(313) Carl Craig's 6 Mix
Hey 313 been a while this was pretty good a few weeks back http://www.bbc.co.uk/programmes/b00zp3ml found a rip http://www.davebegg.com/blogwp/?p=32 worth a listen jim
Re: (313) The Clash
both very good, although I think the magnificent dance has been overplayed by self-consciensly 'eclectic' DJs who all seemed to discover it when westway to the world was released. If you're only going to buy one I'd sod both of these and hunt for mustapha dance (the flip of rock the casbah) came out on CBS in the UK and Epic in the US. Oh, and it's got the greatest sleeve ever made. or you could go the less purist route and just buy super black market clash. -s There's another release with the magnificant seven and the magnificent dance on the flip. both are worth getting. they've been repressed and are easy to get. they're on epic or cbs _ Express yourself with cool new emoticons http://www.msn.co.uk/specials/myemo
Re: (313) orbit
it's been shut for over 2 months now with the last night being the british murder boys tour end of july with surgeon + regis live. the venue's been sold and is being converted to a restaurant apparently. a restaurant there? bloody hell. I was always surprised that there was a club like the Orbit in Morley, but it's still not as wierd as a restaurant being opened in that cavernous space. Maybe if I get nostalgic I'll go down for a terrine of foie gras and a fistfull of mistubishis. -s _ Stay in touch with absent friends - get MSN Messenger http://www.msn.co.uk/messenger
Re: (313) GPO Acid House Connection
whoah there... check the census again, liverpool is 439,000 whilst manchester itself is 392,000. What I presume you actually mean is 'greater manchester' (which as the mondays are from salford is what we have to include), but since this is not a city you can't compare this to liverpool, you'd miss out st helens, widnes, runcorn (and christ wouldn't we all like to miss out st helens, widnes and runcorn - and bloody skelmersdale for that matter) and birkenhead, which has produced the north west's most recent success story. This brings up the population to 1.3m, as opposed to Manchester's 2.4m; smaller, but certainly not a sixth of the size, and a far bigger conurbation than anywhere in the UK apart from London, Birmingham and Leeds/Wakefield/Bradford, and has certainly produced more music, even in recent history, than the last two. The second point is far more prescient, Manchester at the time of factory - despite the limited success of the buzzcocks and the fall, was not a major musical center. Remember that for most of the early eighties Liverpool, ZTT and Erics were focused on to the expense of manchester, and even when factory first surfaced it's biggest selling act were from merseyside. Even after New Order's success, there wasn't what we'd recognise as any scene around the city, and the only people taking any chances on the bands in the area was Factory. It was largely as a result of the Mondays that the rest of the country took notice (and gave us, er, northside - great). In any case, as you point out, the UK is very much smaller than the US; so the idea of 'east-buttfunk' is a bit anathema. Your nearest musical center is only an hour's train ride away, so being stuck in the musical backwater of, say, late-seventies sheffield is far less of a disadvantage than being in minneapolis at the same time. -s or Liverpool. Wuh? Me thinks it's time Mr. Earle paid the UK another visit. :) Your megalopoli seem to be a bit confused with the inclusion of da pool (no offense Scott). ;) Other than this trouble-with-fact, I am 100% in agreement with your sentimonies, to invoke a Simpsonism. According to the 2001 census, Liverpool has a population of 439,000, which is not quite twice the size of Lambeth, the largest borough in London. However, there are something like 19 boroughs in inner London, so Liverpool is by no means a juggeraut of Engligh metropoli. Manchester is roughly 6 times that size, and Glasgow well outranks it. I think Bradford is about the same size, and how many people outside of the UK have heard of it? To put this in American terms, Omaha is over twice the population of Liverpool, and England is dense! But like I said, I agree with your sentiments, just not the Liverpool bit. :) _ Sign-up for a FREE BT Broadband connection today! http://www.msn.co.uk/specials/btbroadband
re: (313) ARCOLA
The sample's uptown from dirty mind (and I thought the Rakim was I know you got soul - possibly with bits of paid in full but I'm not sure); and that arcola record's outrageously good, isnt it?. Anyone seen their live PA thingy? I understand it's coming to Wang soon... So did you pick up that Shake / Soundhack record as well? it'd probably be my other recommendation of the week. I haven't offered a record recommmedation to 313 in some time, so that probably carries little weight to my suggestion, but check out ARC 000 on Arcola. It is Warp records from Sheffield, yeah you know home of early home of Aphex, Speedy J and Autechre etc, it is an offshoot of Warp that concentrates on a more 4/4 approach. This record features a track that has really nice germanic percussion over a Rakim sample. I don't dig the marriage that much but on the flip is a wicked slice of disco riddled pasty madness. It seems to hold a Prince sample in it too. Challenge to the geeks - what sample lives within? _ Tired of 56k? Get a FREE BT Broadband connection http://www.msn.co.uk/specials/btbroadband
Re: (313) My London Visit (record shopping).
Smallfish is probably the best, though if you're down that way the bi-wire shop is supposed to be good - I've never managed to make it myself, but their online catalogue is good and if I remember rightly you have to make an appointment any more. I'm sure Amanda's lurking somewhere here with the address or the URL. Also try Koobla on Berwick Street, a bit like smallfish, though perhaps a little less diverse, but with a generally good selection. Personally I reckon the basement in Islington is thorougly average. -s - Original Message - From: Phonopsia [EMAIL PROTECTED] To: Maarten Baute [EMAIL PROTECTED]; 313@hyperreal.org Sent: Tuesday, August 05, 2003 10:45 PM Subject: Re: (313) My London Visit (record shopping). - Original Message - From: Maarten Baute [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Tuesday, August 05, 2003 8:23 PM Subject: (313) My London Visit (record shopping). So... should I check the Reckless n1 soul basement in Islington? Is it any good? I think I will visit Reckless Soul Dance, Music Video Exchange in Nothing Hill and the Reckless n1 Soul basement... I didn´t like the MVE´s in Camden and Soho that much last time I went. I have 2 full days, so maybe I wanna check some more stores... Vinyl Junkies Vinyl Junkies Vinyl Junkies Vinyl Junkies Vinyl Junkies Vinyl Junkies Vinyl Junkies Vinyl Junkies Vinyl Junkies Vinyl Junkies Vinyl Junkies Vinyl Junkies Vinyl Junkies Vinyl Junkies Vinyl Junkies Vinyl Junkies. :) _ Find a cheaper internet access deal - choose one to suit you. http://www.msn.co.uk/internetaccess
(313) re: paris
I'm off to paris this weekend. Anyone got any bar/club recommendations? anything I should make a special effort for? ta folks, -s _ Use MSN Messenger to send music and pics to your friends http://www.msn.co.uk/messenger
RE: (313) carl craig in leeds,uk?
Stinky's is pretty damned amazing. It's spread over three floors, the middle floor having a balcony which overlooks the bottom, and the top one having a glass floor so that you can stand on the top floor and look between your feet down to the bottom. Don't take too many drugs and do this (or maybe do... whatever). very nice inside, generally tastefully decorated as far as clubs go whilst managing to be competely unpretentious, and although I never made it out last time I was there I'm told that the basement opens out into a garden, which might well put the icing on the cake. Basically it seemed to me to be the best after-hours venue I'd ever been in (and it's quite cheap as well). Although I should add that I was quite battered when I was last there, so if it turns out to be bollocks then you have my apologies... -s I think you guys might know that venue (Stinky's Peephouse) Robin. What's the verdict? i'm ashamed to admit it but i don't know (i hear good things tho)... [EMAIL PROTECTED] might pipe up now? or dan moore? robin... _ It's fast, it's easy and it's free. Get MSN Messenger today! http://www.msn.co.uk/messenger
RE: (313) Prince Album Recommendations
whatever you do, don't forget Parade - much underrated, despite sounding a little less sure of itself than his other albums and being the accompaniment to a piss-poor film, for me it's still prince's most adventurous work - and at the very least it's got Kiss and Sometimes It Snows In April on it. so has anyone ever laid their hands on the Black Album? -s _ Hotmail messages direct to your mobile phone http://www.msn.co.uk/msnmobile
(313) Re: [313] Housey promo...
speaking of which, does anyone have a copy of that heather mix? Date: Wed, 25 Jun 2003 15:48:13 +0100 To: 313 Hyperreal. Org 313@hyperreal.org From: Langsman, Marc [EMAIL PROTECTED] Subject: Housey promo... Message-ID: [EMAIL PROTECTED] I heard Derrick Carter play this housey number at homelands [read: craplands] and then heard it again on DJ Heather's essential mix but cant find any trace of its possible existence anywhere..according to the EM tracklistings it's : Dan X - 'Ping Pong' (CDR) ..Im guessing (cdr) = cdr media promo ... does anyone know if this tune is signed to a label yet or due for a release ? Cant find even the vaguest slither of info on it anywhere :/ Ta, Marc _ Express yourself with cool emoticons - download MSN Messenger today! http://www.msn.co.uk/messenger
Re: (313) Surgeon - How good is he?
