Re: [313] For a good laugh...
ok... is this site a joke? i almost peed my pants at work. jeez... even utahns like me know better than this! GOA - The original ravemusic which all the experienced ravers listen to. Astral Projection - Mahadeva. 170-200 RPM Trance - Like Goa but newer and not as good. Some ravers listen to it.Antiloop - Start Rocking. 130-140 RPM Techno - Boring and with lots of song, they often play it on the radio. Wannabe ravers listen to it. Stardust - Music Sounds Better With You. 110-115 RPM House - Gaymusic. Gays listen to it. Dont know of any song, im not gay! 120 RPM Jungel - This is not rave it is like HipHop but made by white people. White HipHopers listen to it. Eminem - Stan. About 50 RPM Elektro - 80's techno. No one listens to in now, its 2001! All songs by Jeff Mils. 100 RPM - Original Message - From: "Christian Bloch" <[EMAIL PROTECTED]> To: "Tobias / StereoFM" <[EMAIL PROTECTED]>; "313 Hyperreal.Org" <313@hyperreal.org> Sent: Wednesday, January 24, 2001 11:54 AM Subject: Re: [313] For a good laugh... > ok this is the funniest web site ever ;) > > Christian Bloch > www.mp3.com/bloch > Tresor/LL/Deep Night Essentials/Simple Muzik/Funque Droppings/Set.Go > > - Original Message - > From: "Tobias / StereoFM" <[EMAIL PROTECTED]> > To: "313 Hyperreal.Org" <313@hyperreal.org> > Sent: Wednesday, January 24, 2001 7:23 PM > Subject: [313] For a good laugh... > > > > http://home4.swipnet.se/~w-46401/DARK/index.html > > > > Couldn't help myself posting.. > > /Tobias > > > > > > - > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > For additional commands, e-mail: [EMAIL PROTECTED] > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > >
Re: [313] jazz...
In the book "Last Night a DJ Saved My Life: The history fo the Disc Jockey" the terms rave and jockey, etc are discussed in relation to their origin. Rave was merely a term for all night party, it first being used around the 20s i think. So, the probability of a radio announcer saying such, would be pretty good, i think. - Original Message - From: "darw_n" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Thursday, January 11, 2001 3:32 PM Subject: [313] jazz... > got this off of the MW list, thought some of you might think it to be an > interesting comment... > > From: "pixie" <[EMAIL PROTECTED]> > To: <[EMAIL PROTECTED]> > > > > --- "Hugh G. Blaze" <[EMAIL PROTECTED]> wrote: > > > Plus, just to keep this on-topic, I was lsitenig > > > last night when they > > > replayed some old radio footage, during which the > > > radio announcer described > > > Duke Ellington as "the king of rave music." > > > Who knew? > > > > well, according to the segment i watched, "nobody else > > really understood what was happening, to them, it just > > sounded like noise." > > > > the amazing multi-thread, > > pixie > > > > > Now I target that same thought at people who think this all has, and will > be, just a party and some DJ's... > > darw_n > > "create, demonstrate, toneshift..." > > search for "djdarwin" on napster > www.sphereproductions.com > www.mannequinodd.com > www.mp3.com/darw_n > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > >
Re: [313] Detroit techno isn't techno?
sounds like a drexciyan idea... ;-) - Original Message - From: Lester Kenyatta Spence <[EMAIL PROTECTED]> To: Sean Deason <[EMAIL PROTECTED]> Cc: 'ab' <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Friday, December 29, 2000 8:35 AM Subject: RE: [313] Detroit techno isn't techno? > i remember listening to wcbn in ann arbor (mi.) several years back, and > they were interviewing someone about the future of techno, and this cat > talked about how the future was more and more computer like, with the > implicit idea being that this would be less and less human...and that the > entire sound would be "good." > > i almost gagged...but i knew at that time that there were a few different > definitions or feelings about techno.. > > > > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > >
john howard
does anyone know who john howard is? i'm seeing him play this weekend in SF... thanx, h
Re: [313] track id
that's gabriel plays by roy davis jr. that's the song i want played at my funeral. - Original Message - From: Nathan <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Wednesday, December 20, 2000 3:30 AM Subject: [313] track id > hello again > > does anyone know the artist, name and label that the following track > came out on. > > it goes a little like: > > one love(?), was the focus of, the true message, message, message, > message > > i'm sure it's well known because i've heard it in mike grant & juan > atkins sets. > > thanks > > nath > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > >
new years san fran
i will be in SF for new years, and was wondering about any house or techno events... thanx, h
Re: [313] not black enough...
> I know i'm not quoting (i already deleted the quote from my message, and i'm > too lazy to go back) directly, but does all of this mean that white > producers have no credit what so ever? no. > Has all the techno that those crazy > swedes have been putting out been for nothing? yes. > Is Richie Hawtin a terrible > producer because he's not black? no. > Have whites no real creativity when it > comes to dance music? no. > since trance is written dominantely by white people, does this reason alone > make it uncredible? no. it is uncredible because it f*ing sucks.
Re: [313] quick note...
darw_n said, at the end of _another_ post: > But now I must say, I have to leave for a couple days to play some records, > so next week... thank god. maybe now i may receive an interesting email. xoxoxo, h
Re: [313] Gemini
gemini is spencer kincey and has released a variety of styles ranging from tracky house on relief (several releases under both names) to disco house to deep house. you will find that his sets reflect this variety, and may lean one way or the other depending on his mood or the audience, or whatever. he is one of my favs. peace, h giggin in utah... - Original Message - From: Todd Gys <[EMAIL PROTECTED]> To: 'Dennis Donohue' <[EMAIL PROTECTED]>; <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Tuesday, December 05, 2000 10:13 AM Subject: RE: [313] Gemini > I think I recall seing some Gemini releases on PeaceFrog way back in the > day...could be wrong though. The stuff I heard about 6 years ago was on the > deep house tip. Pretty good from what I remember =] > > GYS > > > -Original Message- > > From: Dennis Donohue [mailto:[EMAIL PROTECTED] > > Sent: Tuesday, December 05, 2000 11:41 AM > > To: [EMAIL PROTECTED]; 313@hyperreal.org > > Subject: Re: [313] Gemini > > > > > > > > I've seen him spin a few times here in Chicago about > > two-three years ago, > > and I was neither impressed nor dissappointed. His set > > fluctuated between > > Deep house and tech-house. I also have a couple of his > > releases on a label > > which I can't remember at the moment. They are sort of on > > the Trip-hop tip: > > some really mild repeating vocals, and kind of ambient > > minimal music behind. > > Decent records.. > > If anyone is interested I can look them up and give you a > > more accurate > > description and review... > > > > Dennis > > > > >From: "Cyclone Wehner" <[EMAIL PROTECTED]> > > >To: 313 Detroit <313@hyperreal.org> > > >Subject: [313] Gemini > > >Date: Sun, 03 Dec 2000 17:43:33 +1100 > > > > > > > > >I am looking for info on the elusive Gemini for a little article I am > > >writing. Does anyone have any experince watching him DJ, ideas on his > > >releases etc. He just brought out The Music Hall this year > > which has a > > >kinda > > >Detoit/Chicago feel and of course he's released material on > > Planet E (not > > >sure of all the titles). > > > > > >Cheers > > > > > >Cyclone > > > > > >- > > >To unsubscribe, e-mail: [EMAIL PROTECTED] > > >For additional commands, e-mail: [EMAIL PROTECTED] > > > > > > > __ > > ___ > > Get more from the Web. FREE MSN Explorer download : > http://explorer.msn.com > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > >
RE: [313] Idea, Solution to Question?
