Re: (313) OT: Peter 'Sleazy' Christopherson (Coil)
What a horrible loss. He was one of my greatest musickal influences.
Jim
On Nov 25, 2010, at 11:24 AM, darnistle darnis...@cafe-ebola.com wrote:
Apparently, Sleazy died yesterday.
Again in the neither-neither. :)
--
{}0+|
Re: (313) OT: DEMF Friday airport pickup/cab share?
thanks to everybody who replied, ride has been secured. see you all the festival! On Mon, May 24, 2010 at 5:50 PM, Frank Glazer cpe1704...@gmail.com wrote: So my flight to Detroit gets in on friday at 11:30-noonish. Unfortunately the rest of my crew won't be in town until 2 or 3. I am trying to find somebody with a similar or slightly later flight who wants to share a cab to downtown Detroit. Alternately, looking for somebody w a car to pick me up at the airport. Staying at the shorecrest but getting me close or even to Detroit threads or melodies and memories would work too. Sent from my iPhone -- peace, frank http://www.deejaycountzero.com http://www.infinitestatemachine.com
Re: (313) OT: Nice article about the current state of journalism about the D
I don't think there would be anything wrong at all if people moved to Detroit to do art, or urban farming or whatever. Places where people can live cheaply and have room to work are essential for the creation of new art. I don't think 'ruin porn' is very useful if that's all it is. But if you spend any time in Detroit, the ruination is pretty inescapable. To me it feels less like ruins and more like fallow land, as though all it's waiting for is the right spark. Beyond both these ideas -- Detroit as lurid icon of urban decay, and as unrealized potential -- there's something that the rest of the world tends to ignore, which is that Detroit has real people living there across the whole spectrum of human experience -- the desparate, the scary, the hopeful, the evil and the good. And somehow every 'good' thing that comes to Detroit doesn't really reach down to help the poorest of the poor. On Thu, Nov 26, 2009 at 1:15 AM, Arturo Lopez arturo.m.lo...@gmail.com wrote: http://www.viceland.com/int/v16n8/htdocs/something-something-something-detroit-994.php?page=1 Very funny article about Detroit ruin porn and all the cleverly cropped photos to make everything look depressing when outside journalists come to the city. I loved the line about a bunch of “Billyburg hipsters” moving to the city to start urban farms. Mostly because this is an actual dream of my girlfriend, and I can now use this to tease her that no one wants her to move in to their hood and start an urban farm. haha. -Art
RE: (313) OT: Nice article about the current state of journalism about the D
Berlin was in ruins and became a haven for artists. This kind of regeneration has happened in parts of London too. It would be great if it could happen in Detroit. Is there much of a squat scene in the US? In London and some parts of Britain, local councils have begun to encourage arts collectives to occupy empty shops to encourage people to visit 'declining' neigbourhoods. This is in Herne Hill, which is near to Brixton in London: http://www.liveattheapollo.org/ But it's happening all over: http://artistsandmakers.com/staticpages/index.php/emptyshops Rob Taylor VT Librarian x8599 Hatch Desk x1088 VT Library Users' Guide -Original Message- From: kent williams [mailto:chaircrus...@gmail.com] Sent: 26 November 2009 15:47 To: Arturo Lopez Cc: Three-One-Three Subject: Re: (313) OT: Nice article about the current state of journalism about the D I don't think there would be anything wrong at all if people moved to Detroit to do art, or urban farming or whatever. Places where people can live cheaply and have room to work are essential for the creation of new art. I don't think 'ruin porn' is very useful if that's all it is. But if you spend any time in Detroit, the ruination is pretty inescapable. To me it feels less like ruins and more like fallow land, as though all it's waiting for is the right spark. Beyond both these ideas -- Detroit as lurid icon of urban decay, and as unrealized potential -- there's something that the rest of the world tends to ignore, which is that Detroit has real people living there across the whole spectrum of human experience -- the desparate, the scary, the hopeful, the evil and the good. And somehow every 'good' thing that comes to Detroit doesn't really reach down to help the poorest of the poor. On Thu, Nov 26, 2009 at 1:15 AM, Arturo Lopez arturo.m.lo...@gmail.com wrote: http://www.viceland.com/int/v16n8/htdocs/something-something-something-detroit-994.php?page=1 Very funny article about Detroit ruin porn and all the cleverly cropped photos to make everything look depressing when outside journalists come to the city. I loved the line about a bunch of Billyburg hipsters moving to the city to start urban farms. Mostly because this is an actual dream of my girlfriend, and I can now use this to tease her that no one wants her to move in to their hood and start an urban farm. haha. -Art # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify postmas...@channel4.co.uk Thank You. Channel Four Television Corporation, created by statute under English law, is at 124 Horseferry Road, London, SW1P 2TX . 4 Ventures Limited (Company No. 04106849), incorporated in England and Wales has its registered office at 124 Horseferry Road, London SW1P 2TX. VAT no: GB 626475817 #
RE: (313) OT: Nice article about the current state of journalism about the D
It seems like time for some of this: http://www.youtube.com/watch?v=g7aSypQmLRA Albeit sounds more and more ironic every year, to me anyway .. -Original Message- From: Robert Taylor [mailto:rdtay...@channel4.co.uk] Sent: Thursday, November 26, 2009 4:13 PM To: kent williams; Arturo Lopez Cc: Three-One-Three Subject: RE: (313) OT: Nice article about the current state of journalism about the D Berlin was in ruins and became a haven for artists. This kind of regeneration has happened in parts of London too. It would be great if it could happen in Detroit. Is there much of a squat scene in the US? In London and some parts of Britain, local councils have begun to encourage arts collectives to occupy empty shops to encourage people to visit 'declining' neigbourhoods. This is in Herne Hill, which is near to Brixton in London: http://www.liveattheapollo.org/ But it's happening all over: http://artistsandmakers.com/staticpages/index.php/emptyshops Rob Taylor VT Librarian x8599 Hatch Desk x1088 VT Library Users' Guide -Original Message- From: kent williams [mailto:chaircrus...