RE: (313) What is Daniel Bell up to?
dan mentioned at the demf that he was going to move back to detroit for the summer to focus on making tracks. so hopefully that means there will be some new gems from him coming out this fall... dK www.latenightessentials.com LNE003 CPEN/JT Donaldson (out now) LNE002 Kai Alce LNE001 CPEN/dK >- Original Message - >From: "Fabrizio Nahum" <[EMAIL PROTECTED]> > >> He is one of those musical artists which i am obssessed about but most of >> his releases are from the nineties. >> What is he up to these days? Is he working on some new material? >> Anyone have some insider information? I would love to hear what direction >> his music has gone in. >> >> thanks >> fab >> > >
Re: (313) Best lines to the DJ
1. Where is this - I want to play there 2. Excuse my ignorance, but who/what is "Tomcraft"? At 12:56 pm +0100 16/7/03, Jonny McIntosh wrote: Somebody recently came up to me to bet me a fiver he could make it to the end of my set without making a fool of himself. After drunkenly staggering back and falling over a sofa immediately afterwards he quickly conceded defeat. The same night a girl started licking my new shoes. Bizarre. Best response to inane punter harrassment seems to be to say slowly and clearly: "Sorry, I'm not the DJ, he's gone off for a bit." (delivered in a - these aren't the droids you're looking for - style) Astonishingly this seems to satisfy people even if you're wearing headphones, pushing vinyl on turntables and fiddling with the mixer.
RE: (313) Best lines to the DJ
Best response to inane punter harrassment seems to be to say slowly and clearly: "Sorry, I'm not the DJ, he's gone off for a bit." (delivered in a - these aren't the droids you're looking for - style) Astonishingly this seems to satisfy people even if you're wearing headphones, pushing vinyl on turntables and fiddling with the mixer. At 11:34 am +0100 16/7/03, Langsman, Marc wrote: I was asked to play 'tiffany - I think we're alone now' once - after refusing I started receiving slips of paper with death threats and various obscenities in the dj booth for the rest of the evening :/ ... Clearly I'd rather die than play tiffany anyhoo so I didn't see it as that much of a problem ;) Peace, marc -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice.
RE: (313) Greg Wilson mix
Nurse! At 02:43 pm +0100 15/7/03, Odeluga, Ken wrote: Glenn Gregory used to be married to Sarah Gregory from Allez Allez who had hits like 'Promises' (which I've got somewhere and will have to dig out in the spirit of anorakism now I 've remembered ;-) Alas the Gregorys divorced some years after. But who should Ms Gregory wind up doing artwork for in the late 80's early to mid ninties? Why, only virtually all the 'detroit techno' pantheon, that's who!! Lookie here: http://music.hyperreal.org/lists/313/gallery/sg/ She also sung vox (IIN horribly M) on Carl Craig's lovely 'Sitting Under A Tree' from the cd version of 'More Songs About Food & Revolution' in 1997. Which proves my theory that it all comes back to techno in the end. I thank you, and good night. k -Original Message- From: Robert Taylor [mailto:[EMAIL PROTECTED] Sent: Tuesday, July 15, 2003 2:41 PM To: Martin; 313 Subject: RE: (313) Greg Wilson mix Glenn Gregory did a duet with Claudia Brucken for the single "When Your Heart Runs Out Of Time", and released a dance-project single as Ugly, and collaborated for ABC's new album. Claudia Brucken was the singer from Propaganda, no? ### ## Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. ### ##
Re: (313) Late jazz?
On the contemporary jazz tip (sort of) I can highly recommend the new HiM album on Fatcat: http://www.fat-cat.co.uk/?id=14§ion=2 It's absolutley gorgeous. Dan. At 06:40 pm +0100 7/7/03, Jonny McIntosh wrote: > i like this album a lot... http://www.allmusic.com/cg/amg.dll?p=amg&uid=CASS80307071313&sql=An7jqeat24x a7 shake, i'll hit you up soon! okaybyebye>>> I was going to ask if anyone had any strong recommendations on jazz from after the 70s. Andrew Hill's album from 2002, "Dusk", is a firm favourite of mine - I'm listening to it for about the 200th time as I type. It isn't Marsalis style classic jazz, it isn't noisy art made for Wire readers, it's just ace. Much like Joe Henderson (yes OK, Jurren so what? ;) Andrew Hill just focused on his own musical personality, without caring much for fashion. That's a good signal that Here-lies-great-music if you ask me. Anyone else got some hot late jazz tips? Dusk: http://www.allmusic.com/cg/amg.dll?p=amg&uid=CASS70305161434&sql=Aexg9keztaq7q
Re: (313) Portable
Aha! I also just got back home from this (3.30am) - another deeply affecting set from Alan. I hadn't had a good dance for ages until tonight - still buzzing in fact! If anyone gets the chance to check him out do so without fail, his live sets have never dissapointed, as Tristan said, something primal about them that's irrestible. He's also releasing stuff on Sud as well as Background BTW. Any other 313ers present apart from Tristan? Dan. At 01:22 am +0100 7/7/03, Phonopsia wrote: Not sure how much folks are paying attention to Background these days, but if you are, and get the chance to see Portable live, I highly recommend it. Seen him a few times in the last year, including tonight, and his sets are always wicked. He injects something primal into clicks 'n cuts. It's great. Tristan === Text/Mixes: http://www.phonopsia.co.uk Music: http://www.mp313.com Contact: [EMAIL PROTECTED]
RE: (313) OT - cantina band
artist http://www.discogs.com/artist/BT_Express, madhouse is the label. dK -Original Message- From: Ralf Gill [mailto:[EMAIL PROTECTED] Sent: Monday, June 09, 2003 11:41 PM To: 'Matthew Mangold'; '313@hyperreal.org' Subject: RE: (313) OT - cantina band Is that BT express a label or artist? -Original Message- From: Matthew Mangold [mailto:[EMAIL PROTECTED] Sent: Tuesday, 10 June 2003 1:13 p.m. To: 313; Phonopsia Subject: RE: (313) OT - cantina band There's another one out there: BT Express - Level One EP; track B1, "Tripin'" on Madhouse. MH-01. I'm pretty sure this is the one that Carter plays. Matthew -Original Message- From: Phonopsia [mailto:[EMAIL PROTECTED] Sent: Monday, June 09, 2003 8:28 PM To: 313@hyperreal.org; [EMAIL PROTECTED] Subject: Re: (313) OT - cantina band - Original Message - From: <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Monday, June 09, 2003 10:38 PM Subject: (313) OT - cantina band > > peeps > > what is the track that derrick carter plays that samples the cantina band > from star wars ? i think there's one on juice records but there might be > others too...? thanx. It was a 7" on Columbia called "Cantina" if I'm not mistaken. By John Williams. First 7" I ever owned. :P :P :P Tristan === Text/Mixes: http://www.phonopsia.co.uk Music: http://www.mp313.com Contact: [EMAIL PROTECTED]
Re: (313) Think Twice - Detroit Experiment
Dunno, if this is it, but there is a rather feeble chart version rip off of 'Think Twice' getting a fair bit of radio play at the moment. It basically loops the female vocal "You know we gotta think twice" bit ad infinitum. My question is, why ignore the funky breakdowns, there's at least two in the song? Sorry for OTness. Dan At 01:12 pm +0100 5/6/03, Odeluga, Ken wrote: OK - info pls. 'Think Twice': Is it a cover of the Donald Byrd song? (have had to curb record buying this month or, or *else* :-) Ta, k
RE: (313) Crazy sick
put me on the list as well, my sinuses and head have been throbbing since i got back :( totally sux dK - www.latenightessentials.com -Original Message- From: The REAL Mxyzptlk [mailto:[EMAIL PROTECTED] Sent: Friday, May 30, 2003 8:13 PM To: [EMAIL PROTECTED]; Anya Stang Cc: 313 Subject: Re: (313) Crazy sick Put me on this list. jeff At 01:21 PM 5/30/2003, [EMAIL PROTECTED] wrote: >"Anya *too jet-lagged and nose-blocked to write more atm*" > >Anybody else come back and immediately get sick as a dog? >My wife and I are both fighting nasty cold/sore throats
(313) Re: Come In 'Techno'
On Friday, May 30, 2003, at 10:50 AM, spw wrote: I would like to see Detroit techno go back that says it all.
