, May 3, 2003, at 03:37 PM, Anthony wrote:
Anyone using it?
not yet ... least not on the site. anyone at the press conference?
-d
On Friday, May 2, 2003, at 03:01 PM, Phonopsia wrote:
Lineup lineup lineup!!! I've already had to sit through 9 hours at work
waiting for this, 5-8 hours more than you bastards in the states. Let
loose
whatchoo know! :)
This is the only decent use of labels IMHO ...
On Wednesday, April 30, 2003, at 09:59 PM, Cyclone Wehner wrote:
Realistically,
practically, if you look at the way music is organised in record stores
On Friday, April 25, 2003, at 09:00 AM, Martin wrote:
all the Techno recorded material
from start to present day
I've already started ... the problem is new records keep coming out
every day, so I'm not likely to finish anytime soon. :P
-d
The font is called (F) Uck N' Pretty, designed by Chicago's Rick
Valicenti. It was part of the Fuse 4 collection of conceptual fonts.
-d
On Wednesday, April 23, 2003, at 06:39 PM, [EMAIL PROTECTED] wrote:
prolly someone from Prince's company, since it looks so much like the
1999
cover..
one more item on this:
http://www.fontshop.com/virtual/FSSF/products/fuse04.htm
On Wednesday, April 23, 2003, at 07:57 PM, Dan Sicko wrote:
The font is called (F) Uck N' Pretty, designed by Chicago's Rick
Valicenti. It was part of the Fuse 4 collection of conceptual fonts.
-d
I'm pretty sure the first pressing is white with black writing and
Alan's art.
Some of these had one of Alan's Johnny Gambit comics packed with them
as well.
-d
On Wednesday, April 23, 2003, at 06:57 AM, Stuart Thomas wrote:
Where was it pressed??? I think the original pressings were
His track Burning on the Scattered Snares compilation knocked me on
my @ss ... the whole compilation is really intense, but that one's my
favorite.
-d
On Sunday, April 20, 2003, at 06:44 PM, marsel wrote:
nubian mindz is mr colin lindo aka alpha omega
They're playing on 4 separate stages simultaneously ... all solo
material, like the KISS solo albums from 1978.
On Friday, April 18, 2003, at 12:57 PM, Klaas Jan Jongsma wrote:
What! No rumours on Kraftwerk so disappointed now
I think that was his dad, not Mike himself.
-d
On Monday, April 14, 2003, at 07:53 PM, Wes wrote:
It's also worth remembering that Mike Banks (like K. Larkin, S. Stoll,
J. Hendrix) is an ex-armed services man
In my opinion the elitist politics like on the 313 list are counter
productive in generating a
more wide scale interest in
techno music.
For example, just by observing record store stock list that I'm subscribed to
(I do not have
accesses to distributor
stock list like many people here)
On Friday, April 11, 2003, at 08:22 AM, RAW2019 wrote:
but because his recordcompany didn't
find it in prince's [read: sony's]
you mean Warner's?
I could be wrong, but I thought from the context that Ken meant these
days
?
On Friday, April 11, 2003, at 04:21 PM, Matthew MacQueen wrote:
It has to be said on the whole also that America is not
the major place for underground movements of any kind.
Avant-garde music ('cause
I really dug it. Of course I'm a fan (I sort of rediscovered them
whilst writing the book)
It's not quite as ornate as Don Solaris, but not too far off the mark.
-d
On Monday, April 7, 2003, at 02:08 PM, [EMAIL PROTECTED]
wrote:
Was there talk about this a while back? It's just been
BTW, has anyone seen this one in US stores, preferably online?
Been looking for it ever since I heard The 5th Element on Dan Bell's
new mix ...
Much obliged.
-d
On Friday, April 4, 2003, at 04:42 PM, fabrice Lig wrote:
COBBLESTONE Jazz, on Itiswhatitis, is one of the best deep techno
OK,
Now that demf.com does redirect to movementfestival.com,
Where is the official DEMF (Inc.) site? I'm curious ...
It would help sort things out for people outside this list or people
reading the local papers.
-d
Yes we have ... but obviously there are still a lot of confused people
out there.