@gmail.com] Sent: 26 November 2009 15:47 To: Arturo Lopez Cc: Three-One-Three Subject: Re: (313) OT: Nice article about the current state of journalism about the D I don't think there would be anything wrong at all if people moved to Detroit to do art, or urban farming or whatever. Places where people can live cheaply and have room to work are essential for the creation of new art. I don't think 'ruin porn' is very useful if that's all it is. But if you spend any time in Detroit, the ruination is pretty inescapable. To me it feels less like ruins and more like fallow land, as though all it's waiting for is the right spark. Beyond both these ideas -- Detroit as lurid icon of urban decay, and as unrealized potential -- there's something that the rest of the world tends to ignore, which is that Detroit has real people living there across the whole spectrum of human experience -- the desparate, the scary, the hopeful, the evil and the good. And somehow every 'good' thing that comes to Detroit doesn't really reach down to help the poorest of the poor. On Thu, Nov 26, 2009 at 1:15 AM, Arturo Lopez arturo.m.lo...@gmail.com wrote: http://www.viceland.com/int/v16n8/htdocs/something-something-something-detroit-994.php?page=1 Very funny article about Detroit ruin porn and all the cleverly cropped photos to make everything look depressing when outside journalists come to the city. I loved the line about a bunch of Billyburg hipsters moving to the city to start urban farms. Mostly because this is an actual dream of my girlfriend, and I can now use this to tease her that no one wants her to move in to their hood and start an urban farm. haha. -Art # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify postmas...@channel4.co.uk Thank You. Channel Four Television Corporation, created by statute under English law, is at 124 Horseferry Road, London, SW1P 2TX . 4 Ventures Limited (Company No. 04106849), incorporated in England and Wales has its registered office at 124 Horseferry Road, London SW1P 2TX. VAT no: GB 626475817 #
Re: (313) OT: Nice article about the current state of journalism about the D
Yea don't get me wrong, I'm all about people coming into communities and trying to make a difference, provided they are actually trying to contribute. As far as the squat scene, I have no idea. I've see it a bit here and there in Chicago (artist kids illegally living in storefronts). I do know that regular people end up doing most of the leg work in the U.S. for this kind of thing before officials catch on or are convinced to help. Occasionally developers will give rental discounts to people in the arts when they are trying to build up 'artist neighborhoods' to drive up business, and eventually housing prices. It's a mixture of things happening organically, and then business/political interests becoming involved in order to profit. Neighborhood 'cycles' are a fascinating subject, though, and unfortunately what is considered blighted or bad more often than not is just replaced with white and expensive. Gentrification is happening pretty fast in many U.S. cities, with things headed more towards a Paris-style model of the wealthy living inside the city and the poor pushed to the outlaying city suburbs. It's happening -extremely- fast in D.C., and many Chicago neighborhoods are becoming barely recognizable from 5-10 years ago. Very OT but it's an exciting subject. -Art On Thu, Nov 26, 2009 at 10:22 AM, Odeluga, Ken ken.odel...@dowjones.com wrote: It seems like time for some of this: http://www.youtube.com/watch?v=g7aSypQmLRA Albeit sounds more and more ironic every year, to me anyway .. -Original Message- From: Robert Taylor [mailto:rdtay...@channel4.co.uk] Sent: Thursday, November 26, 2009 4:13 PM To: kent williams; Arturo Lopez Cc: Three-One-Three Subject: RE: (313) OT: Nice article about the current state of journalism about the D Berlin was in ruins and became a haven for artists. This kind of regeneration has happened in parts of London too. It would be great if it could happen in Detroit. Is there much of a squat scene in the US? In London and some parts of Britain, local councils have begun to encourage arts collectives to occupy empty shops to encourage people to visit 'declining' neigbourhoods. This is in Herne Hill, which is near to Brixton in London: http://www.liveattheapollo.org/ But it's happening all over: http://artistsandmakers.com/staticpages/index.php/emptyshops Rob Taylor VT Librarian x8599 Hatch Desk x1088 VT Library Users' Guide -Original Message- From: kent williams [mailto:chaircrus...@gmail.com] Sent: 26 November 2009 15:47 To: Arturo Lopez Cc: Three-One-Three Subject: Re: (313) OT: Nice article about the current state of journalism about the D I don't think there would be anything wrong at all if people moved to Detroit to do art, or urban farming or whatever. Places where people can live cheaply and have room to work are essential for the creation of new art. I don't think 'ruin porn' is very useful if that's all it is. But if you spend any time in Detroit, the ruination is pretty inescapable. To me it feels less like ruins and more like fallow land, as though all it's waiting for is the right spark. Beyond both these ideas -- Detroit as lurid icon of urban decay, and as unrealized potential -- there's something that the rest of the world tends to ignore, which is that Detroit has real people living there across the whole spectrum of human experience -- the desparate, the scary, the hopeful, the evil and the good. And somehow every 'good' thing that comes to Detroit doesn't really reach down to help the poorest of the poor. On Thu, Nov 26, 2009 at 1:15 AM, Arturo Lopez arturo.m.lo...@gmail.com wrote: http://www.viceland.com/int/v16n8/htdocs/something-something-something-detroit-994.php?page=1 Very funny article about Detroit ruin porn and all the cleverly cropped photos to make everything look depressing when outside journalists come to the city. I loved the line about a bunch of Billyburg hipsters moving to the city to start urban farms. Mostly because this is an actual dream of my girlfriend, and I can now use this to tease her that no one wants her to move in to their hood and start an urban farm. haha. -Art # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify postmas...@channel4.co.uk Thank You. Channel Four Television Corporation, created by statute under English law, is at 124 Horseferry Road, London, SW1P 2TX . 4 Ventures Limited (Company No. 04106849), incorporated in England and Wales has its registered office at 124 Horseferry Road, London SW1P