I've heard him twice and he was complete turd; very percussive, hard, nasty loop-based bollocks for the entire night, but then I was dragged down to see him a third time for a friends birthday and he completely blew me away; not as tricksy as the first few times, but his tune selection was fantastic and he'd slowed down quite a bit; dropping kraftwerk and I think even some cabaret voltaire in and out of a very funky techno set (in the orbit -hah!)... If the right one turns up he can be fantastic. -s _ Surf together with new Shared Browsing http://join.msn.com/?page=features/browsepgmarket=en-gbXAPID=74DI=1059
Re: (313) re: [313] New Techno Night - London
you really are a dick aren't you? From: Rob Jarvis. Victoria Music Ltd. [EMAIL PROTECTED] To: Darren Longton (Marketing) [EMAIL PROTECTED],313@hyperreal.org,[EMAIL PROTECTED],[EMAIL PROTECTED],[EMAIL PROTECTED],[EMAIL PROTECTED] CC: 313 Mailing List 313@hyperreal.org Subject: Re: (313) re: [313] New Techno Night - London Date: Tue, 25 Feb 2003 15:39:35 + I believe strongly in freedom of speech: you should be allowed to say whatever you want. However, I have no obligation to help you say what you want using my resources. But, just as I have an obligation not to try to stop you from saying what you want, other people have an obligation not to try to strip you of the right of doing as you will with your mind and body. Further, none of these topics must be taboo. If it makes you uptight to talk about them, then it's probably a very healthy thing to explore them, gingerly if necessarily. Freedom of speech is one of the core principles of the United States' charter. Speech can be a threatening thing. Some belief systems have a hard time withstanding free communication. Some flourish. The basic guarantee of freedom of speech in the US is frequently ignored and often fought against by people who feel threatened by it. For those who take the freedoms of our society for granted, wake up and smell the coffee. Free speech is one of the key reasons we have a free society. I'm not looking for a fight, it just makes me sick to constantly hear: don't' say this... don't say that... don't have an opinion... blah blah blah... if someone sends and e-mail on 313 and i don't agree or i dislike his/her views, i for one will NEVER tell them not to say this or that, it's there right to express themselves. I mean who do you really think you are...? Censorship sucks. Rob Jarvis Victoria Music Ltd. Unit 215 old gramaphone works 326 Kensal Road London W10 5BZ + 44 (0)20 7565 8193 voice + 44 (0)20 8960 3834 fax http://www.victoria-music.com [EMAIL PROTECTED] [EMAIL PROTECTED] (MSN messenger) pro-jex + killa bite + inform + subvoice + room tone + housedust + nepenta + u7 + kne' deep + rodeo meat + response audio + sounds unique + hypercubic + radio sonic + neon + feedback From: Darren Longton (Marketing) [EMAIL PROTECTED] Date: Tue, 25 Feb 2003 08:59:55 -0500 To: 313@hyperreal.org Subject: RE: (313) re: [313] New Techno Night - London 313 police...that IS funnyalthough the REAL Detroit police would probably beat you up, take your $$ and give you a ticket for standing there bleeding. hahaha well at least, beat you up, take your drugs and give you a ticket for dancingbeen there. (can someone say...Whirly Gig) -Original Message- From: Rob Jarvis. Victoria Music Ltd. [mailto:[EMAIL PROTECTED] Sent: Tuesday, February 25, 2003 5:15 AM To: MM; ian cheshire Cc: seth redmond; [EMAIL PROTECTED]; 313@hyperreal.org Subject: Re: (313) re: [313] New Techno Night - London Phew! 313 Police...i like that one, thnx Ian. Rob Jarvis (speaking his mind) Victoria Music Ltd. Unit 215 old gramaphone works 326 Kensal Road London W10 5BZ + 44 (0)20 7565 8193 voice + 44 (0)20 8960 3834 fax http://www.victoria-music.com [EMAIL PROTECTED] [EMAIL PROTECTED] (MSN messenger) pro-jex + killa bite + inform + subvoice + room tone + housedust + nepenta + u7 + kne' deep + rodeo meat + response audio + sounds unique + hypercubic + radio sonic + neon + feedback From: MM [EMAIL PROTECTED] Date: Fri, 21 Feb 2003 11:32:40 -0700 To: ian cheshire [EMAIL PROTECTED] Cc: Rob Jarvis. Victoria Music Ltd. [EMAIL PROTECTED], seth redmond [EMAIL PROTECTED], [EMAIL PROTECTED], 313@hyperreal.org Subject: Re: (313) re: [313] New Techno Night - London its kinda funny someone speaks there mind and everyone gets there panties in a bunchi think the key word here is RESPECT.rob is intitled to his opinions and so is everyone elsenot everyone see's everything the same wayso who cares if comments are madeif you don't like it don't reply..i am tired of the 313 police ..sorry but this just makes me laugh ian cheshire wrote: aren't you the guy that stole Killabite of Ben Sims and yet now your hinting that if you like that sort of techno i will be thinking of all of you tonight when ectomorph is playing live and TRAXX following.mm dirty electro michael www.renegaderhythms.com ian cheshire wrote: and what is that kind of Techno? You know I am gettin fed up with some of the comments I see on the 313 aren't you the guy that stole Killabite of Ben Sims and yet now your hinting that if you like that sort of techno then.. get a grip man. -Original Message- From: Rob Jarvis. Victoria Music Ltd. [mailto:[EMAIL PROTECTED] Sent: 21 February 2003 11:22 To: seth redmond; [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: Re: (313) re: [313] New Techno Night - London ...if you like that sort
(313) re: [313] New Techno Night - London
now that does sound good... where'd you hear about it (any more info? how big is it? how much?) -s Here's another one ... 19 April - The Youngsters, Jel Ford guest at Billy Nasty's new night - The Beat Club at new 800 peeps venue in Kings X called 'The Egg' _ Use MSN Messenger to send music and pics to your friends http://messenger.msn.co.uk
Re: (313) re: [313] New Techno Night - London
so when did this list get this f**king catty? From: Rob Jarvis. Victoria Music Ltd. [EMAIL PROTECTED] To: seth redmond [EMAIL PROTECTED],[EMAIL PROTECTED] CC: 313@hyperreal.org Subject: Re: (313) re: [313] New Techno Night - London Date: Fri, 21 Feb 2003 11:21:45 + ...if you like that sort of techno Rob Jarvis Victoria Music Ltd. Unit 215 old gramaphone works 326 Kensal Road London W10 5BZ + 44 (0)20 7565 8193 voice + 44 (0)20 8960 3834 fax http://www.victoria-music.com [EMAIL PROTECTED] [EMAIL PROTECTED] (MSN messenger) pro-jex + killa bite + inform + subvoice + room tone + housedust + nepenta + u7 + kne' deep + rodeo meat + response audio + sounds unique + hypercubic + radio sonic + neon + feedback From: seth redmond [EMAIL PROTECTED] Date: Fri, 21 Feb 2003 11:20:07 + To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: (313) re: [313] New Techno Night - London now that does sound good... where'd you hear about it (any more info? how big is it? how much?) -s Here's another one ... 19 April - The Youngsters, Jel Ford guest at Billy Nasty's new night - The Beat Club at new 800 peeps venue in Kings X called 'The Egg' _ Use MSN Messenger to send music and pics to your friends http://messenger.msn.co.uk _ It's fast, it's easy and it's free. Get MSN Messenger today! http://messenger.msn.co.uk
(313) re: [313] upcoming london events
I seem to remember Tom talking about Octave One playing at Fabric next week. Also there's Ralph Lawson and Paul Woolford (well worth seeing) playing at the end on the eighth of feb, and Derrick Carter about a week later. Oh and Sneak's on tonight... Seems very house oriented for the next few weeks really. whats going on in london? anything worthwhile you know of the the next 4 months or so, please email me or the list. _ Worried what your kids see online? Protect them better with MSN 8 http://join.msn.com/?page=features/parentalpgmarket=en-gbXAPID=186DI=1059
RE: (313) Octave One at fabric
tits, and I've just spent all my money on Love tickets... I just got a mail through announcing that Octave One will play live in the main room at fabric, _ MSN 8 with e-mail virus protection service: 2 months FREE* http://join.msn.com/?page=features/virus
(313) re: tone arm settings
no, zero is supposed to be the point at which the arm balances exactly, so you'd balance the arm as best you can (so it's suspended mid-air) then wind the inner circle around -i.e. the one with the numbers on it, not the weight itself- until it points to zero. You can then set the weight to it's recommended setting (for most stanton/orthofon this is around 2) which all being well should play the record at it's best fidelity and, of course, not grind your records down too much. Personally I always find this to be a little too light for DJing, especialy if your table is liable to shake. -s I mean the screw-mounted weight at the end of the tone arm. Often, the actual cart will indicate the correct setting to which the weight should be calibrated - meaning the numeric dial also on this weight. If not, a rough guide is simply to set the gauge to zero, i.e flush with the end of the arm, at which point the arm should balance horizontally if you've got the up/down lever in the 'up' position. _ The new MSN 8 is here: Try it free* for 2 months http://join.msn.com/?page=dept/dialup
