RE: (313) Low Aifare to Detroit from London
Is this a one off? http://youtube.com/watch?v=hgxiQIDq6zomode=relatedsearch= pretty amazing for an airport... -Original Message- From: Toby Frith [mailto:[EMAIL PROTECTED] Sent: Saturday, 6 January 2007 2:03 a.m. To: Svagr, Jodie; Ronny Pries; 313@hyperreal.org Subject: RE: (313) Low Aifare to Detroit from London In time for Convextion in London... ;) -Original Message- From: Svagr, Jodie [mailto:[EMAIL PROTECTED] Sent: 05 January 2007 13:00 To: Ronny Pries; 313@hyperreal.org Subject: (313) Low Aifare to Detroit from London Hey everyone, got this email through from NorthWest airlines. Travel between Detroit and London is $189 right now. Have to book by the 9th and travel by March 12th tho. Still a good price tho if anyone's planning a trip. The Telegraph Media Group wishes all of its readers, users and clients a very Merry Christmas and a Happy New Year. This e-mail is from Telegraph Media Group Limited - 111 Buckingham Palace Road, London, SW1W 0DT registered in England under No 451593. This message, its contents and any attachments to it are private and confidential. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Neither we nor the sender accepts any responsibility for viruses and it is your responsibility to scan attachments (if any). The content of this email does not necessarily reflect our views or those of our officers and we take no responsibility for the views of the author. Emails sent and received may be read by people other than the intended recipient and may be monitored to ensure efficient operation of our email systems. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. This e-mail message and any accompanying attachments may contain information that is confidential and subject to legal privilege. If you are not the intended recipient, do not read, use, disseminate, distribute or copy this message or attachments. If you have received this message in error, please notify the sender immediately and delete this message.
RE: (313) Mr. Watson
Loving the flutes, some bird song'd be special! -Original Message- From: J.T. [mailto:[EMAIL PROTECTED] Sent: Wednesday, 6 December 2006 1:09 p.m. To: Martin Dust; Thomas D. Cox,Jr.; 313@hyperreal.org Subject: Re: (313) Mr. Watson i like the sound of the rendezvous track, not super special, but lovely and big...the renaissance track has a bit of a trancey new age feeling to it, not for me... -Original Message- From: Martin Dust [EMAIL PROTECTED] Sent: Dec 5, 2006 7:04 PM To: Thomas D. Cox, Jr. [EMAIL PROTECTED], 313@hyperreal.org Subject: Re: (313) Mr. Watson Really? The clips are a tad too short for the full vibe but this is like pure sunshine Tom. Some of his best work I feel. It's getting loads of repeat play at Dust Towers... m - Original Message - Sound Clips: http://mp3.juno.co.uk/MP3/SF247654-01-01-01.mp3 http://mp3.juno.co.uk/MP3/SF247654-01-02-01.mp3 im just not feeling this one. first planet e in years that i wont be picking up (i think the last one before this was the remixes of todd sines' 12 back in 02. tom This e-mail message and any accompanying attachments may contain information that is confidential and subject to legal privilege. If you are not the intended recipient, do not read, use, disseminate, distribute or copy this message or attachments. If you have received this message in error, please notify the sender immediately and delete this message.
(313) RE: [SPAM] Re: (313) Best Synth riffs
Could never get The Pied Piper: Kinetic out of my head...or R-Theme... -Original Message- From: Michael Bramwell [mailto:[EMAIL PROTECTED] Sent: Wednesday, 29 November 2006 3:46 a.m. To: 313@hyperreal.org Subject: [SPAM] Re: (313) Best Detroit Synth riffs Groove La Chord by Aril Brikha. The main synth on this tune could very easily played as rocking guitar riff and for me works with a similar kind of energy. This e-mail message and any accompanying attachments may contain information that is confidential and subject to legal privilege. If you are not the intended recipient, do not read, use, disseminate, distribute or copy this message or attachments. If you have received this message in error, please notify the sender immediately and delete this message.
RE: (313) ron murphy
Do you know what he means by modulates upwards? -Original Message- From: kent williams [mailto:[EMAIL PROTECTED] Sent: Friday, 22 September 2006 2:24 a.m. To: list 313 Subject: Re: (313) ron murphy Maybe I'm misremembering, but isn't there a picture of Ron and some metal mothers upstairs at Submerge? What I always wondered -- does Mike Banks ever sneak in to the museum at night and borrow the 909? Or are all the beatboxes in the museum knackered? A drum machine is a terrible thing to waste, after all... On 9/21/06, Lee Herrington [EMAIL PROTECTED] wrote: If this cat's work doesn't get exhibit space at some music hall of fame, it'll be a [EMAIL PROTECTED] shame. What a craftsman. Great podcast! Cheers, Lee R. Herrington U STORE IT Technical Support Engineer [EMAIL PROTECTED] 440-260-2245 This e-mail message and any accompanying attachments may contain information that is confidential and subject to legal privilege. If you are not the intended recipient, do not read, use, disseminate, distribute or copy this message or attachments. If you have received this message in error, please notify the sender immediately and delete this message.
RE: (313) Laptop Debate
This was from discogs... Even if DeGeorgio recognizes that he resorted to a unique sequencer, the Neutron, to reproduce the modal variations characterizing his musical inspirations ...i guess he'd have trouble making his music on a laptop then? -Original Message- From: Odeluga, Ken [mailto:[EMAIL PROTECTED] Sent: Monday, 4 September 2006 10:04 p.m. To: 313@hyperreal.org Subject: RE: (313) Laptop Debate -Original Message- From: Klaas-Jan Jongsma [mailto:[EMAIL PROTECTED] Sent: 04 September 2006 10:14 To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: Re: (313) Laptop Debate Yeah i can remember seeing a gearlist in some article and it is definitely a gearjunkies wetdream, oh and he has this: http://www.kirkdegiorgio.com/ModcanB.htm Now this reminds me of something I've thought for a while ... I like Kirk a lot - he's the same age as me so he must be a good egg (!) Plus he's one of the people I challenge myself with to see if he's ever made a bad record. I certainly don't own any duffers by him. Problem is - despite the fact that my record collection is peppered with his releases from year dot, I'm not sure I can hear the spell-binding difference in the sounds he comes up with, with that rig and the sounds that it's possible to get from a mid-range analog/digital synth. I just can't. I still like the last 3 LPs though, so don't get me wrong, but I just think he could have saved himself some money or something! Just mo. Having said that, it does illustrate that this software vs. hardware debate currently raging is not really a 'new paradigm' problem. The same debates could be heard between advocates and detractors of acoustic vs. amplified, synths vs. guitars, and naturally, modular versus stand-alone (or whatever they're called.) So long as you know that such debates are usually futile, I guess they can be fun and instructive. K This e-mail message and any accompanying attachments may contain information that is confidential and subject to legal privilege. If you are not the intended recipient, do not read, use, disseminate, distribute or copy this message or attachments. If you have received this message in error, please notify the sender immediately and delete this message.
RE: (313) Laptop Debate
Ignore that, the neutron is a plug in...i thought it was an outboard step sequencer... -Original Message- From: Ralf Gill (healthAlliance) [mailto:[EMAIL PROTECTED] Sent: Tuesday, 5 September 2006 5:07 a.m. To: Odeluga, Ken; 313@hyperreal.org Subject: RE: (313) Laptop Debate This was from discogs... Even if DeGeorgio recognizes that he resorted to a unique sequencer, the Neutron, to reproduce the modal variations characterizing his musical inspirations ...i guess he'd have trouble making his music on a laptop then? -Original Message- From: Odeluga, Ken [mailto:[EMAIL PROTECTED] Sent: Monday, 4 September 2006 10:04 p.m. To: 313@hyperreal.org Subject: RE: (313) Laptop Debate -Original Message- From: Klaas-Jan Jongsma [mailto:[EMAIL PROTECTED] Sent: 04 September 2006 10:14 To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: Re: (313) Laptop Debate Yeah i can remember seeing a gearlist in some article and it is definitely a gearjunkies wetdream, oh and he has this: http://www.kirkdegiorgio.com/ModcanB.htm Now this reminds me of something I've thought for a while ... I like Kirk a lot - he's the same age as me so he must be a good egg (!) Plus he's one of the people I challenge myself with to see if he's ever made a bad record. I certainly don't own any duffers by him. Problem is - despite the fact that my record collection is peppered with his releases from year dot, I'm not sure I can hear the spell-binding difference in the sounds he comes up with, with that rig and the sounds that it's possible to get from a mid-range analog/digital synth. I just can't. I still like the last 3 LPs though, so don't get me wrong, but I just think he could have saved himself some money or something! Just mo. Having said that, it does illustrate that this software vs. hardware debate currently raging is not really a 'new paradigm' problem. The same debates could be heard between advocates and detractors of acoustic vs. amplified, synths vs. guitars, and naturally, modular versus stand-alone (or whatever they're called.) So long as you know that such debates are usually futile, I guess they can be fun and instructive. K This e-mail message and any accompanying attachments may contain information that is confidential and subject to legal privilege. If you are not the intended recipient, do not read, use, disseminate, distribute or copy this message or attachments. If you have received this message in error, please notify the sender immediately and delete this message. This e-mail message and any accompanying attachments may contain information that is confidential and subject to legal privilege. If you are not the intended recipient, do not read, use, disseminate, distribute or copy this message or attachments. If you have received this message in error, please notify the sender immediately and delete this message.
RE: (313) The Laptop Debate - the imitation of sound
I'm confused now. Can someone summarise or conclude this thread for me. Is analogue better than digital or vice versa??? -Original Message- From: Brian Prince [mailto:[EMAIL PROTECTED] Sent: Monday, 4 September 2006 6:35 a.m. To: kent williams Cc: list 313 Subject: Re: (313) The Laptop Debate - the imitation of sound kent williams wrote: Honestly, what matters besides the actual compositions? I'm enough of a studio rat to care about things are produced, but the actual method that someone uses is irrelevant, except as it facilitates the result. It's not like you can't make sh*t tracks with analog gear. Self-appointed golden ears dismiss feeling and creativity, because anyone can appreciate those qualities in music (though not always at first blush, since some tastes are acquired), whereas it takes a genuine superior class of lonely douche to prioritize the production pipeline in their evaluation of a record. see also: missing the point of art - bp This e-mail message and any accompanying attachments may contain information that is confidential and subject to legal privilege. If you are not the intended recipient, do not read, use, disseminate, distribute or copy this message or attachments. If you have received this message in error, please notify the sender immediately and delete this message.
RE: (313) The Laptop Debate.
Is it an analogue or a digital laptop? -Original Message- From: kent williams [mailto:[EMAIL PROTECTED] Sent: Saturday, 2 September 2006 1:30 p.m. To: list 313 Subject: (313) The Laptop Debate. Not to stir the pot, but I've been practicing making tracks with a computer for 12 years. In that time I've come up with 3 tracks I felt This e-mail message and any accompanying attachments may contain information that is confidential and subject to legal privilege. If you are not the intended recipient, do not read, use, disseminate, distribute or copy this message or attachments. If you have received this message in error, please notify the sender immediately and delete this message.
RE: (313) Digital Downloads
Probably been said a million times, but mp3's are more like records than cd's because you can get straight to the bit of the music you want to hear...ie dance with your right hand...or left if you are left handed (which 96% of the submerge guys are...Detroit would be a wealthy city if it was off the right hand turnoff past New York rather than the left) Anyway...when is Larry seen not heard going to do some electro...that'd be real nice... -Original Message- From: v12 [mailto:[EMAIL PROTECTED] Sent: Saturday, 19 August 2006 06:56 To: 313@hyperreal.org Subject: Re: (313) Digital Downloads ive heard a lot of those 320 kbps from various sources and decided i wont ever spend a cent on mp3/ogg etc . none of the files sounded better than the 192s i made myself. if it's wav / cd-r sure ,ok. but those commercial mps3 are still sort of a joke. often hammered with some funny loudness maximizing limiters the traks lose at least 50% of its dynamics. (often turning into a punk-rock remix of a techno trak) honestly i'd rather get an illegal file and send 5 $ directly to the artist. sad thing is - 95% of stuff i got this year is by ..drexciya ;/ /12 This e-mail message and any accompanying attachments may contain information that is confidential and subject to legal privilege. If you are not the intended recipient, do not read, use, disseminate, distribute or copy this message or attachments. If you have received this message in error, please notify the sender immediately and delete this message.