Re: (313) OT Fu5k The BNP
On 21 Oct 2009, at 11:13, Lerato Khathi wrote: what a shambles ! the bbc are jokers really . we have truly entered the new age of conservatism /fascism in the Uk i feel . with the conservative party looking like the next government , i pity immigrants ++ in this country . lerato Absolutely Lerato, which is why in this case I really don't believe giving the BNP a massive platform is the right thing to do, times are hard and we need to stick together rather than letting this scum spread their hate and divide us. I also feel the panel will blow it. Sadly, in Sheffield we have a large bunch of neo-nazis (WNP/BPP/C18/ EDL), some of which are Griffin's hench men, anyone who wants to see what the real BNP are like is welcome to request a link from me because there's no way I'm putting it on a public list, the guys who run the site and be seen in pictures with Griffin and acting as his body guards. You may also find this an interesting read: http://www.timesonline.co.uk/tol/comment/columnists/david_aaronovitch/article6881553.ece# m
Re: (313) OT Fu5k The BNP
Seeing as we're discussing this on-list, please could someone explain to me why boycotting Nick Griffin/exclusing him from a debate is the 'right' thing to do? From the opening few lines of the article in The Times: Its an editorial decision based on a feeling for what the public think, and its correct. In 2009 people expect to make their own minds up, and dont want to be cushioned from discussion, however problematic. Please can someone give me a measured response why this is not the way forward? I am happy to be convinced otherwise. I have yet to be presented with anything that challenges my standpoint. N On 21 Oct 2009, at 11:13, Lerato Khathi wrote: what a shambles ! the bbc are jokers really . we have truly entered the new age of conservatism /fascism in the Uk i feel . with the conservative party looking like the next government , i pity immigrants ++ in this country . lerato Absolutely Lerato, which is why in this case I really don't believe giving the BNP a massive platform is the right thing to do, times are hard and we need to stick together rather than letting this scum spread their hate and divide us. I also feel the panel will blow it. Sadly, in Sheffield we have a large bunch of neo-nazis (WNP/BPP/C18/ EDL), some of which are Griffin's hench men, anyone who wants to see what the real BNP are like is welcome to request a link from me because there's no way I'm putting it on a public list, the guys who run the site and be seen in pictures with Griffin and acting as his body guards. You may also find this an interesting read: http://www.timesonline.co.uk/tol/comment/columnists/david_aaronovitch/article6881553.ece# m
RE: (313) OT Fu5k The BNP
This is OT and should remain off the list. It's an important issue, but it's not 313. Get ye to Disception.net [Maybe I'll see you there]. Seeing as we're discussing this on-list, please could someone explain to me why boycotting Nick Griffin/exclusing him from a debate is the 'right' thing to do? From the opening few lines of the article in The Times: It's an editorial decision based on a feeling for what the public think, and it's correct. In 2009 people expect to make their own minds up, and don't want to be cushioned from discussion, however problematic. Please can someone give me a measured response why this is not the way forward? I am happy to be convinced otherwise. I have yet to be presented with anything that challenges my standpoint. N On 21 Oct 2009, at 11:13, Lerato Khathi wrote: what a shambles ! the bbc are jokers really . we have truly entered the new age of conservatism /fascism in the Uk i feel . with the conservative party looking like the next government , i pity immigrants ++ in this country . lerato Absolutely Lerato, which is why in this case I really don't believe giving the BNP a massive platform is the right thing to do, times are hard and we need to stick together rather than letting this scum spread their hate and divide us. I also feel the panel will blow it. Sadly, in Sheffield we have a large bunch of neo-nazis (WNP/BPP/C18/ EDL), some of which are Griffin's hench men, anyone who wants to see what the real BNP are like is welcome to request a link from me because there's no way I'm putting it on a public list, the guys who run the site and be seen in pictures with Griffin and acting as his body guards. You may also find this an interesting read: http://www.timesonline.co.uk/tol/comment/columnists/david_aaronovitch/article6881553.ece# m
Re: (313) OT Spam Bin
On 15 Sep 2009, at 23:35, /0 wrote: odd. richard's didn't flag here. win7/live mail We use Spam Assassin server side, and it learns as it goes, so anything that's constantly repeated (same text in different mails from the same source) and is wired with loads of links just scores really high and gets labelled SPAM. Best thing is to mix it up and take all the links out of your sig... m
RE: (313) OT: Jeff Mills in Chicago 16-10-2009
Found this in my e-mail this morning...for those in the neighbourhood:-) Friday 16 October 2009 at 10:00pm Axis Records presents 'And What About The Truth' ... JEFF MILLS COMMON FACTOR TYREL WILLIAMS Tickets: $15 before midnight, $20 after midnight 21 over Doors: 10pm / Show: 10pm Smart Bar 3730 N. Clark St. Chicago, IL, Chicago 60613 United States Tel: 773-549-0203 Web: www.smartbarchicago.com -Oorspronkelijk bericht- Van: Frank Glazer [mailto:cpe1704...@gmail.com] Verzonden: woensdag 9 september 2009 2:06 Aan: 313@hyperreal.org Onderwerp: (313) OT: Bill Laswell touring Has anybody seen this go round of Bill Laswell's ambient dub supergroup? musichallofwilliamsburg.com/event/3176 If Jah Wobble were with them I'd be THERE, but as it stands I'm hesitating. But with so many virtuousos I feel like I should maybe not miss it? Or is it mere sonic masturbation? Anybody know what kind of material (pun not intended) they're covering? Sent from my iPhone Woningcorporatie Woonconcept zorgt voor veilige woonruimte van goede kwaliteit voor mensen, die daar zelfstandig niet in kunnen voorzien. En wij doen meer dan bouwen, zorgvuldig beheren en verhuren. We zetten ons in voor de leefbaarheid in de breedste zin van het woord.
