Dear collective,
does anyone have a pdf score (not tabs) of Vincenzo Galilei's
Contrapunto Secondo "B.M."?
I am playing with someone who can't use tabs.
I'd make my own score, but I thought I'll ask first.
Thanks!
To get on or off this list see list information at
http://www.cs.dartmouth
ons or
> explanations which would be of help here, but that does not mean that there
> aren't any ...
>
> Best
>
> Joachim
>
> -Original-Nachricht-
> Betreff: [LUTE] Re: Il primo libro d'intavolatura di liuto Galilei repeat bars
> Datum: 2019-0
treff: [LUTE] Re: Il primo libro d'intavolatura di liuto Galilei repeat bars
Datum: 2019-01-05T12:28:00+0100
Von: "Ed Durbrow"
An: "Matthew Daillie" , "lute list"
What you type more or less aligns with the way I interpret it, if I understand
you correctly. Howev
, would hold it for
two beats and insert the last beat of measure one on the repeat. I was
wondering if they know something we don’t, if Galilei mentions anything (my
original question), if (there must be) other examples of similar structures and
if any contemporary explains what to do.
Again if
>From what I've seen it's pretty straightforward, you just need to replace the
>upbeat at the end of the bar with the repeat sign with the anacrusis of the
>first bar. Sometimes the note values of the anacrusis are not the same but
>this doesn't really matter as one is making a pause before star
On Dec 25, 2018, at 8:41 PM, Matthew Daillie wrote:
> The Minkoff facsimile provides an English translation. Here is an extract:
> '... since my sonatas might offer some difficulty to... players not yet very
> experienced in this art... these people must be satisfied with playing simply
> the
On 25.12.2018 12:51, Joachim Lüdtke wrote:
Dear Ed, dear Matthew,
that is what I found in the introduction too, and still you have to cope with
the Situation Ed describes. I tend to your No 2, Ed!
Cheers, Joachim
P.S.: I still have a number of copies of the Minkoff facsimile I anyone is
in
ibro d'intavolatura di liuto Galilei repeat bars
Datum: 2018-12-25T12:42:07+0100
Von: "Matthew Daillie"
An: "Ed Durbrow"
The Minkoff facsimile provides an English translation. Here is an extract:
'... since my sonatas might offer some difficulty to... players not yet very
they may repeat
without the diminutions and this will not make the the sonata imperfect.'
Best,
Matthew
> On Dec 25, 2018, at 2:41, Ed Durbrow wrote:
>
> It looks like Michelagnolo Galilei doesn’t give any instructions in his book,
> but could an Italian speaker confirm tha
It looks like Michelagnolo Galilei doesnt give any instructions in his book,
but could an Italian speaker confirm that? Is there an English translation of
his dedication and author page anywhere?
What Im interested in at the moment is whether he gives any guidance on how to
perform repeats
e (I think this has happened even).
Nevertheless, the clear structure made it suitable for this mix.
https://soundcloud.com/tristan-von-neumann/vincenzo-galilei-contrapunto-secondo-bm-eri-jaane-na-doongi-nirali-kartik-long
Am 08.08.2018 um 22:53 schrieb Tristan von Neumann:
Again, when you thi
Again, when you think it can't get any better...
This Raga performance is so close to the infamous BM Counterpoint - note
the percussion.
https://soundcloud.com/tristan-von-neumann/vincenzo-galilei-contrapunto-secondo-bm-raga-kamod-nirali-kirtak
To get on or off this list see
> On Jun 9, 2018, at 5:17 PM, Tristan von Neumann
> wrote:
>
> Lutists, please don't kill me
Not even a little?
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
e's always many possibilities to align the pieces, as Ragas are rich
counterpoint generators. And I'm not always sure how the percussion is
meant.
Lutists, please don't kill me for doings this:
https://soundcloud.com/tristan-von-neumann/vincenzo-galilei-contrapunto-2-b-m-raga-kamod-
Hello Lutists,
playing through Sarge Gerbode's recently published French tabs of
Galilei, I was very surprised about this piece:
http://gerbode.net/sources/vgalilei/libro_d_intavolatura_di_liuto_1584/v4/pdf/21_untitled.pdf
which seems to be some weird precursor to Dowland's "
Zak, can I borrow your left hand for my next project?
