(313) Recording from PC to MD... was RE: (313) mixer advice
sorry to keep this OT thread going, i'm a fan of my portable MD and thought Sony's NetMD stuff was pants but found a cool (and cheap!) product that allows you to get ripped/downloaded/streaming audio from your PC to MD without having to upgrade your MD an aussie company xitel produces a USB device allowing you to record from your PC direct to your mindisc recorder and its compatible with all recording decks. You plug it in, load up the audio files you want to record from your player of choice and hit record. i think the MDPort-DG2 sells for about $50 USD, and Sony sell their products rebadged at an inflated price too! http://www.xitel.com/ cheers Dang (not a sales rep for xitel) - Original Message - One cautionary word of advice though. If you hope to record to minidisc, then dump the song into NetMD, this will not work b/c of copy protection measures, so you actually need to do it analogue-style. I was a bit disappointed by that. And that is precisely when and where Sony dropped the ball on MD. Shame, really. Especially since this is completely unclear until after you make the purchase (if you are an idiot electronics impulse shopper like myself anyway). This message is for the named person's use only. It may contain sensitive and private proprietary or legally privileged information. No confidentiality or privilege is waived or lost by any mistransmission. If you are not the intended recipient, please immediately delete it and all copies of it from your system, destroy any hard copies of it and notify the sender. You must not, directly or indirectly, use, disclose, distribute, print, or copy any part of this message if you are not the intended recipient. CREDIT SUISSE GROUP and each legal entity in the CREDIT SUISSE FIRST BOSTON or CREDIT SUISSE ASSET MANAGEMENT business units of CREDIT SUISSE FIRST BOSTON reserve the right to monitor all e-mail communications through its networks. Any views expressed in this message are those of the individual sender, except where the message states otherwise and the sender is authorized to state them to be the views of any such entity. Unless otherwise stated, any pricing information given in this message is indicative only, is subject to change and does not constitute an offer to deal at any price quoted. Any reference to the terms of executed transactions should be treated as preliminary only and subject to our formal written confirmation.
Re: (313) Recording from PC to MD... was RE: (313) mixer advice
I guess the advantage of the NetMDs is that you can record to them at 32x speed, whereas with the Xitel MDPort-DG2 its just a straight digital connection which you can only record to in realtime. Chau, Dang said: sorry to keep this OT thread going, i'm a fan of my portable MD and thought Sony's NetMD stuff was pants but found a cool (and cheap!) product that allows you to get ripped/downloaded/streaming audio from your PC to MD without having to upgrade your MD an aussie company xitel produces a USB device allowing you to record from your PC direct to your mindisc recorder and its compatible with all recording decks. You plug it in, load up the audio files you want to record from your player of choice and hit record. i think the MDPort-DG2 sells for about $50 USD, and Sony sell their products rebadged at an inflated price too! http://www.xitel.com/ cheers Dang (not a sales rep for xitel) - Original Message - One cautionary word of advice though. If you hope to record to minidisc, then dump the song into NetMD, this will not work b/c of copy protection measures, so you actually need to do it analogue-style. I was a bit disappointed by that. And that is precisely when and where Sony dropped the ball on MD. Shame, really. Especially since this is completely unclear until after you make the purchase (if you are an idiot electronics impulse shopper like myself anyway). This message is for the named person's use only. It may contain sensitive and private proprietary or legally privileged information. No confidentiality or privilege is waived or lost by any mistransmission. If you are not the intended recipient, please immediately delete it and all copies of it from your system, destroy any hard copies of it and notify the sender. You must not, directly or indirectly, use, disclose, distribute, print, or copy any part of this message if you are not the intended recipient. CREDIT SUISSE GROUP and each legal entity in the CREDIT SUISSE FIRST BOSTON or CREDIT SUISSE ASSET MANAGEMENT business units of CREDIT SUISSE FIRST BOSTON reserve the right to monitor all e-mail communications through its networks. Any views expressed in this message are those of the individual sender, except where the message states otherwise and the sender is authorized to state them to be the views of any such entity. Unless otherwise stated, any pricing information given in this message is indicative only, is subject to change and does not constitute an offer to deal at any price quoted. Any reference to the terms of executed transactions should be treated as preliminary only and subject to our formal written confirmation. -- dave.
(313) Soul In Motion
Thank you to everyone that persuaded me to buy the Soul in Motion comp without hearing it. Best. Com-pi-la-tion. Ev-er. OK, maybe not, but I'm struggling to think of a better one. :) Seriously, there isn't a bad track on it, and the only one I'm not ga-ga for is the 4 Hero remix of YMO, which never really reaches full speed. 'The Flow' is wonderful. Oh, and while I have your ear, don't forget the new Convextion on DownLow. It is easilly the best techno record of 2002 IMHO. More reviews forthcoming... Here's the Soul In Motion tracklist for those who may have missed this thread the first or second time: Soul In Motion: A Collection of Soulful Futuristic Grooves - Compiled by Volcov - Irma Records [IRMA 508816-1] A: Titonton Duvante - Foreplay Domu - The Long Way Up B: Art Forrest - The Flow Ahab - Held By Love C: Hannah - Ghost Carl Craig - They Were D: Nu Era - Breaking In Space YMO - Indo (4 Hero Remix) E: Dexcya (sic) - Journey Home Splinterfaction - Ultraism F: Nubian Mindz - Malfunction Envoy - Leave This World Behind ... THANKS! Tristan = Text/Mixes: http://phonopsia.tripod.com Music: http://www.mp313.com Contact: [EMAIL PROTECTED] New Mix in mp3, 'Live in Iowa City' available for a short time from http://phonopsia.isoprax.com
(313) Radio Independent Jatkoaika 6.12.2002 (stream)
http://byrokratia.org/radio Radio Independent Jatkoaika commences broadcast Friday December 6th 19.00 o'clock (+2h GMT/UT). Programmers, Roman Empire, aristocracy, high decision-makers... All these names mean one thing. When thousands of people in Finland are watching independence day Presidental castle reception admiring evening gowns and listening to commentators' hypnotic voice You can turn off the volume and use the program as a screensaver, music video or present day documentary whilst listening to Radio Free Jatkoaika. Brave lads at the decks. Samu Fax Nurpo Teemu P Virasto Kytösavun aukeilla mailla on kansa mi aina on vaalinut vapauttansa. Vannoivat näin pojat urheat siellä: Orjuus pois, taikka menköön henki niin kuin mennyt on isienkin, kunnia kuolla on vapauden tiellä. Tää vala on murtumaton. In the wide, cleared fields has the people cherished freedom. They took an oath there: Away with the slavery or death to us upon as with our fathers, honorable death on the path of freedom. Never will break this bond. (A very, very quick and poor translation.) J -- [EMAIL PROTECTED] Metaprogram yourself.
(313) Mold The Idea - a last reminder
-= Delsin and BlackLabel are proud to present: Mold the Idea; a benefit party to show you what these labels stand for. Friday December 6th . This will be one of the first parties in the new rebuild Zuidas/Amsterdam, and as it still is sort of illegal we have to end the party at 2 am, therefor we start early with a free drinks happy hour from 20.00 till 21.00. At this time we also bring you special tapas style food made by Magic Marc. Deejays for this night are Aroy Dee, Foreign, Peel Seamus and KidGoesting . Snapshots presented through Dats and discs by Deepart (Deepart/Delsin) (London/UK) and especially for this occasion live from Detroit/USA we bring you ULTRADYNE TICKETS PRE-SALE 10 Euro at Rushhour/Amsterdam SUPPORT YOUR LOCAL SCENE AND BE THERE!! KidGoesting and Peel Seamus. =-
(313) Fw: The Gallery (London) - Kevin Sanderson (Exclusive House set) !
** Entertainment UK Limited Registered Office: 243 Blyth Road, Hayes, Middlesex UB3 1DN. Registered in England Numbered 409775 This e-mail is only intended for the person(s) to whom it is addressed and may contain confidential information. Unless stated to the contrary, any opinions or comments are personal to the writer and do not represent the official view of the company. If you have received this e-mail in error, please notify us immediately by reply e-mail and then delete this message from your system. Please do not copy it or use it for any purposes, or disclose its contents to any other person. Thank you for your co-operation. ** Anyone up for 'Peasey', 'Blocko' Kev?? -- Forwarded by Gary Girard/Sales/Blyth/EUK on 06/12/2002 11:11 --- Elliot Moore [EMAIL PROTECTED] on 05/12/2002 12:36:28 To: [EMAIL PROTECTED] cc: Subject: Fw: The Gallery Xmas Party onsale now! Check out room 2. It can't be the Kevin Saunderson (Inner City, E-Dancer) can it? L. - Original Message - From: [EMAIL PROTECTED] To: [EMAIL PROTECTED] Sent: Thursday, December 05, 2002 12:26 PM Subject: The Gallery Xmas Party onsale now! Dear music lover, Tickets are onsale now for The Gallery Xmas Party Friday 20th December 02 -10.30pm - 7.30am £10 Members NUS B4 11.30pm // £12 After // £15 Guests *** This ticket also gets you in for FREE @ Turnmills on 27/12/02 *** Room 1: Pete Tong Tall Paul Sister Bliss Darren Christian Steve Lee Alex Anderson Room 2: Lottie (5 Hours) Kevin Sanderson (Exclusive House set) Room 3: The Asylum (Launch Party / New for 2003) Brandon Block Alex P To buy tickets click here NOW: http://www.ticketweb.co.uk/user/?region=ukquery=detailevent=43491referra l_id=152 The Gallery's notorious Xmas party is always one of the biggest events on the clubbing calendar and this year the line-up is bigger than ever. To help celebrate what has been another incredible year for The Gallery, we've invited the king of the airwaves and the most important man in house music, Radio One's Pete Tong to play a very special Xmas set. Joining Pete will be two of The Gallery's all-time favourite dancefloor DJ's, Kiss FM's Tall Paul and Sister Bliss, the angelic star of UK dance act Faithless.. The Queen of Radio One, Lottie will be hosting T2, alongside Detroit's techno God, Kevin Sanderson, who'll be spinning a very rare and exclusive 'house' set. Ibiza nutbags, Brandon Block and Alex P will be entertaining the backroom with their usual antics, whilst the main room support comes from banging Gallery residents Darren Christian, Steve Lee and Alex Anderson. Expect all this and much, much more at London's friendliest all-night club this Xmas. To stay up to date with other new events on sale at Ticketmaster Ticketweb, sign up for Ticketmaster's weekly Ticket Alert email newsletter. http://www.ticketmaster.co.uk/ticket_alert/ Please do not reply to this email, as you will not get a response. To remove yourself from this mailing list, email: [EMAIL PROTECTED] mailto:[EMAIL PROTECTED] and write Unsubscribe in the subject line. Cheers, The TicketWeb team.
RE: (313) Studio Monitors
A friend of mine recently purchased some minipod monitors - Im now sure how they shape up to other monitors but they sound great to me and look tha sh!t too ! (afaik theyre smaller versions of the large conch/shell speakers that won the british design award a few years back) check out www.minipod.com peace, Marc -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice.
RE: (313) Fw: The Gallery (London) - Kevin Sanderson (Exclusive House set) !