Re: (313) OT: Jeff Mills in Chicago 16-10-2009
Haha, in what universe is this OT? On Wed, Sep 9, 2009 at 1:08 AM, Martijn de Blaauwmartijn.de.bla...@woonconcept.nl wrote: Found this in my e-mail this morning...for those in the neighbourhood:-) Friday 16 October 2009 at 10:00pm Axis Records presents 'And What About The Truth' ... JEFF MILLS COMMON FACTOR TYREL WILLIAMS Tickets: $15 before midnight, $20 after midnight 21 over Doors: 10pm / Show: 10pm Smart Bar 3730 N. Clark St. Chicago, IL, Chicago 60613 United States Tel: 773-549-0203 Web: www.smartbarchicago.com -Oorspronkelijk bericht- Van: Frank Glazer [mailto:cpe1704...@gmail.com] Verzonden: woensdag 9 september 2009 2:06 Aan: 313@hyperreal.org Onderwerp: (313) OT: Bill Laswell touring Has anybody seen this go round of Bill Laswell's ambient dub supergroup? musichallofwilliamsburg.com/event/3176 If Jah Wobble were with them I'd be THERE, but as it stands I'm hesitating. But with so many virtuousos I feel like I should maybe not miss it? Or is it mere sonic masturbation? Anybody know what kind of material (pun not intended) they're covering? Sent from my iPhone Woningcorporatie Woonconcept zorgt voor veilige woonruimte van goede kwaliteit voor mensen, die daar zelfstandig niet in kunnen voorzien. En wij doen meer dan bouwen, zorgvuldig beheren en verhuren. We zetten ons in voor de leefbaarheid in de breedste zin van het woord.
Re: (313) OT: Bill Laswell touring
So is bill laswell one of the performers or is he just presenting the Method of Defiance group? On Tue, Sep 8, 2009 at 8:06 PM, Frank Glazercpe1704...@gmail.com wrote: Has anybody seen this go round of Bill Laswell's ambient dub supergroup? musichallofwilliamsburg.com/event/3176 If Jah Wobble were with them I'd be THERE, but as it stands I'm hesitating. But with so many virtuousos I feel like I should maybe not miss it? Or is it mere sonic masturbation? Anybody know what kind of material (pun not intended) they're covering? Sent from my iPhone -- kuszyn...@gmail.com www.planerecordings.com New York, NY
Re: (313) OT: Bill Laswell touring
http://www.myspace.com/methodofdefiance btw - sounds like drum n bass jazz sample freakout ambient dub supergroup material. Sounds pretty cool, and it's in Brooklyn. On Tue, Sep 8, 2009 at 8:25 PM, kuszyn...@gmail.comkuszyn...@gmail.com wrote: So is bill laswell one of the performers or is he just presenting the Method of Defiance group? On Tue, Sep 8, 2009 at 8:06 PM, Frank Glazercpe1704...@gmail.com wrote: Has anybody seen this go round of Bill Laswell's ambient dub supergroup? musichallofwilliamsburg.com/event/3176 If Jah Wobble were with them I'd be THERE, but as it stands I'm hesitating. But with so many virtuousos I feel like I should maybe not miss it? Or is it mere sonic masturbation? Anybody know what kind of material (pun not intended) they're covering? Sent from my iPhone -- kuszyn...@gmail.com www.planerecordings.com New York, NY -- kuszyn...@gmail.com www.planerecordings.com New York, NY
Re: (313) [OT] Brüno
\in Holland all deejays look like this Benoît Pueyo schreef: Is it me, or each time I see the advertising for this movie, I can't help thinking to some similar looking DJ : http://graphics8.nytimes.com/images/2009/07/13/movies/bruno.jpg Am I the only one ?
RE: (313) [OT] Brüno
Hmmm ... IF and IG, look nothing like that. -Original Message- From: Marsel van der Wielen [mailto:mar...@nomorewords.net] Sent: Monday, July 13, 2009 1:41 PM To: 313 list 313 Subject: Re: (313) [OT] Brüno \in Holland all deejays look like this Benoît Pueyo schreef: Is it me, or each time I see the advertising for this movie, I can't help thinking to some similar looking DJ : http://graphics8.nytimes.com/images/2009/07/13/movies/bruno.jpg Am I the only one ?
Re: (313) [OT] Brüno
they updated their formulas, 154 as well Odeluga, Ken schreef: Hmmm ... IF and IG, look nothing like that. -Original Message- From: Marsel van der Wielen [mailto:mar...@nomorewords.net] Sent: Monday, July 13, 2009 1:41 PM To: 313 list 313 Subject: Re: (313) [OT] Brüno \in Holland all deejays look like this Benoît Pueyo schreef: Is it me, or each time I see the advertising for this movie, I can't help thinking to some similar looking DJ : http://graphics8.nytimes.com/images/2009/07/13/movies/bruno.jpg Am I the only one ?