John wrote: Yep, totally agree. We need a 'webmummy' who wants to take care of this business, someone to coordinate all of this. Who wants to sacrifies his/her last minute of spare time? I suggest I'd be somebody from Detroit... Can we already get some response here from people who want to contribute to such a site? Count me in! Well, I can help with web stuff no problem... are we going to have hyperreal host it or somewhere else? I can also easily write a login and upload facility for people who want to add their own webpages. We can have an index of all the sites linked, and a search facility and whatnot, no problem... I have space on a server under my own domain, but we can get a mask like connect.to/313 or something. Or do we want this to be bigger than just 313? a more global name? Are we trying to take over the world, or just detroit techno? I would love to be webmamma peace, holly
Re: [313] Detroit Grand Trance-Bahs
Whats the deal on this? I'd only want to own it for novelty purposes but it seems quite odd putting ghetto and trance together. anyways -mike sounds very miami to me like a track manufactured for power96 (i think it's the last of the "power" stations... anyone know of any other surviving?) peace, holly
Re: [313] Detroit Techno & Art
> But really, who is the most techno artist? Mondrian? Kandinsky? bill viola
Re: [313] Detroit Techno & Art
Into this techno related art discussion i would also like to throw chuck close... upon seeing his work, the first thing that i thought (after "wow") was how much it looked like music to me... how the individual pieces containing their own design all come together to make one large image... and from afar it look like on piece, and you don't see all of the pieces until examined more closely... also, the methodology of how most electronic music is created, piece by piece and then assembled to form a whole... also, after becoming paralyzed i think that he had to use some technology to get him around his works or a computer if i remember correctly... the exhibit was a few years ago, so i don't remember the details about the work creation... http://www.seattleartmuseum.org/Exhibitions/Close/default.htm if you go to the link and click on techniques, and then oil, you will see a detail of what i mean... i am referring to most of his work since 1986.. also... bill viola would have to be at the top of my list for integrating art and technology... as far as drawing a connection between rothko and techno, to me it seems obvious that the hard shapes and lines and color contrasts have blurred edges, which i think is reflected in the subtlety of a lot of techno... oftentimes the most important part of a song is the subtle one, not the immediate kick or melody, but the slight changes that merge the two into a piece... ok, enough art crap from me... peace, holly
Re: [313] Good Thread!!
Well... my most *treasured* records would surely be: 1. ron trent- altered states which can bring me to tears 2. rob hood - moveable parts which changed my view of the world my rarest records... no way back and move your body original pressings just for the record another record that changed my life was dj sneak the blue funk ep... and is one of my most cherished... i owned three copies (gave one away) and have another as backup in case anything happens to the first... i have a couple like this... i'm a freak... when i love something, i have to have multiples -- you never know what could happen! peace, holly
Re: [313] tomes d'techno
... what'sa that MAW "I Feel Love" white 12" I saw in the shoppee today all about..?, J.E. v.F-B. B. Buy it... it's dope... came out a while ago... don't think, just purchase..
RE: [313] [was] Innovator Vs. Red Planet [now is] manners, andhodge podge
And as early as the fifties, you already had some amazing "exotica/lounge" stuff using tons of very weird sound effects... Gwendal I have started trying to get into exotica/lounge, and have bought a couple of compliations that i really like... i love loungey stuff a la tipsy, but i also want to get into the old stuff though i know very little ... and lounge gurus around here are welcome (read please) email me privately with suggesstions.. peace, holly
Re: [313] detroit=stagnation...hardcore=progression
>> It's pretty sad to see someone judge the quality of music by the power of >> the bass. >> > Too true. We might as well all be listening to Techmaster P.E.B. @ 170db > in a dropped mini-truck if we lived in Dance Extacy's world. > > **WARNING THIS CD MAY CAUSE SPEAKER DAMAGE. ULTRA LOW BASS** hey... watch whay you say about Techmaster PEB ! i love that shit... or should i say sh*t... what is up with the swear-a-phobia around here? feel it people.. from my dropped honda with neon lights under it, holly
Re: [313] Girls and Detroit
> In techno and drum 'n' bass, it's less overt. When I went to buy The Real > Jaguar from a leading underground Melbourne record store the guy scoffed, > "You mean the trance one?" Now I don't think he'd say that to a guy somehow. it has happened to me so many times, that i walk into a record store, ask if they have some new release i am waiting for, only to hear, "we don't have that on cd, only on vinyl." finally once i responded: "what, do you think just because i'm a chick i can't be a dj?" it's a pain. but i have found that once people know who you are, the discrimination is gone. i get the respect i deserve from those who know. as far a hard and minimal techno female fans go, i think there are fewer than males because of the aggressiveness of the music. i was really into hard minimal stuff a few years ago, but now i pop in a mixtape and it's too hard for me... maybe i'm just getting old, but i always have associated that music with testosterone... i will always show up to hear a live hard techno dj though... that shit i always get into.. peace, holly
Re: [313] 'Trying to recreate something that's long gone'
> it's just a few t*ssers that are behind the times. is tosser really a swear word? what does it refer to? i love to augment my store of expletives ... at least i can have a more cultured foul mouth... peace, h*lly
kozmo...
so... i have this big deadline for a web app and i'm at home working for about the 18th hour yesterday, so i decide that i need some new music (i can't listen to the demf sets because i keep watching the video and looking for people i know... very distracting)... so i go to my favorite place in the world: kozmo.com... and to my surprise, what was on their list of cds offered? derrick may - innovator and detroit - beyond the third wave... needless to say, i already have those, but it sure made me smile... peace, holly (btw diana: i picked up kruder & dorfmeister k&d sessions... to my door in under an hour... order it from work NOW!)
what is techno
yes but the truth of the matter is that if NOONE can give an exact definition of techno then how can techno be an exact form of music?? dustin == techno is whatever i feel it is... also: techno has no snare rolls, big buildups and breakdowns or that heavily delayed goa shit. techno is 4/4 techno is whatever we say it is.
two things...