RE: (313) Red Planet 11
aint it strange when two threads collide... that would be midnight sunshine, which (and not just 'cause Rolando did it) is one of my favourite tracks to end a set with. The new Dark Energy is pretty awesome and all. -s i always loved the double pack james had on UR with witch doctor and the track rolando ended his 1st mix cd with. the new dark energy is ever better. _ Add photos to your e-mail with MSN 8. Get 2 months FREE*. http://join.msn.com/?page=features/featuredemail
(313) song ID
Got a song request for you'se. about 38 mins, carl craig @ panacea on paxahau. http://www.paxahau.com/sounds/2001/adecember/12-31-01_carlcraig_1_panacea.ram nice one -s _ The new MSN 8: advanced junk mail protection and 2 months FREE* http://join.msn.com/?page=features/junkmail
Re: (313) re: best decks
OK, not learning my lesson the first time; the Mac Vs PC of the DJ world... for those people who mix using a combination of pitch and mere digits (but touch their records enough to make pitch-only near impossible), and who have used them for an extended period of time; do the vestax cause any significant problems due to the fact that they don't slow down much when touched (i.e. 'cause you can't use the edge of the plate / spindle)? Last question, Promise. -s _ MSN 8 with e-mail virus protection service: 2 months FREE* http://join.msn.com/?page=features/virus
Re: (313) Random question about platter dots (was re: best decks)
Not to mention fixing 1200s which have been damaged when +16'd... Its just because the speed of the turntable varies slightly and so the dots are used to tell when it is going at exactly 33 1/3rm or 45rpm :-Original Message- :From: Langsman, Marc [mailto:[EMAIL PROTECTED] :Sent: Thursday, November 21, 2002 2:10 PM :To: 'Michael Lees'; seth redmond :Cc: 313@hyperreal.org :Subject: RE: (313) Random question about platter dots (was re: best decks) : : : The only problem with touching the plate edge is the little dimples : :super tangential random question here - but the dots on technics are meant :to indictae what pitch things are going at by which row is stationary :(because of the strobe effect of the red light) ... has anyone actually :ever :used this functionality or is there any other useful purpose ? :would be handy to know as Ive thought they were a bit redundant (although :it :looks quite cool! ) : :peace, :Marc : :--- :--- :This message is intended only for the personal and confidential use of the :designated recipient(s) named above. If you are not the intended recipient :of this message you are hereby notified that any review, dissemination, :distribution or copying of this message is strictly prohibited. This :communication is for information purposes only and should not be regarded :as an offer to sell or as a solicitation of an offer to buy any financial :product, an official confirmation of any transaction, or as an official :statement of Lehman Brothers. Email transmission cannot be guaranteed to :be secure or error-free. Therefore, we do not represent that this :information is complete or accurate and it should not be relied upon as :such. All information is subject to change without notice. : -- Mike [EMAIL PROTECTED] http://www.cs.nott.ac.uk/~mhl/ _ Help STOP SPAM with the new MSN 8 and get 2 months FREE* http://join.msn.com/?page=features/junkmail
(313) re: best decks
OK, this is a little off-topic but... I'm leaning toward the Vestax for the longer pitch control and higher torque, but I'm interested to know the list's opinion. Of the people who've used both, what do people prefer the Vestax PX2000 or Technics (probably 1200 Mk3 if I can find any)? ta -s _ The new MSN 8: smart spam protection and 2 months FREE* http://join.msn.com/?page=features/junkmail
RE: (313) re: best decks
I'm still undecided on whether the torque is better or worse. Although it seems logical to get as much as possible, when I tried mixing on Vestax I missed the ability to drop a record back into time by dragging my finger across the edge of the plate as I could with 1200s; although unexpectedly had no trouble moving back to technics again. I am pretty convinced that once I got out of this habit (bad for the motor in any case) I wouldn't mind. The only thing I am sure I would miss on technics is the +10 pitch control. I never had to use the +50's but I've often found that I was agonisingly just-out-of-range on the technics and had to piss about subtely speeding the other record up / down it's not the first time I've heard doubts about the build quality, but don't know anyone who's had them long enough for it to be an issue. their mixers have always been pretty nice mind. -s From: Neil Wallace [EMAIL PROTECTED] To: 'Langsman, Marc' [EMAIL PROTECTED],'seth redmond' [EMAIL PROTECTED],313@hyperreal.org Subject: RE: (313) re: best decks Date: Wed, 20 Nov 2002 10:49:55 - I got one pdx 2000 (as it was all I could afford at the time) and I really love it: -50% is actually really useful as use you can mix things at half tempo to do some weird x2s, having a reverse button is also very useful and yes they seem to have quite a lot more torque - which may not be a good thing if you play out a lot as after using vestax technics feel very light and you need to use a much gentler touch and yeah skipping is virtually non existent which I believe is due to the tonearm being designed to produce no lateral force perpendicular to the tonearm instead all the forces run parallel to the tonearm (or that's the theory anyway) Build quality wise I would say that echnics still have the edge insomuch as touching the deck with the needle on the record doesn't seem to make a noise thru the speakers whereas at high volumes if you tap the vestax you can hear the tapping. _ Add photos to your e-mail with MSN 8. Get 2 months FREE*. http://join.msn.com/?page=features/featuredemail
RE: (313) re: best decks
pimp? keylock? que? From: T.J.Johnson [EMAIL PROTECTED] To: [EMAIL PROTECTED] CC: [EMAIL PROTECTED], [EMAIL PROTECTED], 313@hyperreal.org Subject: RE: (313) re: best decks Date: Wed, 20 Nov 2002 03:53:01 -0800 (PST) Sorry I coming into the topic late, buta re we talking about Vestax TTX vs. Technics by chance? My friend just got a set of the TTXs and they seem pretty pimp. They have a keylock (pitch shift?) function on them that we don't know how to use yet. Anyone familiar? On Wed, 20 Nov 2002, seth redmond wrote: I'm still undecided on whether the torque is better or worse. Although it seems logical to get as much as possible, when I tried mixing on Vestax I missed the ability to drop a record back into time by dragging my finger across the edge of the plate as I could with 1200s; although unexpectedly had no trouble moving back to technics again. I am pretty convinced that once I got out of this habit (bad for the motor in any case) I wouldn't mind. The only thing I am sure I would miss on technics is the +10 pitch control. I never had to use the +50's but I've often found that I was agonisingly just-out-of-range on the technics and had to piss about subtely speeding the other record up / down it's not the first time I've heard doubts about the build quality, but don't know anyone who's had them long enough for it to be an issue. their mixers have always been pretty nice mind. -s From: Neil Wallace [EMAIL PROTECTED] To: 'Langsman, Marc' [EMAIL PROTECTED],'seth redmond' [EMAIL PROTECTED],313@hyperreal.org Subject: RE: (313) re: best decks Date: Wed, 20 Nov 2002 10:49:55 - I got one pdx 2000 (as it was all I could afford at the time) and I really love it: -50% is actually really useful as use you can mix things at half tempo to do some weird x2s, having a reverse button is also very useful and yes they seem to have quite a lot more torque - which may not be a good thing if you play out a lot as after using vestax technics feel very light and you need to use a much gentler touch and yeah skipping is virtually non existent which I believe is due to the tonearm being designed to produce no lateral force perpendicular to the tonearm instead all the forces run parallel to the tonearm (or that's the theory anyway) Build quality wise I would say that echnics still have the edge insomuch as touching the deck with the needle on the record doesn't seem to make a noise thru the speakers whereas at high volumes if you tap the vestax you can hear the tapping. _ Add photos to your e-mail with MSN 8. Get 2 months FREE*. a href=http://mail.peoplepc.com/jump/http://join.msn.com/?page=features/featuredemail;http://join.msn.com/?page=features/featuredemail/a TJJ ~in a perfect world, nothing is perfect~ PeoplePC: It's for people. And it's just smart. http://www.peoplepc.com _ Add photos to your messages with MSN 8. Get 2 months FREE*. http://join.msn.com/?page=features/featuredemail