Re: (313) I could care less (was Hawtin or Mills...)
bored? why not start the weekly friday afternoon 313 flame war? how about "morris minor and the majors encapsulate the true spirit of techno, everyone/thing else is a load of cobblers" At 01:14 pm +0100 30/5/03, Placid wrote: Talking about strange sayings I was trying to console someone the other day..and told them 'it will be ok..it's all uphill from here, then thought that's not right it's all downhill.. Which is even worse... In the end settled for meandering around in the middle of the hill carefully avoiding entrances to rabbit warrens... As u can guess its Friday..i havent been to the pub yet and I am bored..
(313) 7th City
nah ... we were there until at least 3:30 or 3:45. It was shut down by 4:00 though. On Wednesday, May 28, 2003, at 02:51 PM, [EMAIL PROTECTED] wrote: This party got busted by the time we got there @ 2:30 am or so.
(313) the name game
was that you that introduced blacktronica then? that was a nice touch. On Tuesday, May 27, 2003, at 01:51 PM, [EMAIL PROTECTED] wrote: brothas gonna work it out! stay tuned to a new frequency badi
Re: (313) Techno Family Tree
whoops, meant to type 1987, as appears in their timeline. Aaah1987, the days when ministry and cream did not roam about being rubbish! ministry of sound and cream on ibiza in > 1997?
Re: (313) Techno Family Tree
Is it me, or are loads of the dates and facts wrong on this? e.g. speed garage predates jungle? ministry of sound and cream on ibiza in 1997? Panasonic's 'Vakio' LP most influential experimental LP of the 90s. As the supposed result of 2 years of research, it seems kind of sparse and innaccurate to me. Is anyone else able to correct my ignorance/agree with me? Dan At 12:21 pm + 23/5/03, Martin wrote: Thought a few people here may be interested in this link... http://www.intuitivemusic.com/technoguidetimeline.html -- Martin Dust Parkhead House 26 Carver Street Sheffield S1 4FS
Re: (313) juan atkins?
He's got his studio pretty much together out in L.A. now. Recently contributed "Something About the Music" to the OM 100 compilation, and is still running Metroplex, DJing etc., etc. -d On Friday, May 16, 2003, at 08:50 PM, Rc wrote: haven't heard anything about juan for ages - does anyone know what he's up to these days? rc
Re: (313) T-1000, Woody McBride - Tonite in Louisville $10
On Friday, May 16, 2003, at 01:46 PM, Adam Jay wrote: Lou Rawls > Project 7 > Louisville "You'll never find ... another DJ like this ..." :P
RE: (313) Track id
awesome track - it samples "Love & Happiness" by Al Green D. At 07:49 am -0700 16/5/03, Bulger, Tim wrote: Soul Saver is also available as a 12" on SID-006.. Great track. Anyone know the song that the main loop is sampled from? It's sped up quite a bit.
Re: (313) Best Drexciya
Oh, we're talking tracks now ... I meant "Grava 4" was their best album IMHO. My favorite track is still "Depressurization" off their first EP on Shockwave. -d On Friday, May 9, 2003, at 02:23 PM, Thomas D. Cox, Jr. wrote: -- Original Message -- From: "Pryor, Ryan N" <[EMAIL PROTECTED]> Pinpointing my favorite Drexciya track/release is impossible. That's like deciding which of your children you love the most. However, I can narrow it down good choices. here's mine: 1. Under Sea Disturbances (Harnessed the Storm) 2. Journey Home (Journey Home EP) 3. Organic Hydropoly Spores (Neptune's Lair) 4. Lonely Journey of the Comet Bopp (Shifted Phases) 5. Eye Contact (Other People Place LP) 6. Denki No Zuno (Dopplereffekt) tom andythepooh.com
Re: (313) Movement Sponsors
oh please. I bet Ford plopped down a LOT more money than all of this year's sponsors combined. -d On Friday, May 9, 2003, at 01:26 PM, Sylvia wrote: Clear Channel, Direct TV, General Motors & a private investment group take combined $250 million stake in XM satellite radio (1999) Learn more at http://www.xmradio.com/newsroom/screen/press_release_1999_06_08.html another one http://www.digitalaudioguide.com/features/satellite_radio.htm And they still want me to believe that artists who will play at the festival cannot be paid because no sponsor has been seriously take a commitment??? Calling all propaganders around, now you really really must have a deep think about where you are going to...with that...
RE: (313) Lab Rat XL (Was : New Drexciya album out!)
The sheer amount of quality material is astounding - reminds me of the story/myth of AFX having 1000s of hours of sublime material recorded but that he refuses to release. Oh yeah, like the armoured car story and the not sleeping for 3 months during the making of SAW2 story and the owning that weird silver cuboid building in the middle of Elephant & Castle roundabout story. What a genius! Dan P.S. Thanks for the shifted phases info Ken, your timing is immaculate as usual.
RE: (313) Lab Rat XL (Was : New Drexciya album out!)
The Transllusion L.I.F.E. album is something I don't dig True that it's not consistent, but the "Dimensional Glide" track is awesome! One of my fave electro tracks. Never heard about "Shifted Phases", can anyone fill me in on this? Label, style, availability etc? Thanks Dan
Re: (313) Lab Rat XL (Was : New Drexciya album out!)
Wow ... I believe this is possibly their *best* release! On Friday, May 9, 2003, at 12:13 PM, Roland van Oorschot wrote: the Grava 4 album on Clone is (IMHO) the weakest Drexciya release.
Re: (313) Every Dog 4
oh, it's more than favoritism -- it's a conspiracy! DJ Fox Mulder On Friday, May 9, 2003, at 10:41 AM, spw wrote: It is my observation there is favoritism towards song based format techno over track based techno form regular mailing list contributors. This would explain the interest in pop music, deep house, pre-techno retro music and a dislike of techno genres such as Swedish techno.
(313) bone
If DJ Bone is on the list, email me privately. or if anyone simply has his email address ... thanks! d
Re: (313) New Movement artists
Timespace ... yes, the same artist(s) that played the first festival. At the time, the lineup was: Aril Brikha, Tony Drake and Jeremy Ellis! (I'm probably forgetting someone). I've seen them play with Neil Ollivierra on drums too! Awesome sets. -d On Friday, May 9, 2003, at 08:56 AM, Klaas Jan Jongsma wrote: We noticed that there are some new artists on the DEMF line-up today, also saw an artist called Timespace, anyone know who that is? Any connection to the Transmat Time:space compilation maybe :)) [EMAIL PROTECTED]
Re: (313) Apple music sales
yep ... got the ABC "Zillionaire" album I had on vinyl in college and sold back for groceries or beer money. :P still waiting to see the electronic selections pick up though. On Saturday, May 3, 2003, at 03:37 PM, Anthony wrote: Anyone using it?
