America the Beautiful is a great song. The words from the third stanza:
thine alabaster cities gleam,
undimmed by human tears!
seem pretty amazing after 9/11.
"This Land is Your Land" is very much a counter-culture song that has
been made bland by over-familiarity. It has to be heard in the c
e observed a group rehearsing
the Brahms Clarinet Quintet taking out double stops that were doubled.
(That is, if both violins had the same two notes written, they would
each play one of the two notes.)
(And please remember - don't shoot the messenger!)
Raymond Horton
Bass Trombonist
Louis
"Alaska's Flag" Oh, yes! That's the one we all walk around whistling
all the time!
I hadn't heard it before. The midi file shows it to be ok, a fine,
upstanding, decent enough tune, but I can't say it's anything to write
home about. The words: ditto.
The John Denver tune is a nice one, an
Lighten up, Mark!
Mark D Lew wrote:
On Sep 9, 2004, at 11:08 AM, Raymond Horton wrote:
"Alaska's Flag" Oh, yes! That's the one we all walk around
whistling all the time!
I don't consider whistleability the standard. If that were the case
"Maryland, my Christma
What is the consensus on Sp2?
I'm running WinFin 2005.
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Eden - Lawrence D. wrote:
I imported a MIDI file that I had created with another notation program.
Finale (Mac2k3) did a great job on the importation, but I was unable to
make the imported staff play back at a reasonable volume. It made no
difference what dynamics were indicated on the part. When
This page clarifies what John is saying:
http://www.vahistorical.org/sva2003/cmb.htm
"In 1940 the Virginia Legislature adopted "Carry Me Back to Old
Virginny" as the state song. Because its lyrics about slavery were
offensive to many, Bland's piece was relegated to "state song emeritus"
in 199
versions back. This question came from a user with 2000c, so I would
not suggest partial measures at all. I use "Keep moving ... " often and
have no problems.
Raymond Horton
Bass Trombonist,
Louisville Orchestra
JD wrote:
on 9/17/04 7:37 PM, Harold Owen at [EMAIL PROTECTED] wrote
to
the airport in the cab- he goes across the Clark Bridge toward Indiana!
What WAS he thinking? (Poetic license, I suppose.)
Raymond Horton
Bass Trombonist
Louisville Orchestra
Keith Helgesen wrote:
Just seen – for the umpteenth time, the 1981 movie Stripes.
High jinks- totally implausible, b
rementioned Kentucky Center for
the Arts as it was going up. Anybody still with me?
Raymond Horton
Louisville Orchestra
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My son was involved in a rehearsal or two for a piece for doublebass -
six hands: One (taller) "outside" player plays the two lowest strings,
one (shorter) "inside" player plays the two highest strings, and a third
player sits on the floor and provides percussive sounds on the back of
the inst
Sorry if you've tried this, but have you turned it off and on again?
RBH
John Hines wrote:
My printer (Ricoh 2610) has always been a little temperamental. Now it
won't print at all and the error message is "open front cover, remove
misfeed internal path." This however is not the problem. There i
The ability to import text to a text block from a Word processor,
keeping the formatting intact, would be a big help, too.
dhbailey wrote:
It would be fantastic if MakeMusic would make huge improvements in
their text block functions -- the ability to create a completely
aligned table of content
ference setting should IMO
absolutely be separated into 2 different ones!
Would you please elaborate on this? What is the practical solution for
a FinWin2005 Human Playback GPO user? For a playback-only version of
the file, do not use hairpins, use lett
sures yourself with the
measure tool. It's not hard.
Raymond Horton
Brad Beyenhof wrote:
On Fri, 1 Oct 2004 12:24:29 -0400, Joseph Dinwiddie <[EMAIL PROTECTED]> wrote:
How do I start a composition on the fourth beat pickup? I can't find it on the Help | index menu, probably b
In Finale 2004 and 2005, Under FILE choose "SAVE SPECIAL" / "SAVE AS
AUDIO FILE"
Only takes a few seconds!
Ray Horton
Bass Trombonist,
Louisville Orchestra
Larry Kent wrote:
I've input a score and would like to share it with one of my classes
by putting it on a CD. Is there any way to save/reco
Kurt Gnos wrote:
Learning Finale
is a book with seven seals
why don't you try it?