RE: (313) a question regarding DEMF and the history of Detroit techno
Probably a dumb question, but the guys that play later time slots, close the night etc...do they get paid more money? -Original Message- From: Stoddard, Kamal [mailto:[EMAIL PROTECTED] Sent: Friday, 19 May 2006 3:14 a.m. To: disrupt; Thomas D. Cox, Jr. Cc: 313@hyperreal.org Subject: RE: (313) a question regarding DEMF and the history of Detroit techno I agree that influences are ubiquitous. The question here is about the weighting of importance. Using your own analogy, even though all the early guys have basically admitted to trying to imitate italo trax when coming up with the detroit techno sound I would find it just as odd to see the Rome Italo Fest(hypothetical event, don't pm me asking when it takes place :) headlined by cybotron while the originators of the italo sound pushed to play at noon. Even though they definitely took the italo sound and helped it grow into something more. I really would think it odd. Same thing here. Nobody's arguing for the exclusion of detoit influenced artists who are relevant to the sound we love, but the argument is that first priority should be given to the originators, then the hometown sound pushers, then the out of town sound pushers, and LASTLY the filler sideshow acts (breakcore, trance acts, etc). even though I know some feel that it has absolutely no place at the fest, I'd put money down that it wouldn't be much of an issue if they were all given the early slots and the respect chain was obvious. Now for all I know, paxahaus may have all the respect in the world for the real D (hell, rob hood anyone?) but I'm saying it's not as obvious as it should be in the lineup. A simple case of them not putting the money where their mouth is (in the hands of Detroit techno). I mean correct me if I'm wrong, but does anyone here think that POTD and the rest are really relevant to Detroit? k -Original Message- From: disrupt [mailto:[EMAIL PROTECTED] Sent: Thursday, May 18, 2006 10:15 AM To: Thomas D. Cox, Jr. Cc: 313@hyperreal.org Subject: Re: (313) a question regarding DEMF and the history of Detroit techno Yes Tom! Highly interesting discussion, with all its ups and downs, ultimately about the state of Detroit today. Maybe a new line of thought on this: for sure Detroit music influenced many people around the globe, many ripped it off, some took it and went forward (like the Dutch crew, Berlin, etc.), the whole plus and minus of it revealed itself over the last years. BUT: didn't Detroit music got influenced by other music as well over the time? Sucking those influences in, processing and using them in it's unique way? For sure it didn't 100% generate from Zero and from itself only. It's not a closed-in microcosm, completely sealed off from the world. So: shouldn't this fact be reflected in the DEMF lineup somehow? Detroit certainly gave a lot but I think it also 'took', works both channels. What can be discussed, of course, are the porportions of this give/take share and how it ultimately is weighed in the lineup. Anyway, keep it going. Such thoughts have to be processed. Jan On Thu, 18 May 2006 08:22:54 -0400, Thomas D. Cox, Jr. [EMAIL PROTECTED] wrote : On 5/17/06, as if .. [EMAIL PROTECTED] wrote: Tom .. for starters I like you passion .. ' thanks ;) You are suggesting that the only people who can call their Techno Detroit Techno are people who are born and raised in Detroit. ummm, that is a bit obvious, right? i mean i guess you dont necessarily have to have lived every second of your life in detroit to qualify, but certainly a long term connection with the city and its culture should be a requirement. say techno artist X moves to detroit, his music is not now detroit techno, thats for sure. in fact, to me someone like 4 Hero has more to do with detroit techno than someone like the Beretta music people. In a commercial sense you are probably following a clean line of thought. On a personal level I see you trying to protect the energy and truth of the early Detroit Techno. I see you also trying to protect the interests of local Detroit Artists. for me its not only about techno though, its about house and electro and ghetto tech and even soul and hiphop. anything that has a distinctly detroit flavour that is recognizable! every one of those genres that has a sound associated with detroit has been ripped off by and also influenced people outside of detroit. These are all valid things to do. However in order to protect these things you will need to essentially crush what is Detroit Techno into a can cover it in a series of warning labels and putting it on a special shelf for everyone to purchase. i dont necessarily think that is true. the good thing about something as generic as detroit music is ever changing, and will grow to include different genres and different ideas. but it certainly doesnt need to include every single style of music made in detroit. detroit is a large city, im sure theres
RE: (313) Techno on the otherside .. NZ
Depends if you're inside or outside though mate. If you're inside you can't compete with Auckland weather... -Original Message- From: fab. [mailto:[EMAIL PROTECTED] Sent: Thursday, 27 April 2006 2:21 a.m. To: 313@hyperreal.org; [EMAIL PROTECTED] Subject: Re: (313) Techno on the otherside .. NZ LOL but perth has by far better weather ;) - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Wednesday, April 26, 2006 4:18 PM Subject: Re: (313) Techno on the otherside .. NZ So DEMF and Perth have something in common this year - not many Detroit artists playing ;-) MEK Michael Bramwell [EMAIL PROTECTED] wrote on 04/25/2006 09:07:32 PM: Nice post Simon. Here in Perth West Australia the last times I went out to see a good international DJ play was Mills around 2001, Alton Miller in 2002 and Theo Parrish in 2003. Other good people have come to play; just in the form of expensive 'festivals' where 95% of the line up is a complete waste of money. I have missed a few good Detroit, Chigaco and Compost label artists but I could count them on one hand. My first post to this list, hello all. Michael B. - Original Message - From: Simon Kong [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Wednesday, April 26, 2006 7:58 AM Subject: (313) Techno on the otherside .. NZ This post is for everyone having a cry baby about DEMF .. Stacey Pullen came to play in Wellington NZ the other week. By some sheer accident I ended up making a one way 16 hour road trip to see him play, and a flight home at 8am. A good friend also flew in from Sydney for the occasion so it was really cool to be connected by Techno. Mostly I just wanted to say to the list that in some places in the world we rarely get to hear Techno. New Zealand has had three US producers visit in the last two years. You may recall me writing in about Carl Craig last year. I go bug for Techno especially Detroit styles. It is the only music that makes me dance like Sven hugs or no hugs. It's the only music that motivates me to dance at all these days. Stacey was just brilliant, and I don't care for the politics. He got on the decks at 2am and was still playing when I had to get to the airport at 7am. It was a sonic inspiration for me .. and was twice as cool cause the dance floor was full .. unlike Carl Craig. wah. While I can understand the frustrations of the DEMF line up .. I think you need to look at the greater context of what the scene is able to support. New Zealand has small population, and so a very small Techno scene. Our ability to foster our own scene, let alone have events or festivals that feature Techno artists is very very limited. On a global scale Techno is still a very underground sound. Over here where I am sitting . the DEMF does heaps to put Techno on the Map. Locally .. I would probably be upset as well. However the opportunity still remains to use the focus on the DEMF to raise the awareness of the 313 sound .. and it's affiliations. I think the Line up is that evil balance between commercial and true. However on any given day it's a line up I would very much like to see, and from a global perspective I think its a very interesting representation of how far the influences of Detroit music have traveled. I think Detroit heads have a lot of heritage to be proud of, and while there is obviously a strong local scene that is looking for representation. I think you have to appreciate that due to the musical foundations of Detroit many people from around the world now share in the positive influence. Somehow in the face of all the commercial dance scenes around the world Techno has managed to hold onto it's integrity. The artists listed are by no means heavy hitters in the commercial dance scene. They are a fairly gritty bunch of left field innovators of electronic sounds. For all the people that stand in Hart Plaza .. there are as many people all around the world who bring their attention to the goings on in Detroit. Promotion is the evil brother of Appreciation, and by all accounts the DEMF has been a constant battle from day one. I just want to send love and respect to the Festival and remind everyone having issues with the event, that some of us are still struggling to hear any sort of Techno once a year. DEMF does bring global attention. We are listening out here on the edge. .simon -- No virus found in this incoming message. Checked by AVG Free Edition. Version: 7.1.385 / Virus Database: 268.4.6/324 - Release Date: 25/04/2006 This e-mail message and any accompanying attachments
RE: (313) clark boot?
I got the double pack for about 10 euro's about 3 months ago...sounds a bit 90's, well I mean I dunno if it's dated that well...anyone want to sell a copy of that noosa heads track though I'd be keen... -Original Message- From: J.T. [mailto:[EMAIL PROTECTED] Sent: Saturday, 21 January 2006 3:25 a.m. To: Tristan Watkins; [EMAIL PROTECTED]; '313' Subject: Re: (313) clark boot? some guy on discogs just gave me 60eu for mine, and in my broke state i accepted...already regret, i really treasure it, but i'll hold it in my arms again...of course the music is the thing and i wav'd it before i sent it away...but argh... -Original Message- From: Tristan Watkins [EMAIL PROTECTED] Sent: Jan 20, 2006 6:13 AM To: [EMAIL PROTECTED], '313' 313@hyperreal.org Subject: Re: (313) clark boot? Prolly close to �15 most times, and not that often, but I haven't seen any really stupid prices for it. I could have missed those auctions though, as I don't really eBay. I think it's a fairly slept-on record. I can probably count on one hand the number of people I've heard play it out. Tristan === [EMAIL PROTECTED] http://www.phonopsia.co.uk - Original Message - From: [EMAIL PROTECTED] [EMAIL PROTECTED] To: '313' 313@hyperreal.org Sent: Friday, January 20, 2006 10:01 AM Subject: RE: (313) clark boot? Ditto everyone else's comments (that's how mine looks however I don't think there's much wrong with the mix/pressing). Only goes for a tenner? D*mn, I thought that'd be worth money, there's no sense to these things, I occasionally find something I have and had no thought would be valuable is whereas something like this is freely available? This e-mail message and any accompanying attachments may contain information that is confidential and subject to legal privilege. If you are not the intended recipient, do not read, use, disseminate, distribute or copy this message or attachments. If you have received this message in error, please notify the sender immediately and delete this message.
(313) cheap 909
http://www.trademe.co.nz/structure/0343-0892-0426-0683-/auction-44204787 .htm This e-mail message and any accompanying attachments may contain information that is confidential and subject to legal privilege. If you are not the intended recipient, do not read, use, disseminate, distribute or copy this message or attachments. If you have received this message in error, please notify the sender immediately and delete this message.
RE: (313) Techno Films
I guess hip-hop types have Star Wars but Was this a joke? I've just woken up... What about TRON, ZARDOZ and THX1138
RE: Re: (313) Fake Los Hermanos record?
http://www.webspawner.com/users/stinson01/ better than the real thing... -Original Message- From: Sean Creen [mailto:[EMAIL PROTECTED] Sent: Thursday, 29 July 2004 9:22 a.m. To: [EMAIL PROTECTED]; kj at technotourist dot org Cc: Sean Creen; 313 Mailinglist List Subject: Re: Re: (313) Fake Los Hermanos record? There is also an IDM artist called Donna Summer :) That;s a more concious, satirical type thing. As far as I know, he's been forced to stop using the name now anyway.
RE: (313) white girls
No one gets anywhere being bitter, and poking fun at 'fair game(see below)' for whatever reason is just tired and reactionary. I love white girls...especially my mum. -Original Message- From: Kent williams [mailto:[EMAIL PROTECTED] Sent: Wednesday, 9 June 2004 4:48 a.m. To: 313 list Subject: RE: (313) white girls It's a meme they're trying to establish. It means whatever you want it to mean. I've always gotten the impression that when it came to ethnic and racial differences, it's bad cricket to make fun of people of color, or 'white' people who have been treated badly, like the Italians and Irish. But affluent white people from America and Europe are fair game. I'm not saying that I think anyone should be ridiculed based on a stereotype, just that making fun of the traditional oppressor groups doesn't sting as much. I don't think a booth at Movement selling i'm sick and tired of black girls would have been very well received by anyone, black or white. So perhaps I'm sick and tired of white girls is a critique on stereotypes and prejudice, presented with some humor. If a white girl wears it, is she expressing self loathing? If a black or hispanic or asian girl wears it, is it jealosy? If a black man wears it, is he saying he's down with sisters exclusively? If a white man wears it does it mean he's made a sexual fetish of skin color? On Tue, 8 Jun 2004, Robert Taylor wrote: Anyone troubled by this? What do they mean by sick and tired of white girls?
(313) black devil disco club
Is it true about this being found for 20p at a car boot sale? Or was environ trying to get it licensed and warp muscled their way in? Anyone know?