Re: (313) Yes I Am An Antsie MoFo!!!
not yet ... least not on the site. anyone at the press conference? -d On Friday, May 2, 2003, at 03:01 PM, Phonopsia wrote: Lineup lineup lineup!!! I've already had to sit through 9 hours at work waiting for this, 5-8 hours more than you bastards in the states. Let loose whatchoo know! :) OK, I'm being a precocious f*ck. ;) At least I'm not in oz. :) Any news at all? Tristan === Text/Mixes: http://www.phonopsia.co.uk Music: http://www.mp313.com Contact: [EMAIL PROTECTED]
Re: (313) electro house is taking over (maybe not just in OZ)
This is the only decent use of labels IMHO ... On Wednesday, April 30, 2003, at 09:59 PM, Cyclone Wehner wrote: Realistically, practically, if you look at the way music is organised in record stores
Re: (313) SOMEONE SHOULD, HINT - DAN SICKO :)
On Friday, April 25, 2003, at 09:00 AM, Martin wrote: all the Techno recorded material from start to present day I've already started ... the problem is new records keep coming out every day, so I'm not likely to finish anytime soon. :P -d
Re: (313) plastikman font
one more item on this: http://www.fontshop.com/virtual/FSSF/products/fuse04.htm On Wednesday, April 23, 2003, at 07:57 PM, Dan Sicko wrote: The font is called "(F) Uck N' Pretty," designed by Chicago's Rick Valicenti. It was part of the Fuse 4 collection of conceptual fonts. -d
Re: (313) plastikman font
The font is called "(F) Uck N' Pretty," designed by Chicago's Rick Valicenti. It was part of the Fuse 4 collection of conceptual fonts. -d On Wednesday, April 23, 2003, at 06:39 PM, [EMAIL PROTECTED] wrote: prolly someone from Prince's company, since it looks so much like the 1999 cover.. which was 1983, just so everyone can groan about their age. - Original Message - From: "[-[-]-[]-[|]-]" <[EMAIL PROTECTED]> To: "spw" <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Wednesday, April 23, 2003 3:32 PM Subject: Re: (313) plastikman font this font is widely available on the internet last time I checked. I hope whoever created it is getting paid
Re: (313) spotters Q
I'm pretty sure the first pressing is white with black writing and Alan's art. Some of these had one of Alan's "Johnny Gambit" comics packed with them as well. -d On Wednesday, April 23, 2003, at 06:57 AM, Stuart Thomas wrote: Where was it pressed??? I think the original pressings were done at archers & the later one's at nsc. I may be wrong but that's what I thought... -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 23 April 2003 11:54 To: 313@hyperreal.org Subject: (313) spotters Q I have a trainspotters Q. I'm just listing some records for ebay as I'm skint and I have a spare copy of Nude Photo - what I think is the first pressing. It has an orange label, with black writing and credits T.Barnett, D.Wynn, J.Atkins and D.May. Is this the first pressing, does anyone know? Any help appreciated. Thanks, Alex _ - End of message text This e-mail is intended only for the person to whom it is addressed. If an addressing or transmission error has misdirected this e-mail, please notify the author by replying to this e-mail. If you are not the intended recipient you must not use, disclose, print or rely on this e-mail. PricewaterhouseCoopers LLP is a limited liability partnership registered in England with registered number OC303525. The registered office of PricewaterhouseCoopers LLP is 1 Embankment Place, London WC2N 6RH. All partners in PricewaterhouseCoopers UK Associates A are authorised to conduct business as agents of, and all contracts for services to clients are with, PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring. Visit our website http://www.pwcglobal.com ___ _ This e-mail has been scanned for all viruses by Star Internet. The service is powered by MessageLabs: http://www.star.net.uk
Re: (313) nu era/nubian mindz
His track "Burning" on the Scattered Snares compilation knocked me on my @ss ... the whole compilation is really intense, but that one's my favorite. -d On Sunday, April 20, 2003, at 06:44 PM, marsel wrote: nubian mindz is mr colin lindo aka alpha omega
Re: (313) More great rumors I heard
They're playing on 4 separate stages simultaneously ... all solo material, like the KISS solo albums from 1978. On Friday, April 18, 2003, at 12:57 PM, Klaas Jan Jongsma wrote: What! No rumours on Kraftwerk so disappointed now
Re: (313) UR
I think that was his dad, not Mike himself. -d On Monday, April 14, 2003, at 07:53 PM, Wes wrote: It's also worth remembering that Mike Banks (like K. Larkin, S. Stoll, J. Hendrix) is an ex-armed services man
Re: (313) test
> In my opinion the elitist politics like on the 313 list are counter > productive in generating a > more wide scale interest in > techno music. > For example, just by observing record store stock list that I'm subscribed to > (I do not have > accesses to distributor > stock list like many people here) I noticed there are a lot of 313 music from > labels that do not > get discussed here or posted for review by the mailing list administrator. Well, discuss it then! You don't have to wait for an admin to bring it up --- why should you? Keeping this information to yourself smacks of elitism in my book. -d
Re: (313) what happened to Detroit
I could be wrong, but I thought from the context that Ken meant "these
days"
?
On Friday, April 11, 2003, at 04:21 PM, Matthew MacQueen wrote:
It has to be said on the whole also that America is not
the major place for underground movements of any kind.
Avant-garde music ('cause that's what we're talking
about) included.
WHAT !?!? :)The Birth of Jazz wasn't an Avant-garde movement in
America? In the 50s and 60s in the Bebop era it was not widely
accepted by the general public either, it was considered threatening
and frightening to most Americans. I consider that an underground
movement.
Re: (313) artists vs. bootlegging
On Friday, April 11, 2003, at 08:22 AM, RAW2019 wrote: but because his recordcompany didn't find it in prince's [read: sony's] you mean Warner's?
Re: (313) 808 State - Outpost Transmission
I really dug it. Of course I'm a fan (I sort of rediscovered them whilst writing the book) It's not quite as ornate as Don Solaris, but not too far off the mark. -d On Monday, April 7, 2003, at 02:08 PM, [EMAIL PROTECTED] wrote: Was there talk about this a while back? It's just been released in the US - how is it? MEK
Re: (313) Re:COBBLESTONE JAZZ (was) Some MUTEK news
BTW, has anyone seen this one in US stores, preferably online? Been looking for it ever since I heard "The 5th Element" on Dan Bell's new mix ... Much obliged. -d On Friday, April 4, 2003, at 04:42 PM, fabrice Lig wrote: COBBLESTONE Jazz, on Itiswhatitis, is one of the best deep techno release from the last few moth...I love that Deep, deep, deep !!!
Re: (313) festival sites
Yes we have ... but obviously there are still a lot of confused people out there. If we had the other URL (it appears there isn't one at all), we'd have an easy way of sending people to the right (or wrong if you prefer) places. -d On Wednesday, April 2, 2003, at 11:14 AM, Mark S. Krüx wrote: Thems the facts. Haven't we beaten this dead horse more than enough already?
