Re: New Mills

2021-02-01 Thread Matahari-Inc Magazine
then again, thank fuck for Mills and Boon. Anyone have any techno album 
recommendations for 17th century Descartes, Malbranche, M Cavendish?

One love, MH

Sent from ProtonMail mobile

 Original Message 
On 26 Jan 2021, 18:26, Matahari-Inc Magazine wrote:

> Thank fuck for disco nihilists
>
> Sent from ProtonMail mobile
>
>  Original Message 
> On 26 Jan 2021, 18:23, Patrick Wacher wrote:
>
>> Newer Mills...
>>
>> https://thevinylfactory.com/news/jeff-mills-new-album-the-clairvoyant-vinyl/
>>
>> On Fri, Jan 15, 2021 at 7:37 PM Mike Taylor  wrote:
>>
>>> He has hit that older Picasso stage where he is both wildly prolific and 
>>> brilliant.
>>>
>>> I've made peace with the fact that I can't keep up with Mills' output. The 
>>> man is his own universe.
>>>
>>> On Fri, Jan 15, 2021, 8:21 PM Tristan Watkins  wrote:
>>>
 At risk of being overly clear, I've really liked the three or four Mills 
 albums I bought in 2020 (far more than I spent with any other Detroit 
 artist except maybe John Beltran), but there is no way I can keep up with 
 the cadence and couldn't stop myself from making the joke. Love that this 
 music has made it in to the world, but wish it was through less exclusive 
 channels at a less ambitious rate.

 On Friday, 15 January 2021, Tristan Watkins  wrote:

> Every day has its Every Dog Has Its Day
>
> On Friday, 15 January 2021, Patrick Wacher  wrote:
>
>> He’s been pumping them out for sure.
>>
>> https://www.axisrecords.com/product/millsart-think-again/

Re: New Mills

2021-01-26 Thread Matahari-Inc Magazine
Thank fuck for disco nihilists

Sent from ProtonMail mobile

 Original Message 
On 26 Jan 2021, 18:23, Patrick Wacher wrote:

> Newer Mills...
>
> https://thevinylfactory.com/news/jeff-mills-new-album-the-clairvoyant-vinyl/
>
> On Fri, Jan 15, 2021 at 7:37 PM Mike Taylor  wrote:
>
>> He has hit that older Picasso stage where he is both wildly prolific and 
>> brilliant.
>>
>> I've made peace with the fact that I can't keep up with Mills' output. The 
>> man is his own universe.
>>
>> On Fri, Jan 15, 2021, 8:21 PM Tristan Watkins  wrote:
>>
>>> At risk of being overly clear, I've really liked the three or four Mills 
>>> albums I bought in 2020 (far more than I spent with any other Detroit 
>>> artist except maybe John Beltran), but there is no way I can keep up with 
>>> the cadence and couldn't stop myself from making the joke. Love that this 
>>> music has made it in to the world, but wish it was through less exclusive 
>>> channels at a less ambitious rate.
>>>
>>> On Friday, 15 January 2021, Tristan Watkins  wrote:
>>>
 Every day has its Every Dog Has Its Day

 On Friday, 15 January 2021, Patrick Wacher  wrote:

> He’s been pumping them out for sure.
>
> https://www.axisrecords.com/product/millsart-think-again/

Re: New Mills

2021-01-26 Thread Patrick Wacher
Newer Mills...

https://thevinylfactory.com/news/jeff-mills-new-album-the-clairvoyant-vinyl/

On Fri, Jan 15, 2021 at 7:37 PM Mike Taylor  wrote:

> He has hit that older Picasso stage where he is both wildly prolific and
> brilliant.
>
> I've made peace with the fact that I can't keep up with Mills' output. The
> man is his own universe.
>
> On Fri, Jan 15, 2021, 8:21 PM Tristan Watkins  wrote:
>
>> At risk of being overly clear, I've really liked the three or four Mills
>> albums I bought in 2020 (far more than I spent with any other Detroit
>> artist except maybe John Beltran), but there is no way I can keep up with
>> the cadence and couldn't stop myself from making the joke. Love that this
>> music has made it in to the world, but wish it was through less exclusive
>> channels at a less ambitious rate.
>>
>> On Friday, 15 January 2021, Tristan Watkins  wrote:
>>
>>> Every day has its Every Dog Has Its Day
>>>
>>> On Friday, 15 January 2021, Patrick Wacher  wrote:
>>>
 He’s been pumping them out for sure.

 https://www.axisrecords.com/product/millsart-think-again/

>>>


Re: New Mills

2021-01-15 Thread Mike Taylor
He has hit that older Picasso stage where he is both wildly prolific and
brilliant.

I've made peace with the fact that I can't keep up with Mills' output. The
man is his own universe.

On Fri, Jan 15, 2021, 8:21 PM Tristan Watkins  wrote:

> At risk of being overly clear, I've really liked the three or four Mills
> albums I bought in 2020 (far more than I spent with any other Detroit
> artist except maybe John Beltran), but there is no way I can keep up with
> the cadence and couldn't stop myself from making the joke. Love that this
> music has made it in to the world, but wish it was through less exclusive
> channels at a less ambitious rate.
>
> On Friday, 15 January 2021, Tristan Watkins  wrote:
>
>> Every day has its Every Dog Has Its Day
>>
>> On Friday, 15 January 2021, Patrick Wacher  wrote:
>>
>>> He’s been pumping them out for sure.
>>>
>>> https://www.axisrecords.com/product/millsart-think-again/
>>>
>>


Re: New Mills

2021-01-15 Thread Tristan Watkins
At risk of being overly clear, I've really liked the three or four Mills
albums I bought in 2020 (far more than I spent with any other Detroit
artist except maybe John Beltran), but there is no way I can keep up with
the cadence and couldn't stop myself from making the joke. Love that this
music has made it in to the world, but wish it was through less exclusive
channels at a less ambitious rate.

On Friday, 15 January 2021, Tristan Watkins  wrote:

> Every day has its Every Dog Has Its Day
>
> On Friday, 15 January 2021, Patrick Wacher  wrote:
>
>> He’s been pumping them out for sure.
>>
>> https://www.axisrecords.com/product/millsart-think-again/
>>
>


Re: New Mills

2021-01-15 Thread Tristan Watkins
Every day has its Every Dog Has Its Day

On Friday, 15 January 2021, Patrick Wacher  wrote:

> He’s been pumping them out for sure.
>
> https://www.axisrecords.com/product/millsart-think-again/
>


New Mills

2021-01-15 Thread Patrick Wacher
He’s been pumping them out for sure.

https://www.axisrecords.com/product/millsart-think-again/


Re: (313) New Mills Album - Sleeper Wakes

2010-05-18 Thread darnistle

A new Mills album!  How exciting!!

Thanks for posting this!

{}0+|

On 5/15/2010 10:53 AM, ja...@iridite.com wrote:

Hi everyone - what you all think of the new Mill's album?  Just
listening to it at the moment and it's going down very well indeed -
reminds me of From the 21st (my favourite home listening Mills
album) in places.  Lot's of incredibly solid, menacing Bass Drums and
hypnotic ticking Hi Hats (why is it when I do a straight 16's Closed
909 Hi Hat it sounds rubbish and when Mills does it, it sounds
hypnotic) and spaced out chords floating about all over the place.

I forgot to mention, in an attempt to out do Anya at Bleep 43, Rubadub
have Jeff Mills playing here in at the Sub Club in Glasgow on my 40th
(July 23rd if you want to send flowers, cards etc) - the venue holds
about 300-400 people and he rarely gets a chance to play in such
intimate surroundings here so we're looking forward to it.  He's
promised to do something pretty special (juggling, kniting??) and is
playing for three hours .  The only downside is that as it's a
Significant Birthday for me it's unlikely I'll be able to remember a
thing the next day so he could be playing a set of Euro Trance Bangers
and I wouldn't know the difference.

The first batch of tickets sold out in three days but there will be a
second batch at the start of July and a small amount kept by on the
door.

As well as my birthday,  it's Rubadub's 18th birthday too (Legal to
drink at last!!) and the launch of our new website too so I'll keep
ya'll informed as things develop.

cheers

Jason


Re: (313) New Mills Album - Sleeper Wakes

2010-05-18 Thread ja...@iridite.com
No problem - think it might be one of his Japanese only CD releases
but you can probably get it from Axis (or us!)

cheers

Jason

On 18 May 2010 14:51, darnistle darnis...@cafe-ebola.com wrote:
 A new Mills album!  How exciting!!

 Thanks for posting this!

 {}0+|

 On 5/15/2010 10:53 AM, ja...@iridite.com wrote:

 Hi everyone - what you all think of the new Mill's album?  Just
 listening to it at the moment and it's going down very well indeed -
 reminds me of From the 21st (my favourite home listening Mills
 album) in places.  Lot's of incredibly solid, menacing Bass Drums and
 hypnotic ticking Hi Hats (why is it when I do a straight 16's Closed
 909 Hi Hat it sounds rubbish and when Mills does it, it sounds
 hypnotic) and spaced out chords floating about all over the place.

 I forgot to mention, in an attempt to out do Anya at Bleep 43, Rubadub
 have Jeff Mills playing here in at the Sub Club in Glasgow on my 40th
 (July 23rd if you want to send flowers, cards etc) - the venue holds
 about 300-400 people and he rarely gets a chance to play in such
 intimate surroundings here so we're looking forward to it.  He's
 promised to do something pretty special (juggling, kniting??) and is
 playing for three hours .  The only downside is that as it's a
 Significant Birthday for me it's unlikely I'll be able to remember a
 thing the next day so he could be playing a set of Euro Trance Bangers
 and I wouldn't know the difference.

 The first batch of tickets sold out in three days but there will be a
 second batch at the start of July and a small amount kept by on the
 door.

 As well as my birthday,  it's Rubadub's 18th birthday too (Legal to
 drink at last!!) and the launch of our new website too so I'll keep
 ya'll informed as things develop.

 cheers

 Jason



Re: (313) New Mills Album - Sleeper Wakes

2010-05-18 Thread darnistle
I see on the Axis site that he also has another album out, The 
Occurrence, which sounds very fun.


Hopefully, I'll be able to pick up one or both of them in a few weeks 
while I'm in Detroit.


{}0+|

On 5/18/2010 4:55 PM, ja...@iridite.com wrote:

No problem - think it might be one of his Japanese only CD releases
but you can probably get it from Axis (or us!)

cheers

Jason

On 18 May 2010 14:51, darnistledarnis...@cafe-ebola.com  wrote:

A new Mills album!  How exciting!!

Thanks for posting this!

{}0+|

On 5/15/2010 10:53 AM, ja...@iridite.com wrote:


Hi everyone - what you all think of the new Mill's album?  Just
listening to it at the moment and it's going down very well indeed -
reminds me of From the 21st (my favourite home listening Mills
album) in places.  Lot's of incredibly solid, menacing Bass Drums and
hypnotic ticking Hi Hats (why is it when I do a straight 16's Closed
909 Hi Hat it sounds rubbish and when Mills does it, it sounds
hypnotic) and spaced out chords floating about all over the place.

I forgot to mention, in an attempt to out do Anya at Bleep 43, Rubadub
have Jeff Mills playing here in at the Sub Club in Glasgow on my 40th
(July 23rd if you want to send flowers, cards etc) - the venue holds
about 300-400 people and he rarely gets a chance to play in such
intimate surroundings here so we're looking forward to it.  He's
promised to do something pretty special (juggling, kniting??) and is
playing for three hours .  The only downside is that as it's a
Significant Birthday for me it's unlikely I'll be able to remember a
thing the next day so he could be playing a set of Euro Trance Bangers
and I wouldn't know the difference.

The first batch of tickets sold out in three days but there will be a
second batch at the start of July and a small amount kept by on the
door.

As well as my birthday,  it's Rubadub's 18th birthday too (Legal to
drink at last!!) and the launch of our new website too so I'll keep
ya'll informed as things develop.

cheers

Jason




(313) New Mills Album - Sleeper Wakes

2010-05-15 Thread ja...@iridite.com
Hi everyone - what you all think of the new Mill's album?  Just
listening to it at the moment and it's going down very well indeed -
reminds me of From the 21st (my favourite home listening Mills
album) in places.  Lot's of incredibly solid, menacing Bass Drums and
hypnotic ticking Hi Hats (why is it when I do a straight 16's Closed
909 Hi Hat it sounds rubbish and when Mills does it, it sounds
hypnotic) and spaced out chords floating about all over the place.

I forgot to mention, in an attempt to out do Anya at Bleep 43, Rubadub
have Jeff Mills playing here in at the Sub Club in Glasgow on my 40th
(July 23rd if you want to send flowers, cards etc) - the venue holds
about 300-400 people and he rarely gets a chance to play in such
intimate surroundings here so we're looking forward to it.  He's
promised to do something pretty special (juggling, kniting??) and is
playing for three hours .  The only downside is that as it's a
Significant Birthday for me it's unlikely I'll be able to remember a
thing the next day so he could be playing a set of Euro Trance Bangers
and I wouldn't know the difference.

The first batch of tickets sold out in three days but there will be a
second batch at the start of July and a small amount kept by on the
door.

As well as my birthday,  it's Rubadub's 18th birthday too (Legal to
drink at last!!) and the launch of our new website too so I'll keep
ya'll informed as things develop.

cheers

Jason


(313) new Mills out later this week is soundin' deep

2010-03-09 Thread Andrew Duke Cognition Audioworks new email address
http://www.youtube.com/watch?v=Un5bb1-mEb8

-- 
http://soundcloud.com/andrewdukecognitionaudio
http://myspace.com/andrewduke


Re: (313) New Mills cd, etc.

2005-11-02 Thread David Smith
My freind let me hear the cd, and bought it at hmv.com, but paid alot for 
it--the digital version is tits.




From: Jason Brunton [EMAIL PROTECTED]
To: David Smith [EMAIL PROTECTED]
Subject: Re: (313) New Mills cd, etc.
Date: Tue, 1 Nov 2005 23:16:45 +

Hey David- where did you manage to track it down?

cheers

Jason
On 1 Nov 2005, at 05:27, David Smith wrote:

This is an excellent CD well worth the extra effort to find--it is  out 
there ;-D






From: Wojtek [EMAIL PROTECTED]
To: 313@hyperreal.org
Subject: (313) New Mills cd, etc.
Date: Mon, 24 Oct 2005 16:21:34 -0700

Does anyone have info on this relaease?  http://www.discogs.com/ 
release/544601
Is it availble outside of Japan yet?  The discogs notes say that  it's a 
US release, but it doesn't seem to be available from any  known outlets.


Also, some nice pics of Mills live with a 909 and Scion (does this  mean 
that a new release of theirs is in the works?) performing can  be found 
here http://blog.excite.co.jp/jeff05


wojtek













RE: (313) New Mills cd, etc.

2005-11-01 Thread David Smith
This is an excellent CD well worth the extra effort to find--it is out there 
;-D





From: Wojtek [EMAIL PROTECTED]
To: 313@hyperreal.org
Subject: (313) New Mills cd, etc.
Date: Mon, 24 Oct 2005 16:21:34 -0700

Does anyone have info on this relaease?  
http://www.discogs.com/release/544601
Is it availble outside of Japan yet?  The discogs notes say that it's a US 
release, but it doesn't seem to be available from any known outlets.


Also, some nice pics of Mills live with a 909 and Scion (does this mean 
that a new release of theirs is in the works?) performing can be found here 
http://blog.excite.co.jp/jeff05


wojtek






Re: (313) New Mills cd, etc.

2005-11-01 Thread Benoît Pueyo
Well I have the tracks on the 9 7 records collection and they are good 
though they sound very classic in the mills style.


I guess some of these 7 are still available on the axis shop on the 
website.


--
Benoît.

David Smith a écrit :
This is an excellent CD well worth the extra effort to find--it is out 
there ;-D





From: Wojtek [EMAIL PROTECTED]
To: 313@hyperreal.org
Subject: (313) New Mills cd, etc.
Date: Mon, 24 Oct 2005 16:21:34 -0700

Does anyone have info on this relaease?  
http://www.discogs.com/release/544601
Is it availble outside of Japan yet?  The discogs notes say that it's 
a US release, but it doesn't seem to be available from any known outlets.


Also, some nice pics of Mills live with a 909 and Scion (does this 
mean that a new release of theirs is in the works?) performing can be 
found here http://blog.excite.co.jp/jeff05


wojtek










(313) New Mills cd, etc.

2005-10-25 Thread Wojtek
Does anyone have info on this relaease?  
http://www.discogs.com/release/544601
Is it availble outside of Japan yet?  The discogs notes say that it's a 
US release, but it doesn't seem to be available from any known outlets.