1) does anyone know if you can buy those fucktrance shirts online anywhere? 2) i really like designs 15 and 18... can i get one of each? peace, holly
Re: [313] more demf pix #45
On Wed, 7 Jun 2000, viagratek . wrote: >> >> hell yeahme and her danced the very first day at the cpop stage during >> minx. she had a hell of a dope vibe and i so wanted to get a pic with >> herbut my camera got jacked >> >> v > We must've been within a few feet of each other thencause I saw her > during Minx' set... > WHERE ARE THOSE DAMN TSHIRTS! ;) i was right there too! how funny... damn, minx fuckin ROCKED it... peace, h
Re: [313] Previous v Present turnouts in Detroit
i totally agree... when i look back and think of a set... i think of how it made me feel, as opposed to what exact track they played... and that is what i think matters... besides the fact that i'm too much of an airhead to remember exact records... just this last saturday i dug the only thing out my pocket that i had - a bandaid - and had to write the name of the record on it because i knew i wouldn't remember... (it was johnny corporate... a record i attempted to buy from ani/annie?(can't remember names either) at recordtime a couple weeks ago) peace, holly
Re: [313] Previous v Present turnouts in Detroit
>>>I'm certain that Derrick May didn't became didn't become to be known because of his DJ skills. The lines between musical artist and DJ once again become blurred.>>> are you kidding me? derrick has spun some of the best sets i have ever heard in my life... and he damn well better have been known for his dj skills cause he hasn't produced a record of his own in what, 10 years? have you listened to the mix-up cd? that's how he really sounds, and if he didn't, then he was having an off day... i wish he hadn't played so hard at demf, i like his salsa-ier and housier sets better, but he still rocked it... and i think he should have closed out the event, not rich.. peace, holly
313 real audio sets
Well, everyone... it's 98% sure that I lost all of the sets from the december 313 list party. About 5 days after I got the site up, my isp went down. (Not for everyone, just for me, and you can be sure i was their *top* priority.) I was out of service for 45 (yes, 45 days). Then, last Monday, May 22, I finally got my service restored. On Wednesday, I had planned to announce the ressurection of the site. But what should happen upon walking into my apartment? THE BLACK SCREEN OF DEATH and one ticking drive. Yep, you guessed it, the drive that i use for my server died. And do you know how much they want for data recovery? $1500 to $4500 ! That's outrageous. So, unless anyone wants to donate the money to get disk recovery for that drive, or i happen upon some data recovery guy and bat my eyelashes enough, the sets are gone. I'm really sorry. I feel like such a schmuck for volunteering to host the site, and then having it die, and then having it *really* die. If Josh ever has access to a highspeed ftp server, and can put the sets back up, I can d/l, convert and put them up again. (But this time I will put them up with a realaudio isp) But, on the bright side, at least we have a lot of real audio from DEMF to listen to now... again, sorry i'm a schmuck... this kind of stuff always happens to me... i'm the glitch queen... ya, good plan to go into programming, huh? wise career decision there, holl... ok, i digress... peace, holly
RE: [313] DEMF suggestions for next year
>>>i can't remember EVER hearing a garage record coming out of Pauls records "Thou Shalt Remember the Funk and Keep It Holy" -George Clinton>>> actually, the album "the other side of me" has some tracks that could be classified as garage ... in particular "it's been a long time comin'" garage is after all basically deep house... peace, holly (uh-oh... i feel a genre dispute comin on!)
Re: [313] (313) Groovetech footage questions
thanks for clearing that up for me! i thought dj who was mixing cds... oh, and i loved how they said "i just spoke to eddie fowlkes and he is showering and shaving and promises that he'll be right over" and eddie was standing right there! they moved one of the decks and then i just saw dj who (who??) mixing close together, so i thought it was denons. i thought it was terribly tasteless to preempt eddie's set and then to add insult to injury mix with denons! but, i guess these are the kinds of things you endure when you get a big sponsorship. i think it was definitely worth it. demf couldn't have happened without all of those sponsors. i say god bless them... peace, h
Re: [313] uberzone
the guy from *california* said: >>>now all this dissing on uberzone needs to stop. he may not be straight 313 material but he does have a heavy electro influence and defintely DOES NOT PLAY OFF DAT!!!>>> well, i don't know if he plays off dat, but he has a stupid drum pad that he pretends is a drum kit, on which he taps out his terrible breakbeats while jumping around in a manner that makes fatboy slim look coordinated... oh, and we can't forget the requisite laser light show that accompanies this horror... ok, i know i shouldn't be prolonging this discussion, but if one act embodies everything i hate about electronic music, it is uberzone. now, we should stop talking about uberzone, not because he deserves a break, but because he has abosultely no connection to 313 aside from one misguided listmember as a fan... peace, h jeez i'm sarcastic this week... must be the hidden anger coming out from losing a 20 gig HD... sorry guys, bear with me...
Re: [313] 313 list t-shirt? discuss
I personally would love to have a 313 mousepad and coffee cups (one each for office and home)... +8 made mouse pads and they were dope... i also think jackets would be cool... we could look like a gang... peace, holly oh, and for rios we could get some 313 "swamp" pants he could wear to his uberzone and hardfloor rave!
Re: [313] DEMF suggestions for next year
>>>More live sets--- unless they sound like that basic(basically nothing) channel set...sleepy time. Adam Beyer Christian Smith Robert Hood***need I say more DynamixII- LIVE UBERZONE- LIVE(that's how it's done live for those who don't know) Drexciya Paul Johnson DJ HELL Mike INK Hardfloor- LIVE PLASTIKMAN- LIVE SPEEDY J -LIVE More unknown/local acts, they all rocked as hard as any of the big names... NO BOOTY!!!>>> this is a fuckin joke, right? uberzone is the most horrible act i have ever heard in my life. take that shit to florida! peace, h
demf afterglow
i still can't believe it... i just have to say it again... i honestly think this weekend, the crowd, the music, everyone getting along... it was so detroit, and it was so beautiful. i don't think it would have come out in any other city the way it did this year. it made such an impression on me... i'll never forget it... this was definitely one of the best weekends of my life... peace, holly
demf bullshit
ok... i just have to say that i think you are all whiny bitches... there were a whole lot of people (instrumental and not) that were not included in the demf lineup... but they didn't bitch and moan about it i saw a lot of them there, gettin down... jesus people... if everyone played this year, who the fuck would play next year? do y'all really wanna hear the same damn lineup every year? shit... (ok, so i'm a *little* rocky after three hours of sleep and coming into work) i had the best damn time... i felt all warm and fuzzy about detroit... 900,000 people showed up! i can't believe it... ok, i'm getting choked up about how much i love detroit and it's music, so i'm gonna go now... it was great to meet all you 313ers that i hadn't met before and good to see the rest of you again xoxo, h
Re: [313] Re: Australia [age then vs. age now]
>>i agree with that, how many times have people on this list tried to talk to a friend about the music you like/love and have them dribble shit like "oh yeah, but you have to pop a pill to like that crap"? i know i have many times.>> Not me. Not ever. You need new friends. see you all soon... h
(313) Online petition in your ass
please keep rave shit off this list i got sick of it 5 years ago... post that shit on mw-raves. this is not the venue. flame on muthafucka
RE: (313) adam beyer in detroit
jason said: >>>I love most of the Detroit DJs probably about as much as the rest of you, but Beyer takes techno to a level few people can handle. Maybe I'm just a sick person with a little more energy and drive than most. But I sure wasn't the only one loving the music on Friday. What got me most excited was seeing so many other people let loose and truly get down. In sum, so many techno DJs put me to sleep. I prefer music that I can feel emotionally. Unfortunately, few DJs can truly evoke sentiment well, in my opinion. So if I can't feel it in my heart, I'd just as well feel it in my body.>>> how old are you?