(313) festival sites
OK, Now that demf.com does redirect to movementfestival.com, Where is the "official" DEMF (Inc.) site? I'm curious ... It would help sort things out for people outside this list or people reading the local papers. -d
Re: (313) Monobox / Cabanne (fwd)
It's amazingly good. That "1-2-3 No Gravity" track opens it up perfectly ... whenever I hear the opening chords I *have* to listen to the rest of the mix. One of my all-time favorites to be sure. On Wednesday, April 2, 2003, at 06:41 AM, robin pinning wrote: is the dan bell mix any good? (i know daft question i suppose but we're slow on traffic :) )
Re: (313) A triumph for electronic music!
Congrats to Morgan and Darshan ... How'd those two Ritz crackers get mixed in with all that CHEESE? -d On Fri, 21 Mar 2003, Minto George wrote: > 03/20/03: HELL FREEZES OVER! > Metro Area wins "Best New Artist Album" at The > American Dance Awards. > > http://www.dancestar.com/ > > congrats to morgan and darshan for this outstanding > achievement! > > if your in miami tonight...they are playing LIVE with > strings @ Sagamore Hotel > > minto > > = > down low music http://downlowmusic.org > UPCOMING 2003: > dL ltd tribute 12" dLpgccX > Polarius "Jams from the funk dump" dL009 > Dan Curtin "distort.archive.desire" dL010 > The Connection Machine "Painless" dLCMLP1 > > __ > Do you Yahoo!? > Yahoo! Platinum - Watch CBS' NCAA March Madness, live on your desktop! > http://platinum.yahoo.com >
RE: (313) Where do you keep all your records?
i like to use wooden adjustable storage shelves. i'm talking about the ones that allow you to adjust shelf placement. once i set my shelves in place, i screw a 1x4 board under each to give the shelves a little extra stabiliy and keep records from wanting to slide out the back. you can buy fancy versions of these shelves at places like the container store or hit home improvement shops. they are all over the place. here's a pick www.latenightessentials.com/img/misc/records.jpg of 1 of my 3 set ups incase my explanation dosen't make sense... dK -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Tuesday, March 11, 2003 2:54 AM To: 313@hyperreal.org Subject: (313) Where do you keep all your records? Hi, maybe a stupid question, but where do you store all of those records? Just in your livingroom in a cabinet or just stacked away in some corner, or in crates? Any ideas, photo's of there records, etc? I'm moving this month to my new house and want to get rid of all those crates but I find it hard to find a nice cabinet or something for a decent price, I'd better buy more records for that money then :-) I own about 1400 records but there surely are people with a lot more records Thanks, Remco
Re: (313) MM Bootlegs + R&S at LOST
Two things: 1. I don't think that someone is "asking for it" if they overprice their releases. Obviously vinyl is hugely important, but it's not our right to be able to buy records at the price we want. That's a justification for theft - which is what bootlegging is. I should note that I'm only trying to outline what I see as the principal, I've bought bootlegs in my time. 2. R&S at LOST - v. good indeed. Don't know what Maurizio and Mark look like, but assuming that they have an impassive, vaguely teutonic appearance then it was probably them (nice polo neck!). They played a puckah selection of mostly 80s + a bit of 70s, that would have gone down pretty well at a dedicated roots night. They also played 'King In My Empire'. Major difference from a roots night was that almost no one was dancing. I found this a bit strange since reggae is dance music after all. However, it actually worked really well in the LOST context, since they have been lacking a proper chill out room for ages. I think it makes the main room work much better (though moving the reeking toilets out of the chill out room probably helped as well). Dan >Amp dog knight - feeling fine is just new It's new, but somewhat unbelievably, it went for $90 on ebay last week. And I bought the KDJ17 for $30 last month.. wich is still too much in my opinion... Yep, it's deffo too much, but I know it's been going for £40 ish here. So why would you want to bootleg this? Well, I'm not too sure really. Was really interested to hear what other people thought about it. That's my point, I don't get it. Surely they must be doing it for financial purposes, which, in my opinion, in this small industry, is bang out of order really? (maybe, dunno what I think really, just up for a discussion on this slow afternoon).
Re: (313) tone arm wiggling
I can think of three possible explanations: 1. the height ring is not locked, which makes the whole assembly a bit wobbly 2. the pins holding the arm in place are a bit loose (tighten v. gently) 3. the socket that the headshell sits in is loose - this is really annoying and may require a new tone arm. Dan I also noticed with that table when I cue records or try to scratch the needle and tone arm move around a lot and usually pop out of the groove. the other table does not do this. I've been experiencing this problem a lot recently. I bought new needles last year but the problem remains, when I cue the records the needle jumps out the groove and goes back to the start. Putting 5 p coins on top of the cartridge sorted the problem out but when I read on 313 about extra weight damaging records they came straight off! I've tried adjusting the weight & height of the tone arm but it doesn't help the problem. I put it down to the fact that I must have been sold some dodgy needles (they're the standard Stanton ones) & thought trying a different make might sort it out. Does anyone know what the problem might be? G.
RE: (313) [OT] vinyl pressing / tone arm setting question
Not superficially, the packaging and evrything tends to look quite kosher (I use Shure M447s - the bollocks IMO). One indicator is that they are suspiciously low in price. Dan WOW!...never heard of that. Is there a sure fire way to tell the difference? (visually) -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Tuesday, March 04, 2003 12:54 PM To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) [OT] vinyl pressing / tone arm setting question could be that you bought bootleg needles, these are quite common and very annoying This is a vaguely related question but still on the needles topic... I changed my needles the other day and noticed that they jumped like a bugger when I was scratching - went I went back to my old needles all was fine. How is this - do new needles need to be worn in for scratching purposes ?? Cheers, Marc -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice.
RE: (313) [OT] vinyl pressing / tone arm setting question
could be that you bought bootleg needles, these are quite common and very annoying This is a vaguely related question but still on the needles topic... I changed my needles the other day and noticed that they jumped like a bugger when I was scratching - went I went back to my old needles all was fine. How is this - do new needles need to be worn in for scratching purposes ?? Cheers, Marc -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice.
Re: (313) techno tunes that do it
Even though we've done this at least twice recently, it's always fun to read these ... I'll forgo the usual staples and just mention how much I love Deepart's "Picture #1" ... that sends chills every time! -d On Thursday, February 27, 2003, at 06:40 AM, ionizer wrote: Model 500 - Vessels in Distress Reel By Reel - Surkit Black Dog - Jauqq by Close Up Over (off Bytes) UR - Journey Of The Dragons Maurizio - M4/M4.5 Elecktroids - Mystery World
Re: (313) Surgeon - How good is he?
> I'm thinking of going to hear Surgeon DJ this w/e & was wondering what > peoples general opinion of him is. Second opinion on your Surgeon? sorry, couldn't resist. :) Haven't heard him spin, but his material is always interesting. -d
Re: (313) OT:Detroit SCI FI
no no ... "New Detroit." As if we should give up and start over from scratch. :) -d On Saturday, February 22, 2003, at 06:53 PM, logic7 wrote: RoboCop was set in Detroit.
Re: (313) playlists and conversations
They played the other night with The Strokes and the The Hives. On Tuesday, February 18, 2003, at 05:55 AM, Brendan Nelson wrote: Who are the bores? Can you name names?
Re: (313) Re: techno
yecch ... this is one person entering that information. As awesome and detailed as the Sonic Groove database is, it's still subject to opinion. If Aril Brikha ain't techno, I don't know what is. -d On Monday, February 17, 2003, at 03:31 PM, spw wrote: (description from the SG database: "slammin tech-house masterpiece!!!")