I already had this conversation yesterday! I checked with Organised (the agency). It is indeed Master Reese! We speculate this is a favour returned. The man's known never to let down a mate. k -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Friday, December 06, 2002 11:18 AM To: 313@hyperreal.org Subject: (313) Fw: The Gallery (London) - Kevin Sanderson (Exclusive House set) ! ** Entertainment UK Limited Registered Office: 243 Blyth Road, Hayes, Middlesex UB3 1DN. Registered in England Numbered 409775 This e-mail is only intended for the person(s) to whom it is addressed and may contain confidential information. Unless stated to the contrary, any opinions or comments are personal to the writer and do not represent the official view of the company. If you have received this e-mail in error, please notify us immediately by reply e-mail and then delete this message from your system. Please do not copy it or use it for any purposes, or disclose its contents to any other person. Thank you for your co-operation. ** Anyone up for 'Peasey', 'Blocko' Kev?? -- Forwarded by Gary Girard/Sales/Blyth/EUK on 06/12/2002 11:11 --- Elliot Moore [EMAIL PROTECTED] on 05/12/2002 12:36:28 To: [EMAIL PROTECTED] cc: Subject: Fw: The Gallery Xmas Party onsale now! Check out room 2. It can't be the Kevin Saunderson (Inner City, E-Dancer) can it? L. - Original Message - From: [EMAIL PROTECTED] To: [EMAIL PROTECTED] Sent: Thursday, December 05, 2002 12:26 PM Subject: The Gallery Xmas Party onsale now! Dear music lover, Tickets are onsale now for The Gallery Xmas Party Friday 20th December 02 -10.30pm - 7.30am £10 Members NUS B4 11.30pm // £12 After // £15 Guests *** This ticket also gets you in for FREE @ Turnmills on 27/12/02 *** Room 1: Pete Tong Tall Paul Sister Bliss Darren Christian Steve Lee Alex Anderson Room 2: Lottie (5 Hours) Kevin Sanderson (Exclusive House set) Room 3: The Asylum (Launch Party / New for 2003) Brandon Block Alex P To buy tickets click here NOW: http://www.ticketweb.co.uk/user/?region=ukquery=detailevent=43491referra l_id=152 The Gallery's notorious Xmas party is always one of the biggest events on the clubbing calendar and this year the line-up is bigger than ever. To help celebrate what has been another incredible year for The Gallery, we've invited the king of the airwaves and the most important man in house music, Radio One's Pete Tong to play a very special Xmas set. Joining Pete will be two of The Gallery's all-time favourite dancefloor DJ's, Kiss FM's Tall Paul and Sister Bliss, the angelic star of UK dance act Faithless.. The Queen of Radio One, Lottie will be hosting T2, alongside Detroit's techno God, Kevin Sanderson, who'll be spinning a very rare and exclusive 'house' set. Ibiza nutbags, Brandon Block and Alex P will be entertaining the backroom with their usual antics, whilst the main room support comes from banging Gallery residents Darren Christian, Steve Lee and Alex Anderson. Expect all this and much, much more at London's friendliest all-night club this Xmas. To stay up to date with other new events on sale at Ticketmaster Ticketweb, sign up for Ticketmaster's weekly Ticket Alert email newsletter. http://www.ticketmaster.co.uk/ticket_alert/ Please do not reply to this email, as you will not get a response. To remove yourself from this mailing list, email: [EMAIL PROTECTED] mailto:[EMAIL PROTECTED] and write Unsubscribe in the subject line. Cheers, The TicketWeb team.
RE: (313) Fw: The Gallery (London) - Kevin Sanderson (Exclusive H ouse set) !
He seems a little out of place amongst DJs like Taul Paul, Brandon Block and Pete Tong. I, for one, would love to hear him play out (never heard him - his K7 - Deep Space Network is a stalwart on my stereo) but I don't think I could face the rest of it. What are they thinking? -Original Message- From: Odeluga, Ken [mailto:[EMAIL PROTECTED] Sent: Friday, December 06, 2002 11:39 AM To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) Fw: The Gallery (London) - Kevin Sanderson (Exclusive House set) ! I already had this conversation yesterday! I checked with Organised (the agency). It is indeed Master Reese! We speculate this is a favour returned. The man's known never to let down a mate. k -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Friday, December 06, 2002 11:18 AM To: 313@hyperreal.org Subject: (313) Fw: The Gallery (London) - Kevin Sanderson (Exclusive House set) ! ** Entertainment UK Limited Registered Office: 243 Blyth Road, Hayes, Middlesex UB3 1DN. Registered in England Numbered 409775 This e-mail is only intended for the person(s) to whom it is addressed and may contain confidential information. Unless stated to the contrary, any opinions or comments are personal to the writer and do not represent the official view of the company. If you have received this e-mail in error, please notify us immediately by reply e-mail and then delete this message from your system. Please do not copy it or use it for any purposes, or disclose its contents to any other person. Thank you for your co-operation. ** Anyone up for 'Peasey', 'Blocko' Kev?? -- Forwarded by Gary Girard/Sales/Blyth/EUK on 06/12/2002 11:11 --- Elliot Moore [EMAIL PROTECTED] on 05/12/2002 12:36:28 To: [EMAIL PROTECTED] cc: Subject: Fw: The Gallery Xmas Party onsale now! Check out room 2. It can't be the Kevin Saunderson (Inner City, E-Dancer) can it? L. - Original Message - From: [EMAIL PROTECTED] To: [EMAIL PROTECTED] Sent: Thursday, December 05, 2002 12:26 PM Subject: The Gallery Xmas Party onsale now! Dear music lover, Tickets are onsale now for The Gallery Xmas Party Friday 20th December 02 -10.30pm - 7.30am £10 Members NUS B4 11.30pm // £12 After // £15 Guests *** This ticket also gets you in for FREE @ Turnmills on 27/12/02 *** Room 1: Pete Tong Tall Paul Sister Bliss Darren Christian Steve Lee Alex Anderson Room 2: Lottie (5 Hours) Kevin Sanderson (Exclusive House set) Room 3: The Asylum (Launch Party / New for 2003) Brandon Block Alex P To buy tickets click here NOW: http://www.ticketweb.co.uk/user/?region=ukquery=detailevent=43491referra l_id=152 The Gallery's notorious Xmas party is always one of the biggest events on the clubbing calendar and this year the line-up is bigger than ever. To help celebrate what has been another incredible year for The Gallery, we've invited the king of the airwaves and the most important man in house music, Radio One's Pete Tong to play a very special Xmas set. Joining Pete will be two of The Gallery's all-time favourite dancefloor DJ's, Kiss FM's Tall Paul and Sister Bliss, the angelic star of UK dance act Faithless.. The Queen of Radio One, Lottie will be hosting T2, alongside Detroit's techno God, Kevin Sanderson, who'll be spinning a very rare and exclusive 'house' set. Ibiza nutbags, Brandon Block and Alex P will be entertaining the backroom with their usual antics, whilst the main room support comes from banging Gallery residents Darren Christian, Steve Lee and Alex Anderson. Expect all this and much, much more at London's friendliest all-night club this Xmas. To stay up to date with other new events on sale at Ticketmaster Ticketweb, sign up for Ticketmaster's weekly Ticket Alert email newsletter. http://www.ticketmaster.co.uk/ticket_alert/ Please do not reply to this email, as you will not get a response. To remove yourself from this mailing list, email: [EMAIL PROTECTED] mailto:[EMAIL PROTECTED] and write Unsubscribe in the subject line. Cheers, The TicketWeb team. Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED]
RE: (313) Studio Monitors
Not sure on the current price, but I wouldn't trade in my Mackie HR824's for anything right now. They sound great at the lowest volume settings and have almost absolutely flat frequency response. http://www.mackie.com/record/studiomonitors/index.html Good Luck, Tim -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Thursday, December 05, 2002 2:34 PM To: 313@hyperreal.org Subject: (313) Studio Monitors ** Entertainment UK Limited Registered Office: 243 Blyth Road, Hayes, Middlesex UB3 1DN. Registered in England Numbered 409775 This e-mail is only intended for the person(s) to whom it is addressed and may contain confidential information. Unless stated to the contrary, any opinions or comments are personal to the writer and do not represent the official view of the company. If you have received this e-mail in error, please notify us immediately by reply e-mail and then delete this message from your system. Please do not copy it or use it for any purposes, or disclose its contents to any other person. Thank you for your co-operation. ** Can anyone give any advice on a good pair of studio monitors around the £200/$350 mark? I'm familiar withTannoy Reveals but am not so with other monitors in the same price bracket. I find with my mate's Reveals my mixes tend to come out too Bassy. I think the reason is I over compensate on bass during the mix as the speakers don't 'Reveal' the low end frequencies too well. Anyone else experience this? Cheers, Bergz.
(313) Re: Studio Monitors
if anyone cares, i've been using the Tannoy Proto-J's for well over 2 years now, powered by my Samson Servo 260 monitor power amplifier. they are absolutely amazing. i have always loved the frequencies on them as i don't feel that i have ever under-bass'd, or over-bass'd any of my recordings with them. and i dont use a subwoofer. not to mention they usually run about $175-$200 per matched pair. 1 negative point is they are not magnetically shielded, which can really screw up several computer monitor displays that use tubes (the magnet from the speakers will destroy the screen). this wasnt a problem for me when i got them, as i was completely hardware based... and once i started bringing the computer in my setup - i got a 15 LCD screen which is not effected by the magnet. now i just run my laptop, a couple analog filters, and my tannoy's. if you dont use a big honkin' computer screen in your production setup, i say check them out. the eq balance is the best i have found for under $1,000 a pair. -Adam Jay
RE: (313) Studio Monitors
I remember somebody in a UK music magazine saying that they used NS10's as their studio monitors because if they could make their tracks sound good on them, then they would sound good on anything. On a slightly related note, does anyone have any recommendations for quality headphones for monitoring (ie; not DJ headphones) please ? sImon Pascoe Jernej wrote; NS-10 are not recommended as only monitors. All the pro studios only use them so that people can hear the mix on the same monitors in every studio, or to simulate lo quality hi-fi speakers... you never see them used as only monitors. They also seam to be useful as a magnifying glass for middle frequencies. But in general they sound pretty awful, and you wouldn't want to listen to them for a long time.
Re: (313) Fw: The Gallery (London) - Kevin Sanderson (Exclusive House set) !
