Mike
> On Behalf Of Éric Dussault:
- snip -
> I can see what you mean but my point is this : I just can't imagine a
> normal
> slur to be just a normal curved line with the same thicknes in the
> beginning
> and in the center. So I would like the same shape that we know for the
> normal slurs
At 12:26 AM +0100 2/12/03, Johannes Gebauer wrote:
On 12.02.2003 0:15 Uhr, Éric Dussault wrote
Two sections in the piece, the second one repeated. From the first to the
second section is a tied note. Should the tie
a) cross the double repeat bar as though it was a normal barline,
b) consist
Le 11/02/03 18:32, "Éric Dussault" <[EMAIL PROTECTED]> a écrit:
>> Yes, the only thing that bothers me is that when coming back for the repeat,
>> the note is no longer a tied to note (but still has that tie to it).
>> Also, the tie goes right through the repeat bar line, does that bother
>> anyon
Le 11/02/03 18:26, "Johannes Gebauer" <[EMAIL PROTECTED]> a écrit:
> Yes, the only thing that bothers me is that when coming back for the repeat,
> the note is no longer a tied to note (but still has that tie to it).
> Also, the tie goes right through the repeat bar line, does that bother
> anyone
Le 11/02/03 18:21, "Johannes Gebauer" <[EMAIL PROTECTED]> a écrit:
> Exactly, so they would be thicker than dotted slurs. I thought you were
> trying to say that tapered dotted slurs interfered less than non-tapered
> (which at least in my settings are considerably thinner than the middle of a
> n
On 12.02.2003 0:15 Uhr, Éric Dussault wrote
>> Two sections in the piece, the second one repeated. From the first to the
>> second section is a tied note. Should the tie
>> a) cross the double repeat bar as though it was a normal barline,
>> b) consist of two tie ends, one before the repeat bar li
On 12.02.2003 0:01 Uhr, Éric Dussault wrote
> Le 11/02/03 17:37, "Johannes Gebauer" <[EMAIL PROTECTED]> a écrit:
>
>> I don't know about guitar music, but as far as my own preferences go I never
>> liked the look of dotted tapered slurs. Why would tapered dotted phrasing
>> marks be better than u
Le 11/02/03 17:58, "Johannes Gebauer" <[EMAIL PROTECTED]> a écrit:
> Here is an engraving question:
>
> Two sections in the piece, the second one repeated. From the first to the
> second section is a tied note. Should the tie
> a) cross the double repeat bar as though it was a normal barline,
> b
Le 11/02/03 17:37, "Johannes Gebauer" <[EMAIL PROTECTED]> a écrit:
> I don't know about guitar music, but as far as my own preferences go I never
> liked the look of dotted tapered slurs. Why would tapered dotted phrasing
> marks be better than un-tapered? They would interfere much more with the
>
Here is an engraving question:
Two sections in the piece, the second one repeated. From the first to the
second section is a tied note. Should the tie
a) cross the double repeat bar as though it was a normal barline,
b) consist of two tie ends, one before the repeat bar line, one after,
c) be dott
On 11.02.2003 21:47 Uhr, Éric Dussault wrote
> Yes, but if it was only possible to do it, we would see a lot more
> occurances of it.
In the case of Doblinger I doubt it, since their dotted slurs date from
times long before computers were used for engraving.
> Slurs in classical guitar music is
Correct, unfortunately, that seems not to be working if I am doing it right.
Other than placing the expression on the note/measure when the layer is
active what else should be done?
Jim
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of David H. Bailey
Sent:
>Yes, but if it was only possible to do it, we would see a lot more
>occurances of it. Slurs in classical guitar music is one place where it
>would be useful and more pleasing to the eyes. Situations where musical
>phrasing can interfere with instrumental phrasing marks(like for
strings) >is
>ano
Yes: I just tried this with a Finale Mac 3.0 file and the clef didn't
change. I don't know why this doesn't work, but I have a way round it:
- Instead of using "First Clef" in the staff style, click on the
Select button next to "Transposition".
- In the "Staff Transpositions" dialog that appears
Le 11/02/03 15:18, "Johannes Gebauer" <[EMAIL PROTECTED]> a écrit:
> On the other hand I rarely see tapered dotted slurs in publications.
> Doblinger, for instance, uses dashed slurs just as you can create with
> Finale.
>
> Johannes
Yes, but if it was only possible to do it, we would see a lot
On 11.02.2003 19:51 Uhr, Éric Dussault wrote
> Le 11/02/03 12:11, "Johannes Gebauer" <[EMAIL PROTECTED]> a écrit:
>
>> However, dashed slurs will never be tapered at the ends.
>>
>> Johannes
>
> Has anyone ever requested that to CODA? I hate no beeing able to use tapered
> dotted slurs. Of cour
You need to put the dynamics in the other layer as well.