Re: (313) $onicgroove: clearly all about their benjamins...
>>>i'm just posting to ask if anyone else has had hassles buying from sonicgroove from europe? apparantly they have a $100 minimum and an american express only policy. this makes me livid. who spends $100 on vinyl they cant even hear first? also american express cards are frankly much less wide spread outside the USA. how exclusive is that? it *excludes* people. anyone else had any hassles like this? makes me SO angry martin<<< well, in their defense, because they have treated me well for many years, they probably only take american express from foreign countries because it is more difficult to demand payment from other credit card companies, especially across national lines, and amex has guaranteed payment. Nick said >>>I haven't actually ordered mail order from them, but a friend of mine was going to NYC and calling in in person (which is nice), and said that he'd pick up some stuff if I wanted. I spent ages looking at *that* catalogue and drafting up a list, but alas he returned almost empty handed. Apparently they had only a fraction of what they advertised as 'in stock', so you might be better off not bothering - especially in light of the $100 miniimum, which is indeed their policy as far as I know.<<< sonic groove will order and look for stuff for you, and then send it to you. that's what makes them great. they will keep your wants on a list, and when they find them, they will send them. that is why you oftentimes have better luck with rarities by mailorder than visit. also, as i understand their philosophy, their catalog is an attempt to be complete at music release history, i don't think they acutally purport to have all of those records in stock. have faith! sometimes they take a while, but they will usually come thru... as for the $100 minimum i certainly don't have trouble finding $100 dollars worth of records i want... peace, holly
Re: (313):SL1200MK2 modifications
you can get the full schematics, which i have found very helpful at www.1200s.com ... peace, h
demf and bitching...
hey guys... is the demf site in flash? i can't load it into my proxy here at work... and my service is down at home... also, why is it that we now have unsub info in the footer and people STILL can't manage to unsub properly? peace, h ps... i'm very sorry about the 313 real audio site being down... i have been without service for 13 days and counting...i may have to switch isps... i'll let everyone know when it's back up...
313 sets
Hi guys... The page with the 313 sets is down for a couple days. Actually, it went down last thursday and has not (to my knowledge) been up since. Apparently my isp has installed new routers in my area and i am not getting routed correctly. So, i am currently at their mercy, though i expect to see it back up by tomorrow. I'll let you all know when it is working properly again. Thanks for your patience... holly
Re: (313) f*cked up!
On Wed, 26 Apr 2000 15:45:48, Jason wrote: > Location: Glasgow > > Date: 13th May 2000 > > Derrick May - Temple club > > Carl Craig - Bugged out, QM > > who would you go and see? well, from what i have noticed over the last several years, it appears that derrick plays in scotland a lot... also, have you heard derrick spoin before? he is incredible and it is an experience not to be missed... i love him, but his sets aren't that different from one another, so, if you have heard him before, then go see carl... also, i might reccommend seeing carl on the simple fact that you are less likely to be able to see him again in the near future... as far as skills go, derrick wins... is carl just spinning? if it's a live set, definitely go, but his dj sets aren't that phenomenal in my opinion... he's definitely a selection over technique dj... peace, holly
Re: (313) Women in electronic/disco/house/techno/dance music...
you might want to find out more about an event that used to take place in san
francisco called "your sister's house" i don't know if it is still going on, but
it was an all female dj night... does anyone on the list from the west coast
know more about this? i think drc and some others were involved in throwing it??
you also could talk about jackie christie... she started as a dj on power 96 in
detroit and is now a pretty big new york club dj (club, not underground... i
can't stand her sets)
i don't know if you want to go into the circuit party slant, but susan moribido
is a huge circuit dj in spite of the fact that she is a woman...
and then there are the divas... jocelyn brown, barabara tucker, dajae, etc i
also love crystal waters... she writes all her own stuff and has quite a long
lasting career...
good luck,
holly
"Peter T. Bense" <[EMAIL PROTECTED]> on 04/25/2000 04:26:12 PM
To:[EMAIL PROTECTED], "313" <313@hyperreal.org>,
[EMAIL PROTECTED], "Chemical Brothers Mailing List"
<[EMAIL PROTECTED]>, [EMAIL PROTECTED],
[EMAIL PROTECTED]
cc:(bcc: Holly C MacDonald-Korth/IRM/FRBOG/US)
Subject(313) Women in electronic/disco/house/techno/dance music...
:
Hi guys. I need a little bit of help here.
I am trying to write a paper for my Women's Studies class about women in
dance music.
I am focusing on K. Hand, but need help from any of you who might be
knowledgeable in this area.
People I've mentioned so far are: Wendy Carlos, Diana Ross, Martha Wash,
First Choice, Donna Summer, Grace Jones, Chaka Kahn. I am also aware of
Andrea Parker, Marusha, Kemistry + Storm, the Punisher, DJ Rap, Saskia,
Sandra Collins, DJ Irene, etc.
I know I am overlooking a lot of people... so... anyone... label manager,
producer, vocalist, performing artist... whatever. Women in electronic
music... or dance music... or electronic dance music.
Any ideas?