Also, some nice pics of Mills live with a 909 and Scion (does this mean 
that a new release of theirs is in the works?) performing can be found 
here http://blog.excite.co.jp/jeff05


wojtek



Re: (313) New Mills cd, etc.

2005-10-25 Thread Matt Kane's Brain

On Oct 24, 2005, at 19:21, Wojtek wrote:
Also, some nice pics of Mills live with a 909 and Scion (does this 
mean that a new release of theirs is in the works?) performing can be 
found here http://blog.excite.co.jp/jeff05


there's some fairly recent remixes from substance (half of scion) out 
in the wild. his remix of mikkel metal on echocord from august is 
pretty nice


--
matt kane's brain
http://hydrogenproject.com
aim - mkbatwerk || mkbwriu
[EMAIL PROTECTED]



Re: (313) new Mills

2004-04-11 Thread DelCimmuto
its 4/4 techno for gods sake, not encrypted audio code for
communication with alien civilizations  (although now Im sure someone will
argue with that :)

;)


- Original Message - 
From: Blackman, Ryan (UKEKT) [EMAIL PROTECTED]
To: 'Robert Taylor' [EMAIL PROTECTED]; Andrew
[EMAIL PROTECTED]; 313@hyperreal.org
Sent: Thursday, April 08, 2004 7:03 AM
Subject: RE: (313) new Mills


 To you, maybe. To Mills it's obviously conceptual.

 -Original Message-
 From: Robert Taylor [mailto:[EMAIL PROTECTED]
 Sent: 08 April 2004 1:02
 To: Andrew; 313@hyperreal.org
 Subject: RE: (313) new Mills


 But it's just a record

 -Original Message-
 From: Andrew [mailto:[EMAIL PROTECTED]
 Sent: Thursday, April 08, 2004 10:58 AM
 To: 313@hyperreal.org
 Subject: RE: (313) new Mills


 Sorry to pile in here...philosophy background coming into play ;-)

 Mills chose the symbolic colour of white as the vinyl colour in the
design
 to represent an unknown destination in space and/or time

 This is actually justified conceptually by thinking about a situation
where
 you are in space which is completely white - no other information is being
 received by you. You therefore have no sense of change in your environment
 other than your inner sense of space and/or time, and so in an limited
sense
 these things cease to exist.

 Philosophically I call this a 'white room' scenario, actually a very
 interesting situation which highlights certain things about how we
perceive
 and know anything at all.

 So there!

 Peace,

 Andrew






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Re: (313) new Mills

2004-04-11 Thread DelCimmuto
also, as my last post on this, and not to attack or argue with tim, as an
artist myself, I think people can carry the artistic integrity thing too
far.

just because music = art and art = endless subjectivity, does not mean that
people involved in music and conceptualization cannot disappear up their own
arse (love that! hjahahaaha)


-joe

- Original Message - 
From: Steward, Tim [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Thursday, April 08, 2004 1:35 PM
Subject: RE: (313) new Mills


 There is no way you can say mills is a lightweight,
 Music production is an art, and art is a form of expression
 if you choose not to buy it that's your choice, but call
 him a lightweight when he is a true artist..It appears to me
 that he is able to continually re-create himself and capture
 his audience. If you take a look around the industry there are
 many people that copy the things he does, for example
 without naming names - who just recently copied his See The Light
 idea...and who will copy the dvd concept next..
 The art of DJing is not easy we all know, but the art of music
 production is not easy either (believe me) In order for the techno
 (electro,house,jungle,trance etc...) scene to survive more people
 have to constantly step out on the edge and try to re-create themselves.

 TS-1   (Deep in the 313) Where music evolves from the soul of the city

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
 Sent: Thursday, April 08, 2004 1:27 PM
 To: Blackman, Ryan (UKEKT)
 Cc: 'Robert Taylor'; Andrew; 313@hyperreal.org
 Subject: RE: (313) new Mills


 you want a concept? buy a friggen Nation of Ulysses record. Now they had
 f**kin concepts.

 Mills is a lightweight.







 On Thu, 8 Apr 2004, Blackman, Ryan (UKEKT) wrote:

  Right, right, I see...it's diss Mills time again!!
  At the end of the day, take it or leave it. If that's how HE chooses to
do
  things, and you don't get it, then don't worry about it!!
  Take from it what you want.
  At the end of the day, the concepts don't sell the records to me, at
all -
  but I certainly wouldn't attempt to belittle the ideas by imposing my
  opinion on others.
 
  Better than conceptualising about drug monkeys in a nightclub anyway -
  because that is just not challenging, in the slightest.
 
  -Original Message-
  From: Robert Taylor [mailto:[EMAIL PROTECTED]
  Sent: 08 April 2004 1:12
  To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
  Subject: RE: (313) new Mills
 
 
  A concept that is somewhat lacking if it takes a load of highfaluting
  nonsense to explain it.
 
  -Original Message-
  From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
  Sent: Thursday, April 08, 2004 11:07 AM
  To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
  Subject: RE: (313) new Mills
 
 
  That he's composed a piece of music based specifically around an idea, a
  concept.
 
  -Original Message-
  From: Robert Taylor [mailto:[EMAIL PROTECTED]
  Sent: 08 April 2004 1:06
  To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
  Subject: RE: (313) new Mills
 
 
  My arse exists on more levels than the purely conceptual, Ryan.
 
  What do you mean by conceptual?
 
 
  -Original Message-
  From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
  Sent: Thursday, April 08, 2004 11:05 AM
  To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
  Subject: RE: (313) new Mills
 
 
  No, it's obviously conceptual.
 
  -Original Message-
  From: Robert Taylor [mailto:[EMAIL PROTECTED]
  Sent: 08 April 2004 1:04
  To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
  Subject: RE: (313) new Mills
 
 
  My arse
 
  -Original Message-
  From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
  Sent: Thursday, April 08, 2004 11:03 AM
  To: Robert Taylor; Andrew; 313@hyperreal.org
  Subject: RE: (313) new Mills
 
 
  To you, maybe. To Mills it's obviously conceptual.
 
  -Original Message-
  From: Robert Taylor [mailto:[EMAIL PROTECTED]
  Sent: 08 April 2004 1:02
  To: Andrew; 313@hyperreal.org
  Subject: RE: (313) new Mills
 
 
  But it's just a record
 
  -Original Message-
  From: Andrew [mailto:[EMAIL PROTECTED]
  Sent: Thursday, April 08, 2004 10:58 AM
  To: 313@hyperreal.org
  Subject: RE: (313) new Mills
 
 
  Sorry to pile in here...philosophy background coming into play ;-)
 
  Mills chose the symbolic colour of white as the vinyl colour in the
 design
  to represent an unknown destination in space and/or time
 
  This is actually justified conceptually by thinking about a situation
 where
  you are in space which is completely white - no other information is
being
  received by you. You therefore have no sense of change in your
environment
  other than your inner sense of space and/or time, and so in an limited
 sense
  these things cease to exist.
 
  Philosophically I call this a 'white room' scenario, actually a very
  interesting situation which

(313) new Mills

2004-04-08 Thread alex . bond
just read the following on littledetroit.net

there's a new Mills coming, and it's some follow-up to Growth!
now there's a fierce record. I still remember where I was when I first
heard that on a big system.

what a track. conjured up visions of things in my head and all sorts.

he's still talking a load of twaddle though - check the link.

http://www.dancefrontdoor.co.uk/article2836.html

alex
_

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Re: (313) new Mills

2004-04-08 Thread Tom Churchill
 he's still talking a load of twaddle though - check the link.
 
 http://www.dancefrontdoor.co.uk/article2836.html

I love this bit:

We resolved the mastering with references to Classical Music. So by,
lowering the overall level, we were able to conform to the format of vinyl

Ha ha - in other words: we had to turn the level down so it'll be a quiet
pressing :)



RE: (313) new Mills

2004-04-08 Thread iancheshire
what gets me is his workload, not only is he here there and everywhere and 
releasing more records than anyone else he is now releasing a score for a film 
in May!!.I mean is he sponsored by red bull or something :)

-Original Message- 
From: Tom Churchill [mailto:[EMAIL PROTECTED] 
Sent: Thu 08/04/2004 11:02 
To: Alex Bond; 313 
Cc: 
Subject: Re: (313) new Mills



 he's still talking a load of twaddle though - check the link.

 http://www.dancefrontdoor.co.uk/article2836.html

I love this bit:

We resolved the mastering with references to Classical Music. So by,
lowering the overall level, we were able to conform to the format of 
vinyl

Ha ha - in other words: we had to turn the level down so it'll be a 
quiet
pressing :)






RE: (313) new Mills

2004-04-08 Thread Robert Taylor
What film do you speak of, Ian?

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 10:10 AM
To: Tom Churchill; Alex Bond; 313
Subject: RE: (313) new Mills


what gets me is his workload, not only is he here there and everywhere and 
releasing more records than anyone else he is now releasing a score for a film 
in May!!.I mean is he sponsored by red bull or something :)

-Original Message- 
From: Tom Churchill [mailto:[EMAIL PROTECTED] 
Sent: Thu 08/04/2004 11:02 
To: Alex Bond; 313 
Cc: 
Subject: Re: (313) new Mills



 he's still talking a load of twaddle though - check the link.

 http://www.dancefrontdoor.co.uk/article2836.html

I love this bit:

We resolved the mastering with references to Classical Music. So by,
lowering the overall level, we were able to conform to the format of 
vinyl

Ha ha - in other words: we had to turn the level down so it'll be a 
quiet
pressing :)






#
Note:

Any views or opinions are solely those of the author and do not necessarily 
represent 
those of Channel Four Television Corporation unless specifically stated. This 
email 
and any files transmitted are confidential and intended solely for the use of 
the 
individual or entity to which they are addressed. If you have received this 
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error, please notify [EMAIL PROTECTED]

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RE: (313) new Mills

2004-04-08 Thread Blackman, Ryan (UKEKT)
It's in the article, a Buster Keaton movie.

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 12:15 
To: [EMAIL PROTECTED]; Tom Churchill; Alex Bond; 313
Subject: RE: (313) new Mills


What film do you speak of, Ian?

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 10:10 AM
To: Tom Churchill; Alex Bond; 313
Subject: RE: (313) new Mills


what gets me is his workload, not only is he here there and everywhere and
releasing more records than anyone else he is now releasing a score for a
film in May!!.I mean is he sponsored by red bull or something :)

-Original Message- 
From: Tom Churchill [mailto:[EMAIL PROTECTED] 
Sent: Thu 08/04/2004 11:02 
To: Alex Bond; 313 
Cc: 
Subject: Re: (313) new Mills



 he's still talking a load of twaddle though - check the link.

 http://www.dancefrontdoor.co.uk/article2836.html

I love this bit:

We resolved the mastering with references to Classical Music. So
by,
lowering the overall level, we were able to conform to the format of
vinyl

Ha ha - in other words: we had to turn the level down so it'll be a
quiet
pressing :)







#
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represent 
those of Channel Four Television Corporation unless specifically stated.
This email 
and any files transmitted are confidential and intended solely for the use
of the 
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email in 
error, please notify [EMAIL PROTECTED]

Thank You.

#




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RE: (313) new Mills

2004-04-08 Thread iancheshire
thanks Ryan :)  
 
BTW the radio was wicked last night
 
Rob its Buster Keaton movie 'The Three Ages' 

-Original Message- 
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED] 
Sent: Thu 08/04/2004 11:17 
To: 'Robert Taylor'; [EMAIL PROTECTED]; Tom Churchill; Alex Bond; 313 
Cc: 
Subject: RE: (313) new Mills



It's in the article, a Buster Keaton movie.

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 12:15
To: [EMAIL PROTECTED]; Tom Churchill; Alex Bond; 313
Subject: RE: (313) new Mills


What film do you speak of, Ian?

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 10:10 AM
To: Tom Churchill; Alex Bond; 313
Subject: RE: (313) new Mills


what gets me is his workload, not only is he here there and everywhere 
and
releasing more records than anyone else he is now releasing a score for 
a
film in May!!.I mean is he sponsored by red bull or something :)

-Original Message-
From: Tom Churchill [mailto:[EMAIL PROTECTED]
Sent: Thu 08/04/2004 11:02
To: Alex Bond; 313
Cc:
Subject: Re: (313) new Mills
   
   

 he's still talking a load of twaddle though - check the link.

 http://www.dancefrontdoor.co.uk/article2836.html
   
I love this bit:
   
We resolved the mastering with references to Classical Music. 
So
by,
lowering the overall level, we were able to conform to the 
format of
vinyl
   
Ha ha - in other words: we had to turn the level down so it'll 
be a
quiet
pressing :)
   
   
   





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of the
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Re: (313) new Mills

2004-04-08 Thread alex . bond

Ha ha - in other words: we had to turn the level down so it'll be a quiet
pressing :)

heh! : )
I like this bit as well

Mills chose the symbolic colour of white as the vinyl colour in the design
to represent an unknown destination in space and/or time

oh, right, I see.

didn't just fancy some posh coloured vinyl then Jeff?

alex

p.s. this is not a I hate Jeff Mills thread because I don't at all, I
have the upmost respect for him. But, blimey, I can't help feeling
everything he does seems to HAVE to have a concept or a reason, and, at
times it comes across like he makes it all up after he's made the music to
market it better. (to my un-cultured eyes anyway)
suppose I shouldn't poke fun at it really, but, oh well.
_

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RE: (313) new Mills

2004-04-08 Thread Andrew
Sorry to pile in here...philosophy background coming into play ;-)

Mills chose the symbolic colour of white as the vinyl colour in the design
to represent an unknown destination in space and/or time

This is actually justified conceptually by thinking about a situation where
you are in space which is completely white - no other information is being
received by you. You therefore have no sense of change in your environment
other than your inner sense of space and/or time, and so in an limited sense
these things cease to exist.

Philosophically I call this a 'white room' scenario, actually a very
interesting situation which highlights certain things about how we perceive
and know anything at all.

So there!

Peace,

Andrew





RE: (313) new Mills

2004-04-08 Thread Peteri, Jochem
white is not even a colour.

-Original Message-
From: Andrew [mailto:[EMAIL PROTECTED]
Sent: donderdag 8 april 2004 12:58
To: 313@hyperreal.org
Subject: RE: (313) new Mills


Sorry to pile in here...philosophy background coming into play ;-)

Mills chose the symbolic colour of white as the vinyl colour in the design
to represent an unknown destination in space and/or time

This is actually justified conceptually by thinking about a situation where
you are in space which is completely white - no other information is being
received by you. You therefore have no sense of change in your environment
other than your inner sense of space and/or time, and so in an limited sense
these things cease to exist.

Philosophically I call this a 'white room' scenario, actually a very
interesting situation which highlights certain things about how we perceive
and know anything at all.

So there!

Peace,

Andrew




The information contained in this e-mail communication is solely intended for 
the person/legal person to whom it  has been sent, and as it may contain 
information of a personal or confidential nature, it may not be made public by 
virtue of law, regulations or agreement. If someone other than the intended 
recipient should receive or come into possession of this e-mail communication, 
he/she will not be entitled to read, disseminate, disclose or duplicate it. If 
you are not the intended recipient, you are requested to inform the sender of 
this e-mail message of this immediately, and to destroy the original e-mail 
communication. Neither Randstad Holding nv nor its subsidiaries accept any 
liability for incorrect and incomplete transmission or delayed receipt of this 
e-mail.


RE: (313) new Mills

2004-04-08 Thread Robert Taylor
But it's just a record

-Original Message-
From: Andrew [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 10:58 AM
To: 313@hyperreal.org
Subject: RE: (313) new Mills


Sorry to pile in here...philosophy background coming into play ;-)

Mills chose the symbolic colour of white as the vinyl colour in the design
to represent an unknown destination in space and/or time

This is actually justified conceptually by thinking about a situation where
you are in space which is completely white - no other information is being
received by you. You therefore have no sense of change in your environment
other than your inner sense of space and/or time, and so in an limited sense
these things cease to exist.

Philosophically I call this a 'white room' scenario, actually a very
interesting situation which highlights certain things about how we perceive
and know anything at all.

So there!

Peace,

Andrew




#
Note:

Any views or opinions are solely those of the author and do not necessarily 
represent 
those of Channel Four Television Corporation unless specifically stated. This 
email 
and any files transmitted are confidential and intended solely for the use of 
the 
individual or entity to which they are addressed. If you have received this 
email in 
error, please notify [EMAIL PROTECTED]

Thank You.
#



RE: (313) new Mills

2004-04-08 Thread Blackman, Ryan (UKEKT)
To you, maybe. To Mills it's obviously conceptual. 