RE: (313) techno renaissance (was dutchie DEMF)
...and these trend hoppers don't really enjoy the music they listen to, there not enjoying it when they go out...mmm..doesn't it feel s good to have authentic taste!!! -Original Message- From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED] Sent: Thursday, 1 April 2004 7:59 a.m. To: 313@hyperreal.org Subject: RE: (313) techno renaissance (was dutchie DEMF) -- Original Message -- From: [EMAIL PROTECTED] so there's now a difference between 'techno fans' and people who go to techno parties? good f**kin' grief. how hard is it to differentiate between people who trend hop (hipsters) and people who are long term fans of a music? these things happen, especially in electronic music. tom andythepooh.com
RE: (313) techno renaissance (was dutchie DEMF)
I've seen people wearing copies of that t-shirt... -Original Message- From: Ralf Gill (healthAlliance) Sent: Thursday, 1 April 2004 8:10 a.m. To: 'Robert Taylor' Subject: RE: (313) techno renaissance (was dutchie DEMF) I've seen people wearing copies of that t-shirt... -Original Message- From: Robert Taylor [mailto:[EMAIL PROTECTED] Sent: Thursday, 1 April 2004 9:06 a.m. To: [EMAIL PROTECTED]; Ralf Gill (healthAlliance) Cc: 313@hyperreal.org Subject: RE: (313) techno renaissance (was dutchie DEMF) Maybe we need a 313 t-shirt sporting the logo 'I'm Enjoying Myself More Than You Because I'm For Real' -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Wednesday, March 31, 2004 8:04 PM To: Ralf Gill (healthAlliance) Cc: 313@hyperreal.org Subject: RE: (313) techno renaissance (was dutchie DEMF) wow- i think you've just achieve an entirely new level of constipation. On Thu, 1 Apr 2004, Ralf Gill (healthAlliance) wrote: ...and these trend hoppers don't really enjoy the music they listen to, there not enjoying it when they go out...mmm..doesn't it feel s good to have authentic taste!!! -Original Message- From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED] Sent: Thursday, 1 April 2004 7:59 a.m. To: 313@hyperreal.org Subject: RE: (313) techno renaissance (was dutchie DEMF) -- Original Message -- From: [EMAIL PROTECTED] so there's now a difference between 'techno fans' and people who go to techno parties? good f**kin' grief. how hard is it to differentiate between people who trend hop (hipsters) and people who are long term fans of a music? these things happen, especially in electronic music. tom andythepooh.com # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
RE: (313) Discogs.com question
Wondering why would one want to put up a list of all the records in their collection if they weren't for sale? Does the person with the best collection win something or get receive greater functionality from the website? -Original Message- From: Lee Herrington IV [mailto:[EMAIL PROTECTED] Sent: Tuesday, 30 March 2004 4:36 a.m. To: 313 Subject: RE: (313) Discogs.com question i've been solicited on a few occasions. however, when i have attempted to negotiate a sale at a price that i am happy with, i have received no response. i think some folks just give up on ebay and GEMM and make an effort at acquiring rare titles from collectors online. cheers, lrh -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Monday, March 29, 2004 10:09 AM To: 313@hyperreal.org Subject: (313) Discogs.com question I've started building my collection on discogs and just got an email from someone wanting to buy one of my records - is this common? None of my records on there are for sale, I just use the website as a back-up to my library database I have at home. So do people use Discogs alot to sell and trade? MEK
(313) Can anyone please id this track, small mp3, 100k...???
http://homepages.whl.co.nz/~ralf/dp.htm It came from a mix someone posted here last year...anyone know whose mix it came from? Thnaks in advance
(313) Anyone want to get a burger 2moro after work? was (313) 313's Signal to noise ratio
-Original Message- From: David Bate [mailto:[EMAIL PROTECTED] Sent: Tuesday, 9 March 2004 8:45 a.m. To: 313@hyperreal.org Subject: Re: (313) 313's Signal to noise ratio correct me if i'm wrong, but most of the noise i'm seeing today is in the form of complaints regarding noise. kind of ironic, right? Ironic, but that's the way one has to do it, when one is on a self moderated list. We can't write to a moderator and have them step in, it's something that we have to ourselves. There's good and bad to a self moderated list, but it's the way that 313 has been doing it for the last 10 years. delete takes a second. let people say what they want to say. noise is an inherent part of any community, online or real life. At least for me, maybe I'm slower then some people, but delete's take more then a second for me. When I'm presented with 50-100 messages and some of them are good and some of them are bad, you have to go through the bad ones to find out which are the good ones. That's why I think Phred indicated that he only reads emails from people's who he knows, as most of the time, people aren't even talking about the subject that is on the subject line, so you think you're reading about something that you're really not. I kind of think of it as lurking SPAM. Noise is an inherent part of any community, I do agree, but we use filters to try to reduce that noise. The particular filter on this list is 313, and that's how I have attempted to reduce the noise for non 313 stuff. Unfortunately, I don't see very much stuff about Detroit Techno on this list... I know many people who have just left the list and don't want to deal with it. I've been lurking on this list since just after it started, when I was logging in with my 14.4 baud modem on my Mac Plus ( I know, I was behind the times, even then!) and the signal to noise ratio has never been so high as it has in the last year or two. Also, using the 313 as a chat room, goes against 1 of few rules that we have on here: * List members are here for a reason, keep your posts on topic, using 313 as chat room is not permitted. and here's my attempt to start a more interesting thread: lately i can't get enough of: _ (theo parrish jill scott slowly surely) Remember... please insert DETROIT related artist here ;) Have a good DETROIT day to you all ... Dave
(313) Anthony Rother Presents Electro Commando 1
Does anyone know whose voice that is on studio-in the studio...probably sound like a dumb arse, but thats not David Bowie is it?
RE: (313) Trainspotting
sort of went with the i-spy series of books...man, what a waste of time -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Monday, 19 January 2004 12:40 p.m. To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: Re: (313) Trainspotting it comes from people who spend their time standing by trainlines watching trains go past and writing down the train numbers or some other details. from what i can gather, it's popularity seems confined to the british isles. it's become a byword for pointless, obsessive behaviour. james www.jbucknell.com [EMAIL PROTECTED] om To: 313@hyperreal.org cc: (bcc: James Bucknell/ARD/AU/ReadersDigest) 18/01/04 11:27 Subject: Re: (313) Trainspotting PM Where did the term trainspotting come from? I know there was a film - which I didn't see. What does it mean?
(313) best downloaded mix 2003 ???
Theres been some cool ones posted here..but one that i probably enjoyed the most was the 'echoes and vibes'mp3 from acidmixes.com... Anyone else?
RE: (313) the funky 808 drummer
Any one here actually ever programmed a 909 or 808 though? -Original Message- From: /0 [mailto:[EMAIL PROTECTED] Sent: Tuesday, 2 December 2003 11:26 AM To: Michael Mitchell; 313@hyperreal.org Subject: Re: (313) the funky 808 drummer I'd personally put hawtin above mills Im basing that off live 909 use though :\ this si a fun thread! - Original Message - From: Michael Mitchell [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Monday, December 01, 2003 1:34 PM Subject: Re: (313) the funky 808 drummer Chicago: real basic rhythms very crucial jesse saunders vince lawerence farley jackmaster funk chip e k-alexi marshall jefferson larry heard lil louis Detroit jeff mills rob hood james pennington claude young shake derrick may i love what trackmaster lou does as well and richie definatly has had his moments (plasticman anyone??) just a few although so many artists in detroit have great drum programming, i bet thats why we all love detroit techno so much!! michael www.renegaderhythms.com Reading Iridial's bio on Lee Purkis (InSync) it states: Lee is one of the greatest Drum Machine programmers that England has ever produced. http://www.irdial.com/people/in_sync.htm Now I don't really doubt this but I haven't heard enough InSync tracks to say otherwise (working on that - anyone got any they want to sell? ;) ) but I'd like to ask others - who do you rank up there and *what tracks* are your favorite or rank up in the top programmed drums? MEK
RE: (313) Any suggestion for techno music to be used in weddingmarch?
Cyndi Lauper Girls just want to have fun... -Original Message- From: FRED giannelli [mailto:[EMAIL PROTECTED] Sent: Monday, 10 November 2003 11:21 a.m. To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: Re: (313) Any suggestion for techno music to be used in weddingmarch? Speaking of which, I have a copy of this I am willing to sell. telepathic regards, the kooky scientist -- TELEPATHICA - P.O.B.80337 - Boston, MA 02180-0010 U.S.A. CL # 617.905.9619 http://telepathica.com [EMAIL PROTECTED] on 11/9/03 4:39 PM, [EMAIL PROTECTED] at [EMAIL PROTECTED] wrote: Charm Farm: Superstar Superstar (Majestic 12 Ambient Mix) [Note: Essentially percussionless.] for the intro. My brother used this getting married - very nice. Superstar (Kenny Larkin's House Mix / Kenny Larkin) for the out.
(313) test
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RE: (313) 313 Weekend in London
Specifically Security on Automan 6..when the women speaks its sounds very tttss, distorted sibilance I think is the phrase used..is this the record or my setup? Anyone else heard this? -Original Message- From: Sakari Karipuro [mailto:[EMAIL PROTECTED] Sent: Tuesday, 15 July 2003 10:13 a.m. To: Ralf Gill Cc: '313@hyperreal.org' Subject: RE: (313) 313 Weekend in London Ralf Gill wrote on Tue, 15 Jul 2003 about following: Just wondering whats the average age of an older clubber? 28! Also, if hi vocals are hissy/ distorted is that my needle or the record damaged? Can you tell by looking at a record if its damaged? and if so how... Could be worn-out record, or worn-out needle; OR just horribly badly mastered track, quite common mistake nowadays - just too much compression. try with other needle, if the sound is still the same, it's either record or mastering; then compare two copies of the record.. and you might want to read this too: http://needleexpress.com/faq.htm sakke -- Timing must be perfect now. Two-timing must be better than perfect. http://www.arabuusimiehet.com/sakke/
RE: (313) 313 Weekend in London
Just wondering whats the average age of an older clubber? Also, if hi vocals are hissy/ distorted is that my needle or the record damaged? Can you tell by looking at a record if its damaged? and if so how... -Original Message- From: Robert Taylor [mailto:[EMAIL PROTECTED] Sent: Tuesday, 15 July 2003 2:13 a.m. To: Adam H; 313@hyperreal.org Subject: RE: (313) 313 Weekend in London Aaaarrgggh! There are lot of people who want to hear more than just techno when they go out. Many older clubbers (not me, I hasten to add) have stopped going clubbing cos they have gotten bored of the tyranny of the kick drum and would be tempted back by a bit of diversity. To cater for that isn't commercialism, it's common sense - commercial clubs are NOT diverse in the music policy - the kids at the moment love kick drums and little else (hence the popularity of hard house and hard trance). Haven't we been here before? Somebody ain't listening or is obtusely missing the point. -Original Message- From: Adam H [mailto:[EMAIL PROTECTED] Sent: Monday, July 14, 2003 1:06 PM To: 313@hyperreal.org Subject: Re: (313) 313 Weekend in London People might show and interest in going to techno parties if he didnt play techno? Strange... On Monday, Jul 14, 2003, at 08:54 America/Detroit, [EMAIL PROTECTED] wrote: If you go to a gig and Vogel is playing, you don't expect him to break out in gospel house do you? well, perhaps the world might show an interest in going to techno parties if he did. and not just us 'geeks' eh? _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
RE: (313) Muzik (was 7 Magazine)
It seems to me there's more music, more interesting music, more experimentation and less musical elitism than there has been since (for me) 1990-91...this isn't a DEAD music, just a lot of the parasites have moved off to feed somewhere else... -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Friday, 4 July 2003 12:54 p.m. To: [EMAIL PROTECTED] Cc: Tom Churchill; 313; Cyclone Wehner Subject: Re: (313) Muzik (was 7 Magazine) you are so wrong it hurts. but i don't feel like getting into the whole death of dance music in america. but it is DEAD!!! Trust me- Even England during this slow time has a much bigger dance music scene than America ever did, even at its peak. On Thu, 3 Jul 2003 [EMAIL PROTECTED] wrote: In contrast, rock titles, such as New Musical Express and Kerrang!, and magazines aimed at older music fans, such as Mojo and Uncut, have enjoyed circulation increases. I think there is your answer. The clubbers are growing up and are getting tired of the same old dance music - or at least the way it's presented. I wonder how XLR8R, URB, and other US mags are doing? There still seems to be a lot of kids still learning and listening to dance music in the US as opposed to the UK? correct me if I'm wrong please. MEK Tom Churchill [EMAIL PROTECTED]To: Cyclone Wehner rdings.com [EMAIL PROTECTED], 313 313@hyperreal.org 07/03/03 02:43 AMcc: Subject: Re: (313) Muzik (was 7 Magazine) Yeah, that's a surprise. Wonder why? What's the talk? Full story: http://media.guardian.co.uk/presspublishing/story/0,7495,988334,00.html Cheers, Tom
RE: (313) Cartridges for SL1200's
Yeah, the GRADO is an awesome cartridge for the money. The DJ 100 is basically the GRADO Black with heavier tracking force ( 2-5 instead of 1.5) and the DJ 200 is same as the Grado Red series. They sound wonderfull. Originally this post was re: stantons. IMO, all stanton carts/ needle combinations sounds too bright/harsh. Even the Stanton 681EEE sounds very brash for a audiophile cart. The shure v15type3 on the other hand m... -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Tuesday, 24 June 2003 11:06 a.m. To: rob Cc: 313@hyperreal.org Subject: Re: (313) Cartridges for SL1200's if you're looking for the best sound quality possible (for a dj cartridge), i recommend checking out the grado dj series... http://www.gradolabs.com
RE: (313) Good principles in techno label design (was Richie Hawt in k )
This isn't a technical mailing list...and its all part and parcel, the music's not isolated from any other subject/experience...that's how we experience and qualify music...in the context of our world... If the music's crunchy, then its got soul...whether the black guys wearing a lab coat or not... I can't comment on music at the moment, my oscilloscopes being fixed ... -Original Message- From: David Powers [mailto:[EMAIL PROTECTED] Sent: Wednesday, 18 June 2003 9:53 a.m. To: spw; 313@hyperreal.org Subject: RE: (313) Good principles in techno label design (was Richie Hawtin k ) No humor??? Sounds like techno-fascism. The final solution to the techno problem? True, there is a lot of noise on the list but my life would be incomplete without Theakston's jaded little witticisms. I do agree that soul and emotion are inherently limited notions that can get in the way of real aesthetic understanding. On the other hand, Soul Music as a genre was a just a euphimism for black music, and doesn't have anything to do with soul as a spiritual or metaphysical concept. Emotion is a physical criteria of human bodies, and not something that is inside music. dave -- Original Message - Subject: RE: (313) Good principles in techno label design (was Richie Hawtin k ) Date: Tue, 17 Jun 2003 12:07:32 -0700 (PDT) From: spw [EMAIL PROTECTED] To: 313@hyperreal.org I was talking about techno names but if you want to get philosophical the human race is doomed and will become obsolete like the Neanderthal man. The Borg is a primitive science fiction concept since you will be dealing with more advance technology in the not to distant future such as nano technology, computers on the molecular level. people are only animals genetically closely related to the Ape and will continue to evolve like all thing in nature including technology. I would like to see a techno purist type mailing list where terms like soul, god, emotions, the community social structure (politics) that dominate list like 313 are not allowed, not even incidents like 9/11. Only the discussion of techno music and the expression of new ideas concerning techno, sarcasm and humor will also not be allowed your only allowed to state your opinion on a particular music item, promote your label/ project and stay focused on techno. --- John Osselaer [EMAIL PROTECTED] wrote: Quote: When it comes to techno labels as a general rule a name must have an emphasis on technology and a disassociation from human culture like the band Kraftwerk. --- ?? As a general rule there are no rules to techno. Or at least there should not be any rules. That's what sets it apart and what safeguards its evolution and progress. And 'disassociation from human culture'?? I could point you to numerous labels that care more about people than about technology. Everybody should! If you need a leading example: Jeff Mills, truly concerned with society and sociological evolutions + a will to let those ideas infiltrate his music. And maybe, just maybe, Kraftwerk were not all that 'pro' disassociation from human culture. Maybe they wanted to point it out and have people think about it. Think about both the positive and the negative aspects of the technological evolution mankind is going through. It's not because it can be done technologically that it should be done. Otherwise we'll all be running around like 'The Borg' soon. 'Resistance is futile'? NO IT'S NOT!!! John =
RE: (313) Waveless DJing
i dont see why the physical movement of the artist is what makes you get into the music. it should be the music that moves you well you've obviously not been to see riverdance
RE: (313) de-warping tips?