Thanks in advance,
/peter
~>= www.textures.org = 90.5 WUSC-FM = wusc.sc.edu =<~
~>= 803.544.2519 [tel] = 803.544.2543 [fax] =<~
~>= box 81129 / columbia, sc / 29225 == ICQ: 3157482 =<~
~>=<~
~> There's a strong relationship between music and art. <~
~> It's not so much music or an art exactly, it's lifestyle." <~
~>__-Jeff Mills <~
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313 list party real audio sets
Ok guys... i've got some more sets up now and the page is a bit more aesthetically pleasing... i think that some of the names on the sets are incorrect, or are missing one of the people spinning. josh tried to decipher the names that were scrawled on the dats as best he could, and i just kept the names he put on the files he gave me... so, feel free to speak up and let me know if your name has been omitted, misspelled or whatever... http://151.200.19.11(shit, it appears the real audio graphic is still not appearing at the bottom of the page... it appeared fixed at home...sorry) peace, holly and yes, i did get to work at 6:30 this morning
December 313 List Party
Hey... could someone please email me the lineup from this event? i'm trying to figure out who some of the sets are, and would like to put them in chronological order so the night is as close to recreated as possible... thanks, h
Re: (313) Rave betty Barbie and DJ Ken
I do think people look at the 'old days' with rose coloured specs. As I recall it has always been the case that there were people on the scene who were only in it for the most superficial reasons and who knew nothing about the music, from 1988 (when I first discovered the music) right through 'til now. How many househeads does it take to screw in a lightbulb? one to screw in the bulb and five to talk about how good it was back in the day... sorry guys..it's friday
Re: (313) Rave betty Barbie and DJ Ken
peter said: > Many of us who came up in the early days listened, observed, paid attention, > respected the people who had been before us and learned about the music and > the scene. Sadly, that's not always the case when you go to a rave these > days. favorite quote i heard the one and only time i went to buzz (now called sting): "dude, do you know what a 4/4 beat is? what's a 4/4 beat?" peace, holly
313 List Party Real Audio Sets
Well guys, hear are all the sets I have so far. I wasn't at the party, so I don't know who all played, but so far i have: Otto, Phred and Low, and Steve and Aaron. The page isn't beautiful, and i know the graphic is broken... i'll make it look better later... http://151.200.19.11 peace, holly ps: please let me know if you have any significant problems.
Re: (313) Movies Filmed in Detroit
It's been buggin me and i finally remembered... "gridlocked" peace, holly Kevin Michael Robbins <[EMAIL PROTECTED]> on 04/13/2000 09:54:14 AM To:313@hyperreal.org cc: (bcc: Holly C MacDonald-Korth/IRM/FRBOG/US) Subject(313) Movies Filmed in Detroit : That movie with Tim Roth and Tupac where they're junkies trying to get clean was filmed entirely in Detroit. I can't think of the name right now. I've probably repressed it since watching it was truly a waste of two hours of my life. Kevin - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: (313) track id
Green Velvet - Land of the Lost "Blair McBride" <[EMAIL PROTECTED]> on 04/11/2000 12:04:20 PM To:313@hyperreal.org cc: (bcc: Holly C MacDonald-Korth/IRM/FRBOG/US) Subject(313) track id : a track that dj bone plays (well, its in his set on technologix) with a sample that goes something like "land of the lost." fast percussion, crazy sci-fi synth sounds blair __ Get Your Private, Free Email at http://www.hotmail.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: (313) 312 list ?
ok... i can't intersperse comments very effectively with this email client we
have at my office... so here goes...
stephen has made a great point: the 312 discussion that goes on here does not
have to stop. I just think it would be nice to have an additional resource for
312 information and a separate outlet for discussion. i also believe that a 312
list will attract a different audience, as there are those that are into chicago
more than detroit and may not be aware that the 313 list has chicago content and
are therefore not currently subscribed. unless you want to change this to be
the 313/312 list, i don't see how that audience would ever be attracted to a
purely 313 list just based on its description.
another one of my main reasons for desiring a 312 list is for discussion of
events and happenings in the area. currently, the only postings we get here of
312 events are when detroit people are playing in chi town. now i know that i
don't live there... but you can't blame me for wanting to live vicariously in
another city... dc is pretty bland...
as far as the "additional noise" issue... if you are currently content with the
amount of 312 content on this list, then don't subscribe to the new list. and
many people here are already subbed to multiple lists, so i know you can manage
your mail...
peace,
h
stephen <[EMAIL PROTECTED]> on 04/06/2000 05:31:49 AM
To:Otto Koppius <[EMAIL PROTECTED]>, 313@hyperreal.org
cc:(bcc: Holly C MacDonald-Korth/IRM/FRBOG/US)
SubjectRe: (313) 312 list ?
:
Otto Koppius wrote:
> Holly C MacDonald-Korth wrote:
> >
> > I don't see what the big deal is. if you want both, subscribe to both.
> >
> > what's the difference?
>
> For one, a difference is that then you'll get *twice* the amount of
> noise messages, even though the s/n ratio may be relatively low on both
> lists.
then subscribe to the *digest* version you list freak!
Otto Koppius wrote:
> A more subtle difference is that the mailing list 'scene' gets more
> fragmented. Eventually we'll end up with micro-lists focusing on every
> possible subgenre or geographic region with low traffic on each list. A
> mailing list needs a minimum amount of traffic to function properly. If
> you start taking away the 312 content and other
> closely-related-but-not-strictly-Detroit content, I think you risk
> dropping below that amount.
I don't know, that seems a little extreme.
A 312 list would just be a better place to acquire information about Chicago.
period.
I mean you'll have people from Chicago subscribing to the list talking about the
labels, the clubs, the scene, more so then you see on 313.
There would be so much to learn from a 312 list just like 313.
Otto Koppius wrote:
> which makes it perfectly okay to discuss Chicago
> music on 313.
who said it has to stop?
stephen.
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Re: (313) det elec fest/313-list event
Actually, the three sets that i have so far are running in a batch job as we speak, being converted to ra... i was going to ask... do people want me to put this shit into production on a flow basis, or once i have all of the sets? also, where is the page that is going to have the links? as i understood it, i was just going to have the files on my server and someone else would link to them... or, i can set up a little page real quick... lemme know... peace, h "detroit science" <[EMAIL PROTECTED]> on 04/06/2000 12:06:53 AM To:313@hyperreal.org cc: (bcc: Holly C MacDonald-Korth/IRM/FRBOG/US) SubjectRe: (313) det elec fest/313-list event : >Basically the best option is to use Linda G's Techno Tourist Travel >Agency :) and stay at the St. Regis: comfortable, central and cheap at > >$69/night. hmmm, can i patent that? >BTW, speaking of 313-list event: I remember the audiofiles were going to > >be put up at Hyperreal. Did that happen and did I miss the URL or is it > >still in the pipeline? h, i gave the dats to josh landau, who was generously converting the files and then miss holly was hosting. updates, y'all? g mailing list http://www.onelist.com/community/detroitscience science office 313-534-7420 science fax 313-534-5155 mobile 313-790-7300 pager 800-200-5176 __ Get Your Private, Free Email at http://www.hotmail.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: (313) 312 list ?