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:02 
To: Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


But it's just a record

-Original Message-
From: Andrew [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 10:58 AM
To: 313@hyperreal.org
Subject: RE: (313) new Mills


Sorry to pile in here...philosophy background coming into play ;-)

Mills chose the symbolic colour of white as the vinyl colour in the design
to represent an unknown destination in space and/or time

This is actually justified conceptually by thinking about a situation where
you are in space which is completely white - no other information is being
received by you. You therefore have no sense of change in your environment
other than your inner sense of space and/or time, and so in an limited sense
these things cease to exist.

Philosophically I call this a 'white room' scenario, actually a very
interesting situation which highlights certain things about how we perceive
and know anything at all.

So there!

Peace,

Andrew





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those of Channel Four Television Corporation unless specifically stated.
This email 
and any files transmitted are confidential and intended solely for the use
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error, please notify [EMAIL PROTECTED]

Thank You.

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RE: (313) new Mills

2004-04-08 Thread Robert Taylor
My arse

-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:03 AM
To: Robert Taylor; Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


To you, maybe. To Mills it's obviously conceptual. 

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:02 
To: Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


But it's just a record

-Original Message-
From: Andrew [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 10:58 AM
To: 313@hyperreal.org
Subject: RE: (313) new Mills


Sorry to pile in here...philosophy background coming into play ;-)

Mills chose the symbolic colour of white as the vinyl colour in the design
to represent an unknown destination in space and/or time

This is actually justified conceptually by thinking about a situation where
you are in space which is completely white - no other information is being
received by you. You therefore have no sense of change in your environment
other than your inner sense of space and/or time, and so in an limited sense
these things cease to exist.

Philosophically I call this a 'white room' scenario, actually a very
interesting situation which highlights certain things about how we perceive
and know anything at all.

So there!

Peace,

Andrew





#
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represent 
those of Channel Four Television Corporation unless specifically stated.
This email 
and any files transmitted are confidential and intended solely for the use
of the 
individual or entity to which they are addressed. If you have received this
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error, please notify [EMAIL PROTECTED]

Thank You.

#



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RE: (313) new Mills

2004-04-08 Thread Blackman, Ryan (UKEKT)
No, it's obviously conceptual.

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:04 
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


My arse

-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:03 AM
To: Robert Taylor; Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


To you, maybe. To Mills it's obviously conceptual. 

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:02 
To: Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


But it's just a record

-Original Message-
From: Andrew [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 10:58 AM
To: 313@hyperreal.org
Subject: RE: (313) new Mills


Sorry to pile in here...philosophy background coming into play ;-)

Mills chose the symbolic colour of white as the vinyl colour in the design
to represent an unknown destination in space and/or time

This is actually justified conceptually by thinking about a situation where
you are in space which is completely white - no other information is being
received by you. You therefore have no sense of change in your environment
other than your inner sense of space and/or time, and so in an limited sense
these things cease to exist.

Philosophically I call this a 'white room' scenario, actually a very
interesting situation which highlights certain things about how we perceive
and know anything at all.

So there!

Peace,

Andrew





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represent 
those of Channel Four Television Corporation unless specifically stated.
This email 
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error, please notify [EMAIL PROTECTED]

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RE: (313) new Mills

2004-04-08 Thread Peteri, Jochem

the smallest room scenario...
-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: donderdag 8 april 2004 14:04
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


My arse



The information contained in this e-mail communication is solely intended for 
the person/legal person to whom it  has been sent, and as it may contain 
information of a personal or confidential nature, it may not be made public by 
virtue of law, regulations or agreement. If someone other than the intended 
recipient should receive or come into possession of this e-mail communication, 
he/she will not be entitled to read, disseminate, disclose or duplicate it. If 
you are not the intended recipient, you are requested to inform the sender of 
this e-mail message of this immediately, and to destroy the original e-mail 
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e-mail.


RE: (313) new Mills

2004-04-08 Thread Robert Taylor
My arse exists on more levels than the purely conceptual, Ryan.

What do you mean by conceptual?


-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:05 AM
To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


No, it's obviously conceptual.

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:04 
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


My arse

-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:03 AM
To: Robert Taylor; Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


To you, maybe. To Mills it's obviously conceptual. 

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:02 
To: Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


But it's just a record

-Original Message-
From: Andrew [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 10:58 AM
To: 313@hyperreal.org
Subject: RE: (313) new Mills


Sorry to pile in here...philosophy background coming into play ;-)

Mills chose the symbolic colour of white as the vinyl colour in the design
to represent an unknown destination in space and/or time

This is actually justified conceptually by thinking about a situation where
you are in space which is completely white - no other information is being
received by you. You therefore have no sense of change in your environment
other than your inner sense of space and/or time, and so in an limited sense
these things cease to exist.

Philosophically I call this a 'white room' scenario, actually a very
interesting situation which highlights certain things about how we perceive
and know anything at all.

So there!

Peace,

Andrew





#
Note:

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represent 
those of Channel Four Television Corporation unless specifically stated.
This email 
and any files transmitted are confidential and intended solely for the use
of the 
individual or entity to which they are addressed. If you have received this
email in 
error, please notify [EMAIL PROTECTED]

Thank You.

#




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This email and any files transmitted with it, including replies 
and forwarded copies (which may contain alterations) subsequently 
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RE: (313) new Mills

2004-04-08 Thread Blackman, Ryan (UKEKT)
That he's composed a piece of music based specifically around an idea, a
concept.

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:06 
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


My arse exists on more levels than the purely conceptual, Ryan.

What do you mean by conceptual?


-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:05 AM
To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


No, it's obviously conceptual.

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:04 
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


My arse

-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:03 AM
To: Robert Taylor; Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


To you, maybe. To Mills it's obviously conceptual. 

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:02 
To: Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


But it's just a record

-Original Message-
From: Andrew [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 10:58 AM
To: 313@hyperreal.org
Subject: RE: (313) new Mills


Sorry to pile in here...philosophy background coming into play ;-)

Mills chose the symbolic colour of white as the vinyl colour in the design
to represent an unknown destination in space and/or time

This is actually justified conceptually by thinking about a situation where
you are in space which is completely white - no other information is being
received by you. You therefore have no sense of change in your environment
other than your inner sense of space and/or time, and so in an limited sense
these things cease to exist.

Philosophically I call this a 'white room' scenario, actually a very
interesting situation which highlights certain things about how we perceive
and know anything at all.

So there!

Peace,

Andrew





#
Note:

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those of Channel Four Television Corporation unless specifically stated.
This email 
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of the 
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email in 
error, please notify [EMAIL PROTECTED]

Thank You.

#




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This email and any files transmitted with it, including replies 
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RE: (313) new Mills

2004-04-08 Thread quest pond
Maybe this is just because his 909 is white!

-Original Message-
From: Andrew [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 3:58 AM
To: 313@hyperreal.org
Subject: RE: (313) new Mills


Sorry to pile in here...philosophy background coming into play ;-)

Mills chose the symbolic colour of white as the vinyl colour in the design
to represent an unknown destination in space and/or time

This is actually justified conceptually by thinking about a situation where
you are in space which is completely white - no other information is being
received by you. You therefore have no sense of change in your environment
other than your inner sense of space and/or time, and so in an limited sense
these things cease to exist.

Philosophically I call this a 'white room' scenario, actually a very
interesting situation which highlights certain things about how we perceive
and know anything at all.

So there!

Peace,

Andrew





RE: (313) new Mills

2004-04-08 Thread Peteri, Jochem
you think he started doing a tune thinking this one is going on white vinyl?
he probably got a discount while pressing or the labels looked ace on white
i dont mind conceptualization but you can find a concept in hindsight in jusyt 
about anything


yes, robert, even your arse. i´ll leave it up to someone else though. sorry


The information contained in this e-mail communication is solely intended for 
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you are not the intended recipient, you are requested to inform the sender of 
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e-mail.


RE: (313) new Mills

2004-04-08 Thread Robert Taylor
A concept that is somewhat lacking if it takes a load of highfaluting nonsense 
to explain it.

-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:07 AM
To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


That he's composed a piece of music based specifically around an idea, a
concept.

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:06 
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


My arse exists on more levels than the purely conceptual, Ryan.

What do you mean by conceptual?


-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:05 AM
To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


No, it's obviously conceptual.

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:04 
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


My arse

-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:03 AM
To: Robert Taylor; Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


To you, maybe. To Mills it's obviously conceptual. 

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:02 
To: Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


But it's just a record

-Original Message-
From: Andrew [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 10:58 AM
To: 313@hyperreal.org
Subject: RE: (313) new Mills


Sorry to pile in here...philosophy background coming into play ;-)

Mills chose the symbolic colour of white as the vinyl colour in the design
to represent an unknown destination in space and/or time

This is actually justified conceptually by thinking about a situation where
you are in space which is completely white - no other information is being
received by you. You therefore have no sense of change in your environment
other than your inner sense of space and/or time, and so in an limited sense
these things cease to exist.

Philosophically I call this a 'white room' scenario, actually a very
interesting situation which highlights certain things about how we perceive
and know anything at all.

So there!

Peace,

Andrew





#
Note:

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represent 
those of Channel Four Television Corporation unless specifically stated.
This email 
and any files transmitted are confidential and intended solely for the use
of the 
individual or entity to which they are addressed. If you have received this
email in 
error, please notify [EMAIL PROTECTED]

Thank You.

#




***
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This email and any files transmitted with it, including replies 
and forwarded copies (which may contain alterations) subsequently 
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lines of the original email (or are not the person responsible for 
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This email

RE: (313) new Mills

2004-04-08 Thread Peteri, Jochem
and a 909 is creme

The information contained in this e-mail communication is solely intended for 
the person/legal person to whom it  has been sent, and as it may contain 
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virtue of law, regulations or agreement. If someone other than the intended 
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he/she will not be entitled to read, disseminate, disclose or duplicate it. If 
you are not the intended recipient, you are requested to inform the sender of 
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RE: (313) new Mills

2004-04-08 Thread Blackman, Ryan (UKEKT)
Right, right, I see...it's diss Mills time again!!
At the end of the day, take it or leave it. If that's how HE chooses to do
things, and you don't get it, then don't worry about it!!
Take from it what you want.
At the end of the day, the concepts don't sell the records to me, at all -
but I certainly wouldn't attempt to belittle the ideas by imposing my
opinion on others.

Better than conceptualising about drug monkeys in a nightclub anyway -
because that is just not challenging, in the slightest.

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:12 
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


A concept that is somewhat lacking if it takes a load of highfaluting
nonsense to explain it.

-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:07 AM
To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


That he's composed a piece of music based specifically around an idea, a
concept.

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:06 
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


My arse exists on more levels than the purely conceptual, Ryan.

What do you mean by conceptual?


-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:05 AM
To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


No, it's obviously conceptual.

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:04 
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


My arse

-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:03 AM
To: Robert Taylor; Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


To you, maybe. To Mills it's obviously conceptual. 

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:02 
To: Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


But it's just a record

-Original Message-
From: Andrew [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 10:58 AM
To: 313@hyperreal.org
Subject: RE: (313) new Mills


Sorry to pile in here...philosophy background coming into play ;-)

Mills chose the symbolic colour of white as the vinyl colour in the design
to represent an unknown destination in space and/or time

This is actually justified conceptually by thinking about a situation where
you are in space which is completely white - no other information is being
received by you. You therefore have no sense of change in your environment
other than your inner sense of space and/or time, and so in an limited sense
these things cease to exist.

Philosophically I call this a 'white room' scenario, actually a very
interesting situation which highlights certain things about how we perceive
and know anything at all.

So there!

Peace,

Andrew





#
Note:

Any views or opinions are solely those of the author and do not necessarily
represent 
those of Channel Four Television Corporation unless specifically stated.
This email 
and any files transmitted are confidential and intended solely for the use
of the 
individual or entity to which they are addressed. If you have received this
email in 
error, please notify [EMAIL PROTECTED]

Thank You.

#




***
Opinions expressed in this email are those of the individual and 
not Entergy-Koch Trading Limited or its affiliated companies. 
This email and any files transmitted with it, including replies 
and forwarded copies (which may contain alterations) subsequently 
transmitted from the Company, are confidential and solely for the 
use of the intended recipient. It may contain material protected by 
attorney-client privilege. If you are not listed on the To or Cc 
lines of the original email (or are not the person responsible for 
delivering to an intended recipient), then you are not an intended 
recipient and have received this email in error.  Any use by an 
unintended recipient is strictly prohibited.

If you have received this email in error please notify the IT manager 
by telephone on +44 (0)20 7337 8300 or via email to 
[EMAIL PROTECTED], attaching this message. Please 
then delete this email and all attachments, and destroy any copies 
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Any views or opinions

RE: (313) new Mills

2004-04-08 Thread Peteri, Jochem
It´s good to be critical, even about the wizard

The information contained in this e-mail communication is solely intended for 
the person/legal person to whom it  has been sent, and as it may contain 
information of a personal or confidential nature, it may not be made public by 
virtue of law, regulations or agreement. If someone other than the intended 
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he/she will not be entitled to read, disseminate, disclose or duplicate it. If 
you are not the intended recipient, you are requested to inform the sender of 
this e-mail message of this immediately, and to destroy the original e-mail 
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RE: (313) new Mills

2004-04-08 Thread placid
Bottom line is.  We will all buy it...

Conceptual, non conceptual...  who cares..if it sounds good..i'll take
it...
As long as the white vinyl doesn't make it sound like it was recorded
inside a huge empty can of baked beans I'm happy...

p

-Original Message-
From: Peteri, Jochem [mailto:[EMAIL PROTECTED] 
Sent: 08 April 2004 12:13
To: quest pond
Cc: 313@hyperreal.org
Subject: RE: (313) new Mills

and a 909 is creme

The information contained in this e-mail communication is solely
intended for the person/legal person to whom it  has been sent, and as
it may contain information of a personal or confidential nature, it may
not be made public by virtue of law, regulations or agreement. If
someone other than the intended recipient should receive or come into
possession of this e-mail communication, he/she will not be entitled to
read, disseminate, disclose or duplicate it. If you are not the intended
recipient, you are requested to inform the sender of this e-mail message
of this immediately, and to destroy the original e-mail communication.
Neither Randstad Holding nv nor its subsidiaries accept any liability
for incorrect and incomplete transmission or delayed receipt of this
e-mail.




RE: (313) new Mills

2004-04-08 Thread quest pond
Well if we're going back to the old ways i'm hoping next we might see HM
hood and mills return one day.

Personally this is some of my favourite stuff from him.

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 2:30 AM
To: 313@hyperreal.org
Subject: (313) new Mills


just read the following on littledetroit.net

there's a new Mills coming, and it's some follow-up to Growth!
now there's a fierce record. I still remember where I was when I first
heard that on a big system.

what a track. conjured up visions of things in my head and all sorts.

he's still talking a load of twaddle though - check the link.

http://www.dancefrontdoor.co.uk/article2836.html

alex
_

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RE: (313) new Mills

2004-04-08 Thread Robert Taylor
Nothing wrong with 'dissing' him if you think he's an airbag.
Don't feel the need to defend and justify his every action just because you 
admire him as an artist and a DJ, Ryan.

-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:17 AM
To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


Right, right, I see...it's diss Mills time again!!
At the end of the day, take it or leave it. If that's how HE chooses to do
things, and you don't get it, then don't worry about it!!
Take from it what you want.
At the end of the day, the concepts don't sell the records to me, at all -
but I certainly wouldn't attempt to belittle the ideas by imposing my
opinion on others.

Better than conceptualising about drug monkeys in a nightclub anyway -
because that is just not challenging, in the slightest.

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:12 
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


A concept that is somewhat lacking if it takes a load of highfaluting
nonsense to explain it.

-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:07 AM
To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


That he's composed a piece of music based specifically around an idea, a
concept.

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:06 
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


My arse exists on more levels than the purely conceptual, Ryan.

What do you mean by conceptual?


-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:05 AM
To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


No, it's obviously conceptual.

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:04 
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


My arse

-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:03 AM
To: Robert Taylor; Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


To you, maybe. To Mills it's obviously conceptual. 

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:02 
To: Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


But it's just a record

-Original Message-
From: Andrew [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 10:58 AM
To: 313@hyperreal.org
Subject: RE: (313) new Mills


Sorry to pile in here...philosophy background coming into play ;-)

Mills chose the symbolic colour of white as the vinyl colour in the design
to represent an unknown destination in space and/or time

This is actually justified conceptually by thinking about a situation where
you are in space which is completely white - no other information is being
received by you. You therefore have no sense of change in your environment
other than your inner sense of space and/or time, and so in an limited sense
these things cease to exist.

Philosophically I call this a 'white room' scenario, actually a very
interesting situation which highlights certain things about how we perceive
and know anything at all.

So there!