Well he's spinning in a room with a Lottie, and i heard her a while back and she surprised me with some pure, fine, deep house and techno grooves...so avoid the other rooms i would say.. - Original Message - From: Robert Taylor [EMAIL PROTECTED] To: 'Odeluga, Ken' [EMAIL PROTECTED]; [EMAIL PROTECTED]; 313@hyperreal.org Sent: Friday, December 06, 2002 12:51 PM Subject: RE: (313) Fw: The Gallery (London) - Kevin Sanderson (Exclusive House set) ! He seems a little out of place amongst DJs like Taul Paul, Brandon Block and Pete Tong. I, for one, would love to hear him play out (never heard him - his K7 - Deep Space Network is a stalwart on my stereo) but I don't think I could face the rest of it. What are they thinking? -Original Message- From: Odeluga, Ken [mailto:[EMAIL PROTECTED] Sent: Friday, December 06, 2002 11:39 AM To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) Fw: The Gallery (London) - Kevin Sanderson (Exclusive House set) ! I already had this conversation yesterday! I checked with Organised (the agency). It is indeed Master Reese! We speculate this is a favour returned. The man's known never to let down a mate. k -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Friday, December 06, 2002 11:18 AM To: 313@hyperreal.org Subject: (313) Fw: The Gallery (London) - Kevin Sanderson (Exclusive House set) ! ** Entertainment UK Limited Registered Office: 243 Blyth Road, Hayes, Middlesex UB3 1DN. Registered in England Numbered 409775 This e-mail is only intended for the person(s) to whom it is addressed and may contain confidential information. Unless stated to the contrary, any opinions or comments are personal to the writer and do not represent the official view of the company. If you have received this e-mail in error, please notify us immediately by reply e-mail and then delete this message from your system. Please do not copy it or use it for any purposes, or disclose its contents to any other person. Thank you for your co-operation. ** Anyone up for 'Peasey', 'Blocko' Kev?? -- Forwarded by Gary Girard/Sales/Blyth/EUK on 06/12/2002 11:11 --- Elliot Moore [EMAIL PROTECTED] on 05/12/2002 12:36:28 To: [EMAIL PROTECTED] cc: Subject: Fw: The Gallery Xmas Party onsale now! Check out room 2. It can't be the Kevin Saunderson (Inner City, E-Dancer) can it? L. - Original Message - From: [EMAIL PROTECTED] To: [EMAIL PROTECTED] Sent: Thursday, December 05, 2002 12:26 PM Subject: The Gallery Xmas Party onsale now! Dear music lover, Tickets are onsale now for The Gallery Xmas Party Friday 20th December 02 -10.30pm - 7.30am £10 Members NUS B4 11.30pm // £12 After // £15 Guests *** This ticket also gets you in for FREE @ Turnmills on 27/12/02 *** Room 1: Pete Tong Tall Paul Sister Bliss Darren Christian Steve Lee Alex Anderson Room 2: Lottie (5 Hours) Kevin Sanderson (Exclusive House set) Room 3: The Asylum (Launch Party / New for 2003) Brandon Block Alex P To buy tickets click here NOW: http://www.ticketweb.co.uk/user/?region=ukquery=detailevent=43491referra l_id=152 The Gallery's notorious Xmas party is always one of the biggest events on the clubbing calendar and this year the line-up is bigger than ever. To help celebrate what has been another incredible year for The Gallery, we've invited the king of the airwaves and the most important man in house music, Radio One's Pete Tong to play a very special Xmas set. Joining Pete will be two of The Gallery's all-time favourite dancefloor DJ's, Kiss FM's Tall Paul and Sister Bliss, the angelic star of UK dance act Faithless.. The Queen of Radio One, Lottie will be hosting T2, alongside Detroit's techno God, Kevin Sanderson, who'll be spinning a very rare and exclusive 'house' set. Ibiza nutbags, Brandon Block and Alex P will be entertaining the backroom with their usual antics, whilst the main room support comes from banging Gallery residents Darren Christian, Steve Lee and Alex Anderson. Expect all this and much, much more at London's friendliest all-night club this Xmas. To stay up to date with other new events on sale at Ticketmaster Ticketweb, sign up for Ticketmaster's weekly Ticket Alert email newsletter. http://www.ticketmaster.co.uk/ticket_alert/ Please do not reply to this email, as you will not get a response. To remove yourself from this mailing list, email: [EMAIL PROTECTED] mailto:[EMAIL PROTECTED] and write Unsubscribe in the subject line. Cheers, The TicketWeb team. Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the
(313) Vinyl recommendations
I'm going to go on a bit of a record-buying spree tomorrow - the first in several months in fact. I was wondering if anyone had any particular recommendations for essential records that have come out over summer/autumn this year? Aside from the obvious, of course, such as: - all the new UR/Los Hermanos/Red Planet things - The Robert Hood stuff on Peacefrog and Logistic - Metro Area album - Those Music Box bootlegs - The release on OurTime Anything else to add to my list? Thanks! Brendan http://www.mp3.com/trackghost - music http://www.sharesite.org/music.html - mixes http://www.wideadventure.com - London's booty night http://www.sharesite.org - finance
(313) headphones for monitoring?
On Fri, 06 Dec 2002, Simon M Pascoe wrote: does anyone have any recommendations for quality headphones for monitoring (ie; not DJ headphones) please ? sImon Pascoe ***Simon: Sony's MDR-V600 are good headphones, and thus good for any type of listening. But, I would strongly caution you against producing only with headphones. If you produce with just headphones, your brain and your ears will work together to make things sound better than they really are and psychoacoustically fill in the sonic holes. Then when you play something on a speaker system that you've produced while monitoring on headphones, you will find that your balances will be off (too much/too little of different frequencies). I broke this rule a month or so back and it was obvious: I had been working on a remix for Tristan (Phonopsia) and decided to play with my rough version during a live PA. All was sounding great till I dropped in the bassline I had created and--even over the club's system--it just wasn't cutting it. Turned out that I had done the bassline one night while my girlfriend was over; she was really tired and had gone to bed, and I was working on headphones so as not to disturb her. So the rest of the remix, that which had been done on monitors, was fine, but the balance, because I had done it on headphones, wasn't all that it was cracked up to be because my ears and my brain had made it sound better and more right than it really was. (Over the headphones, it was like wow, this is a sweet bassline; over the club speakers--and mind you, everything else sounded great--it was like uh, what the hell is this?) Note to Tristan: Don't worry, I'll be fixing this! :) So, if you want to get a bit of work done--say late at night--and don't want to disturb room mates/partners with your work, use the headphones to get some rough work done (editing sounds, things like that that aren't frequency and balance-based) and not disturb them, but it is best to use monitors and headphones when getting into EQing, mixdowns, mastering, etc-- monitors to get the balances right, and then headphones later to listen to the quieter and more detailed parts, fade outs, listen for unwanted clicks, errors, etc, and fine tune 'em. Hope this helps. Take care. Andrew albums out now: Sprung (http://bip-hop.com) More Destructive Than Organized (http://staalplaat.com) Highest Common Denominator (http://pieheadrecords.com) Physical and Mental Health (http://dialrecords.com) 74'02 (split with Hypo) (http://tsunami-addiction.com) check Cognition (http://techno.ca/cognition) for upcoming appearance and release updates __ Get your FREE personalized e-mail at http://www.canada.com
Re: (313) Vinyl recommendations
Memo from Alex Bond of PricewaterhouseCoopers Start of message text Brendan; I was wondering if anyone had any particular recommendations for essential records that have come out over summer/autumn this year? Strand Message 3 on Delsin. Rhythm Sound LoveJoy on Burial Mix Other People Place on Clone The 2 new Drexciya Projects? (Rephlex/Tresor) New Blaze LP Erm, can't think of any more... - End of message text This e-mail is intended only for the person to whom it is addressed. If an addressing or transmission error has misdirected this e-mail, please notify the author by replying to this e-mail. If you are not the intended recipient you must not use, disclose, copy, print or rely on this e-mail. The principal place of business of PricewaterhouseCoopers and its associate partnerships is 1 Embankment Place, London WC2N 6RH where lists of the partners' names are available for inspection. All partners in the associate partnerships are authorised to conduct business as agents of, and all contracts for services to clients are with, PricewaterhouseCoopers. The UK firm of PricewaterhouseCoopers is authorised by the Financial Services Authority for investment business activities. PricewaterhouseCoopers is a member of the world-wide PricewaterhouseCoopers organisation. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring. Visit our website http://www.pwcglobal.com _ The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. Any review, retransmission, dissemination or other use of, or taking of any action in reliance upon, this information by persons or entities other than the intended recipient is prohibited. If you received this in error, please contact the sender and delete the material from any computer.
Re: (313) mixer advice
Is there any way to record without the ATRAC compression? I will mostly be using the Minidisc to record my DJ sets to then burn to CD on my computer. Analog input and output is perfect on both ends. I am just worried about the effects of the ATRAC compression on the sound quality since the end product will be a CD. At 09:36 PM 12/5/2002 +, Tristan Watkins wrote: - Original Message - From: Eric Scuccimarra [EMAIL PROTECTED] To: [EMAIL PROTECTED]; 313@hyperreal.org Sent: Thursday, December 05, 2002 2:13 PM Subject: RE: (313) mixer advice Just looked into Minidisc and it apparently has a built in compression method which compresses a 74 minute CD to about 160 MB. I had no clue that it did that. Minidisc uses Sony's own ATRAC compression, and newer models offer LP2 and LP4 compression modes, which is essentially 1/2 and 1/4 compression, so you can record for 5 hours on one 74 minute disc. That's pretty damn cool, although the compression is pretty noticeable at LP4. I really love mine. The compression is equivalent to 160Kbps mp3 on the standard recording mode, I'd say, which to my ears means that you can't tell - not to open up that can of worms again. I know it's subjective. Frankly, for DJ sets I think it's fine. I would never record my music to minidisc as a first-choice option though. One other cool thing is that newer minidiscs also support mp3, and you can cram a lot more mp3s on a minidisc than you can on the comparable price of smart memory. Of course, the IPod holds gigs upon gigs, which kind of blows all the other mp3 players out of the water AFAIK. One cautionary word of advice though. If you hope to record to minidisc, then dump the song into NetMD, this will not work b/c of copy protection measures, so you actually need to do it analogue-style. I was a bit disappointed by that. Tristan = Text/Mixes: http://phonopsia.tripod.com Music: http://www.mp313.com Contact: [EMAIL PROTECTED] New Mix in mp3, 'Live in Iowa City' available for a short time from http://phonopsia.isoprax.com
Re: (313) mixer advice
- Original Message - From: Eric Scuccimarra [EMAIL PROTECTED] To: Tristan Watkins [EMAIL PROTECTED]; [EMAIL PROTECTED]; 313@hyperreal.org Sent: Friday, December 06, 2002 2:04 PM Subject: Re: (313) mixer advice Is there any way to record without the ATRAC compression? I will mostly be using the Minidisc to record my DJ sets to then burn to CD on my computer. Analog input and output is perfect on both ends. I am just worried about the effects of the ATRAC compression on the sound quality since the end product will be a CD. Nope. There's no way to do it without ATRAC, but I think you'll find it unnoticeable. I'd recommend having a listen at your local shoppe if you can. Your ears will be the best judge of what is acceptible. If analogue in/out is OK for you, then I'd be surprised if ATRAC is not. Tristan = Text/Mixes: http://phonopsia.tripod.com Music: http://www.mp313.com Contact: [EMAIL PROTECTED] New Mix in mp3, 'Live in Iowa City' available for a short time from http://phonopsia.isoprax.com
(313) Anyone checking out Sean Deason this weekend?
He's playing a live PA and a DJ set in Detroit this weekend. Check it out: http://www.acidsonicresearch.com PeoplePC: It's for people. And it's just smart. http://www.peoplepc.com
(313) Anyone checking out Sean Deason this weekend?
He's playing a live PA and a DJ set in Detroit this weekend. Check it out: http://www.acidsonicresearch.com PeoplePC: It's for people. And it's just smart. http://www.peoplepc.com
(313) Anyone checking out Sean Deason this weekend?
