Dear Wayne,
I would also like to chime in and express my gratitude for your
generous activity. I learned quite a lot on this list, and as an extra
bonus I could also improve my English by reading and writing about
topics I love. Thank you and best wishes for your retirement!
Steph
Thank you, Rainer. Only recently watched some sequences on YouTube, he
was so magically intense. Come to think of it, the first classical
guitar concert I went to hear was by him here in my hometown in 82, I
think. And this legendary lute society course some years ago made me
stop br
Does anyone have a solution for the massive and changing compression in Zoom
and elsewhere? Even if I uncheck automatic volume control it behaves like
having a life of its own.
I have a proper microphone and a USB Interface, but still...
Having taught 32 students per week (on three days), I also
One of the vihuela manuscript sources has a connection to Portugal, I
think it's the one with the drawing of a lute (!) player in a copy of a
vihuela print. Cannot look it up at the moment.
Regards
Stephan
Am 30. Dezember 2019 18:13:31 MEZ schrieb Joaquim Silva
:
As far as I
phasize how small or insignificant someone or something
is.
On Fri, Dec 20, 2019 at 10:25 PM Stephan Olbertz
<[1]stephan.olbe...@web.de> wrote:
Hm, real critical editions or mere typeset copies?
Regards
Stephan
Am 20. Dezember 2019 21:09:12 MEZ schrie
Hm, real critical editions or mere typeset copies?
Regards
Stephan
Am 20. Dezember 2019 21:09:12 MEZ schrieb Nancy Carlin
:
The LSA has just finished publishing all of Doug Towne's edition of
Weiss's London manuscript and we plan to publish next Pierre Gaultier's
Les Ouvres 1638 an
You wouldn't even need a tuner. Just set a fifth fret so high that you can
still enjoy and work your way through all the other frets and open courses
by means of comparing octaves and unisons.
Use strings that are neither too old nor too new. And be sure to tune to a
fourth based tuning.
Regards
Martyn wrote:
"Much is freely bandied with phrases about 1/4 comma, 1/6 comma, 1/8 comma
and other unequal temperaments but rarely ... is it ever spelt out what
precise numerical fretting positions are actually employed..."
..or what comma is used, one might add. It does make a difference, and als
It is an arrangement, and a pseudonym seems very probable if you attempt to
track down this "Italian composer". I have a hunch... BTW, there once have been
two duets by Corigniani kept by Breitkopf.
Regards
Stephan
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-..
Both have been recorded (with lute) and edited twice, allas no critical
tablature editions up to now which we will change soon. So we will have
possibly more editions than players of the Krebs Concerti...
Regards
Stephan
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:l
When I looked into some scores edited by Anthony some years ago I had the
impression that the music could very well be intended for a mandolin-type of
lute. The music would not cross the bass and it seemed to fit a six-course
Genoese mandolin tuned one octave above a (modern) guitar (or mandora in
On a second thought, it must have been a French tab reader who transcribed
Italian Tab upside down. Sorry, time and a heavy flew have darkened my memory...
So it would have been used as a variant of French tab there.
Stephan
-Ursprüngliche Nachricht-
Von: Stephan Olbertz
Dear Rainer,
I'm not sure that Spanish/Valencinian/Milan tablature is to be seen as a
variant of Neapolitan tab only. The Munich Denss source suggests that the
writer transformed French to S/V/M tablature, judging by the mistakes and
corrections he made.
For what it's worth, here is what I wro
Umlaut-trouble again...
https://www.migma-eg.de/etuibau/
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
von stephan.olbertz
Gesendet: Freitag, 7. September 2018 08:08
An: lute@cs.dartmouth.edu
Betreff: [LUTE] Re: Builder of Hard Cases
Dear Monica, Gzregorz, and all,
here is what I wrote about Gebel in JSLA 2012 ("An Unknown Lute Piece in a
Keyboard Manuscript with Works by Wilhelm Friedemann Bach"). Biography and
style point strongly towards Gebel the younger. There is also a lute obbligato
in his St. John passion "Hier häng
my notes). The
catalogue is extremely rare, but is about 1 ½ inches thick.***
Breitkopf decided to empty their warehouse of outmoded music. What a
treasure!! Unique copies of some of the Bach lute pieces were among
the offering.