Re: (313) Re: techno
And what's with all these bizarre empirical statements? By "people," do you mean "you?" I'm sure the list is well aware that the popular definition of "techno" is somewhat different than what's discussed here on any given day. I'd even wager it's *why* they're subscribed to this list. -d On Monday, February 17, 2003, at 03:14 AM, spw wrote: people obviously distinguish the techno genre from other electronic music genres discussed on the 313 list and they associate the techno name with certain artist like Ben Sims, Surgen, DJ Rush, Robert Hood (M-Plant)
Re: (313) Re: techno
So techno is what the market decides it is? DJ Adam Smith, take a bow. p.s. those stock lists and mailing lists (like this one) are all personal opinions -- where are the hard facts? On Monday, February 17, 2003, at 03:14 AM, spw wrote: Subscribe to the Hardwax and Sonic Groove mailing stock list and read how they describe the records.
Re: (313) Re: techno
the latter. On Sunday, February 16, 2003, at 07:22 PM, Thomas D. Cox, Jr. wrote: alright, im somewhat confused. who is not able to see past the decades old tracks? the artists themselves from detroit, or the people who claim that detroit techno is dying? i can see the latter argument, but not the former. tom
Re: (313) Re: techno
On Sunday, February 16, 2003, at 05:48 PM, spw wrote: That doesn't equate to techno. Let's just agree to disagree. I've said the word means something different to every person you might ask, and that's obviously the case here. Detroit techno is like an endangered species with a dwindling population. Only because the species refuses to evolve, or rather, those interested fail to see where evolution has occurred. Why can't people see past tracks (however brilliant and groundbreaking) that were made decades ago? -d
Re: (313) [313] quick sample id.
I believe so! On Wednesday, February 12, 2003, at 09:50 PM, Lee Herrington IV wrote: hi folks. quick sample id.. i think i might know this one. eddie fowlkes, "time to express"... is that train whistle sound at the beginning from telex's "moscow disko"? oh, and techno is... onhcet spelled backwards... thimk about it. :-P cheers, lrh
Re: (313) t-1000 interview (techno rant)
I wouldn't ... Aside from a few very nice cuts, the rest sounded too much like a demo tape to me. I appreciate where they're headed -- I just don't think they're there yet. -d On Wednesday, February 12, 2003, at 06:30 PM, [EMAIL PROTECTED] wrote: i would add blaktronics to this list Original Message: ----- From: Dan Sicko [EMAIL PROTECTED] Date: Wed, 12 Feb 2003 15:24:19 -0500 To: [EMAIL PROTECTED], 313@hyperreal.org Subject: Re: (313) t-1000 interview (techno rant) How about the Emoticon folks, Delsin, Digital Soul? (to name but a few) There are lots of artists and labels that are creating wonderful evolutions of Detroit techno. On Wednesday, February 12, 2003, at 09:04 AM, spw wrote: you dont hear much about making techno for the 21'st Century. mail2web - Check your email from the web at http://mail2web.com/ .
Re: (313) t-1000 interview (techno rant)
How about the Emoticon folks, Delsin, Digital Soul? (to name but a few) There are lots of artists and labels that are creating wonderful evolutions of Detroit techno. On Wednesday, February 12, 2003, at 09:04 AM, spw wrote: you dont hear much about making techno for the 21'st Century.
Re: (313) t-1000 interview (techno rant)
Sorry for replying to my own post, but I had this thought: If we could just supply decks and a mixer with each "loop" record :P That being said, if you are, or aspire to be a DJ, those tracks make a lot more sense and can be quite enjoyable.
Re: (313) transmat v drumcode deathmatch
And I thought it was Laurie Anderson. Too funny. On Wednesday, February 12, 2003, at 11:40 AM, Robert Taylor wrote: "Talking about music, is like dancing about architecture." -Robyn Hitchcock I thought it was Frank Zappa?
Re: (313) t-1000 interview (techno rant)
Because it's far less interesting to listen to, IMHO. The thing with Detroit techno was that you could enjoy it at the club *and* on your own terms. I can't say the same for your so-called "DJ Tools." That being said, if you are, or aspire to be a DJ, those tracks make a lot more sense and can be quite enjoyable. -d On Wednesday, February 12, 2003, at 09:04 AM, spw wrote: How is Drumcode really that different than Mayday, Wiggin (one of the first techno records) or Nude Photo?
Re: (313) t-1000 interview (techno rant)
that all depends on your definition of "Detroit techno," now doesn't it? On Wednesday, February 12, 2003, at 09:04 AM, spw wrote: still creating "Detroit techno"
Re: (313) Fw: Jeff Mills Crate Diggin'
oops, somebody just mentioned that one. Definitely go for the "Deep Into The Cut" album as well -- the title says it all, dunnit? -d On Monday, February 3, 2003, at 11:52 AM, Dan Sicko wrote: How about the "Wizard" Mix of Code Assault's "Action!" on Technika ... that one doesn't come up too often. -d
Re: (313) Fw: Jeff Mills Crate Diggin'
How about the "Wizard" Mix of Code Assault's "Action!" on Technika ... that one doesn't come up too often. -d
Re: (313) theo parrish interview questions? (fwd)
how about: 1. where are you at right now? 2. where do you see yourself/your music in 20 years time? 3. Who is the child in the photo that features on your record labels? Dan Hello, It's quite likely that i'll be interviewing Theo Parrish tomorrow before his gig here in Chicago. I just wanted to extend an invitation to anyone who is interested in his music to pass on any questions you would like me to ask him. I must receive your questions within the next 24 hours or so. After it is done, i'll type up a transcript of the interview for everyone to read. Thanks! n/p np- The Stereonerds (Rather Interesting) . . .. . . . . . .. . . Official Tetsu Inoue Homepage, HeadTheater archive, and Tradelists @: http://web.math.luc.edu/~njurcin
(313) DEMF (R)
So we can have Tommy the Hitman and "Marvelous" Marvin? -d (waiting for the "Real Deal") On Thursday, January 30, 2003, at 10:03 AM, Cyclone Wehner wrote: Anyway, with all respect, what the hell has a boxer got to do with techno?
Re: (313) sleep music and finding Alex Patterson
sorry, I wasn't very clear before, I was looking for contact info for Alex Patterson, as in THE ORB Alex Patterson, apparently there are others bearing his name (or he theirs)... BOC - v. nice indeed, agree about Geogaggi though, shame Thanks Dan Not forgetting the mighty BOC. "Music has the right.." is a landmark LP of that genre. A shame that "Geogaggi" couldn't quite follow it up. On a Detroit tip, Infiniti's "Skyway" one the best things Juan ever did IMO.