--
Raymond Horton adds:
<>
(A Double Haiku for the Finale User)
In Finale hides
Inscrutability, shock.
Are there other paths?
No! Sibelius
Is a plaything for children
The strong
I haven't opened any good can of worms lately, so this looks like a
tasty one:
Yes, you should be able to do this - BUT - are you sure you want to? A
32nd note, or even a 16th, for the beat value will only lead to
unnecessary difficulty in readability.
Raymond Horton
Bass Tromb
Ashlee Simpson, pop "singer", on lip-synching, in an interview recently
in Lucky Magazine:
"I'm totally against it and offended by it. I'm going out to let my real
talent show, not to just stand there and dance around. Personally, I'd
never lip-synch. It's just not me."
However, on Saturday Ni
Jim Mays wrote:
There's an "updater" now available for Finale 2005 for Windows --
Filename: FinWin2k5aUpdate.exe
Filesize: 6.33 MB
Am I the first or -- the last person to have heard of this?
Jim Mays
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If you might be interested in Garritan Personal Orchestra for playback,
by all means go for it. The two together are a great leap forward, IMHO.
Raymond Horton
Bass Trombonist,
Louis
Hey, I'd email you the PDF's but I'm on dial up.
RBH
Javier Ruiz wrote:
This book is only available to people who suffered the "drunk ties" problem
of Finale 2.0 when you printed in a dot matrix printer.
In any case due to the weight of the book the shipping costs are outrageous.
If you google fo
Last week, before I left town for some concerts, wasn't there some
caution expressed concerning the FinWin2005a update and losing one's
registration? What happened concerning that?
RBH
Wasn't this fixed in Fin2005a?
Best regards,
Jari Williamsson
__
updating with no problems, it must have been something with my
particular setup or I did something stupid (not unusual :-)) while trying to
hurry through the update process. Anyway, however it happened, it was no
problem to fix.
Rick
-Original Message-
From: Raymond Horton <[EMAIL PROTEC
So a C,
an E-flat,
and a G walk into a bar.
The bartender says to them,
"I'm sorry, we don't serve minors here."
So the E-flat leaves,
then the C
and the G
have an open fifth
between them.
(They told this joke on Trombone-L in Bb minor, but I thought it works
better in this key, so I scanned it
ll send it.
Raymond Horton
d. collins wrote:
dhbailey écrit:
I can't argue with your reasons 3, 4, and 5 -- there are lots of
people who need those capabilities (I don't find EPS any faster
printing than TIFF) and I certainly support them in their desire to
get EPS export working properly in
s out a bit, and make the last system work out
all by ourselves. You just can't leave everything to a computer, or
your score will look like you left everything to a computer.
Raymond Horton
Bass Trombonist,
Louisville Orchestra
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caused the problem, (I actually
don't remember the command that caused the problem). I have deleted the
extra measures (I didn't see how many there were first). I am waiting
to see if the problem recurs.
Has any else seen this problem?
Raymond Horton
Bass Trombonist,
Chuck Israels wrote:
I occasionally encounter situations where I'm using both hands on the
keyboard and pushing number buttons with my nose. It must look
ridiculous!
Been there!
RBH
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Christopher Smith wrote:
On Wednesday, December 8, 2004, at 12:11 PM, Darcy James Argue wrote:
On 08 Dec 2004, at 12:06 PM, Chuck Israels wrote:
I understand what Chris says about the smaller keys having a
certain usefulness when entering spread chords. I occasionally
encounter situations wher
ccurances of this problem, Finale says there are problems
in measures that do not exist, and then creates new phantom measures at
the end that are difficult to delete.
I appreciate any advice.
Raymond Horton
Bass Trombonist, Louisville Orchestra
------
Raymond Horton wrote:
Is this
basses than tenors, I take more baritones/tenor 2 from the bass
section than from the tenor section).
Keeps life simple.
Raymond Horton
Minister of Music
Edwardsville United Methodist Church
Christopher Smith wrote:
On Dec 20, 2004, at 6:18 PM, John Howell wrote:
At 10:27 AM -1000 12/20/04, [EMAIL
I had always read that Mozart wrote the bass, first violin, and _second_
violin parts out on the first pass. Is this incorrect?
I only know of film composers getting assistance with orchestration. In
interviews, they usually claim that they specify all the necessary
details in the sketch scor
The main Star Wars tune is pretty much identical to a tune Korngold uses
often in "Kings Row" (the early 50s movie where Ronald Reagan says
"Where's the rest of me?").