If we had the other URL (it appears there isn't one at all), we'd have
an easy way of sending people to the right (or wrong if you prefer)
places.
-d
On Wednesday, April 2, 2003, at 11:14 AM, Mark S. Krüx
and darshan for this outstanding
achievement!
if your in miami tonight...they are playing LIVE with
strings @ Sagamore Hotel
minto
=
down low music http://downlowmusic.org
UPCOMING 2003:
dL ltd tribute 12 dLpgccX
Polarius Jams from the funk dump dL009
Dan Curtin
worked really well in the LOST
context, since they have been lacking a proper chill out room for
ages. I think it makes the main room work much better (though moving
the reeking toilets out of the chill out room probably helped as
well).
Dan
Amp dog knight - feeling fine is just new
It's new
i like to use wooden adjustable storage shelves. i'm talking about the ones
that allow you to adjust shelf placement. once i set my shelves in place, i
screw a 1x4 board under each to give the shelves a little extra stabiliy and
keep records from wanting to slide out the back.
you can buy fancy
tone arm.
Dan
I also noticed with that table when I cue records or try to scratch the
needle and tone arm move around a lot and usually pop out of the groove.
the
other table does not do this.
I've been experiencing this problem a lot recently. I bought new needles
last year but the problem
could be that you bought bootleg needles, these are quite common and
very annoying
This is a vaguely related question but still on the needles topic... I
changed my needles the other day and noticed that they jumped like a bugger
when I was scratching - went I went back to my old needles all
Not superficially, the packaging and evrything tends to look quite
kosher (I use Shure M447s - the bollocks IMO).
One indicator is that they are suspiciously low in price.
Dan
WOW!...never heard of that. Is there a sure fire way to tell the
difference? (visually)
-Original Message
Even though we've done this at least twice recently, it's always fun to
read these ...
I'll forgo the usual staples and just mention how much I love Deepart's
Picture #1 ... that sends chills every time!
-d
On Thursday, February 27, 2003, at 06:40 AM, ionizer wrote:
Model 500 - Vessels in
I'm thinking of going to hear Surgeon DJ this w/e was wondering what
peoples general opinion of him is.
Second opinion on your Surgeon? sorry, couldn't resist. :)
Haven't heard him spin, but his material is always interesting.
-d
no no ... New Detroit.
As if we should give up and start over from scratch. :)
-d
On Saturday, February 22, 2003, at 06:53 PM, logic7 wrote:
RoboCop was set in Detroit.
yecch ... this is one person entering that information. As awesome and
detailed as the Sonic Groove database is, it's still subject to opinion.
If Aril Brikha ain't techno, I don't know what is.
-d
On Monday, February 17, 2003, at 03:31 PM, spw wrote:
(description from the SG database:
They played the other night with The Strokes and the The Hives.
On Tuesday, February 18, 2003, at 05:55 AM, Brendan Nelson wrote:
Who are the bores? Can you name names?
the latter.
On Sunday, February 16, 2003, at 07:22 PM, Thomas D. Cox, Jr. wrote:
alright, im somewhat confused. who is not able to see past the
decades old tracks? the artists themselves from detroit, or the
people who claim that detroit techno is dying? i can see the
latter argument, but not
So techno is what the market decides it is?
DJ Adam Smith, take a bow.
p.s. those stock lists and mailing lists (like this one) are all
personal opinions -- where are the hard facts?
On Monday, February 17, 2003, at 03:14 AM, spw wrote:
Subscribe to the Hardwax and Sonic Groove mailing
And what's with all these bizarre empirical statements?
By people, do you mean you?
I'm sure the list is well aware that the popular definition of techno
is somewhat different than what's discussed here on any given day. I'd
even wager it's *why* they're subscribed to this list.
-d
On
On Sunday, February 16, 2003, at 05:48 PM, spw wrote:
That doesn't equate to techno.
Let's just agree to disagree. I've said the word means something
different to every person you might ask, and that's obviously the case
here.
