2017 313 to do list (new articles and tasks)
1) Music box family memories / rivalry with detroit 2) Metroplex foundation 3) The reel to reel of Transmat's story 4) Commodre64 and homemade reverb as first minimal techno. / bbS scene as underground link to europe. 5) Mp3 codec older than we think 6) Deepfried records history 1984 to 94 7) Upload kalamazoo techno 1999 documentary to the tube 8) Unblock 313 from spam folder
Re: (313) Analysis: Stuck in reverse, Detroit edges closer to bankruptcy OT
I don't want to get into the politics. But in my opinion, strife creates better art. On a positive note: http://www.huffingtonpost.com/2013/01/18/light-rail-detroit-mass-transit_n_2503995.html The core of the city is actually doing pretty well from an aesthetic stand-point. On 01/28/2013 06:06 PM, Odeluga, Ken wrote: http://mobile.reuters.com/article/idUSBRE90R13O20130128?irpc=935 Ken Odeluga | Assistant News Editor - Markets Dow Jones Newswires 10 Fleet Place, 5th Floor, Limeburner Lane, London EC4M 7QN p: +44 (0)207 801 0145 | m: +44 (0)7887793644 ken.odel...@dowjones.com
Re: (313) Analysis: Stuck in reverse, Detroit edges closer to bankruptcy OT
Which mine or the GM executives? Mine is pure opinion, I prefer dark art. I actually live in Detroit, this is nothing new. Bankruptcy? pff whatever. The state's take-over tactic isn't ever going to happen unless Detroit does declare bankruptcy, why? because if the State were to actually take Detroit over it would incur the debt as well. On 01/29/2013 11:43 AM, Martin Dust wrote: On 29 Jan 2013, at 16:39, David Smith bassline...@gmail.com wrote: I don't want to get into the politics. But in my opinion, strife creates better art. And if you think about that statement you know it's utter BS.
Re: (313) roll call?
I don't remember exactly when I started. Mw-raves was my first stop in the mid-late 90s. I remember setting up the first version of OSX and using mail to check 313 from dial-up, so at least from '01. I'm located in the city of Detroit. Peace, DS On 12/7/12, Nathan Goode nathg...@tpg.com.au wrote: I'm still here, since about 97/98 me thinks??? Nath On 30/11/12 7:42 AM, Richard Hart rjhar...@btinternet.com wrote: Still here lurking since late 90's. Haven't had the money to buy records over last 10 years due to other commitments but thinking of reversing that trend soon now I'm heading into middle age...
Re: (313) Ask 313
I can only think of a few off the top of my head. I've done most of my digging in the 313: Odic Force, Development, Cheshire (obscure label name dropping). On 12/6/12, Aidan O'Doherty aidan.b.odohe...@gmail.com wrote: i picked up that record for a couple of euros in a second-hand bargain bin years ago - not sure if i still have it. our belgian friend must be just having a laugh. i think the read album is great. da breaks would be my top track on it. great synth piano line on it, i think. much check to see if i still have my copy! On Thu, Dec 6, 2012 at 2:25 PM, Paul Kendrick p...@dagmar-tara.com wrote: I didn't know Jamie Read had an album out on Fragmented, I really like the L.H.A.S records, I must track that album down. Your post lead me to have a look at his Discogs page and this price made me laugh; http://www.discogs.com/LHAS-Inc-The-Hevalo/master/365541 -Original Message- From: Aidan O'Doherty [mailto:aidan.b.odohe...@gmail.com] Sent: 04 December 2012 10:59 To: Paul Kendrick Cc: benny blanco(r); kent williams; list 313 Subject: Re: (313) Ask 313 a13 had some great stuff. john tejada has a great album on a13 - quadruple vinyl - reminiscent of the stuff he put out on 7th city it always seems to be uk labels - so i will add another: fragmented http://www.discogs.com/label/Fragmented%20Records the jamie read (lhas) album on fragmented is a firm favourite of mine - again, don't think it got much in the way of props also great releases from paul mac, morgan geist, dan curtin, chris gray. On Tue, Dec 4, 2012 at 10:05 AM, Paul Kendrick p...@dagmar-tara.com wrote: A13 was owned by a friend of mine Eddie, who lived in Southend on Sea in the South of the UK, and the main route getting to London from Southend is the A13 and that's where the name came from, Eddie was really good mates with Mark Broom and the Plaid guys. I saw him at Lost with Juan, Derrick and Kyle Hall the other week losing his nut to Derrick's set and his still talking of starting another label, and a club. He'll be very pleased people rate A13 as highly as Ifach. He told me once he still has loads of back cat unsold just sat around collecting dust. Stuff I rate that no one else seems to; Stasis and all the names he recorded under, but I really love the Paul W Teebrooke and Other world collective stuff Lee Purkis/In-Sync All the stuff on Ferox but the Russ Gabriel stuff is excellent Electronic Industries / Octagon Man / Sem Im not sure how over looked it was but the Norma Jean Bell LP- Come in to my room had some ace tracks on it, but the 2 for me are the ones co produced by K-Hand; Nobody and Feel what I like. I think it was massively passed over in the UK From: benny blanco(r) [mailto:be...@blancodisco.com] Sent: 03 December 2012 18:36 To: kent williams Cc: list 313 Subject: Re: (313) Ask 313 Okay, I'll bite. I always dug the 'Obscure' Pure Plastic / A13 sounds from Mark Broom/Dave Hill camp in the UK from the 90's. Not always 'detroit', but certainly techno and sometimes a nice downtempo breaky track in there too. Some Other Label Faves Pacific Records and Ifach benny blanco(r) blancodisco.com On Mon, Dec 3, 2012 at 1:23 PM, kent williams chaircrus...@gmail.com wrote: OK, now that we've established that lurkers know how to send e-mail to the list ... This is an idea for a mix I'd like to do. Here's the question: What is your favorite techno that no one else seems to rate highly? Extra points for being obscure. What's my impetus? I buy a lot of records at thrift stores and from crawling around in the crates on the floor at Dave's in Chicago. I look for things that might be OK based on producer, remixer and artists. So I have a lot of records that have decent to excellent tracks on them, that for one reason or another never got much enduring attention. Since I can't crate dig in Detroit very often, I'm looking for those sorts of things, after which i can engage in Internet searchage.
Re: (313) Detroit Guide
I don't know the family but I've heard of her shop before, I doubt it is a scam. If anything I'd view it as an introduction and also a good time to publish such a book. Gewgle maps are pretty creepy almost in my opinion, I've used it to look at my apartment before. You can defiantly look around places like heidelberg.org with their satellite/street view. I wouldn't recommend walking/driving around with a book-guide though. As cliché as it sounds, thieves target people who look out of place and most of the robberies I hear about are for cash and or smart-phones. Read it at home or at the hotel, at the end of the day anything that brings money here is cool with me. Honestly though, the stereotypical Detroiter doesn't expect people to travel here as an end destination unless there is a big sports event or festival. I'm not sure if it will address segregation and etiquette though, I've heard Milwaukee is worse but personally it is the most segregated metro area I have ever been/lived in. DS On 10/30/2012 04:59 PM, Stephen Punt wrote: Wondered if any native Detroiters and committed 313 Techno Tourists have any views on this proposed new guide? http://www.kickstarter.com/projects/2104107358/belle-isle-to-8-mile-an-insiders-guide-to-detroit I have no connection to the authors and the project is already funded so no personal axe to grind here. While taking on board the risks of any Kickstarter project and trusting something worthy might result - the $25 plus $5 international shipping costs for the basic guide seems like a good deal to me.
Re: (313) DEMF 2012 Post-Op
The local news this morning reported it was the most tickets sold since it went private. It is very interesting to see how the movement brand has evolved. It will be very hard to get a crowd the size of the free festivals but I think electronic music is not going to fade away in our lifetime. Afterparties? Visionquest's need I say more 7 party at the Old Miami was cool, the weather was great and the backyard was bumping until about 8pm Monday. The cover was 10$, drinks were taxed up for the holiday and the sounds were oversexed (sexy lyrics), housed up, and minimal funk basslines. If the partied had continued further I might have just stayed there as it was closer to home. Cheers to the Detroit-Berlin crew for keeping it real. Monday evening at Heart Plaza seemed busy as usual, arabmusik was beating on his Akai, seemed to have a 90s rave sound. To elaborate, breakbeats and shrill monophonic synth lines in the vein of early prodigy--except with dubstep beats--seven minutes was plenty for my Detroiter ears. There was the typically beatport euro minimal stage and the harder sounds of the underground stage, the two stages sound good, beatport had a better sound. Keven Saunderson was at the main stage and Jeff Mills closed. Saunderson's set impressed me, I'm not sure why this is the first time I've really been impressed by him--perhaps my taste has changed or the DEMF vibe has changed since 2000 and his style has remained the same and that is what I really appreciate, can't pin-point it. Jeff Mills played as the wizard, it has been a few years since the last Wizard show in Detroit. He played all the classics and a few unknown old school jams. Towards the end he went into early Axis techno and finished with a seven or so minute 909 drum solo, amazing drum tabs. DS On 05/29/2012 03:05 PM, Arturo Lopez wrote: Couldn't make it this year. What's the verdict? Festival proper, weak or good? Afterparties better as usual? Standout sets? -Art
Re: (313) Kraftwerk - New York
Amen to that, I almost lost my pocket calculator (true story not just a pun) today before my big week of finals! I'd imagine that horrible feeling when someone runs off with your moog, or a tube or rare fuse breaks or something. I enjoyed their stage show, I guess that was my original point, for me it was more about the light show and their stage presence. So I totally agree with you Kent. At the end of the day it helps put everything in perspective about how far music technology has come. The NPR link that just went out talks about Kraftwerk as being behind synthesizers on stage, but I wonder if they are really just touch-screen computers. On that note, Claude Young played here last weekend on three CD decks. Vinyl purists may cringe but I thought it was pretty cool. On Mon, Apr 16, 2012 at 10:35 AM, Martin Dust mar...@dustscience.com wrote: On 16 Apr 2012, at 15:27, kent williams wrote: There are a ton of horror stories about touring with analog synths in the old days -- We have plenty with them ( horror stories) just in the studio, fucking things :) m
Re: (313) Demf hotel rooms?
