Sorry, all I have is a Bach 50B, one rotor, built late Sixties.
Horace
On Sun, 10 Jan 2010 17:56:05 -0800, you wrote:
>Any of you folks have a line on a decent used Bass Bone (just missed
>my chance last night on e bay, buy going to bed instead of bidding on
>a Holton that really looked nic
At 5:31 PM -0800 1/10/10, toronado...@gmail.com wrote:
On Sun, Jan 10, 2010 at 4:14 PM, Will Roberts wrote:
toronado...@gmail.com wrote:
Also it says you must currently be a student. So faculty doesn't count?
Where did you see that? No mention of needing to be a student here:
http:/
Try:
http://www.trombone.org/classifieds
Only horns there in your price range right now are single valve, but it gets
updated on Mondays.
Raymond Horton
Bass Trombonist,
Louisville Orchestra
Dean M. Estabrook wrote:
Any of you folks have a line on a decent used Bass Bone (just missed
At 4:28 PM -0800 1/10/10, J D Thomas wrote:
When I crossgraded from Finale to Sibelius over 2 years ago, I sent
them my CD for Finale 2002, which won't run under OS X. No problems.
Yes. When I crossgraded from Mosaic to Sib 5 I sent in the pages
from the Mosaic manual--after photocopying the
Dean M. Estabrook wrote:
Any of you folks have a line on a decent used Bass Bone (just missed
my chance last night on e bay, buy going to bed instead of bidding on
a Holton that really looked nice ... oh well)? Would like a double
rotor for somewhere between 1k and $1500, if I could find it .
At 4:09 PM -0800 1/10/10, toronado...@gmail.com wrote:
On Sun, Jan 10, 2010 at 2:38 PM, Will Roberts wrote:
Also it says you must currently be a student. So faculty doesn't count?
Where do you find that? I don't see it on the Competitive Crossgrade
page at all.
John
--
John R. Howell, As
Any of you folks have a line on a decent used Bass Bone (just missed
my chance last night on e bay, buy going to bed instead of bidding on
a Holton that really looked nice ... oh well)? Would like a double
rotor for somewhere between 1k and $1500, if I could find it ..
Pacem,
Dean
Cant
On Sun, Jan 10, 2010 at 4:28 PM, J D Thomas wrote:
> When I crossgraded from Finale to Sibelius over 2 years ago, I sent them my
> CD for Finale 2002, which won't run under OS X. No problems.
>
>
Awesome. I'll send them my 2008 CD.
___
Finale mailing
On Sun, Jan 10, 2010 at 4:14 PM, Will Roberts wrote:
> toronado...@gmail.com wrote:
>
> Also it says you must currently be a student. So faculty doesn't count?
>>
>
> Where did you see that? No mention of needing to be a student here:
>
> http://www.sibelius.com/shop/panels/competitive_upgrade_t
When I crossgraded from Finale to Sibelius over 2 years ago, I sent
them my CD for Finale 2002, which won't run under OS X. No problems.
HTH
J D Thomas
ThomaStudios
On Jan 10, 2010, at 4:14 PM, Will Roberts wrote:
toronado...@gmail.com wrote:
... was wondering if it matters which
progra
At 4:54 PM -0800 1/9/10, Ryan wrote:
Hi,
Just curious if any of you have a limit on the minimum size of lyrics in a
score, or if there's a general rule of thumb I should follow.
In Mosaic I used 12 point for entering lyrics (so I could read them
on screen), then changed them to 10 point for t
I can't find any mention of the need to be a student to qualify either.
Cheers,
Lawrence
--
Lawrenceyates.co.uk
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toronado...@gmail.com wrote:
... was wondering if it matters which
program disk you send them. Like, could you send them your old Finale 2008
CD and keep your Finale 2009 and your user guide remains intact?
I don't think it matters, provided it's an original program CD. David,
can you comment
On Sun, Jan 10, 2010 at 2:38 PM, Will Roberts wrote:
>
>
> I don't think you have to give up Finale at all. You just have to send
> them two pages of your Finale user guide or one of your Finale program
> discs.
>
When I read about this special crossgrade price on the Sibelius site (I'm
currentl
Lawrence Yates wrote:
> I'm very happy with Finale but I am increasingly being given Sibelius files
> to work with and so am seriously considering buying Sibelius as well. This
> offer, if, as someone has suggested, applies to older versions of Finale,
> sounds very attractive but I don't want to
I'm very happy with Finale but I am increasingly being given Sibelius files
to work with and so am seriously considering buying Sibelius as well. This
offer, if, as someone has suggested, applies to older versions of Finale,
sounds very attractive but I don't want to give up my current Finale.
(I
Jari Williamsson wrote:
dhbailey wrote:
I wonder if Finale ever offers a reduction in the crossgrade (they
call it a competitive upgrade) price of $199.
But, if I haven't misunderstand something, the costs if you want to
share notation data back and forth are:
Finale: $199 + $0
That other a
What mail client are you using?
In Apple Mail, it is very easy to have both online (IMAP) folders and "On My
Mac" folders, with automatic rules to handle sorting to each. You could have a
rule that moved all messages older than 30 days from your (online) inbox to
your (offline) inbox archive, f
There is an article in the current issue of macilife wherein they seem to be
discussing this topic on page 88 and ƒ.
Does this help?
Michael
mmathew_musicp...@comcast.net
mmathew_musicp...@yahoo.com
http://www.musicengravers.com/cgi-bin/engravers.pl
Phone and Fax: 503 641 6127
- Or
On Sun, January 10, 2010 3:03 pm, Johannes Gebauer wrote:
> So when you are using email at home you don't have direct access to your
> mail database?