I use a 60's electric bar heater with a sort of 'steel-lite' finish and nice big flat top. ( 2 bar heater). The top gets quite hot, but not too hot to sit on. I put the record on the top of the heater, turn it on , watch very carefully, at a certain point it slumps flat then turn the heater off. Used this after a few nasty oven experiments. -Original Message- From: Synthetic Tom [mailto:[EMAIL PROTECTED] Sent: Thursday, 12 June 2003 9:26 a.m. To: 313@hyperreal.org Subject: (313) de-warping tips? so the mail lady bent my newly-ordered morgan geist record into a horseshoe shape in order to fit it in the mailbox. god bless her. needless to say it's not playing so well. anyone have any good methods for flattening their vinyl??? my apologies if this topic's been covered. thanks. tom
RE: (313) OT - cantina band
Is that BT express a label or artist? -Original Message- From: Matthew Mangold [mailto:[EMAIL PROTECTED] Sent: Tuesday, 10 June 2003 1:13 p.m. To: 313; Phonopsia Subject: RE: (313) OT - cantina band There's another one out there: BT Express - Level One EP; track B1, Tripin' on Madhouse. MH-01. I'm pretty sure this is the one that Carter plays. Matthew -Original Message- From: Phonopsia [mailto:[EMAIL PROTECTED] Sent: Monday, June 09, 2003 8:28 PM To: 313@hyperreal.org; [EMAIL PROTECTED] Subject: Re: (313) OT - cantina band - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Monday, June 09, 2003 10:38 PM Subject: (313) OT - cantina band peeps what is the track that derrick carter plays that samples the cantina band from star wars ? i think there's one on juice records but there might be others too...? thanx. It was a 7 on Columbia called Cantina if I'm not mistaken. By John Williams. First 7 I ever owned. :P :P :P Tristan === Text/Mixes: http://www.phonopsia.co.uk Music: http://www.mp313.com Contact: [EMAIL PROTECTED]
RE: (313) OT - cantina band
meco did a disco 'start wars' version that started with a bit of the john williams intro ( with disco beats) and the bar song comes in in the last half. Its got r2d2 making noises thru it as well. I personally think the bar song bit ruined the song... -Original Message- From: Phonopsia [mailto:[EMAIL PROTECTED] Sent: Tuesday, 10 June 2003 1:24 p.m. To: Ian; The Music Institute Subject: Re: (313) OT - cantina band - Original Message - From: Ian [EMAIL PROTECTED] To: The Music Institute 313@hyperreal.org Sent: Tuesday, June 10, 2003 1:16 AM Subject: Re: (313) OT - cantina band I think you mean Meco Monardo's remake. I'm embarrassed to admit how influential Other Galactic Funk was for me. Another italo-disco thread anyone? Nope. My moms used to work for a studio, and I have all sorts of old vinyl from that era accordingly. Midnight Run, Saturday Night Fever, Thank God It's Friday, etc. Cantina or Cantina Song was definitely fully credited to Lucas. It was the same version played in the movie. Perhaps you mean a fancy-ass disco remake from that era? If so, spill the beans! Tristan === Text/Mixes: http://www.phonopsia.co.uk Music: http://www.mp313.com Contact: [EMAIL PROTECTED]
RE: (313) Techno Family Tree
how about ... ARTHUR BAKER, Born in Boston in 1977, Arthur Baker was witness... -Original Message- From: Benn Glazier [mailto:[EMAIL PROTECTED] Sent: Tuesday, 27 May 2003 11:53 a.m. To: 313 Cc: [EMAIL PROTECTED] Subject: RE: (313) Techno Family Tree Need we say anymore comparing Nukleuz to Peacefrog?? Pfft.. Hardhouse is born in Chicago by the hand of artists such as Paul Johnson, Cajmere, and Bad Boy Bill. r./ On Fri, 23 May 2003 17:15:16 +0100, Brendan Nelson [EMAIL PROTECTED] said: An Alan Oldman is listed as a fourth member of UR... The description of jungle's origins kind of sounds like ghetto tech (..mix House music and Hip Hop at 45 rpm) Speed garage did not seriously emerge in the UK until 1996, with 1997 being the year it properly blew up. They list it at 1993... Sheesh, there are too many errors in this to bother listing them all without coming across as an insufferable pedant. I recognise what they're trying to do with the site... but they're wrong! Brendan -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 23 May 2003 17:12 To: Martin; 313 Hyperreal. Org Subject: Re: (313) Techno Family Tree Is it me, or are loads of the dates and facts wrong on this? e.g. speed garage predates jungle? ministry of sound and cream on ibiza in 1997? Panasonic's 'Vakio' LP most influential experimental LP of the 90s. As the supposed result of 2 years of research, it seems kind of sparse and innaccurate to me. Is anyone else able to correct my ignorance/agree with me? Dan At 12:21 pm + 23/5/03, Martin wrote: Thought a few people here may be interested in this link... http://www.intuitivemusic.com/technoguidetimeline.html -- Martin Dust Parkhead House 26 Carver Street Sheffield S1 4FS -- Benn Glazier [EMAIL PROTECTED] http://www.royaltech.net http://dj.royaltech.net
RE: (313) DJ Bone Radio1 Mix 2002 - Track id
does anyone happen to know what the track starting at around 28:30 is? -Original Message- From: 1-11 [mailto:[EMAIL PROTECTED] Sent: Saturday, 17 May 2003 3:42 a.m. To: 313@hyperreal.org Subject: Re: (313) DJ Bone Radio1 Mix 2002 - Track id It is a belting mix and he is a wonderfully talented DJ. He played a similar set at the FDEMF (sorry) when it was pi**ing down. Oooh, most enjoyable! Cheerio.
RE: FW: (313) DJ BOX Warning
Security: so you think your some big shaart deee jaayyy do you son? Me: yup Security: tell em george, whadda do we doo tu these deejaays dawn here down under? Me: now hold up guys, i'm just here for the music Security: go get the keys george, we've got a long night ahead of us -Original Message- From: David Gillies [mailto:[EMAIL PROTECTED] Sent: Thursday, 15 May 2003 2:50 p.m. To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: Re: FW: (313) DJ BOX Warning I took about a bag of about 50 records on as hand luggage from US to Australia without any problems. Although, I guess its not quite the same as 150 of 'em. Customs at LAX had a fun time trying to figure what the hell they were through the x-ray machines. Security: What's in your bag sir? Me: Records Security: What? Me: Records! Security: Oh, rekkids! Its rekkids George! This guy's a d-jay. Alex Bates said: i took a bag of about 150 records as hand luggage when i flew from heathrow to australia.. theres a little trick involved... ab -Original Message- From: Odeluga, Ken [mailto:[EMAIL PROTECTED] Sent: Wednesday, May 14, 2003 6:50 PM To: Cyhl; 313 Hyperreal. Org Subject: RE: (313) DJ BOX Warning Is it really not poss to carry it as hand luggage? Might get searched seeing as it looks strange and will be heavier than most hand luggage, but that's better than it getting nicked. What else do you need to carry on you? Phone, toothpaste (maybe) wallet, passport? The rest can go in your big cases.
RE: (313) electro house is taking over (maybe not just in OZ)
don't know where you guys have been but we've known this genre as elicso for the last 6 minutes... -Original Message- From: Cyclone Wehner [mailto:[EMAIL PROTECTED] Sent: Thursday, 1 May 2003 1:59 p.m. To: 313 Detroit Subject: Re: (313) electro house is taking over (maybe not just in OZ) You can't just blame music writers, it's an industry thing. Realistically, practically, if you look at the way music is organised in record stores - do you really want to sort through all the country releases to get to that Suburban Knight 12 inch? I can tell you also that the vast majority of labels come from artists themselves. Never underestimate artists' attempts to market themselves - and that's understandable. Eg. DJ Hell has claimed to coining 'electroclash'. I'm sure he didn't envisage what happened with that. Big beat came from Fatboy Slim! 'House' came from punters at the Warehouse. You could say media types often take things out of context, or that magazines exploit it, sure. Some of our most loved music was a 'trend' at one stage. Techno, New Romantic, whatever. I really think we have to start to rethink whether 'fashion' is a bad thing. Fashion = change = flux. It's not something the modern media created. It can be good and bad. What makes techno special is it ultimately transcended fashion to be tied to a certain era and beyond.