Peace,

Andrew





#
Note:

Any views or opinions are solely those of the author and do not necessarily
represent 
those of Channel Four Television Corporation unless specifically stated.
This email 
and any files transmitted are confidential and intended solely for the use
of the 
individual or entity to which they are addressed. If you have received this
email in 
error, please notify [EMAIL PROTECTED]

Thank You.

#




***
Opinions expressed in this email are those of the individual and 
not Entergy-Koch Trading Limited or its affiliated companies. 
This email and any files transmitted with it, including replies 
and forwarded copies (which may contain alterations) subsequently 
transmitted from the Company, are confidential and solely for the 
use of the intended recipient. It may contain material protected by 
attorney-client privilege. If you are not listed on the To or Cc 
lines of the original email (or are not the person responsible for 
delivering to an intended recipient), then you are not an intended 
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unintended recipient is strictly prohibited.

If you have received this email in error please notify the IT manager

RE: (313) new Mills

2004-04-08 Thread Andrew
I didn't think my explanation was particularly high-falutin!

Perhaps his execution isn't as precise as might be, but I personally don't
mind when any artists tries to articulate their motivation in a concept. Do
we here this kind of slagging off about Sun Ra or John Coltrane?

For me there is an element of intellectual dumbing-down in the club end of
electronic music, and artists like Jeff or UR or Drexciya or Dopplereffekt
or whoever else escapes my mind right now use concepts to deliver the
music on a different - not higher! - level. And I like it!

And I don't believe there's any such thing as 'just' a record, each one is,
or should be, special. They deserve all the love, care, thought and
attention as any other work of art.

Although I wouldn't want the music to turn into an aural equivalent of Tate
Modern, with little explanations on the sleeves to 'tell' you what you're
listening to, like a lot of avant-garde electronics. Even still, no amount
of explanation can make a whack track a fat track.

And Jeff continually makes fat tracks. Nuff said.

Peace,

Andrew


-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED] 
Sent: 08 April 2004 12:17
To: 'Robert Taylor'; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


Right, right, I see...it's diss Mills time again!!
At the end of the day, take it or leave it. If that's how HE chooses to do
things, and you don't get it, then don't worry about it!! Take from it what
you want. At the end of the day, the concepts don't sell the records to me,
at all - but I certainly wouldn't attempt to belittle the ideas by imposing
my opinion on others.

Better than conceptualising about drug monkeys in a nightclub anyway -
because that is just not challenging, in the slightest.

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:12 
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


A concept that is somewhat lacking if it takes a load of highfaluting
nonsense to explain it.

-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:07 AM
To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


That he's composed a piece of music based specifically around an idea, a
concept.

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:06 
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


My arse exists on more levels than the purely conceptual, Ryan.

What do you mean by conceptual?


-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:05 AM
To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


No, it's obviously conceptual.

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:04 
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


My arse

-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:03 AM
To: Robert Taylor; Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


To you, maybe. To Mills it's obviously conceptual. 

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:02 
To: Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


But it's just a record

-Original Message-
From: Andrew [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 10:58 AM
To: 313@hyperreal.org
Subject: RE: (313) new Mills


Sorry to pile in here...philosophy background coming into play ;-)

Mills chose the symbolic colour of white as the vinyl colour in the design
to represent an unknown destination in space and/or time

This is actually justified conceptually by thinking about a situation where
you are in space which is completely white - no other information is being
received by you. You therefore have no sense of change in your environment
other than your inner sense of space and/or time, and so in an limited sense
these things cease to exist.

Philosophically I call this a 'white room' scenario, actually a very
interesting situation which highlights certain things about how we perceive
and know anything at all.

So there!

Peace,

Andrew





#
Note:

Any views or opinions are solely those of the author and do not necessarily
represent 
those of Channel Four Television Corporation unless specifically stated.
This email 
and any files transmitted are confidential and intended solely for the use
of the 
individual or entity to which they are addressed. If you have received this
email in 
error, please notify [EMAIL PROTECTED]

Thank You

Re: (313) Concepts (was new Mills)

2004-04-08 Thread Matt Chester
Personally, I think it's valid enough to question the true depth of some
conceptual projects (not just Mills, but in general).  Concepts can be a
fantastic way of adding more weight to any artistic work, and a way of
encouraging people to think more about what they are involved in and
listening to.  But if their purpose is partly to open peoples minds and get
them to consider and dicuss as well as simply consuming, then surely it is
also important that we are able to criticise them?
Particularly as more and more conceptual ideas are blatently being used to
distract from the mediocrity of the music itself.

eg - would you buy a sh*t album just cause it had a nice cover or was
pressed on purple crushed velvet vinyl?


- Original Message - 
From: Blackman, Ryan (UKEKT) [EMAIL PROTECTED]
To: 'Robert Taylor' [EMAIL PROTECTED]; Blackman, Ryan (UKEKT)
[EMAIL PROTECTED]; Andrew [EMAIL PROTECTED];
313@hyperreal.org
Sent: Thursday, April 08, 2004 12:17 PM
Subject: RE: (313) new Mills


 Right, right, I see...it's diss Mills time again!!
 At the end of the day, take it or leave it. If that's how HE chooses to do
 things, and you don't get it, then don't worry about it!!
 Take from it what you want.
 At the end of the day, the concepts don't sell the records to me, at all -
 but I certainly wouldn't attempt to belittle the ideas by imposing my
 opinion on others.

 Better than conceptualising about drug monkeys in a nightclub anyway -
 because that is just not challenging, in the slightest.

 -Original Message-
 From: Robert Taylor [mailto:[EMAIL PROTECTED]
 Sent: 08 April 2004 1:12
 To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
 Subject: RE: (313) new Mills


 A concept that is somewhat lacking if it takes a load of highfaluting
 nonsense to explain it.

 -Original Message-
 From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
 Sent: Thursday, April 08, 2004 11:07 AM
 To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
 Subject: RE: (313) new Mills


 That he's composed a piece of music based specifically around an idea, a
 concept.

 -Original Message-
 From: Robert Taylor [mailto:[EMAIL PROTECTED]
 Sent: 08 April 2004 1:06
 To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
 Subject: RE: (313) new Mills


 My arse exists on more levels than the purely conceptual, Ryan.

 What do you mean by conceptual?


 -Original Message-
 From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
 Sent: Thursday, April 08, 2004 11:05 AM
 To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
 Subject: RE: (313) new Mills


 No, it's obviously conceptual.

 -Original Message-
 From: Robert Taylor [mailto:[EMAIL PROTECTED]
 Sent: 08 April 2004 1:04
 To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
 Subject: RE: (313) new Mills


 My arse

 -Original Message-
 From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
 Sent: Thursday, April 08, 2004 11:03 AM
 To: Robert Taylor; Andrew; 313@hyperreal.org
 Subject: RE: (313) new Mills


 To you, maybe. To Mills it's obviously conceptual.

 -Original Message-
 From: Robert Taylor [mailto:[EMAIL PROTECTED]
 Sent: 08 April 2004 1:02
 To: Andrew; 313@hyperreal.org
 Subject: RE: (313) new Mills


 But it's just a record

 -Original Message-
 From: Andrew [mailto:[EMAIL PROTECTED]
 Sent: Thursday, April 08, 2004 10:58 AM
 To: 313@hyperreal.org
 Subject: RE: (313) new Mills


 Sorry to pile in here...philosophy background coming into play ;-)

 Mills chose the symbolic colour of white as the vinyl colour in the
design
 to represent an unknown destination in space and/or time

 This is actually justified conceptually by thinking about a situation
where
 you are in space which is completely white - no other information is being
 received by you. You therefore have no sense of change in your environment
 other than your inner sense of space and/or time, and so in an limited
sense
 these things cease to exist.

 Philosophically I call this a 'white room' scenario, actually a very
 interesting situation which highlights certain things about how we
perceive
 and know anything at all.

 So there!

 Peace,

 Andrew






 #
 Note:

 Any views or opinions are solely those of the author and do not
necessarily
 represent
 those of Channel Four Television Corporation unless specifically stated.
 This email
 and any files transmitted are confidential and intended solely for the use
 of the
 individual or entity to which they are addressed. If you have received
this
 email in
 error, please notify [EMAIL PROTECTED]

 Thank You.


 #





 ***
 Opinions expressed in this email are those of the individual and
 not Entergy-Koch Trading Limited

RE: (313) new Mills/let's pray

2004-04-08 Thread diana potts
*lets pray*

dear lord, please shelter my inbox today as 313
continues to discuss jeff mills. In times of chaos, it
is my inbox Lord that needs protection and strength
from the mighty, mighty power of the tongue and
musically drenched geeked minded emails that are about
to deluge it on this glorious day. Dear Lord, please
be on standby in the extreme case that the praise and
dismissal of R.Hawtin and Carl Craig slip from the
fingers of those who cyber surround me at this time.

*AMEN*

goodmorning.from this side.
d
NP:Four Tet..and now ODB...Four Tet remix Radiohead
'if  you stop i'll put the killer ants in your pants'

--- Blackman, Ryan (UKEKT)
[EMAIL PROTECTED] wrote:
 Right, right, I see...it's diss Mills time again!!
 At the end of the day, take it or leave it. If
 that's how HE chooses to do
 things, and you don't get it, then don't worry about
 it!!
 Take from it what you want.
 At the end of the day, the concepts don't sell the
 records to me, at all -
 but I certainly wouldn't attempt to belittle the
 ideas by imposing my
 opinion on others.
 
 Better than conceptualising about drug monkeys in a
 nightclub anyway -
 because that is just not challenging, in the
 slightest.
 
 -Original Message-
 From: Robert Taylor [mailto:[EMAIL PROTECTED]
 Sent: 08 April 2004 1:12 
 To: Blackman, Ryan (UKEKT); Andrew;
 313@hyperreal.org
 Subject: RE: (313) new Mills
 
 
 A concept that is somewhat lacking if it takes a
 load of highfaluting
 nonsense to explain it.
 
 -Original Message-
 From: Blackman, Ryan (UKEKT)
 [mailto:[EMAIL PROTECTED]
 Sent: Thursday, April 08, 2004 11:07 AM
 To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew;
 313@hyperreal.org
 Subject: RE: (313) new Mills
 
 
 That he's composed a piece of music based
 specifically around an idea, a
 concept.
 
 -Original Message-
 From: Robert Taylor [mailto:[EMAIL PROTECTED]
 Sent: 08 April 2004 1:06 
 To: Blackman, Ryan (UKEKT); Andrew;
 313@hyperreal.org
 Subject: RE: (313) new Mills
 
 
 My arse exists on more levels than the purely
 conceptual, Ryan.
 
 What do you mean by conceptual?
 
 
 -Original Message-
 From: Blackman, Ryan (UKEKT)
 [mailto:[EMAIL PROTECTED]
 Sent: Thursday, April 08, 2004 11:05 AM
 To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew;
 313@hyperreal.org
 Subject: RE: (313) new Mills
 
 
 No, it's obviously conceptual.
 
 -Original Message-
 From: Robert Taylor [mailto:[EMAIL PROTECTED]
 Sent: 08 April 2004 1:04 
 To: Blackman, Ryan (UKEKT); Andrew;
 313@hyperreal.org
 Subject: RE: (313) new Mills
 
 
 My arse
 
 -Original Message-
 From: Blackman, Ryan (UKEKT)
 [mailto:[EMAIL PROTECTED]
 Sent: Thursday, April 08, 2004 11:03 AM
 To: Robert Taylor; Andrew; 313@hyperreal.org
 Subject: RE: (313) new Mills
 
 
 To you, maybe. To Mills it's obviously conceptual. 
 
 -Original Message-
 From: Robert Taylor [mailto:[EMAIL PROTECTED]
 Sent: 08 April 2004 1:02 
 To: Andrew; 313@hyperreal.org
 Subject: RE: (313) new Mills
 
 
 But it's just a record
 
 -Original Message-
 From: Andrew [mailto:[EMAIL PROTECTED]
 Sent: Thursday, April 08, 2004 10:58 AM
 To: 313@hyperreal.org
 Subject: RE: (313) new Mills
 
 
 Sorry to pile in here...philosophy background coming
 into play ;-)
 
 Mills chose the symbolic colour of white as the
 vinyl colour in the design
 to represent an unknown destination in space and/or
 time
 
 This is actually justified conceptually by thinking
 about a situation where
 you are in space which is completely white - no
 other information is being
 received by you. You therefore have no sense of
 change in your environment
 other than your inner sense of space and/or time,
 and so in an limited sense
 these things cease to exist.
 
 Philosophically I call this a 'white room' scenario,
 actually a very
 interesting situation which highlights certain
 things about how we perceive
 and know anything at all.
 
 So there!
 
 Peace,
 
 Andrew
 
 
 
 


 #
 Note:
 
 Any views or opinions are solely those of the author
 and do not necessarily
 represent 
 those of Channel Four Television Corporation unless
 specifically stated.
 This email 
 and any files transmitted are confidential and
 intended solely for the use
 of the 
 individual or entity to which they are addressed. If
 you have received this
 email in 
 error, please notify [EMAIL PROTECTED]
 
 Thank You.


 #
 
 
 


 ***
 Opinions expressed in this email are those of the
 individual and 
 not Entergy-Koch Trading Limited or its affiliated
 companies. 
 This email and any files transmitted with it,
 including replies 
 and forwarded copies (which may contain alterations)
 subsequently 
 transmitted from the Company, are confidential and
 solely for the 
 use

RE: (313) new Mills

2004-04-08 Thread Blackman, Ryan (UKEKT)
No, I don't at all - if you read my last mail you'll see that I don't do the
concept thing myself, but I don't impose my opinions on others either.
I mean, you could be cynical about absolutely anything, couldn't you?? 
This could be about football, politics, washing powder, whatever. 

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:25 
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


Nothing wrong with 'dissing' him if you think he's an airbag.
Don't feel the need to defend and justify his every action just because you
admire him as an artist and a DJ, Ryan.

-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:17 AM
To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


Right, right, I see...it's diss Mills time again!!
At the end of the day, take it or leave it. If that's how HE chooses to do
things, and you don't get it, then don't worry about it!!
Take from it what you want.
At the end of the day, the concepts don't sell the records to me, at all -
but I certainly wouldn't attempt to belittle the ideas by imposing my
opinion on others.

Better than conceptualising about drug monkeys in a nightclub anyway -
because that is just not challenging, in the slightest.

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:12 
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


A concept that is somewhat lacking if it takes a load of highfaluting
nonsense to explain it.

-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:07 AM
To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


That he's composed a piece of music based specifically around an idea, a
concept.

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:06 
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


My arse exists on more levels than the purely conceptual, Ryan.

What do you mean by conceptual?


-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:05 AM
To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


No, it's obviously conceptual.

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:04 
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


My arse

-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:03 AM
To: Robert Taylor; Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


To you, maybe. To Mills it's obviously conceptual. 

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:02 
To: Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


But it's just a record

-Original Message-
From: Andrew [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 10:58 AM
To: 313@hyperreal.org
Subject: RE: (313) new Mills


Sorry to pile in here...philosophy background coming into play ;-)

Mills chose the symbolic colour of white as the vinyl colour in the design
to represent an unknown destination in space and/or time

This is actually justified conceptually by thinking about a situation where
you are in space which is completely white - no other information is being
received by you. You therefore have no sense of change in your environment
other than your inner sense of space and/or time, and so in an limited sense
these things cease to exist.

Philosophically I call this a 'white room' scenario, actually a very
interesting situation which highlights certain things about how we perceive
and know anything at all.

So there!

Peace,

Andrew





#
Note:

Any views or opinions are solely those of the author and do not necessarily
represent 
those of Channel Four Television Corporation unless specifically stated.
This email 
and any files transmitted are confidential and intended solely for the use
of the 
individual or entity to which they are addressed. If you have received this
email in 
error, please notify [EMAIL PROTECTED]

Thank You.

#




***
Opinions expressed in this email are those of the individual and 
not Entergy-Koch Trading Limited or its affiliated companies. 
This email and any files transmitted with it, including replies 
and forwarded copies (which may contain alterations) subsequently 
transmitted from the Company, are confidential

RE: (313) new Mills

2004-04-08 Thread Robert Taylor
Eh?
Not sure what you are driving at here

-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:29 AM
To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


No, I don't at all - if you read my last mail you'll see that I don't do the
concept thing myself, but I don't impose my opinions on others either.
I mean, you could be cynical about absolutely anything, couldn't you?? 
This could be about football, politics, washing powder, whatever. 

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:25 
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


Nothing wrong with 'dissing' him if you think he's an airbag.
Don't feel the need to defend and justify his every action just because you
admire him as an artist and a DJ, Ryan.

-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:17 AM
To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


Right, right, I see...it's diss Mills time again!!
At the end of the day, take it or leave it. If that's how HE chooses to do
things, and you don't get it, then don't worry about it!!
Take from it what you want.
At the end of the day, the concepts don't sell the records to me, at all -
but I certainly wouldn't attempt to belittle the ideas by imposing my
opinion on others.