I did the reverse once, went to Windsor for the day and spent the night in the ren-cen. I think they just black-out that weekend so they can charge more than the normal online rate. I've also stayed at the Ponch and Courtyard. Now I think I'd try the Inn on Ferry or the Hostel if I needed a place to stay in Detroit. --Just call the front desks, if you reserve early that way it might be lower. You might get a better view for the price in Windsor but if you have a car it is easier to save money and time (with the boarder) by staying in Southfield and taking the lodge (m10) downtown, which is a pretty quick drive. DS On 04/02/2012 01:37 AM, Mel N wrote: I found a good deal on priceline a couple of years back or you could try windsor and just travel across the border? A but of a pain, but my Michigan relatives do that when they go to downtown Detroit on weekends On Sat, Mar 24, 2012 at 2:18 AM, David Powerscybo...@gmail.com wrote: Does anyone know how I might find a (non-ghetto) hotel room for DEMF at this point? I didn't think two months is an unreasonable lead time for a vacation, but apparently everything is already all booked up. Not looking to share a room as I have a roommate lined up to split the room with already. ~David
Re: (313) Interdimensional Transmissions party
Hopefully! I had an excellent time at the last IT event with Shake Young, in hind sight, almost can't believe I walked home after 4AM. On Sun, Mar 25, 2012 at 1:27 PM, Patrick Wacher pwac...@gmail.com wrote: Airfares from SFO aren't looking very pleasant at the moment *sigh* On Sun, Mar 25, 2012 at 10:16 AM, David Powers cybo...@gmail.com wrote: I'm trying to go. I've Heard really good things about Erika's DJing skills actually! ~David On Sun, Mar 25, 2012 at 11:11 AM, Patrick Wacher pwac...@gmail.com wrote: Anyone going to this? If the airline gods are kind, I'd love to check this out. Claude Young BMG Erika Friday 13th, April http://interdimensionaltransmissions.com/events/2012-04-13/brother-from-another-planet - Patrick
Re: (313) Joke of the week
I had a webcam chat with a girl who had a skillex tattoo--just chating to hear made me feel kinda dirty even though she was cute and not doing naughty things. When is the last time you seen a moby tattoo? - Original Message - From: ja...@iridite.com To: kent williams chaircrus...@gmail.com Cc: Arturo Lopez arturo.m.lo...@gmail.com; Three-One-Three 313@hyperreal.org Sent: Tuesday, February 28, 2012 4:17 PM Subject: Re: (313) Joke of the week WHAT CAN WE SAY ABOUT MOBY THAT HASN’T BEEN SAID? Hmmm, I can think of a few things actually now you mention it. Having said that, he did do a pretty fine remix of LFO on WARP many years ago so he's not all bad. Skrillex on the other hand.. Jason On 28 February 2012 19:23, kent williams chaircrus...@gmail.com wrote: The Chose Few DJs House Music Picnic is coming up in June... On Tue, Feb 28, 2012 at 1:11 PM, Arturo Lopez arturo.m.lo...@gmail.com wrote: Well, so much for us here in Chicago ever getting a house festival of the DEMF variety: http://www.springawakeningfestival.com/ $100 to see Skrillex! I'm going to buy -5- tickets. -Art
Re: (313) Big sigh.
Please don't bring my ability into this conversion Jack. but you are probably less perfect than Juan. Sorry. So are you saying Claude Young and Jeff Mills are less perfect than Juan as DJs? Because that is the only comparison I made. My only complaint was that there are no new Detroit artists on his podcast, after all this is the 313 list. I think you were missing my point. I don't care what is going on in NYC or podcasts, skill is skill. Juan Atkins is a legendary producer, I doubt anyone will contest that. DS On 01/25/2012 04:47 PM, ohanakin ... wrote: All I can say is Juan brought it deep space vintage style at his last gig in nyc, for Kimyon's metroplex release party. All the naysayers, both w/respect to Juan's djing, or the new metroplex rec, booya. No one is perfect in this world, but you are probably less perfect than Juan. Sorry. Peas. On Mon, Jan 23, 2012 at 3:09 PM, David Smithbassline...@gmail.com wrote: In an ideal world he'd be playing super 'leet white labels from up and coming Detroit producers. However it is not an ideal world, in fact it is raining right now in Detroit in the middle of Winter! I agree though, he is not known for his Dj Sets as are Claude Young and Jeff Mills. DS On 01/21/2012 09:18 AM, kent williams wrote: I didn't get very far into the mix, because real life intervened. But what I noticed mostly was what I always notice, that Juan Atkins is crap at mixing. And I kind of like Derek Plaslaiko's Raw Jam track. What do you think he should be playing aside from this stuff? I don't know most of those tracks, but none of the artists are a priori offensive to me. It is a pretty conventional selection for 2012. On Fri, Jan 20, 2012 at 2:34 PM,ja...@iridite.comja...@iridite.com wrote: http://www.littlewhiteearbuds.com/podcast/lwe-podcast-99-juan-atkins/ Utterly terrible - I know every artist goes through peaks and troughs in their career butlook at the tracklisting on this mix. It's rubbish. Big sigh. Jason
Re: (313) Big sigh.
In an ideal world he'd be playing super 'leet white labels from up and coming Detroit producers. However it is not an ideal world, in fact it is raining right now in Detroit in the middle of Winter! I agree though, he is not known for his Dj Sets as are Claude Young and Jeff Mills. DS On 01/21/2012 09:18 AM, kent williams wrote: I didn't get very far into the mix, because real life intervened. But what I noticed mostly was what I always notice, that Juan Atkins is crap at mixing. And I kind of like Derek Plaslaiko's Raw Jam track. What do you think he should be playing aside from this stuff? I don't know most of those tracks, but none of the artists are a priori offensive to me. It is a pretty conventional selection for 2012. On Fri, Jan 20, 2012 at 2:34 PM,ja...@iridite.com ja...@iridite.com wrote: http://www.littlewhiteearbuds.com/podcast/lwe-podcast-99-juan-atkins/ Utterly terrible - I know every artist goes through peaks and troughs in their career butlook at the tracklisting on this mix. It's rubbish. Big sigh. Jason
Re: (313) the best Black Nation Records?()*^*()
Say I remember FBK or horsepower (?) being on the Black Nation website in the late 90s, did you ever play in Kalamazoo? On Mon, Sep 19, 2011 at 2:04 PM, Kevin Kennedy the...@gmail.com wrote: http://www.beatport.com/search?query=chance+mcdermott I know...it's beatport...but you can find a bunch of Chance's current works here...He's been doing great work lately, and finally getting some traction...he and I have a project together called BlackIrish...not found a home yet for it...but that too may change... -- fbk absoloop
Re: (313) the D this weekend...
A few I don't know either but I doubt they are new-new, some have been around for awhile but just haven't put out a record. I've also noticed that some of the older heads don't have much of an internet presence. The house scene here has been overshadowed by techno, and now movement/paxahau too (smile). I've heard many complaints for local heads about getting slept on. Peace, DS PS I've been a subscriber to 313 for at least ten years, I just post infrequently and have changed addresses a few times. Now I have internet at my apartment, I'll try to update more often. On Sat, Sep 3, 2011 at 3:24 AM, ja...@iridite.com ja...@iridite.com wrote: So..I've heard of a few of the names below (Minx, Talley, Ester, Wilhite) but the rest are all new to me - are these new peepz or have they been around forever and I've never came across them? cheers Jason On 3 September 2011 00:12, david smith bassline...@gmail.com wrote: I caught these on facebook, pretty hot Detroit House line up! There is also the Jazz festival @ Heart Plaza all labor day weekend. P-funk night (Tonight Friday) Bagley Optical 2150 Bagley Corner of 14th Detroit, MI Club Waterfalls 673 Franklin Detroit, Michigan Toe Tappin House on the River is an all day event on Saturday, September 3, 2011 - Labor Day Weekend from 2pm - 2am. This event is free until 10pm. After 10pm there will be a $10 cover. DJ Cent, Stacey Hale, Minx, Sarena Tyler, Christa Schrupp, Marc Duncan, Al Ester, Felton Howard, Mike Brown, Norm Talley, Bruce Bailey, Mike Melody, Reggie Harrell, Earl McKinney, Rick Wilhite, Andre Murph, DJ Taz, Eric Johnson, Phil Da Mixx, Malik Alston, Mondo Blaze Dwayne Jensen...
(313) the D this weekend...
I caught these on facebook, pretty hot Detroit House line up! There is also the Jazz festival @ Heart Plaza all labor day weekend. P-funk night (Tonight Friday) Bagley Optical 2150 Bagley Corner of 14th Detroit, MI Club Waterfalls 673 Franklin Detroit, Michigan Toe Tappin House on the River is an all day event on Saturday, September 3, 2011 - Labor Day Weekend from 2pm - 2am. This event is free until 10pm. After 10pm there will be a $10 cover. DJ Cent, Stacey Hale, Minx, Sarena Tyler, Christa Schrupp, Marc Duncan, Al Ester, Felton Howard, Mike Brown, Norm Talley, Bruce Bailey, Mike Melody, Reggie Harrell, Earl McKinney, Rick Wilhite, Andre Murph, DJ Taz, Eric Johnson, Phil Da Mixx, Malik Alston, Mondo Blaze Dwayne Jensen...