RE: (313) WE WANT LYRICS!
or the beloved circa 1991 'its alright now, don't you worry bout a thing, i'm gonna put my arms around you, we're gonna light up the sky.uuu...it's alright now..' nice!!! -Original Message- From: rob [mailto:[EMAIL PROTECTED] Sent: Wednesday, 30 April 2003 11:51 p.m. To: Andrew; 313@hyperreal.org Subject: RE: (313) WE WANT LYRICS! A few Tip Top Lyrical tunes from back in the day Can You Feel It - Fingers Inc (Robert Owens Version (Child from a broken Home lyrics, not MLK of Jack version, although all good in different ways)) Someday - CeCe Rogers Joe smooth - Promised Land -Original Message- From: Andrew [mailto:[EMAIL PROTECTED] Sent: 30 April 2003 12:35 To: 313@hyperreal.org Subject: Re: (313) WE WANT LYRICS! I was having this conversation just yesterday with friends, about the lack of good lyrics in house and techno. We were discussing 'Black Water' (Don't let them tell you that war is the answer etc. Pretty cool) and a few things came up, among them - Elements of Life - MAW Feat. Blaze (MAW) Excellent lyrics concerning our depletion of natural resources. In fact, a lot of Blaze stuff has really well thought out lyrics Acting Crazy - Round Three (Main St.) Weird ass lyrics about someone's smacked up [girl]friend :-) Dajae - Day by Day (Cajual) Just great lyrics about coping with daily life. Mmmmhave work to do.can't think Later, Andrew - Original Message - From: Mann, Ravinder [CCS] [EMAIL PROTECTED] To: 'Phonopsia' [EMAIL PROTECTED]; 313 313@hyperreal.org Sent: Wednesday, April 30, 2003 12:07 PM Subject: RE: (313) WE WANT LYRICS! Good Lyrics in House/Techno...not many...like I say...non of that I love you honey child cr^p Let me start... Arnold Jarvis - Take Some Time Out 4 Hero - Black Gold of the sun -Original Message- From: Phonopsia [mailto:[EMAIL PROTECTED] Sent: 30 April 2003 12:02 To: 313 Subject: (313) WE WANT LYRICS! - Original Message - From: Odeluga, Ken [EMAIL PROTECTED] To: Phonopsia [EMAIL PROTECTED]; Alex Bates [EMAIL PROTECTED]; 313 313@hyperreal.org Sent: Wednesday, April 30, 2003 11:51 AM Subject: RE: (313) More Dirty House I'm not sure if I particularly g.a.f. abt the lyrical content! If we deconstructed all the lyrics of most of the tracks we are interested in here, we really wouldn't be left with much that is literary, noble or even coherent most of the time! The vibe is everything, for better or worse. Plus, I can make my own mistakes and learn from them myself, thanks, without need of the wisdom of an R'n'B singer to teach me, albeit in beautiful dulcet tones! Maybe it's time we started to expect more though? That 'glad today' record I mentioned earlier has excellent romantic lyrics, and the Brooks album is packed with them straight through (even if they're largely nonsensical, they are great: see - dripping in gold). Dani Sicialano springs to mind too. I'll be the first to admit that I'll let lyrics slide in house, but I don't know exactly when we lowered our expectations. Lyrics used to be a big draw for me before I got into house/techno, and they still are when I shop outside of this. There have always been good political lyrics, and still are, like Blackman, etc, but I'd like to see more insightful probings of emotions. It's not like there's ever been a time when there wasn't some good lyrical tracks in house, I just think people have more room to write crap if it kicks. Tristan === Text/Mixes: http://www.phonopsia.co.uk Music: http://www.mp313.com Contact: [EMAIL PROTECTED]
RE: (313) disco / ball room
HI...where can yuo buy these records from cheers -Original Message- From: marsel [mailto:[EMAIL PROTECTED] Sent: Monday, 21 April 2003 11:20 p.m. To: 313 Subject: (313) disco / ball room just wanted to drop a note, those new 12es on Ball Room are excellent obscure disco tracks again!! any idea of the original labels / artists etc? brh 010 san salvador - instrumental version brh 011 love money t.w. funk masters - original mix the stranger - 12 special brh 012 long train running - special maxi version delirium - disco mix
RE: (313) disco / ball room
got it thanks... -Original Message- From: Ralf Gill [mailto:[EMAIL PROTECTED] Sent: Thursday, 24 April 2003 8:21 a.m. To: 'marsel'; '313@hyperreal.org' Subject: RE: (313) disco / ball room HI...where can yuo buy these records from cheers -Original Message- From: marsel [mailto:[EMAIL PROTECTED] Sent: Monday, 21 April 2003 11:20 p.m. To: 313 Subject: (313) disco / ball room just wanted to drop a note, those new 12es on Ball Room are excellent obscure disco tracks again!! any idea of the original labels / artists etc? brh 010 san salvador - instrumental version brh 011 love money t.w. funk masters - original mix the stranger - 12 special brh 012 long train running - special maxi version delirium - disco mix
RE: (313) 313 geek culture
can't believe this is still going -Original Message- From: Darren Longton (Marketing) [mailto:[EMAIL PROTECTED] Sent: Thursday, 17 April 2003 7:34 a.m. Cc: 313@hyperreal.org Subject: RE: (313) 313 geek culture Second!! -Original Message- From: Klaas Jan Jongsma [mailto:[EMAIL PROTECTED] Sent: Wednesday, April 16, 2003 3:39 PM To: spw Cc: 313@hyperreal.org Subject: Re: (313) 313 geek culture I am getting so sick and tired of you going on, please shut up about this! On woensdag, apr 16, 2003, at 20:38 Europe/Amsterdam, spw wrote: on 4/15/03 10:11 PM, Matthew MacQueen at [EMAIL PROTECTED] wrote: not really, in fact it probably wouldnt take a lot of time out of anyones busy scheduale. great idea steve, you doing this will really help out list and keep the rest of us informed. we'll be looking for you to have a rough version 1.0 of this weeks list wrapped up by say, early next week? Why not? cheers, matt macqueen I did not volunteer, considerate it a free consulting service. Qualified candidate's must be team player's with good organizational and writing skills. That would make me disqualified. I also think it would be best to have a person who's in touch with the Detroit scene, someone that has good morale with Detroit artist and labels. here is a quick way to compile information to create a comprehensive list of new releases: Subscribe to record store stock list, one's that do a great job carrying new 313 music. I would subscribe to as many record store stock list as possible as to not leave out any new releases. Also it would be a good idea to subscribe to 313 record label newsletters to kepp informed about individual labels. Copy and save the 313 artist/ label information to an archive which will later be used to compiled to make a list, make sure you abbreviate the record store name next to the release so the record store gets proper credit for lsiting that release. For example: Sonic Groove = SG Record Time = RT Submerge = Sub Hardwax = HW So one release listed can have numerous or multiple record store abbreviations. This tells people where they can find a particular record. Be sure include the music medium such as CD, LP, EP, 12, 7 LMTD., ect... You may also include the price next to the record store abbreviation but to be on the safe side I would put a disclaimer prices may vary next to: not affiliated with record stores, not responsible for on online transactions, customer service, blah, blah, blah, ect..ect... on 4/15/03 10:31 PM, [EMAIL PROTECTED] at [EMAIL PROTECTED] wrote: Just remember to keep it going every week so that we don't miss a thing. I'm a afraid that's not possible since most record store stock list are not available on a weekly basis. A bi-weekly or monthly list would be more realistic. [EMAIL PROTECTED]
RE: (313) 313 geek culture
love this bit... Qualified candidate's must be team player's with good organizational and writing skills.. -Original Message- From: ::) [mailto:[EMAIL PROTECTED] Sent: Thursday, 17 April 2003 7:54 a.m. To: spw; 313@hyperreal.org Subject: Re: (313) 313 geek culture you really want to make this complex, dont you. you're making listening and talking about music sound more complex than making it :P -Joe - Original Message - From: spw [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Wednesday, April 16, 2003 2:38 PM Subject: Re: (313) 313 geek culture on 4/15/03 10:11 PM, Matthew MacQueen at [EMAIL PROTECTED] wrote: not really, in fact it probably wouldnt take a lot of time out of anyones busy scheduale. great idea steve, you doing this will really help out list and keep the rest of us informed. we'll be looking for you to have a rough version 1.0 of this weeks list wrapped up by say, early next week? Why not? cheers, matt macqueen I did not volunteer, considerate it a free consulting service. Qualified candidate's must be team player's with good organizational and writing skills. That would make me disqualified. I also think it would be best to have a person who's in touch with the Detroit scene, someone that has good morale with Detroit artist and labels. here is a quick way to compile information to create a comprehensive list of new releases: Subscribe to record store stock list, one's that do a great job carrying new 313 music. I would subscribe to as many record store stock list as possible as to not leave out any new releases. Also it would be a good idea to subscribe to 313 record label newsletters to kepp informed about individual labels. Copy and save the 313 artist/ label information to an archive which will later be used to compiled to make a list, make sure you abbreviate the record store name next to the release so the record store gets proper credit for lsiting that release. For example: Sonic Groove = SG Record Time = RT Submerge = Sub Hardwax = HW So one release listed can have numerous or multiple record store abbreviations. This tells people where they can find a particular record. Be sure include the music medium such as CD, LP, EP, 12, 7 LMTD., ect... You may also include the price next to the record store abbreviation but to be on the safe side I would put a disclaimer prices may vary next to: not affiliated with record stores, not responsible for on online transactions, customer service, blah, blah, blah, ect..ect... on 4/15/03 10:31 PM, [EMAIL PROTECTED] at [EMAIL PROTECTED] wrote: Just remember to keep it going every week so that we don't miss a thing. I'm a afraid that's not possible since most record store stock list are not available on a weekly basis. A bi-weekly or monthly list would be more realistic.
RE: (313) 313 geek culture
I feel compelled to reply... it's a habit of my good organizational and writing skills, which has now become my curse... -Original Message- From: spw [mailto:[EMAIL PROTECTED] Sent: Thursday, 17 April 2003 7:54 a.m. To: Ralf Gill; 'Darren Longton (Marketing)'; '313@hyperreal.org' Subject: Re: (313) 313 geek culture Then why keep replying? You have nothing constructive to add, only smart ass comments. on 4/16/03 2:43 PM, Ralf Gill at [EMAIL PROTECTED] wrote: can't believe this is still going
RE: (313) 313 greek culture
I think we're off topic, i think spw is more on a historical/ referential tip, and this release database and his motivation for it closely resembles Socrates' questioning...which belieda belief in the capacity of the mind (rationality) to apprehend the universe and a concomitant belief in the power of language to come to terms with that understanding... ...hence this is no mere list for spw, but a lifelong work. spw i commend you on your selfless application to this task, a task which will benefit future generations of civilisation to come... -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Thursday, 17 April 2003 9:15 a.m. To: spw Cc: 313@hyperreal.org Subject: Re: (313) 313 geek culture Is this a paid position? Do I get vacation time? I can't work on Tuesdays and Thursdays past 5pm and I need a window desk because of this eye condition I have. What kind of health care benefits are you offering? I just thought I'd let you know that Johnson down in accounting is stealing pencils and taking longer than his allotted hour long break. MEK spw [EMAIL PROTECTED]To: 313@hyperreal.org gy.net cc: Subject: Re: (313) 313 geek culture 04/16/03 01:38 PM on 4/15/03 10:11 PM, Matthew MacQueen at [EMAIL PROTECTED] wrote: not really, in fact it probably wouldnt take a lot of time out of anyones busy scheduale. great idea steve, you doing this will really help out list and keep the rest of us informed. we'll be looking for you to have a rough version 1.0 of this weeks list wrapped up by say, early next week? Why not? cheers, matt macqueen I did not volunteer, considerate it a free consulting service. Qualified candidate's must be team player's with good organizational and writing skills. That would make me disqualified. I also think it would be best to have a person who's in touch with the Detroit scene, someone that has good morale with Detroit artist and labels. here is a quick way to compile information to create a comprehensive list of new releases: Subscribe to record store stock list, one's that do a great job carrying new 313 music. I would subscribe to as many record store stock list as possible as to not leave out any new releases. Also it would be a good idea to subscribe to 313 record label newsletters to kepp informed about individual labels. Copy and save the 313 artist/ label information to an archive which will later be used to compiled to make a list, make sure you abbreviate the record store name next to the release so the record store gets proper credit for lsiting that release. For example: Sonic Groove = SG Record Time = RT Submerge = Sub Hardwax = HW So one release listed can have numerous or multiple record store abbreviations. This tells people where they can find a particular record. Be sure include the music medium such as CD, LP, EP, 12, 7 LMTD., ect... You may also include the price next to the record store abbreviation but to be on the safe side I would put a disclaimer prices may vary next to: not affiliated with record stores, not responsible for on online transactions, customer service, blah, blah, blah, ect..ect... on 4/15/03 10:31 PM, [EMAIL PROTECTED] at [EMAIL PROTECTED] wrote: Just remember to keep it going every week so that we don't miss a thing. I'm a afraid that's not possible since most record store stock list are not available on a weekly basis. A bi-weekly or monthly list would be more realistic.