He's playing a live PA and a DJ set in Detroit this weekend. Check it out: http://www.acidsonicresearch.com PeoplePC: It's for people. And it's just smart. http://www.peoplepc.com
RE: (313) Vinyl recommendations
Recloose LP The 2nd Peacefrog collection way back in early 02; (well worth £30 for the vinyl) but if not, then at least: The Telephone EP (was this 01? Get it anyway, if you haven't!). Beatdown Sounds; Environ 14; Soul Center LP Blaktronics EP with Mike Grant Mix of Raindrops Mills LP. -Original Message- From: Brendan Nelson [mailto:[EMAIL PROTECTED] Sent: Friday, December 06, 2002 1:37 PM To: 313@hyperreal.org Subject: (313) Vinyl recommendations I'm going to go on a bit of a record-buying spree tomorrow - the first in several months in fact. I was wondering if anyone had any particular recommendations for essential records that have come out over summer/autumn this year? Aside from the obvious, of course, such as: - all the new UR/Los Hermanos/Red Planet things - The Robert Hood stuff on Peacefrog and Logistic - Metro Area album - Those Music Box bootlegs - The release on OurTime Anything else to add to my list? Thanks! Brendan http://www.mp3.com/trackghost - music http://www.sharesite.org/music.html - mixes http://www.wideadventure.com - London's booty night http://www.sharesite.org - finance
(313) sean deason live
you don't want to miss this. A NIGHT OF SENSUAL TECHNO AND DEEP RHYTHMS SEAN DEASON sensual soundscapes and genre bending textures special live performance dj set KATACONDA minimal animal techno live set WRAITH bio-mechanical grooves live/dj set KILLSWYTCH ambient tribal tech house dj set Saturday Dec 7th 10:30pm-early morning Detroit Contemporary 5141 Rosa Parks Blvd. Detroit cover = $5 we'd love to see some new and old faces, sean has something cool lined up so you'll kick yourself if you miss it!!! get in touch if you need more info kataconda www.acidsonicresearch.com www.mp313.com
Re: (313) headphones for monitoring?
seems like 313 has become a gear list latly. i think that off-topic mails (including this one) are 85% of the discussion this last weeks.. : ] - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Friday, December 06, 2002 11:48 AM Subject: (313) headphones for monitoring? On Fri, 06 Dec 2002, Simon M Pascoe wrote: does anyone have any recommendations for quality headphones for monitoring (ie; not DJ headphones) please ? sImon Pascoe ***Simon: Sony's MDR-V600 are good headphones, and thus good for any type of listening. But, I would strongly caution you against producing only with headphones. If you produce with just headphones, your brain and your ears will work together to make things sound better than they really are and psychoacoustically fill in the sonic holes. Then when you play something on a speaker system that you've produced while monitoring on headphones, you will find that your balances will be off (too much/too little of different frequencies). I broke this rule a month or so back and it was obvious: I had been working on a remix for Tristan (Phonopsia) and decided to play with my rough version during a live PA. All was sounding great till I dropped in the bassline I had created and--even over the club's system--it just wasn't cutting it. Turned out that I had done the bassline one night while my girlfriend was over; she was really tired and had gone to bed, and I was working on headphones so as not to disturb her. So the rest of the remix, that which had been done on monitors, was fine, but the balance, because I had done it on headphones, wasn't all that it was cracked up to be because my ears and my brain had made it sound better and more right than it really was. (Over the headphones, it was like wow, this is a sweet bassline; over the club speakers--and mind you, everything else sounded great--it was like uh, what the hell is this?) Note to Tristan: Don't worry, I'll be fixing this! :) So, if you want to get a bit of work done--say late at night--and don't want to disturb room mates/partners with your work, use the headphones to get some rough work done (editing sounds, things like that that aren't frequency and balance-based) and not disturb them, but it is best to use monitors and headphones when getting into EQing, mixdowns, mastering, etc-- monitors to get the balances right, and then headphones later to listen to the quieter and more detailed parts, fade outs, listen for unwanted clicks, errors, etc, and fine tune 'em. Hope this helps. Take care. Andrew albums out now: Sprung (http://bip-hop.com) More Destructive Than Organized (http://staalplaat.com) Highest Common Denominator (http://pieheadrecords.com) Physical and Mental Health (http://dialrecords.com) 74'02 (split with Hypo) (http://tsunami-addiction.com) check Cognition (http://techno.ca/cognition) for upcoming appearance and release updates __ Get your FREE personalized e-mail at http://www.canada.com
RE: (313) headphones for monitoring?
I think people will have these discussions in the awareness that they are off-topic, but as long as no-one says anything people will try to get away with it! But if there are protests then people will drop the topic. I guess 313 has always had a bit of a tendency to do this sort of thing though - it moves in cycles really. And no, I don't want to end up creating a meta-thread here :) Brendan | -Original Message- | From: henrique casanova [mailto:[EMAIL PROTECTED] | Sent: 06 December 2002 14:04 | To: 313@hyperreal.org | Subject: Re: (313) headphones for monitoring? | | | seems like 313 has become a gear list latly. i think that | off-topic mails | (including this one) are 85% of the discussion this last weeks.. : ] | | - Original Message - | From: [EMAIL PROTECTED] | To: 313@hyperreal.org | Sent: Friday, December 06, 2002 11:48 AM | Subject: (313) headphones for monitoring? | | | On Fri, 06 Dec 2002, Simon M Pascoe wrote: | | does anyone have any recommendations for quality | headphones for monitoring (ie; not DJ headphones) | please ? | sImon Pascoe | | ***Simon: Sony's MDR-V600 are good headphones, and | thus good for any type of listening. But, I would | strongly caution you against producing only with | headphones. If you produce with just headphones, your | brain and your ears will work together to make things | sound better than they really are and | psychoacoustically fill in the sonic holes. Then when | you play something on a speaker system that you've | produced while monitoring on headphones, you will find | that your balances will be off (too much/too little of | different frequencies). I broke this rule a month or | so back and it was obvious: I had been working on a | remix for Tristan (Phonopsia) and decided to play with | my rough version during a live PA. All was sounding | great till I dropped in the bassline I had created | and--even over the club's system--it just wasn't | cutting it. Turned out that I had done the bassline | one night while my girlfriend was over; she was really | tired and had gone to bed, and I was working on | headphones so as not to disturb her. So the rest of | the remix, that which had been done on monitors, was | fine, but the balance, because I had done it on | headphones, wasn't all that it was cracked up to be | because my ears and my brain had made it sound better | and more right than it really was. (Over the | headphones, it was like wow, this is a sweet | bassline; over the club speakers--and mind you, | everything else sounded great--it was like uh, what | the hell is this?) Note to Tristan: Don't worry, | I'll be fixing this! :) So, if you want to get a bit | of work done--say late at night--and don't want to | disturb room mates/partners with your work, use the | headphones to get some rough work done (editing sounds, | things like that that aren't frequency and | balance-based) and not disturb them, but it is best to | use monitors and headphones when getting into EQing, | mixdowns, mastering, etc-- monitors to get the balances | right, and then headphones later to listen to the | quieter and more detailed parts, fade outs, listen for | unwanted clicks, errors, etc, and fine tune 'em. Hope | this helps. Take care. Andrew | | albums out now: Sprung (http://bip-hop.com) | More Destructive Than Organized | (http://staalplaat.com) | Highest Common Denominator (http://pieheadrecords.com) | Physical and Mental Health (http://dialrecords.com) | 74'02 (split with Hypo) (http://tsunami-addiction.com) | check Cognition (http://techno.ca/cognition) | for upcoming appearance and release updates | __ | Get your FREE personalized e-mail at http://www.canada.com | | |
Re: (313) Anyone checking out Sean Deason this weekend?
What the hell are you doing up at this hour anyways?? kataconda wrote: doh! you beat me to it by about a minute. damn you johnson ; ) www.acidsonicresearch.com www.mp313.com He's playing a live PA and a DJ set in Detroit this weekend. Check it out: a href=http://mail.peoplepc.com/jump/http://www.acidsonicresearch.com;http://www.acidsonicresearch.com/a TJJ ~in a perfect world, nothing is perfect~ PeoplePC: It's for people. And it's just smart. http://www.peoplepc.com
RE: (313) Vinyl recommendations
Ive not heard them but I'd be checking out these new electrofunk releases: :D EF-2009-1- Mr DE- Peace Of Mine- Electrofunk Ef-2001-1- Mr DE- Electronicfunkyshit EP- Electrofunk EF502- Aaron Carl- Down/THe Answer- Electrofunk -Original Message- From: Odeluga, Ken [mailto:[EMAIL PROTECTED] Sent: 06 December 2002 14:30 To: Brendan Nelson; 313@hyperreal.org Subject: RE: (313) Vinyl recommendations Recloose LP The 2nd Peacefrog collection way back in early 02; (well worth £30 for the vinyl) but if not, then at least: The Telephone EP (was this 01? Get it anyway, if you haven't!). Beatdown Sounds; Environ 14; Soul Center LP Blaktronics EP with Mike Grant Mix of Raindrops Mills LP. -Original Message- From: Brendan Nelson [mailto:[EMAIL PROTECTED] Sent: Friday, December 06, 2002 1:37 PM To: 313@hyperreal.org Subject: (313) Vinyl recommendations I'm going to go on a bit of a record-buying spree tomorrow - the first in several months in fact. I was wondering if anyone had any particular recommendations for essential records that have come out over summer/autumn this year? Aside from the obvious, of course, such as: - all the new UR/Los Hermanos/Red Planet things - The Robert Hood stuff on Peacefrog and Logistic - Metro Area album - Those Music Box bootlegs - The release on OurTime Anything else to add to my list? Thanks! Brendan http://www.mp3.com/trackghost - music http://www.sharesite.org/music.html - mixes http://www.wideadventure.com - London's booty night http://www.sharesite.org - finance -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice.
RE: (313) Vinyl recommendations
Indeed I will be checking them out! The next big WIDE night at Herbal probably isn't til late January though (we're doing a night in Hackney in two weeks, but that's just District), so I might hold off the major booty/ghetto purchasing session until the next paycheque comes in. But the new Electrofunks are definitelty worth a listen, and I'll be scouting around for those bootlegs too (Jucy Titties / Bass Jams etc)... Brendan | -Original Message- | From: Langsman, Marc [mailto:[EMAIL PROTECTED] | Sent: 06 December 2002 14:47 | To: 'Odeluga, Ken'; Brendan Nelson; 313@hyperreal.org | Cc: '[EMAIL PROTECTED]' | Subject: RE: (313) Vinyl recommendations | | | | Ive not heard them but I'd be checking out these new | electrofunk releases: | :D | | EF-2009-1- Mr DE- Peace Of Mine- Electrofunk | Ef-2001-1- Mr DE- Electronicfunkyshit EP- Electrofunk | EF502- Aaron Carl- Down/THe Answer- Electrofunk | | -Original Message- | From: Odeluga, Ken [mailto:[EMAIL PROTECTED] | Sent: 06 December 2002 14:30 | To: Brendan Nelson; 313@hyperreal.org | Subject: RE: (313) Vinyl recommendations | | | Recloose LP | The 2nd Peacefrog collection way back in early 02; | (well worth £30 for the vinyl) but if not, then at least: | The Telephone EP | (was this 01? Get it anyway, if you haven't!). | Beatdown Sounds; | Environ 14; | Soul Center LP | Blaktronics EP with Mike Grant Mix of Raindrops | Mills LP. | | | -Original Message- | From: Brendan Nelson [mailto:[EMAIL PROTECTED] | Sent: Friday, December 06, 2002 1:37 PM | To: 313@hyperreal.org | Subject: (313) Vinyl recommendations | | | I'm going to go on a bit of a record-buying spree tomorrow - | the first | in several months in fact. I was wondering if anyone had any | particular | recommendations for essential records that have come out over | summer/autumn this year? Aside from the obvious, of | course, such as: | | - all the new UR/Los Hermanos/Red Planet things | - The Robert Hood stuff on Peacefrog and Logistic | - Metro Area album | - Those Music Box bootlegs | - The release on OurTime | | Anything else to add to my list? | | Thanks! | | Brendan | | http://www.mp3.com/trackghost - music | http://www.sharesite.org/music.html - mixes | http://www.wideadventure.com - London's booty night | http://www.sharesite.org - finance | | | | -- | | This message is intended only for the personal and | confidential use of the designated recipient(s) named above. | If you are not the intended recipient of this message you are | hereby notified that any review, dissemination, distribution | or copying of this message is strictly prohibited. This | communication is for information purposes only and should not | be regarded as an offer to sell or as a solicitation of an | offer to buy any financial product, an official confirmation | of any transaction, or as an official statement of Lehman | Brothers. Email transmission cannot be guaranteed to be | secure or error-free. Therefore, we do not represent that | this information is complete or accurate and it should not be | relied upon as such. All information is subject to change | without notice. | | |
RE: (313) headphones for monitoring?