I don't see what the big deal is. if you want both, subscribe to both. what's the difference? though many peoples' tastes span both areas, this list was set up to be detroit centered. period. peace, holly Sathya Gosselin <[EMAIL PROTECTED]> on 04/05/2000 11:50:57 AM To:313@hyperreal.org cc: (bcc: Holly C MacDonald-Korth/IRM/FRBOG/US) Subject(313) 312 list ? : I would really like to see information pertaining to Chicago artists and music remain on 313. Otto makes a good point. Unless there are those who really feel the discussion of Chicago-based music does not belong here, why exclude it from 313? In my experience, it is rare to find an individual with love for Detroit who is not also interested in the history, music and happenings of Chicago. Unlike others, I do not feel that the crossover that occurs is due to the lack of a proper outlet for those with Chicago interests. I think that it illustrates a mutual interest in both for many individuals. However, I do understand the need for a forum for Chicago events. But I will be sorry to see Chicago material gone from the list. My (northeastern) two bits, Sathya -Original Message- From: Holly C MacDonald-Korth [mailto:[EMAIL PROTECTED] Sent: Wednesday, April 05, 2000 9:33 AM To: 313@hyperreal.org Subject: Re: (313) 312 list ? Well, I'd have to disagree with this statement. Though there is currently a lot of crossover between the two cities, I think this occurs because there is not another venue for these questions. I personally have been wanting a chicago list for years now, as in the past, when the 313 list was purer i didn't feel some of my questions were appropriate to this list. Now, though, the 313 list has been watered down a lot and fields a variety of discussions maily, i believe because of the knowledge of its subscribers. Perhaps a 312 list is one way to help streamline the discussions here. I also think it would be nice to see 312 events, which we usually don't get much here. peace, and my midwest $.02, holly Otto Koppius <[EMAIL PROTECTED]> on 04/04/2000 06:07:52 PM To:313 <313@hyperreal.org> cc:(bcc: Holly C MacDonald-Korth/IRM/FRBOG/US) Subject(313) 312 list ? : Renegade Rhythms wrote: > > To the Best of my knowledge there isn't a 312 to list > > I have the resources on my server... should we start one up? I may be stretching the limits of 'what is 313' here, but IMO I've always felt that Chicago stuff could perfectly well be discussed on 313, even though strictly geographically speaking I suppose it shouldn't *shrug*. Most people I know are into both anyway, so I think a separate 312 list would overlap largely, both in topics and subscribers, with the current 313. My 2 (mid-western) cents, Otto - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: (313) 312 list ?
Well, I'd have to disagree with this statement. Though there is currently a lot
of crossover between the two cities, I think this occurs because there is not
another venue for these questions. I personally have been wanting a chicago
list for years now, as in the past, when the 313 list was purer i didn't feel
some of my questions were appropriate to this list. Now, though, the 313 list
has been watered down a lot and fields a variety of discussions maily, i believe
because of the knowledge of its subscribers. Perhaps a 312 list is one way to
help streamline the discussions here. I also think it would be nice to see 312
events, which we usually don't get much here.
peace, and my midwest $.02,
holly
Otto Koppius <[EMAIL PROTECTED]> on 04/04/2000 06:07:52 PM
To:313 <313@hyperreal.org>
cc: (bcc: Holly C MacDonald-Korth/IRM/FRBOG/US)
Subject(313) 312 list ?
:
Renegade Rhythms wrote:
>
> To the Best of my knowledge there isn't a 312 to list
>
> I have the resources on my server... should we start one up?
I may be stretching the limits of 'what is 313' here, but IMO I've
always felt that Chicago stuff could perfectly well be discussed on 313,
even though strictly geographically speaking I suppose it shouldn't
*shrug*. Most people I know are into both anyway, so I think a separate
312 list would overlap largely, both in topics and subscribers, with the
current 313.
My 2 (mid-western) cents,
Otto
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Re: (313) To Richie's Credit (was NY Times)
would that have been "Journey through the hardcore"? where, during moby's set
the lasers spelled out "RAVE" and i believe i recall him chanting "come on rave"
over his hideous music
peace,
holly
Lester Kenyatta Spence <[EMAIL PROTECTED]> on 03/22/2000 02:43:04 PM
To:mitch buchannon <[EMAIL PROTECTED]>
cc:[EMAIL PROTECTED], [EMAIL PROTECTED], [EMAIL PROTECTED],
[EMAIL PROTECTED], 313@hyperreal.org(bcc: Holly C
MacDonald-Korth/IRM/FRBOG/US)
SubjectRe: (313) To Richie's Credit (was NY Times)
:
On Wed, 22 Mar 2000, mitch buchannon wrote:
> wrong
>
> The reason I'm not sure
> >that I buy this is because techno had already made the leap to Europe
> >before Hawtin blew upand when it made its way back in the form of rave
> >music, it seems to me that Hawtin got caught up IN that scene
Wait a second. In either 1992 or 1993 I attended a gig at the Majestic
with 16 DJ's.8 in a "techno" room and another 8 in a "house" room.
The house room was filled with the house heads I grew up with...all black.
The techno room was filled with a markedly younger, white audience. Hung
out in Pittsburg in that same year.and walked by the room of a young
white woman with nothing but techno posters hanging up on the wall. Gigs
in the Pitt, in Iowain KENTUCKY.
So when you say "wrong" is it that you have some information I'm not
privvy to.or is there something else at work here?
peace
lks
(313) people get fucked..