FW: (313) 313 greek culture
he'd be a tough, no - nonsense sort of boss --- think you could handle it? -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Thursday, 17 April 2003 9:39 a.m. To: Ralf Gill Cc: '313@hyperreal.org' Subject: RE: (313) 313 greek culture er, ah - does that mean I get the job? Ralf Gill [EMAIL PROTECTED]To: '[EMAIL PROTECTED]' [EMAIL PROTECTED], ance.co.nz '313@hyperreal.org' 313@hyperreal.org cc: 04/16/03 04:35 PMSubject: RE: (313) 313 greek culture I think we're off topic, i think spw is more on a historical/ referential tip, and this release database and his motivation for it closely resembles Socrates' questioning...which belieda belief in the capacity of the mind (rationality) to apprehend the universe and a concomitant belief in the power of language to come to terms with that understanding... ...hence this is no mere list for spw, but a lifelong work. spw i commend you on your selfless application to this task, a task which will benefit future generations of civilisation to come... -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Thursday, 17 April 2003 9:15 a.m. To: spw Cc: 313@hyperreal.org Subject: Re: (313) 313 geek culture Is this a paid position? Do I get vacation time? I can't work on Tuesdays and Thursdays past 5pm and I need a window desk because of this eye condition I have. What kind of health care benefits are you offering? I just thought I'd let you know that Johnson down in accounting is stealing pencils and taking longer than his allotted hour long break. MEK spw [EMAIL PROTECTED]To: 313@hyperreal.org gy.net cc: Subject: Re: (313) 313 geek culture 04/16/03 01:38 PM on 4/15/03 10:11 PM, Matthew MacQueen at [EMAIL PROTECTED] wrote: not really, in fact it probably wouldnt take a lot of time out of anyones busy scheduale. great idea steve, you doing this will really help out list and keep the rest of us informed. we'll be looking for you to have a rough version 1.0 of this weeks list wrapped up by say, early next week? Why not? cheers, matt macqueen I did not volunteer, considerate it a free consulting service. Qualified candidate's must be team player's with good organizational and writing skills. That would make me disqualified. I also think it would be best to have a person who's in touch with the Detroit scene, someone that has good morale with Detroit artist and labels. here is a quick way to compile information to create a comprehensive list of new releases: Subscribe to record store stock list, one's that do a great job carrying new 313 music. I would subscribe to as many record store stock list as possible as to not leave out any new releases. Also it would be a good idea to subscribe to 313 record label newsletters to kepp informed about individual labels. Copy and save the 313 artist/ label information to an archive which will later be used to compiled to make a list, make sure you abbreviate the record store name next to the release so the record store gets proper credit for lsiting that release. For example: Sonic Groove = SG Record Time = RT Submerge = Sub Hardwax = HW So one release listed can have numerous or multiple record store abbreviations. This tells people where they can find a particular record. Be sure include the music medium such as CD, LP, EP, 12, 7 LMTD., ect... You may also include the price next to the record store abbreviation but to be on the safe side I would put a disclaimer prices may vary next to: not affiliated with record stores, not responsible for on online transactions, customer service, blah, blah, blah, ect..ect... on 4/15/03 10:31 PM, [EMAIL PROTECTED] at [EMAIL PROTECTED] wrote: Just remember to keep it going every week so that we don't miss a thing. I'm a afraid that's not possible since most record store stock list are not available on a weekly basis. A bi-weekly or monthly list would be more realistic.
RE: (313) 313 geek culture
true...i go out and listen to 313 and get very immoral in the process ;-) -Original Message- From: Sylvia [mailto:[EMAIL PROTECTED] Sent: Thursday, 17 April 2003 10:13 a.m. To: spw Cc: 313@hyperreal.org Subject: RE: (313) 313 geek culture SPW said has good morale with Detroit artist and labels. I guess I'm disqualifed... I was keen doing it, but I don't fill the requirements given by our Professor, too bad for me. Wort it out SPW! |-Original Message- |From: spw [mailto:[EMAIL PROTECTED] |Sent: Wednesday, April 16, 2003 8:38 PM |To: 313@hyperreal.org |Subject: Re: (313) 313 geek culture | | |on 4/15/03 10:11 PM, Matthew MacQueen at [EMAIL PROTECTED] |wrote: | | not really, in fact it probably wouldnt take a lot of time | out of anyones busy scheduale. | | great idea steve, you doing this will really help out list and |keep the rest | of us informed. we'll be looking for you to have a rough |version 1.0 of this | weeks list wrapped up by say, early next week? Why not? | | cheers, | matt macqueen | |I did not volunteer, considerate it a free consulting service. |Qualified candidate's must be team player's with good organizational and |writing skills. |That would make me disqualified. |I also think it would be best to have a person who's in touch with the |Detroit scene, someone that has |good morale with Detroit artist and labels. | |here is a quick way to compile information to create a |comprehensive list of |new releases: | |Subscribe to record store stock list, one's that do a great job |carrying new |313 music. |I would subscribe to as many record store stock list as possible as to not |leave out any new releases. |Also it would be a good idea to subscribe to 313 record label |newsletters to |kepp informed about individual labels. | |Copy and save the 313 artist/ label information to an archive which will |later be used to compiled to make a list, make sure you abbreviate the |record store name next to the release so the record store gets |proper credit |for lsiting that release. | |For example: | |Sonic Groove = SG |Record Time = RT |Submerge = Sub |Hardwax = HW | |So one release listed can have numerous or multiple record store |abbreviations. |This tells people where they can find a particular record. |Be sure include the music medium such as CD, LP, EP, 12, 7 LMTD., ect... | |You may also include the price next to the record store abbreviation but to |be on the safe side I |would put a disclaimer prices may vary next to: not affiliated with |record stores, not responsible |for on online transactions, customer service, blah, blah, blah, |ect..ect... | |on 4/15/03 10:31 PM, [EMAIL PROTECTED] at |[EMAIL PROTECTED] wrote: | | Just remember to keep it going every | week so that we don't miss a thing. | |I'm a afraid that's not possible since most record store stock list are not |available on a weekly basis. |A bi-weekly or monthly list would be more realistic. | | | | | | |
(313) sonic groove
Hi, can't remember, but was this shop the one that had closed and was very slow to fill online orders? cheers
RE: (313) UR
this is obviously parody...2 completely different scenarios...but highlighting the obvious over-reaction to one situation by parodying it with the other...one hopes... -Original Message- From: Dennis Donohue [mailto:[EMAIL PROTECTED] Sent: Thursday, 10 April 2003 7:00 a.m. To: 313@hyperreal.org Subject: RE: (313) UR While I do not support the rip-off, I think the footer message War when necessary sucks big time. Peace in the good times/War when necessary. What defines necessity. If the US economic situation continues to deteriorate does this necessatate enforcing control through trigger happy kick ass advanced technology toting red-necks - know what I'm sayin'? When plugged into my anti war-talk machine: I need a good foot massage. Big time. Bunnies make kick ass red-neck soup. Cheers. -Original Message- From: Kai [mailto:[EMAIL PROTECTED] Sent: Wednesday, April 09, 2003 2:25 PM To: 313@hyperreal.org Subject: Re: (313) UR
RE: (313) handbags
I wasn't aware that all british were pasty white or scum...I'm a kind of pastel beige british floater, but I haven't pressed a bootleg yet, maybe michael jackson should have tried that instead of forking out for plastic surgeons? -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Tuesday, 25 March 2003 8:36 a.m. To: Jongsma, K.J.; 'rob'; Jongsma, K.J. Cc: 313@hyperreal.org Subject: Re: (313) handbags all of this race is an issue bullshxt is just that. Race is, and always will be as much of an issue as you make it. I never even contemplated race and techno before I joined this damn list. its all music, who cares what color the artist is. I can't tell the difference by listening to it, so who cares. of course, I don't think detroit was the birthing place of techno either, but thats just flamebait here (no replies please :P) -Joe Nice to see another private message pop-up on this list, how nice of you look better next time will you! -Original Message- From: rob [mailto:[EMAIL PROTECTED] Sent: Monday, March 24, 2003 5:08 PM To: Jongsma, K.J. Cc: 313@hyperreal.org Subject: RE: (313) handbags I'm sorry you feel this way KJ. Music is a sound and can't been seen, so hence has no colour you can like it or not. As for Race is always an issue... I don't know what colour you are? It makes no difference to me either it's what you've got to say and do that interests me, not the colour of your skin. If you have a problem with colour then I can understand why race is always an issue to you in your world, however, please don't accuse the rest of us of being the same as you! It is however your right to voice your own opinion, I will choose not to listen to it next time, as I feel you have been misguided in life. I hope you have a nice day though :O) Peace. -Original Message- From: Jongsma, K.J. [mailto:[EMAIL PROTECTED] Sent: 24 March 2003 15:36 To: 'rob' Subject: RE: (313) handbags I hope colour does not come into it again, music has no colour! bullshit, music HAS colour, like it or not. Race is always an issue -- DISCLAIMER De gemeente Almelo aanvaardt voor haar medewerkers geen enkele aansprakelijkheid voor eventueel onjuist, onrechtmatig of ontoelaatbaar geacht gebruik van e-mail (inclusief bijlagen). Dit e-mail bericht is door de gemeente Almelo gecontroleerd op de aanwezigheid van eventuele virussen. Wij kunnen echter geen garantie afgeven dat al onze e-mail berichten volledig virus vrij zijn. Het is daarom verstandig uw binnenkomende e-mail berichten zelf op de mogelijke aanwezigheid van virussen te controleren. -- -- DISCLAIMER De gemeente Almelo aanvaardt voor haar medewerkers geen enkele aansprakelijkheid voor eventueel onjuist, onrechtmatig of ontoelaatbaar geacht gebruik van e-mail (inclusief bijlagen). Dit e-mail bericht is door de gemeente Almelo gecontroleerd op de aanwezigheid van eventuele virussen. Wij kunnen echter geen garantie afgeven dat al onze e-mail berichten volledig virus vrij zijn. Het is daarom verstandig uw binnenkomende e-mail berichten zelf op de mogelijke aanwezigheid van virussen te controleren. --
(313) cleaning records
probably been asked a million times but whats the best stuff for cleaning records...also does putting weights on the end of the tone arms make the record wear out faster???