Brendan I think people will have these discussions in the awareness that they are off-topic, but as long as no-one says anything people will try to get away with it! I started off thinking this ... then I got (cheap pun intended fully intended) ... drawn in? And I thought, actually, this is quite interesting! I may be happy with my second-hand Pioneer mixer and random choice of dex, but it's nice to hear people who really appear to know what they're doing discuss the real deal. Just count yourselves lucky that I haven't been discussing the AKAI/Roland samplers I'm considering buying in public! ;o) k
Re: (313) Vinyl recommendations
The 2 new Drexciya Projects? (Rephlex/Tresor) The Transllusion LIFE album on Rephlex is definitely one of the Drexciya related projects people should check out. It's exceptionally (even for Drexciya) freaky and odd especially when compared with some of the straighter output (Other People Place) - but there's some beautiful moments on it too. There is a Transllusion 12 also on Rephlex that is not so hot IMO - check out the album first. || [CiM] || [EMAIL PROTECTED] || http://www.warmdata.net/ _ Protect your PC - get McAfee.com VirusScan Online http://clinic.mcafee.com/clinic/ibuy/campaign.asp?cid=3963
Re: (313) Vinyl recommendations
All of the aforementioned by Ken and Alex, plus Silicon Scally - Mr Machine (SCSI) John Thomas - Blackstage Re-works part2: Working Night (Octave One remix) (Logistic) Theo Parrish - Solitary Flight (Sound Signature) Russ Gabriel - Willkommen EP (Out Of The Loop) Shifted Phases - The Cosmic Memoirs of the Late Great Rupert J. Rosinthrope (Tresor) Todd Sines Natacha Labelle - Overlap (Planet E) Dimitri from Paris - Disco Classics (mixed dbl) (Salsoul) Szymanski - Lover's Quarrel (Omoamusic) Have fun! : ) Anya ___ Freeserve AnyTime, only £13.99 per month with one month's FREE trial! For more information visit http://www.freeserve.com/time/ or call free on 0800 970 8890
Re: (313) headphones for monitoring?
I think off topic discussions is what has kept me, and i believe a lot of people, on this list. Sometimes a breather from 'track id' or a discussion about saunderson, mills etc. is needed. There are other dimensions to detroit music, djing and producingand I'm sure there are other dimensions to us as people. As for headphones, I personally like my big ole Sonys that have a button that allows me to turn off one ear. how's that for technical talk;) d --- henrique casanova [EMAIL PROTECTED] wrote: seems like 313 has become a gear list latly. i think that off-topic mails (including this one) are 85% of the discussion this last weeks.. : ] - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Friday, December 06, 2002 11:48 AM Subject: (313) headphones for monitoring? On Fri, 06 Dec 2002, Simon M Pascoe wrote: does anyone have any recommendations for quality headphones for monitoring (ie; not DJ headphones) please ? sImon Pascoe ***Simon: Sony's MDR-V600 are good headphones, and thus good for any type of listening. But, I would strongly caution you against producing only with headphones. If you produce with just headphones, your brain and your ears will work together to make things sound better than they really are and psychoacoustically fill in the sonic holes. Then when you play something on a speaker system that you've produced while monitoring on headphones, you will find that your balances will be off (too much/too little of different frequencies). I broke this rule a month or so back and it was obvious: I had been working on a remix for Tristan (Phonopsia) and decided to play with my rough version during a live PA. All was sounding great till I dropped in the bassline I had created and--even over the club's system--it just wasn't cutting it. Turned out that I had done the bassline one night while my girlfriend was over; she was really tired and had gone to bed, and I was working on headphones so as not to disturb her. So the rest of the remix, that which had been done on monitors, was fine, but the balance, because I had done it on headphones, wasn't all that it was cracked up to be because my ears and my brain had made it sound better and more right than it really was. (Over the headphones, it was like wow, this is a sweet bassline; over the club speakers--and mind you, everything else sounded great--it was like uh, what the hell is this?) Note to Tristan: Don't worry, I'll be fixing this! :) So, if you want to get a bit of work done--say late at night--and don't want to disturb room mates/partners with your work, use the headphones to get some rough work done (editing sounds, things like that that aren't frequency and balance-based) and not disturb them, but it is best to use monitors and headphones when getting into EQing, mixdowns, mastering, etc-- monitors to get the balances right, and then headphones later to listen to the quieter and more detailed parts, fade outs, listen for unwanted clicks, errors, etc, and fine tune 'em. Hope this helps. Take care. Andrew albums out now: Sprung (http://bip-hop.com) More Destructive Than Organized (http://staalplaat.com) Highest Common Denominator (http://pieheadrecords.com) Physical and Mental Health (http://dialrecords.com) 74'02 (split with Hypo) (http://tsunami-addiction.com) check Cognition (http://techno.ca/cognition) for upcoming appearance and release updates __ Get your FREE personalized e-mail at http://www.canada.com __ Do you Yahoo!? Yahoo! Mail Plus - Powerful. Affordable. Sign up now. http://mailplus.yahoo.com
RE: (313) headphones for monitoring?
Technical talk doesn't really hold my attention but I'm not gonna get p***ed off about it. If it don't interest me I just delete it. Sometimes the 313 topic seems a little narrow 'cos it ain't the only thing of interest in the world -Original Message- From: diana potts [mailto:[EMAIL PROTECTED] Sent: Friday, December 06, 2002 3:39 PM To: henrique casanova; 313@hyperreal.org Subject: Re: (313) headphones for monitoring? I think off topic discussions is what has kept me, and i believe a lot of people, on this list. Sometimes a breather from 'track id' or a discussion about saunderson, mills etc. is needed. There are other dimensions to detroit music, djing and producingand I'm sure there are other dimensions to us as people. As for headphones, I personally like my big ole Sonys that have a button that allows me to turn off one ear. how's that for technical talk;) d --- henrique casanova [EMAIL PROTECTED] wrote: seems like 313 has become a gear list latly. i think that off-topic mails (including this one) are 85% of the discussion this last weeks.. : ] - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Friday, December 06, 2002 11:48 AM Subject: (313) headphones for monitoring? On Fri, 06 Dec 2002, Simon M Pascoe wrote: does anyone have any recommendations for quality headphones for monitoring (ie; not DJ headphones) please ? sImon Pascoe ***Simon: Sony's MDR-V600 are good headphones, and thus good for any type of listening. But, I would strongly caution you against producing only with headphones. If you produce with just headphones, your brain and your ears will work together to make things sound better than they really are and psychoacoustically fill in the sonic holes. Then when you play something on a speaker system that you've produced while monitoring on headphones, you will find that your balances will be off (too much/too little of different frequencies). I broke this rule a month or so back and it was obvious: I had been working on a remix for Tristan (Phonopsia) and decided to play with my rough version during a live PA. All was sounding great till I dropped in the bassline I had created and--even over the club's system--it just wasn't cutting it. Turned out that I had done the bassline one night while my girlfriend was over; she was really tired and had gone to bed, and I was working on headphones so as not to disturb her. So the rest of the remix, that which had been done on monitors, was fine, but the balance, because I had done it on headphones, wasn't all that it was cracked up to be because my ears and my brain had made it sound better and more right than it really was. (Over the headphones, it was like wow, this is a sweet bassline; over the club speakers--and mind you, everything else sounded great--it was like uh, what the hell is this?) Note to Tristan: Don't worry, I'll be fixing this! :) So, if you want to get a bit of work done--say late at night--and don't want to disturb room mates/partners with your work, use the headphones to get some rough work done (editing sounds, things like that that aren't frequency and balance-based) and not disturb them, but it is best to use monitors and headphones when getting into EQing, mixdowns, mastering, etc-- monitors to get the balances right, and then headphones later to listen to the quieter and more detailed parts, fade outs, listen for unwanted clicks, errors, etc, and fine tune 'em. Hope this helps. Take care. Andrew albums out now: Sprung (http://bip-hop.com) More Destructive Than Organized (http://staalplaat.com) Highest Common Denominator (http://pieheadrecords.com) Physical and Mental Health (http://dialrecords.com) 74'02 (split with Hypo) (http://tsunami-addiction.com) check Cognition (http://techno.ca/cognition) for upcoming appearance and release updates __ Get your FREE personalized e-mail at http://www.canada.com __ Do you Yahoo!? Yahoo! Mail Plus - Powerful. Affordable. Sign up now. http://mailplus.yahoo.com Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED]
(313) More Phones talk.........