RE: (313) sleep music
Can I second Black Buildings most heartily, heard the *whole* album recently rather than the vinyl EP and it is awesome (thanks Ken), does anyone know if the whole album got a vinyl release? Records I have inspected the inside of my eyelids to: Global Communication - Remotion FSOL - Lifeforms Doc Scott - Mixmag Live (mentioned earlier in the D&B discussion) Steve Reich - Drumming Fripp & Eno - Evening Star KLF - Chill Out Mills - Every Dog Has It's Day Vol. 3 Lonnie Listion Smith - Visions Of A New World The last one is also amazing if you're tripping heavily (.I'm told) BTW, does anyone have any contact details for Alex Patterson? Dan The boy and the Tree - Susumu Yokata Black Buidlings - Detroit Esc Company both can be amazingly complex and and on another listen quite minimal and simple, i think it depends on how your brain is wired at the moment of listening. but i cant sleep with music on. If anyone has any further recomendations of Susumu Yokata I would gratefully receive them. Many Thanks Rav
RE: (313) Amsterdam/313 related info needed
Outland Records was quite cool last time I visited. The Mazzo Club is ok ,but check the listings as they don't call Techno, Techno,( stange!) so look for DJ's rather than nights :)..Also another club is on the canal. erm I 4get the name but will check later for you .Paradise? something like that. Could that be Club Paradiso? I have a Bad Brains live album recorded there. Pretty amazing gig by the sound of it, though it has been a few years since I listened to it (ahem). BTW, saw that Norman Jay played this on Giant 45 last night: UR (Nation 2 Nation EP) Big Stone Lake Underground Resistance Should I be surprised by this? Hadn't noticed his 313 leanings before. He followed it with 'Today' by Tom Scott, which the hip hop heads among you will recognise from Pete Rock and C.L. Smooth's "T.R.O.Y". A track approaching the acme in soulful hip hop production IMHO. erm, promise to say something 313 related soon. Dan
RE: (313) sleep music
One other thing, when I solicited contributions earlier I also meant that I'd like to receive input on how such an event should be run (e.g. time, day of the week, amount of soft furnishings etc) As far as ethos goes, I think Brendan summed it up quite nicely with: "I miss those days when people would just lie around and listen to whatever pieces of sparkly electronic music you felt like playing for them..." Dan. SLEEP MUSIC 1. Why can't you hear this kind of thing played out in clubs? Two obvious answers I suppose, firstly - you can but I've missed it, secondly - because clubs want people to dance and buy beer rather than fall asleep. What happened to all the backrooms? I used to have some wicked sleeps in them. 2. Would anyone in London/UK be intersted in coming/contributing to an event based on this kind of music if I organised it, in a warehouse rather than a club? (Possibly Sunday mornings?) This is actually a long time bugbear of mine since despite my various playing out guises, 'sleepy' music is my true DJing love + a lot of the material has strong influences/been influenced/includes 313 stuff. Any views? Dan P.S. I'm not talking about the big chill here, though respect is due. my picks from Dreamland: Harold Budd "The White Arcades" TUU "All Our Ancestors" Loop Guru "The Third Chamber" Global Communication "Pentamerous Metamorphosis" out Wibo
RE: (313) sleep music
OH CHRIST! I went away for 2 weeks and I came back to almost 800 new messages in my inbox - the vast majority being from this list (I know, I should have unsubscribed) - spent most of this morning sorting them, good thing I don't have a job or anything anyway, on to more important things: SLEEP MUSIC 1. Why can't you hear this kind of thing played out in clubs? Two obvious answers I suppose, firstly - you can but I've missed it, secondly - because clubs want people to dance and buy beer rather than fall asleep. What happened to all the backrooms? I used to have some wicked sleeps in them. 2. Would anyone in London/UK be intersted in coming/contributing to an event based on this kind of music if I organised it, in a warehouse rather than a club? (Possibly Sunday mornings?) This is actually a long time bugbear of mine since despite my various playing out guises, 'sleepy' music is my true DJing love + a lot of the material has strong influences/been influenced/includes 313 stuff. Any views? Dan P.S. I'm not talking about the big chill here, though respect is due. my picks from Dreamland: Harold Budd "The White Arcades" TUU "All Our Ancestors" Loop Guru "The Third Chamber" Global Communication "Pentamerous Metamorphosis" out Wibo
Re: (313) the risks of datareduced music
what about all those years listening to cassettes? :) -d On Friday, January 24, 2003, at 10:12 AM, Fabrizio Nahum wrote: Hi gang, i think this can be of interest to most of you - it is an article that explains the neuroacustic damage one (potentially?) suffers form listening to datareduced music ie. mp3 and other digital audio her is the link: http://www.informatik.fh-hamburg.de/~windle_c/Logologie/MP3-Gefahr/ MP3-risk. html have a nice weekend, fab
Re: (313) classic sh!t at submerge! hot damn!
these are 2 of 4 cuts from Larkin's 2nd Plus release ... good stuff! -d On Friday, January 24, 2003, at 09:27 PM, J. T. wrote: Kenny Larkin - Integration / Metropolis (1991) Champion Records
Re: (313) Re:(313) Sub Club
Hah ... good call! Paris the Black Fu is a chef, BTW --- hence "Sandwiches" and "Big Onion" :) On Friday, January 24, 2003, at 06:02 PM, Mark S. Krüx wrote: It certainly is, and list member Graeme Kerr played an excellent set there last nigh by all accounts- three cheers for him! Isn't he the Galloping Gourmet?!?! ;-PP m*
Re: (313) Re: Maestro and 313 doco/dvd's..
this is the documentary being sold at the museum, right? -d On Wednesday, January 15, 2003, at 07:03 AM, Roberto Ty wrote: MAESTRO is an excellent documentary. 313 relevance - it features an interview with Derrick May!. It is the only film that I have seen that features footage of the paradise garage, the loft and Larry levan on the dance floor.It would be great to see this on DVD, I can recommend
Re: (313) Mayday / DEMF / Memorial
hah ... what makes you think Mayday & Co are more likely to snag CC as a sponsor than Pop Culture? -d On Friday, January 17, 2003, at 03:32 PM, xx xx wrote: Betting for the sponsors: Clear channel ?
Re: (313) Detroit Historical Exhibit
Curators were both from the Museum, and yes, the space was allotted over a year ago I believe. Don't know what the budget was, but things turned out about how I expected -- they did a *good* job. -d On Monday, January 20, 2003, at 06:46 AM, diana potts wrote: Hmmm...who were the curators? was it someone from the museum,an outside source or both? Sometimes with museums-if it's a permanent or time slotted display they will/can give only so much floor space.
Re: (313) The Drive Home
Contractual entanglements with Pop Culture Media. Perhaps recent events will loosen things up a bit -d On Monday, January 20, 2003, at 12:06 AM, mkb wrote: www.thedrivehome.net has had "Film slated for completion in May 2001" for quite some time. Does anyone know what happened to this? It doesn't show up on IMDb.
Re: (313) Detroit Historical Exhibit
I went opening night and couldn't hear anything ... there wasn't *any* music? I'm definitely surprised at that one. I assumed that the video clips would switch out and some of the buttons triggered more than just interviews? As for club culture ... that wouldn't exactly be our gift to the world, now would it? I think club/rave culture would have crowded more essential information out IMHO, especially considering most of the history covered in the exhibit is pre-rave (at least in Detroit). -d On Sunday, January 19, 2003, at 11:21 PM, kenneth taylor wrote: examination of club culture?