Re: (313) books on techno
I found this a bit grating after a while. Not that the book's bad or anything, but no matter how tenuous the connection it starts every review along the lines of Whilst Derek May, Kevin Saunderson and Juan atkins were developing the cold machine stylings of their native detroit --insert european name here-- was being influenced by the countryside which surrounded his home town of --somewhere nordic / dutch / german-- -s One of the best sources I know of is Techno : The rough Guide by Tim Barr. Every third page features either a Detroit techno artist or a reference to Detroit techno. _ MSN 8 with e-mail virus protection service: 2 months FREE* http://join.msn.com/?page=features/virus
Re: (313) some sort of track id
I've not listened to the sample yet, but is it Lois Botella - Chinese Pleasures? I seem to remember he plays that on live @ recordtime, and it's on Classic (on the Funkosmonic EP or some such). -s Sorry if you already found out but I know the one you mean. It is on Luke Solomon's Classic Records. Cannot remember offhand who by but it's by someone with two names. All I can remember right now. Cheers, Scott - Original Message - From: Maarten Baute [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Saturday, November 09, 2002 10:14 AM Subject: (313) some sort of track id Hi, I´ve heard a mix from gene farris, where he plays a (not so old) house track that samples (almost complete) the following: Barry Wait Ltd - Sting - Part One http://www.nuloop.com/real/Strut/strutlp020_d1.rm Anyone has an idea what it could be? It is in his live @ recordtime mix. He played it before terra deva - fresh start (iz house mix) Cheers, Maarten _ The new MSN 8: smart spam protection and 2 months FREE* http://join.msn.com/?page=features/junkmail
Re: (313) O/T Liverpool UK
Pelican neck is particularly good, kind of like a mini-smallfish, and whenever I go into Vinyl Exchange I always seem to pick up early KMS records and the like for a quid fifty. Actually you missed easily the best shop in Manchester... the truly awesome Beating Rhythm, a block away from vinyl exchange at al. Endless racks of northern, disco, (and a few reggae) 7s, all lovingly labelled and organised by people with true pride in their product (oh, and occasionally pretty damned rare and a teensy bit expensive). I'm not even making any attempt to bring that back on topic. and that's just about it. Sorry but the shops really are better in Manchester. A fiver on the coach. yeah, piccadilly, vinyl exchange, pelicanneck, eastern bloc etc all in the same small area...go there _ Add photos to your messages with MSN 8. Get 2 months FREE*. http://join.msn.com/?page=features/featuredemail
Re: (313) O/T Liverpool UK
you'll have a job with record shops I'm afraid. They're all a little sub-standard. The pick of the bunch is in the palace on Slater street. Can't remember the name, but you go inside and down into the basement, and it's a badly laid out second hand shop with a fair range of techno, electro house (down the stairs on the right, do not whatever you do go left or you''ll find yourself surrounded by box sets of fantasia XXIII tapes and Sy and Dougal CDs), but be warned you will have to dredge through a few racks of coal to find the diamond. Avoid 3-beat at all costs. It'll have one or two detroit records in there (since sometime voodoo DJ Andy Nicholson works there and has a hand in the buying) but apart from that it's really quite bad. full of scallies listening to nasty hardcore and frankly rude staff (Andy Nich quite definitely excepted, light brown hair, glasses, knows his stuff and is a nice bloke)... I've a bit of a personal axe to grind with the shop since last time I was in there they tried to charge me £15 for a TLS record on warp (with a 7 quid sticker on it), on the basis that it was an import... 'what, imported from f**king Sheffield?' Probe's not exactly full of techno but I have a soft spot for it and it may be worth a go; just over the road from the palace. Besides it's been open for almost a quarter century and had a hand in the liverpool punk scene so you could just go for the historical interest (moved from it's original HQ though which was far better). And you might want to try Hairy records in Bold street. To my mind one of the best second hand record shops in the country, although again no techno (a few decent early house records if you search though). and that's just about it. Sorry but the shops really are better in Manchester. A fiver on the coach. -s _ The new MSN 8: smart spam protection and 2 months FREE* http://join.msn.com/?page=features/junkmail
Re: (313) Essential reading...
Dad house mafiosa Superb... _ Unlimited Internet access for only $21.95/month. Try MSN! http://resourcecenter.msn.com/access/plans/2monthsfree.asp
(313) re: Barca
A while ago someone mentioned a listings site for Barcelona Clubs. Anyone remember what it was? or have any idea what's going to be on there in a week-or-so time. -s _ Surf the Web without missing calls! Get MSN Broadband. http://resourcecenter.msn.com/access/plans/freeactivation.asp
Re: (313) OT: UK TV alert/Levis ad
Wildly off-topic by this point but... The soundtrack which was released for this film is totally different to the actual score, they've re-worked most of the tracks, rapped over them, that kind of thing. It's pretty good, mind, but it missed a few ace tracks (esp. the music when he's practicing on the roof). Anyway, I seem to remember there was a 4-track vinyl promo doing the rounds when the film came out. Did anyone pick it up? and if so, what was on it? Oh, and a bit of pointless movie trivia, the indian guy they mistake for Ghost Dog (Stupid F**king Whiteman) was Gary Farmer, who played exactly the same character in Dead Man... Perfect film. -s There was a thread recently about movie soundtracks... don't know if this one was mentioned then but showing tonight on Chennel 4 at 11.40pm is 'Ghost Dog: The Way Of The Samurai' which has a wonderful dark hip-hop soundtrack by The RZA that many on this list will really enjoy. It's also an all-round excellent film: directed by Jim Jarmusch and starring Forest Whitaker as a pigeon-keeping Zen-abiding mob hitman whose bosses turn against him. My favourite scene is the one with the hardbitten mobster dancing around his bathroom to the strains of Public Enemy's 'Flavor Flav Cold Lampin' - sheer genius. _ Chat with friends online, try MSN Messenger: http://messenger.msn.com
[313] House of God
The first person to recognize that DJ'ing CAN be a godly force will be able to move MOUNTAINS, Ha ha ha! Anyone remember Chris Brain and the Nine O'Clock Service? The church trying 'reach out to new communities' by holding full-on raves in a church in sheffield. Sex, Drugs, Acid House... God's never been so much fun. So did any Yorkshire list members ever go? http://members.tripod.com/nineoclockservice/FAQ.htm -s _ Chat with friends online, try MSN Messenger: http://messenger.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] free herbert
Actually I remember hearing something about this quite a while ago. Apparently MH turned up at the Warp office and said his idea was to do a whole album about McDonalds, calling each track McNuggets, McFries, McShake etc. Apparently he was told it was f**king stupid and laughed out of the office. Despite coming from a reliable source, I didn't believe this at the time, and I'm still not sure, but the fact that it does contain a track called McDonalds made me think... -s i've always loved MH's beats, but never realized he has such strong political views. i great statement and gift to the listeners that starbuck's vente latte will never taste as good anymore _ Send and receive Hotmail on your mobile device: http://mobile.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] track ID
Laurent Garnier at the Rex club, about forty minutes in, with a distorted voice repeating (I think) go back... go back. then another at 45 min's ( I should know this one), sounds oddly like New Order circa LowLife - quite subdued, real nice piano line. http://stream.wizzz.net:8080/ramgen/lg/mixes/DJMixRexclub_1.rm good mix by the way, there's about five available on the site in the archive. Well worth a look. -s p.s. anyone know what's happened to http://www.nitsa.com ? _ Send and receive Hotmail on your mobile device: http://mobile.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
re: [313] Fw: ALL NEW ELECTROVOODOO!
