ng the key sig is to put it in F major
from the start. Visually and aurally there is no difference. In past versions of
Finale using minor key sigs resulted in quirky behaviors related to canceling
and restriking. So I've never used them, although I have not tried them again in
late Finale v
he ticket. Not glomming me-too features on.
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ist away. It is a long, hard struggle that is doomed to fail.
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native. But it took me a
long time to learn how to do it.
Your proverbial h.s. band director may well be better off w/ Sibelius,
but that doesn't mean s/he gets faster results than I do. It just means
s/he gets *some* results faster then s/he would starting out w/ Finale.
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inale clearly (in this intance) takes longer
to learn on the front end, it may be much faster once you understand about
metatools.
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be able to process an entire set
of parts in one pass.
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e
anything in the collection.
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, frustrations, and bug reports are welcome.
(Compliments, too, even if they will get you nowhere, er, I mean a
helluva way towards somewhere.)
Happy page shifting!
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Jari Williamsson wrote:
> Also note that you can use fractions (16ths) of an EVPU in the "staff
> height" field
Yes, but I am not sure as if this makes any difference in the resolution
of the percentage.
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Robert Patterson
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It's something of a paradigm shift for page layout.
And speaking of page layout paradigm shifts, I'm minutes away from an
announcement, so let me go back in my hole for a while...
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Johannes Gebauer wrote:
>
> Looks like a really good idea for a plugin...
>
Indeed, funny you should say so. Keep your eyes on this space for
further developments.
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ps I have misunderstood what you meant.
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.
There used to be a Mac program that automatically did this for you, but
last time I checked (yrs ago) it was not compatible w/ Finale. And now I
don't even remember the name of it.
My question is, what is the per-sheet offset that is typically required
for std. weight paper?
--
Robert Patt
ial. A great beginner project. (Hint, hint).
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7;t fix
the problem for codas.
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re
pointless. Shape expressions work very well for the purpose, and tie
ends do not. Accept it and move on. With such a simple solution in
place, I for one hope Coda won't spend any further development time on it.
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__
way to adjust staff
> spacing for a range of systems?
>
> -Lee
>
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jef chippewa wrote
>
> . pAss the gO*d**(*) bUtter; whAt atrOcious wEAther
> . AUnt mAry bAkes a cAke
>
and all this time i thought jef's keyboard lacked a shift key. at least we now
know it has a shift key for 4 vowels.
;-)
--
Robert Patterson
http://Rob
ns, it is quite simple and seamless. Used the
way I'm using it on my website it is a tad clunky for the seller,
because it require a couple of manual steps. I suspect over time this
will be improved, since the option to send an invoice w/o and ebay
auction item is fairly new.
--
Rober
days as opposed to essentially instantaneous
payment).
What eBay has done is automate all the invoicing and tied it back to auction
item numbers. But the system does not require any eBay tie-in. The seller can
manually send an invoice to anyone who requests one.
--
Robert Patterson
http://R
ed "eBay electronic payments") and
specifically *away* from Paypal. Indeed, you have to want to use Paypal, and/or
your seller has to want to use it, before it is even an option.
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since they went public.) If you distrust it, you don't trust
any of them. The only disadvantage of Billpoint over Paypal is that it takes a
few days rather than being instantaneous.
> Even a snailMail address to send a check to would be welcome.
>
You will find that option on the
will have to turn
> this feature on and off every time I want to play something back?
> Surely not.
Indeed not. Now that Appletalk is running on Ethernet, it can run concurrently
with MIDI that is running on a USB or serial port.
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Robert Patterson
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e, has it got a license of its own?
> Are there any substantial changes built in the new commercial set?
>
> Anyway your tools are a godsend.
>
> with best regards,
> Abel Korzeniowski
>
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to copy and include clefs. Then
Mass Mover will copy them. Go figure.
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ll can see
exactly what's new to decide whether the download is worth it.
Happy hunting,
R.