Stephan Olbertz, "An Unknown Lute Piece in a
Think of the galant lute trio like a piano trio... You get the idea ;-)
Best
Stephan
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
von Stewart McCoy
Gesendet: Dienstag, 15. Mai 2018 21:05
An: Lute Net
Betreff: [LUTE] Johann Kropfga
Dear Anna Wiktoria,
for a start: the composer Saint-Luc has recently been identified by Manuel
Couvreur to be Laurent, not Jacques or Jacques-Alexandre. (I have been unable
to find an article and only know his booklet text to E. Mascardi's recent CD.)
I must confess, I'm a bit old fashioned and
differentiate between them, but I would not go that far).
> Normally it is tuned like a 5-stringed guitar with some additional bass
> strings, but normally double-choired except the chantarelle
> The second ones are even deeper tuned and only used for bass continuo,
> especially
#x27; over the normal lute for continuo support in
chamber
>music, and Telemann wrote two concertos for two flutes and
strings, for
>which the bass lines are marked for âCalchedon' or bassoon."
>RA
>
__
the calichon over the normal lute for continuo support in chamber
> music, and Telemann wrote two concertos for two flutes and strings,
for
> which the bass lines are marked for Calchedon or bassoon."
> RA
>
> _
An 11-course, you meant...
Regards
Stephan
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
von John Lenti
Gesendet: Dienstag, 20. März 2018 04:41
An: howard posner; lute@cs.dartmouth.edu
Betreff: [LUTE] Re: Betrachte meine Seel
B
as granted, though the sources on which they rely aren’t clear on the
point.
Is anyone aware of evidence for archlutes in 18th-century Saxony?
Sent from my iPhone
> On Mar 19, 2018, at 12:07, Stephan Olbertz wrote:
>
> Ron,
>
> " the part was not conceived for
> archl
Ron,
" the part was not conceived for
archlute but rather the mandora or one of its namesakes"
Do you have any evidence for this? (As I am sure Martyn would ask...)
Regards
Stephan
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftr
I agree, however I surprised myself recently when I felll in love with Dosia
McKay's Parting for baroque lute.
Stephan
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
von mathias.roe...@t-online.de
Gesendet: Freitag, 16. März 2018 19:2
Sorry, the last message was meant to be privat ;-)
Stephan
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
von Rainer
Gesendet: Mittwoch, 21. Februar 2018 15:57
An: Lute net
Betreff: [LUTE] Reconstructed Dowland duet
Dear lute netter
Hi Rainer,
ich weiÃ, danach hast Du nicht gefragt, aber ich hab mal eine Duo-Version
gemacht, jedoch ein paar Sachen in die andere Laute gelegt.
Das Heft mit den Dowland-Duetten ist bis heute nicht erschienen, da mich dieses
Django-Programm in den Wahnsinn getrieben hat. AuÃerdem beschäftige
Dear Markus,
your web catalogue is indeed a great resource, so valuable to many, so thank
you very much again. I must say, that I recently had some trouble to find
the few compositins ascribed to Sigismund Weiss, as his name was abbreviated
in the catalogue. Maybe one could fix that? Also, concern
The initial idea might have been that reading the tab is like looking on the
instrument of your teacher.
regards
Stephan
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
von Ed Durbrow
Gesendet: Sonntag, 21. Januar 2018 02:17
An: Trista
Dear Rainer,
oh yes, a dear memory, but it's just 15 years ago :-)
I think we played from the facsimile, and it didn't sound too bad...
And Mark has switched gear and is doing historically informed rock music these
days, see
https://www.facebook.com/RockBottom70sHardRock/
Glad to hear you are stil
I heard Paul O'Dette performing the Langsames Menuet (or similar) from
that sonata as an encore years ago. I already knew the music before and
found it a bit dry, but Paul's musicianship certainly gave life to it.
Regards
Stephan
...
am 28.12.2017 12:36 nachm., Martyn Hodgson
I like this one here by Dosia McKay, comissioned by Will Tocaben:
https://www.youtube.com/watch?v=j6lgO_kWGzo
And a nice chat with the composer:
https://www.youtube.com/watch?v=StxpE-7YrUY
After 10 minutes it gets kind of funny when she talks about her love of
Bach's bass lines...
Regards
Stephan
https://www.hfmt-koeln.de/nc/en/aktuelles/stellenangebote.html
BTW, this Umlaut-problem seems rather new on my machine, I don't understand
this... So, it's Junghaenel...
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
v
Hi all,
this is to inform you that the Cologne Musikhochschule is looking for a
new lute professor (50 %) in succession to Konrad Junghänel.
Application ends on January the 15.
Please spread the word to your worldclass friends...