Detroit techno is like an endangered species with a dwindling
Original Message:
-
From: Dan Sicko [EMAIL PROTECTED]
Date: Wed, 12 Feb 2003 15:24:19 -0500
To: [EMAIL PROTECTED], 313@hyperreal.org
Subject: Re: (313) t-1000 interview (techno rant)
How about the Emoticon folks, Delsin, Digital Soul? (to name but a few)
There are lots
I believe so!
On Wednesday, February 12, 2003, at 09:50 PM, Lee Herrington IV wrote:
hi folks. quick sample id.. i think i might know this one. eddie
fowlkes, time to express... is that train whistle sound at the
beginning
from telex's moscow disko?
oh, and techno is... onhcet
that all depends on your definition of Detroit techno, now doesn't it?
On Wednesday, February 12, 2003, at 09:04 AM, spw wrote:
still creating
Detroit techno
Because it's far less interesting to listen to, IMHO.
The thing with Detroit techno was that you could enjoy it at the club
*and* on your own terms. I can't say the same for your so-called DJ
Tools.
That being said, if you are, or aspire to be a DJ, those tracks make a
lot more sense and
And I thought it was Laurie Anderson. Too funny.
On Wednesday, February 12, 2003, at 11:40 AM, Robert Taylor wrote:
Talking about music, is like dancing about architecture. -Robyn
Hitchcock
I thought it was Frank Zappa?
Sorry for replying to my own post, but I had this thought:
If we could just supply decks and a mixer with each loop record
:P
That being said, if you are, or aspire to be a DJ, those tracks make a
lot more sense and can be quite enjoyable.
How about the Emoticon folks, Delsin, Digital Soul? (to name but a few)
There are lots of artists and labels that are creating wonderful
evolutions of Detroit techno.
On Wednesday, February 12, 2003, at 09:04 AM, spw wrote:
you dont hear much about making techno
for the 21'st Century.
How about the Wizard Mix of Code Assault's Action! on Technika ...
that one doesn't come up too often.
-d
oops, somebody just mentioned that one.
Definitely go for the Deep Into The Cut album as well -- the title
says it all, dunnit?
-d
On Monday, February 3, 2003, at 11:52 AM, Dan Sicko wrote:
How about the Wizard Mix of Code Assault's Action! on Technika ...
that one doesn't come up too
So we can have Tommy the Hitman and Marvelous Marvin?
-d (waiting for the Real Deal)
On Thursday, January 30, 2003, at 10:03 AM, Cyclone Wehner wrote:
Anyway, with all respect, what the hell has a boxer got to do with
techno?
how about:
1. where are you at right now?
2. where do you see yourself/your music in 20 years time?
3. Who is the child in the photo that features on your record labels?
Dan
Hello,
It's quite likely that i'll be interviewing Theo Parrish tomorrow
before his gig here
anyone have any contact details for Alex Patterson?
Dan
The boy and the Tree - Susumu Yokata
Black Buidlings - Detroit Esc Company
both can be amazingly complex and and on another listen quite minimal and
simple, i think it depends on how your brain is wired at the moment of
listening. but i
sorry, I wasn't very clear before, I was looking for contact info for
Alex Patterson, as in THE ORB Alex Patterson, apparently there are
others bearing his name (or he theirs)...
BOC - v. nice indeed, agree about Geogaggi though, shame
Thanks
Dan
Not forgetting the mighty BOC. Music has
' music is my true DJing love + a lot of
the material has strong influences/been influenced/includes 313 stuff.
Any views?
Dan
P.S. I'm not talking about the big chill here, though respect is due.
my picks from Dreamland:
Harold Budd The White Arcades
TUU All Our Ancestors
Loop Guru
people would just lie around and listen
to whatever pieces of sparkly electronic music you felt like playing
for them...
Dan.
SLEEP MUSIC
1. Why can't you hear this kind of thing played out in clubs? Two
obvious answers I suppose, firstly - you can but I've missed it,
secondly - because
, promise to say something 313 related soon.
Dan
these are 2 of 4 cuts from Larkin's 2nd Plus release ... good stuff!