Re: (313) Theo's Ugly Edits
Also while we're here, what ch'all know about dem edits? --I have a few, they used to go for the cheap at Record Time, spray-paint runoff on sleeve and all.
Re: (313) Need help--online promotions of music
I remember when it was easy to single out new local releases in brick mortar Detroit record stores. A few weeks ago I visited the Dance-zone on Gratiot and the record sales were so slow the clerk kept the door locked, lights off and only opened by request. At this point you are correct about the market being saturated; perhaps seek out newer digital local scenes within the midwest. In Grand Rapids it seems like the most successful is whoever is the most social and the 616 veterans are fading into obscurity along with all the old school drama that's kept many down. Just saying: tons of new kids out there downloading music but I still think the best way to connect with them is by going to events and partying, lots of newer scenes in between Detroit and Chicago now. DS On Tue, 19 Jul 2011 12:02:55 -0400, David Powers wrote: Yes, it is... here is the same info I posted yesterday! ;-) [Akbal051] - Max Jacobson Dave Powers: K-Oates New release on Akbal Music out of Playa del Carmen, Mexico! Release date, July 18, 2011. http://www.beatport.com/release/k-oates/394476 K-Oates / 120 BPM. Deep House. Sheila Don't Love Me / 118 BPM. Tech House. ___ What the so called Disc Jockeys are saying... DJ Sneak: i likes very much. nice oates redo. Solomun: top ! :) full support ! Bloody Mary: will play for sure Loco Dice: Coool one WAV please D Matt Star: nice ep on akbal music Wink: Some fun summer time boot-legish tools! Love bizarre- fun! Franck Roger: I THINK I GO FOR THAT On Tue, Jul 19, 2011 at 10:56 AM, Diego Simak diego.si...@gmail.com wrote: Hi David, I wonder if your release is available for listening in beatbort. If it is available can you post here the link? Thank you Diego 2011/7/19 David Powers cybo...@gmail.com Okay, I think you all misunderstood my question. I'm not trying to get SALES... I'm just trying to get BUZZ / conversations started. I just want people to listen to the music! There is so much music out, even getting someone to spend 5 minutes listening to your stuff is almost impossible now. What I'm really looking for are INTERACTIONS, which I measure two ways: forum post views, and actual responses via forums, email, and social networks. I do know that de:bug will be reviewing the release, so that should be good. Getting sales is the label's job... honestly, even vinyl that I released that I know did sell, never made me a dollar, as most vinyl releases seem to have expenses equal to the cost of creation. ___ By the way get your music to more djs is obvious... but HOW? I've sent emails / fb messages with little success. I will say Akbal Music did a great job, getting the release to DJ Sneak, Loco Dice, Hawtin, etc... But I would like to make some direct connections and not only have my connections only exist through the label. As far as releasing more, I have a lot of music but my past releases haven't done much for me so I'm not sure that in itself, releasing does much good. I have come to the conclusion that releases need to fit into some bigger plan to be of much benefit. ~David On Tue, Jul 19, 2011 at 10:38 AM, Minto George mintogeo...@yahoo.com wrote: Get your music to more djs and release more music. That is primarily how you generate interest in the digital market. Combine digital releases with vinyl (even limited runs). As long as you have music people are genuinely interested in, it will sell. good luck, minto@dL On Jul 19, 2011, at 10:20 AM, David Powers cybo...@gmail.com wrote: Has anyone had any luck promoting digital releases online? I've got a new release on beatport, but as if this point in time, all the usual channels (email lists, facebook, forum posts) seem to generate very low interest. I'm very proud of this release and think it's as good as anything out there right now! But getting noticed in 2011 appears to be impossible as far as I can tell... So do you simply have to be rich and spend huge wads of cash to get noticed? (that's my theory--it's all a rich kids game!) Anyone who wants to weigh in, online or offline, please give me your thoughts!!! I do have an upcoming net release on a major website that should generate some thousands of downloads, which I hope may generate some new listeners. But I'm not sure what else to try at this point. From my point of view, it feels like the internet has turned into a giant crappy stripmall and I've got a storefront in some horrible, out of the way location!!! Oh, I will admit that there are some things that I still haven't gotten to that are in the works, like finishing my own site with good SEO content, that should at least drive a little bit of google traffic. Also, I may have mentioned this, but I will be starting a music blog in the next month, that will PRIMARILY be
Re: (313) mid/late 90s minimal techno mixes?
Dude that is not 90s :P i read, that she released mix cd in 1999 called Fact ... I've said it before, and I'll say it again - Magda should release a mix CD. ... (mnnl.nl post) I have a copy of this CD I picked up from my friend when she was still living in Detroit, it is just misplaced. Till then search for kikoman on ravearchive for a few old school minimal mix tapes--I also agree that the DEXIT mixtape by Claude Young is one of the best examples of 90s minimal. 2011/5/1 Benoît Pueyo benoit.pu...@gmail.com: Le 29/04/2011 19:49, Michael Elliot-Knight a écrit : Hey y'all Anyone have a link to some old school minimal techno mixes? Would really like to find the real pounding bangers that were recorded back then and somehow preserved for my enjoyment of all things back in the day. Doesn't have to be strictly Detroit for me - thanks MEK Disclaimer The information in this email and any attachments may contain proprietary and confidential information that is intended for the addressee(s) only. If you are not the intended recipient, you are hereby notified that any disclosure, copying, distribution, retention or use of the contents of this information is prohibited. When addressed to our clients or vendors, any information contained in this e-mail or any attachments is subject to the terms and conditions in any governing contract. If you have received this e-mail in error, please immediately contact the sender and delete the e-mail. Self-unashamed-promotion I have left on soundcloud a set containing sortor music you're requesting =) It's from 2005 http://soundcloud.com/tioneb/tioneb-january-2005 1) benny liberg johannes wikstrom - semicircular ep (maracas) 2) jeff mills - the part 1 (axis) 3) british murder boys - be like i am (counterbalance) 4) unknown - loop (4x4 volume 1) 5) aural emote - third eye (symbolism) 6) memory foundation - trade bridge dub (central) 7) joris voorn - skyshopping (sino) 8) pehr herb - helmer dandy / d' wachman amp; had substance rmx (backdraft) 9) unknown - expression sessions 002 / b2 (expression sessions) 10) marco carola- king of excuses (domino) 11) dj deeon - game box (ghetto test) 12) traxmen - playing with a rubberband (dancemania) 13) planetary assault system - starway ritual (peacefrog) 14) sebastian kramer - inside the core (pure plastic) 15) harcell grindvik - square (drumcode) 16) oscar mulero -primary instincts (pole) 17) reeko - the goddess (theory) 18) aural emote - fifth column / ben sims rmx (symbolism) 19) querida - 3-5-3 (kanzleramt) 20) sir real amp; surgeon - withwing (snafu) 21) the advent - let us take you (kombination research) 22) ur - codebreaker / b1 (ur) 23) diego - back jack back (kanzleramt) 24) echoplex - no entrance (soleil) 25) phase - obscura mix1 (inceptive) 26) jeff mills - roman age / the games mix (mk2) 27) makaton - cockfest 2003 (rodz konez) 28) damon wild - avion / sterac remix (synewave) 29) john tejada - flight to tokyo (pokerflat) 30) archetype - nite lite (sonic mind) -- Benoît.
Re: (313) mid/late 90s minimal techno mixes?
Well in my world everything is 90s, I kinda feel like my old friend who claims he stopped buying records when 1990 hit, except I stopped buying and following new releases in 2005 but really must of my stuff is pre 2000--DUBSTEP and Laptop techno? Although one could argue timeblind did some 90s dubstep On Mon, May 2, 2011 at 3:17 PM, maxphi...@gmail.com wrote: I don't understand, what isn't 90s? m50 At 2011.05.02 13:24, you wrote: Dude that is not 90s :P i read, that she released mix cd in 1999 called Fact ... I've said it before, and I'll say it again - Magda should release a mix CD. ... (mnnl.nl post) I have a copy of this CD I picked up from my friend when she was still living in Detroit, it is just misplaced. Till then search for kikoman on ravearchive for a few old school minimal mix tapes--I also agree that the DEXIT mixtape by Claude Young is one of the best examples of 90s minimal. 2011/5/1 Benoît Pueyo benoit.pu...@gmail.com: Le 29/04/2011 19:49, Michael Elliot-Knight a écrit : Hey y'all Anyone have a link to some old school minimal techno mixes? Would really like to find the real pounding bangers that were recorded back then and somehow preserved for my enjoyment of all things back in the day. Doesn't have to be strictly Detroit for me - thanks MEK Disclaimer The information in this email and any attachments may contain proprietary and confidential information that is intended for the addressee(s) only. If you are not the intended recipient, you are hereby notified that any disclosure, copying, distribution, retention or use of the contents of this information is prohibited. When addressed to our clients or vendors, any information contained in this e-mail or any attachments is subject to the terms and conditions in any governing contract. If you have received this e-mail in error, please immediately contact the sender and delete the e-mail. Self-unashamed-promotion I have left on soundcloud a set containing sortor music you're requesting =) It's from 2005 http://soundcloud.com/tioneb/tioneb-january-2005 1) benny liberg johannes wikstrom - semicircular ep (maracas) 2) jeff mills - the part 1 (axis) 3) british murder boys - be like i am (counterbalance) 4) unknown - loop (4x4 volume 1) 5) aural emote - third eye (symbolism) 6) memory foundation - trade bridge dub (central) 7) joris voorn - skyshopping (sino) 8) pehr herb - helmer dandy / d' wachman amp; had substance rmx (backdraft) 9) unknown - expression sessions 002 / b2 (expression sessions) 10) marco carola- king of excuses (domino) 11) dj deeon - game box (ghetto test) 12) traxmen - playing with a rubberband (dancemania) 13) planetary assault system - starway ritual (peacefrog) 14) sebastian kramer - inside the core (pure plastic) 15) harcell grindvik - square (drumcode) 16) oscar mulero -primary instincts (pole) 17) reeko - the goddess (theory) 18) aural emote - fifth column / ben sims rmx (symbolism) 19) querida - 3-5-3 (kanzleramt) 20) sir real amp; surgeon - withwing (snafu) 21) the advent - let us take you (kombination research) 22) ur - codebreaker / b1 (ur) 23) diego - back jack back (kanzleramt) 24) echoplex - no entrance (soleil) 25) phase - obscura mix1 (inceptive) 26) jeff mills - roman age / the games mix (mk2) 27) makaton - cockfest 2003 (rodz konez) 28) damon wild - avion / sterac remix (synewave) 29) john tejada - flight to tokyo (pokerflat) 30) archetype - nite lite (sonic mind) -- Benoît.