Better than conceptualising about drug monkeys in a nightclub anyway -
because that is just not challenging, in the slightest.

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:12 
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


A concept that is somewhat lacking if it takes a load of highfaluting
nonsense to explain it.

-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:07 AM
To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


That he's composed a piece of music based specifically around an idea, a
concept.

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:06 
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


My arse exists on more levels than the purely conceptual, Ryan.

What do you mean by conceptual?


-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:05 AM
To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


No, it's obviously conceptual.

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:04 
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


My arse

-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:03 AM
To: Robert Taylor; Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


To you, maybe. To Mills it's obviously conceptual. 

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:02 
To: Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


But it's just a record

-Original Message-
From: Andrew [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 10:58 AM
To: 313@hyperreal.org
Subject: RE: (313) new Mills


Sorry to pile in here...philosophy background coming into play ;-)

Mills chose the symbolic colour of white as the vinyl colour in the design
to represent an unknown destination in space and/or time

This is actually justified conceptually by thinking about a situation where
you are in space which is completely white - no other information is being
received by you. You therefore have no sense of change in your environment
other than your inner sense of space and/or time, and so in an limited sense
these things cease to exist.

Philosophically I call this a 'white room' scenario, actually a very
interesting situation which highlights certain things about how we perceive
and know anything at all.

So there!

Peace,

Andrew





#
Note:

Any views or opinions are solely those of the author and do not necessarily
represent 
those of Channel Four Television Corporation unless specifically stated.
This email 
and any files transmitted are confidential and intended solely for the use
of the 
individual or entity to which they are addressed. If you have received this
email in 
error, please notify [EMAIL PROTECTED]

Thank You.

#




***
Opinions expressed in this email are those

RE: (313) new Mills

2004-04-08 Thread Blackman, Ryan (UKEKT)
I assumed that your reference to my admiration of him suggested that I would
blindly defend him, when I wouldn't.

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:32 
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


Eh?
Not sure what you are driving at here

-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:29 AM
To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


No, I don't at all - if you read my last mail you'll see that I don't do the
concept thing myself, but I don't impose my opinions on others either.
I mean, you could be cynical about absolutely anything, couldn't you?? 
This could be about football, politics, washing powder, whatever. 

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:25 
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


Nothing wrong with 'dissing' him if you think he's an airbag.
Don't feel the need to defend and justify his every action just because you
admire him as an artist and a DJ, Ryan.

-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:17 AM
To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


Right, right, I see...it's diss Mills time again!!
At the end of the day, take it or leave it. If that's how HE chooses to do
things, and you don't get it, then don't worry about it!!
Take from it what you want.
At the end of the day, the concepts don't sell the records to me, at all -
but I certainly wouldn't attempt to belittle the ideas by imposing my
opinion on others.

Better than conceptualising about drug monkeys in a nightclub anyway -
because that is just not challenging, in the slightest.

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:12 
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


A concept that is somewhat lacking if it takes a load of highfaluting
nonsense to explain it.

-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:07 AM
To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


That he's composed a piece of music based specifically around an idea, a
concept.

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:06 
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


My arse exists on more levels than the purely conceptual, Ryan.

What do you mean by conceptual?


-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:05 AM
To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


No, it's obviously conceptual.

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:04 
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


My arse

-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:03 AM
To: Robert Taylor; Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


To you, maybe. To Mills it's obviously conceptual. 

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:02 
To: Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


But it's just a record

-Original Message-
From: Andrew [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 10:58 AM
To: 313@hyperreal.org
Subject: RE: (313) new Mills


Sorry to pile in here...philosophy background coming into play ;-)

Mills chose the symbolic colour of white as the vinyl colour in the design
to represent an unknown destination in space and/or time

This is actually justified conceptually by thinking about a situation where
you are in space which is completely white - no other information is being
received by you. You therefore have no sense of change in your environment
other than your inner sense of space and/or time, and so in an limited sense
these things cease to exist.

Philosophically I call this a 'white room' scenario, actually a very
interesting situation which highlights certain things about how we perceive
and know anything at all.

So there!

Peace,

Andrew





#
Note:

Any views or opinions are solely those of the author and do not necessarily
represent 
those of Channel Four Television Corporation unless specifically stated.
This email 
and any files transmitted are confidential and intended solely for the use
of the 
individual or entity to which they are addressed. If you have

RE: (313) new Mills

2004-04-08 Thread Robert Taylor
Okay Ryan.
I still think you're a fanboy ;)

-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:33 AM
To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


I assumed that your reference to my admiration of him suggested that I would
blindly defend him, when I wouldn't.

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:32 
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


Eh?
Not sure what you are driving at here

-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:29 AM
To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


No, I don't at all - if you read my last mail you'll see that I don't do the
concept thing myself, but I don't impose my opinions on others either.
I mean, you could be cynical about absolutely anything, couldn't you?? 
This could be about football, politics, washing powder, whatever. 

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:25 
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


Nothing wrong with 'dissing' him if you think he's an airbag.
Don't feel the need to defend and justify his every action just because you
admire him as an artist and a DJ, Ryan.

-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:17 AM
To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


Right, right, I see...it's diss Mills time again!!
At the end of the day, take it or leave it. If that's how HE chooses to do
things, and you don't get it, then don't worry about it!!
Take from it what you want.
At the end of the day, the concepts don't sell the records to me, at all -
but I certainly wouldn't attempt to belittle the ideas by imposing my
opinion on others.

Better than conceptualising about drug monkeys in a nightclub anyway -
because that is just not challenging, in the slightest.

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:12 
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


A concept that is somewhat lacking if it takes a load of highfaluting
nonsense to explain it.

-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:07 AM
To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


That he's composed a piece of music based specifically around an idea, a
concept.

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:06 
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


My arse exists on more levels than the purely conceptual, Ryan.

What do you mean by conceptual?


-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:05 AM
To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


No, it's obviously conceptual.

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:04 
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


My arse

-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:03 AM
To: Robert Taylor; Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


To you, maybe. To Mills it's obviously conceptual. 

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:02 
To: Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


But it's just a record

-Original Message-
From: Andrew [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 10:58 AM
To: 313@hyperreal.org
Subject: RE: (313) new Mills


Sorry to pile in here...philosophy background coming into play ;-)

Mills chose the symbolic colour of white as the vinyl colour in the design
to represent an unknown destination in space and/or time

This is actually justified conceptually by thinking about a situation where
you are in space which is completely white - no other information is being
received by you. You therefore have no sense of change in your environment
other than your inner sense of space and/or time, and so in an limited sense
these things cease to exist.

Philosophically I call this a 'white room' scenario, actually a very
interesting situation which highlights certain things about how we perceive
and know anything at all.

So there!

Peace,

Andrew





#
Note:

Any views or opinions are solely those

RE: (313) new Mills

2004-04-08 Thread Andrew
I *humbly* refer Robert and Ryan to the discussion a month ago about
personal conversations being taken off list


-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED] 
Sent: 08 April 2004 13:35
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


Okay Ryan.
I still think you're a fanboy ;)

-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:33 AM
To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


I assumed that your reference to my admiration of him suggested that I would
blindly defend him, when I wouldn't.

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:32 
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


Eh?
Not sure what you are driving at here

-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:29 AM
To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


No, I don't at all - if you read my last mail you'll see that I don't do the
concept thing myself, but I don't impose my opinions on others either. I
mean, you could be cynical about absolutely anything, couldn't you?? 
This could be about football, politics, washing powder, whatever. 

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:25 
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


Nothing wrong with 'dissing' him if you think he's an airbag. Don't feel the
need to defend and justify his every action just because you admire him as
an artist and a DJ, Ryan.

-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:17 AM
To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


Right, right, I see...it's diss Mills time again!!
At the end of the day, take it or leave it. If that's how HE chooses to do
things, and you don't get it, then don't worry about it!! Take from it what
you want. At the end of the day, the concepts don't sell the records to me,
at all - but I certainly wouldn't attempt to belittle the ideas by imposing
my opinion on others.

Better than conceptualising about drug monkeys in a nightclub anyway -
because that is just not challenging, in the slightest.

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:12 
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


A concept that is somewhat lacking if it takes a load of highfaluting
nonsense to explain it.

-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:07 AM
To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


That he's composed a piece of music based specifically around an idea, a
concept.

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:06 
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


My arse exists on more levels than the purely conceptual, Ryan.

What do you mean by conceptual?


-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:05 AM
To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


No, it's obviously conceptual.

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:04 
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


My arse

-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:03 AM
To: Robert Taylor; Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


To you, maybe. To Mills it's obviously conceptual. 

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:02 
To: Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


But it's just a record

-Original Message-
From: Andrew [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 10:58 AM
To: 313@hyperreal.org
Subject: RE: (313) new Mills


Sorry to pile in here...philosophy background coming into play ;-)

Mills chose the symbolic colour of white as the vinyl colour in the design
to represent an unknown destination in space and/or time

This is actually justified conceptually by thinking about a situation where
you are in space which is completely white - no other information is being
received by you. You therefore have no sense of change in your environment
other than your inner sense of space and/or time, and so in an limited sense
these things cease to exist.

Philosophically I call this a 'white room

RE: (313) new Mills

2004-04-08 Thread Blackman, Ryan (UKEKT)
I am - I love Mills - but wouldn't blindly defend him!

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:35 
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


Okay Ryan.
I still think you're a fanboy ;)

-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:33 AM
To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


I assumed that your reference to my admiration of him suggested that I would
blindly defend him, when I wouldn't.

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:32 
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


Eh?
Not sure what you are driving at here

-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:29 AM
To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


No, I don't at all - if you read my last mail you'll see that I don't do the
concept thing myself, but I don't impose my opinions on others either.
I mean, you could be cynical about absolutely anything, couldn't you?? 
This could be about football, politics, washing powder, whatever. 

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:25 
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


Nothing wrong with 'dissing' him if you think he's an airbag.
Don't feel the need to defend and justify his every action just because you
admire him as an artist and a DJ, Ryan.

-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:17 AM
To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


Right, right, I see...it's diss Mills time again!!
At the end of the day, take it or leave it. If that's how HE chooses to do
things, and you don't get it, then don't worry about it!!
Take from it what you want.
At the end of the day, the concepts don't sell the records to me, at all -
but I certainly wouldn't attempt to belittle the ideas by imposing my
opinion on others.

Better than conceptualising about drug monkeys in a nightclub anyway -
because that is just not challenging, in the slightest.

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:12 
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


A concept that is somewhat lacking if it takes a load of highfaluting
nonsense to explain it.

-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:07 AM
To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


That he's composed a piece of music based specifically around an idea, a
concept.

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:06 
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


My arse exists on more levels than the purely conceptual, Ryan.

What do you mean by conceptual?


-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:05 AM
To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


No, it's obviously conceptual.

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:04 
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


My arse

-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:03 AM
To: Robert Taylor; Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


To you, maybe. To Mills it's obviously conceptual. 

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:02 
To: Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


But it's just a record

-Original Message-
From: Andrew [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 10:58 AM
To: 313@hyperreal.org
Subject: RE: (313) new Mills


Sorry to pile in here...philosophy background coming into play ;-)

Mills chose the symbolic colour of white as the vinyl colour in the design
to represent an unknown destination in space and/or time

This is actually justified conceptually by thinking about a situation where
you are in space which is completely white - no other information is being
received by you. You therefore have no sense of change in your environment
other than your inner sense of space and/or time, and so in an limited sense
these things cease to exist.

Philosophically I call this a 'white room' scenario, actually a very
interesting situation which highlights

RE: (313) new Mills

2004-04-08 Thread Robert Taylor
Humbly points out that it wasn't a personal conversation

-Original Message-
From: Andrew [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:42 AM
To: 313@hyperreal.org
Subject: RE: (313) new Mills


I *humbly* refer Robert and Ryan to the discussion a month ago about
personal conversations being taken off list


-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED] 
Sent: 08 April 2004 13:35
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


Okay Ryan.
I still think you're a fanboy ;)

-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:33 AM
To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


I assumed that your reference to my admiration of him suggested that I would
blindly defend him, when I wouldn't.

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:32 
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


Eh?
Not sure what you are driving at here

-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:29 AM
To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


No, I don't at all - if you read my last mail you'll see that I don't do the
concept thing myself, but I don't impose my opinions on others either. I
mean, you could be cynical about absolutely anything, couldn't you?? 
This could be about football, politics, washing powder, whatever. 

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:25 
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


Nothing wrong with 'dissing' him if you think he's an airbag. Don't feel the
need to defend and justify his every action just because you admire him as
an artist and a DJ, Ryan.

-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:17 AM
To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


Right, right, I see...it's diss Mills time again!!
At the end of the day, take it or leave it. If that's how HE chooses to do
things, and you don't get it, then don't worry about it!! Take from it what
you want. At the end of the day, the concepts don't sell the records to me,
at all - but I certainly wouldn't attempt to belittle the ideas by imposing
my opinion on others.

Better than conceptualising about drug monkeys in a nightclub anyway -
because that is just not challenging, in the slightest.

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:12 
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


A concept that is somewhat lacking if it takes a load of highfaluting
nonsense to explain it.

-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:07 AM
To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


That he's composed a piece of music based specifically around an idea, a
concept.

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:06 
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


My arse exists on more levels than the purely conceptual, Ryan.

What do you mean by conceptual?


-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:05 AM
To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


No, it's obviously conceptual.

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:04 
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


My arse

-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:03 AM
To: Robert Taylor; Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


To you, maybe. To Mills it's obviously conceptual. 

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:02 
To: Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


But it's just a record

-Original Message-
From: Andrew [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 10:58 AM
To: 313@hyperreal.org
Subject: RE: (313) new Mills


Sorry to pile in here...philosophy background coming into play ;-)

Mills chose the symbolic colour of white as the vinyl colour in the design
to represent an unknown destination in space and/or time

This is actually justified conceptually by thinking about a situation where
you are in space which is completely white - no other information is being
received

Re: (313) new Mills/let's pray autoresponse

2004-04-08 Thread jonathan morse

dear diana,

thank you for  you recent prayer request.

unfortunately, I will be out of the office until sunday.


love, peace and chicken grease,
jc


On 08.04.2004 07:27 , diana potts  [EMAIL PROTECTED] wrote:

 *lets pray*
 
 dear lord, please shelter my inbox today as 313
 continues to discuss jeff mills. In times of chaos, it
 is my inbox Lord that needs protection and strength
 from the mighty, mighty power of the tongue and
 musically drenched geeked minded emails that are about
 to deluge it on this glorious day. Dear Lord, please
 be on standby in the extreme case that the praise and
 dismissal of R.Hawtin and Carl Craig slip from the
 fingers of those who cyber surround me at this time.
 
 *AMEN*
 
 goodmorning.from this side.
 d
 NP:Four Tet..and now ODB...Four Tet remix Radiohead
 'if  you stop i'll put the killer ants in your pants'



Re: (313) new Mills

2004-04-08 Thread john harvey

 everything he does seems to HAVE to have a concept or a reason, and, at
 times it comes across like he makes it all up after he's made the music to
 market it better. (to my un-cultured eyes anyway)

reading the last couple of mails i'd have to agree - does anyone fall for
this bullsh*t?




Re: (313) new Mills

2004-04-08 Thread john harvey

  Sorry to pile in here...philosophy background coming into play ;-)

  Mills chose the symbolic colour of white as the vinyl colour in the
design
  to represent an unknown destination in space and/or time

  This is actually justified conceptually by thinking about a situation
where
  you are in space which is completely white - no other information is being
  received by you. You therefore have no sense of change in your environment
  other than your inner sense of space and/or time, and so in an limited
sense
  these things cease to exist.

you would also have no sense of change, and no other information if the room
was completely black or blue or green or yellow or red or orange.

this is not philosophy.




RE: (313) new Mills

2004-04-08 Thread Peteri, Jochem
you would, the colour. A white room has no colour so even that is 
stripped(smartly hinting back at my earlier mail...)

-Original Message-
From: john harvey [mailto:[EMAIL PROTECTED]
Sent: donderdag 8 april 2004 14:53
To: 313
Subject: Re: (313) new Mills



  Sorry to pile in here...philosophy background coming into play ;-)

  Mills chose the symbolic colour of white as the vinyl colour in the
design
  to represent an unknown destination in space and/or time

  This is actually justified conceptually by thinking about a situation
where
  you are in space which is completely white - no other information is being
  received by you. You therefore have no sense of change in your environment
  other than your inner sense of space and/or time, and so in an limited
sense
  these things cease to exist.

you would also have no sense of change, and no other information if the room
was completely black or blue or green or yellow or red or orange.

this is not philosophy.