RE: (313) playlists and conversations
putting years on playlists has nothing to do with 'definitions of techno' This is a different thread dude... -Original Message- From: James Bucknell [mailto:[EMAIL PROTECTED] Sent: Wednesday, 19 February 2003 5:12 p.m. To: [EMAIL PROTECTED]; 313 Mailing List Subject: Re: (313) playlists and conversations the reason for putting the year of release in a track listing is the same reason that track listings mention the artist, title, record label and mix. it's information that is useful for those that want to track it down. james | | | From: [EMAIL PROTECTED] | Date: Mon, 17 Feb 2003 07:29:39 -0500 | To: 313@hyperreal.org | Subject: (313) playlists and conversations | | For the person giving the years on his playlists, isnt that very | fuggin geeked out? and all these techno conversation about what is | techno, they all suck. Go to Submerge or something and ask mike | banks.The basic fact is there is good music and bad, and | acoustic music and electronic music. Thats it. Cant you guys go | back to talking about new records and old records? what is this | shiznit? You guys bore everyone! And of course Missy Elliot is at | least a little techno. That isnt just hand drums behind her | vocals. And Adam beyer is also techno, its just pounding. Its | obviously not Rhythim is Rhythim , but no disrespect. Id rather | use this list to find out dj dates for Derrick May or any other | non-half-azzed dj, so if anybody knows, where and when is Derrick | playing, in the US or abroad??? And everybody quit the shiznit, | save it for your toilets | |
RE: (313) playlists and conversations (changing topic)
-Original Message- From: ::) [mailto:[EMAIL PROTECTED] Sent: Wednesday, 19 February 2003 1:40 a.m. To: 313 Mailing List Subject: Re: (313) playlists and conversations (changing topic) This party, what year was it ? ok so hi we should end this and talk about something else. what about the new hawtin and vath album? I never heard anyone talk about it anyone wanna have a party? -Joe - Original Message - From: Andrew [EMAIL PROTECTED] To: Odeluga, Ken [EMAIL PROTECTED]; James Bucknell [EMAIL PROTECTED]; [EMAIL PROTECTED]; 313 Mailing List 313@hyperreal.org Sent: Tuesday, February 18, 2003 7:29 AM Subject: Re: (313) playlists and conversations Well, maybe there is an interesting point here. Do tracks just stand alone, without any context in time? I personally like to know when a track was done, it gives me an idea of how the artist was affected by the scene surrounding them, and the influences that are at play. I have tracks that are wicked for the time, but now sound a a little dated. They still retain some of their original power, but now can be seen as important advances for their respective times. Maybe the dispute arose over listing years that are quite recent? Seeing tracklistings with (2001), (2000), or (1998) in them might look overly anal, but still I like to trace an artist's development, so for me it's important information. Just my tuppence, Andrew - Original Message - From: Odeluga, Ken [EMAIL PROTECTED] To: James Bucknell [EMAIL PROTECTED]; [EMAIL PROTECTED]; 313 Mailing List 313@hyperreal.org Sent: Tuesday, February 18, 2003 12:16 PM Subject: RE: (313) playlists and conversations Now we are going to argue about putting years of tracks on tracklists, or not - I had thought I'd seen the further limits of triviality on this list, till now!! ¦-D -Original Message- From: James Bucknell [mailto:[EMAIL PROTECTED] Sent: Wednesday, February 19, 2003 4:12 AM To: [EMAIL PROTECTED]; 313 Mailing List Subject: Re: (313) playlists and conversations the reason for putting the year of release in a track listing is the same reason that track listings mention the artist, title, record label and mix. it's information that is useful for those that want to track it down. james | | | From: [EMAIL PROTECTED] | Date: Mon, 17 Feb 2003 07:29:39 -0500 | To: 313@hyperreal.org | Subject: (313) playlists and conversations | | For the person giving the years on his playlists, isnt that very | fuggin geeked out? and all these techno conversation about what is | techno, they all suck. Go to Submerge or something and ask mike | banks.The basic fact is there is good music and bad, and | acoustic music and electronic music. Thats it. Cant you guys go | back to talking about new records and old records? what is this | shiznit? You guys bore everyone! And of course Missy Elliot is at | least a little techno. That isnt just hand drums behind her | vocals. And Adam beyer is also techno, its just pounding. Its | obviously not Rhythim is Rhythim , but no disrespect. Id rather | use this list to find out dj dates for Derrick May or any other | non-half-azzed dj, so if anybody knows, where and when is Derrick | playing, in the US or abroad??? And everybody quit the shiznit, | save it for your toilets | |
RE: (313) playlists and conversations
To be honest, when I hear an amazing track and check the date and its when I was listening to something tottaly different I kind of get a mini anxiety attack... -Original Message- From: Rob Jarvis. Victoria Music Ltd. [mailto:[EMAIL PROTECTED] Sent: Wednesday, 19 February 2003 1:48 a.m. To: Andrew; 313 Mailing List Subject: Re: (313) playlists and conversations My memory's so SH*T these days that i encourage the use of 'context' especially the year of release ;-) Rob Jarvis Victoria Music Ltd. Unit 215 old gramaphone works 326 Kensal Road London W10 5BZ + 44 (0)20 7565 8193 voice + 44 (0)20 8960 3834 fax http://www.victoria-music.com [EMAIL PROTECTED] [EMAIL PROTECTED] (MSN messenger) pro-jex + killa bite + inform + subvoice + room tone + housedust + nepenta + u7 + kne' deep + rodeo meat + response audio + sounds unique + hypercubic + radio sonic + neon + feedback From: Andrew [EMAIL PROTECTED] Date: Tue, 18 Feb 2003 12:29:38 - To: Odeluga, Ken [EMAIL PROTECTED], James Bucknell [EMAIL PROTECTED], [EMAIL PROTECTED], 313 Mailing List 313@hyperreal.org Subject: Re: (313) playlists and conversations Well, maybe there is an interesting point here. Do tracks just stand alone, without any context in time? I personally like to know when a track was done, it gives me an idea of how the artist was affected by the scene surrounding them, and the influences that are at play. I have tracks that are wicked for the time, but now sound a a little dated. They still retain some of their original power, but now can be seen as important advances for their respective times. Maybe the dispute arose over listing years that are quite recent? Seeing tracklistings with (2001), (2000), or (1998) in them might look overly anal, but still I like to trace an artist's development, so for me it's important information. Just my tuppence, Andrew - Original Message - From: Odeluga, Ken [EMAIL PROTECTED] To: James Bucknell [EMAIL PROTECTED]; [EMAIL PROTECTED]; 313 Mailing List 313@hyperreal.org Sent: Tuesday, February 18, 2003 12:16 PM Subject: RE: (313) playlists and conversations Now we are going to argue about putting years of tracks on tracklists, or not - I had thought I'd seen the further limits of triviality on this list, till now!! ¦-D -Original Message- From: James Bucknell [mailto:[EMAIL PROTECTED] Sent: Wednesday, February 19, 2003 4:12 AM To: [EMAIL PROTECTED]; 313 Mailing List Subject: Re: (313) playlists and conversations the reason for putting the year of release in a track listing is the same reason that track listings mention the artist, title, record label and mix. it's information that is useful for those that want to track it down. james | | | From: [EMAIL PROTECTED] | Date: Mon, 17 Feb 2003 07:29:39 -0500 | To: 313@hyperreal.org | Subject: (313) playlists and conversations | | For the person giving the years on his playlists, isnt that very | fuggin geeked out? and all these techno conversation about what is | techno, they all suck. Go to Submerge or something and ask mike | banks.The basic fact is there is good music and bad, and | acoustic music and electronic music. Thats it. Cant you guys go | back to talking about new records and old records? what is this | shiznit? You guys bore everyone! And of course Missy Elliot is at | least a little techno. That isnt just hand drums behind her | vocals. And Adam beyer is also techno, its just pounding. Its | obviously not Rhythim is Rhythim , but no disrespect. Id rather | use this list to find out dj dates for Derrick May or any other | non-half-azzed dj, so if anybody knows, where and when is Derrick | playing, in the US or abroad??? And everybody quit the shiznit, | save it for your toilets | |
RE: (313) playlists and conversations (changing topic)
Yeah, but sometimes it makes the bad party more relevant, like I went to a party in 1983, by the time I stopped it was 1994, and although the party and all the people looked totally out-dated, when we told the hospital the year they said it was cool because they could see how i ended up like this... -Original Message- From: Brendan Nelson [mailto:[EMAIL PROTECTED] Sent: Wednesday, 19 February 2003 1:41 a.m. To: Ralf Gill; ::); 313@hyperreal.org Subject: RE: (313) playlists and conversations (changing topic) That's not relevant! As we all know, there are just good parties and bad parties. Discussing when they actually happen is fuggin geeked out... :) | -Original Message- | From: Ralf Gill [mailto:[EMAIL PROTECTED] | Sent: 18 February 2003 12:42 | To: '::)'; '313@hyperreal.org' | Subject: RE: (313) playlists and conversations (changing topic) | | | | | -Original Message- | From: ::) [mailto:[EMAIL PROTECTED] | Sent: Wednesday, 19 February 2003 1:40 a.m. | To: 313 Mailing List | Subject: Re: (313) playlists and conversations (changing topic) | | | | This party, what year was it ? | | | ok so hi | | we should end this and talk about something else. | | what about the new hawtin and vath album? I never heard | anyone talk about | it | | anyone wanna have a party? | | | -Joe | | | - Original Message - | From: Andrew [EMAIL PROTECTED] | To: Odeluga, Ken [EMAIL PROTECTED]; James Bucknell | [EMAIL PROTECTED]; [EMAIL PROTECTED]; 313 Mailing List | 313@hyperreal.org | Sent: Tuesday, February 18, 2003 7:29 AM | Subject: Re: (313) playlists and conversations | | | Well, maybe there is an interesting point here. Do tracks just stand | alone, | without any context in time? I personally like to know when | a track was | done, it gives me an idea of how the artist was affected by | the scene | surrounding them, and the influences that are at play. | | I have tracks that are wicked for the time, but now sound a a little | dated. | They still retain some of their original power, but now | can be seen as | important advances for their respective times. Maybe the | dispute arose | over | listing years that are quite recent? Seeing tracklistings | with (2001), | (2000), or (1998) in them might look overly anal, but still | I like to | trace | an artist's development, so for me it's important information. | | Just my tuppence, | | Andrew | | | - Original Message - | From: Odeluga, Ken [EMAIL PROTECTED] | To: James Bucknell [EMAIL PROTECTED]; | [EMAIL PROTECTED]; 313 | Mailing List 313@hyperreal.org | Sent: Tuesday, February 18, 2003 12:16 PM | Subject: RE: (313) playlists and conversations | | | Now we are going to argue about putting years of tracks | on tracklists, | or | not - I had thought I'd seen the further limits of | triviality on this | list, | till now!! | | ¦-D | | -Original Message- | From: James Bucknell [mailto:[EMAIL PROTECTED] | Sent: Wednesday, February 19, 2003 4:12 AM | To: [EMAIL PROTECTED]; 313 Mailing List | Subject: Re: (313) playlists and conversations | | | the reason for putting the year of release in a track | listing is the | same | reason that track listings mention the artist, title, | record label and | mix. | it's information that is useful for those that want to | track it down. | james | | || || || From: [EMAIL PROTECTED] || Date: Mon, 17 Feb 2003 07:29:39 -0500 || To: 313@hyperreal.org || Subject: (313) playlists and conversations || || For the person giving the years on his playlists, | isnt that very || fuggin geeked out? and all these techno | conversation about what | is || techno, they all suck. Go to Submerge or | something and ask mike || banks.The basic fact is there is good music | and bad, and || acoustic music and electronic music. Thats it. | Cant you guys go || back to talking about new records and old | records? what is | this || shiznit? You guys bore everyone! And of course | Missy Elliot is | at || least a little techno. That isnt just hand drums | behind her || vocals. And Adam beyer is also techno, its just | pounding. Its || obviously not Rhythim is Rhythim , but no | disrespect. Id rather || use this list to find out dj dates for Derrick May | or any other || non-half-azzed dj, so if anybody knows, where and | when is Derrick || playing, in the US or abroad??? And everybody quit | the shiznit, || save it for your toilets || || | | | |
RE: (313) playlists and conversations (changing topic)