Jim Mays wrote:
Using Finale, I am helping a friend with a score which includes strings
and two pianos. The cello and bass parts have both arco and pizzicato
markings.
To get that we assigned strings to Layer 1 and pizz strings to Laye
Using Finale, I am helping a friend with a
score which includes strings and
two pianos. The cello and bass
parts have both arco and pizzicato markings.
To get that we assigned strings to Layer 1 and
pizz strings to Layer 2 in the cello and
bass staves. So far, so good. When we apply dynami
Le 11/02/03 12:11, "Johannes Gebauer" <[EMAIL PROTECTED]> a écrit:
> However, dashed slurs will never be tapered at the ends.
>
> Johannes
Has anyone ever requested that to CODA? I hate no beeing able to use tapered
dotted slurs. Of course I did request it to CODA.
Eric
___
On 11.02.2003 17:41 Uhr, Mario Aschauer wrote
> Dear fellow listers,
>
> I know that one can change the thickness of regular slurs. But
> is this also possible with dashed slurs? They are almost unreadable when
> they're short and in a 50% reduced staff.
Yes, this is possible:
in 2k3, Smart Shap
Yes, I've tried it myself. Here are my steps (Finale Mac 2003a):
- Create a new document without libraries: you get one measure, treble clef.
- Add a few measures.
- Create a staff style where the only option checked is "First Clef",
set to alto clef.
- Apply the staff style to the first measure.
Dear fellow listers,
I know that one can change the thickness of regular slurs. But
is this also possible with dashed slurs? They are almost unreadable when
they're short and in a 50% reduced staff.
Regards from Vienna,
Mario.
MAR
I'm sure by now some of you have tried the staff style, select first
clef problem I've mentioned and found that it works just fine on a
new file. All of the files I've been trying to do this on were files
converted from as far back as Finale2000 (windows vers). I tried it
on a new file - defaul
> I am trying to hunt down a copy of Microsoft Musical
> Instruments CDROM... Anyone have it or know where I
> can find it?
Steve,
After some intense Google searching, I came up with a couple of places that
seem to have access to the CD-ROM that you're looking for. It is listed in
a "product l
It works for me (winfin2003). Selecting any measure and applying staff
style changes the clef.
BF
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]] On Behalf Of James
Sent: Tuesday, February 11, 2003 10:27 AM
To: [EMAIL PROTECTED]
Subject: Re: [Finale] Staff Styles, fi
On 11 Feb 2003 at 9:14, Michael Cook wrote:
> 1. create a staff style where "First Clef" is set to alto.
> 2 apply the style.
> ?
> When you apply the style to the first measure, the clef should change
> to alto. If it doesn't, maybe the staff has another clef chosen in
> "Set to Clef" in the Tran
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On 10.02.2003 4:09 Uhr, Éric Dussault wrote
> Le 09/02/03 12:31, "Don Hart" <[EMAIL PROTECTED]> a écrit:
>
>> David,
>>
>> Is this something new to 2k3? In finmac 2k2b the measure region choices are
>> grayed out as soon as I choose "create a movable mid-measure clef".
>>
>> Thanks,
>>
>> Don
I own that CD. I have no clue where you could find it, but it seems
that everything is available at e-bay, sort of like the Portabello Road
of the electronic age -- remember the line from Bedknobs and
Broomsticks: "Anything and everything a chap can unload, is sold from a
barrow in Portabello
The Microsoft CD serves a VERY different purpose from Andrew's --
Andrew's is merely a PDF version of his terrific Handbook of
Instrumentation.
Microsoft's CD has pictures of the instruments, descriptions of them,
samples of them playing through their range and samples of them playing
solo and
I follow your explanations :
1- In distiller options I include all my windows fonts.
2- I Select the Graphics Tool, double-click and drag a selection grid.
3- I export the selection as eps, including fonts and tiff preview.
4- In compile window, I save the file as .pdf. (The only option checked for
On Tuesday, February 11, 2003, at 01:25 AM, Steve Schow wrote:
Hey everyone. I am trying to hunt down a copy of Microsoft Musical
Instruments CDROM. Its no longer in production, not for a long time.
I don't even know for sure if it will run on Windows XP. But I am
nonetheless looking for i
Hey everyone. I am trying to hunt down a copy of Microsoft Musical
Instruments CDROM. Its no longer in production, not for a long time. I
don't even know for sure if it will run on Windows XP. But I am
nonetheless looking for it. Anyone have it or know where I can find it?
-steve
__
I'm not sure I understand what you're doing here. Do you mean this:
1. create a staff style where "First Clef" is set to alto.
2 apply the style.
?
When you apply the style to the first measure, the clef should change
to alto. If it doesn't, maybe the staff has another clef chosen in
"Set to Cl
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