Best regards
Stephan
--
To get on
A few places are still available in February in Bochum/Germany. Sorry
for the language!
><><><
Liebe Lautenfreunde,
am erstem Februar-Wochenende (02.-04.02.18) findet im Bochumer Süden
ein Meisterkurs für Laute (bzw. andere historische Zupfinstrumente und
Kammermusik) mit
Have you tried to speak with your university library? Getting books via
interlibrary loan or articles in paper or electronic format shouldn't be a
problem today, even in Italy...
Best wishes
Stephan
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu
I have wound gut on courses 11 to 14 on my new bass rider lute, and they
sound wonderful! Not too bright, not too dull, good transition with the
quite openly wound higher basses (Kürschner luxline).
Most surprising was the perfect blend with the normal high twist octaves,
sounds nearly like one no
Hello Wim,
you'll find all six manuscript folia settings for vihuela or viola da mano
here:
https://www.lute-and-guitar.com/start/renaissance/
Incl. edited versions from the Vienna Ms, Ramillete Ms (two), and the
Barbarino Ms (three).
Regards,
Stephan
-Ursprüngliche Nachricht-
Von: lute-
Dear all,
does anyone know a supplier of half wound gut strings? Not the gimped
or luxline typ of strings, as they seem to have less metal than real
demi-filés. What I need is something in between luxlines and
closewounds for the deepest bass of a baroque lute with bass rider.
Dear all,
I have now what I need, thanks for all the kind responses!
Stephan
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
von Stephan Olbertz
Gesendet: Montag, 10. April 2017 11:46
An: 'Lute List'
Betreff: [LUTE] Re: V
://www.vanedwards.co.uk/history2.htm
***
David van Ooijen
[2]davidvanooi...@gmail.com
[3]www.davidvanooijen.nl
***
On 10 April 2017 at 11:21, Stephan Olbertz <[4]stephan.olbe...@web.de>
wrote:
Dear all,
I need a p
Dear all,
I need a picture of the original Venere (1592) located in Bologna,
Accademia filarmonica, especially of the rose. Does someone have one or
know where to find it? If not I will try my luck in Bologna...
Thanks and best wishes
Stephan
--
To get on or off this
I have an arrangement for three baroque lutes of the canon and gigue
(player's day proven), if anyone else is interested. It's a Django-file you
could change in whatever works.
Regards
Stephan
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Au
Dear all,
Iâm looking for information on the original body depths of the Warwick
Frei and Lindbergâs Rauwolf. Can anyone help?
Best regards
Stephan
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Cool, better than the black-and-white image already available...
Thanks
Stephan
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
von T.Kakinami
Gesendet: Samstag, 16. Juli 2016 11:59
An: lute@cs.dartmouth.edu
Betreff: [LUTE] Autograph
It went for 2,518,500 pounds to -- a private chinese investor. Sigh...
Stephan
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
von Peter Steur
Gesendet: Dienstag, 12. Juli 2016 12:33
An: Bernd Haegemann; Stephan Olbertz
Cc: Lute
Ueno Gakuen is a private university. Although it seems not to be known how
much they paid for it, they will definitely earn some money: The Ms was sold
in the late sixties for only 5,500 pounds to a previous owner and is now
estimated with up to 2,500,000 pounds... And they are getting rid of the
r
Hi Arto,
it's in Augsburg and Brussels. You'll find everything you need to know in Tim
Crawford's article "Haydn's music for lute" in: Le luth et sa musique II, Paris
1980, p. 69-86.
Regards
Stephan
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth
Dear David and all,
there is a little piece ("basa e alta") on the last pages that I included in
my edition of the manuscript sources for vihuela. Here's what I wrote in the
comment:
Madrid, Biblioteca Nacional, R 14630
Manuscript addendum to: Alonso Mudarra, TRES LIBROS DE MVSICA EN CIFRAS PARA
BTW, it's Gottlieb Siegmund Jacobi rather.
http://homepages.bw.edu/bachbib/script/bach1at.pl
Stephan
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
von Stephan Olbertz
Gesendet: Freitag, 22. April 2016 06:56
An: 'He
Andreas Schlegel has published an edition for a normal 13-course setup.
Search for "lute corner".