Like the review said you make light of the technical challenges.
Ed Durbrow
Saitama, Japan
http://www.youtube.com/user/edurbrow?feature=watch
https://soundcloud.com/ed-durbrow
http://www9.plala.or.jp/edurbrow/
--
To get on or off this li
Zac said " While most people in the
wider classical music community think about this development as having
been spearheaded by the keyboard instruments (J.S. Bachs The
Well-Tempered Clavier collection greatly contributed to it), I wanted
to emphasize that the lute and lutenists were ab
Sun, 31 Jan 2016 19:57:32 +
> To: danteros...@gmail.com; r.turov...@gmail.com
> CC: lute@cs.dartmouth.edu
> From: chriswi...@cs.dartmouth.edu
> Subject: [LUTE] Re: Vincenzo Galilei and The Well-Tempered Lute
>
> "Well-tempered" is a non-spec
Any electronic distribution?
David
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf
Of zak ozmo
Sent: Monday, February 1, 2016 7:13 PM
To: Omer Katzir
Cc: Dante Rosati ; lute@cs.dartmouth.edu
Subject: [LUTE] Re: Vincenzo Galilei and The Well
rion Records: Vincenzo Galilei: The Well-Tempered Lute:
>
>
> [1]https://www.youtube.com/watch?v=A1uvffo2bPs
>
>
> This is the first volume of the fascinating well-tempered lute section
> of Galileis Libro dintavolatura di liuto (1584), covering dances in
> major and minor
Well, you are free to join in the scholarly discourse :-)
Stephan
Von: Dante Rosati [mailto:danteros...@gmail.com]
Gesendet: Montag, 1. Februar 2016 16:18
An: Stephan Olbertz
Cc: Lute Net
Betreff: Re: [LUTE] Re: Vincenzo Galilei and The Well-Tempered Lute
you mean
an
-UrsprA 1/4ngliche Nachricht-
Von: [3]lute-...@cs.dartmouth.edu
[mailto:[4]lute-...@cs.dartmouth.edu] Im Auftrag
von Christopher Wilke
Gesendet: Sonntag, 31. Januar 2016 20:58
An: Dante Rosati; Roman Turovsky
Cc: Lute Net
Betreff: [LUTE] Re: Vin
e Net
Betreff: [LUTE] Re: Vincenzo Galilei and The Well-Tempered Lute
"Well-tempered" is a non-specific term. It's been applied to tuning
systems proposed by a number of theorists including Werckmeister,
Neidhardt, Kirnbertger, Valotti, etc. There is no scholarly consensus
abou
ntended in "Das
Wohltemperierte Klavier." Galilei obviously didn't use any of those.
"Well-tempered," then, is a general term that apparently means "tuned
well" in this context in reference to the composer's interest in
practical tuning. I don't think Zak i
larly consensus
about which one of these - if any - Bach may have intended in "Das
Wohltemperierte Klavier." Galilei obviously didn't use any of those.
"Well-tempered," then, is a general term that apparently means "tuned
well" in this context in reference
urple horse. Asked how come it is that way, he said: "It is
mine, and
I paint it whatever color I want." You may tune your axe
whichever way
pleases you, if the end-result justifies it.
I'm certain Gorzanis and Galilei found ET to be as beautiful as
Thank you for your interest. Yes, both Vincenzo Galilei and
others
speak about equal temperament tuning on the lutes. There are
about
twelve documented 'well-tempered' tuning systems from the time,
and
equal temperament is one of them.
'm certain Gorzanis and Galilei found ET to be as beautiful as I do.
RT
On 1/31/2016 12:25 PM, Dante Rosati wrote:
that is not relevant to the issue of calling a recording of Galelei
lute pieces "well tempered" when its not.
On Sun, Jan 31, 2016 at 12:20 PM, Roma
entury BC.
[2]Vincenzo Galilei (father of [3]Galileo Galilei) was one of the
first
practical advocates of twelve-tone equal temperament. He composed
a set
of dance suites on each of the 12 notes of the chromatic scale in
all
the "transposition
t 12:11 PM, Roman Turovsky
<[1]r.turov...@gmail.com> wrote:
Early history
One of the earliest discussions of equal temperament occurs in the
writing of [2]Aristoxenus in the 4th century BC.