believe me... people get fucked for money everywhere. however, this happens less frequently in highly developed markets where legal channels are most likely to be used as recourse. the legal system in this country helps give people the ocnfidence that they can do business. i believe that many nations remain in the third world becuase they don't have a judicial system, or any other system that they can trust will enforce contracts. contracts are the basis of our economy and ease of movement of goods. however, in an industry like the music industry, or art or design, where those involved believe the counterparty is not likely to sue (or more specifically, have the ability to outdo their lawyers), the tendency to screw people is higher. case in point: jaguar. peace, holly [EMAIL PROTECTED] on 03/16/2000 11:24:23 AM To:[EMAIL PROTECTED], 313@hyperreal.org cc:(bcc: Holly C MacDonald-Korth/IRM/FRBOG/US) SubjectRE: (313) Dave Clarke & Bush : You are right, you shouldn't take shit from anyone. I used to get fucked over for money too in the past, but from now on I'm on my gard. Is it just the music industry or do people get fucked for money everywhere? Well I guess it's the same problem everywhere, but I've already heard lots of artists complain about getting ripped off. Have to go now, John
Re: (313) Jaguar Mixes
Kuri: > did anyone hear the francois k remix? i remember hearing about him > dropping it at Body & Soul last summer, but did it/will it ever surface > and what does it sound like? Tom: > I'm not convinced there ever was an actual 'remix' as such - when I > was at Body & Soul in August 'Jaguar' was certainly played but it > sounded to me like the original. They tend to mutate tracks there > quite heavily with FX and EQ and extend things with two copies etc. so > it may have sounded quite different. Or maybe Francois did a re-edit > to use at the club, I'm not sure... I heard it at Body & Soul on Halloween weekend, and i'm pretty sure it was the original... i agree that it can sometimes be hard to tell with the melange of sounds you hear there... god i love that place... it's one of the few things that makes me really want to move to NY... peace, holly
Re: (313) 89x suggestions
I had the same idea... when i had a radio show at university of miami (for a few short months) i wanted to teach people about the music... i would play a few records by an artist... give a bit of history and maybe an anecdote or two... and i had people calling in all the time, thanking me, telling me how they never knew this or that before and how they appreciated learning about what they were listening to... to me, the most frustrating thing in the world is to really like a song, and not know what it is, where it came from, or how to get it... peace, holly (wishing i hadn't been kicked off the staff for drinking champagne in the studio... which i really think was an excuse to fire me because i rebelled against the whine-rock rotation they were trying to make me play) sean deason <[EMAIL PROTECTED]> on 02/25/2000 09:50:15 AM Please respond to [EMAIL PROTECTED] To:detroit science <[EMAIL PROTECTED]> cc:313@hyperreal.org(bcc: Holly C MacDonald-Korth/IRM/FRBOG/US) SubjectRe: (313) 89x suggestions : from my perspective I think playing music from CD's is a good thing. I havent heard the show yet, but the last thing Detroit needs is another *mix* show! With turntables the host might be inclined to do a straightup two hour mix of track after track with no informational content whatsoever. From the standpoint of an artist: Mixshows do *not* sell records. I'm partial to the old days when DJ's would play tracks and tell you what the hell they'd just played between tracks, they'd maybe give you some background on the artist and the label ect befor or after. that's much more helpful to the artist than simple blending a continuos mix of faceless anonymous tracks. I learned so much about artists from the old shows like Radio's in Motion, Brave New Waves, Electrifying Mojo, Fast Forward ect. To me knowing the background stories of the artists makes me feel that much closer to them when I go out and buy thier music. am I the only one? detroit science wrote: > >Doesnt this raise the question of why, if they are interested in dance > >music, 89x doesnt have a turntable in the studio? Can't they afford a > >turntable? If craig is interested in playing dance music why doesnt he > >bring his own turntable into the studio. Why does someone have a radio show > >which plays dance music when they dont even know what to play? Shouldnt a > >dj know what to play? If 89x are interested in dance music they should > >commit to it by providing turntables and knowleadgeable djs ... sounds like > >they're really interested in something else. Let craig do his own homework > >and decide what to play - might be interesting to see what his taste leads > >him to. > > good points - since i know a lot more about the circumstances of the request > let me try to elaborate. > > as always, remember, all of us started somewhere... take a step back if you > will and think about what it was like to be out on the dancefloor, not > knowing what tracks are being played. at some point you decided that you > wanted to know more. me for example - i'm not a trainspotter - i know djs, > not labels and producers and tracks etc etc. i know how to organize and > make things happen, and y'all need people like me to convince sports bar > owners to hand over the creative control of their venues so that places like > science can happen. :^) and your role and influence on the scene that we > love is different than mine as well. > > similarly, craig is the marketing and promotions director for 89x and the > x2k show just kinda happened - it wasn't a conscious decision of 89x to > branch off into dance music. the only reason that he has the show is > BECAUSE he's the marketing and promotions director. the programming > director leaves the content strictly up to him and his co-host holly. but > craig doesn't come from a dj background - and he quite frankly doesn't have > the time to do a lot of research since his full-time job @ 89x is quite > different. that's why he asks for input, and if we can help steer him to > good music available on cd maybe the fact that all of the really
(313) ATTN: Jon Gill
Hello? you email address is reading "user unknown" ... please email me ASAP. Did anyone else order records from this guy?
(313) OT: house lyrics...
hi guys i am freaking out over this record that i have on a mixtape and i MUST own it... i have not a fucking clue who it is... it's a male vocalist and a 'song' structure. the refrain is: "i wanna look into your eyes again, i wanna look into the windows of your soul, again..." please help me... i keep hitting rewind in my car... also... WMC is drawing near... who is going? who is throwing parties? blah blah... peace, h
Re: (313) Selling vinyl records in Detroit
jason, in a moment of indescretion, said: Do Melodies and Memories or Record Time buy used vinyl records? If so, how much do you think I could get for domestic records such as UR or Axis in mint condition? I'd like to start streamlining my collection. Thanks Jason = so you are going to "streamline" your collection by getting rid of UR and Axis records... that's a punk move if i've ever seen one... peace, holly
(313) dissonance
whats the url for the dissonance electronic site?
(313) archives
just had to drop a line to everyone at the mention of the archives over the last couple days, i decided to take a browse a few years back... favorite comments so far : dan sicko mentioning his favorite new trip hop records todd sines suggesting that dj sneak and dj funk weren't real people... the years and years rumoring new derrick may releases... me being a stupid 18 year old on mw-raves peace, h
Re: (313) Re: Plus 8 v UR
So if this actually occured and Richie never actually made it to Detroit then (1995) - what is the basis of references to the dissent between the UR camp and Richie's Plus 8. Why did Eddie Fowlkes talk about Mad Mike and Richie in the manner that he did. And what led to the ensuing issue being resolved between the 2 camps? A_Zed == The events to which you are referring, between Detroit proper and +8 are much older than 1995... the release of "The Future Sound of Detroit" in 1990 spurred the conflict. ^1 peace, holly _ 1. Sicko, Dan. Techno Rebels, pp.126-7. Billboard Books, 1999.