The information contained in this e-mail communication is solely intended for 
the person/legal person to whom it  has been sent, and as it may contain 
information of a personal or confidential nature, it may not be made public by 
virtue of law, regulations or agreement. If someone other than the intended 
recipient should receive or come into possession of this e-mail communication, 
he/she will not be entitled to read, disseminate, disclose or duplicate it. If 
you are not the intended recipient, you are requested to inform the sender of 
this e-mail message of this immediately, and to destroy the original e-mail 
communication. Neither Randstad Holding nv nor its subsidiaries accept any 
liability for incorrect and incomplete transmission or delayed receipt of this 
e-mail.


Re: (313) new Mills

2004-04-08 Thread john harvey

 Right, right, I see...it's diss Mills time again!!
 At the end of the day, take it or leave it. If that's how HE chooses to do
 things, and you don't get it, then don't worry about it!!
 Take from it what you want.
 At the end of the day, the concepts don't sell the records to me, at all -
 but I certainly wouldn't attempt to belittle the ideas by imposing my
 opinion on others.

 Better than conceptualising about drug monkeys in a nightclub anyway -
 because that is just not challenging, in the slightest.

don't tell me not to comment, and don't tell me i don't get it, i do, its
bullsh*t.




Re: (313) new Mills

2004-04-08 Thread john harvey

you would, the colour. A white room has no colour so even that is
stripped(smartly hinting back at my earlier mail...)

no you wouldn't have any SENSE OF CHANGE and NO OTHER INFORMATION would be
received by you.
is black more information than white?
do other colours change?











-Original Message-
From: john harvey [mailto:[EMAIL PROTECTED]
Sent: donderdag 8 april 2004 14:53
To: 313
Subject: Re: (313) new Mills



  Sorry to pile in here...philosophy background coming into play ;-)

  Mills chose the symbolic colour of white as the vinyl colour in the
design
  to represent an unknown destination in space and/or time

  This is actually justified conceptually by thinking about a situation
where
  you are in space which is completely white - no other information is being
  received by you. You therefore have no sense of change in your environment
  other than your inner sense of space and/or time, and so in an limited
sense
  these things cease to exist.

you would also have no sense of change, and no other information if the room
was completely black or blue or green or yellow or red or orange.

this is not philosophy.



The information contained in this e-mail communication is solely intended
for the person/legal person to whom it  has been sent, and as it may contain
information of a personal or confidential nature, it may not be made public
by virtue of law, regulations or agreement. If someone other than the
intended recipient should receive or come into possession of this e-mail
communication, he/she will not be entitled to read, disseminate, disclose or
duplicate it. If you are not the intended recipient, you are requested to
inform the sender of this e-mail message of this immediately, and to destroy
the original e-mail communication. Neither Randstad Holding nv nor its
subsidiaries accept any liability for incorrect and incomplete transmission
or delayed receipt of this e-mail.




RE: (313) new Mills

2004-04-08 Thread Peteri, Jochem
Strangely enough, in a blue room i would think hey, blue, then again a white 
or black room would prob make me think about the lighting. I´d think get me 
outta here! anyway...

-Original Message-
From: john harvey [mailto:[EMAIL PROTECTED]
Sent: donderdag 8 april 2004 15:04
To: 313
Subject: Re: (313) new Mills



you would, the colour. A white room has no colour so even that is
stripped(smartly hinting back at my earlier mail...)

no you wouldn't have any SENSE OF CHANGE and NO OTHER INFORMATION would be
received by you.
is black more information than white?
do other colours change?











-Original Message-
From: john harvey [mailto:[EMAIL PROTECTED]
Sent: donderdag 8 april 2004 14:53
To: 313
Subject: Re: (313) new Mills



  Sorry to pile in here...philosophy background coming into play ;-)

  Mills chose the symbolic colour of white as the vinyl colour in the
design
  to represent an unknown destination in space and/or time

  This is actually justified conceptually by thinking about a situation
where
  you are in space which is completely white - no other information is being
  received by you. You therefore have no sense of change in your environment
  other than your inner sense of space and/or time, and so in an limited
sense
  these things cease to exist.

you would also have no sense of change, and no other information if the room
was completely black or blue or green or yellow or red or orange.

this is not philosophy.



The information contained in this e-mail communication is solely intended
for the person/legal person to whom it  has been sent, and as it may contain
information of a personal or confidential nature, it may not be made public
by virtue of law, regulations or agreement. If someone other than the
intended recipient should receive or come into possession of this e-mail
communication, he/she will not be entitled to read, disseminate, disclose or
duplicate it. If you are not the intended recipient, you are requested to
inform the sender of this e-mail message of this immediately, and to destroy
the original e-mail communication. Neither Randstad Holding nv nor its
subsidiaries accept any liability for incorrect and incomplete transmission
or delayed receipt of this e-mail.



The information contained in this e-mail communication is solely intended for 
the person/legal person to whom it  has been sent, and as it may contain 
information of a personal or confidential nature, it may not be made public by 
virtue of law, regulations or agreement. If someone other than the intended 
recipient should receive or come into possession of this e-mail communication, 
he/she will not be entitled to read, disseminate, disclose or duplicate it. If 
you are not the intended recipient, you are requested to inform the sender of 
this e-mail message of this immediately, and to destroy the original e-mail 
communication. Neither Randstad Holding nv nor its subsidiaries accept any 
liability for incorrect and incomplete transmission or delayed receipt of this 
e-mail.


RE: (313) new Mills

2004-04-08 Thread Blackman, Ryan (UKEKT)
State your opinion, don't impose it  - that's my message. And it wasn't even
directed at you.

-Original Message-
From: john harvey [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:58 
To: 313
Subject: Re: (313) new Mills



 Right, right, I see...it's diss Mills time again!!
 At the end of the day, take it or leave it. If that's how HE chooses to do
 things, and you don't get it, then don't worry about it!!
 Take from it what you want.
 At the end of the day, the concepts don't sell the records to me, at all -
 but I certainly wouldn't attempt to belittle the ideas by imposing my
 opinion on others.

 Better than conceptualising about drug monkeys in a nightclub anyway -
 because that is just not challenging, in the slightest.

don't tell me not to comment, and don't tell me i don't get it, i do, its
bullsh*t.




***
Opinions expressed in this email are those of the individual and 
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This email and any files transmitted with it, including replies 
and forwarded copies (which may contain alterations) subsequently 
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lines of the original email (or are not the person responsible for 
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Re: (313) new Mills

2004-04-08 Thread john harvey
you were the one imposing - you're telling me not to comment



- Original Message - 
From: Blackman, Ryan (UKEKT) [EMAIL PROTECTED]
To: 'john harvey' [EMAIL PROTECTED]; 313 313@hyperreal.org
Sent: Thursday, April 08, 2004 2:08 PM
Subject: RE: (313) new Mills


 State your opinion, don't impose it  - that's my message. And it wasn't
even
 directed at you.

 -Original Message-
 From: john harvey [mailto:[EMAIL PROTECTED]
 Sent: 08 April 2004 1:58
 To: 313
 Subject: Re: (313) new Mills



  Right, right, I see...it's diss Mills time again!!
  At the end of the day, take it or leave it. If that's how HE chooses to
do
  things, and you don't get it, then don't worry about it!!
  Take from it what you want.
  At the end of the day, the concepts don't sell the records to me, at
all -
  but I certainly wouldn't attempt to belittle the ideas by imposing my
  opinion on others.
 
  Better than conceptualising about drug monkeys in a nightclub anyway -
  because that is just not challenging, in the slightest.

 don't tell me not to comment, and don't tell me i don't get it, i do, its
 bullsh*t.






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RE: (313) new Mills

2004-04-08 Thread Blackman, Ryan (UKEKT)
Nah.

-Original Message-
From: john harvey [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 2:11 
To: 313
Subject: Re: (313) new Mills


you were the one imposing - you're telling me not to comment



- Original Message - 
From: Blackman, Ryan (UKEKT) [EMAIL PROTECTED]
To: 'john harvey' [EMAIL PROTECTED]; 313 313@hyperreal.org
Sent: Thursday, April 08, 2004 2:08 PM
Subject: RE: (313) new Mills


 State your opinion, don't impose it  - that's my message. And it wasn't
even
 directed at you.

 -Original Message-
 From: john harvey [mailto:[EMAIL PROTECTED]
 Sent: 08 April 2004 1:58
 To: 313
 Subject: Re: (313) new Mills



  Right, right, I see...it's diss Mills time again!!
  At the end of the day, take it or leave it. If that's how HE chooses to
do
  things, and you don't get it, then don't worry about it!!
  Take from it what you want.
  At the end of the day, the concepts don't sell the records to me, at
all -
  but I certainly wouldn't attempt to belittle the ideas by imposing my
  opinion on others.
 
  Better than conceptualising about drug monkeys in a nightclub anyway -
  because that is just not challenging, in the slightest.

 don't tell me not to comment, and don't tell me i don't get it, i do, its
 bullsh*t.






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RE: (313) new Mills

2004-04-08 Thread Peteri, Jochem
It´s amazing how much emotion theo and Mills stir with their fans, its 
powerfull music, so much is sure. Good to see people debate it so furiously. I 
guess its why i love Mills as a person as well as a musician although i cant 
really do anything with his theories it at least gets us to think about em.

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RE: (313) new Mills

2004-04-08 Thread Ken Odeluga
Can I suggest that this 'dicussion' has now outlived it's usefulness? :-)

We are now verging on the 313 equivalent of debating the number of angels
it's possible to fit on the tip of a pinhead!

Let's all step back and ask ourselves whether we are acting with enough
perspective. I.e. in the bigger scheme of things, are these matters really
that important? I mean, discuss it yeah, beat an already dead horse and then
when you're done with that, beat up each other verbally, is not the best
idea: just a suggestion!

Just to offer a positive alternative: has anyone got a tracklisting of the
new Transmat cd due for release in Japan? Sorry if I missed it. Also, anyone
heard it? Legally of course, if you downloaded it already from some 'cool'
site, best keep it to yourself imho!

Peace,

k


RE: (313) new Mills

2004-04-08 Thread Peteri, Jochem
This one has, but the whole intention beside the point he makes i think of 
Mills is to make us think about music in a different way, which is a good 
thing. The point may be somewhat pretentiously put, but without discussion its 
surely not gonna get any better...

-Original Message-
From: Ken Odeluga [mailto:[EMAIL PROTECTED]
Sent: donderdag 8 april 2004 15:21
To: [EMAIL PROTECTED] Org
Subject: RE: (313) new Mills


Can I suggest that this 'dicussion' has now outlived it's usefulness? :-)

We are now verging on the 313 equivalent of debating the number of angels
it's possible to fit on the tip of a pinhead!

Let's all step back and ask ourselves whether we are acting with enough
perspective. I.e. in the bigger scheme of things, are these matters really
that important? I mean, discuss it yeah, beat an already dead horse and then
when you're done with that, beat up each other verbally, is not the best
idea: just a suggestion!

Just to offer a positive alternative: has anyone got a tracklisting of the
new Transmat cd due for release in Japan? Sorry if I missed it. Also, anyone
heard it? Legally of course, if you downloaded it already from some 'cool'
site, best keep it to yourself imho!

Peace,

k

The information contained in this e-mail communication is solely intended for 
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Re: (313) new Mills

2004-04-08 Thread john harvey
 We are now verging on the 313 equivalent of debating the number of angels
 it's possible to fit on the tip of a pinhead!

4!



Re: (313) new Mills

2004-04-08 Thread robin

what are you talking about man!

i say 6

robin...

john harvey wrote:

We are now verging on the 313 equivalent of debating the number of angels
it's possible to fit on the tip of a pinhead!



4!






RE: (313) new Mills

2004-04-08 Thread Ken Odeluga
You're both wrong, it's 313 of course! Boom boom.

k

-Original Message-
From: robin [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 2:41 PM
To: john harvey
Cc: 313
Subject: Re: (313) new Mills


what are you talking about man!

i say 6

robin...

john harvey wrote:
We are now verging on the 313 equivalent of debating the number of angels
it's possible to fit on the tip of a pinhead!


 4!






RE: (313) new Mills

2004-04-08 Thread Peteri, Jochem


-Original Message-
From: Ken Odeluga [mailto:[EMAIL PROTECTED]
154 of course

sorry, had to, can´t stop

as justification of the mail, did anyone check the new Ghostface album? dunno 
what to make of it yet, but it might just be briliant...

Sent: donderdag 8 april 2004 15:43
To: robin; john harvey
Cc: 313
Subject: RE: (313) new Mills


You're both wrong, it's 313 of course! Boom boom.

k

-Original Message-
From: robin [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 2:41 PM
To: john harvey
Cc: 313
Subject: Re: (313) new Mills


what are you talking about man!

i say 6

robin...

john harvey wrote:
We are now verging on the 313 equivalent of debating the number of angels
it's possible to fit on the tip of a pinhead!


 4!





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e-mail.


Re: (313) new Mills

2004-04-08 Thread john harvey
 you would also have no sense of change, and no other information if the
 room was completely black or blue or green or yellow or red or orange.

 Absolutely, it's the uniformity that is key. Where did I state otherwise?

well, your statement seemed to be backing the argument that the colour white
was used for a special reason - but i was saying that based on your argument
this couldn't be true, as you seem to now agree; the uniformity of white is
no different from the uniformity of any other colour.


 this is not philosophy.

 Please, let me know what is! Knowing philosophy yourself, you'll know that
 simple examples and thought experiments then lead onto the kind of inquiry
 that perhaps you mean by 'philosophy'. I'm guessing - or were you just
 having a dig?

sorry, i was just having a dig - philosophy is too big a subject for this
list!
:]




RE: (313) new Mills

2004-04-08 Thread Peteri, Jochem
once again, white is not a colour...white is no colour, black is all. thats the 
point i think of blue room vs white room

well, your statement seemed to be backing the argument that the colour white
was used for a special reason - but i was saying that based on your argument
this couldn't be true, as you seem to now agree; the uniformity of white is
no different from the uniformity of any other colour.


The information contained in this e-mail communication is solely intended for 
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information of a personal or confidential nature, it may not be made public by 
virtue of law, regulations or agreement. If someone other than the intended 
recipient should receive or come into possession of this e-mail communication, 
he/she will not be entitled to read, disseminate, disclose or duplicate it. If 
you are not the intended recipient, you are requested to inform the sender of 
this e-mail message of this immediately, and to destroy the original e-mail 
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liability for incorrect and incomplete transmission or delayed receipt of this 
e-mail.


Re: (313) new Mills

2004-04-08 Thread Martin Dust
8/4/04 2:04 PM Peteri, [EMAIL PROTECTED]

 once again, white is not a colour...white is no colour, black is all. thats

Wrong way round fella...see me after class



RE: (313) new Mills

2004-04-08 Thread Peteri, Jochem
Im a one colour at the time kinda guy, multitasking is not my biggest 
talentlike i showed before...

playground, 18.00? at the bikeshed... ; )

-Original Message-
From: Martin Dust [mailto:[EMAIL PROTECTED]
Sent: donderdag 8 april 2004 17:17
To: 313@hyperreal.org
Subject: Re: (313) new Mills


8/4/04 2:04 PM Peteri, [EMAIL PROTECTED]

 once again, white is not a colour...white is no colour, black is all. thats

Wrong way round fella...see me after class


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Re: (313) new Mills

2004-04-08 Thread john harvey
we all know that white is not a colour but your remark is pedantic as it
doesn't relate to or change the argument in any way.







once again, white is not a colour...white is no colour, black is all. thats
the point i think of blue room vs white room

well, your statement seemed to be backing the argument that the colour white
was used for a special reason - but i was saying that based on your argument
this couldn't be true, as you seem to now agree; the uniformity of white is
no different from the uniformity of any other colour.


The information contained in this e-mail communication is solely intended
for the person/legal person to whom it  has been sent, and as it may contain
information of a personal or confidential nature, it may not be made public
by virtue of law, regulations or agreement. If someone other than the
intended recipient should receive or come into possession of this e-mail
communication, he/she will not be entitled to read, disseminate, disclose or
duplicate it. If you are not the intended recipient, you are requested to
inform the sender of this e-mail message of this immediately, and to destroy
the original e-mail communication. Neither Randstad Holding nv nor its
subsidiaries accept any liability for incorrect and incomplete transmission
or delayed receipt of this e-mail.




Re: (313) new Mills

2004-04-08 Thread sean deason
wow! look at that! I rejoin the 313 list yesterday after taking months off
and I find it exactly just as I'd left it. Same topic and everthing! gosh,
thanks guys!! you didnt have to hold the conversation in an unending loop
for little old me! It's almost as if time has stood still.

:^)

sean deason




RE: (313) new Mills

2004-04-08 Thread Peteri, Jochem
surprised? 