Re: (313) Releasing new vinyl -- advice wanted
With the way the USD is it might be cheaper to manufacture the records in Detroit and import them to Europe. I worked with Ron one time and these are the only notes I kept: Just remember to keep your bass centered and not panning from channel to channel, it can disrupt the needle. In general the shorter the track the louder it can be pressed and 45 rpm is a higher resolution than 33. Acetate will last as long as vinyl so long as keep hand-oil/contamination free from the surface. On Fri, Apr 16, 2010 at 3:34 AM, ja...@iridite.com ja...@iridite.com wrote: I'm right here - not on the list as much as I'd like but happy to help if I can Jason On 13 April 2010 18:27, Matt Kane's Brain mkb.dirty...@gmail.com wrote: Maybe you should track down Jason Brunton at Iridite. I'm not sure if he still reads the list. On Tue, Apr 13, 2010 at 13:24, David Powers cybo...@gmail.com wrote: Yeah, I'm in touch with him, my real point is I want to especially hear the overseas perspective, and also from more than one person's experience, as that may not be enough to generalize into a general strategy. -- matt kane's brain http://hydrogenproject.com capoeira in boston http://capoeirageraisboston.com aim - mkbatwerk ; y! - mkb218 ; gtalk - mkb.dirtyorg I need your sounds! http://nynex.hydrogenproject.com
Re: (313) Blamstrain - Missing You (free FLAC download)
I like it very much, thanks! I just started one of those pages myself. I have a one minute wav loop at 240 bpm on there for share--I met an old school European acid head from Belgium last week and he was telling me about the 240bpm free parties in France, its my stab at working that fast, I try to keep an open mind--ultimately it would fall into the idm/breakcore category--I did my best to stay in e-minor. --four track mix 100% samples--did my best to quickly make it sound analog. The idea is to compile a ton of complex loops which I would normally expand into slower LP style songs. Not 313 related but maybe on a technicality ;-) http://soundcloud.com/dsmith/untitled1_eminor_240 He also led my to this site which is quite bizarre acid, word is the producer owns four TBs and a devilfish! http://www.mrgasmask.com/ On Sun, Mar 7, 2010 at 6:02 AM, Tristan Watkins phonop...@googlemail.com wrote: Cheers! This is really nice. On 06/03/2010 20:33, Juho Hietala wrote: http://soundcloud.com/juho/blamstrain-missing-you Deep dubby techno with a romantic mood perfect for those wintery / early spring moments chillin' on the couch with a spliff.. Free download as a lossless FLAC. Enjoy! Juho
Re: (313) Netbooks; worth it for music applications?
One thing to keep in mind the original netbooks run linux, not microsoft windows. I use abelton live 3 and renoise for my music production. This set up is very easy on the cpu, I can make some interesting mixes on my g3 400mhz powerbook. Whenever I need to use midi/VSTi I render the tracks in renoise and do the final mix in live 3. Renoise will work with linux too if you have a netbook without a x86 processor--that would be core! -ds - Original Message - From: Arturo Lopez arturo.m.lo...@gmail.com To: Three-One-Three 313@hyperreal.org Sent: Tuesday, June 23, 2009 12:00 PM Subject: (313) Netbooks; worth it for music applications? Was wondering if anyone out there had any experience running any music applications on a netbook? Seems like it might be a nice/cheap solution for running ableton/serato/whatever and quite a bit more portable than a larger laptop. Concerned a bit weather a $250 netbook has a beefy enough processor to handle these apps, but then again people were running those apps on slower laptops 3 or 4 years ago. Hmm. I'd imagine you'd have to buy an external soundcard though. Thoughts? -Arturo
Re: (313) festival first day
- Original Message - From: Fred Heutte ph...@sunlightdata.com To: 313@hyperreal.org Sent: Sunday, May 24, 2009 1:37 PM Subject: (313) festival first day The weather is pretty good although a little humid during the day. Decent crowd so the economy doesn't seem to be a big hit of attendance. RE: --the bad economy should boost attendance slighty as people need a great escape from the real world and unemployment checks are flowing. I am not there for that reason (bad economy even though I have a job), none of my west michigan friends have accepted my offers to carpool as of yet. Strange for me as I remember us going by the car loads in the early 2000s. I think I will go regardless for the Jeff Mills homecoming, great line up and cheaper than the plaza. I am bummed about missing Jay Denham today but this should cheer me up. Paxahau keeps increasing the stage budgets and so the stages are getting bigger and bigger, to the point of being bloated. I mean, this is not a good thing. The underground (Real Detroit) stage is a disaster. They built a huge elevated square platform in the middle of the floor and constructed an elevated walkway from the side so the DJs and techs can get to the platform. Stacks of bass bins all the way around on the floor under the platform, highs hung from above. Well, it might have been a good idea outside, but it takes up way too much space and makes it sound like you're inside a garbage compactor. The mids are blasting and everything else is slapping back against the walls, floors and ceiling just like always except moreso. Huckaby said afterwards it was horrible playing in there, I think he cut his set short. RE: the Dutch brought in the best sound system I've seen for the space for the +31/313 thing they did a few years back--hats of to the etherlands! --that stage can be creepy too, I've been video taped dancing with a girl by a voyeur and seen some shadey stuff go down when its packed like sardines in a tin can.
Re: (313) No comment. but Whitey on The Moon
My obnoxious sense of humor is more suited for detroitluv, or other haters, my bad for drinking after work and checking my email. I honestly thought it was some techno version of tubgirl. I am a simple man from west michigan, I find this very disturbing and this is my way of showing displeasure with the system. What happend to the millitant attitude that techno has no face, or the stark minimal packaging of consumed? The nations unemployment rate is almost 9%, last I heard Michigan is at about 16%, it is predicted to rise to 17-20% by the end of the year. Techno is a product of this enviroment and I have little hope or interest in Minus and much hope for the new rising stars of Detroit. Richly Hawtin reminds me of the subject matter in Whitey on The Moon a song written and recorded by Gil Scott-Heron in 1970--nuff said. Caio -D PS There really is a pyramid in Michigan, it is a freaky sight at sundown: http://www.city-data.com/picfilesc/picc20757.php - Original Message - From: Odeluga, Ken ken.odel...@dowjones.com To: 313@hyperreal.org Sent: Thursday, May 14, 2009 7:24 AM Subject: RE: (313) No comment. I usually just delete anything from this thread, with no comment. I dip in from time to time to check I'm not missing anything. And I'm not. -Original Message- From: collin strange [mailto:collin_stra...@comcast.net] Sent: Thursday, May 14, 2009 2:08 AM To: 313@hyperreal.org Subject: Re: (313) No comment. I've been a member of 313 in one way or another since the beginning and I can safely say that this is the lamest message I have ever seen posted. Is this a joke? I thought it was a gay pr00n site at first glance--I mean with the butt shot and all. Call it rage from working on a pyramid all night long in what should be a Michigan paradise but this has to be a spoof like this crap: http://www.youtube.com/watch?v=gmkNmjL1YCE --it has to be a look-a like, I support homosexuals but say it aint so--hawtin was a hero for me in high school. If it is real I don't want to know, otherwise I will join the band wagon with all you other haters as my cherished music would become nothing but background music fueled by a boy-band coke machine. - Original Message - From: /0 r3dsh...@chartermi.net To: 313@hyperreal.org Sent: Wednesday, May 13, 2009 12:00 AM Subject: Re: (313) No comment. http://i44.tinypic.com/33eq4br.jpg -- From: Greg Earle ea...@isolar.dyndns.org Sent: Tuesday, May 12, 2009 7:59 PM To: 313@hyperreal.org Subject: Re: (313) No comment. On May 8, 2009, at 8:58 PM PDT, I wrote: http://richly.hawtin.jp/ Apparently Fact Magazine is reading (313). See item #1: http://www.factmagazine.co.uk/index.php?option=com_contenttask=viewid= 2523Itemid=105 - Greg
Re: (313) No comment.