Best wishes
Stephan
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
von Herbert Ward
Gesendet: Donnerstag, 21. April 2016 14:52
An: lut
Well, you are free to join in the scholarly discourse :-)
Stephan
Von: Dante Rosati [mailto:danteros...@gmail.com]
Gesendet: Montag, 1. Februar 2016 16:18
An: Stephan Olbertz
Cc: Lute Net
Betreff: Re: [LUTE] Re: Vincenzo Galilei and The Well-Tempered Lute
you mean
Not to forget Bach's own tuning:
http://www.larips.com
Regards
Stephan
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
von Christopher Wilke
Gesendet: Sonntag, 31. Januar 2016 20:58
An: Dante Rosati; Roman Turovsky
Cc: Lute Net
Betref
Hello Peter,
I would try some Diego Ortiz first, but it could require transposition.
Ortiz really rocks :-)
Also the Vivaldi trios with lute will work well, you wouldn't need the
unisono-violin. And there's an anonymous concerto for lute and continuo from
the Spencer collection. There was a transc
Dear all,
I would like to introduce my new edition with 36 pieces from all the
known manuscript sources for vihuela/viola da mano!
The music has been gathered from eight originally Spanish and Italian
sources and is edited here for the first time in one book, all in
French tabl
That's probably what you get if you give an ape a laptop with a tab
generator instead of a typewriter.
Stephan
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
von WALSH STUART
Gesendet: Mittwoch, 4. März 2015 09:55
An: Gary R. Boye; A
he
used an all gut-strung instrument, BTW).
Thanks and best regards
Stephan
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
von David van Ooijen
Gesendet: Mittwoch, 11. Februar 2015 11:51
An: Stephan Olbertz
Cc: lutelist Net
Betreff:
Hallo Susanne,
I once got the recommendation not only to be sure to always use a wooden case,
as it keeps some moisture in the material, but to close it every time while
playing, so that the moisture will not escape so easily from the case.
Viele Grüße
Stephan
-Ursprüngliche Nachricht
, and it
accompanies an article published in the latest Bach Jahrbuch (Stephan
Olbertz: Verborgene Trios mit obligater Laute? - Zu Fragen der
Fassungsgeschichte und Autorschaft der Sonaten Es-Dur und g-Moll, BWV
1031 und 1020, Bach-Jahrbuch 99 (2013), pp. 261-277).
To cut a long story
Push the peg out from the other side with a pencil or something like this
while turning it. Worked for me.
Regards
Stephan
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
von gtung.wal...@utoronto.ca
Gesendet: Sonntag, 14. September
lute.
Mathias
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
--
Viele Grüße
Best regards
Stephan Olbertz
A lute by Hans Neemann, didn't know he built instruments...
http://www.ebay.de/itm/SCHONE-BAROCKLAUTE-LAUTE-HANDARBEIT-H-NEEMANN-1937-AN-RESTAURATOREN-/231218030073?pt=Gitarren&hash=item35d5ab25f9
--
Viele Grüße
Best regards
Stephan Olbertz
To get on or off this list see list infor
014, 23:09 Uhr, schrieb R. Mattes :
On Sun, 13 Apr 2014 22:16:16 +0200, Stephan Olbertz wrote
Dear Christopher,
I was a bit hasty, I'm afraid, and didn't look closely enough to
Anthony's sample, assuming it was all simple octaving basses. I
purchased a pdf and found several in
ou're talking about notes below the bass other than simple
octave transposition, which was standard practice.)
Chris[1]
Sent from Yahoo Mail for iPad
__________
From: Stephan Olbertz ;
To: 'lute' ;
Subject: [L
]www.edizionear.com/lute.html
Anthony Hart
--
References
1. http://www.edizionear.com/lute.html
To get on or off this list see list information at
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Viele Grüße
Best regards
Stephan Olbertz
SNIP
> Oh dear, that's what happens if you use the wrong tool to analyze.
> I wouldn't call five stepwise notes downward an "melody". Otherwise
> you might claim that Dowland quotes the end of "La Spagna".
> Cheers, Ralf Mattes
--
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--
Viele Grüße
Best regards
Stephan Olbertz
guitar brought to him once he had sat down - all to a standing ovation.
No doubt his playing was past well its best - but it didn't matter one
jot - we were watching, listening to a living legend. It was
magnificent, an experience I will never forget.
Regards
--
Viele Grüße
Best regards
Step
tml
6. [12]http://www.avast.com/
--
References
1. mailto:mar...@luteshop.co.uk
2. mailto:erne...@aquila.mus.br
3. mailto:mar...@luteshop.co.uk
4. http://www.avast.com/
5. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
6. http://www.avast.com/
7. mailto:mar...@luteshop.co.uk
8. mailto:erne...@aquila.mus.br
9. mailto:mar...@luteshop.co.uk
10. http://www.avast.com/
11. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
12. http://www.avast.com/
--
Viele Grüße
Best regards
Stephan Olbertz
Dear all,
first, please excuse the off-topic. Two young students of mine are joining in a small
commercial band contest and hope to win a professional recording session with their band
project "Sweet Sounds". We need a few more votes until oct. 31 to win. So if
you have a minute or two for vis
Already got an offer, thanks!