** Entertainment UK Limited Registered Office: 243 Blyth Road, Hayes, Middlesex UB3 1DN. Registered in England Numbered 409775 This e-mail is only intended for the person(s) to whom it is addressed and may contain confidential information. Unless stated to the contrary, any opinions or comments are personal to the writer and do not represent the official view of the company. If you have received this e-mail in error, please notify us immediately by reply e-mail and then delete this message from your system. Please do not copy it or use it for any purposes, or disclose its contents to any other person. Thank you for your co-operation. ** I use these Sennheiser HD 265's and often get better mix results monitoring on these than on my hi-fi speakers. If you like bass, then buy these! Link to info:- G. http://www.sennheiserusa.com/pages/products/headphones/index.htm
(313) topics
I've been pleased by the topics lately ... the Deason Shiznit thread/project/beast-out-of-control, new beat, e2e4 ... the gear stuff comes and goes. -d On Friday, December 6, 2002, at 10:38 AM, diana potts wrote: I think off topic discussions is what has kept me, and i believe a lot of people, on this list. Sometimes a breather from 'track id' or a discussion about saunderson, mills etc. is needed. There are other dimensions to detroit music, djing and producingand I'm sure there are other dimensions to us as people. As for headphones, I personally like my big ole Sonys that have a button that allows me to turn off one ear. how's that for technical talk;) d --- henrique casanova [EMAIL PROTECTED] wrote: seems like 313 has become a gear list latly. i think that off-topic mails (including this one) are 85% of the discussion this last weeks.. : ] - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Friday, December 06, 2002 11:48 AM Subject: (313) headphones for monitoring? On Fri, 06 Dec 2002, Simon M Pascoe wrote: does anyone have any recommendations for quality headphones for monitoring (ie; not DJ headphones) please ? sImon Pascoe ***Simon: Sony's MDR-V600 are good headphones, and thus good for any type of listening. But, I would strongly caution you against producing only with headphones. If you produce with just headphones, your brain and your ears will work together to make things sound better than they really are and psychoacoustically fill in the sonic holes. Then when you play something on a speaker system that you've produced while monitoring on headphones, you will find that your balances will be off (too much/too little of different frequencies). I broke this rule a month or so back and it was obvious: I had been working on a remix for Tristan (Phonopsia) and decided to play with my rough version during a live PA. All was sounding great till I dropped in the bassline I had created and--even over the club's system--it just wasn't cutting it. Turned out that I had done the bassline one night while my girlfriend was over; she was really tired and had gone to bed, and I was working on headphones so as not to disturb her. So the rest of the remix, that which had been done on monitors, was fine, but the balance, because I had done it on headphones, wasn't all that it was cracked up to be because my ears and my brain had made it sound better and more right than it really was. (Over the headphones, it was like wow, this is a sweet bassline; over the club speakers--and mind you, everything else sounded great--it was like uh, what the hell is this?) Note to Tristan: Don't worry, I'll be fixing this! :) So, if you want to get a bit of work done--say late at night--and don't want to disturb room mates/partners with your work, use the headphones to get some rough work done (editing sounds, things like that that aren't frequency and balance-based) and not disturb them, but it is best to use monitors and headphones when getting into EQing, mixdowns, mastering, etc-- monitors to get the balances right, and then headphones later to listen to the quieter and more detailed parts, fade outs, listen for unwanted clicks, errors, etc, and fine tune 'em. Hope this helps. Take care. Andrew albums out now: Sprung (http://bip-hop.com) More Destructive Than Organized (http://staalplaat.com) Highest Common Denominator (http://pieheadrecords.com) Physical and Mental Health (http://dialrecords.com) 74'02 (split with Hypo) (http://tsunami-addiction.com) check Cognition (http://techno.ca/cognition) for upcoming appearance and release updates __ Get your FREE personalized e-mail at http://www.canada.com __ Do you Yahoo!? Yahoo! Mail Plus - Powerful. Affordable. Sign up now. http://mailplus.yahoo.com
(313) Other things?
Memo from Alex Bond of PricewaterhouseCoopers Start of message text Robert; Sometimes the 313 topic seems a little narrow 'cos it ain't the only thing of interest in the world Woooahh, hold on just a minute, you mean there's more to life than techno? Where is this 'world' that you speak of? Is it on t'internet? : ) - End of message text This e-mail is intended only for the person to whom it is addressed. If an addressing or transmission error has misdirected this e-mail, please notify the author by replying to this e-mail. If you are not the intended recipient you must not use, disclose, copy, print or rely on this e-mail. The principal place of business of PricewaterhouseCoopers and its associate partnerships is 1 Embankment Place, London WC2N 6RH where lists of the partners' names are available for inspection. All partners in the associate partnerships are authorised to conduct business as agents of, and all contracts for services to clients are with, PricewaterhouseCoopers. The UK firm of PricewaterhouseCoopers is authorised by the Financial Services Authority for investment business activities. PricewaterhouseCoopers is a member of the world-wide PricewaterhouseCoopers organisation. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring. Visit our website http://www.pwcglobal.com _ The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. Any review, retransmission, dissemination or other use of, or taking of any action in reliance upon, this information by persons or entities other than the intended recipient is prohibited. If you received this in error, please contact the sender and delete the material from any computer.
Re: (313) headphones for monitoring?
It may just be me but it seems that these days the OT threads seem to be the longest and usually have the largest contributions (the couple I can think of are dance music dancing, best decks mixer, eminem, etc) The fact is if people wanna talk about these things its fine by me, as long as the subject title is appropriate you can choose what to ignore delete. that said, the 313techknow yahoo group might be a better place to talk about the technical stuff. -Mike Robert Taylor wrote: Technical talk doesn't really hold my attention but I'm not gonna get p***ed off about it. If it don't interest me I just delete it. Sometimes the 313 topic seems a little narrow 'cos it ain't the only thing of interest in the world -Original Message- From: diana potts [mailto:[EMAIL PROTECTED] Sent: Friday, December 06, 2002 3:39 PM To: henrique casanova; 313@hyperreal.org Subject: Re: (313) headphones for monitoring? I think off topic discussions is what has kept me, and i believe a lot of people, on this list. Sometimes a breather from 'track id' or a discussion about saunderson, mills etc. is needed. There are other dimensions to detroit music, djing and producingand I'm sure there are other dimensions to us as people. As for headphones, I personally like my big ole Sonys that have a button that allows me to turn off one ear. how's that for technical talk;) d --- henrique casanova [EMAIL PROTECTED] wrote: seems like 313 has become a gear list latly. i think that off-topic mails (including this one) are 85% of the discussion this last weeks.. : ] - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Friday, December 06, 2002 11:48 AM Subject: (313) headphones for monitoring? On Fri, 06 Dec 2002, Simon M Pascoe wrote: does anyone have any recommendations for quality headphones for monitoring (ie; not DJ headphones) please ? sImon Pascoe ***Simon: Sony's MDR-V600 are good headphones, and thus good for any type of listening. But, I would strongly caution you against producing only with headphones. If you produce with just headphones, your brain and your ears will work together to make things sound better than they really are and psychoacoustically fill in the sonic holes. Then when you play something on a speaker system that you've produced while monitoring on headphones, you will find that your balances will be off (too much/too little of different frequencies). I broke this rule a month or so back and it was obvious: I had been working on a remix for Tristan (Phonopsia) and decided to play with my rough version during a live PA. All was sounding great till I dropped in the bassline I had created and--even over the club's system--it just wasn't cutting it. Turned out that I had done the bassline one night while my girlfriend was over; she was really tired and had gone to bed, and I was working on headphones so as not to disturb her. So the rest of the remix, that which had been done on monitors, was fine, but the balance, because I had done it on headphones, wasn't all that it was cracked up to be because my ears and my brain had made it sound better and more right than it really was. (Over the headphones, it was like wow, this is a sweet bassline; over the club speakers--and mind you, everything else sounded great--it was like uh, what the hell is this?) Note to Tristan: Don't worry, I'll be fixing this! :) So, if you want to get a bit of work done--say late at night--and don't want to disturb room mates/partners with your work, use the headphones to get some rough work done (editing sounds, things like that that aren't frequency and balance-based) and not disturb them, but it is best to use monitors and headphones when getting into EQing, mixdowns, mastering, etc-- monitors to get the balances right, and then headphones later to listen to the quieter and more detailed parts, fade outs, listen for unwanted clicks, errors, etc, and fine tune 'em. Hope this helps. Take care. Andrew albums out now: Sprung (http://bip-hop.com) More Destructive Than Organized (http://staalplaat.com) Highest Common Denominator (http://pieheadrecords.com) Physical and Mental Health (http://dialrecords.com) 74'02 (split with Hypo) (http://tsunami-addiction.com) check Cognition (http://techno.ca/cognition) for upcoming appearance and release updates __ Get your FREE personalized e-mail at http://www.canada.com __ Do you Yahoo!? Yahoo! Mail Plus - Powerful. Affordable. Sign up now. http://mailplus.yahoo.com Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended
Re: (313) headphones for monitoring?
delete butom, delete butom, delete butom, delete butom, delete butom, delete butom, delete butom, delete butom, - Original Message - From: diana potts [EMAIL PROTECTED] To: henrique casanova [EMAIL PROTECTED]; 313@hyperreal.org Sent: Friday, December 06, 2002 1:38 PM Subject: Re: (313) headphones for monitoring? I think off topic discussions is what has kept me, and i believe a lot of people, on this list. Sometimes a breather from 'track id' or a discussion about saunderson, mills etc. is needed. There are other dimensions to detroit music, djing and producingand I'm sure there are other dimensions to us as people. As for headphones, I personally like my big ole Sonys that have a button that allows me to turn off one ear. how's that for technical talk;) d --- henrique casanova [EMAIL PROTECTED] wrote: seems like 313 has become a gear list latly. i think that off-topic mails (including this one) are 85% of the discussion this last weeks.. : ] - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Friday, December 06, 2002 11:48 AM Subject: (313) headphones for monitoring? On Fri, 06 Dec 2002, Simon M Pascoe wrote: does anyone have any recommendations for quality headphones for monitoring (ie; not DJ headphones) please ? sImon Pascoe ***Simon: Sony's MDR-V600 are good headphones, and thus good for any type of listening. But, I would strongly caution you against producing only with headphones. If you produce with just headphones, your brain and your ears will work together to make things sound better than they really are and psychoacoustically fill in the sonic holes. Then when you play something on a speaker system that you've produced while monitoring on headphones, you will find that your balances will be off (too much/too little of different frequencies). I broke this rule a month or so back and it was obvious: I had been working on a remix for Tristan (Phonopsia) and decided to play with my rough version during a live PA. All was sounding great till I dropped in the bassline I had created and--even over the club's system--it just wasn't cutting it. Turned out that I had done the bassline one night while my girlfriend was over; she was really tired and had gone to bed, and I was working on headphones so as not to disturb her. So the rest of the remix, that which had been done on monitors, was fine, but the balance, because I had done it on headphones, wasn't all that it was cracked up to be because my ears and my brain had made it sound better and more right than it really was. (Over the headphones, it was like wow, this is a sweet bassline; over the club speakers--and mind you, everything else sounded great--it was like uh, what the hell is this?) Note to Tristan: Don't worry, I'll be fixing this! :) So, if you want to get a bit of work done--say late at night--and don't want to disturb room mates/partners with your work, use the headphones to get some rough work done (editing sounds, things like that that aren't frequency and balance-based) and not disturb them, but it is best to use monitors and headphones when getting into EQing, mixdowns, mastering, etc-- monitors to get the balances right, and then headphones later to listen to the quieter and more detailed parts, fade outs, listen for unwanted clicks, errors, etc, and fine tune 'em. Hope this helps. Take care. Andrew albums out now: Sprung (http://bip-hop.com) More Destructive Than Organized (http://staalplaat.com) Highest Common Denominator (http://pieheadrecords.com) Physical and Mental Health (http://dialrecords.com) 74'02 (split with Hypo) (http://tsunami-addiction.com) check Cognition (http://techno.ca/cognition) for upcoming appearance and release updates __ Get your FREE personalized e-mail at http://www.canada.com __ Do you Yahoo!? Yahoo! Mail Plus - Powerful. Affordable. Sign up now. http://mailplus.yahoo.com
(313) 313 vinyl recommendations
How about Every Dog Has Its Day 3 - if only for the last track? The vinyl is a bit pricey but worth every penny IMHO Dan -Original Message- From: Brendan Nelson [mailto:[EMAIL PROTECTED] Sent: Friday, December 06, 2002 1:37 PM To: 313@hyperreal.org Subject: (313) Vinyl recommendations I'm going to go on a bit of a record-buying spree tomorrow - the first in several months in fact. I was wondering if anyone had any particular recommendations for essential records that have come out over summer/autumn this year? Aside from the obvious, of course, such as: - all the new UR/Los Hermanos/Red Planet things - The Robert Hood stuff on Peacefrog and Logistic - Metro Area album - Those Music Box bootlegs - The release on OurTime Anything else to add to my list? Thanks! Brendan
Re: (313) 313 vinyl recommendations
the new amp dog night (kdj) on mahogani!! a must have b On Fri, 6 Dec 2002 [EMAIL PROTECTED] wrote: How about Every Dog Has Its Day 3 - if only for the last track? The vinyl is a bit pricey but worth every penny IMHO Dan -Original Message- From: Brendan Nelson [mailto:[EMAIL PROTECTED] Sent: Friday, December 06, 2002 1:37 PM To: 313@hyperreal.org Subject: (313) Vinyl recommendations I'm going to go on a bit of a record-buying spree tomorrow - the first in several months in fact. I was wondering if anyone had any particular recommendations for essential records that have come out over summer/autumn this year? Aside from the obvious, of course, such as: - all the new UR/Los Hermanos/Red Planet things - The Robert Hood stuff on Peacefrog and Logistic - Metro Area album - Those Music Box bootlegs - The release on OurTime Anything else to add to my list? Thanks! Brendan data general=== ==www.umich.edu/~btausig=== [EMAIL PROTECTED] [EMAIL PROTECTED]
(313) track id...transpotters on your marks, get ready, set, go!!