[3]Vincenzo Galilei (father of [4]Galileo Galilei) was one of the first
practical adv
ussions of equal temperament occurs in the
writing of [2]Aristoxenus in the 4th century BC.
[3]Vincenzo Galilei (father of [4]Galileo Galilei) was one of the first
practical advocates of twelve-tone equal temperament. He composed a set
of dance suites on each of the 12 notes of the ch
Early history
One of the earliest discussions of equal temperament occurs in the
writing of [1]Aristoxenus in the 4th century BC.
[2]Vincenzo Galilei (father of [3]Galileo Galilei) was one of the first
practical advocates of twelve-tone equal temperament. He composed a set
of
.@hotmail.com>
wrote:
Dear friends and colleagues,
I am excited to announce the upcoming release of my new
solo lute
CD on
Hyperion Records: Vincenzo Galilei: The Well-Tempered Lute:
[1][2][3]https://www.youtube.com
ear friends and colleagues,
I am excited to announce the upcoming release of my new solo lute
CD on
Hyperion Records: Vincenzo Galilei: The Well-Tempered Lute:
[1][2]https://www.youtube.com/watch?v=A1uvffo2bPs
This is the first volume of the fasc
as Bach used in his
keyboard cycle is not equal temperament either.
On Thu, Jan 28, 2016 at 5:08 PM, zak ozmo <[1]z_o...@hotmail.com>
wrote:
Dear friends and colleagues,
I am excited to announce the upcoming release of my new solo lute
CD on
Hyperion Records:
Somewhere Galilei boasts that he had written 1000 (2000?) passamezzi.
Those gagliardas contain some of the best of his original music. The one
Respighi uses as the first movement in his Antique Dances is the Polymnia
Gagliarda from the anteriori Galilei 6 manuscript. He casts it into an ABA
This is an amazing source. V. Galilei could apparently write a
galliard or variation as easily as we could fill in a daily crossword
puzzle. I think I counted 200 variations on the Romanesca in every
conceivable key (or for every size lute all in the same key) and the
galliards are
A bit more, Benny. The edition cited by Stephen contains gagliarde
from an important Galilei dance source, an immense manuscript compiled
by him perhaps in anticipation of additional printed tablatures. It
contains clean copies of 275 pieces! Libro d'Intauolatura di
cenzo Galilei; a cura di Giulia Perni
Publication Info
Publication Information: Pisa: Edizioni ETS, ©2000
-Original Message- From: be...@interlog.com
Sent: Friday, August 05, 2011 11:41 AM
To: LuteNet list
Subject: [LUTE] Galilei lute works
Hi, folks - a couple questions about Galilei lute
I found this in our local music library a few years ago and rather liked it:
Le gagliarde dal Libro d'intavolatura di liuto (Gal; 6): edizione critica
con intavolature per liuto e con trascrizione in notazione moderna
Responsibility
Vincenzo Galilei; a cura di Giulia Perni
Publication
be...@interlog.com Envoyé : vendredi 5 août 2011 18:41 À : LuteNet list
> Objet : [LUTE] Galilei lute works
>
> Hi, folks - a couple questions about Galilei lute works:
>
> Is the Primo Libro D'intavolatura di Liuto the only collection of his
stuff, or did
> he write m
Objet : [LUTE] Galilei lute works
Hi, folks - a couple questions about Galilei lute works:
Is the Primo Libro D'intavolatura di Liuto the only collection of his
stuff, or did he write more?
I've got the Edizioni Suvini Zerboni of this book - found it in the Toronto
library. Would anyone k
Hi Benny,
Hi, folks - a couple questions about Galilei lute works:
Is the Primo Libro D'intavolatura di Liuto the only collection of his
stuff, or did he write more?
I think almost everything we know is in there. One would have to look up the
collections of Fuhrmann, Mertel, Besar
Hi, folks - a couple questions about Galilei lute works:
Is the Primo Libro D'intavolatura di Liuto the only collection of his
stuff, or did he write more?