-d
On Friday, January 24, 2003, at 09:27 PM, J. T. wrote:
Kenny Larkin - Integration / Metropolis (1991) Champion Records
what about all those years listening to cassettes? :)
-d
On Friday, January 24, 2003, at 10:12 AM, Fabrizio Nahum wrote:
Hi gang,
i think this can be of interest to most of you - it is an article that
explains the neuroacustic damage one (potentially?) suffers form
listening
to
Hah ... good call!
Paris the Black Fu is a chef, BTW --- hence Sandwiches and Big Onion
:)
On Friday, January 24, 2003, at 06:02 PM, Mark S. Krüx wrote:
It certainly is, and list member Graeme Kerr played an excellent set
there
last nigh by all accounts- three cheers for him!
Isn't he the
hah ... what makes you think Mayday Co are more likely to snag CC as
a sponsor than Pop Culture?
-d
On Friday, January 17, 2003, at 03:32 PM, xx xx wrote:
Betting for the sponsors: Clear channel ?
this is the documentary being sold at the museum, right?
-d
On Wednesday, January 15, 2003, at 07:03 AM, Roberto Ty wrote:
MAESTRO is an
excellent
documentary. 313
relevance - it
features an
interview with
Derrick May!. It is
the only film that I
have seen that
features footage of
the
I went opening night and couldn't hear anything ... there wasn't *any*
music? I'm definitely surprised at that one. I assumed that the video
clips would switch out and some of the buttons triggered more than just
interviews?
As for club culture ... that wouldn't exactly be our gift to the
Contractual entanglements with Pop Culture Media. Perhaps recent events
will loosen things up a bit
-d
On Monday, January 20, 2003, at 12:06 AM, mkb wrote:
www.thedrivehome.net has had Film slated for completion in May 2001
for quite some time.
Does anyone know what happened to this?
Curators were both from the Museum, and yes, the space was allotted
over a year ago I believe.
Don't know what the budget was, but things turned out about how I
expected -- they did a *good* job.
-d
On Monday, January 20, 2003, at 06:46 AM, diana potts wrote:
Hmmm...who were the
I believe the Inertia record just says Edits by DJ Blackout.
-d
On Saturday, January 18, 2003, at 10:33 AM, Arne Weinberg wrote:
Yeah, I also thought that it is Damon Booker
Marsel, are you sure?
The track on Panic in Detroit is a little bit too cheesy for me
honestly...
Any other
http://www.freep.com/entertainment/newsandreviews/techno18_20030118.htm
Interesting bit:
Marvin also announced that she has partnered with Detroit boxer Thomas
Hearns to
form a company called DEMF Inc. to produce the festival and open a
nightclub.
I was wondering what Hitman was doing
that over the next few weeks he is spoilt for detroit
artists
in
Glasgow (props to Mr T Churchill for getting Dan Bell to come to
town!!).
well.
it's been an interesting morning to say the least. hopefully people
are
going to realize that the pressure is going to be
on to out perform the past
well they've done this one once anyway.
On Friday, January 17, 2003, at 02:01 PM, [EMAIL PROTECTED] wrote:
basic channel artists
btw...How the Hell does one pronounce that name anyway??? (my Polish is
non-exsistent;)
after one of my favorite comic book artists, it'd be Sin-KEV-itch
but I've heard people with the same spelling say Sin-KAY-vitch
-d
Wow. Blitz Records.
Blitz was owned and operated by Mike Fiscus, who also published
Anti-Matter ... Dan (Goober) Miller worked there on occasion.
-d (missed the Nine Inch Nails in-store there.) :)
On Thursday, January 16, 2003, at 12:28 PM, dj337is wrote:
cash reg was manned by Goober
on detroit radio, though when i tuned in it sounded nothing
like the
halcyon days of the wgpr-fm and wjlb-fm eras. my opportunities to
listen to
detroit radio come only about twice a year, though, so dan would
definitely
know better as to whether this is still the case.
later, mike
Date: Tue
I'm not sure everyone on that list is actually spinning?
On Tuesday, January 14, 2003, at 04:11 PM,
[EMAIL PROTECTED] wrote:
Wow - Electrifying Mojo will be playing. Since I'm not a Detroit
resident I
don't know this but does he still DJ on the radio?