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Concerning using staff styles to hide barlines to achieve non-aligned
barlines, this workaround becomes increasingly unworkable the smaller
the common denominator is. Not only do you have Colin's issue of dotted
notes, you have the issue of beams. If the LCD were eighth or smaller
notes (and even
t time signatures in different staves
>
> Just be warned: Finale doesn't support this.
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have the dash or the dot closer to the staff
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worth it. In
this case, another program may make sense.
The main point to take away from this is that just because a program is easier
to learn on the front end does not mean it will be the easiest or most
productive program in the longer term after you've learned it.
--
Robert Pa
) apply to
the MIDI instrument rather than the staff. To independently transpose each
staff, assign each one to a different MIDI instrument. MIDI instruments can
share the same MIDI channel.
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Robert Patterson
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[EMAIL PROTECTED] wrote
> how does one cope with lyrics?
Apply the lyrics before applying the plugin. If this does not work, please let
me know.
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[EMAIL PROTECTED] wrote
> how does one cope with lyrics?
Apply the lyrics before applying the plugin. If this does not work, please let
me know.
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h
) are welcome.
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ld make any larger percentage of people
happy than the current behavior.
If you adopt my philosophy then you will blissfully run Patterson Beams on the
newly created beam-overs and move right along. If you don't agree, you are still
better off with the beam-over plugin than withou
the notes with the beam-over removed.
Comments are welcome.
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oesn't offer a simply
> way to tell an eighth note to have a beam instead of a flag
Indeed. This is the biggest challenge for the plugin and is currently
only partially implemented. By biggest challenge I mean that I don't yet
have a complete proof-of-concept for a soluti
s are now
soup. But they might be. Perhaps someone else knows.
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online soon. The ugliest part is dealing
with system breaks where one side or the other of the beam has only a
single note. It may not be able fully to compensate for that.
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[EMA
he pos. adj. tool. Then hide the tied-to note in the next bar.
The other option is to change both the two 8ths to quarters (using
invisible tuplets) and draw the beam in by hand as a shape exp. or cust. line.
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sonally,
I don't give a flip about those. Crash recovery and memory management
are bigger deals, but Finale is quite well behaved in both those departments.
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e piece rather than certain regions.
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hat Classic compatibility is a bigger deal than Darcy
acknowledges. I mean, don't MacFin02 users with OSX now have to boot
into OS9 to use Finale? I hope that "Classic" compatibility means just
that: MacFin03 will run in OSX Classic mode.
--
Rober
notes but 16ths pose additional problems. Is there an easy
> way to do this that I've missed?
>
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om line is that the most accepted authorities I know of express no
preference about dotted eighth and smaller dotted rests, when the beat is simple
time in quarter (or larger) note values. Any of 16n-8.r, 8.r-16n, 16n-16r-8r,
8r-16r-16n is equally acceptable.
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lot sooner than that.
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e new
program and switched over to OSX, a carbonized Finale may already be available.
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fect notations.)
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all that allows it to be
tuned on-the-fly in lieu of changing hand positioned. It is surprising
one doesn't see it requested more often.
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eethoven.
Furthermore, I can't think of any other "con sord." directives for the
next 40 years or so.
All comments welcome.
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stems and SLM use that function.
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ced to determine the active window on
the Mac.
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n of JW Space Systems. Perhaps TGTools, perhaps
something else. It is a project for a day when I'm bored and thinking about it.
I haven't noticed any problems with Staff List Manager, but lately I haven't had
much call to use it.
--
Robert Pa
ing the offending articulation with a shape-based
articulation. You might try that. However, if you have manually edited any of
the slurs to compensate for the buggy behavior, you will have to remove the
manual edits.
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Robert Patterson
http://RobertGPatterson.com
__
> >>bar, create the clef change for the "real" measure which follows the new
> >>empty measure, set the bar-line to invisible for the new empty measure
> >>and you will be able to get the result you want.
> >>
> >>
> >
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