I've got the Edizioni Suvini Zerboni of this book - found it in the
Toronto library. Would anyone know how where I might
We have posted our Saturday quote, this week from Vincenzo Galilei.
[1]http://mignarda.wordpress.com
Ron & Donna
--
References
1. http://mignarda.wordpress.com/
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Sam,
you'll find the correct version, courtesy of Douglas Alton Smith esq. here:
http://www.cs.dartmouth.edu/~lsa/associated/Galilei/037bFuga.pdf
also with midi files
Best Wishes
G.
- Original Message -
From: "Sam Chapman"
To: "lute-cs.dartmouth.edu"
Dear Lutenists,
Has anyone successfully performed Galilei's Fuga a l'unisono from Il
Fronimo? The piece starts well, but if you play the canon as written
you end up with some pretty bizarre harmonies towards the middle/end of
the piece. If anyone has worked out where the errors are o
Hi Andrei,
here you can find some infos about M. Galilei and some sound samples:
http://lutecast.blogspot.com/2005/11/michelangelo-galilei-1575-1631.html
lute on
we
Ed Durbrow schrieb:
On Nov 15, 2008, at 9:37 AM, andrei and wrote:
Now I'm curious to know how was his sty
came into an italian
musician's hands and was forged into a "Volta Francese".
All best,
Joachim
"Bernd Haegemann" <[EMAIL PROTECTED]> schrieb:
>
>
> >> Shouldn't that be Italian style in Poland?
>
> >
> >
> > why should that be s
Shouldn't that be Italian style in Poland?
why should that be so? Galilei published his book years after he came to
Munich. His years in the service of a nobleman in Poland where than a
thing of the past and his music is really very french in style. There is
.I sort of wanted t
Dear Bernd, dear all,
why should that be so? Galilei published his book years after he came to
Munich. His years in the service of a nobleman in Poland where than a
thing of the past and his music is really very french in style. There is
certainly some (if not much) Italian style in the
[M. Galilei]
He was an Italian, playing French style in Germany! Much style brise,
as they say.
Shouldn't that be Italian style in Poland?
B.
Ed Durbrow
Saitama, Japan
[EMAIL PROTECTED]
http://www9.plala.or.jp/edurbrow/
To get on or off this list see list information at
On Nov 15, 2008, at 9:37 AM, andrei and wrote:
Now I'm curious to know how was his style of
composition.
He was an Italian, playing French style in Germany! Much style brise,
as they say.
Ed Durbrow
Saitama, Japan
[EMAIL PROTECTED]
http://www9.plala.or.jp/edurbrow/
To get on or of
On Sat, Nov 15, 2008 at 12:41 AM, <[EMAIL PROTECTED]> wrote:
> H M
> Brown, _Instrumental Music printed before 1600_. Maybe no longer in print
Available in photoreprint from www.iUniverse.com (1999).
Buy now, before this edition, too, will be out of print.
David
--
*
o, I'll see if I'll buy
It. Also thank you for the sources where I can read more about It.
Thanks for the suggestion Arto. I don't know much about Michelangelo
Galilei. I just know he's the younger brother of Galileo Galilei and he
worked on Germany and Poland. I'
>> Does someone knows how many books did Simone Molinaro and Vincenzo
>> Galilei publish? And when were they publihed?
google gives me these dates - Molinaro, Simone ( C1565-1615) Galilei,
Vincenzo (C1527-1591).
Look for articles 'Molinaro, Simone' and 'Galil
ber 14, 2008 9:52 PM
Subject: [LUTE] Molinaro, Galilei
Hi to everyone,
Does someone knows how many books did Simone Molinaro and Vincenzo
Galilei publish? And when were they publihed?
And also, where can I find these books to download? If there
ain't no
source to download can someone
Yes, I knew it, but definitely I have forgotten... I just suggest going
to those pages - and if memory serves - you'll find the way to do the
trick... ;-)
Arto
PS I recommend the music of Vincenco's lesser known son (compared to
Galileo), Michelangelo Galilei, to lutenists. Very clever mus
I cannot tell you how many books but if you are interested in obtaining some
of the music you might want to visit here.
http://www.lute.ru/mirrors/gerbode/ft2/composers/index.php?&path=Galilei/
- Original Message -
From: "andrei and" <[EMAIL PROTECTED]>
To:
Sent:
Hi to everyone,
Does someone knows how many books did Simone Molinaro and Vincenzo
Galilei publish? And when were they publihed?