Is this a joke? I thought it was a gay pr00n site at first glance--I mean with the butt shot and all. Call it rage from working on a pyramid all night long in what should be a Michigan paradise but this has to be a spoof like this crap: http://www.youtube.com/watch?v=gmkNmjL1YCE --it has to be a look-a like, I support homosexuals but say it aint so--hawtin was a hero for me in high school. If it is real I don't want to know, otherwise I will join the band wagon with all you other haters as my cherished music would become nothing but background music fueled by a boy-band coke machine. - Original Message - From: /0 r3dsh...@chartermi.net To: 313@hyperreal.org Sent: Wednesday, May 13, 2009 12:00 AM Subject: Re: (313) No comment. http://i44.tinypic.com/33eq4br.jpg -- From: Greg Earle ea...@isolar.dyndns.org Sent: Tuesday, May 12, 2009 7:59 PM To: 313@hyperreal.org Subject: Re: (313) No comment. On May 8, 2009, at 8:58 PM PDT, I wrote: http://richly.hawtin.jp/ Apparently Fact Magazine is reading (313). See item #1: http://www.factmagazine.co.uk/index.php?option=com_contenttask=viewid=2523Itemid=105 - Greg
Re: (313) pre 2006 DEMF lineups?
memories... Saturday 27 May 2000 DEMF Stage 1pm Craig Taborn 2pm Space Time Continuum 3pm DJ Spooky 5pm Tikiman 7pm DBX (Dan Bell) 830p Isotope 217 930p Stacey Pullen Motor Stage Noon Hannah 2pm Minx 4pm Mike Agent X Clark 6pm Theo Parrish C-Pop Stage Noon Magda 2pm Mike Grant 4pm D Wynn 6pm Kenny Larkin Underground Stage Noon Jeff Karolski 1pm Clark Warner 2pm Jason Hogans 3pm Clark Warner 4pm Dykehouse 5pm Bill Van Loo 6pm TBA 7pm Recloose 8pm TBA 9pm Wild Planet 10pm TBA 11pm Scan 7 Sunday 28 May DEMF Stage Noon Double Helix 1pm TBA 130p John Arnold 230p TBA 3pm Aril Brikha/Time Space 4pm Kevin Saunderson 6pm Laurent Garnier 7pm TBA 8pm Roots 9pm Gary Chandler 10pm Mos Def 11pm Gary Chandler Motor Stage Noon Oscar McMillan 2pm TBA 4pm Buzz Goree 6pm TBA C-Pop Stage Noon Lacksidaisycal 130p Househoes 330p Len Swan 6pm Breakfast Club 630p Cash Money Underground Stage Noon Carlos Souffront 2pm Spacelings Bassheads 3pm Carlos Souffront 4pm Adult. 5pm DJ Godfather 7pm Ectomorph 8pm DJ Assault 10pm Fanon Flowers Monday 29 May DEMF Stage Noon TBA 3pm Theorem 4pm Juan Atkins 6pm Rolando 8pm Derrick May 10pm Richie Hawtin Motor Stage Noon Derek Plaslaiko 2pm TBA 4pm Mike Huckaby 6pm Bone C-Pop Stage Noon Ronin 2pm Lauren Flax 4pm A Guy Called Gerald 5pm Dego Underground Stage Noon Vitreous Flux 1pm Direct Beat Assasins 2pm Urban Tribe 4pm Keith Tucker/Puzzelbox 5pm Shake 7pm Detroit Grand Pubahs Saturday 26 May 2001 Ford Focus Main Stage Noon Norma Jean Bell 1pm Francisco Mora 230p Kirk Degiorgio 4pm P'Taah 5pm Kirk Degiorgio 6pm Mark de Clive-Lowe 8pm Tortoise 9pm Jazzanova 10pm D-Wynn 11pm DJ Bone C-Pop Stage Noon DJ Genesis 2pm Norm Talley 4pm Delano Smith 6pm Glenn Underground 9pm Nobukazu Takemura 930 DW Miller Genuine Draft/Motor Stage Noon DJ B (Len) D 130p Terrence Parker 3pm Afronaught 5pm Kooky Scientist 7pm K. Hand 930p Suburban Knight Bacardi/Real Detroit Weekly Stage Noon Laughing Gas 130p Halon 3pm Tadd Mullinix 4pm Prefuse 73 430p Quaker Cage 530p DJxDJ (Mute label chief Daniel Miller and NovaMute boss Seth Hodder) 7pm Kit Clayton 9pm Autechre 10pm Jay Denham Sunday 27 May Ford Focus Main Stage Noon Drumr 130p Optic Nerve 3pm John Acquaviva 5pm De La Soul 6pm Laurent Garnier 9pm Kid Koala 930p Saul Williams 1030p Mix Master Mike C-Pop Stage Noon Michael Geiger 2pm Keith Worthy 4pm Rick Wilhite 6pm Alton Miller 9pm Eddie 'Flashin' Fowlkes Miller Genuine Draft/Motor Stage Noon Don Q 2pm Deity 3pm Don Q 4pm Dwele 5pm Don Q 6pm Binary Star 8pm Kenny Larkin 10pm Stacey Pullen Bacardi/Real Detroit Weekly Stage Noon Mitch Walcott 1230p Ibex (Tony Ollivierra) 1pm Kevin Reynolds 2pm Ibex 230p Maersk 330p Ibex 4pm Todd Sines 5pm Ibex 530p Titonton Duvanté 630p Ibex 7pm Common Factor 8pm Art Fashion: Detroit: A fashion show produced by Art Point M, a group led by French art-fashion auteur Fanny Bouyagi. Bouyagi's film footage of Detroit will screen as accompaniment to a parade of five models, and a French DJ takes care of the sonics. 9pm Strand Shake 10pm Twonz Monday 28 May Ford Focus Main Stage 1pm Dark River Collective 3pm Carl Cox 6pm Random Noise Generation 8pm Inner City 9pm Juan Atkins 10pm Derrick May C-Pop Stage Noon Patrick Russell 2pm Gilb-R 4pm Kikoman 6pm I:Cube 9pm Doc Martin Miller Genuine Draft/Motor Stage Noon Legal Alien (a.k.a. Gary G) 1pm John Briggs 2pm Legal Alien 3pm Sudden 4pm Jim Masters 7pm Ayro 8pm Derrick Carter Bacardi/Real Detroit Weekly Stage Noon Mirko N. Twan 2pm Ollie 4pm DJ Di'jital 7pm Funk D'Void 930p Slam Saturday 25 May Main Stage Noon The Sundiata O.M. Ex-Spear-Re-Essence (live) 130p Electric Indigo 330p Defiant Presents The People's Movement (live) 530p Mike Grant 8pm Mike Dearborn 11pm Juan Atkins Miller Genuine Draft DJ Tower Noon Jay Langa 2pm DJ Zapp 430p Heather Heart 7pm Steve Rachmad 930p Marco Carola C-Pop/Detroit Free Press Stage Noon Short-E 1pm John Collins 230p Reggie Curry 4pm UFM featuring Billy Love (live) 530p DJ Funk 730p The Legendary Paul Johnson 10pm Tim Baker Real Detroit Weekly/Bacardi Underground Stage Noon Erotek (live) 2pm Mad Professor (live) 330p T. Linder 430p DeepChord (live) 6pm John Tejada 830p Cas Roc 10pm DJ Drama Sunday 26 May Main Stage Noon Gary Martin 130p Subterraneous (live) 3pm Blake Baxter 530p Eddie Fowlkes 8pm George Clinton (live) Miller Genuine Draft DJ Tower Noon Korie 2pm Keith Kemp 430p Adam X 7pm Bryan Zentz (Barada) 930p DJ Krust C-Pop/Detroit Free Press Stage Noon Art Payne/Keith Martin 230p Rick Wade 5pm Boo Williams 730p Ethan Klein 9pm Kenny Dope Real Detroit Weekly/Bacardi Underground Stage Noon Brian Gillespie 130p Stewart Walker (live) 3pm Waxmaster D Smooth 430p Derrick Thompson 6pm Chaos (live) 730p Bone 10pm Dave Clarke Monday 27 May 2002 Main Stage Noon Roy Davis, Jr. 2pm Green Velvet the Rejects (live) 330p DJ T-1000 aka
Re: (313) official 313 list do's and don'ts of DEMF line-ups
I reworked your idea with Southern Outpost's to Frank, kent, list DO have more people in fluro, furry and baggy clothing w/ oversized hats. ;) --furries belong behind fences, its a win win, they get to enjoy their twisted role playing in front of a massive crowd with zoo-rave fantasy and they can stay the heck away from me when I am doing dj assaults with branded groupies. --no pun intended with zoorave, the widely distributed rave compilation series from the mid90s On Fri, Mar 20, 2009 at 12:04 PM, Frank Glazer cpe1704...@gmail.com wrote: hey wait isn't that what i just said? On Fri, Mar 20, 2009 at 11:40 AM, david smith bassline...@gmail.com wrote: What about scantly clad paxahau branded b__hes hired to dance in the crowd? --now thats aggressive marketing. I'd like to see some furries hired to dance on stage with some JEEP flags waving and Chrysler beach ball tossing. --wait the prototype leaked already: http://www.youtube.com/watch?v=gh4yxMbH6rE On Fri, Mar 20, 2009 at 12:58 AM, Frank Glazer cpe1704...@gmail.com wrote: i am definitely not against scantily clad hos as a rule, i'm more against the idea of paxahau a$$-branded b*tches, seen? On Fri, Mar 20, 2009 at 12:45 AM, anth...@technoiraudio.com wrote: I like scantily clad ho's virtually anytime. Actually I can't think of anytime that im not really into scantilly clad ho's. Honestly. But im just a simple man who also laughs when someone says scantily clad. A On Fri, March 20, 2009 10:09 am, Frank Glazer wrote: if you don't understand why scantily clad hos don't belong on stage at the DEMF, i don't know what to tell you. On Thu, Mar 19, 2009 at 11:03 PM, poivren...@aim.com wrote: I'm still not getting it. Would it be better if they danced intelligently? -Original Message- From: Frank Glazer cpe1704...@gmail.com To: poivren...@aim.com Cc: chaircrus...@gmail.com; 313@hyperreal.org Sent: Fri, 20 Mar 2009 1:10 am Subject: Re: (313) official 313 list do's and don'ts of DEMF line-ups exactly On Thu, Mar 19, 2009 at 8:10 PM, poivren...@aim.com wrote: Why? -Original Message- From: Frank Glazer cpe1704...@gmail.com To: kent williams chaircrus...@gmail.com Cc: list 313 313@hyperreal.org Sent: Thu, 19 Mar 2009 11:58 pm Subject: Re: (313) official 313 list do's and don'ts of DEMF line-ups don't hire scantily clad ladies to dance like idiots in front of the djs. On Wed, Mar 18, 2009 at 1:26 PM, kent williams chaircrus...@gmail.com wrote: DO: Include Detroit DJs and Artists. Genre not important as long as contemporary with some electronic elements. e.g. Slum Village, but not a Detroit Polka band. Include International artists and DJs whose music is either Detroit influenced, or is interesting and enjoyable in it's own right and not too far from the core focus on electronic music. E.g. Tortoise and Autechre were good DEMF bookings. Include the best proponents of new dance music genres. E.g. Burial would be a good booking. Give him a Luchador mask to wear if he's still feeling bashful. DON'T: Book Trance DJs. Trance music -- regardless of nation or city of origin -- is the opposite of Techno, and the opposite of good music, for that matter. Book a DJ/Producer who don't actually make the music they release under their names. Book any Big-room, Ibiza-DJing, Coked-out, Primadonna Bullsh1t DJs. Now it's tough to balance financial prudence with artistic integrity, and arguably Paxahau has mostly done OK. But the only rightful place for Benny Benassi at DEMF would be in a dunk tank. -- peace, frank dj mix archive: http://www.deejaycountzero.com Great Deals on Dell 15 Laptops - Starting at $479 -- peace, frank dj mix archive: http://www.deejaycountzero.com Great Deals on Dell 15 Laptops - Starting at $479 -- peace, frank dj mix archive: http://www.deejaycountzero.com -- peace, frank dj mix archive: http://www.deejaycountzero.com -- peace, frank dj mix archive: http://www.deejaycountzero.com