Stephan
Am 30.08.2013, 21:53 Uhr, schrieb Stephan Olbertz :
Dear all,
for a paper I would like to look into the foreword of John Banks' lute trio
edition (lute society), I think the first one will do. Would anyone be willing
to send me a scan?
Re
Dear all,
for a paper I would like to look into the foreword of John Banks' lute trio
edition (lute society), I think the first one will do. Would anyone be willing
to send me a scan?
Regards
Stephan
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-a
lichon/mandora works.
MH
____________
From: Stephan Olbertz
To: lute List
Sent: Wednesday, 17 July 2013, 19:13
Subject: [LUTE] Re: Markus Passion by Bach
Dear Jörg,
the MP is a reconstruction after the Trauerode, the lute parts of which are
possibly for Gallichones (in B?).
Viele Grüße
Stephan
about this fragment?
Thanks for any help,
Jörg
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Best regards
Stephan Olbertz
d to avoid the evil "keyboard notation". By the
way, I think we don`t have such an elegant term like "grand staff" in German.
Thanks and best regards
Stephan
Am 12.05.2013, 20:59 Uhr, schrieb Arthur Ness :
- Original Message -----
From: "Arthur Ness"
Dear all,
do we have an earlier source for the so-called "musicological notation" of lute
music (with a space of one ledger line between the staves) than Kohlhase's NBA-edition?
From his foreword it seems that he invented it.
Best regards
Stephan
To get on or off this list see list informa
> To get on or off this list see list information at
>> [1][5]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>>
>
>--
>
> References
>
>1. [6]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>
>
--
References
1. http://gamutmusic.squarespace.com/making-gut-stings/
2. mailto:dwinh...@lmi.net
3. mailto:willsam...@yahoo.co.uk
4. mailto:lute@cs.dartmouth.edu
5. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
6. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
--
Viele Grüße
Best regards
Stephan Olbertz
mh-freiburg.de
To get on or off this list see list information at
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Best regards
Stephan Olbertz
mailto:[14]voka...@verizon.net
5. mailto:[15]probe...@gmail.com
6. [16]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  --
References
  1. mailto:manchap...@gmail.com
  2. mailto:voka...@verizon.net
  3. mailto:probe...@gmail.com
  4. mailto:lute@cs.dartmouth.edu
  5. mailto:voka...@verizon.net
  6. mailto:probe...@gmail.com
  7. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  8. mailto:voka...@verizon.net
  9. mailto:probe...@gmail.com
 10. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
 11. mailto:voka...@verizon.net
 12. mailto:probe...@gmail.com
 13. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
 14. mailto:voka...@verizon.net
 15. mailto:probe...@gmail.com
 16. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   Â
--
Viele Grüße
Best regards
Stephan Olbertz
Dear all,
just to add my two pence, I want to share with you two of the 21 duet settings
of Dowland's music I arranged about six years ago. They will eventually
(finally) be published next year, together with some other things that might
interest you :-)
Without going too much into the discuss
;
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References
1. http://us.mc817.mail.yahoo.com/mc/compose?to=albertreyer...@kabelmail.de
2. http://tree-edition.magix.net/public/
3. http://us.mc817.mail.yahoo.com/mc/compose?to=hodgsonmar...@yahoo.co.uk
4. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
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Viele Grüße
Best regards
Stephan Olbertz
tmouth.edu/~wbc/lute-admin/index.html
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Viele Grüße
Best regards
Stephan Olbertz
are interested, please contact
me off-list.
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Viele Grüße
Best regards
Stephan Olbertz
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Dear all,
it has been argued, that the lute trio (with violin/flute and bass) could
have had a certain influence on the development of the piano trio. Does
anyone know of an article on this subject? I could only find a statement
by Tim Crawford in a liner note...
Regards,
Stephan
To g
tends to reach much more of the general public than scholarly
literature ever will.