Ugh, the cream courtyard... possibly the least intimate venue I've ever been to. So is there any other news about the RGC tour? AFTER KILLING VOODOO OFF IN JUNE, WE ARE BACK FROM THE ETHER WITH A NEW ELECTRONIC MUSIC EVENT - ELECTROVOODOO. WE'LL DELIVER A UNIVERSE OF ELECTRONIC DANCE MUSIC ALL UNDER ONE ROOF THE ROOF IS LIVERPOOL'S PREMIERE EVENT SPACE - THE LOMAX, FORMERLY THE COURTYARD AT CREAM. THE EVENTS WILL BE GIG MEETS WAREHOUSE PARTY WITH A DARING ELECTRONIC SOUNDTRACK COVERING ELECTRO - TO TECHNOFUNK AND FAR FAR BEYOND! FRI 11TH OCT MISS KITTIN - DJ SET RGC TOUR WITH ANDREW WEATHERALL RADIOACTIVE MAN LIVE STEVE SHIELS PLUS SPECIAL GUESTS TBA @ THE LOMAX PARR ST LIVERPOOL _ Join the worlds largest e-mail service with MSN Hotmail. http://www.hotmail.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] track ID
track ID for you all. DJ heather on Paxahau, about 40 mins in, ladies and gentlemen, we're going to turn this house into... into... a home ta folks... -s _ Join the worlds largest e-mail service with MSN Hotmail. http://www.hotmail.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] force inc/mille plateaux top releases
click enter to exit - hakan lidbo silverfinger - dirk diggler both on force tracks, Oh, and if you're after a good mix of force tracks stuff you could do a hell of a lot worse than the Andy weatherall hypercity mix, also on force (I mean obviously right?). It's rarely out of my CD player hasta -s Hey, Just wondering what everyone's favourite releases are on these group of labels? Filling out an order and have room for a little bit of experimentation. _ Send and receive Hotmail on your mobile device: http://mobile.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] ?? copyrighting DNA tunes ??
way off topic, but: this is extremely unlikely to come off... Firstly copyright is supposedly only applicable to work which is significantly original. But supposing they get around that (since so many people have). There has been a precedent set within the life sciences community that most genetic sequences aren't patentable. That is, those which are sequenced directly from the organism cannot be patented. Even though several US bioscience companies are attempting to change this, the weight of opinion is against them. Not just public opinion, more importantly, the financial clout of Celera / Maxygen et al is *seriously* dwarfed by Zeneca, Phizer, Sigma and the really, really big pharma companies - none of whom want potentially lucrative gene sequences kept out of their hands. The support of these companies for organisations such as the Sanger center or NCBI is enough to sway legal opinion in their favour, even in the US. Those companies who do have private sequences which they wish to 'loan out' such as the infamous Celera, have to govern their use through private contracts. The confusion arises since what is genuinely patentable is original techniques and, due to a rather confused ruling made (once again) by a rather ill-informed US court, this means the extraction method for every different sequence can in theory be patented individually. To analogise, this is as if people had been DJing for years but you managed to patent mixing 'I Feel Love' into 'French Kiss' (and instantly destroyed Derek May's mixing career). However at the moment (and for the foreseeable future) the only truly patentable sequence is one which is entirely artificial, and these are extremely few and far between. -s I think the deal here is that the copyright would be in the sound recording rights not the song publishing rights. But it's a murky area and one thing we know is that whenever copyright or other intellectual property rights are involved, systems designed to protect the creator, performer and audience often end up being tilted toward the intermediaries who add no value at all to the music, art, photo or writing itself. _ Send and receive Hotmail on your mobile device: http://mobile.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] re: mixmag mixes
personally I found it a little flat. Not so much bad, just not quite as engaging as he can be. His back to basics was far better, as was his more recent 'thanks for dropping by...' also the Derrick Carter mixmag CD is one of my all time favourites. _ Send and receive Hotmail on your mobile device: http://mobile.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] miss kier...
I hear she can't DJ worth a lick though;-) of course she can't; she's a *girl*... -s _ Join the worlds largest e-mail service with MSN Hotmail. http://www.hotmail.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] track ID - viewlexx
One for the electro fans... from viewlexx.com - 10.01 I-f at Autistic-Sync for Wdisko about 16mins 30. http://www.viewlexx.com/mixage.htm http://www.viewlexx.com/sound/wdiskomix1001If.mp3 c'mon then... _ MSN Photos is the easiest way to share and print your photos: http://photos.msn.com/support/worldwide.aspx - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] re: barca
I'm off to Barcelona next week, Is there anything on worth seeing? particularly next weekend (3rd May). ta -s _ Chat with friends online, try MSN Messenger: http://messenger.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Electro CDs - Recommendations Pls
look out for the Radioactive Man album (forget the name). Not the most
driving electro but one of the best albums for a while all the same; for
that matter check out any of the later swordsmen stuff (esp Tiny Reminders
or Stay Down) this has the advantage that if you hate it, the house stuff on
these albums is second to none. Oh, and if you haven't already heard it
Drexciya's Neptune's Lair ('bout a year and a half old) was pretty damn
good, though I was a little unimpressed by the newest one.
Also try out nearly everything by Anthony Rother or Dopplereffect, and most
stuff on viewlexx (especially IF and Parallax corp), Disko-B and, of course,
Gigolos for the more, um, playful eighties sound.
Paul Innercity should be able to get copies of most of these, and Smallfish
will most likely have the Weatherall / Tenniswood ones...
happy hunting
-s
_
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Re: [313] kraftwerk bookies?
I'm surprised by this. Personally I couldn't agree less. I thought the book was pretty lacking in all departments. the research is pretty lazy with most details being rehashed from previous interviews, and Barr does his best to suggest that Kraftwerk single-handedly created all modern music (with occasional assistance from Bowie). Whilst the book's remit might have meant he was preaching to the converted I found it all a little tiresome. I fact this argument (which I'm just dying to believe anyway) would have been all the more convincing if he'd actually bothered to look into the contemporary work which also stimulated these genres rather than basically shouting 'Numbers!', 'Autobahn!', 'Very Influential!' ad infinitum. I understand Barr has worked for the NME in the past, and to be honest this is what From Dusseldorf... reminded me of, the same poorly argued sensationalism over and over again. In my opinion it wastes a great subject and I came away from the book a bit pissed off that I'd wasted my time on it at all. I'm in the minority here, but I'd advise you to steer well clear... great title though. -s Tim Barr's book is superb - he's one of the UK's finest electronic music journalists without a doubt and I highly recommend his Kraftwerk book... _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Avalanches - Since I Left You
Couldn't agree more. I was quite impressed with since I left you but, to be frank, the other tracks I've heard have sounded like the worst of ninja tunes about four or five years ago (when they churned out a hundred 'amusingly irreverent' sample-fests a week), and the Avalanches are no Coldcut. Personally I can't see any stunning originality in this, and was glad when this sound was put to bed. Could anyone explain exactly what all the fuss is about? -s sorry, but i've heard the avalances LP. to my ear its no more revolutionary than anything Moby has done. bland watered down trip hop nonsense for marketing execs. _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] re: Fade In Techno
I honestly can't believe anyone's having this conversation. I mean hey why can't we complain about the shuffling on the Red Planet records which always puts me off. The fact that May's records always seem to have a weak drum which is hard to hear in a club. that long stretch in Empower without any beats which never kicks back in on time... because they're just fucking records for christ's sake. I mean how easy do you want it to be? it's a fade in... You're a DJ... deal with it... that's your job. _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] AMG Criteria
You might want to try the Rough Guide to Techno. It's got a pretty good, and relevant selection, one of those books which you can flick endlessly back an forth between artists. Problem is I keep looking at it before I leave for work. So just as I'm about to leave on time it's ... ah! Sunrise Society... Was flipping through my copy of the All Music Guide to Electronica last night, hoping to find something on Vince Watson, Brian Zentz, DJ Skull, Mundo Muzique... _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] RE: 313 Digest 3 Feb 2002 14:27:23 -0000 Issue 917
no, no, no... Get your facts straight... it means Mother Fucker, with an eff Ha!.. swearing... Big AND clever M.F means mother .just like , ...M.F. doom. - Original Message - From: Lorie R [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Tuesday, February 05, 2002 11:14 AM Subject: Re: [313] RE: 313 Digest 3 Feb 2002 14:27:23 - Issue 917 What does M.F. mean? If everyone had their facts straight, this list would _ Send and receive Hotmail on your mobile device: http://mobile.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Pluxus
Anybody know anything about pluxus (rocket girl). Ever seen em? _ Join the worlds largest e-mail service with MSN Hotmail. http://www.hotmail.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Re: Radioactive Man
It's Tenniswood's own label isn't it? I can't help wondering why they both release records on so many labels. I mean Warp, RGC, Voodoo, Control Tower, in the past few months. And that's just off the top of my head, I'm sure there are many more. It's like they're both sat around secretly trying to outdo each other: hah. He thinks he's got a shiny new label... well I'm not just going to start one label, I'll start three. Grr...That'll show him... I invented indie dance... -s From: Super Coffee Beans [EMAIL PROTECTED] To: seth redmond [EMAIL PROTECTED], 313@hyperreal.org, [EMAIL PROTECTED] Subject: Re: [313] Re: Radioactive Man Date: Thu, 31 Jan 2002 12:38:31 +0200 if u liked radioactive man try a label called control tower very good stuff. Y - Original Message - From: seth redmond [EMAIL PROTECTED] To: 313@hyperreal.org; [EMAIL PROTECTED] Sent: Thursday, January 31, 2002 12:02 PM Subject: [313] Re: Radioactive Man Message-ID: [EMAIL PROTECTED] Keith Tenniswood, long-term accomplice and brother-in-arms of Sir Andrew Weatherall... did he release anything onhis own bar the Uranium EP ? Gwendal He's got a (pretty damn good) album out on RGC which should be fairly easy to find, and is well worth tracking down. I have to confess I kind of fell into the trap of thinking he was the less talented one until I heard him play live. -s _ Join the worlds largest e-mail service with MSN Hotmail. http://www.hotmail.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ MSN Photos is the easiest way to share and print your photos: http://photos.msn.com/support/worldwide.aspx - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Re: Radioactive Man-control tower.