Re: (313) mysticism in electronic music (and where has it gone)
The ISDN future of FSOL is here and now, except its more of a DSL/cable world. Every genre goes through periods of reinvention. Detroit music is going through the growing pains of the digital world. The days of digging crates for vinyl with nsc etchings are passed. On Sun, 15 Mar 2009 17:51:24 -0400 Michael Kuszynski kuszyn...@gmail.com wrote: Maybe I am simply reaching a little too hard to get back to what makes me an ardent follower of FSOL or the ambient techno electronica universe of futurist, space age, on-the-dawn-of-a-new-era mysticism that I found so appealing as a youth and as it carried me through to now, but I am having a hard time floating through what music is now and how to find things that continue reshaping the order of my world in regards to recorded sound. I feel like all I can do is feel like there's an era gone by, but I'm not sure what there is as a music after techno? (or ambient / uk electronic, what have you). Also - I am unsure if I am simply a victim of my own obscured frame of reference which is defined by my own transition from being an active fanatic and always listening to music and working on synths non stop when I was younger to having entered real life (work, corporations) and reliving days gone by. Maybe they are simply gone by for me, and my own attitude is that of an old timer (even if I'm young) saying that there will never be another this or that, or that music is over, etc. Maybe there is always people doing interesting things, building scenes, and achieving breathtaking aural and all encompassing art, but this is just a mood I am in now on this reflective Sunday. Any thoughts? I know my reference to FSOL or classic early 90s electronic techno ambient what have you isn't explicit Detroit relevant, but I think many can identify to these themes. The below definitely reference detroit artists, and they even speak! part 2: - FYI - I am double posting from another friend's list, but check this out, if you haven't yet: http://www.subrosa.net/online/main_dr_catalogue_electronics_detail.php?AlbumID=76 you can even listen to it for free before buying on this thing called deezer: http://www.deezer.com/en/l-r-radiomentale/i-could-never-make-that-music-again-A40541.html I Could Never Make That Music Again L-R RadioMentale with the voices of Derrick May, Stacey Pullen, Autechre, Matmos, Alec Empire, A Guy Called Gerald, Mad Mike (Underground Resistance), Coldcut, Mixmaster Morris, DJ Shadow, Kid Koala, Steve Reich, Claude Lévèque, Rioji Ikeda, Richie Hawtin, Richard James (Aphex Twin), Thomas Brinkmann, Mantronix, Christian Fennesz, Squarepusher, The Residents, Tony Morley, David Toop, Matthew Herbert, Simon Begg, Andrea Parker, Pole SR249 I Could Never Make That Music Again is a choral album, a sound collage crafted out of interviews,where artists, musicians, DJs and sound makers talk openly about their work, their visions, their hopes, their moments of doubts and their regrets in a loosely constructed narrative. Even though most of the people interviewed here have just met on a few occasions, they have all participated in the making of the history of electronic music; from the early tape experiments in the 1950s to the latest trends in techno.
Re: (313) New Mix from Mani Miglani
WBMX ERA is what I think of when I think of chicago, and that was 20 years ago :) Chicago is a wonderful place but the sound has always been more pop than the Detroit sound, I speculate that it is because there is more money to be made off of the club scene in Chicago than Detroit. On Mon, 16 Mar 2009 10:46:06 -0500 kent williams chaircrus...@gmail.com wrote: Gosh Michael, tell us how you really feel! I kind of liked the mix from the standpoint that it was different than I usually hear, the difference being accessibility. But I can certainly see this not being to everyone's taste. That Deadmau5 + Kaskade I Remember track is my new guilty pleasure. Oh well, Mani's on the list again after many years absence, I'm sure he'll take your feedback in the spirit that was intended -- of constructive criticism ;-) On Mon, Mar 16, 2009 at 10:06 AM, Michael Elliot-Knight michael.elliot-kni...@fallon.com wrote: Wow - is that the Chicago take on techno? Sounds like Chicago has lost it's distinctive sound. I didn't really hear anything that was Chicago RB at all - it sounded more like the crap that passes as progressive house. That Beyonce remix is crap. Or maybe it's just how it's mixed in. There's no emotional build-up to it so the heights that the Beyonce track hits just come out of nowhere. Doesn't anybody know how to build emotional mixes and tell stories with vocals anymore? I think there's a whole generation of DJs that this skill is utterly lost on. Energy and high bpms DO NOT equate emotion. I think that Keri Hilson track Energy sums up this mix for me with the line: it's taking all my Energy. sorry Kent - some minimal paint-by-numbers blippy bloppy grabage and hands in the air prog-house just don't pass my litmus test for good music Is this what's happening in Chi-town now? It's awful. MEK
Re: (313) odd question
More likely Skatemaster Tate than Stac. On Sun, 22 Feb 2009 12:37:02 -0500 JT Stewart etmach...@gmail.com wrote: Can't barely hear it! Maybe Stacey Peralta made it, he had some hot jams On Sun, Feb 22, 2009 at 9:31 AM, Marsel van der Wielen mar...@nomorewords.net wrote: anyone idea which is this old school electro / breaktbeat tune? http://www.youtube.com/watch?v=7oI_T1b0uas starting 57 sec
Re: (313) Demf 2009?
Greyhound tickets to Detroit can be obtained cheaply--perhaps not last
minute but now one way from NYC = 55$ with on-line promo. From a
smaller town you would have to pay more.
On Mon, 16 Feb
2009 23:00:48 -0500 darnistle darnis...@cafe-ebola.com wrote:
I'm hoping to go this year. I haven't been since I moved away a few
years ago and I really miss it a lot.
I'm need to start saving my pennies.
{}0+|
Michael Kuszynski wrote:
Tough times for all, and some dimensions of demf in the last two
years have been less than stellar.
I am, however, deeply thankful for any chance to experience a music
gathering in detroit.
What are your overall thoughts on memorial day weekend 2009?
(313) montreux vs movement
How long will it take movement/demf (memorial day weekend electronic festival) to have the integrity of the labor day jazz festival? Will techno have to gain the respect that jazz has--like if it gets its own section in public libraries as jazz does before techno is considered something for intellectuals? 20 years or so?? Does having a rave in heart-plaza make people who are not into underground electronic music hate us fans even more? --david
Re: (313) New Mills cd, etc.
My freind let me hear the cd, and bought it at hmv.com, but paid alot for it--the digital version is tits. From: Jason Brunton [EMAIL PROTECTED] To: David Smith [EMAIL PROTECTED] Subject: Re: (313) New Mills cd, etc. Date: Tue, 1 Nov 2005 23:16:45 + Hey David- where did you manage to track it down? cheers Jason On 1 Nov 2005, at 05:27, David Smith wrote: This is an excellent CD well worth the extra effort to find--it is out there ;-D From: Wojtek [EMAIL PROTECTED] To: 313@hyperreal.org Subject: (313) New Mills cd, etc. Date: Mon, 24 Oct 2005 16:21:34 -0700 Does anyone have info on this relaease? http://www.discogs.com/ release/544601 Is it availble outside of Japan yet? The discogs notes say that it's a US release, but it doesn't seem to be available from any known outlets. Also, some nice pics of Mills live with a 909 and Scion (does this mean that a new release of theirs is in the works?) performing can be found here http://blog.excite.co.jp/jeff05 wojtek
RE: (313) New Mills cd, etc.