Re: (313) Re: Plus 8 v UR
I am not sure to what you refer to below, but it could be the tax issue. In 1995, after the Oklahoma City bombing, security at the borders was greatly increased. Rich was trying to cross the border and was stopped and questioned about his music equipment. He had tickets on him because he was on his way to NY and the border patrol deduced that he was performing in the US without paying taxes... and Rich ended up not being allowed (or maybe just not wanting to) return to the states until it was straightened out. This had NOTHING to do with anything but the IRS and the laws here. peace, holly [EMAIL PROTECTED] on 02/08/2000 12:27:29 PM To:[EMAIL PROTECTED], 313@hyperreal.org cc:(bcc: Holly C MacDonald-Korth/IRM/FRBOG/US) SubjectRe: (313) Re: Plus 8 v UR : In a message dated 9/02/00 1:17:44 [EMAIL PROTECTED] writes: > Didn't really want to get too into this in my article, but I think this is > a pretty interesting topic after reading the interview with Eddie Fowlkes > on the current issue of Dissonance. > > Since I'm a youngster and wasn't around at the time, I'm not going to put > all my faith in Eddie's short digression on how Richie was too scared to > come to Detroit because Mr. Banks was going to kick his ass. Yet, if > Eddie's saying this in an interview, there must be some factual basis > behind this allusion. Well I am not 100% sure of this but I remember reading somewhere about how Richie *did* go to Detroit to play sometime in 95-96, had a really rough time at this dance party- and vowed never to go back there again. Those who have been on the 313 around that time will remember the fiasco because it is in the archives somewhere - but the site for it is currently down due to reconstruction and there are too many messages to sort through. A_Zed ~~ Program Co-ordinator, Ambient Zone RTRFM 92.1 [http://rtrfm.ii.net] Sunday Electronic Listening ~~ Perth, W.Australia (WST) 23.00-01.00 Chicago (CST) 09.00-11.00 London (GMT) 15.00-17.00 Detroit/ Windsor (EST) 10.00-12.00 Frankfurt(CET) 16.00-18.00
Re: (313) Groove review
I second that... the review made it sound like the movie Go!... which had to be in the top 10 WORST movies *ever* made... peace, h "Diana Potts" <[EMAIL PROTECTED]> on 01/28/2000 10:09:24 AM To:[EMAIL PROTECTED], 313@hyperreal.org cc: (bcc: Holly C MacDonald-Korth/IRM/FRBOG/US) SubjectRe: (313) Groove review : Im still waiting for the film that follows an exciting night of detroit old skoolers at the bar and thier night of caos following through to their exciting weekly 9-5 jobs. I say the whole staff of Sigma 6 (errrm I mean Apnet) would be a good casting candidate. and how about the DJ who is just tryin to pay the bills and take home a cute honey. >From what the review says this film seems to focus on the younger still druggin crowd of rave-bring more bad and typical stereotypes to the scene,the music and the ppl involved??? Dont read me wrong-IM NOT DISSIN a film I havent seen, as I look forward to seeing it. Im just trying to think of all aspects. blahblahblah diana >From: matrix <[EMAIL PROTECTED]> >To: 313@hyperreal.org >Subject: (313) Groove review >Date: Fri, 28 Jan 2000 09:51:29 -0500 > >Check out the review in The Toronto Star, the paper version comes >complete with 4"x6" photo from movie, + the headline which reads "This >Movie should do for Rave what Saturday Night Fever did for Disco"! > >http://www.thestar.com/thestar/editorial/entertainment/2128ENT09_MO-Howell28.html > >Cheers, > >Gerald > __ Get Your Private, Free Email at http://www.hotmail.com
Re: (313) More lyric requests...
Most likely "doonie" is a reference to "Dooney & Burke" a brand of luggage and purses along the lines of Coach, but with a little duck for a logo. peace, holly [EMAIL PROTECTED] on 01/18/2000 04:42:55 PM To:313@hyperreal.org, [EMAIL PROTECTED] cc: (bcc: Holly C MacDonald-Korth/IRM/FRBOG/US) SubjectRe: (313) More lyric requests... : Funny thing, I just played "Get a Job" (Dance Mania 256) last night, and I don't know what a "doonie" is either. She also needs a Lexus, by the way. This release also has "Bang & Skeet" which has to be one of the alltime DM classics. The credits for that one are: "(?, Clent?, Chip??, Flint!) I Don't Know Who Came Up With It)" This is the "I Owe Some People Some Money" EP by DJ Flint, and if you want you can fill your name out on the flip side where it kindly provides a space saying: "THIS RECORD BELONGS TO:" Dance Mania, ya gotta love it! phred
Re: [Fwd: Re: (313) Essential Juan Atkins]
"Game one" is one of my all time favorites and is available on the 'Depth Charge
3' compilation from submerge... which is one of my favorite comps ever...
peace,
holly
There4IM <[EMAIL PROTECTED]> on 01/17/2000 11:25:13 AM
To:
cc: 313@hyperreal.org(bcc: Holly C MacDonald-Korth/IRM/FRBOG/US)
Subject[Fwd: Re: (313) Essential Juan Atkins]
:
"Robert W. Webb" wrote:
> Model 500 "Sonic Sunset" on R&S... assuming the CD is the same as the vinyl
you'll get the long
> long version of "I Wanna Be There" ('bout 15 minutes?)... a "must have".
I gotta back Rob on this one. The long version is on the CD, so
no worries. Also conatins Neptune, one of my top 313 "mood"
pieces.
I'd also suggest the Infiniti compilation if you can find it.
"Game One" is a must.
- There4IM
Re: (313) With a piece of ice.
haven't we been thru this before?? "Tobias von Hofsten" <[EMAIL PROTECTED]> on 01/16/2000 12:16:37 PM To:313@hyperreal.org cc: (bcc: Holly C MacDonald-Korth/IRM/FRBOG/US) Subject(313) With a piece of ice. : What is the lyrics before "...with a piece of ice" on the old Puzzlebox Hit? /Tobias
(313) looking for ra2wav
Hello all... i need ra2wav or some other program that can convert realaudio to wav files... seems like all of them have been frozen or are under TRO on the net and i can't download any... could someone email me one? thanx, holly
Re: (313) Let the hype begin: Winter Music Conference
Which to bring up the point of hotels. The Winter Music Conference powers that be decided to book the conference @ the raddison rather than the Fountainebleu this year. This is an even worse location in than last year. The raddison is at roughly 67th and collins. The Fountainebleu is at 44th and collins, which I stayed at last year. And it was a total pain to get from there to the clubs. You really do not want to stay at either of these places. Rather I would recommend finding something south of lincoln road (22nd). -> Not to nitpick, but Lincoln Rd is btwn 16 & 17th Also, I went last year and didn't bother with the actualy con pass, and had a perfectly fine time. It runs $275 I believe this year, and unless you have interest in attending panels. --> Being a longtime vet of the conference without ever having a pass, i have to say, it really is convenient to have one as getting into a lot of events without one is costly and a pain in the ass. also, hotel security was rough on those of us who didn't have one... anyone have the word on any gigs yet? Haven't bought my plane tix yet, but planning to... peace, holly
RE: Betr.: Re: (313) Epic Techno
Just had to put my $.02 in here... ron trent - altered states ep that stuff makes me cry... btw everyone... sorry i missed the get together... merry xmas, happy chanukah, happy new year, etc peace, holly
(313) player hatin
well, not really... but def pop icon hatin... totallly off topic... but one of the funniest shits i have ever seen. http://www.newgrounds.com/assassin/ kill nsync and britney spears, beat up the backstreet boys peace, holly ps: go up a directory for some truly sick shit (like a school massacre interactive game) sorry i'm twisted... had to share...
Re: (313) Sex and Music
>yeah...but it really kills the "mood" when you gotta keep getting up and >flip the records ;p that's why e2e4 is fav sex music for me peace, holly
(313) at long last, i return home...
whew guys it's been a few months now that i have been gone... my longest respite from 313 in several years. I hope the content and discussion has not turned into xyz-raves yet... but i do hope that i missed a round or two of old topics rehashed... anyway... as you can see my new addy is [EMAIL PROTECTED] ... had to wait to sub until i got my own computer... didn't want listmail on my gov addy i'm here in dc... someone emailed me in may or june that was from dc, and i lost your emails and the info on your tuesday night gig... that's why i never showed... email me again... blah... blah... holly