And also, where can I find these books to download? If there ain't no
source to download can someone please, send me a link where I can buy
these
Hi to everyone,
Does someone knows how many books did Simone Molinaro and Vincenzo
Galilei publish? And when were they publihed?
And also, where can I find these books to download? If there ain't no
source to download can someone please, send me a link where I can buy
these
The introduction (by Claude Chauvel) in the Minkoff facsimile of Galilei's
book one has a list of concordances.
Ken
-Original Message-
From: Roland Hayes [mailto:[EMAIL PROTECTED]
Sent: Friday, August 29, 2008 12:39 PM
To: Lutelist
Subject: [LUTE] Re: Michelangelo Galilei
Are
Roland:
One Michelangelo Galilei concordance that I am aware of is Prelude 21
(and also printed as Fantasia 1) from Elias Mertel's _Hortus musicalis
novus_, 1615, which predates the Toccata found on p. 38 in Galilei's
publication of _Il primo libro_, 1620. I seem to reme
Are there concordances anywhere for his pieces from his book I of 1620?
They just don't seem to turn up in the Ballard/Cherbury/Louis de Moy
etc. group. R.
-Original Message-
From: Roman Turovsky [mailto:[EMAIL PROTECTED]
Sent: Friday, August 29, 2008 2:35 PM
To: Lutelist
Subject: [LUT
ng is to allow the 3
at B to ring on through C.
Best wishes,
Stewart McCoy.
- Original Message -
From: <[EMAIL PROTECTED]>
To:
Sent: Monday, April 16, 2007 4:09 PM
Subject: [LUTE] Vincenzo Galilei
> Dear All:
> In looking at the manuscript of Vincenzo Galilei's
Dear Jim,
I don't have the book w/ me at work but I think they are hold signs. Usually
they are placed in the first strain and you're expected to remember them on the
(usually nearly identical) second strain. I think they show up in the places
one would expect a note to be held.
Sometimes an + means an ornament like a hammer and pull off or small trill.
Vance Wood.
- Original Message -
From: <[EMAIL PROTECTED]>
To:
Sent: Monday, April 16, 2007 11:09 AM
Subject: [LUTE] Vincenzo Galilei
> Dear All:
> In looking at the manuscript of Vincen
Dear All:
In looking at the manuscript of Vincenzo Galilei's "Intavolatura" of 1584,
which features about 50 galliards, including nine on the names of the muses, he
has a mark that looks like a plus sign (+). My guess from the context is that
means to hold the previous note. Is that correct?
Th
27;s Puffe.
- Original Message -
From: "Martyn Hodgson" <[EMAIL PROTECTED]>
To: "Howard Posner" <[EMAIL PROTECTED]>; "Lute Net"
Sent: Monday, February 05, 2007 3:18 AM
Subject: [LUTE] Re: Vincenzo Galilei
> MS collection compiled b
give more exact details on the mentioned facsimile
edition? I can't find them. Isn't it a confusion with the printed
"Fronimo dialogo" of 1584 (Vincentino Galilei)?
Andreas
Am 05.02.2007 um 09:18 schrieb Martyn Hodgson:
> MS collection compiled by Galilei intit
From: "Bernhard Hofstoetter"
<[EMAIL PROTECTED]>
To: "Andreas Schlegel" <[EMAIL PROTECTED]>
Cc: "Lute Net"
Sent: Monday, February 05, 2007 5:46 AM
Subject: [LUTE] Re: Vincenzo Galilei
> Dear Andreas,
>
> Martyn must be referring to the facsimil
Thanks to everyone for the avalanche of responses to my query. I now
have what I need.
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Dear Andreas,
Martyn must be referring to the facsimile of
"V. Galilei, Libro dintavolatura di liuto nel quale
si contengono i passemezzi, le romanesche, i
saltarelli, et le gagliarde et altre cose ariose, ms.