it's both of theirs... From: Super Coffee Beans [EMAIL PROTECTED] To: seth redmond [EMAIL PROTECTED], 313@hyperreal.org, [EMAIL PROTECTED] Subject: Re: [313] Re: Radioactive Man-control tower. Date: Thu, 31 Jan 2002 14:57:21 +0200 i am not too sure if its tenswood`s label. from what i konw its Simon Brown aka The Dexorcist`s label.. they got 2 realeses. very good stuff. also really worth check is the last track cylob got on Rephlex pure fun track! Yair.. - Original Message - From: seth redmond [EMAIL PROTECTED] To: [EMAIL PROTECTED]; 313@hyperreal.org; [EMAIL PROTECTED] Sent: Friday, February 01, 2002 1:12 PM Subject: Re: [313] Re: Radioactive Man It's Tenniswood's own label isn't it? I can't help wondering why they both release records on so many labels. I mean Warp, RGC, Voodoo, Control Tower, in the past few months. And that's just off the top of my head, I'm sure there are many more. It's like they're both sat around secretly trying to outdo each other: hah. He thinks he's got a shiny new label... well I'm not just going to start one label, I'll start three. Grr...That'll show him... I invented indie dance... -s From: Super Coffee Beans [EMAIL PROTECTED] To: seth redmond [EMAIL PROTECTED], 313@hyperreal.org, [EMAIL PROTECTED] Subject: Re: [313] Re: Radioactive Man Date: Thu, 31 Jan 2002 12:38:31 +0200 if u liked radioactive man try a label called control tower very good stuff. Y - Original Message - From: seth redmond [EMAIL PROTECTED] To: 313@hyperreal.org; [EMAIL PROTECTED] Sent: Thursday, January 31, 2002 12:02 PM Subject: [313] Re: Radioactive Man Message-ID: [EMAIL PROTECTED] Keith Tenniswood, long-term accomplice and brother-in-arms of Sir Andrew Weatherall... did he release anything onhis own bar the Uranium EP ? Gwendal He's got a (pretty damn good) album out on RGC which should be fairly easy to find, and is well worth tracking down. I have to confess I kind of fell into the trap of thinking he was the less talented one until I heard him play live. -s _ Join the worlds largest e-mail service with MSN Hotmail. http://www.hotmail.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ MSN Photos is the easiest way to share and print your photos: http://photos.msn.com/support/worldwide.aspx _ Chat with friends online, try MSN Messenger: http://messenger.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Re: Radioactive Man
Message-ID: [EMAIL PROTECTED] Keith Tenniswood, long-term accomplice and brother-in-arms of Sir Andrew Weatherall... did he release anything onhis own bar the Uranium EP ? Gwendal He's got a (pretty damn good) album out on RGC which should be fairly easy to find, and is well worth tracking down. I have to confess I kind of fell into the trap of thinking he was the less talented one until I heard him play live. -s _ Join the worlds largest e-mail service with MSN Hotmail. http://www.hotmail.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] again again
neontsetse, I think you should know, I don't think I've understood anything you've ever posted. -s _ Join the worlds largest e-mail service with MSN Hotmail. http://www.hotmail.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] uk tech-house/layo bushwacka
- you get dull-tech-house nights, you get micro-house nights, you get bodysoul nights, you get looped-bangers nights, you get detroit-techno nights... You don't often get plain old good nights out Probably due to the size of the place. I mean how likely is it you'll end up at any night which doesn't spell out it's music policy in advance. And by that I don't mean would you go to it?, but rather, would you find out about it in a city this size?. It's pretty hard -usually takes some damned clever flyer design- to get across a particular ethic without spelling out the playlist (i.e. tech-house, body and soul -whatever) and hence sticking to a particular genre, and with the competition being so stiff in London it's hard for anything small and interesting to get past those first few nights. I suppose the exceptions to this are the few people who have the clout / credibility to draw a crowd without sticking to one particular style (probably Andy Weatherall - again, or Warp's nights). but there aren't many... That said, I can't recommend the Rotter's Golf Club enough -s _ Join the worlds largest e-mail service with MSN Hotmail. http://www.hotmail.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] jeff mills stars again
Sorry, but how many of these clubs have you actually been to? Not only does the Orbit have a fine sound system, and facilities which elicit few complaints; most importantly it has a crowd who have a clue. Who go to see the DJ rather than to say they've been to Fabric / Bugged Out / Whatever, and who will understand what it is Jeff's trying to do. What is more, clubs like Orbit, Voodoo, Atomic Jam etc will also charge the punters a clear tenner less than Fabric. I had an interesting conversation with James Pennington a few months back about the crowds in Bugged Out (based at Cream lest we forget) compared to Voodoo when he played (clueless fuckwits was, I think, what we settled on). Both clubs are in Liverpool, both supplied much the same standards of accomodation, etc; but if he'd stopped the music and played Cosmic Cars in Voodoo, people would have done more than stop and stare... By opting for the expensive, commercial end of the industry, Mills is neglecting the promoters and fans who have fought long and hard to convince him to return to England. To suggest that this is about the gender bias in clubs is naieve, ill-informed bullshit. -s P.S. Hi, Paul, How's it going? _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] song ID
about 10 mins in, gene farris mix on frequency detroit (thanks christian...). http://www.frequencydetroit.com/instructions/Gene_Farris1.htm it's a common one, Derrick Carter also plays it a lot. undulating piano line and some guy talking over it wherever I go, I'm always on the move... sort of thing. -s _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] re: online mp3 Mixes
I'm looking for a load of downloadable, fairly high quality mixes to listen to in work (preferably not RM / Ram files). Any suggestions? (I've pretty much exhausted the deephouse pages). -s _ Join the worlds largest e-mail service with MSN Hotmail. http://www.hotmail.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] re: drexciya LP
Yep, and didn't buy it. It's not bad by any means, but from Drexciya I just expect a little more. I heard an advance of the album last week, and sadly this could be said for the whole thing. Like you say, not actually bad, and still very Drexciyan (you know what I mean...), but not actually anything special. Drexciya by numbers, so to speak. Is Fabrice's album on general release? Where? -s _ MSN Photos is the easiest way to share and print your photos: http://photos.msn.com/support/worldwide.aspx - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] re: Clubs tonight
Quick question... Anyone got any recommendations for going out in n.London tonight? -s _ Chat with friends online, try MSN Messenger: http://messenger.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] re: song ID
Anyone know what the song at 12:30 of the first Ron Hardy mix on DeepHousePage (with the bassline from 'Throw' and vocal singing get it right) is? -s - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] RE: (313) speaking of sylvester... (was Re: (313) song id)
Speaking of Esther, If any one sees her cover of home is where the hatred is , I want it... That reminds me, I was at the Sink's re-opening birthday last Sunday, and whilst having a flick through 7s I couldn't afford and would never see again, I noticed the man selling them had a portable record player. It was about 10 long by 4 wide, and was apparently made by technics until about 1989. It looked something like a vinyl walkman... Anyone ever seen one? -s From: Nick Hardie [EMAIL PROTECTED] To: seth redmond [EMAIL PROTECTED], 313@hyperreal.org Subject: Re: [313] RE: (313) speaking of sylvester... (was Re: (313) song id) Date: Tue, 6 Nov 2001 20:21:31 - Yeah, he started off at the Blackpool Mecca where he had a reputation for unearthing records no one had heard of, uh...didn't they all?... Yeah, that's part of what it was about, but Levine was also known as being the main man for it. His parents owned some successful businesses in Blackpool, and he was one of the first Northern Soul DJ's to fly over to the US with the intention of going to old warehouses and shops to buy rare soul. He also became a pariah at one of the other famous clubs, the Wigan Casino, due to him pushing newer records rather than just 'oldies'. Apparently Esther Phillip's 'What A Difference A Day Makes' nearly tore the scene in two. Nick _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] RE: (313) speaking of sylvester... (was Re: (313) song id)
Yeah, he started off at the Blackpool Mecca where he had a reputation for unearthing records no one had heard of, uh...didn't they all?... _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] santos rodriguez
Santos Rodriguez = Steve Bicknell. I've read this in magazines and I was pretty sure it hinted at it in the promo notes for Road to Rio... I'll check later - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Techno for funerals
Sabres of Paradise - Smokebelch two (Beatless mix) - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] ..article..