Re: (313) Mayday (or Labor Day)
May 24, 25 and 26th last full weekend in May is the rule? -d On Saturday, January 18, 2003, at 12:17 PM, scotto wrote: usually it's the last weekend of may. which would make it. fri may 30 - mon june 2 scotto lansing, mi. - Original Message - From: "::)" <[EMAIL PROTECTED]> To: "- BT -" <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Friday, January 17, 2003 8:16 PM Subject: Re: RE: (313) Mayday (or Labor Day) I think may 26, 27, 28 -Joe - Original Message - From: "- BT -" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Friday, January 17, 2003 8:11 PM Subject: Fwd: RE: (313) Mayday (or Labor Day) I waa going to make my first trip to Tha D for last years but didnt manage it - I recon this year Tha D wont be so lucky and I will make it:-) Can someone tell a poor Scotsman when Memorial day is exactly so I can start to look for flights. Cheers BT Who knows that over the next few weeks he is spoilt for detroit artists in Glasgow (props to Mr T Churchill for getting Dan Bell to come to town!!). well. it's been an interesting morning to say the least. hopefully people are going to realize that the pressure is going to be on to out perform the past few festivals. there's alot i want to say to the new people, but that's for the arena of private conversation, and not a public forum. i hope it does well. i'm behind the new guys all the way in hopes that they will bring back not only the quality of the first festival, but the electricity each and every night held. and if i'm asked to be a part of the freakout setup team/artist co-ordination, then i'd be honored to do so. hell, i'd even DJ ;P... i hope derrick and whomever is in charge provides the festival with not only a good balance of new (*cough*craig gonzalez/matt dear*cough*) and old(*sneeze*shakeandclaudeyoung) detroit people, but artists also taking it to new territories. maybe bringing some really way out stuff like Taylor Deupree or Kim Cascone. some Jan Jelinek, Telefon Tel Aviv or Metro Area. there's plenty of exciting, quality new music out there that Detroit audiences have yet to be exposed to. i hope they have the wide angle lens on to include alot of different styles, rather than just banging it out. i hope the visuals are tastefully done and not over saturated with unecessary loops of inappropriate commercials during an artistic performance (in between performances is okay, if you really HAVE to.). i also hope the main thoroughfare doesn't become a noisef_k of bass from stacks in every tent. there HAS to be some sort of limitations on that. there are many many other things i'd like to see happen, but i'm happy with the outcome and i sincerely hope that they buckle up, shut up, put their heads down, work their tails off and present a festival unlike anything detroit's seen yet. and now back to "metal box" by Public Image rt _ Add photos to your e-mail with MSN 8. Get 2 months FREE*. http://join.msn.com/?page=features/featuredemail
(313) roostertails, boxers and techno
http://www.freep.com/entertainment/newsandreviews/techno18_20030118.htm Interesting bit: >Marvin also announced that she has partnered with Detroit boxer Thomas Hearns to >form a company called DEMF Inc. to produce the festival and open a nightclub. I was wondering what "Hitman" was doing there. I'm waiting for the Ted Nugent DEMF Bowhunt myself. -d
Re: (313) Inertia on Retroactive????
I believe the Inertia record just says "Edits by DJ Blackout". -d On Saturday, January 18, 2003, at 10:33 AM, Arne Weinberg wrote: Yeah, I also thought that it is Damon Booker Marsel, are you sure? The track on "Panic in Detroit" is a little bit too cheesy for me honestly... Any other releases from him Cheers, Arne "Klaas-Jan Jongsma" <[EMAIL PROTECTED]> schrieb: At 08:18 +0100 18-01-2003, marsel wrote: it's by a guy called gerald I always thought that Inertia was A Guy Called Gerald but that DJ Blackout was Damon Booker? I really love the Inertia track on the Panic in Detroit compilation to! That track is definitely my favorite Inertia track for all info see http://www.forcefield.org/retroactive/ At 17-1-2003 + 23:57, you wrote: Hello everybody! i have this record from Inertia called "Nowhere to run". Is this really a Retroactive record? It is marked with SP12... Are there any other recommendable records from DJ Blackout that I should keep my eyes open for??? Thanx for the help .. . :: http://nomorewords.net -- [EMAIL PROTECTED] -- °°° www.arneweinberg.de STARBABY Rec. DOWN LOW MUSIC NATIVE Rec. KEYNOTE Rec. (ex-Ground Zero Rec.) °°°
Re: (313) mayday
well they've done this one once anyway. On Friday, January 17, 2003, at 02:01 PM, [EMAIL PROTECTED] wrote: basic channel artists
Re: (313) Neptune Records: Royal Oak and Beyond
Wow. Blitz Records. Blitz was owned and operated by Mike Fiscus, who also published Anti-Matter ... Dan (Goober) Miller worked there on occasion. -d (missed the Nine Inch Nails in-store there.) :) On Thursday, January 16, 2003, at 12:28 PM, dj337is wrote: cash reg was manned by Goober from Goober and the Peas, and I think Mr. Sicko did some editing of his mags in the back offices from time to time)
(313) Sienkiewicz
btw...How the Hell does one pronounce that name anyway??? (my Polish is non-exsistent;) after one of my favorite comic book artists, it'd be "Sin-KEV-itch" but I've heard people with the same spelling say "Sin-KAY-vitch" -d
Re: (313) re: 313 Electrifying Mojo
No, he's not on the air anywhere at the moment. Seems like 2 or 3 years now at least. Maybe he'll just get on the mic for 20 minutes before everyone spins to set the mood. :) -d On Wednesday, January 15, 2003, at 01:26 AM, [EMAIL PROTECTED] wrote: from what i've heard, that list of artists for the roostertail event—which includes juan atkins, derrick may, eddie fowlkes, jeff mills, electrifying mojo, blake baxter, james pennington, stacey pullen, k-hand, mr. de, keith tucker, alan oldham, octave one, and mike huckaby, according to the press release i saw—is of the artists who'll be attending; i'm told that apparently most won't be spinning, or will spin for only a few minutes. it still sounds like it'll be a great event, and i'm bummed that i can't get away this weekend to make it in. re: electrifying mojo: when i interviewed him five years ago, he was still on the air on detroit radio, though when i tuned in it sounded nothing like the halcyon days of the wgpr-fm and wjlb-fm eras. my opportunities to listen to detroit radio come only about twice a year, though, so dan would definitely know better as to whether this is still the case. later, mike Date: Tue, 14 Jan 2003 18:38:26 -0500 To: [EMAIL PROTECTED] From: Dan Sicko <[EMAIL PROTECTED]> Cc: Andy Mitchell <[EMAIL PROTECTED]>, 313 List <313@hyperreal.org> Subject: Re: (313) Re: (313 Electrifying Mojo.(was Another Freep Article) Message-id: <[EMAIL PROTECTED]> I'm not sure everyone on that list is actually spinning? On Tuesday, January 14, 2003, at 04:11 PM, [EMAIL PROTECTED] wrote: Wow - Electrifying Mojo will be playing. Since I'm not a Detroit resident I don't know this but does he still DJ on the radio? If anyone should play DEMF he should. MEK
Re: (313) Re: (313 Electrifying Mojo.(was Another Freep Article)
I'm not sure everyone on that list is actually spinning? On Tuesday, January 14, 2003, at 04:11 PM, [EMAIL PROTECTED] wrote: Wow - Electrifying Mojo will be playing. Since I'm not a Detroit resident I don't know this but does he still DJ on the radio? If anyone should play DEMF he should. MEK
Re: (313) ron hardy track id
On Friday, January 10, 2003, at 10:39 AM, techno wrote: I was illustrating a point: how the trend in "soul" is superficial, it really doesn't reflect peoples musical backgrounds which are not African American. Wow, I never thought of that -- I'll stop listening immediately.