what is the name of the track that goes in my mind i've had these thoughts and builds to a screaming person saying let your mind blow it's got a really wicked synth line after each vocal. your help is appreciated!!! -sam __ Do you Yahoo!? Yahoo! Mail Plus - Powerful. Affordable. Sign up now. http://mailplus.yahoo.com
Re: (313) track id...transpotters on your marks, get ready, set, go!!
green velvet, cant remember the track name :( sorry - Original Message - From: Samuel Hobbs [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Friday, December 06, 2002 11:12 AM Subject: (313) track id...transpotters on your marks, get ready, set, go!! what is the name of the track that goes in my mind i've had these thoughts and builds to a screaming person saying let your mind blow it's got a really wicked synth line after each vocal. your help is appreciated!!! -sam __ Do you Yahoo!? Yahoo! Mail Plus - Powerful. Affordable. Sign up now. http://mailplus.yahoo.com
Re: (313) track id...transpotters on your marks, get ready, set, go!!
Green Velvet -Thoughts On the Constant Chaos LP. what is the name of the track that goes in my mind i've had these thoughts and builds to a screaming person saying let your mind blow it's got a really wicked synth line after each vocal.
(313) Traxx Tonight (NYC)
EXPLOSIVE, this Saturday DEC7th Traxx.Dinky.and HongKongCounterfiet(live per4mance) @ 59 Canal street (bet. Allen and Orchard). __ \ Meyer sound-system / ALSO the show is going to be recorded and uploaded in case you miss it
RE: (313) Traxx Tonight (NYC)
My bad, this event is TOMORROW night ;) -Original Message- From: Grammenos, Peter Sent: Friday, December 06, 2002 11:23 AM To: '313@hyperreal.org' Subject: (313) Traxx Tonight (NYC) EXPLOSIVE, this Saturday DEC7th Traxx.Dinky.and HongKongCounterfiet(live per4mance) @ 59 Canal street (bet. Allen and Orchard). __ \ Meyer sound-system / ALSO the show is going to be recorded and uploaded in case you miss it
(313) ULTRADYNE representin in Europe
the Ultradynamiteers were rokin the crowd over here in Heidelberg (Germany) whippin everyone with that hot buttmovin twisted cold-sex-neo-tek-funk stuff (ok - delete this description - words can´t desribe what they are doin :)) 313-PEEPZ - don´t miss to catch them on their Eurotour - your bootys will swing, even when you´re trying hard not to move 2NITE ... they are hitting Amsterdam (see dates beneath) Antwerpen coming up, Paris ... ... Mr Lugo + Mr Richardson THANKS 4 COMIN B.D. 4 the cube, the collective, source recs + moving recs 2002 -- -- -- -- -- -- -- -- -- -- -- -- 2NITE: Delsin and BlackLabel are proud to present: Mold the Idea; a benefit party to show you what these labels stand for. Friday December 6th . This will be one of the first parties in the new rebuild Zuidas/Amsterdam, and as it still is sort of illegal we have to end the party at 2 am, therefor we start early with a free drinks happy hour from 20.00 till 21.00. At this time we also bring you special tapas style food made by Magic Marc. Deejays for this night are Aroy Dee, Foreign, Peel Seamus and KidGoesting . Snapshots presented through Dats and discs by Deepart (Deepart/Delsin) (London/UK) and especially for this occasion live from Detroit/USA we bring you ULTRADYNE TICKETS PRE-SALE 10 Euro at Rushhour/Amsterdam SUPPORT YOUR LOCAL SCENE AND BE THERE!! KidGoesting and Peel Seamus.
(313) seattle/vancouver redux
im going to be unsubbing for a short bit in the next week but just wanted to once again try and get in touch with any 313'ers in the northwest. im gonna be in seattle 28 dec - 04 jan. ill have regular access to email up until the 13th but no promises from the 13th - 28th hit me back at this address or [EMAIL PROTECTED]
Re: (313) ULTRADYNE representin in Europe
i second that i couldn't believe my ears, it totally rocked my favourite was this one track which was a bit slower, with vocals and had some cybotron feel, somewhere in the middle of the set... if you can do it, check it out, i travelled 6 hours altogether and just saying it was worth it just doesn't do it, it's a must - Original Message - From: Buck Depravity [EMAIL PROTECTED] To: 313s 313@hyperreal.org Sent: Friday, December 06, 2002 5:33 PM Subject: (313) ULTRADYNE representin in Europe the Ultradynamiteers were rokin the crowd over here in Heidelberg (Germany) whippin everyone with that hot buttmovin twisted cold-sex-neo-tek-funk stuff (ok - delete this description - words can´t desribe what they are doin :)) 313-PEEPZ - don´t miss to catch them on their Eurotour - your bootys will swing, even when you´re trying hard not to move 2NITE ... they are hitting Amsterdam (see dates beneath) Antwerpen coming up, Paris ... ... Mr Lugo + Mr Richardson THANKS 4 COMIN B.D. 4 the cube, the collective, source recs + moving recs 2002 -- -- -- -- -- -- -- -- -- -- -- -- 2NITE: Delsin and BlackLabel are proud to present: Mold the Idea; a benefit party to show you what these labels stand for. Friday December 6th . This will be one of the first parties in the new rebuild Zuidas/Amsterdam, and as it still is sort of illegal we have to end the party at 2 am, therefor we start early with a free drinks happy hour from 20.00 till 21.00. At this time we also bring you special tapas style food made by Magic Marc. Deejays for this night are Aroy Dee, Foreign, Peel Seamus and KidGoesting . Snapshots presented through Dats and discs by Deepart (Deepart/Delsin) (London/UK) and especially for this occasion live from Detroit/USA we bring you ULTRADYNE TICKETS PRE-SALE 10 Euro at Rushhour/Amsterdam SUPPORT YOUR LOCAL SCENE AND BE THERE!! KidGoesting and Peel Seamus.
(313) Nitzer Ebb Let Your Body Learn words?
It's techno I'd like to know what the words are in this track. It chants choose and learn and there is something about drums and let the music I find it difficult making the rest out and I'm positive it would make a difference to know. If anyone can shed light on this that would be sound, like, ken. Cheers Steve
RE: (313) ULTRADYNE representin in Europe
Go Alex !! It's a shame people didn't come out to see these detroit natives at their DEMF after party this year, it was an amazing night. These boys represent a unique part of the music scene and they're love of it shows. -pete -Original Message- From: Niko Tzoukmanis [mailto:[EMAIL PROTECTED] Sent: Friday, December 06, 2002 11:46 AM To: Buck Depravity; 313@hyperreal.org Subject: Re: (313) ULTRADYNE representin in Europe i second that i couldn't believe my ears, it totally rocked my favourite was this one track which was a bit slower, with vocals and had some cybotron feel, somewhere in the middle of the set... if you can do it, check it out, i travelled 6 hours altogether and just saying it was worth it just doesn't do it, it's a must - Original Message - From: Buck Depravity [EMAIL PROTECTED] To: 313s 313@hyperreal.org Sent: Friday, December 06, 2002 5:33 PM Subject: (313) ULTRADYNE representin in Europe the Ultradynamiteers were rokin the crowd over here in Heidelberg (Germany) whippin everyone with that hot buttmovin twisted cold-sex-neo-tek-funk stuff (ok - delete this description - words can´t desribe what they are doin :)) 313-PEEPZ - don´t miss to catch them on their Eurotour - your bootys will swing, even when you´re trying hard not to move 2NITE ... they are hitting Amsterdam (see dates beneath) Antwerpen coming up, Paris ... ... Mr Lugo + Mr Richardson THANKS 4 COMIN B.D. 4 the cube, the collective, source recs + moving recs 2002 -- -- -- -- -- -- -- -- -- -- -- -- 2NITE: Delsin and BlackLabel are proud to present: Mold the Idea; a benefit party to show you what these labels stand for. Friday December 6th . This will be one of the first parties in the new rebuild Zuidas/Amsterdam, and as it still is sort of illegal we have to end the party at 2 am, therefor we start early with a free drinks happy hour from 20.00 till 21.00. At this time we also bring you special tapas style food made by Magic Marc. Deejays for this night are Aroy Dee, Foreign, Peel Seamus and KidGoesting . Snapshots presented through Dats and discs by Deepart (Deepart/Delsin) (London/UK) and especially for this occasion live from Detroit/USA we bring you ULTRADYNE TICKETS PRE-SALE 10 Euro at Rushhour/Amsterdam SUPPORT YOUR LOCAL SCENE AND BE THERE!! KidGoesting and Peel Seamus.
Re: (313) Nitzer Ebb Let Your Body Learn words?
http://www.nitzer-ebb.de/nep_lyrics_letyourbodylearn.html -- im
Re: (313) sean deason live
you don't want to miss this. A NIGHT OF SENSUAL TECHNO AND DEEP RHYTHMS Don't want to but got no choice innit. ; ) Someone please post a review next week, fanx. As for topics, I agree with Dan Sicko. It's been pretty diverse and interesting over the last weeks. And even if I don't understand half of the tech talk there's always some bits that'll come in handy at some point. I prefer things on here this way rather than tune id all the time - thus spaketh the non-trainspotteress. : ) Oh btw., re mp3-players: iPods rock! I got the smallest (5gig) one, and it's plenty big enough. I think I got about 30 DJ and live sets on it (thanks to all who post links for dl'ing!!), plus another 6 or so albums, if not more. Is Ultradyne playing in the UK at all, or have I simply missed it? Cheers, Anya ___ Freeserve AnyTime, only £13.99 per month with one month's FREE trial! For more information visit http://www.freeserve.com/time/ or call free on 0800 970 8890
(313) Transparent Sound 'live' on Power FM Tonight from 9pm
TRANSPARENT SOUND from Billy Nasty's Electrix label will be joining Scott Logan (Active Srevice Unit, D1) on Power FM from 9:00pm in advance of tonight's electricity gig at the Temple Bar Music Centre. Live on www.PowerFM.org Here's the gig info in case ya missed it: electricity present: Hardcell [Drumcode - Skunkworks] Stockholm - Sweden Transparent Sound [Electrix / Mass Transit] London - England Jamie Behan [Bastardo Electrico] Cork - Ireland Bar Area: Niall Power [ Subversive] Waterford - Ireland Visuals: Auteur (Dedbeat) Temple Bar Music Centre Tonight, Friday 6th December Doors 11pm Admission 15 Cheers J --- Outgoing mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.423 / Virus Database: 238 - Release Date: 25/11/02
(313) Vestax PCV warning !!