RE: (313) [OT] Brüno
Ha ha this I'd like to see! ;-) -Original Message- From: Marsel van der Wielen [mailto:mar...@nomorewords.net] Sent: Monday, July 13, 2009 1:47 PM To: list 313 Subject: Re: (313) [OT] Brüno they updated their formulas, 154 as well Odeluga, Ken schreef: Hmmm ... IF and IG, look nothing like that. -Original Message- From: Marsel van der Wielen [mailto:mar...@nomorewords.net] Sent: Monday, July 13, 2009 1:41 PM To: 313 list 313 Subject: Re: (313) [OT] Brüno \in Holland all deejays look like this Benoît Pueyo schreef: Is it me, or each time I see the advertising for this movie, I can't help thinking to some similar looking DJ : http://graphics8.nytimes.com/images/2009/07/13/movies/bruno.jpg Am I the only one ?
Re: (313) [OT] Brüno
I don't want to seem like a jerk by naming names, but I noticed a couple of NYC DJ friends of mine in Detroit this year sporting the razor cut reverse mullet as well. _ichie _awtin could be said to be rocking the Bruno as well, and even Ricardo Villalobos, but Ricardo redeems himself by turning it into a sweaty stringie mess the second he starts DJ'ing. While we're busting on DJ's looks, anyone else notice that Sven Vath is beginning to look a lot like Peter Stormare in Fargo -- you know, woodchipper guy? It's uncanny.
Re: (313) [OT] Brüno
Sacha Baron Cohen was rocking the 1s and 2s wy before it was cool http://www.youtube.com/watch?v=V8wrIgbiCgs MEK Benoît Pueyo benoit.pu...@gmail.com wrote on 07/13/2009 07:22:19 AM: Is it me, or each time I see the advertising for this movie, I can't help thinking to some similar looking DJ : http://graphics8.nytimes.com/images/2009/07/13/movies/bruno.jpg Am I the only one ? -- Benoît. Disclaimer The information in this email and any attachments may contain proprietary and confidential information that is intended for the addressee(s) only. If you are not the intended recipient, you are hereby notified that any disclosure, copying, distribution, retention or use of the contents of this information is prohibited. When addressed to our clients or vendors, any information contained in this e-mail or any attachments is subject to the terms and conditions in any governing contract. If you have received this e-mail in error, please immediately contact the sender and delete the e-mail.
Re: (313) OT in pocket: Does anybody know about record shopping in india?
Sam Shipping in/out of India (or anywhere in this region) is a nightmare. You will pay a ton, but use DHL or FedEx (I'm in Dubai and haven't seen a UPS truck yet). The next step would be for you to pack it - like...really overly crazy pack it. Then, when you go to the FedEx Kinko's - have them put their packaging over it, including cushioning. I would also recommend putting a plastic bag inside of your packaging, putting your records in that bag and sealing it. It is not uncommon for packages to be left in the rain. And insure it. Umm. yeah. The main reason for this is because you have a box that is outside of normal regulations (size/weight). This isn't america or western europe, as I'm sure you are aware. Good luck in Bangalore. Be safe - there have been a rash of violent acts towards westerners up north, and it is quickly spreading south. -Mike On Mon, May 18, 2009 at 9:04 AM, Samuel Karmel samuel.kar...@gmail.com wrote: Hi As part of a spiritual enrichment exercise i am traveling to india -specifically bangalore I want to buy up various late 70s - 80s bollywood soundtracks on wax...peepz like bappi lahiri (disco dancer) some of the production is wacko synth madness. Can any of you learned folk offer me some advice into vinyl shopping in india. from the outback Sam
Re: (313) [OT] Chicago Hip House Doco
Awesome! 2009/4/20 Southern Outpost senti...@southernoutpost.com: Found this gem on the 'Tube... http://www.youtube.com/watch?v=X2zNvBNTnHg
Re: (313) OT: Stanton SMX-301 DJ mixer zapped?! Final verdict
Not sure a new PSU's gonna do me any good, but maybe it wouldn't hurt to give it a whirl: - Thor, You must some serious carpet in your place! I would start off by checking the power supply of the unit I believe that the problem could be coming from there. I would suggest buying a new one to see if it works otherwise the cost of repair will exceed the cost of the mixer. Thanks Robert Strachan aka Dj jungle boy - On Thu, Mar 12, 2009 at 6:33 PM, Thor Teague thor.tea...@gmail.com wrote: MEK, yeah looks that way! :) It was bright when this happened... I think if it was dark it would have been almost as bright as a camera flash. (No bad little kids doing bad little things though). Kent, I tested everything, albeit less than maniacally. Let's assume yes right now. I could literally pull it out and check every connection, but I consider it 95%+ certain that the problem is the mixer. Maybe the building isn't grounded properly. I live in a super old building, probably earlier 20th century build, like first quarter ish. Just a guess, though, I have nothing to back that up. - Kent wrote: That's messed up. First off, is the mixer the problem? I.e. can you run an IPod, CD Player, etc into your amp and hear sound? Do your turntables still produce sound (maybe hard to do without a phono preamp or mixer, but worth checking). If so, the mixer is kinda shot. You can try getting it replaced under warranty from Stanton. It's weird that you could build up enough static charge to fry it -- for one thing the chassis is grounded, so any electrical charge should have gone straight to ground. For another, all static-sensitive components (and there really shouldn't be many) should not be vulnernerable because the path of least resistance is through chassis ground.
Re: (313) OT: Stanton SMX-301 DJ mixer zapped?!