RBH
Dennis Bathory-Kitsz wrote:
At 09:24 AM 12/31/04 -0500, Christopher Smith wrote:
A master's
musicology student I went to
Tell us a little about Lou Harrison, would you? I've always thought his
music is fascinating.
RBH
Daniel Wolf wrote:
I'm a composer, sometimes doing sound installations, film
orchestrations, and frequently writing about music. Born in southern
California, my academic traveling papers are from
Ah-hah! The second appearance! I couldn't get anyone here, or at
MakeMusic, to acknowledge this strange behavior when I reported it a
month ago!!!
Mine (FinWin 2005a) happens when I insert measures into certain files -
I get the same strange looking time sig at the end of the file, and seem
ng of the orchestration of Gershwin's Broadway
shows.
Raymond Horton
Chuck Israels wrote:
On Dec 30, 2004, at 11:04 AM, John Howell wrote:
People may put down George Gershwin as a "serious" composer
because he had Ferde Grofé orchestrate a lot of his
in the two files I created from scratch (One file was started
in 2004, the other I don't recall - I think it was created in 2005.)
Raymond Horton
Bass Trombonist,
Louisville Orchestra
Allen Fisher wrote:
All--
I suspect the 0/0 time sig is related to the message, which we know about
and are looking
larious.(together
now: "BIG FINISH".)
Raymond Horton
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by "seen the wrong data displayed
for the window titles?"
Raymond Horton
David W. Fenton wrote:
On 21 Jan 2005 at 23:15, Jari Williamsson wrote:
A-NO-NE Music wrote:
Someone pointed out the bug seems to be caused by the array pointer,
and I have the same feeling.
As I'
that require even more RAM or processor?
Perhaps the new GPO Pro will do just that, I wonder?
Raymond Horton
Louisville Orchestra
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re out why some instruments don't
reset the volumes correctly when I start a piece over at the
beginning. Haven't gotten anywhere with that beyond a work-around.
Raymond Horton
Louisville Orchestra
dhbailey wrote:
Darcy James Argue wrote:
Hi Chuck,
I think the official announcement at NAMM m
to another part of the same
piece, keeping both sections in view. I use it all the time.
Raymond Horton
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Darcy James Argue wrote:
http://northernsounds.com/forum/showthread.php?t=30231
- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY
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Thanks, Darcy! Great news.
RBH
Somebody please tell us non-Mac, recent converts what the Holiday Disk
was!
RBH
Andrew Stiller wrote:
Well, I am finally am getting around to updating all my old music
files. Most seem to be fine but I have a few that won't read at all.
I dug up all my old Finale program disks -- all the way b
eral months (on a
four-year-old computer) and absolutely love it. It's a great step forward.
Raymond Horton
Composer, Arranger,
Bass Trombonist,
Louisville Orchestra
(I love your name, BTW! I do hope it is your real one!)
-
Taris L Flashpaw wrote:
Does anyone out there hav
I should have said "With the legitimate concerns about GPO on Macs
starting to spill over into not-so legitimate concern about GPO on PCs ..."
RBH
Darcy James Argue wrote:
Ray,
No one here has been "bashing" the quality of the samples in GPO.
Actually, no one here has been "bashing" anything --
Mark D Lew wrote:
On Jan 28, 2005, at 8:28 AM, A-NO-NE Music wrote:
I use Finale playback only to proofread, but I never want to have Finale
sequence music. Am I way off?
That is how I use Finale as well. Unfortunately for us, that's not
how the business works. I'm just happy that Finale doesn
Just adding fuel to the fire: from the Pittsburgh Post-Gazette, as
quoted on Orchestra-L:
RBH
-
Musical hits sour note with unions
By Marylynne Pitz
Pittsburgh Post-Gazette
January 30, 2005
In the musical "Oliver!," pickpockets on the streets of Dickensian
Engl
ore everyone forgets
what it is.