Gal. 6 (1584) della Biblioteca Nazionale di Firenze"
published by SPES i
Could you please give more exact details on the mentioned facsimile
edition? I can't find them. Isn't it a confusion with the printed
"Fronimo dialogo" of 1584 (Vincentino Galilei)?
Andreas
Am 05.02.2007 um 09:18 schrieb Martyn Hodgson:
> MS collection compi
MS collection compiled by Galilei intitled:
'Libro d'intavolatura di liuto,' dated 1584 on the flyleaf.
Location: Biblioteca Nazionale Centrale di Firenze: Fondo Anteriori a Galileo
6.
Modern facsimile edition published with forward (in Italian
Does anyone know where I can find three or four of Vincenzo Galilei's
simpler, more tuneful pieces, a la Polimnia, in some easy-to-access
(perhaps digital downloadable emailable) form. I agreed to play some
of these and was surprised at how hard they were to find on short
notice. I already ha
>
> In the LSA page
> http://www.cs.dartmouth.edu/~lsa/associated/Galilei/
> they have lots of information of Il Fronimo! There is for ex. a
> spreadsheet
>
> "For a clearer presentation of the concordances among the two
> publications of Fronimo and the various seconda
x27;t in the 1584 ed. Are there other
> contrapunti in it as well as the BM works? This has been very
> difficult to find!
In the LSA page
http://www.cs.dartmouth.edu/~lsa/associated/Galilei/
they have lots of information of Il Fronimo! There is for ex. a
spreadsheet
"For a cleare
inal Message -
> From: "Mathias R=F6sel"
> To: Lutelist
> Sent: Wednesday, August 17, 2005 9:37 AM
> Subject: [LUTE] Re: V. Galilei
>
>
> "Arthur Ness" <[EMAIL PROTECTED]> schrieb:
>> I'm off. Talk to you all later. Oh I see Arto
thread.
ajn
- Original Message -
From: "Mathias R=F6sel"
To: Lutelist
Sent: Wednesday, August 17, 2005 9:37 AM
Subject: [LUTE] Re: V. Galilei
"Arthur Ness" <[EMAIL PROTECTED]> schrieb:
> I'm off. Talk to you all later. Oh I see Arto found
uld expect you could
findit inNorway. Thereis only one copy surviving of the originalprint from
1584, and it is in Florence, National Library.
- Original Message -
From: G.R. Crona
To: Lutelist
Sent: Thursday, August 18, 2005 7:07 AM
Subject: [LUTE] Re: V. Galilei
PS.
onimo dialogo. (Also see the
P.S.)
ajn
- Original Message -
From: G.R. Crona
To: Lutelist
Sent: Thursday, August 18, 2005 6:18 AM
Subject: [LUTE] Re: V. Galilei
Dear List,
Ariel's pledge for the duets of V. Galilei might stem from the
following paper by Dinko Fabri
Dear list,
First of all, thanks to all of you for you precious help.
Iâm experiencing all sorts of problems with this email account, so please
accept my apologies for not having replied earlier.
As soon as this gets fixed Iâll give more details of what I was looking for.
Thanks again.
Regar
zi, le romanesche, i saltarelli, et le gagliarde et altre cose
ariose composte in diversi tempi, 1584, I-Fn; facs. (Florence, 1992),
11 ed. O. Chilesotti, Congresso internazionale di scienze storiche:
Roma 1903, 1358; some ed. in IMi iv (1934); 16 galliards ed. M.
Fritzen, Vincenzo Galilei, Libro d&
Dear List,
Ariel's pledge for the duets of V. Galilei might stem from the
following paper by Dinko Fabris. (So sad he's not on this list!). The
whole text is available on the net, a.o. in "Magnatune's" Paul Bier
recording of Michelagnolo's 1620 book.
"Born in
- Original Message -
From: "Bernd Haegemann" <[EMAIL PROTECTED]>
To: "Fossum, Arthur" <[EMAIL PROTECTED]>
Sent: Thursday, August 18, 2005 9:15 AM
Subject: Re: [LUTE] V. Galilei
> Dear all,
>
>
>>> The link I gave
>>>
>>
; >
> >Thanks for the information, Arto. I'm having difficulties with Ariel's
> >mail. Maybe he didn't see your message.