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
Behalf Of Stephan Olbertz Sent: Thursday, April 26, 2012 4:35 AM Cc:
lute@cs.dartmouth.edu Subject: [LUTE] Re
Am 25.04.2012, 22:27 Uhr, schrieb Daniel Winheld :
The article was aimed at the guitar crowd,
And that's probably why the article is a bit superficial. ;-) A real
contribution would need to be in scholarly style. No references here, no
mentioning of newer literature (e.g. by Negwer, Dierks
And as for the lute players, Joachim Held taught that quite impressively
in Bremen last year on the DLG meeting.
Best regards
Stephan
Am 28.03.2012, 19:06 Uhr, schrieb Braig, Eugene :
Indeed. This is accentuated with modern rest stroke, but even with free
stroke, modern players strive to d
This won't work with most children guitars (and their strings) I know :-)
I tune in octaves in the first position, that's where they play, anyway.
Regards
Stephan
Am 24.01.2012, 13:18 Uhr, schrieb Ron Andrico :
Since I teach guitar, like many others on this list, I have developed
an ea
on the 16th of January, aged 83. One of our heroes!
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I recently learned (thanks to Henrik Hasenfuss) that pushing the octave
string a bit down at the bridge, and pulling the bass a bit up greatly
changes my ability to make a well balanced or even more fundamental sound
with my right hand index finger. The melody line in the Straube Sonatas,
a
I always wondered if "Prelude pour la Luth o Cembal" could simply mean
that he composed a Prelude for the lute, instead of a "pars pro toto"
meaning. Later he added two other movements for his (lute-)harpsichord.
The first movement is clearly the best working piece.
Concerning BWV 995, ther
Karlsruher Virtueller Katalog, KVK:
http://www.ubka.uni-karlsruhe.de/kvk.html
Regards
Stephan
Am 09.09.2011, 07:12 Uhr, schrieb :
What is the "Karlsruhe Connection" please?
Henner
"A. J. Ness" schrieb:
David,
There was (is) a choral library like ISMLP and it joined ISMLP just a
few
w
Just massaging the skin between the fingers helps a great deal and is also
quite healthy.
Regards
Stephan
Am 10.08.2011, 22:42 Uhr, schrieb :
Take great care with stretching exercises of the hand!! I deal fairly
often with musicians' injuries, and musicians are nearly as bad as
competiti
Am 05.08.2011, 16:25 Uhr, schrieb Martin Shepherd :
snip... By the way, the Korg
doesn't do 1/6 comma, but Vallotti is the same for the open strings in
nominal G tuning.
Well, that depends on what comma you think of. If your 1/6 comma is
pythagorean it's indeed the same as Vallotti for all
For 24 Euro you get them all, see below.
Regards
Stephan
--- Weitergeleitete Nachricht ---
Von: "Fabio Rizza"
An: baroque-l...@cs.dartmouth.edu
Kopie:
Betreff: [BAROQUE-LUTE] Vivaldi - Concertos and Trios for Lute and Mandolin
Datum: Sun, 12 Sep 2010 09:55:05 +0200
Dear friends,
I
About the string clashing and other assorted buzzes and
nasty noises
- If you hit a string too hard it can buzz on the metal
frets -
something that lute players don't need to worry about.
Well, I recently tried out double frets
Am 01.05.2011, 00:04 Uhr, schrieb David Tayler :
There are a number of pavans both in lute sources and in keyboard
sources that have fully, richly, brilliantly ornamented A's and B's,
but single C's. There are too many of these pieces to discount.
But did they add, or improvise divisions for the
Just take it to a print shop, they make cheap colour laser copies
nowadays. Use thick quality paper and let them bind it - voilá
Regards,
Stephan
Am 18.11.2010, 02:24 Uhr, schrieb Sean Smith :
Full color ricercars, some of the finest motet settings on the planet,
14th century chansons,
Actually for most people any music is a signal to _not_ listen and start
talking. :-)
That's what they are used to with pop music.
When I played gigs with guitar and flute, we tried to play when they were
eating, that was a lot more quiet. :-)
Stephan
Am 17.10.2010, 08:29 Uhr, schrieb Gary
That's right, I tried to track that down years ago (didn't know this
source), with no success...
Best regards,
Stephan
Am 28.09.2010, 15:38 Uhr, schrieb Ron Andrico :
Hello Wolfgang:
Excellent choice of music but I'm afraid there is no surviving vocal
model. See below:
Kwee Him
Just a tip: play while they are eating, much more silence :-)
Best regards,
Stephan
Am 16.08.2010, 20:16 Uhr, schrieb David van Ooijen
:
All
Coming Saturday I am to play for two hours during a dinner. The
request was for early-Baroque dance music, but I think that can be
interpreted as an
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