After the chats going on here recently - I was speaking to a good friend of mine who runs a sound/light installation firm in scotland...he was saying he's had loads of returns on the vestax PCV's : [EMAIL PROTECTED] says: had problems with the pcv mixers we lots of noise and leaking faders etc Marc says: yeah ?? thats [EMAIL PROTECTED] - I thought the pcvs would sort out the crappy xfader probs on the bottom end vestax stuff [EMAIL PROTECTED] says: The line faders and the pots even leak one guy brought it back and because he thought it was faulty there that bad! just thought I'd pass on the warning - as I say Ive not used one but thought you should know this seeing as lots of folk now considering them ! peace, Marc -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice.
RE: (313) Vestax PCV warning !!
Oh and heres the kicker: Replacment faders are ~$90.00 to replace. -Raph -Original Message- From: Langsman, Marc [mailto:[EMAIL PROTECTED] Sent: Friday, December 06, 2002 12:31 PM To: 313@hyperreal.org Subject: (313) Vestax PCV warning !! After the chats going on here recently - I was speaking to a good friend of mine who runs a sound/light installation firm in scotland...he was saying he's had loads of returns on the vestax PCV's : [EMAIL PROTECTED] says: had problems with the pcv mixers we lots of noise and leaking faders etc Marc says: yeah ?? thats [EMAIL PROTECTED] - I thought the pcvs would sort out the crappy xfader probs on the bottom end vestax stuff [EMAIL PROTECTED] says: The line faders and the pots even leak one guy brought it back and because he thought it was faulty there that bad! just thought I'd pass on the warning - as I say Ive not used one but thought you should know this seeing as lots of folk now considering them ! peace, Marc -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice.
(313) sub-zero
here's a test of folks' techno history: who was sub-zero? On the Techno City Records 1989 compilation There's no way out (of the groove), the Subzero track Right there that's it gives producer credit to final cut; engineer: Jeff Mills. Is this just mills, or do folks have a clue as to who else was behind this? This compilation also includes the Santonio Echols track It's not over which was also discussed as part of the let no man put asunder thread this week -marc
Re: (313) sub-zero
- Original Message - From: marc christensen [EMAIL PROTECTED] To: 313 list 313@hyperreal.org Sent: Friday, December 06, 2002 6:59 PM Subject: (313) sub-zero here's a test of folks' techno history: who was sub-zero? On the Techno City Records 1989 compilation There's no way out (of the groove), the Subzero track Right there that's it gives producer credit to final cut; engineer: Jeff Mills. Is this just mills, or do folks have a clue as to who else was behind this? http://www.discogs.com/artist/Final_Cut I often hear it discussed here but I've never bothered to ask if there's any relationship between 'Final Cut' and 'The Final Cut', which was an Industrial album from '92 or '93 (they have one compilation appearance listed here: http://www.discogs.com/artist/The_Final_Cut but it says nothing about the album, which I believe was also released on Netwerk). IIRC, they had something to do with Chris Connely of Wax Trax fame, but this goes back a decade since I've heard this stuff. I remember the very end of the last song on the the album samples Malcolm McDowell in 'Clockwork Orange' saying, Is that the end then? I was quite enjoying that! Any relation between the two? I always assumed there was, but I don't know what it is. Tristan = Text/Mixes: http://phonopsia.tripod.com Music: http://www.mp313.com Contact: [EMAIL PROTECTED] New Mix in mp3, 'Live in Iowa City' available for a short time from http://phonopsia.isoprax.com
(313) Re: Vinyl recommendations
harco pront 'skitzo ep' [music for speakers 018]; nice housey-hip-hopish-prince-flavoured-madness. aardvarck 'cult-copy' [rushhour ltd 002] irdite productions 'title track 2' irdite 002; if you like derrick may, you'll like this one. and there's a couple more that i can't think of right now... jurren _ STOP MORE SPAM with the new MSN 8 and get 2 months FREE* http://join.msn.com/?page=features/junkmail
Re: (313) sub-zero
On the discogs.com site, the compilation in question doesn't seem to appear, nor do either the mills page or the final cut page show this track, or any subzero pseudonym. The Final Cut who had an album with Nettwork Records (i believe the album was _Consumed_) were the same Final Cut folks that Mills recorded with, though. As for a Chris Connely connection, I just don't know. cheers, -marc At 7:21 PM + 12/6/02, Tristan Watkins wrote: - Original Message - From: marc christensen [EMAIL PROTECTED] To: 313 list 313@hyperreal.org Sent: Friday, December 06, 2002 6:59 PM Subject: (313) sub-zero here's a test of folks' techno history: who was sub-zero? On the Techno City Records 1989 compilation There's no way out (of the groove), the Subzero track Right there that's it gives producer credit to final cut; engineer: Jeff Mills. Is this just mills, or do folks have a clue as to who else was behind this? http://www.discogs.com/artist/Final_Cut I often hear it discussed here but I've never bothered to ask if there's any relationship between 'Final Cut' and 'The Final Cut', which was an Industrial album from '92 or '93 (they have one compilation appearance listed here: http://www.discogs.com/artist/The_Final_Cut but it says nothing about the album, which I believe was also released on Netwerk). IIRC, they had something to do with Chris Connely of Wax Trax fame, but this goes back a decade since I've heard this stuff. I remember the very end of the last song on the the album samples Malcolm McDowell in 'Clockwork Orange' saying, Is that the end then? I was quite enjoying that! Any relation between the two? I always assumed there was, but I don't know what it is. Tristan = Text/Mixes: http://phonopsia.tripod.com Music: http://www.mp313.com Contact: [EMAIL PROTECTED] New Mix in mp3, 'Live in Iowa City' available for a short time from http://phonopsia.isoprax.com
(313) Home for the holidays
I'll be heading back to Detroit for a week, from the 14th through the 21st. I have a whole bunch of gear I'm selling off (With free home delivery if you live in the Detroit area) so if anyone is interested e-mail me privately. The list includes an awsome 32 channel mixing console. Also if anyone could keep me informed of anything happening around town that week I would greatly appriciate it. Thanks, Will Web
(313) vestax pcv series
Actually the faders on the PCV mixers _were_ faulty. Although, Vestax offered to ship a free replacement crossfader for the mixers that had these faulty ones. It was only the original PCV mixers, I had 2 of them, heh. The new ones have the updated PCV faders though, and mine works excellently. The one thing you need to know though, if you plan on using external effects, balanced cables are a necessity, I got serious balance trouble when I used two standard mono cables for the sends and receives, but after I bought balanced cables, my mofx works great with the mixer. I also have an er-1 I tinker with on the third channel of my pcv 275, all three channels, both line and phono work excellent. Just be careful with the kill switches, the low end switches can cause a pop if you don't cut before or after the kick. To sum up, I love my 275, and after getting the replacement fader, have had nothing but success with it. -Andy
Re: (313) sub-zero
Chris Connelly sang on their (I'm assuming) biggest hit, I Told You Not to Stop That is, the 12 version on Full Effect records that came out after the album version on Big Sex. It was right around this time that Mills transitioned out of the group. -d On Friday, December 6, 2002, at 02:38 PM, marc christensen wrote: On the discogs.com site, the compilation in question doesn't seem to appear, nor do either the mills page or the final cut page show this track, or any subzero pseudonym. The Final Cut who had an album with Nettwork Records (i believe the album was _Consumed_) were the same Final Cut folks that Mills recorded with, though. As for a Chris Connely connection, I just don't know. cheers, -marc At 7:21 PM + 12/6/02, Tristan Watkins wrote: - Original Message - From: marc christensen [EMAIL PROTECTED] To: 313 list 313@hyperreal.org Sent: Friday, December 06, 2002 6:59 PM Subject: (313) sub-zero here's a test of folks' techno history: who was sub-zero? On the Techno City Records 1989 compilation There's no way out (of the groove), the Subzero track Right there that's it gives producer credit to final cut; engineer: Jeff Mills. Is this just mills, or do folks have a clue as to who else was behind this? http://www.discogs.com/artist/Final_Cut I often hear it discussed here but I've never bothered to ask if there's any relationship between 'Final Cut' and 'The Final Cut', which was an Industrial album from '92 or '93 (they have one compilation appearance listed here: http://www.discogs.com/artist/The_Final_Cut but it says nothing about the album, which I believe was also released on Netwerk). IIRC, they had something to do with Chris Connely of Wax Trax fame, but this goes back a decade since I've heard this stuff. I remember the very end of the last song on the the album samples Malcolm McDowell in 'Clockwork Orange' saying, Is that the end then? I was quite enjoying that! Any relation between the two? I always assumed there was, but I don't know what it is. Tristan = Text/Mixes: http://phonopsia.tripod.com Music: http://www.mp313.com Contact: [EMAIL PROTECTED] New Mix in mp3, 'Live in Iowa City' available for a short time from http://phonopsia.isoprax.com
Re: (313) sub-zero
BMI has that song credited to Mills and Srock -- the original two in Final Cut. -d On Friday, December 6, 2002, at 01:59 PM, marc christensen wrote: Right there that's it
(313) peut être
Now who did produce that peut être track on the music box vol.1 bootleg again? Thanks, Maarten --- Do you know these tracks? http://www.morthenkiang.com/samples (Sound fragments taken from various mix tapes.)
(313) Gear For Sale
Yamaha 01v Mixer Yamaha a4000 sample Yamaha an1x Make me an offer ! Please hit me back @ [EMAIL PROTECTED] -Pete --- Peter Grammenos Goldman Sachs Co. Tel : 212.902.2446 ---
(313) Just noticed...
Re: 'Headphones for monitoring?' thread. Did i miss something, or was that the first time i've seen Andrew Duke post a message to this list in a few years. :o)
Re: (313) sub-zero
Dan Sicko wrote: Chris Connelly sang on their (I'm assuming) biggest hit, I Told You Not to Stop That is, the 12 version on Full Effect records that came out after the album version on Big Sex. It was right around this time that Mills transitioned out of the group. Yeah, The Final Cut did release another album on Nettwerk (i think) without Mills of course. Funny that this thread just came up. that 12 is sitting on top of a pile of records right beside me - I decided to break it out when i was playing some records for friends at a small loft party last week. :)
(313) techno/breakbeat blends
I'm looking for tracks that have blend of techno/breakbeat/jungle - I'm think of the RS/Apollo style - like Point Blank's Mengs theme (jeroen verheij rmx) - Darren Price - Wax Doctor - Ken Ishii etc. I seem to remember some Detroit releases had these types of sounds - jungle/techno mix without the hardcore - more strings anyone point me to some tracks old or new? I know Jacob's Optical and the Nu Era/4 Hero stuff - but maybe there are remixes they've done that might fit I'd like to find more techno/breakbeat stuff that isn't really dark - more ah, Time Space Transmat like - sorry I'm fishing for a good description MEK