That's messed up. First off, is the mixer the problem? I.e. can you run an IPod, CD Player, etc into your amp and hear sound? Do your turntables still produce sound (maybe hard to do without a phono preamp or mixer, but worth checking). If so, the mixer is kinda shot. You can try getting it replaced under warranty from Stanton. It's weird that you could build up enough static charge to fry it -- for one thing the chassis is grounded, so any electrical charge should have gone straight to ground. For another, all static-sensitive components (and there really shouldn't be many) should not be vulnernerable because the path of least resistance is through chassis ground. But there's a first time for everything. Let me know what you find out. I've been messing around with stereo gear longer than you've been alive and never heard of anything like this. On Thu, Mar 12, 2009 at 10:54 AM, Thor Teague thor.tea...@gmail.com wrote: Hello 313, Pardon the OT, but I know someone will have insight if they could hit me back offlist. I recently was cleaning my apartment, and this arc of static electricity the likes of which I've never seen jumped off my hand and into my mixer. The audio POPPED loudly and went dead. After that, it would power/light up and bump the speakers but it does not accept any input whatsoever. No bouncing levels, no audio (obviously), no headphone cueing, no booth output. Is this something that could be feasably fixed or should I get a new mixer? The SMX-301 is not a particularly expensive model, but if it's fixable maybe it makes sense to do so. Otherwise, might be time for a new mixer! E-mail me offlist with any insight, sorry bout the spam.
Re: (313) OT: Stanton SMX-301 DJ mixer zapped?!
MEK, yeah looks that way! :) It was bright when this happened... I think if it was dark it would have been almost as bright as a camera flash. (No bad little kids doing bad little things though). Kent, I tested everything, albeit less than maniacally. Let's assume yes right now. I could literally pull it out and check every connection, but I consider it 95%+ certain that the problem is the mixer. Maybe the building isn't grounded properly. I live in a super old building, probably earlier 20th century build, like first quarter ish. Just a guess, though, I have nothing to back that up. - Kent wrote: That's messed up. First off, is the mixer the problem? I.e. can you run an IPod, CD Player, etc into your amp and hear sound? Do your turntables still produce sound (maybe hard to do without a phono preamp or mixer, but worth checking). If so, the mixer is kinda shot. You can try getting it replaced under warranty from Stanton. It's weird that you could build up enough static charge to fry it -- for one thing the chassis is grounded, so any electrical charge should have gone straight to ground. For another, all static-sensitive components (and there really shouldn't be many) should not be vulnernerable because the path of least resistance is through chassis ground.
Re: (313) (OT) Sydney
http://www.anode.net.au/ On Wed, Sep 24, 2008 at 6:42 PM, Nik Stoltzman [EMAIL PROTECTED] wrote: Hi, I will be in Sydney from the 28-30th Sept. Does anyone know of any interesting music/art/dance events going on - or any top tips in general? Cheers, N
Re: (313) (OT) Sydney
I spent all my time in Kings Cross while I was there. I had fun, but don't remember a lot of it. Never even saw the Opera House or anything else like that. www.SettleTheScore.org When we feel strongly about something, it is our natural desire to let others know. Now there is a place to do just that. www.SettleTheScore.org --- On Wed, 9/24/08, Nik Stoltzman [EMAIL PROTECTED] wrote: From: Nik Stoltzman [EMAIL PROTECTED] Subject: (313) (OT) Sydney To: 313@hyperreal.org Date: Wednesday, September 24, 2008, 4:42 AM Hi, I will be in Sydney from the 28-30th Sept. Does anyone know of any interesting music/art/dance events going on - or any top tips in general? Cheers, N
Re: (313) (OT) Sydney
Hi Nik, Check out http://www.inthemix.com.au that should have details of upcoming parties etc. P. On Wed, Sep 24, 2008 at 1:42 AM, Nik Stoltzman [EMAIL PROTECTED] wrote: Hi, I will be in Sydney from the 28-30th Sept. Does anyone know of any interesting music/art/dance events going on - or any top tips in general? Cheers, N -- -- Southern Outpost Sydney - San Francisco - Berlin http://www.southernoutpost.com --
RE: (313) OT: earbud recommendations?
Cool. Glad you find ones that suit you - and thanks for the research, I
will try to check out the SE100s as I'll be needing some ear phones
myself soon I think.
One thing puzzles me though: how did you mannage to return used in-ear
ear phones?!?!? :)
Ken
-Original Message-
From: darnistle [mailto:[EMAIL PROTECTED]
Sent: Monday, September 22, 2008 3:18 AM
To: 313
Subject: Re: (313) OT: earbud recommendations?
Update to this week-long drama:
The Shure E4c-N earphones arrived in the mail. Though they are good
earphones, they don't really hold a candle to the Shure SE100s.
The Shure E4c-N has much more noticeable bass, but the mids and highs
aren't as crisp and clear as the SE100s. Feeling disappointed and
thwarted, I decided to return the E4C-Ns and buy the SE100s once again.
This time, I experimented with the different earpads for the SE100 and
found the right one for my ear. The increase in bass and overall
richness was immediate. The bass now is very clear and I'm very
surprised that these earphones are able to produce some of the really
low bass in certain dubstep or techno tracks.
So my final assessment is that the Sennheiser CX300s and the Shure E4C-N
are pretty similar in quality, though the CX300s were a little less
expensive. Either of them would be a very good replacement for the Sony
MDR-EX71SL earphones.
However, the SE100s win the prize for clarity and richness!!! It is
really worth paying the extra money for such a marked improvement in the
sound quality!! Making the effort to try the different earpads will pay
off when you find the ones that fit your ears in just the right way.
{}0+|
darnistle wrote:
Funny that this topic should come up at this time. My favorite Sony
MDR-EX71SL earbuds developed a short in the cord last week, so it was
time to buy another pair. The last set lasted for more than two
years,
which is really good considering that I use them daily for hours at a
time and am not as careful with them as I should be.