Raymond Horton
Louisville Orchestra
Aaron Sherber wrote:
At 05:58 PM 01/30/2005, Christopher Smith wrote:
>I'm not clear on a point of semantics what is the difference in your
>mind between "restricting" and "limiting" refrigerator manuf
dhbailey wrote:
Aaron Sherber wrote:
At 09:37 PM 01/30/2005, Raymond Horton wrote:
>There is another, major, difference between musicians fighting for
their
>jobs, and the ice-deliverers vs. refrigerators comparison. In the
>latter case, the new refrigerator was a SUPERIOR product
I meant to say _Mamma Mia_ is, I assume, being played with an
orchestra of 20 or 25 OR an even smaller combo.
RBH
dhbailey wrote:
Aaron Sherber wrote:
At 09:37 PM 01/30/2005, Raymond Horton wrote:
>There is another, major, difference between musicians fighting for
their
>jobs, and t
>Andrew Stiller wrote:
>A historical precedent that I'm surprised hasn't been mentioned here
so far is sound film.
> The introduction of movie soundtracks in 1929 put thousands of pit
musicians out of work almost overnight, just months before the start of
the Great Depression.
>
> The Buffalo Ph
Oh, my! A dead giveaway!
Mariposa Symphony Orchestra wrote:
Yeah, I'm afraid it was mine; I
hereby donate it to the world at large -- just credit the original
coiner, or better yet: don't...
...please realize that the
definition will be as follows in the next edition of the
Phil Daley wrote:
At 1/31/2005 01:38 PM, Andrew Stiller wrote:
>A historical precedent that I'm surprised hasn't been mentioned here so
>far is sound film.
>The introduction of movie soundtracks in 1929 put thousands of pit
>musicians out of work almost overnight, just months before the start of
>t
Another crrosspost from Orchestra-L:
Martin Kettle
Tuesday February 1, 2005
The Guardian
When did the music die? And why? It will be 30 years in August since the
death of Dmitri Shostakovitch. Next year also marks the 30th anniversary
of the death of Benjamin Britten. Aaron Copland, older than both
One more crosspost from Orchestra-L:
FROM: Erich Graf, President, Local 104, Salt Lake City; Principal flutist,
Utah Symphony
[EMAIL PROTECTED]
The virtual orchestra production of "Oliver" appeared in Salt Lake City
several months ago. Not only did our local music critic criticize the
paucity of th
David W. Fenton wrote:
On 5 Feb 2005 at 15:06, Ken Moore wrote:
In message <[EMAIL PROTECTED]>
owainsutton.co.uk writes:
And Schoenberg *didn't* transform the Wagnerian influence out of
recognition?
If you follow his development you can see the transformation. If you
start with a se
6th degree adaptation downward.)
The pentatonic scale is worldwide, but the six and seven-note, etc.
scales vary tremendously.
Raymond Horton
Gerald Berg wrote:
Well I believe by now Chomsky is seen as being wrong -- to learn
language requires a teacher or at least something to mimic early in
I'll skip it. Where can we see your opera live?
Dennis Bathory-Kitsz wrote:
After re-reading the posts and commentaries over the past week, I realized
again how rich the folks on this group are in knowledge and thought and
passion and open-mindedness -- from notation and programming through
hist
;s on DVD.) Masonic background not needed.
(And if everyone ignores this post like they did my one about the
overtone series and the pentatonic scale, then I will delete all of
yours, too. Hmmph!)
Raymond Horton
Louisville Orchestra
David W. Fenton wrote:
On 8 Feb 2005 at 13:06, Andrew Stiller
A-NO-NE Music wrote:
I hope my erratic grammar passes for communication here :-)
Seriously, I wish if I had any talent in linguistics. I just don't have
a heart for it.
Do not about it worry.
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Dennis Bathory-Kitsz wrote:
Hey, I'm not ignoring it! I was just trying to resist the urge to make my
no-doubt-anticipated musico-politically incorrect two-finger mouth salute
over Mozart's incessantly repetitive noodling.
I feel for you, too, Dennis.
___
And I very clearly wrote my reply before reading your second post, and I
very clearly disagree with both.
I agree with Salieri, who called it "grand opera," and it is one of my
favorites.
RBH
David W. Fenton wrote:
On 9 Feb 2005 at 11:04, Raymond Horton wrote:
In regards to
I I find myself puzzled at the assertions by quite a few on this list
that The Magic Flute is incoherent. I confess I have never found it
so. To me the characters, motivations, and events are all perfectly
straightforward and sensible (within the fairy-tale universe that the
drama clearly pos
Great pictures, David!
What did you think of it?
Ray H.