This is an excellent CD well worth the extra effort to find--it is out there ;-D From: Wojtek [EMAIL PROTECTED] To: 313@hyperreal.org Subject: (313) New Mills cd, etc. Date: Mon, 24 Oct 2005 16:21:34 -0700 Does anyone have info on this relaease? http://www.discogs.com/release/544601 Is it availble outside of Japan yet? The discogs notes say that it's a US release, but it doesn't seem to be available from any known outlets. Also, some nice pics of Mills live with a 909 and Scion (does this mean that a new release of theirs is in the works?) performing can be found here http://blog.excite.co.jp/jeff05 wojtek
RE: (313) Music I've heard this week
Kevin Reynolds - Built For Athletic Response http://www.discogs.com/release/484130 --keep an eye out for this one, real detroit techno in the transmat tradition--release has my eye on this new label. Detroit underground 5, not too impressed with this one, although it is good for playing MAME roms too, but id recommend that Det und gets there asses on the streets, cause its not the sound of the city... From: Martin Dust [EMAIL PROTECTED] Reply-To: Martin Dust [EMAIL PROTECTED] To: 313@hyperreal.org Subject: (313) Music I've heard this week Date: Sat, 16 Jul 2005 15:35:52 +0100 Lets see if we can keep going...
RE: (313) Music I've heard this week*
Sorry smoked too much grass this morning--the prior post was a draft... Kevin Reynolds - Built For Athletic Response http://www.discogs.com/release/484130 --keep an eye out for this one, real detroit techno in the transmat tradition--release has my eye on this new label. http://www.discogs.com/release/436174 Detroit underground 5, not too impressed with this one, although it is good for playing MAME roms to, and it was worth my money--i recommend that Det und gets their asses on the streets, because IDM is not the sound of the city... And the first lock-groove was cheese-style, detroit underground vocal sample, others I am happy to mix. From: Martin Dust [EMAIL PROTECTED] Reply-To: Martin Dust [EMAIL PROTECTED] To: 313@hyperreal.org Subject: (313) Music I've heard this week Date: Sat, 16 Jul 2005 15:35:52 +0100 Lets see if we can keep going...
RE: (313) Kraftwerk and Detroit Techno Documentary
Hi list--new e-mail account, the file is blocked, any alternate links? From: dUbspencer [EMAIL PROTECTED] To: 313 Org 313@hyperreal.org Subject: (313) Kraftwerk and Detroit Techno Documentary Date: Sat, 16 Jul 2005 13:29:42 +0200 hi there... for those who are interested in this: http://s45.yousendit.com/d.aspx?id=06UNUK0VWPURP2YM5YX20ZLWEA documentary of dutch tv from a a while ago, with interviews of Ralf from Kraftwerk, Derrick May, Blake Baxter and Carl Craig if u have a fast line give it a try ...200MB! have nice weekend ;)
(313) Attn: (616) listers (event post)
The past year i have been saturating myself in old wizard tapes from the radio, and I have been bitching about the 80's night invasion in my city, as they have become the most popular counter-culture weekly nights here. Now I am doing something about that. Arachnid Kid (Ideal Collective) JM Nightmar3 (Frigid Records) Presents the Ideal Time-Machine Are you tired of hearing the same oldies on old school radio shows or club nights? We invite you to experience our extensive collection of old school underground hip-hop, electro, soul-funk, miami-bass, detroit, chicago, and freestyle music; all seamlessly mixed utilizing todays cutting-edge technology. Every thursday night* on the second floor @ Drink Ultra Lounge, Grand Rapids MI, aka the Lenox Room. Cover includes admission to Jeff Leopard's Retro-Deluxe, two clubs for the price of one. *since this is a brand new club-night management will close the 2nd floor if attendance is low before 11pm, so come between 10-11 and represent your love for classic urban dance-music, turn the clock back to 1989! http://home.earthlink.net/~dasalechem/ideal-time_machine.pdf http://www.idealcollective.com
(313) frigid records promo
Since i am all about the free information, here is my first release from my experimental label, Frigid Records, I have two more 7 planed for release this year. All distribution will be either electronic or direct contact. --the labels site is not up yet, but will be soon. Frigid Records 7 promo available for download: http://home.earthlink.net/~dasalechem/promo/nightmar3-big_fellas-(frgd -74501).zip Thanks for listening. -d
(313) black murda discography
I found a self-titled LP from 1971 called Black Murda, an excellent funk-soul band from detroit. As far as i know they are not on discogs, found a little bit on google, but no complete discography. Are there any funk fans out there that can help me fill in the blanks?
Re: (313) legit mp3 downloads (artists get PAID)?
Bah, guess, i will add my two cents, I look at owning the vinyl as owning the next best thing to a studio master. Problem is vinyl wears out each time it is played. Digital files never wear-out, and if you dj digitally, you don't have to get an acetate made every time a remix/edit is done. Alot easier to play your exclusive tracks on a limited budget, as most of us are on. -so I have been working on digitizing my vinyl collection, but its time consuming. Most of the vinyl I am after is out-of print, some new music I would rather buy a legit mp3 if the music is recorded digitally in the first place. But for the older records which were mastered from reel-to-reel, vinyl is the only answer because one must do there own analog to digital master, and this is where modern djs have a chance to stand out from the rest, the techno-world needs more Larry Levins and Ron Hardys doing there own remixes etc. On Jun 23, 2005, at 11:02 AM, fab. wrote: Records are great, but they just don't compare to the convenience of keeping things in digital format. That's why i have embraked on the gargantuan task of ripping all my vinyl to mp3 - digital files ARE easier to use, although for me there is nothing like vinyl. the sound, the feel, the smelland the packaging. fab.
Re: (313) New Cyborg K Mix Online
I got all those mixes in the past. Still have them on cdr, its great to hear quality music from the nocturnal noize crew :))) keep it up please! I am downloading the new one-can't wait. -david On Jun 19, 2005, at 6:25 PM, David Powers wrote: Hello 313, I've got a new Cyborg K mix that's definitely on the 313 tip. Somewhere between techno, house, electro, and acid I guess. I don't have a tracklisting , but it includes DJ Minx, Orlando Voorn, Detroit Grand Pubahs, Tyree Cooper, Rob Hood, Mathew Jonson, and plenty of my own originals. I made this mix on the Friday morning before I went to Fuse-in (I live in Chicago now). PLEASE let me know if you download this mix and enjoy it, as it is hard for me to tell whether anyone actually listens to this stuff once I put it up. Thanks and peace everyone, ~David
Re: (313) Hello 313, I am....
Name : David Smith Age : 24 as old as techno itself Place I live : Grand Rapids, MI City I was born in : Ann Arbor, MI, near the old cybotron studio in 1981 Webpage : http://www.idealcollective.com Myjunk: http://www.mypace.com/jm_nightmare How long have i been into detroit music? -grew up on elec mojo/ parliament-funkadelic
Re: (313) Couple o' Fuse Pics
Sunday may 29th room1 advent --live murat frankie bones james pennington buzz goree santiago salazar room 2 osunlade mike huckaby ron trent craig gonzalez craig huckaby --I didn't go, but i chat with one of the artists online fairly often--perhaps he can fill in the details. On Jun 7, 2005, at 12:26 PM, Stoddard, Kamal wrote: deep house room... at For Those Who Know 4. Uu...WHAT WHAT! I need reports! I almost forgot about FTWK. No ones mentioned this one yet. Did anyone go? Who played? Was it really deep or just melodic and boring? What was the crowd like? Anybody mixing it up (bruk beat, oldies, etc) well? Anything recognizable? Any real moments? Kamal K. Stoddard Turner Broadcasting Systems
Re: (313) fuse-in detroit - technicolor mf
redman before kms was ok, the last song for the smokers was a dope 4/floor hiphop anthem thing, hot, and i didnt notice he only said kevin saunder as someone else said...i heard saunderson? maybe my roll was just starting. i did think it was a bit uhh stupid and lame to have all this hype for proggy kms dj set, when juan had just played legendary sh:t live, but typical, whatever Now that i think about it, he said kevin saunders, my friend heard it too, maybe it will show up on the livesets, tons are floating around already. I know a guy who has mp3s of all thirty some dj sets from the main stage. --maybe i am tripping and he slurred it to correct himself--but i don't do e and i don't trip unless dosed, and that is rare.
Re: (313) Day 2
Unfortunately the floor was bouncing so much, he couldn't use the 1200s. Only 2 cdjs. What the hell, did they try putting pillows under the decks?
(313) FUSE-IN REPORT
Yesterday I hung around my hotel until around 530ish, there was a free party here at the pontchartrain and for about an hour they had free redbull--and smart water that lasted longer. When I was there Keith Stoll was listed at that time slot. The free drinks and urb magazine was a nice bonus... better than tea and usa today. We had to buy wrist bands at cobo hall, I didn't go on friday, because by the time we got settled the acts i wanted to see, had played. Sunday was the first time that there were no techno acts on smaller stages that i was interested in. The tronic marco carola ben sims misstress barbara possie were in the underground stage--packed but not my style at all. Seems like there is a new bread of raver trash in the midwest... Weird vibe this year, this is the first year where flashing pacifiers were sold like at a sports event or circus, vendors going up and down the heavy foot traffic areas, selling that junk. I would not call it a rave, but a circus. Model 500 played live classics, which was very entertaining but lacking new material. Redman made an appearance and did a few cuts, before introducing kevin saunder --then i went back to the hotel and called it a night because I got enough rave at substance in the broderick tower. I wish Carl Craig was the one behind it, not kevin!!! I still had alot of fun, a good 10$ music event. I would detail more but i must pack and check-out.