> >
> >Art
> >- Original Message -
> >From: Arto Wikla
> >To: Francesco Tribioli
> >Cc: [EMAIL PROT
The link I gave
>
http://visualiseur.bnf.fr/Visualiseur?Destination=Gallica&O=NUMM-58217
If you click telecharger you can generate a pdf of all the pages.
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
for the information, Arto. I'm having difficulties with Ariel's mail.
>Maybe he didn't see your message.
>
>Art
>- Original Message -
>From: Arto Wikla
>To: Francesco Tribioli
>Cc: [EMAIL PROTECTED] ; lute@cs.dartmouth.edu
>Sent: Wednesday, August
Dear all,
On Wed, 17 Aug 2005, Arthur Ness wrote:
> Didn't you see Arto's message?
>
> Arto found it in the LSA pages. Go to the first link *(below) and go
> down the a page until you see Transcrtions. That will give you a link
> to Goeran's TAB edition. I can't read it beause you need TAB
e information, Arto. I'm having difficulties with Ariel's mail.
Maybe he didn't see your message.
Art
- Original Message -
From: Arto Wikla
To: Francesco Tribioli
Cc: [EMAIL PROTECTED] ; lute@cs.dartmouth.edu
Sent: Wednesday, August 17, 2005 8:50 AM
Subject: [LUTE] Re
"Arthur Ness" <[EMAIL PROTECTED]> schrieb:
> I'm off. Talk to you all later. Oh I see Arto found them. They are at the
> very end. Also there are other duets with Italian titles on fols. 23-27.
> But Ariel probably means the contrapuncti. Yes, Galilei say
hey are at the
very end. Also there are other duets with Italian titles on fols. 23-27. But
Ariel probably means the contrapuncti. Yes, Galilei says that B.M. is a
Florentine Gentleman.
Arthur.
- Original Message -
From: Roman Turovsky
To: Arthur Ness ; [EMAIL PROTECTED] ; lute@c
outh.edu/~lsa/associated/Galilei/
And the link
http://visualiseur.bnf.fr/Visualiseur?Destination=Gallica&O=NUMM-58217
All the best,
Arto
To get on or off this list see list information at
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2005 2:34 PM
> To: lute@cs.dartmouth.edu
> Subject: [LUTE] AW: Re: V. Galilei
>
> If I recall correctly you will find the complete "Il Fronimo"
> on the Fronimo site of Francesco Tribioli.
>
> Best wishes
> Thomas
>
> >
> >Ariel,
> >
> >My mess
o: lute@cs.dartmouth.edu
> Sent: Wednesday, August 17, 2005 7:29 AM
> Subject: [LUTE] V. Galilei
>
>
> Dear list,
>
>
> I=E2?Tm looking for a digital edition of V. Galilei=E2?Ts lute duets
(all of them, if possible), in any format.
> I=E2?Tve got the music in printed ve
uot;? Sakudos, Arthur.
> - Original Message -
> From: [EMAIL PROTECTED]
> To: lute@cs.dartmouth.edu
> Sent: Wednesday, August 17, 2005 7:29 AM
> Subject: [LUTE] V. Galilei
>
>
> Dear list,
>
>
> I=E2?Tm looking for a digital edition of V. Galilei=E2?Ts lu
bject: [LUTE] V. Galilei
Dear list,
I=E2?Tm looking for a digital edition of V. Galilei=E2?Ts lute duets (all of
them, if possible), in any format.
I=E2?Tve got the music in printed versions, but I=E2?Tll need to edit a
couple of things, and if I could avoid transcribing everything from 0 it
Dear list,
Iâm looking for a digital edition of V. Galileiâs lute duets (all of them,
if possible), in any format.
Iâve got the music in printed versions, but Iâll need to edit a couple of
things, and if I could avoid transcribing everything from 0 it would be great.
Iâd really appre
he 17th century,
starting with Francisque, Robert Ballard et. al. and its subsequent
adaptation by the french baroque lutenists and later harpsichordists.
IMV it certainly is conductive to a very pleasing style of making
variations as seen in Galilei 1620.
cf. New Grove entry, Satoh CD and (a few) lut
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