-Original Message-
From: sean deason [mailto:[EMAIL PROTECTED]
Sent: donderdag 8 april 2004 16:14
To: Blackman, Ryan (UKEKT); 'Robert Taylor'; Andrew; 313@hyperreal.org
Subject: Re: (313) new Mills


wow! look at that! I rejoin the 313 list yesterday after taking months off
and I find it exactly just as I'd left it. Same topic and everthing! gosh,
thanks guys!! you didnt have to hold the conversation in an unending loop
for little old me! It's almost as if time has stood still.

:^)

sean deason



The information contained in this e-mail communication is solely intended for 
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information of a personal or confidential nature, it may not be made public by 
virtue of law, regulations or agreement. If someone other than the intended 
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he/she will not be entitled to read, disseminate, disclose or duplicate it. If 
you are not the intended recipient, you are requested to inform the sender of 
this e-mail message of this immediately, and to destroy the original e-mail 
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RE: (313) new Mills

2004-04-08 Thread iancheshire
sorry I have to laugh out load here but we have gone from Mills and a film to 
God to Angels and now
colour is it or isn't it...ha ha and I thought my life was complicated :)
 
on a 313 related note I got my Red Planet T-shirt from submerge in 1 week which 
I thought was really quick, I also got my DJ Bone EP's..now that's 
something to rant about I think there very good and I can't wait for the Album.
 
Original Message- 
From: Peteri, Jochem [mailto:[EMAIL PROTECTED] 
Sent: Thu 08/04/2004 15:04 
To: john harvey 
Cc: 313@hyperreal.org 
Subject: RE: (313) new Mills



once again, white is not a colour...white is no colour, black is all. 
thats the point i think of blue room vs white room

well, your statement seemed to be backing the argument that the colour 
white
was used for a special reason - but i was saying that based on your 
argument
this couldn't be true, as you seem to now agree; the uniformity of 
white is
no different from the uniformity of any other colour.


The information contained in this e-mail communication is solely 
intended for the person/legal person to whom it  has been sent, and as it may 
contain information of a personal or confidential nature, it may not be made 
public by virtue of law, regulations or agreement. If someone other than the 
intended recipient should receive or come into possession of this e-mail 
communication, he/she will not be entitled to read, disseminate, disclose or 
duplicate it. If you are not the intended recipient, you are requested to 
inform the sender of this e-mail message of this immediately, and to destroy 
the original e-mail communication. Neither Randstad Holding nv nor its 
subsidiaries accept any liability for incorrect and incomplete transmission or 
delayed receipt of this e-mail.






RE: (313) new Mills

2004-04-08 Thread Peteri, Jochem
anyone check the new juan atkins on New religion? its totally great...didnt 
like the rmx but the original is ace


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(313) New Juan (was Re: (313) new Mills)

2004-04-08 Thread robin



i thought the remix was good (in a different way to the original), 
cleaner if that makes sense.


can't wait for Juan's other stuff to land based on this.

robin...


Peteri, Jochem wrote:

anyone check the new juan atkins on New religion? its totally great...didnt 
like the rmx but the original is ace





RE: (313) new Mills

2004-04-08 Thread Michael . Elliot-Knight




If, say, Phillip Glass, Sun Ra, Holger Czukay, or Brian Eno were to say the
same thing as Mills is we'd all be going hmmm, yes, very interesting
concept
but we're not because Jeff Mills is *supposed* to make dance music and it
just ain't right for him to conceptualize or attempt to put some thought
(even if it's half baked) into his art. That's what it is - his art. And
yes, it's mass produced for consumers but so are Rembrant's, Warhol's, and
Rothko's.
He's crossing pop culture with ideas of high art - he's not the first to do
this so I'm not sure why everyone gets so upset when he presents a concept.

At least he's not saying dude I put it on marble green vinyl because it
looks so f*cking rad man!

He's also not gluing sandpaper to the vinyl so you can still play it - he's
trying to put some thought and effort into it while still presenting a
usable product- you can't blame a man for trying something.

MEK



   
  Robert Taylor   
   
  [EMAIL PROTECTED]To:   Blackman, Ryan 
(UKEKT) [EMAIL PROTECTED],  
  4.co.uk  Andrew [EMAIL PROTECTED], 
313@hyperreal.org  
   cc:  
   
  04/08/04 07:12 AMSubject:  RE: (313) new Mills
   

   

   




A concept that is somewhat lacking if it takes a load of highfaluting
nonsense to explain it.

-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:07 AM
To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


That he's composed a piece of music based specifically around an idea, a
concept.

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:06
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


My arse exists on more levels than the purely conceptual, Ryan.

What do you mean by conceptual?


-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:05 AM
To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


No, it's obviously conceptual.

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:04
To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


My arse

-Original Message-
From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 11:03 AM
To: Robert Taylor; Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


To you, maybe. To Mills it's obviously conceptual.

-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2004 1:02
To: Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


But it's just a record

-Original Message-
From: Andrew [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 10:58 AM
To: 313@hyperreal.org
Subject: RE: (313) new Mills


Sorry to pile in here...philosophy background coming into play ;-)

Mills chose the symbolic colour of white as the vinyl colour in the design
to represent an unknown destination in space and/or time

This is actually justified conceptually by thinking about a situation where
you are in space which is completely white - no other information is being
received by you. You therefore have no sense of change in your environment
other than your inner sense of space and/or time, and so in an limited
sense
these things cease to exist.

Philosophically I call this a 'white room' scenario, actually a very
interesting situation which highlights certain things about how we perceive
and know anything at all.

So there!

Peace,

Andrew






#
Note:

Any views or opinions are solely those of the author and do not necessarily
represent
those of Channel Four Television Corporation unless specifically stated.
This email
and any files transmitted are confidential and intended solely for the use
of the
individual or entity to which they are addressed. If you have received this
email in
error, please notify [EMAIL PROTECTED]

Thank You

RE: (313) new Mills

2004-04-08 Thread Michael . Elliot-Knight




once again, white is not a colour...white is no colour, black is all

except white - there is no white in black

and there is no I in team

oh no - here come the nice men again to take me back to my white room

MEK



Re: (313) new Mills

2004-04-08 Thread Michael . Elliot-Knight




What the f*ck is this? An episode of Changing Rooms?!


MEK




  john harvey 

  [EMAIL PROTECTED]To:   313 
313@hyperreal.org 
  lworld.com   cc: 

Subject:  Re: (313) new Mills   

  04/08/04 09:14 AM 









we all know that white is not a colour but your remark is pedantic as it
doesn't relate to or change the argument in any way.







once again, white is not a colour...white is no colour, black is all. thats
the point i think of blue room vs white room

well, your statement seemed to be backing the argument that the colour
white
was used for a special reason - but i was saying that based on your
argument
this couldn't be true, as you seem to now agree; the uniformity of white is
no different from the uniformity of any other colour.


The information contained in this e-mail communication is solely intended
for the person/legal person to whom it  has been sent, and as it may
contain
information of a personal or confidential nature, it may not be made public
by virtue of law, regulations or agreement. If someone other than the
intended recipient should receive or come into possession of this e-mail
communication, he/she will not be entitled to read, disseminate, disclose
or
duplicate it. If you are not the intended recipient, you are requested to
inform the sender of this e-mail message of this immediately, and to
destroy
the original e-mail communication. Neither Randstad Holding nv nor its
subsidiaries accept any liability for incorrect and incomplete transmission
or delayed receipt of this e-mail.







Re: (313) new Mills

2004-04-08 Thread Michael . Elliot-Knight




No no Sean - we're talking about what color we're going to paint the
kitchen.

MEK



   
  sean deason   
   
  [EMAIL PROTECTED]To:   Blackman, Ryan 
(UKEKT) [EMAIL PROTECTED],  
  .com 'Robert Taylor' [EMAIL 
PROTECTED], Andrew [EMAIL PROTECTED],   
313@hyperreal.org 
   
  04/08/04 09:14 AMcc:  
   
   Subject:  Re: (313) new Mills
   

   




wow! look at that! I rejoin the 313 list yesterday after taking months off
and I find it exactly just as I'd left it. Same topic and everthing! gosh,
thanks guys!! you didnt have to hold the conversation in an unending loop
for little old me! It's almost as if time has stood still.

:^)

sean deason







RE: (313) new Mills

2004-04-08 Thread Peteri, Jochem
so were gonna paint the kitchen no colour? ehm, all colours? ehm, im confused
and what about the attic

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]
Sent: donderdag 8 april 2004 17:14
To: sean deason
Cc: 313@hyperreal.org; Andrew; 'Robert Taylor'; Blackman, Ryan (UKEKT)
Subject: Re: (313) new Mills






No no Sean - we're talking about what color we're going to paint the
kitchen.

MEK


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e-mail.


RE: (313) new Mills

2004-04-08 Thread Robert Taylor
It's getting very noisy in here :)

-Original Message-
From: Peteri, Jochem [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 3:16 PM
To: [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Subject: RE: (313) new Mills


so were gonna paint the kitchen no colour? ehm, all colours? ehm, im confused
and what about the attic

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]
Sent: donderdag 8 april 2004 17:14
To: sean deason
Cc: 313@hyperreal.org; Andrew; 'Robert Taylor'; Blackman, Ryan (UKEKT)
Subject: Re: (313) new Mills






No no Sean - we're talking about what color we're going to paint the
kitchen.

MEK


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RE: (313) new Mills

2004-04-08 Thread Thomas D. Cox, Jr.
-- Original Message --
From: Peteri, Jochem [EMAIL PROTECTED]

once again, white is not a colour...white is no colour, black is 
all. thats the point i think of blue room vs white room

im sure this has already been covered but i want to make sure 
everyone knows im clever:

white is no color and black is all color if youre talking about 
paint. if youre talking about light, white light is what is broken 
down into all the colors of the spectrum when it is 
reflected/refracted/etc, black is the absence of color. 

booya

tom 


andythepooh.com


 
   


(313) new mills

2004-04-08 Thread john harvey
it's getting noisy in here

should appeal to jeff mills fans then










this is a joke.



RE: (313) new Mills

2004-04-08 Thread Peteri, Jochem
I knew it, im a painter!

-Original Message-
From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED]
Sent: donderdag 8 april 2004 17:36
To: 313@hyperreal.org
Subject: RE: (313) new Mills


-- Original Message --
From: Peteri, Jochem [EMAIL PROTECTED]

once again, white is not a colour...white is no colour, black is 
all. thats the point i think of blue room vs white room

im sure this has already been covered but i want to make sure 
everyone knows im clever:

white is no color and black is all color if youre talking about 
paint. if youre talking about light, white light is what is broken 
down into all the colors of the spectrum when it is 
reflected/refracted/etc, black is the absence of color. 

booya

tom 


andythepooh.com


 
   

The information contained in this e-mail communication is solely intended for 
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RE: (313) new Mills

2004-04-08 Thread yussel
you want a concept? buy a friggen Nation of Ulysses record. Now they had
f**kin concepts.

Mills is a lightweight.







On Thu, 8 Apr 2004, Blackman, Ryan (UKEKT) wrote:

 Right, right, I see...it's diss Mills time again!!
 At the end of the day, take it or leave it. If that's how HE chooses to do
 things, and you don't get it, then don't worry about it!!
 Take from it what you want.
 At the end of the day, the concepts don't sell the records to me, at all -
 but I certainly wouldn't attempt to belittle the ideas by imposing my
 opinion on others.

 Better than conceptualising about drug monkeys in a nightclub anyway -
 because that is just not challenging, in the slightest.

 -Original Message-
 From: Robert Taylor [mailto:[EMAIL PROTECTED]
 Sent: 08 April 2004 1:12
 To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
 Subject: RE: (313) new Mills


 A concept that is somewhat lacking if it takes a load of highfaluting
 nonsense to explain it.

 -Original Message-
 From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
 Sent: Thursday, April 08, 2004 11:07 AM
 To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
 Subject: RE: (313) new Mills


 That he's composed a piece of music based specifically around an idea, a
 concept.

 -Original Message-
 From: Robert Taylor [mailto:[EMAIL PROTECTED]
 Sent: 08 April 2004 1:06
 To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
 Subject: RE: (313) new Mills


 My arse exists on more levels than the purely conceptual, Ryan.

 What do you mean by conceptual?


 -Original Message-
 From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
 Sent: Thursday, April 08, 2004 11:05 AM
 To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
 Subject: RE: (313) new Mills


 No, it's obviously conceptual.

 -Original Message-
 From: Robert Taylor [mailto:[EMAIL PROTECTED]
 Sent: 08 April 2004 1:04
 To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
 Subject: RE: (313) new Mills


 My arse

 -Original Message-
 From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
 Sent: Thursday, April 08, 2004 11:03 AM
 To: Robert Taylor; Andrew; 313@hyperreal.org
 Subject: RE: (313) new Mills


 To you, maybe. To Mills it's obviously conceptual.

 -Original Message-
 From: Robert Taylor [mailto:[EMAIL PROTECTED]
 Sent: 08 April 2004 1:02
 To: Andrew; 313@hyperreal.org
 Subject: RE: (313) new Mills


 But it's just a record

 -Original Message-
 From: Andrew [mailto:[EMAIL PROTECTED]
 Sent: Thursday, April 08, 2004 10:58 AM
 To: 313@hyperreal.org
 Subject: RE: (313) new Mills


 Sorry to pile in here...philosophy background coming into play ;-)

 Mills chose the symbolic colour of white as the vinyl colour in the design
 to represent an unknown destination in space and/or time

 This is actually justified conceptually by thinking about a situation where
 you are in space which is completely white - no other information is being
 received by you. You therefore have no sense of change in your environment
 other than your inner sense of space and/or time, and so in an limited sense
 these things cease to exist.

 Philosophically I call this a 'white room' scenario, actually a very
 interesting situation which highlights certain things about how we perceive
 and know anything at all.

 So there!

 Peace,

 Andrew




 
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 Note:

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 represent
 those of Channel Four Television Corporation unless specifically stated.
 This email
 and any files transmitted are confidential and intended solely for the use
 of the
 individual or entity to which they are addressed. If you have received this
 email in
 error, please notify [EMAIL PROTECTED]

 Thank You.
 
 #



 
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RE: (313) new Mills

2004-04-08 Thread yussel
i can honestly say that i wil not buy it

On Thu, 8 Apr 2004, placid wrote:

 Bottom line is.  We will all buy it...

 Conceptual, non conceptual...  who cares..if it sounds good..i'll take
 it...
 As long as the white vinyl doesn't make it sound like it was recorded
 inside a huge empty can of baked beans I'm happy...

 p

 -Original Message-
 From: Peteri, Jochem [mailto:[EMAIL PROTECTED]
 Sent: 08 April 2004 12:13
 To: quest pond
 Cc: 313@hyperreal.org
 Subject: RE: (313) new Mills

 and a 909 is creme

 The information contained in this e-mail communication is solely
 intended for the person/legal person to whom it  has been sent, and as
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 read, disseminate, disclose or duplicate it. If you are not the intended
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 e-mail.





RE: (313) new Mills

2004-04-08 Thread Steward, Tim
There is no way you can say mills is a lightweight,
Music production is an art, and art is a form of expression
if you choose not to buy it that's your choice, but call
him a lightweight when he is a true artist..It appears to me
that he is able to continually re-create himself and capture
his audience. If you take a look around the industry there are
many people that copy the things he does, for example
without naming names - who just recently copied his See The Light
idea...and who will copy the dvd concept next.. 
The art of DJing is not easy we all know, but the art of music
production is not easy either (believe me) In order for the techno
(electro,house,jungle,trance etc...) scene to survive more people
have to constantly step out on the edge and try to re-create themselves.

TS-1   (Deep in the 313) Where music evolves from the soul of the city

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 1:27 PM
To: Blackman, Ryan (UKEKT)
Cc: 'Robert Taylor'; Andrew; 313@hyperreal.org
Subject: RE: (313) new Mills


you want a concept? buy a friggen Nation of Ulysses record. Now they had
f**kin concepts.

Mills is a lightweight.







On Thu, 8 Apr 2004, Blackman, Ryan (UKEKT) wrote:

 Right, right, I see...it's diss Mills time again!!
 At the end of the day, take it or leave it. If that's how HE chooses to do
 things, and you don't get it, then don't worry about it!!
 Take from it what you want.
 At the end of the day, the concepts don't sell the records to me, at all -
 but I certainly wouldn't attempt to belittle the ideas by imposing my
 opinion on others.

 Better than conceptualising about drug monkeys in a nightclub anyway -
 because that is just not challenging, in the slightest.

 -Original Message-
 From: Robert Taylor [mailto:[EMAIL PROTECTED]
 Sent: 08 April 2004 1:12
 To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
 Subject: RE: (313) new Mills


 A concept that is somewhat lacking if it takes a load of highfaluting
 nonsense to explain it.