This time, I decided to try some other brands and took the plunge and
bought the Shure SE100s from a store in town. At $100 it was
expensive,
but I was curious to see if there was any significant increase in
sound
quality.
The clarity and imaging were astounding!! Truly!! Listening to
tracks
I was well familiar with was like hearing them anew: all sorts of
nuances I'd never heard before were suddenly very clear. The
earphones
also did an excellent job of blocking outside sounds. I felt like I
was
in a wonderfully exquisite aural cocoon.
My only complaint about them was the lack of bass, even though I tried
pushing the earpads further in my ear. It helped somewhat, but not as
much as I would have expected. I thought to put on one of the
alternate
earpads to ensure a better fit, but had trouble getting the pads off.
I
didn't want to risk ripping the rubber cover since I wasn't sure if
I'd
keep the earphones. I never got to experiment to see if using
different
earpads would help with the bass problem.
I convinced myself to return the earphones to the store because of the
bass issue, but the sheer clarity of the sound haunted me for days
after.
Instead, I bought a pair of Sennheiser CX300s, which sounded just as
good as my old Sonys. They aren't really sound isolating, but they
deliver a good, even sound. No complaints at all. Problem is that
those Shure earphones were SO good, I couldn't deny the massive
difference in quality.
Now that my ears got a taste of the really good stuff, they weren't
havin' the Sennheisers, so I went online this evening and finally
decided to buy the Shure E4c-N earphones today on Amazon.com ($89!!!),
since they got even better reviews than the ones I tried a few days
ago!
Assuming the E4C-N is as good as I hope it'll be, I'll probably keep
the
Sennheiser earphones as a standby in case something happens to the
Shures.
{}0+|
Frank Glazer wrote:
I'm in the market for some new earbuds for ipod listening on the
train. It's been about a year since this subject was last mentioned
on list, I checked the archives but thought an update wouldn't hurt.
I want something very loud with strong, clear defined bass response.
They need to block a significant amount of outside sound so that i
don't have to hear chatter or rail noise. So what's everybody using
for earbuds these days? I'm considering one of the following:
http://www.amazon.com/Shure-E2c-n-Sound-Isolating-Earphones/dp/B000E5
GKW8/ref=sr_1_1?ie=UTF8s=electronicsqid=1221435680sr=1-1
http://www.amazon.com/V-MODA-Vibe-Earbuds-Gunmetal-Black/dp/B000V5L5M
G/ref=sr_1_1?ie=UTF8s=electronicsqid=1221436093sr=1-1
http://www.amazon.com/Etymotic-Research-ER4S-Reference-Earphones/dp/B
000300Y9O/ref=wl_it_dp?ie=UTF8coliid=I3TBZ27N3IMN3Ocolid=2ZPLTMQTI9
YUX
http://www.amazon.com/Etymotic-Research-Portable-Earphones-Black/dp/B
000XPG2QI/ref=pd_bbs_sr_1
Re: (313) OT: earbud recommendations?
I've had the Sonys, cx300s and Shure E2C in the past and I have to say the CX400s I now have are probably better than all these. The E2cs are nice (sound and build) but the way in which the cables go over the ears is a little fiddly. robin... The Shure E4c-N earphones arrived in the mail. Though they are good earphones, they don't really hold a candle to the Shure SE100s. The Shure E4c-N has much more noticeable bass, but the mids and highs aren't as crisp and clear as the SE100s. Feeling disappointed and thwarted, I decided to return the E4C-Ns and buy the SE100s once again. This time, I experimented with the different earpads for the SE100 and found the right one for my ear. The increase in bass and overall richness was immediate. The bass now is very clear and I'm very surprised that these earphones are able to produce some of the really low bass in certain dubstep or techno tracks. So my final assessment is that the Sennheiser CX300s and the Shure E4C-N are pretty similar in quality, though the CX300s were a little less expensive. Either of them would be a very good replacement for the Sony MDR-EX71SL earphones. However, the SE100s win the prize for clarity and richness!!! It is really worth paying the extra money for such a marked improvement in the sound quality!! Making the effort to try the different earpads will pay off when you find the ones that fit your ears in just the right way.
Re: (313) OT: earbud recommendations?
Sennheiser CX-300 will do the job very properly – although they're not very solid built. And, when you compare them with any Shure or M- audio, you'll see that they sound much better even though they're much cheaper! Kw On Sep 14, 2008, at 8:51 PM, Frank Glazer wrote: I'm in the market for some new earbuds for ipod listening on the train. It's been about a year since this subject was last mentioned on list, I checked the archives but thought an update wouldn't hurt. I want something very loud with strong, clear defined bass response. They need to block a significant amount of outside sound so that i don't have to hear chatter or rail noise. So what's everybody using for earbuds these days? I'm considering one of the following: http://www.amazon.com/Shure-E2c-n-Sound-Isolating-Earphones/dp/B000E5GKW8/ref=sr_1_1?ie=UTF8s=electronicsqid=1221435680sr=1-1 http://www.amazon.com/V-MODA-Vibe-Earbuds-Gunmetal-Black/dp/B000V5L5MG/ref=sr_1_1?ie=UTF8s=electronicsqid=1221436093sr=1-1 http://www.amazon.com/Etymotic-Research-ER4S-Reference-Earphones/dp/B000300Y9O/ref=wl_it_dp?ie=UTF8coliid=I3TBZ27N3IMN3Ocolid=2ZPLTMQTI9YUX http://www.amazon.com/Etymotic-Research-Portable-Earphones-Black/dp/B000XPG2QI/ref=pd_bbs_sr_1?ie=UTF8s=electronicsqid=1221434596sr=8-1 http://www.amazon.com/M-Audio-IE-10-Professional-Reference-Monitors/dp/B000JNNNBQ/ref=sr_1_1?ie=UTF8s=musical-instrumentsqid=1221436137sr=1-1 http://www.amazon.com/Philips-SHE9850-Headphones-Advanced-Acoustics/dp/B00176TEGM/ref=sr_1_1?ie=UTF8s=electronicsqid=1221435109sr=1-1 or your recommendation under $175 Thanks in advance! -- peace, frank dj mix archive: http://www.deejaycountzero.com
Re: (313) OT: earbud recommendations?