Yes. I use VNC to operate the laptop from my desktop (screen-in-screen, with
cross-computer copy/paste of text, etc.)
Dennis
___
Am 10.01.10 20:29, schrieb Eric Dannewitz:
I don't see why you could not just set everything to IMAP, and create
local folders on your computer and drag and drop the messages you want
to savethen you wouldn't have to worry about this whole
POP/IMAP thing
Drag and drop? That seems like
Am 10.01.10 20:40, schrieb Dennis Bathory-Kitsz:
Got it. I don't really like IMAP -- the only reason I use it at all is because
my POP mail is accessed from and stored on my laptop (with external backup)
and I don't use the laptop for 'real' work at home. When I use the laptop at
home (such as f
On 1/9/10 Darcy James Argue wrote:
>> Trashing the prefs works. Try it again. Make sure you have the right prefs.
Thanks for the suggestion! You're right -- I trashed
"com.makemusic.Finale.plist" when I should have trashed "Finale 2009
Preferences".
All is good now.
Paul Hayden
> On 9 Jan
On Sun, January 10, 2010 2:22 pm, Johannes Gebauer wrote:
> As far as I can see it cannot be used at the same time unless you unsort
> the mail before using the pop access. That sort of defeats the purpose, no?
Yes, I understand. I don't really worry about sorting until I download, which
I general
Well, what are you using that isn't a Monopoly? Apple? Microsoft?
I use Google Mail cause it is robust. Millions of people use it. They
provide lots of storage. They aren't going to disappear. And they had
just one blip in their service since they started (last year, like 1/2
a day).
And again it
POP mail can be set to delete itself from the server after a specified
amount of time.
I don't see why you could not just set everything to IMAP, and create
local folders on your computer and drag and drop the messages you want
to savethen you wouldn't have to worry about this whole
POP/IM
Am 10.01.10 19:20, schrieb Eric Dannewitz:
I don't know why you wouldn't consider Google mail. It works amazingly
well. And it's free. And the exchange option is great. Apple also offers
mobileme.com which is really great too, and it keeps your bookmarks and
contact information synced between the
Am 10.01.10 19:29, schrieb Dennis Bathory-Kitsz:
Does your musikmanufaktur.com web host not offer both IMAP and POP for the
same account? If so, you can have the benefits of both -- IMAP as needed, POP
for archiving locally. That's what I'm using and, like Eric, find using IMAP
with my phone an e
On Sun, January 10, 2010 1:14 pm, Johannes Gebauer wrote:
> I am certainly not going google, but IMAP is an option...
Johannes,
Does your musikmanufaktur.com web host not offer both IMAP and POP for the
same account? If so, you can have the benefits of both -- IMAP as needed, POP
for archiving lo
Tens of thousands of messages. If not close to 100,000. I have emails
going back to 1997 on there, plus interesting messages I've saved from
the 40 or so lists I am on (Flute, Klarinet, etc).
I don't know why you wouldn't consider Google mail. It works amazingly
well. And it's free. And the ex
Am 10.01.10 19:03, schrieb Eric Dannewitz:
I'd say go imap. Get a gmail account. You can set up folders and what
not. Computers (multiple) and iPhones can use the account via imap, and
all your messages will be there. Plus gmail can also function as an
exchange server service for the iPhone, and
dhbailey wrote:
I wonder if Finale ever offers a reduction in the crossgrade (they call
it a competitive upgrade) price of $199.
But, if I haven't misunderstand something, the costs if you want to
share notation data back and forth are:
Finale: $199 + $0
That other app: $129+$199 (for either
I'd say go imap. Get a gmail account. You can set up folders and what
not. Computers (multiple) and iPhones can use the account via imap,
and all your messages will be there. Plus gmail can also function as
an exchange server service for the iPhone, and immediately beep the
phone when you g
On Sun, January 10, 2010 9:59 am, Johannes Gebauer wrote:
> Seems rather a lot of extra work: You have to first move everything back
> to the inbox and mark it unread?
Depends on your IMAP interface, I guess.
I only have two other mailboxes (Delayed Followup and Temp -- one is stuff I'm
done with
Am 10.01.10 15:26, schrieb Dennis Bathory-Kitsz:
When I'm ready to grab the mail that I want to keep, I move everything back to
the IMAP inbox, mark it as unread, and run my POP mail program (where I have
all my email since 1993). It downloads& automatically deletes everything on
the server's in
Lawrence Yates wrote:
If anyone does this, could you please let us know how the crossgrade works -
what are the implications?
Cheers,
Lawrence
I've done it twice (so that my son can have his own copy of
Sibelius) and it's very simple -- you contact Sibelius by
following the link for the
If anyone does this, could you please let us know how the crossgrade works -
what are the implications?
Cheers,
Lawrence
--
Lawrenceyates.co.uk
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On Sun, January 10, 2010 9:12 am, Johannes Gebauer wrote:
> Perhaps I am missing something, but does IMAP allow me to use it like
> POP with only added convenience, or am I then required to keep
> everything on the server all the time?
I'll give you the simple answer by example.
I use both. I che
I this really has only very remotely to do with Finale. On the other
hand it has to do with the Finale mailing list, so perhaps there will be
some clever person here with some answers.
I currently use several email accounts as POP accounts. All the mail
gets downloaded to my computer, and dele
Just for your information (not pushing this in any way), Sibelius has
just announced a special promotion for users of Finale, Notion,
encore and Mosaic to crossgrade to Sibelius 6 at a discount by March
19.
http://www.sibelius.com/landingpages/finale_crossgrade.html
If someone wanted to exper
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