absolutely, don't forget that the article is aimed at people who know almost nothing about dance music and it points out a large number of the sites I regularly visit. I was quite impressed when I first read it... I disagree with all the negative comments on the list about this article. First of all, I see no factual errors in the article, which is unfortunately rather rare in these kinds of articles. Second, it doesn't focus on the well-known artists we all love to hate, but instead gives respect where respect is due. Finally, it's an article about dance music, not just about techno and particularly for a UK audience, you can't ignore UK garage (imagine the Freep writing about dance music and ignoring Detroit techno!). I think that -given the constraints of writing for such a broad audience- it is actually a pretty good article. Otto PS If Martin himself is still on the list, maybe he can comment about writing about an insider topic for a broad audience. -- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] ..article..
absolutely, don't forget that the article is aimed at people who know almost nothing about dance music and it points out a large number of the sites I regularly visit. I was quite impressed when I first read it... I disagree with all the negative comments on the list about this article. First of all, I see no factual errors in the article, which is unfortunately rather rare in these kinds of articles. Second, it doesn't focus on the well-known artists we all love to hate, but instead gives respect where respect is due. Finally, it's an article about dance music, not just about techno and particularly for a UK audience, you can't ignore UK garage (imagine the Freep writing about dance music and ignoring Detroit techno!). I think that -given the constraints of writing for such a broad audience- it is actually a pretty good article. Otto PS If Martin himself is still on the list, maybe he can comment about writing about an insider topic for a broad audience. -- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] dope computer vocal
always sounded like dope like Orlando to me... - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Is Prince the root of all Techno?
I think what a lot of Europeans don't realise is how little Reggae and Dub permeated America at all. Apart from a little Wailers, Jimmy Cliff and latterly Yellowman and Beenieman there wasn't the same invasion as happened over here. That said, if you want to you can trace the whole lineage of rapping to Jamaican DJ's and toasters, Especially U-Roy... -s - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] re: flux / UR
So who's going to this little shindig then? - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Re: UR London
Date: Tue, 07 Aug 2001 17:08:20 +0100 To: [EMAIL PROTECTED] From: seth redmond [EMAIL PROTECTED] CC: 313@hyperreal.org Subject: re: UR London Message-ID: [EMAIL PROTECTED] Chaos, Red Planet, and the Notting Hill Carnival... That's got to be the best weekend of the year Seth I'm having trouble posting to the list so I'll send it to ya directly-(maybe you can post it back to 313 for me) well, there's MORE on that weekend as well. LOST Steve Bicknell Robert Hood DJ Rush John Kennedy Kim Blair Du-Cru Sonarfly John Reynolds Mario Mass, London www.lost.co.uk http://www.lost.co.uk I know, I'm trying to put this out of my mind for the moment 'cause I don't think I'm going to go. It's on the Sunday isn't it? I reckon if I make plans to do anything after carnival I'll never keep to them. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] re: UR London
I reckon the one you're after is the Flux Vs. UR shindig on August bank holiday weekend. There aren't many details about at the moment, apparently it's at a 'secret' location (oh, how underground...). Ticket's haven't gone on sale yet, so plenty of time to find out. Chaos, Red Planet, and the Notting Hill Carnival... That's got to be the best weekend of the year Hasta Seth - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] re: dave clarke
Gary, I reckon we all know you like Dave Clarke by now, There are a number of people on this list who think he's dull and overrated... difference of opinion, OK? Personally I've seen him more times than I care to remember, and he's played well on maybe two occasions, tops. The last time I saw him I walked out after an hour having paid a tenner to be there. You're not going to change anyone's mind by endlessly repeating but he's won this, I saw him here, etc ad nauseum... -s _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Global Underground series - HP-DJ mixing
really any discussion of this kind has to touch on Coldcut's seventy minutes of madness JDJ mix. as far as I know, the mix is totally artificial but is overdubbed with all sorts of things. and the album is one of the best I own. Purely because they didn't treat it like a normal mix. _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] new digest delivery
I sure wish the folks at 313 hadn't felt the need to tinker with it though! Actually I have to register my approval for the new digest. This is far better, more readable, than it was before... -s _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] last chance track ID
Hi all, since I fear this will go off-line after the next one. Can anyone ID this track for me. From Kevin Saunderson at last years DEMF http://www.groovetech.com/PhoenixData/SilverStream/Pages/srvltRecMed?RecordedMediaID=33419 about 11 mins in, after Designer Music. I REALLY need this one... hasta seth _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] thanks, track ID'd
New Standards, that's the one... much obliged. -s Don't know who's the re-maker/re-mixer, but it's based on Munich Machine's Get On The Funk Train (Moroder track). didnt get a chance to listen to the sample - but theres a Hakan Lidbo 12 on Loaded called new standards where the a-side track is based on get on the funk train _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
re: vogel / dave clarke
vogel has a strange, moody reputation in the UK. i remember he pissed off dave clarke and others in the brighton scene for some reason, That's not exactly a tall order. Just about everyone's pissed Dave Clarke off at some point (including me). He's just a miserable bastard... _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
Re: [313] re: vogel / dave clarke
I had the temerity to be standing in the DJ box at Voodoo while he was trying to get through. It's a big area (and I was doing the lighting). and his set was crap... From: tim maughan [EMAIL PROTECTED] To: seth redmond [EMAIL PROTECTED], 313@hyperreal.org Subject: Re: [313] re: vogel / dave clarke Date: Sun, 6 May 2001 13:22:53 +0100 yeah? what did you do? (rubs hands together in glee at potential gossip) - Original Message - From: seth redmond [EMAIL PROTECTED] To: [EMAIL PROTECTED]; 313@hyperreal.org Sent: Sunday, May 06, 2001 1:23 PM Subject: [313] re: vogel / dave clarke vogel has a strange, moody reputation in the UK. i remember he pissed off dave clarke and others in the brighton scene for some reason, That's not exactly a tall order. Just about everyone's pissed Dave Clarke off at some point (including me). He's just a miserable bastard... _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
ford deck-tables
a stage that is built out of the back end of a real Ford Focus yes! who gives a sh*t about corporate sponsorship. I want one of these... D'you reckon you could get the indicators to act like disco lights? _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
re: DJ Bone
I seem to have lost DJ Bone's Hotmail address (subjectdetroit? subject_detroit?..). If anyone's got it, could they sent it me off-list? ta -s _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
re: andrew weatherall hypercity
I'm not sure if she's a regular subscriber, but you should really ask Amanda from Haywire. She posted something to the list a few days back about a party in London with Andrew, and haywire act as his agents. Sorry, I've not got an e-mail address for her... kia ora, seth Where can I get the Hypercity mix cd from Andrew Weatherall on Force = Tracks? The website says the release date was April 17 but the it's not = in their online store. I've also heard May 1 and May 15 from various = sources. Anybody willing to clear this up? I'm really looking foraward = to hearing this. Possibly it's been released in Europe and not here in = the U.S. yet? _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
re: gerald mitchell
speaking of Gerald Mitchell, i see hes got a track on 430 west. is it similar to the track on Interstellar? is it good? the groove within the groove, it's not as much of a floor-filler as Soulsaver was, but it's just as good, two real smooth house tracks. Although it's a bit of a pain to mix with since one side uses the 2X technology. Since he's come up again, and no-one answered the first time, I'l ask again, does anyone have a discography for Gerald Mitchell? or even knows any other tracks he worked on? I know there's another one on 430 west but I can't remember the name... hasta, seth _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
re: first mix
Ageing UK Radio DJ and Arch Tory Shell Suited Fool, Sir Jimmy Saville reckons he was, back in the forties. Personally, I am sceptical. actually, this is bang on the money. Jimmy Saville was the first person to use two turntables and mix two records over one another. Not that he beat-matched or anything, it's just before this all radio DJ's had left a respectful space between their records... scary f**ker as well.. _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
RE: [313] Too Black,Too Strong
actually this sample was on the original of I'll house you. A Royal House track called can you party. So as far as its appearance in house music goes, that dates it slightly earlier than the Jungle brothers. (speaking of royal house, why doesn't Todd Terry make tracks like Yeah Buddy any more?) i recall i heard this first time on jungle brothers i'll house you. and that's something like '89 or *so*. ..Too Black,Too Strong..Be Strong..Be Free.. Does anybody know the first track with this words? _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
Re: [313] Race and Techno Annoyance
But I can't help but be bothered that this stereotype, and reverse racism is being carried on nothing 'reverse' about it, it's racism pure and simple... this is the same type of argument which was used for years to suggest black people were 'tribal' and, in colonialist eyes, less worthy of education / investment and basically only good for plantations. I'm not denying there's a political argument to be had about race in music; more specifically, about the treatment of black art by the industry (which I believe Derek May was referring to). But before any of this bullsh*t carries on, please ask yourselves: what your reaction would be if it was the white Europeans on this list who were bitching about the use of Trans Europe Express by Afrika Bambaataa?' This argument is coming up far too often these days... -s _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
it only takes a minute...