If anyone should play DEMF he
ross - love hangover
john davis monster orchestra - bourgie bourgie
roy ayers - hey uh what you say come on
central line - walking into sunshine (larry levan edit)
mfsb - love is the message
funkadelic - (not just) knee deep
marvin gaye - got to give it up
see you down plastic people tomorrow?
Dan
On Friday, January 10, 2003, at 10:39 AM, techno wrote:
I was illustrating a point: how the trend in soul is superficial, it
really doesn't reflect peoples musical backgrounds which are not
African American.
Wow, I never thought of that -- I'll stop listening immediately.
plz ignore
erm, has anyone been to the sound signature website recently?
http://www.soundsignature.net
I was kind of expecting theo parrish related info
what's that all about?
Dan
How about Kim Bilir's 'Feelin?'
Not particulary Latin in a melodic sense, but to my ear it has that
really dense syncopated percussion and whistles sound like those
massive drum bands from South America (Brazil perhaps?)
Damn fine record anyhow
Dan
Not forgetting Andrew McLauchlan's Love
. Not very 313 I realise, but
great music nonetheless.
Dan
I second Big Black - weren't they from Detroit? This may be an extremely
tenuous 313-link but doesn't the cover have a matchbook or a membership card
or something (sorry, I haven't seen it in years) depicting the Electrifying
Mojo's
as were thousands in the Metro Detroit area ... :)
what was it, an S.A.S.E. mailed into WJLB to get one of those cards?
-d
On Tuesday, January 7, 2003, at 11:26 AM, Andy Kellman wrote:
Dave was a member of Mojo's Midnight Funk Association
shape of the upstairs room is a natural obastacle to
generating a good vibe. Where was Steve Stasis?
Nonetheless, nice one to LOST for breaking away from the huge party
route and doing something a bit different, however, for small
parties, SLICES still wins hands down.
Dan
Quit surprised
in the right place/time, by the right
family/friends. Well done!
If you simply like wind ups, then well done again, good show!
Best
Dan
The nostalgia trend is getting old. (no pun intended)
Mojo, Larry Levan, Ron Hardy, italo-disco, deephousepage, ect.. ect..
All you people that used
finally got around to mine ... these lists are all uninfluenced by the
latest Submerge salvos, which I have yet to purchase.
This and lists back to '99 on http://www.techno-rebels.com :
1. Recloose - Cardiology (Planet E)
2. Various - Scattered Snares (Twisted Funk)
3. Aardvarck - Find the Cow
i take it your friend is looking to hear house music? if so MJQ on Saturday
nights is always a good bet. chez daimer's cousin kai alice is one of the
saturday residents and is known for bringing in people from detroit since he
is from there himself.
there is also a really good after hours party
Now I've seen everything on this list. :)
On Friday, December 20, 2002, at 10:29 AM, Kent williams wrote:
Yngvie Malmsteen.
Is this like Eddie Murphy's character Clarence, who played saxophone
with the Beatles?
-d
On Friday, December 20, 2002, at 10:50 AM, Kent williams wrote:
Dan, you didn't know that Yngvie was originally the fifth member of
Kraftwerk, and was cut from the master tapes after a tiff
Yes, I'm pretty sure it was documented that Ron's Motown collection
was the largest at one point.
Also, Rushton didn't write those liner notes, it was Stuart Cosgrove.
Rushton compiled it, and Derrick coordinated it stateside, according
to the credits.
-d
check out
On Tuesday, December 17, 2002, at 10:01 AM, marsel wrote:
better late then never
I meant to chime in on this too -- Don Solaris is my favorite, in all
its overly-romantic, uber-produced glory. I think it holds together as
an album better than any of the others, and has some of the best
It was supposed to be Derrick, Kevin and Juan, but I would assume that
Inner City pulled Kevin's
attention away.
I didn't think it ever got to the point where any material was produced?
Would have been interesting to see Detroit techno packaged as a group
through the ZTT filter ...
-d
On
He played at WANG not long ago, mostly deep house, a bit on the
cheesy side (as was his Jazz style polo-neck), but good
nonetheless. He was getting a pretty good response at the points when
I wandered into that room.