David W. Fenton wrote:
I know this is completely off-topic, not even tangential, but I
strolled through Central Park yesterday and took about 100 pictures.
Most of them are up at:
http://www.dfenton.com/Gates/
This is not the place for a d
Quoted from Sojourners, a weekly email-zine of spirituality, politics,
and culture
http://www.sojo.net/
original with all formatting intact may be found at:
http://www.sojo.net/index.cfm?action=news.display_archives&mode=current_opinion&article=CO_050224_wylie-kellermann
posted by Raymon
Last year or so a different sort of paper cutter from the guillotine
type was recommended. I thought I had archived the message but can't
find it now. Can any of you tell me what that was? I need to cut down
small quantities of 11" x 17" paper and card stock.
Thanks '
he cb?
--
Certainly!
Respighi _Pines of Rome_ last movement.
Many, many of them.
Raymond Horton
Louisville Orchestra
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Thanks so much for passing this along!
I had no idea this was possible. I was getting ready to buy more RAM
just for GPO. Maybe I won't have to, now!
Raymond Horton
Darcy James Argue wrote:
...
By the way, the instructions on how to change the polyphony for each
instrument in GPO are
correct?
Raymond Horton
Bass Trombonist,
Louisville Orchestra
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stral version) (1924), An American in Paris (1928)
Louis Armstrong: Hot Five and Hot Seven recordings of 1925-28
submitted by
Raymond Horton
Darcy James Argue wrote:
Just taking a little straw poll here: what do listers consider the
best pieces of music to come out of the 1920's? Genre is u
On 08 Mar 2005, at 11:04 PM, Raymond Horton wrote:
Gershwin: Rhapsody in Blue (preferably original version, not the
orchestral version)
Darcy James Argue wrote:
Funny you should mention that... I've actually been looking for a modern
recording of the original orchestration -- you wou
Very interesting. I forwarded it to Trombone-L
Raymond Horton
Bass Trombonist,
Louisville Orchestra
Christopher Smith wrote:
...
A complete aside:
The chamber orchestration by John Rea of Wozzeck, which I mentioned
previously as having a killer trombone part, was played in British
Colombia a
Thanks for the info. I had heard of that strike but not as completely
as you write.
Wasn't there also heavy taxing of larger bands in clubs after the war
that also helped the rise of small combos? Perhaps that was just in NYC?
RBH
Daniel Wolf wrote:
The James Petrillo-led AFM strike against
At 7:56 PM -0500 3/11/05, Raymond Horton wrote:
Thanks for the info. I had heard of that strike but not as
completely as you write.
Wasn't there also heavy taxing of larger bands in clubs after the war
that also helped the rise of small combos? Perhaps that was just in
NYC?
John Howell
o, start at the very top - bar
9!" Gave me a serious chuckle.
Raymond Horton
Bass Trombonist,
Louisville Orchestra
Jim Williamson wrote:
It may not define form and I don't care. However, I've seen it that way a
million times and I like it.
___
y.com/gs_download.html
Tremendous! Enjoyed that immensely!
Raymond Horton
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Bob Florence wrote:
Are there any books concerning composing and arranging that cover the
spiritual and inspirational aspect. I am always interested in the way
other writers get there music off of the "launching pad". I not
concerned about what harmonies to use or what instruments to combine. I
David W. Fenton wrote:
On 11 Apr 2005 at 15:29, tim-cates wrote:
On Apr 11, 2005, at 3:21 PM, David W. Fenton wrote:
On 11 Apr 2005 at 16:04, Christopher Smith wrote:
I would expect a more secular discussion from an international forum
such as this.
really? I would expect civility a
David W. Fenton wrote:
The word "spirituality" is completely debased in modern discourse, by
New Age loonies on the one side and by fundamentalist morons on the
other.
For a glimpse into the religious-political world of we
non-fundamentalist (non-moron) Christians, I heartily recommend: a look
ticularly in the touching interview with Puccini.
Darcy James Argue wrote:
Come now, in the quoted comment, Brahms was full of shit, and since
Raymond Horton nonetheless quoted him approvingly, David was quite
right to call him out on that.