hey, I know your all excited, but when replying, could you please take a second to 'not include orginal message'? I just got four digests in a day, and most of it was endless repeats of the DEMF lineup. much obliged... seth _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
Re: [313] Fw: Richie Hawtin live in the UK
No it REALLY can't be Gatecrasher, it can't be! Next thing we'll be hearing that he's playing Cream because they are now down with the Underground. actually James Pennington's playing there next weekend (well bugged out at least). speaking of which (and I know I'm behind the times on this one) did anyone notice Bugged Out as Muzik underground club of the year?... Underground? it fits 3000 people! f**king London journalists... kia ora seth _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
Re: [313] taking off labels
This was a practice picked up by the Northen Soul Djs in the UK who played almost exclusivly rare and old Detroit soul. actually, this is a bit wrong... Northern Soulies have always told the name of the tune. It was the importance of owning the track rather than knowing the name. Once it had been 'broken' they were all for telling folk since they'd be highly unlikely to ever get it, since some of the records were b-sides and outtakes which were never even released and were only found twenty-odd years later by trawling through warehouses. Also, they didn't all play old detroit soul. much (if not most) 'Northern Soul' was actually Mississippi based as -particularly around Wigan- the DJ's were after a particular 'driving' sound, and with detroit sound you just don't get the kick drums... It's an interesting point however that the sound in Yorkshire, mainly cleethorpes, (less famous and less well reported than Wigan / Manchester) is somewhat sweeter and more detroit based. A large number of northern soul DJ's will often toast their records trojan-style, including last time I saw them both Keb Darge and Dave Godin, and the same happens on some old (really really old) tapes. hasta, seth talc redmond _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
re: sound system wars -(was removing labels)
I'm getting way OT here, but... I recommend a book called Bass Culture: when reggae was king by lloyd bradley. It's the whole story of that Prince Buster / Sir Coxsone / Duke Reid sound system war and as well as being a damned good read, Lloyd Bradley is one of the coolest b**tards alive, and I'm proud to be able to give him a bit of my hard-earned cash. Detroit connection? I seem to remember that LLoyd bradley once played with George Clinton. If anyone can remember which band that was with I'd much appreciate it... hasta seth Sometimes these battles were literally just that. If my memory of reggae history serves me right I believe it was Coxsone (one of the major soundsystem runners) who would send thugs out to the rival soundsystems to bust them up... guns, bottles, rocks, knives the real deal. He would often do this to find out what song was driving another crowd nuts. Remove the label and he can't do that. He may destroy all your equipment but he wouldn't find out that hot tune was. _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
vinyl press
can't remember who wanted this but, there's a competitor to the vestax one... I don't know how they're supposed to shape up but here's a url: http://www.mixmachines.com/products/kingston.html it seems like a lot to ask of a technics to put up the kind of torque to cut vinyl (even special vinyl or whatever) but I'm still interested... there's a cottage industry just waiting for the first record shop to buy one of these, or the Vestax, and churn out dubplates for all their wannabe DJ / producer customers. seth _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
Re: [313]� Drexciya was Venue Info
sorry, I had to interject... the last time this was discussed it was regarding Red Planet, and who was it let the information slip?... one of The Martian (or should that be one of the martians - this many-people / one-person thing plays hell with my grammar). if they want me pay my 7 quid for their records, then I have a right to be curious and it's up to them to be secretive. quite simply, if they wanted to be anonymous that much, they shouldn't have let it slip... I won't post it here flame fans, but if anyone wants to know they can check the archives at about november last year. - seth _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
Re: [313] -in defence of Oakenfold
I don't know the track either, and yes, he's the epitome of the overpaid underskilled DJ. (so please don't write back to tell me this) But (and it's a big but) it seems no-one remembers he used to be a pretty good producer. I guess a lot of the American folk haven't heard Pills, Thrills and Bellyaches by the Happy Mondays, or Oakenfold's genuinely good remixes of such. -and of all his generation, at least it's not as bad as the route taken by Mike I used to play the hacienda you know? Pickering. I'm getting all misty-eyed now, I might have to go find my copy of groovy train, and a beanie hat... Seth Don't know that Bullet in the Gun track you speak of but I'll make him aBullet in the Brain track right now... ; PThe Kooky Scientiston 2/22/01 5:50 PM, Mad Wax at [EMAIL PROTECTED] wrote: hey! dont diss oakenfold, his bullet in the gun track was truly innovative! ;) mad wax That makes the hpDJ 40% better than Oakenfold!!! The Kooky Scientist _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
Re: [313] re: Derrick May questions?
christ, I post a half-serious message to 313 and I get responses filled with bigoted sh*te or suggestions that it's attitude's like mine which are stopping him releasing another album... (as if artists stop producing because people actually want to hear their music). Check the post cyclone, I did actually propose a serious question, regarding his (and other people's) general move away from the dancefloor as their work progresses. I know the possible reasons (and everyone's opinions -thanks) and would be interested to hear Derek's. As for the rest of the post, It was a f**king joke alright? I think derek might actually have a sense of humour, something a few people 'round here are lacking. Andy Weatherall found it funny... -s _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
re: Derrick May questions?
hows about we all get together and pay you to give him chinese burns until he agrees to make another album. Actually, I've always wanted to know what 'problem' he has with out and out dancefloor music. For instance: He often says he doesn't like to use bass drums, because it's an easy way out / cheap trick / whatever. seemingly falling into the rather elitist pov that dancefloor material is less intelligent'... or there's the question I once asked andy weatherall... being a 'legend', do you ever wonder you might go sh*t and no-one would tell you? hasta, seth _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
re: Chuggles info...
does anyone know where I can get a copy of Dancin' Music by The Unknown? It was released on prescription on the b-side of a chuggles record in '93 (hector lopez mix of thank you) and I've been looking for it for years. I can't even find it on Napster to tide me over (ever tried searching unknown?) In fact, back with chuggles, it it just me or is Ralph Lawson hugely underrated? He's been releasing quality records for years now, and his DJing is smooth as hell... speaking of which, check the website for the club he's resident at http://www.backtobasics.co.uk (the intro's juvenile, but damned funny) kia ora, seth _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
re: brussels
Belgium-based 313-ers, It seems I'm going to be in brussels for a few days next month (9th - 11th). Any recommendations? (I'm already planning a trip to Fuse...). seth _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
Re: [313] UR in London, how was it? Why?
Most people were blown away by the live set, KDJ was fantastic and, despite dodgy mixing, the UR DJ sets were full of classic stuff, I thought. dodgy mixing?? Don't get me wrong, I'm not obsessed with smooth mixing over track selection, but this is U.R. we're talking about... who gave us Rolando and Suburban Knight as assault DJ's. with the people they have available, something is seriously f**ked up if they can't put forward a decent technical DJ for a gig this size, unless of course it was ranx's echoing walls. Seth _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
re: Martian
*** Good work, now go find out who Drexcia are... Hi guys and gals, Hate to go bursting bubbles, but I actually asked James Pennington last year as to who was behind the Red Plane series. He said that it was Mike Banks, Rolando, Chaos, and himself. He added that he was solely responsible for Red Planet 6. Regards Nick Craddock (Overload Media) -- http://www.overloadmedia.co.uk http://communities.msn.co.uk/darkenergy -- _ Get more from the Web. FREE MSN Explorer download : http://explorer.msn.com
RE: [313] Mike Banks / martian
U.R. 29 Dark Energy, Pennington's finest IMHO I'm not sure it can really be called a 'red planet' EP, as it's only mixed by the Martian, all tracks are produced by James Pennington or UR. I was always inclined to believe that the Martian was Mike Banks and this record kind of suggests that; but then perhaps not, I mean if mike wanted his martian persona to remain anonymous, then why put the record out on his label? although maybe that's just a really good cover story and he really is the martian. but then the martian could be trying to throw suspicion onto Mike Banks and... if a man who lies all the time says I am lying Seth First of all, The Martian is guy behind Red Planet and not Mike Banks. Mike always denies he is the Martian. But there is a Red Planet EP released on UR. It's the double pack with Suburban Knight, i think it was UR36 but i'm not 100 % sure about this. _ Get more from the Web. FREE MSN Explorer download : http://explorer.msn.com
Carl Craig u.k.
Well, just in case anyone's forgotten (and doesn't fancy spending a weekend on the Welsh coast in the worst storm Britain has seen for fifty years) Carl Craig's playing in Leeds on (I think) the 18th. check htmla href=http://www.innercity.co.uk;innercity.co.uk/a/html for details Personally, I don't fancy spending a ton to go to pontins in prestatyn (sorry any north Welsh folk out there, but it's just sh*t, it's almost as grey as Rhyl) _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