(313) saturday night detroit fuse-in weekend blurp
I am staying at the ponch with a view of heart plaza, I did not go yesterday, missed the acts i wanted to see, and we ended up watching the festival from the hotel window from the 15th floor, fuse-in looked like they made money, towards the late night the plaza filled up. The Substance, friction detroit party was dope, it was like taking a time machine back ten years with the music from today. Two floors, 4 rooms, black plastic rave decor. daniel bell, kero, and mike huckaby were my favorites for the night. --Left the party around 6 am.
Re: (313) new mix on DTM site
:o hate to be negative, but i have an excuse, i just 3missed my dads memorial service because our car broke down on 96... Marco Bailey Sucks, Adam Beyer turns me off, the last ken ishii cd i played sounded like progressive trance... Whoa unto you i will not continue my rant On May 21, 2005, at 5:38 PM, [EMAIL PROTECTED] wrote: cover and disc artwork via DTM creative (www.dtmcreative.com) will be out before the festival. http://detroittechnomilitia.com/main/index.php? option=com_remositoryItemid=63func=downloadfilecatid=32 It's Hot Near The Equator Mixed on 3 - 1200s and a rane empath Eddie Flashin’ Fowlkes – Stella 2 – Peacefrog John Tejada – Antithesis (Steve Rachmad RMX) – Sino Juan Atkins – Rebound – Subject Detroit Man Made – Space Wreck – Fragile Kaotic Special Rhythms – Karnivor – 430 West Random Noise Generation – We Can Survive – 430 West Subvoice Vs. Subhead – 5031377000428 (A1) – Subvoice Soul Destroyaz – Bound – Synewave Dynamite Voltage – Subvoice 18 (B2) – Subvoice Extex – Sultanesque – Hydrophonic Marco Bailey – Play it Back – Intec Johan Bacto – Mankind 02.5 – Mankind 69 – Jam the Box – Lite Music Ignacio – Human-ised – Music Man Surgeon – Dry – Dynamic Tension Adam Beyer Henrik B – Appendix E (Gaetano Parisio RMX) – Southsoul Adonis – No Way Back (No Return Pt. 1 Advent RMX) – Trax Trevor Rockliffe – 2001 Jack Party – Mentor Shufflemaster – Subvoice XX (B1) – Subvoice Surgeon – Hard Education. (A1) – Downwards Rhythim is Rhythim – Kaos (Juice Bar Mix) – Transmat UR – Code Red – Underground Resistance0 Keith Tucker – Face Your Fate – Puzzlebox Ectomorph – Breakthrough – Interdimensional Transmissions The Advent – Light Years Away – Electrix Ken Ishii – Bleep Twist – Exceptional Sidney Hih – Frat House – Minimalistix Mike Dearborn – Future Vision – Majesty Buzz Goree – Battlepak Vol. 1 (A1) – Underground Resistance Buzz Goree – Battlepak Vol. 1 (A3) – Underground Resistance UR – Mirage (Perception Vocal Mix) – Underground Resistance www.detroittechnomilitia.com
Re: (313) Out-of-towner festival attendee roll call!
616 is in need of a real reunion party lineup: random order, 1st vs 2nd wave rave 2005 fannon flowers jay denham kikoman cyborgk myles serge jtronic dknox arrron bennit lee curtiss hydro --dave, We met awhile ago--I remeber going to a UR cabaret with catherine and you, and others, in highland park. Man you did freak the freakest freak there! talk about butt quake! On May 19, 2005, at 8:37 PM, David Powers wrote: 616? Really? As in Grand Rapids?! ~David david smith wrote: 1. Greg Earle 2. Diana Potts 3. Phred Huette 4. Garrett McGrath 5. Derek Plaslaiko 6. Atomly 7. Kate Simko 8. DelCimmuto 9.Luis-Manuel Garcia 10. David Powers 11. Chana Goodman 12. Anton Banks 13. Dan Bean 14. Mark Butler 15. J.Tronic 16. Dennis Donohue +1 (lol) 17. David Smith and the 616 allstars
Re: (313) Out-of-towner festival attendee roll call!
1. Greg Earle 2. Diana Potts 3. Phred Huette 4. Garrett McGrath 5. Derek Plaslaiko 6. Atomly 7. Kate Simko 8. DelCimmuto 9. Luis-Manuel Garcia 10. David Powers 11. Chana Goodman 12. Anton Banks 13. Dan Bean 14. Mark Butler 15. J.Tronic 16. Dennis Donohue +1 (lol) 17. David Smith and the 616 allstars 18. Lisa Uber +1 19. Nick Parish
Re: (313) theo parrish
--if it did, not on a large scale, and since it was limited to 500 copies the value will increase the longer you hold on to it, assuming there is no rereleases. ds On Apr 25, 2005, at 12:52 PM, [EMAIL PROTECTED] wrote: Yep, another thread about theo. Does anyone know if his Made In USA edit featured on Ugly Edit 1 ever got bootlegged? I know the Jill Scott on the flip did, but did the other side? e.g. is my ugly edit 1 worth selling? will I get reasoanble cash for it? Thanks Alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) Abdul Haqq Prints
FYI it's not a monorail, it's the people mover, a train that circles detroit. It costs under $1 to ride. Its kinda a joke really. typical detroit. http://www.thepeoplemover.com/ It is sad the city has no high-tech public transportation. DS On Apr 6, 2005, at 4:54 AM, [EMAIL PROTECTED] wrote: My Abdul Haqq print that I ordered arrived this morning. I got it from RubADub (thanks for ordering them in guys - I really appreciate it). I know art is a subjective thing of course, and not everyone likes mr haqq's work, but I just wanted to say how pleased I am with it. It's beautifully produced and mounted, it's even signed and hand numbered too. And for £40 I think it's a total bargain, a nice piece of techno memorabilia. I got the one of the detroit buildings and the monorail - like on the cover of the infonet 313 comp. It's gonna look nice in my record room, I don't know if they're all sold out, but, well, I gotta say, you gotta grab one! Alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) woooah, hold on a second, *for os x hax0rs and new windows rippers
Solarseek is old news, please do yourself a favor and get ssX for os 10.3 @ http://chris.schleifer.net/ssX/ also for you interested windows users who want to convert rm to mp3, the easiest way i know is to use streamboxripper, full verrsion is at: http://www.streamboxripper.tk/ and you all are welcome to post in smaller rooms such as the 313 or Livesets rooms on soulseek... On Mar 2, 2005, at 11:01, Joost P wrote: In case anyone's still interested, I've made mp3's of the Derrick may and Larry Levan Kiss Fm broadcasts. I'm on soulseek with the username mewdeeman I'm not sure if it's going to work though, since I'm behind a firewall and on a mac using solarseek. Just let me know in case it doesn't. Joost On 2 Mar, 2005, at 5:21 AM, David Gillies wrote: On Wed, 2005-03-02 at 17:11 +1300, Simon Kong wrote: David Gillies wrote: There's heaps of 313'ers who use Soul Seek. That could be cool. or perhaps a bit torrent? yes . but how exactly do a I make it available to you through those networks . For slsk, you'll just need to have your slsk client open and have the file sitting in your shared music folder. Then either people can search for the file name or find your name on slsk and grab the file that way For bittorrent, you can use something like Azureus (http://azureus.sf.net) to create a new torrent, then publish the torrent file up on a bit torrent tracker site. I have a tracker setup on my server that can be used for this purpose. The good part of bit torrent is that as long as someone sticks around to seed the file, you don't necessarily have to be the only one sharing it out the whole time. I need to go away and do my homework ' I have slsk on my mac . but not the bit torrent .. basically have stopped using them cause it's boredom and awfully more'ish / also is it true that slsk has stopped giving out usernames ! Not sure. i haven't used slsk for a while.
Re: (313) woooah, hold on a second, *for os x hax0rs and new windows rippers
as a former nicotine user, ssX is newer and better. 1-it is updated on a weekly basis on average in the builds directory, and its native to os x. The only feature that is missing is remembering a search like in nicotine, and the things i like feature. It is alot nicer on the eyes, i have my windows transparent black. It is also very easy to install. I prefer it over any other version including the pc. A downside to nicotine is that the programer is working on museek for linux and not on nicotine. On Mar 2, 2005, at 12:12, Matt Kane's Brain wrote: Is ssX better or just newer? Is it as good as nicotine which I can run on my OS X boxes anyway? On Mar 2, 2005, at 12:08, David Smith wrote: Solarseek is old news, please do yourself a favor and get ssX for os 10.3 @ http://chris.schleifer.net/ssX/ -- matt kane's brain http://hydrogenproject.com aim - mkbatwerk || mkbwriu [EMAIL PROTECTED]
Re: (313) Chicago Spam: INFLUENCE.
Aaron Bennett (Reverse Edit) --is this the kalamazoo aaron bennett who used to work for black nation back when it was more active? If so, any info on reverse edit? On Feb 28, 2005, at 13:12, Ken Meier wrote: Tuesday, March 1 Interrupt Media and Subsystence.net present: INFLUENCE. Featuring unmixed DJ sets from: Ethan D'Ercole + Kevin Kujawa (Hi-Fi) Mike Broers (Ghost Arcade) Jeremy Horst (A-List) Aaron Bennett (Reverse Edit) @ Sonotheque 1444 W Chicago Ave 312.226.7600 Doors at 9 pm No Cover! $2 PBR More information: http://www.interrupt-media.com http://www.subsystence.net Influence...gathers some of the city's most discriminating DJs and musicians for a night of unmixed sets that spans genres, providing the artists with an opportunity to drop some personal favorites that might not move the average dance floor. - Flavorpill Chicago -- Please forward!