If Brahms had said "No Jew has ever been or wil
Darcy James Argue wrote:
On 11 Apr 2005, at 8:41 PM, Raymond Horton wrote:
OK, if you approve, not only of David's disagreeing with Brahms
(nothing wrong with that) but of the less-than-civil tone of his
disagreement, (which takes it to a different level) than I will ask
you to provi
Johannes Gebauer wrote:
Raymond Horton schrieb:
OK, if you approve, not only of David's disagreeing with Brahms
(nothing wrong with that) but of the less-than-civil tone of his
disagreement, (which takes it to a different level) than I will ask
you to provide an example of a truly
exactly this kind of
bigoted assertion for centuries, and the Brahms quote Raymond Horton
cited was precisely in that tradition of irrational bigotry -- so it's
hardly surprising that such a citation might offend the secularists on
this list (many of whom, it should go without saying, happ
Florence + Michael wrote:
Apparently Brahms did have something to say about women composers. Can
anybody give me a serious source for this quote, found in a German
musical calendar with no bibliographical references:
"Es wird dann erst eine Komponistin geben, wenn der erste Mann ein
Kind zur We
aren't
we all? Skip through the theology, and the part about the guy who
floats around his room, and you'll learn something about how some
geniuses composed. What more could you want?
RBH
jef chippewa wrote:
From: Raymond Horton
Actually, for anyone who cares to actually READ the book
David W. Fenton wrote:
Raymond Horton écrit:
During some quick research Internet yesterday when I couldn't
answer
the question myself, it would appear that Stravinsky, for example,
may have been an atheist as a young man (the three great ballets)
and experienced a conversion durin
adding an 8ba instrument. Could work!
Raymond Horton
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Gerald Berg wrote:
Hi all
I am in need of a really loud snare drum so I set up an instance for
it and cranked up the volume. Problem is my HP settings keep taking
it back down again. What in HP would I have to turn off in order to
prevent this behavior?
One thing I've noticed lately (I u
This is heavily offtopic on this list but I couldn't stand to let
anyone here get into the pitfall which would be even more serious to
anyone using his/her PC for business.
Sony BMG and their subsidary record labels [1] have released a couple
of music CDs that contain malicious software c
Nightingale wrote:
I installed something called CutePDF and it works well for me. I'm
using 2006 on XP.
I use CutePDF, also. I've use with 2005 on XP and have used it for two
or three Finale versions now.
RBH
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WASHINGTON POST.COM
SECURITY FIX
Brian Krebs on Computer Security
More Sony Problems to Be Revealed
Several groups of privacy and security experts are expected to release
research later today that points to multiple, serious security flaws
present in "*XCP*," the ant
Don't tell me/us - tell Brian Krebs at the Washington Post.
David W. Fenton wrote:
On 15 Nov 2005 at 10:38, Raymond Horton wrote: (forwarded)
WASHINGTON POST.COM
SECURITY FIX
Brian Krebs on Computer Security
More Sony Problems to Be Rev
Christopher Smith wrote:
On Nov 25, 2005, at 12:36 PM, Chuck Israels wrote:
On a parallel subject - much TV music I find OK to horrible, but I'm
curious about where CSI found that "Who are you?" song that they
use as a theme - my knowledge of pop music has large gaps, - and I
recommen
Christopher Smith wrote:
of Floyds Knobs.
Ooo, sorry about the name of where you live. I thought the Canadian
custom of naming towns after parts of moose anatomy was bad enough...
8-)
Christopher
Well, a guy named Floyd came through, and there are small mountains...
anyway, the fir
I'm not looking
forward to re-extracting the parts, but I have no other choice. The old
parts will help save time, but it will still take days. I will welcome
the future dynamic linking, (or however the score-part connection will
work) with an open checkbook.
Raymo
half
rests in 4/4 scores. Makes sense. As does John's suggestion of the
fermata on the third beat - depending on the music - which I've long
forgotten.
Raymond Horton
Bass Trombonist,
occasional composer and arranger,
Louisville Orchestra
_
Raymond Horton wrote:
>... but I
>do face a huge project in which I have done hundreds of changes to an
>orchestral work that has already been performed. I'm not looking
>forward to re-extracting the parts, but I have no other choice. The
>old parts will help save tim
Johannes Gebauer wrote:
I wonder whether anyone has tried the MIDITECH Roll'n play MIDI
keyboard. For those who don't know it: It is a 37 key MIDI keyboard
which can be rolled up and is the most portable solution I know.
All I need from it is reliable Speedy input, and I need something that
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