 -Original Message-
 From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
 Sent: Thursday, April 08, 2004 11:07 AM
 To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
 Subject: RE: (313) new Mills


 That he's composed a piece of music based specifically around an idea, a
 concept.

 -Original Message-
 From: Robert Taylor [mailto:[EMAIL PROTECTED]
 Sent: 08 April 2004 1:06
 To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
 Subject: RE: (313) new Mills


 My arse exists on more levels than the purely conceptual, Ryan.

 What do you mean by conceptual?


 -Original Message-
 From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
 Sent: Thursday, April 08, 2004 11:05 AM
 To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
 Subject: RE: (313) new Mills


 No, it's obviously conceptual.

 -Original Message-
 From: Robert Taylor [mailto:[EMAIL PROTECTED]
 Sent: 08 April 2004 1:04
 To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
 Subject: RE: (313) new Mills


 My arse

 -Original Message-
 From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
 Sent: Thursday, April 08, 2004 11:03 AM
 To: Robert Taylor; Andrew; 313@hyperreal.org
 Subject: RE: (313) new Mills


 To you, maybe. To Mills it's obviously conceptual.

 -Original Message-
 From: Robert Taylor [mailto:[EMAIL PROTECTED]
 Sent: 08 April 2004 1:02
 To: Andrew; 313@hyperreal.org
 Subject: RE: (313) new Mills


 But it's just a record

 -Original Message-
 From: Andrew [mailto:[EMAIL PROTECTED]
 Sent: Thursday, April 08, 2004 10:58 AM
 To: 313@hyperreal.org
 Subject: RE: (313) new Mills


 Sorry to pile in here...philosophy background coming into play ;-)

 Mills chose the symbolic colour of white as the vinyl colour in the
design
 to represent an unknown destination in space and/or time

 This is actually justified conceptually by thinking about a situation
where
 you are in space which is completely white - no other information is being
 received by you. You therefore have no sense of change in your environment
 other than your inner sense of space and/or time, and so in an limited
sense
 these things cease to exist.

 Philosophically I call this a 'white room' scenario, actually a very
 interesting situation which highlights certain things about how we
perceive
 and know anything at all.

 So there!

 Peace,

 Andrew






 #
 Note:

 Any views or opinions are solely those of the author and do not
necessarily
 represent
 those of Channel Four Television Corporation unless specifically stated.
 This email
 and any files transmitted are confidential and intended solely for the use
 of the
 individual or entity to which they are addressed. If you have received
this
 email in
 error, please notify [EMAIL PROTECTED]

 Thank You

RE: (313) new Mills

2004-04-08 Thread yussel
how can yu love someone as a person if you don't know them?

On Thu, 8 Apr 2004, Peteri, Jochem wrote:

 It´s amazing how much emotion theo and Mills stir with their fans, its 
 powerfull music, so much is sure. Good to see people debate it so furiously. 
 I guess its why i love Mills as a person as well as a musician although i 
 cant really do anything with his theories it at least gets us to think about 
 em.

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 intended recipient should receive or come into possession of this e-mail 
 communication, he/she will not be entitled to read, disseminate, disclose or 
 duplicate it. If you are not the intended recipient, you are requested to 
 inform the sender of this e-mail message of this immediately, and to destroy 
 the original e-mail communication. Neither Randstad Holding nv nor its 
 subsidiaries accept any liability for incorrect and incomplete transmission 
 or delayed receipt of this e-mail.



Re: (313) new Mills

2004-04-08 Thread yussel
its' spelled 'color', not 'colour'


-wankers  ;)



On Thu, 8 Apr 2004, john harvey wrote:

 we all know that white is not a colour but your remark is pedantic as it
 doesn't relate to or change the argument in any way.







 once again, white is not a colour...white is no colour, black is all. thats
 the point i think of blue room vs white room

 well, your statement seemed to be backing the argument that the colour white
 was used for a special reason - but i was saying that based on your argument
 this couldn't be true, as you seem to now agree; the uniformity of white is
 no different from the uniformity of any other colour.


 The information contained in this e-mail communication is solely intended
 for the person/legal person to whom it  has been sent, and as it may contain
 information of a personal or confidential nature, it may not be made public
 by virtue of law, regulations or agreement. If someone other than the
 intended recipient should receive or come into possession of this e-mail
 communication, he/she will not be entitled to read, disseminate, disclose or
 duplicate it. If you are not the intended recipient, you are requested to
 inform the sender of this e-mail message of this immediately, and to destroy
 the original e-mail communication. Neither Randstad Holding nv nor its
 subsidiaries accept any liability for incorrect and incomplete transmission
 or delayed receipt of this e-mail.





RE: (313) new Mills

2004-04-08 Thread Michael . Elliot-Knight




you want a concept? buy a friggen Nation of Ulysses record. Now they had
f**kin concepts.

yes, go buy a Nation of Ulysses record because their concepts are the best
concepts in this whole world
that way once you've bought a Nation of Ulysses record you will never have
to buy another record by anyone trying to pull ideas together into a
complete package
their concepts are more valid than Jeff Mills' concepts so Jeff, if you're
reading any of this - stop right now because Nation of Ulysses is better
than you and, even though you are addressing totally different issues and
with different styles of music, you can't beat them no matter how hard you
try

same goes for those Underground Resistance guys, that Richie Hawtin
character, and Kraftwerk - what a bunch of lightweights

MEK




RE: (313) new Mills

2004-04-08 Thread yussel
i don't blame him for trying- its just that he so BAD at it.

worst pontificator ever

On Thu, 8 Apr 2004 [EMAIL PROTECTED] wrote:





 If, say, Phillip Glass, Sun Ra, Holger Czukay, or Brian Eno were to say the
 same thing as Mills is we'd all be going hmmm, yes, very interesting
 concept
 but we're not because Jeff Mills is *supposed* to make dance music and it
 just ain't right for him to conceptualize or attempt to put some thought
 (even if it's half baked) into his art. That's what it is - his art. And
 yes, it's mass produced for consumers but so are Rembrant's, Warhol's, and
 Rothko's.
 He's crossing pop culture with ideas of high art - he's not the first to do
 this so I'm not sure why everyone gets so upset when he presents a concept.

 At least he's not saying dude I put it on marble green vinyl because it
 looks so f*cking rad man!

 He's also not gluing sandpaper to the vinyl so you can still play it - he's
 trying to put some thought and effort into it while still presenting a
 usable product- you can't blame a man for trying something.

 MEK



   Robert Taylor
   [EMAIL PROTECTED]To:   Blackman, Ryan 
 (UKEKT) [EMAIL PROTECTED],
   4.co.uk  Andrew [EMAIL PROTECTED], 
 313@hyperreal.org
cc:
   04/08/04 07:12 AMSubject:  RE: (313) new Mills






 A concept that is somewhat lacking if it takes a load of highfaluting
 nonsense to explain it.

 -Original Message-
 From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
 Sent: Thursday, April 08, 2004 11:07 AM
 To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
 Subject: RE: (313) new Mills


 That he's composed a piece of music based specifically around an idea, a
 concept.

 -Original Message-
 From: Robert Taylor [mailto:[EMAIL PROTECTED]
 Sent: 08 April 2004 1:06
 To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
 Subject: RE: (313) new Mills


 My arse exists on more levels than the purely conceptual, Ryan.

 What do you mean by conceptual?


 -Original Message-
 From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
 Sent: Thursday, April 08, 2004 11:05 AM
 To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
 Subject: RE: (313) new Mills


 No, it's obviously conceptual.

 -Original Message-
 From: Robert Taylor [mailto:[EMAIL PROTECTED]
 Sent: 08 April 2004 1:04
 To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
 Subject: RE: (313) new Mills


 My arse

 -Original Message-
 From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
 Sent: Thursday, April 08, 2004 11:03 AM
 To: Robert Taylor; Andrew; 313@hyperreal.org
 Subject: RE: (313) new Mills


 To you, maybe. To Mills it's obviously conceptual.

 -Original Message-
 From: Robert Taylor [mailto:[EMAIL PROTECTED]
 Sent: 08 April 2004 1:02
 To: Andrew; 313@hyperreal.org
 Subject: RE: (313) new Mills


 But it's just a record

 -Original Message-
 From: Andrew [mailto:[EMAIL PROTECTED]
 Sent: Thursday, April 08, 2004 10:58 AM
 To: 313@hyperreal.org
 Subject: RE: (313) new Mills


 Sorry to pile in here...philosophy background coming into play ;-)

 Mills chose the symbolic colour of white as the vinyl colour in the design
 to represent an unknown destination in space and/or time

 This is actually justified conceptually by thinking about a situation where
 you are in space which is completely white - no other information is being
 received by you. You therefore have no sense of change in your environment
 other than your inner sense of space and/or time, and so in an limited
 sense
 these things cease to exist.

 Philosophically I call this a 'white room' scenario, actually a very
 interesting situation which highlights certain things about how we perceive
 and know anything at all.

 So there!

 Peace,

 Andrew




 

 #
 Note:

 Any views or opinions are solely those of the author and do not necessarily
 represent
 those of Channel Four Television Corporation unless specifically stated.
 This email
 and any files transmitted are confidential and intended solely for the use
 of the
 individual or entity to which they are addressed. If you have received this
 email in
 error, please notify [EMAIL PROTECTED]

 Thank You.
 

 #



 

 ***
 Opinions expressed in this email are those of the individual and
 not Entergy-Koch Trading Limited or its affiliated companies.
 This email and any files transmitted with it, including replies
 and forwarded copies (which may contain alterations) subsequently
 transmitted from the Company, are confidential and solely for the
 use of the intended

RE: (313) new Mills

2004-04-08 Thread Steward, Tim
Let us see you step up to the plate, what's the title of your
latest cut - let me go pick it up and see who the lightweight is...


313   - TS-1

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]
Sent: Thursday, April 08, 2004 1:45 PM
To: 313@hyperreal.org
Subject: RE: (313) new Mills






you want a concept? buy a friggen Nation of Ulysses record. Now they had
f**kin concepts.

yes, go buy a Nation of Ulysses record because their concepts are the best
concepts in this whole world
that way once you've bought a Nation of Ulysses record you will never have
to buy another record by anyone trying to pull ideas together into a
complete package
their concepts are more valid than Jeff Mills' concepts so Jeff, if you're
reading any of this - stop right now because Nation of Ulysses is better
than you and, even though you are addressing totally different issues and
with different styles of music, you can't beat them no matter how hard you
try

same goes for those Underground Resistance guys, that Richie Hawtin
character, and Kraftwerk - what a bunch of lightweights

MEK




The contents of this e-mail are intended for the named addressee only. It
contains information that may be confidential. Unless you are the named
addressee or an authorized designee, you may not copy or use it, or disclose
it to anyone else. If you received it in error please notify us immediately
and then destroy it. 



Re: (313) new Mills

2004-04-08 Thread john harvey
it's colour - color is the american spelling


 its' spelled 'color', not 'colour'


 -wankers  ;)



 On Thu, 8 Apr 2004, john harvey wrote:

  we all know that white is not a colour but your remark is pedantic as it
  doesn't relate to or change the argument in any way.
 
 
 
 
 
 
 
  once again, white is not a colour...white is no colour, black is all.
thats
  the point i think of blue room vs white room
 
  well, your statement seemed to be backing the argument that the colour
white
  was used for a special reason - but i was saying that based on your
argument
  this couldn't be true, as you seem to now agree; the uniformity of white
is
  no different from the uniformity of any other colour.
 
 
  The information contained in this e-mail communication is solely
intended
  for the person/legal person to whom it  has been sent, and as it may
contain
  information of a personal or confidential nature, it may not be made
public
  by virtue of law, regulations or agreement. If someone other than the
  intended recipient should receive or come into possession of this e-mail
  communication, he/she will not be entitled to read, disseminate,
disclose or
  duplicate it. If you are not the intended recipient, you are requested
to
  inform the sender of this e-mail message of this immediately, and to
destroy
  the original e-mail communication. Neither Randstad Holding nv nor its
  subsidiaries accept any liability for incorrect and incomplete
transmission
  or delayed receipt of this e-mail.
 
 
 





RE: (313) new Mills

2004-04-08 Thread yussel
easy sparky.

i said when it comes to concepts- mills is a lightweight. read a NoU CD
booklet and see what i'm saying.

On Thu, 8 Apr 2004, Steward, Tim wrote:

 There is no way you can say mills is a lightweight,
 Music production is an art, and art is a form of expression
 if you choose not to buy it that's your choice, but call
 him a lightweight when he is a true artist..It appears to me
 that he is able to continually re-create himself and capture
 his audience. If you take a look around the industry there are
 many people that copy the things he does, for example
 without naming names - who just recently copied his See The Light
 idea...and who will copy the dvd concept next..
 The art of DJing is not easy we all know, but the art of music
 production is not easy either (believe me) In order for the techno
 (electro,house,jungle,trance etc...) scene to survive more people
 have to constantly step out on the edge and try to re-create themselves.

 TS-1   (Deep in the 313) Where music evolves from the soul of the city

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
 Sent: Thursday, April 08, 2004 1:27 PM
 To: Blackman, Ryan (UKEKT)
 Cc: 'Robert Taylor'; Andrew; 313@hyperreal.org
 Subject: RE: (313) new Mills


 you want a concept? buy a friggen Nation of Ulysses record. Now they had
 f**kin concepts.

 Mills is a lightweight.







 On Thu, 8 Apr 2004, Blackman, Ryan (UKEKT) wrote:

  Right, right, I see...it's diss Mills time again!!
  At the end of the day, take it or leave it. If that's how HE chooses to do
  things, and you don't get it, then don't worry about it!!
  Take from it what you want.
  At the end of the day, the concepts don't sell the records to me, at all -
  but I certainly wouldn't attempt to belittle the ideas by imposing my
  opinion on others.
 
  Better than conceptualising about drug monkeys in a nightclub anyway -
  because that is just not challenging, in the slightest.
 
  -Original Message-
  From: Robert Taylor [mailto:[EMAIL PROTECTED]
  Sent: 08 April 2004 1:12
  To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
  Subject: RE: (313) new Mills
 
 
  A concept that is somewhat lacking if it takes a load of highfaluting
  nonsense to explain it.
 
  -Original Message-
  From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
  Sent: Thursday, April 08, 2004 11:07 AM
  To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
  Subject: RE: (313) new Mills
 
 
  That he's composed a piece of music based specifically around an idea, a
  concept.
 
  -Original Message-
  From: Robert Taylor [mailto:[EMAIL PROTECTED]
  Sent: 08 April 2004 1:06
  To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
  Subject: RE: (313) new Mills
 
 
  My arse exists on more levels than the purely conceptual, Ryan.
 
  What do you mean by conceptual?
 
 
  -Original Message-
  From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
  Sent: Thursday, April 08, 2004 11:05 AM
  To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
  Subject: RE: (313) new Mills
 
 
  No, it's obviously conceptual.
 
  -Original Message-
  From: Robert Taylor [mailto:[EMAIL PROTECTED]
  Sent: 08 April 2004 1:04
  To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org
  Subject: RE: (313) new Mills
 
 
  My arse
 
  -Original Message-
  From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
  Sent: Thursday, April 08, 2004 11:03 AM
  To: Robert Taylor; Andrew; 313@hyperreal.org
  Subject: RE: (313) new Mills
 
 
  To you, maybe. To Mills it's obviously conceptual.
 
  -Original Message-
  From: Robert Taylor [mailto:[EMAIL PROTECTED]
  Sent: 08 April 2004 1:02
  To: Andrew; 313@hyperreal.org
  Subject: RE: (313) new Mills
 
 
  But it's just a record
 
  -Original Message-
  From: Andrew [mailto:[EMAIL PROTECTED]
  Sent: Thursday, April 08, 2004 10:58 AM
  To: 313@hyperreal.org
  Subject: RE: (313) new Mills
 
 
  Sorry to pile in here...philosophy background coming into play ;-)
 
  Mills chose the symbolic colour of white as the vinyl colour in the
 design
  to represent an unknown destination in space and/or time
 
  This is actually justified conceptually by thinking about a situation
 where
  you are in space which is completely white - no other information is being
  received by you. You therefore have no sense of change in your environment
  other than your inner sense of space and/or time, and so in an limited
 sense
  these things cease to exist.
 
  Philosophically I call this a 'white room' scenario, actually a very
  interesting situation which highlights certain things about how we
 perceive
  and know anything at all.
 
  So there!
 
  Peace,
 
  Andrew
 
 
 
 
 
 
  #
  Note:
 
  Any views or opinions are solely those of the author and do not
 necessarily
  represent
  those of Channel Four

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