im confused now...does the year or the music make the techno good or bad, or does it all hinge on the geeks discussion... -Original Message- From: Rob Jarvis. Victoria Music Ltd. [mailto:[EMAIL PROTECTED] Sent: Wednesday, 19 February 2003 2:24 a.m. To: Ralf Gill; 313 Mailing List; [EMAIL PROTECTED] Subject: Re: (313) playlists and conversations (changing topic) LOL. that's more like it. discussing a geek's party is quite geeky in itself. and as we all know there are good discussions and bad discussions. (2003) Rob Jarvis Victoria Music Ltd. Unit 215 old gramaphone works 326 Kensal Road London W10 5BZ + 44 (0)20 7565 8193 voice + 44 (0)20 8960 3834 fax http://www.victoria-music.com [EMAIL PROTECTED] [EMAIL PROTECTED] (MSN messenger) pro-jex + killa bite + inform + subvoice + room tone + housedust + nepenta + u7 + kne' deep + rodeo meat + response audio + sounds unique + hypercubic + radio sonic + neon + feedback From: Ralf Gill [EMAIL PROTECTED] Date: Wed, 19 Feb 2003 01:49:18 +1300 To: 'Brendan Nelson' [EMAIL PROTECTED], '313@hyperreal.org' 313@hyperreal.org Subject: RE: (313) playlists and conversations (changing topic) Yeah, but sometimes it makes the bad party more relevant, like I went to a party in 1983, by the time I stopped it was 1994, and although the party and all the people looked totally out-dated, when we told the hospital the year they said it was cool because they could see how i ended up like this... -Original Message- From: Brendan Nelson [mailto:[EMAIL PROTECTED] Sent: Wednesday, 19 February 2003 1:41 a.m. To: Ralf Gill; ::); 313@hyperreal.org Subject: RE: (313) playlists and conversations (changing topic) That's not relevant! As we all know, there are just good parties and bad parties. Discussing when they actually happen is fuggin geeked out... :) | -Original Message- | From: Ralf Gill [mailto:[EMAIL PROTECTED] | Sent: 18 February 2003 12:42 | To: '::)'; '313@hyperreal.org' | Subject: RE: (313) playlists and conversations (changing topic) | | | | | -Original Message- | From: ::) [mailto:[EMAIL PROTECTED] | Sent: Wednesday, 19 February 2003 1:40 a.m. | To: 313 Mailing List | Subject: Re: (313) playlists and conversations (changing topic) | | | | This party, what year was it ? | | | ok so hi | | we should end this and talk about something else. | | what about the new hawtin and vath album? I never heard | anyone talk about | it | | anyone wanna have a party? | | | -Joe | | | - Original Message - | From: Andrew [EMAIL PROTECTED] | To: Odeluga, Ken [EMAIL PROTECTED]; James Bucknell | [EMAIL PROTECTED]; [EMAIL PROTECTED]; 313 Mailing List | 313@hyperreal.org | Sent: Tuesday, February 18, 2003 7:29 AM | Subject: Re: (313) playlists and conversations | | | Well, maybe there is an interesting point here. Do tracks just stand | alone, | without any context in time? I personally like to know when | a track was | done, it gives me an idea of how the artist was affected by | the scene | surrounding them, and the influences that are at play. | | I have tracks that are wicked for the time, but now sound a a little | dated. | They still retain some of their original power, but now | can be seen as | important advances for their respective times. Maybe the | dispute arose | over | listing years that are quite recent? Seeing tracklistings | with (2001), | (2000), or (1998) in them might look overly anal, but still | I like to | trace | an artist's development, so for me it's important information. | | Just my tuppence, | | Andrew | | | - Original Message - | From: Odeluga, Ken [EMAIL PROTECTED] | To: James Bucknell [EMAIL PROTECTED]; | [EMAIL PROTECTED]; 313 | Mailing List 313@hyperreal.org | Sent: Tuesday, February 18, 2003 12:16 PM | Subject: RE: (313) playlists and conversations | | | Now we are going to argue about putting years of tracks | on tracklists, | or | not - I had thought I'd seen the further limits of | triviality on this | list, | till now!! | | ¦-D | | -Original Message- | From: James Bucknell [mailto:[EMAIL PROTECTED] | Sent: Wednesday, February 19, 2003 4:12 AM | To: [EMAIL PROTECTED]; 313 Mailing List | Subject: Re: (313) playlists and conversations | | | the reason for putting the year of release in a track | listing is the | same | reason that track listings mention the artist, title, | record label and | mix. | it's information that is useful for those that want to | track it down. | james | | || || || From: [EMAIL PROTECTED] || Date: Mon, 17 Feb 2003 07:29:39 -0500 || To: 313@hyperreal.org || Subject: (313) playlists and conversations || || For the person giving the years on his playlists, | isnt that very || fuggin geeked out? and all
RE: (313) playlists and conversations (changing topic) ((year 200 3))
now, if you could just get blake baxter to say that over a rolling 909 kick -Original Message- From: robin pinning [mailto:[EMAIL PROTECTED] Sent: Wednesday, 19 February 2003 2:45 a.m. To: Rob Jarvis. Victoria Music Ltd. Cc: 313@hyperreal.org Subject: Re: (313) playlists and conversations (changing topic) ((year 2003)) we're all geeks.this is an email discussion forum after all. embrace your geekdom, don't deny it. :) robin... Hmmm... I'm guessing that if a bad Techno record is mixed at a party while geeks are discussing it, that makes it Detroit. Rob Jarvis Victoria Music Ltd. Unit 215 old gramaphone works 326 Kensal Road London W10 5BZ + 44 (0)20 7565 8193 voice + 44 (0)20 8960 3834 fax http://www.victoria-music.com [EMAIL PROTECTED] [EMAIL PROTECTED] (MSN messenger) pro-jex + killa bite + inform + subvoice + room tone + housedust + nepenta + u7 + kne' deep + rodeo meat + response audio + sounds unique + hypercubic + radio sonic + neon + feedback From: Ralf Gill [EMAIL PROTECTED] Date: Wed, 19 Feb 2003 02:34:37 +1300 To: 'Rob Jarvis. Victoria Music Ltd.' [EMAIL PROTECTED], '313@hyperreal.org' 313@hyperreal.org Subject: RE: (313) playlists and conversations (changing topic) im confused now...does the year or the music make the techno good or bad, or does it all hinge on the geeks discussion... -Original Message- From: Rob Jarvis. Victoria Music Ltd. [mailto:[EMAIL PROTECTED] Sent: Wednesday, 19 February 2003 2:24 a.m. To: Ralf Gill; 313 Mailing List; [EMAIL PROTECTED] Subject: Re: (313) playlists and conversations (changing topic) LOL. that's more like it. discussing a geek's party is quite geeky in itself. and as we all know there are good discussions and bad discussions. (2003) Rob Jarvis Victoria Music Ltd. Unit 215 old gramaphone works 326 Kensal Road London W10 5BZ + 44 (0)20 7565 8193 voice + 44 (0)20 8960 3834 fax http://www.victoria-music.com [EMAIL PROTECTED] [EMAIL PROTECTED] (MSN messenger) pro-jex + killa bite + inform + subvoice + room tone + housedust + nepenta + u7 + kne' deep + rodeo meat + response audio + sounds unique + hypercubic + radio sonic + neon + feedback From: Ralf Gill [EMAIL PROTECTED] Date: Wed, 19 Feb 2003 01:49:18 +1300 To: 'Brendan Nelson' [EMAIL PROTECTED], '313@hyperreal.org' 313@hyperreal.org Subject: RE: (313) playlists and conversations (changing topic) Yeah, but sometimes it makes the bad party more relevant, like I went to a party in 1983, by the time I stopped it was 1994, and although the party and all the people looked totally out-dated, when we told the hospital the year they said it was cool because they could see how i ended up like this... -Original Message- From: Brendan Nelson [mailto:[EMAIL PROTECTED] Sent: Wednesday, 19 February 2003 1:41 a.m. To: Ralf Gill; ::); 313@hyperreal.org Subject: RE: (313) playlists and conversations (changing topic) That's not relevant! As we all know, there are just good parties and bad parties. Discussing when they actually happen is fuggin geeked out... :) | -Original Message- | From: Ralf Gill [mailto:[EMAIL PROTECTED] | Sent: 18 February 2003 12:42 | To: '::)'; '313@hyperreal.org' | Subject: RE: (313) playlists and conversations (changing topic) | | | | | -Original Message- | From: ::) [mailto:[EMAIL PROTECTED] | Sent: Wednesday, 19 February 2003 1:40 a.m. | To: 313 Mailing List | Subject: Re: (313) playlists and conversations (changing topic) | | | | This party, what year was it ? | | | ok so hi | | we should end this and talk about something else. | | what about the new hawtin and vath album? I never heard | anyone talk about | it | | anyone wanna have a party? | | | -Joe | | | - Original Message - | From: Andrew [EMAIL PROTECTED] | To: Odeluga, Ken [EMAIL PROTECTED]; James Bucknell | [EMAIL PROTECTED]; [EMAIL PROTECTED]; 313 Mailing List | 313@hyperreal.org | Sent: Tuesday, February 18, 2003 7:29 AM | Subject: Re: (313) playlists and conversations | | | Well, maybe there is an interesting point here. Do tracks just stand | alone, | without any context in time? I personally like to know when | a track was | done, it gives me an idea of how the artist was affected by | the scene | surrounding them, and the influences that are at play. | | I have tracks that are wicked for the time, but now sound a a little | dated. | They still retain some of their original power, but now | can be seen as | important advances for their respective times. Maybe the | dispute arose | over | listing years that are quite recent? Seeing tracklistings | with (2001), | (2000), or (1998) in them might look overly anal, but still | I like to | trace | an artist's development, so for me it's important
RE: (313) what is *your* definition of techno?/ (techno rant)
I'd say techno is Roland. Without that japanese dude who got radiation poisoning from nagasaki there would be no 909 707 303 808 etc... Or maybe its just the invention of the stand alone drum machine with 16th sequencers/step times, but would the kpr77 produced that same deep rolling sound ...If whoever made the first records ( don't want to start another thread here ...) started with computer screen would the same 'feel' have ever been generated... -Original Message- From: Jayson B. [mailto:[EMAIL PROTECTED] Sent: Thursday, 13 February 2003 6:56 a.m. To: 313@hyperreal.org Subject: Re: (313) what is *your* definition of techno?/ (techno rant) well that definition beats the its black music bullshxt that this list normally spews. yeah. i mean obviously. like R+B is white music because christina aguilera makes it. and the award for best segue into a trolling comment goes to.. no really, i love this idea that peoples' opinions are now the defining method of measurement. thats the silliest bunch of horsesh*t. find any uncreative idea, and you can find some nitwit who will love it. such at the nitwit who just wrote this comment? people's opinions aren't just now the defining measurement, they always have been. and not just in music, in everything. from a purely logical standpoint, it is impossible to argue that opinions aren't the defining measurement, because once again its your opinion that is making that rule against it, not a fact. in the end, and off of a techinical arguement, i somewhat agree. there is music that doesn't have creative value out there, but that still comes down to my opinion. but people who tend to have such strongs views on the subject as yourself are the kind of people that have to devalue someone else's opinion for listening to it. and *that* is wrong. dislike it, sure. feel its a lesser form of music, go ahead. but i've seen too many elitists who are so willing to openly and publicly rip on someone for the music they listen to. that's harsh. _ Add photos to your e-mail with MSN 8. Get 2 months FREE*. http://join.msn.com/?page=features/featuredemail
RE: (313) production and mastering
yeah..whats a rompler, u mean using a pc cards rom to process and sample? -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Thursday, 6 February 2003 3:50 p.m. To: spw Cc: 313@hyperreal.org Subject: Re: (313) production and mastering Far be it for me to enter into a 'debate', but I didn't assert that Pro-Tools performs composition. However it can have a decisive effect on 'sound'. This is due to numerous factors, such as the A/D converters used (Digidesign, MOTU, Apogee etc.) and the software itself, i.e. the TDM system of DSP, which is far more powerful than most home systems. Even though it ends up on a DAT or CD, the difference is audible. Thanks for the advice on what equipment to use, although I'm afraid I've never heard of a 'Rompler'. Regards, Andrew Pro Tools is really no difeerant that usin a hardware sequencer, it's not going to compose tracks for you. Most of today's vynil is either from a CD or DAT master Pro Tools is only going to make your master sound better if your using it properly, buy some nice analog outbourd gear, if you want something raw and warm record an EMU SP-12 and a Minimoog into ProTools and buy their Contol 24 mixer with Focusrite. If you use a Rompler with cheesy D*gital effects it's going to sound like an F*cking rompler. *** This email is confidential and may well also be legally privileged. If you have received this email in error, you are in notice of its status. Please notify the sender immediately by reply e-mail and then delete this message from your system. Please do not copy or use it for any purposes, or disclose its contents to any other person: to do so could be a breach of confidence. Thank you for your co-operation. Any views expressed in this message are those of the individual sender and may not necessarily reflect the views of The RTL Group or its associated companies. Please contact our IT Helpdesk on +44 (0)20 7691 6996 or e-mail [EMAIL PROTECTED] if you require further assistance. ***
(313) dj sneak tune i.d
I saw a movie about dance music 5 years ago. It had a clip of dj sneak playing in a tent. What was the tune he was playing please. The movie came out 5 years ago, had everything in it, bob moog, theremins, all the detroit history( but can't remeber what) wasn't hang the dj or anything like that
RE: (313) Re: Speaking of Kraftwerk
Can't believe I'll be watching them ( NZ) playing in a tent in the middle of the day ( hot ) for 45 minutes surrounded by thousands of drunk and sunburn't teenagers. Why can't they put a proper gig on -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Wednesday, 8 January 2003 11:57 a.m. To: 313@hyperreal.org Cc: [EMAIL PROTECTED] Subject: (313) Re: Speaking of Kraftwerk Speaking of Kraftwerk, Are any on this list in OZ/NZ going to see them later this month? I will be seing them in Melbourne , i will be in sydney when they do a show in a few weeks so i might check that one out too (rare chance to see them), they have done quite a few european shows...i think last time they came here was 1981/1982?.. Both the melb/sydney shows they are doing 2 club/venue sets in OZ. (23rd sydney/29 melbourne) they are doing Big Day Out Festival in OZ on these dates.. SUN 19TH JAN - GOLD COAST - PARKLANDS SAT 25TH JAN - SYDNEY - SYDNEY SHOWGROUND MON 27TH JAN - MELBOURNE - MELBOURNE RAS SHOWGROUND FRI 31ST JAN - ADELAIDE - ROYAL ADELAIDE SHOWGROUND SUN 2ND FEB - PERTH - CLAREMONT SHOWGROUND FOO FIGHTERS, JANE'S ADDICTION, PJ HARVEY, QUEENS OF THE STONEAGE, YOU AM I, DJ MARK DYNAMIX, THE LIVING END, THE VINES, DJ LUKE SLATER, KRAFTWERK, DEFTONES, MILLENCOLIN, PACIFIER, 28 DAYS, FRENZAL RHOMB, WAIKIKI, MACHINE GUN FELLATIO, COG, MURDER DOLLS, THE HARD ONS, WILCO, SPARTA, JEBEDIAH, THE WAIFS, THE MUSIC, AUGIE MARCH, ROCKET SCIENCE, KID KENOBI, RESIN DOGS, 1200 TECHNIQUES, BEXTA, GONZALES, CHICKS ON SPEED, UNDERWORLD (East Coast Only), JIMMY EAT WORLD (Sydney, Melb, Adelaide and Perth) and XZIBIT (East Coast only)