Dan
P.S. If anyone on the list likes dub/reggae, I'm running a soundclash
PNG? NOW we're talking! Did anyone check Translations? Any opinions?
Does anybody know if PNG got much play in Detroit?
Dan.
overplayed imo. But there are similar-era things which I could still go home
and put on now with pleasant anticipation (FSOL's 'Papua New Guinea' comes
to mind.)
On Fri, 13 Dec 2002, techno wrote:
UR was influinced by skizzo.
LOL -- now there's a genre for you. The Belgians trying to cling to days
of New Beat.
Of course when he got better equipment years later he did make a
Voodoo Rage, complicating this little story. :)
-d
On Friday, December 13, 2002, at 01:36 PM,
[EMAIL PROTECTED] wrote:
Originally it was voodoo rage but the tape ran out or something...
In Dan Sicko's book he said
after KAOS is supposed to be
called?
thanks!
Dan
well, I did read this about Kaos:
http://www.overloadmedia.co.uk/archives/interviews/blake_baxter.php
Thanks Mr. Osslear! :)
Work Your Body!
:)
On Thursday, December 12, 2002, at 03:33 PM, Matthew MacQueen wrote:
well, I did read this about Kaos:
http://www.overloadmedia.co.uk/archives/interviews/blake_baxter.php
Thanks Mr. Osslear! :)
Wow, this interview is fantastic. About this part--
I used to drive Derrick
Checked my CD interview Detroit was not mentioned in the original
interview, it was uptown.
Right, I was just pointing out that you could tell there was an
edit job on the record.
He said What was it like growing up ... in one spot, and in Detroit
towards the end.
P.S. : On the eve
no offense taken.
the whole point of the samples on J.A.N. was to make it sound like Mojo
was interviewing KDJ. Hence the substitution of Detroit for Uptown via
some cut-and-pasting.
that's all I was trying to say.
-d (msr)
KDJ 30 ... J.A.N. EP one-sided.
Samples Mojo's questions to Prince in a 1986 on-air interview, but not
Prince's answers.
You can tell it's spliced together, as you hear Mojo ask What was it
like growing up ... *from* Detroit. :)
-d
On Saturday, December 7, 2002, at 07:01 PM, [EMAIL
I've been pleased by the topics lately ... the Deason Shiznit
thread/project/beast-out-of-control, new beat, e2e4 ...
the gear stuff comes and goes.
-d
On Friday, December 6, 2002, at 10:38 AM, diana potts wrote:
I think off topic discussions is what has kept me,
and i believe a lot of
How about Every Dog Has Its Day 3 - if only for the last track? The
vinyl is a bit pricey but worth every penny IMHO
Dan
-Original Message-
From: Brendan Nelson [mailto:[EMAIL PROTECTED]
Sent: Friday, December 06, 2002 1:37 PM
To: 313@hyperreal.org
Subject: (313) Vinyl
Chris Connelly sang on their (I'm assuming) biggest hit,
I Told You Not to Stop
That is, the 12 version on Full Effect records that came out after the
album version on Big Sex.
It was right around this time that Mills transitioned out of the group.
-d
On Friday, December 6, 2002, at 02:38
BMI has that song credited to Mills and Srock -- the original two in
Final Cut.
-d
On Friday, December 6, 2002, at 01:59 PM, marc christensen wrote:
Right there that's it
any good BTW?
Dan
hey guys... gals. where do the illustrations on early KDJ EP's come from?
i'm speaking of releases like KDJ-4. the artwork reminds me of a camp-lo
album cover from uptown saturday night. just curious.
peace,
lrh
One cautionary word of advice though. If you hope to record to
minidisc,
then dump the song into NetMD, this will not work b/c of copy
protection
measures, so you actually need to do it analogue-style. I was a bit
disappointed by that.
And that is precisely when and where Sony dropped the
Right ... I'm just saying I don't think it influenced more than a
couple of people.
Then again, maybe Disco Circus was one person's jam, YMO's
Firecracker another, etc.
-d
On Tuesday, December 3, 2002, at 03:25 PM, techno wrote:
I'm not a techno music historian but I do remember reading
701 - 800 of 1250 matches
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