RE: (313) ron hardy track id
yo ken! here are 10 discoish tunes (where exactly are we drawing the line here though, or shouldn't I get into that?), don't really know enough to have a top 10 though eddie kendricks - girl you need a change of mind crown heights affair - far out the whatnauts - help is on the way diana ross - love hangover john davis monster orchestra - bourgie bourgie roy ayers - hey uh what you say come on central line - walking into sunshine (larry levan edit) mfsb - love is the message funkadelic - (not just) knee deep marvin gaye - got to give it up see you down plastic people tomorrow? Dan
(313) test
plz ignore
Re: (313) recomended latin/salsa techno
How about Kim Bilir's 'Feelin?' Not particulary Latin in a melodic sense, but to my ear it has that really dense syncopated percussion and whistles sound like those massive drum bands from South America (Brazil perhaps?) Damn fine record anyhow Dan Not forgetting Andrew McLauchlan's "Love Story" which came out in 1999 and has been caned by every DJ since The trouble, Mills aside, is that IMO a lot of the latin-influenced techno that came out after that just concentrated on getting some latino-style rhythms and sample presets and then programming them in that style, without any soul whatsoever. See Adam Beyer and others for examples. I played around with a lot of it for around a year or so without any success, before dipping into the housier side of things and finding far more diversity. Check Osunlade for example.
(313) don't frighten the horses...
erm, has anyone been to the sound signature website recently? http://www.soundsignature.net I was kind of expecting theo parrish related info what's that all about? Dan
Re: (313) top ten rediscoveries for 2002.
as were thousands in the Metro Detroit area ... :) what was it, an S.A.S.E. mailed into WJLB to get one of those cards? -d On Tuesday, January 7, 2003, at 11:26 AM, Andy Kellman wrote: Dave was a member of Mojo's "Midnight Funk Association"
RE: (313) top ten rediscoveries for 2002.
Big Black, led by Steve Albini, were based in Evanston IL, though I believe that Steve Albini was from MT (?). The back cover of 'Atomiser' has a letter addressed to the bassist, David Riley, from the Electrifying Mojo, welcoming him to the MFA (Midnight Funk Association) and a MFA ID card signed by the Mojo that says: "The bearer of this card is a No.1 fan of the Electrifying Mojo; and a member in good standing who is entitled to special priviledges and considerations due to members of the M.F.A.; as specified by the Electrifying Mojo. CLUB MEETING: Monday thru Saturday 12 Mid to 12.30 a.m." Sorry for this outburst of extreme (and OT) trainspotterism, but I thought that was quite cool actually. BTW, Big Black often used a Roland drum machine in their recordings. Also, their record label 'Touch and Go' is pretty awesome, with acts like The Jesus Lizard, Urge Overkill etc. Not very 313 I realise, but great music nonetheless. Dan I second Big Black - weren't they from Detroit? This may be an extremely tenuous 313-link but doesn't the cover have a matchbook or a membership card or something (sorry, I haven't seen it in years) depicting the Electrifying Mojo's radio show? Re: Hall and Oates - I always preferred Maneater!
Re: (313) What! Nothing about Lost? (rant)
I say Techno! Crikey, that's a bit stiff isn't it? As Brendan rightly pointed out, if it's good it's good. My point was that the selecting at LOST was a bit uninspiring, maybe someone else playing those same tunes in a slightly different order or something might have made me dance my arse off. As it happens, I was ecstatic about Drum & Bass in the mid nineties, but that doesn't mean that I'm a better person than someone who bought their first D&B 12" last week. No one owns (or should own) music to the exclusion of others once it's been created IMO. The important thing is whether people can get to a different place when they're listening to it. Presumably you did listen to an awful lot of 'Black' music when you grew up, none of which sucked, and absolutely none of that stinky white pop stuff. In which case give yourself a jolly big pat on the back for being born/brought up in the right place/time, by the right family/friends. Well done! If you simply like wind ups, then well done again, good show! Best Dan The nostalgia trend is getting old. (no pun intended) Mojo, Larry Levan, Ron Hardy, italo-disco, deephousepage, ect.. ect.. All you people that used to be into minimal techno, landstrum that type of stuff in the mid 90's and didn't grow up listening to black music and now you think you know everything about "soul" or your Mr. "deep house". YOU SUCK. fake trendy ass superficial people. on 1/6/03 5:39 AM, [EMAIL PROTECTED] at [EMAIL PROTECTED] wrote: Sorry to be the party pooper, but I thought that the LOST christmas party was a bit disappointing, certainly not unique musically. I recently got hold of a mix by Mills taped from his 'Wizard' radio show. The mix was incredible, a full on fusion of go-go, early house and hip hop mixed at lightning speed complete with mad scratching skills. I had hoped for some more of this action at LOST so I was a bit disappointed by the rather pedestrian mix of funk and disco that didn't seem at all fresh. This might just be because I'm very familiar with that music and am quite jaded towards it, but I wasn't feeling it that night. The fact that Mills and Slater (rather than an unknown DJ in practically any semi-trendy bar you might visit on a weekday evening in London these days) were putting the needle on the records wasn't enough. I also think that B&T was a poor venue - the long thin shape of the upstairs room is a natural obastacle to generating a good vibe. Where was Steve Stasis? Nonetheless, nice one to LOST for breaking away from the huge party route and doing something a bit different, however, for small parties, SLICES still wins hands down. Dan Quit surprised that nobody of the London area 313-ers did not post anything about the last Lost party... I thought it was an amazing and unique party. How often can you hear in a 300 people venue Steve Bicknell, Luke Slater and Jeff Mills play back to back (kinda) with just soul, funk, disco and 80's house music? The most modern record that Jeff Mills dropped was Move Your Body from Marshal Jefferson! The rest of his records where stuff like Loose Joints, Dan Hartman, O'Jays, Sylvester JD's etc. It was maybe a little bit to full to dance nicely (well there was not really a dancefloor anyway) but still i thought it was one of the best parties i have been to in a long while ... and it is a bit of old news but the Bleep43 New years eve party was brilliant, never had so much fun on NY eve! Bleep43 for president! :) and more boring news, Tristan, you rock! -- [EMAIL PROTECTED]
Re: (313) What! Nothing about Lost?
Sorry to be the party pooper, but I thought that the LOST christmas party was a bit disappointing, certainly not unique musically. I recently got hold of a mix by Mills taped from his 'Wizard' radio show. The mix was incredible, a full on fusion of go-go, early house and hip hop mixed at lightning speed complete with mad scratching skills. I had hoped for some more of this action at LOST so I was a bit disappointed by the rather pedestrian mix of funk and disco that didn't seem at all fresh. This might just be because I'm very familiar with that music and am quite jaded towards it, but I wasn't feeling it that night. The fact that Mills and Slater (rather than an unknown DJ in practically any semi-trendy bar you might visit on a weekday evening in London these days) were putting the needle on the records wasn't enough. I also think that B&T was a poor venue - the long thin shape of the upstairs room is a natural obastacle to generating a good vibe. Where was Steve Stasis? Nonetheless, nice one to LOST for breaking away from the huge party route and doing something a bit different, however, for small parties, SLICES still wins hands down. Dan Quit surprised that nobody of the London area 313-ers did not post anything about the last Lost party... I thought it was an amazing and unique party. How often can you hear in a 300 people venue Steve Bicknell, Luke Slater and Jeff Mills play back to back (kinda) with just soul, funk, disco and 80's house music? The most modern record that Jeff Mills dropped was Move Your Body from Marshal Jefferson! The rest of his records where stuff like Loose Joints, Dan Hartman, O'Jays, Sylvester JD's etc. It was maybe a little bit to full to dance nicely (well there was not really a dancefloor anyway) but still i thought it was one of the best parties i have been to in a long while ... and it is a bit of old news but the Bleep43 New years eve party was brilliant, never had so much fun on NY eve! Bleep43 for president! :) and more boring news, Tristan, you rock! -- [EMAIL PROTECTED]