Very simple: I took them back to the store.
The first place didn't ask why I was returning them. They simply issued
the refund.
The second place asked and I told them I wasn't happy with the sound
quality. They didn't ask any more questions after that.
I got the third set through the mail, but I told that company the same
thing, namely that I was unhappy with the sound quality. They didn't
make an issue out of it and said they'd refund the money once they
received the item in the mail.
{}0+|
Odeluga, Ken wrote:
Cool. Glad you find ones that suit you - and thanks for the research, I
will try to check out the SE100s as I'll be needing some ear phones
myself soon I think.
One thing puzzles me though: how did you mannage to return used in-ear
ear phones?!?!? :)
Ken
-Original Message-
From: darnistle [mailto:[EMAIL PROTECTED]
Sent: Monday, September 22, 2008 3:18 AM
To: 313
Subject: Re: (313) OT: earbud recommendations?
Update to this week-long drama:
The Shure E4c-N earphones arrived in the mail. Though they are good
earphones, they don't really hold a candle to the Shure SE100s.
The Shure E4c-N has much more noticeable bass, but the mids and highs
aren't as crisp and clear as the SE100s. Feeling disappointed and
thwarted, I decided to return the E4C-Ns and buy the SE100s once again.
This time, I experimented with the different earpads for the SE100 and
found the right one for my ear. The increase in bass and overall
richness was immediate. The bass now is very clear and I'm very
surprised that these earphones are able to produce some of the really
low bass in certain dubstep or techno tracks.
So my final assessment is that the Sennheiser CX300s and the Shure E4C-N
are pretty similar in quality, though the CX300s were a little less
expensive. Either of them would be a very good replacement for the Sony
MDR-EX71SL earphones.
However, the SE100s win the prize for clarity and richness!!! It is
really worth paying the extra money for such a marked improvement in the
sound quality!! Making the effort to try the different earpads will pay
off when you find the ones that fit your ears in just the right way.
{}0+|
darnistle wrote:
Funny that this topic should come up at this time. My favorite Sony
MDR-EX71SL earbuds developed a short in the cord last week, so it was
time to buy another pair. The last set lasted for more than two
years,
which is really good considering that I use them daily for hours at a
time and am not as careful with them as I should be.
This time, I decided to try some other brands and took the plunge and
bought the Shure SE100s from a store in town. At $100 it was
expensive,
but I was curious to see if there was any significant increase in
sound
quality.
The clarity and imaging were astounding!! Truly!! Listening to
tracks
I was well familiar with was like hearing them anew: all sorts of
nuances I'd never heard before were suddenly very clear. The
earphones
also did an excellent job of blocking outside sounds. I felt like I
was
in a wonderfully exquisite aural cocoon.
My only complaint about them was the lack of bass, even though I tried
pushing the earpads further in my ear. It helped somewhat, but not as
much as I would have expected. I thought to put on one of the
alternate
earpads to ensure a better fit, but had trouble getting the pads off.
I
didn't want to risk ripping the rubber cover since I wasn't sure if
I'd
keep the earphones. I never got to experiment to see if using
different
earpads would help with the bass problem.
I convinced myself to return the earphones to the store because of the
bass issue, but the sheer clarity of the sound haunted me for days
after.
Instead, I bought a pair of Sennheiser CX300s, which sounded just as
good as my old Sonys. They aren't really sound isolating, but they
deliver a good, even sound. No complaints at all. Problem is that
those Shure earphones were SO good, I couldn't deny the massive
difference in quality.
Now that my ears got a taste of the really good stuff, they weren't
havin' the Sennheisers, so I went online this evening and finally
decided to buy the Shure E4c-N earphones today on Amazon.com ($89!!!),
since they got even better reviews than the ones I tried a few days
ago!
Assuming the E4C-N is as good as I hope it'll be, I'll probably keep
the
Sennheiser earphones as a standby in case something happens to the
Shures.
{}0+|
Frank Glazer wrote:
I'm in the market for some new earbuds for ipod listening on the
train. It's been about a year since this subject was last mentioned
on list, I checked the archives but thought an update wouldn't hurt.
I want something very loud with strong, clear defined bass response.
They need to block a significant amount of outside sound so that i
don't have to hear chatter or rail noise. So what's everybody using
for earbuds these days? I'm considering one of the following
Re: (313) OT: earbud recommendations?
jr down by city hall in new york will not allow earbud returns which
is why i did not make a purchase when i went there today to buy two or
three sets to test.
On Mon, Sep 22, 2008 at 6:07 PM, darnistle [EMAIL PROTECTED] wrote:
Very simple: I took them back to the store.
The first place didn't ask why I was returning them. They simply issued the
refund.
The second place asked and I told them I wasn't happy with the sound
quality. They didn't ask any more questions after that.
I got the third set through the mail, but I told that company the same
thing, namely that I was unhappy with the sound quality. They didn't make
an issue out of it and said they'd refund the money once they received the
item in the mail.
{}0+|
Odeluga, Ken wrote:
Cool. Glad you find ones that suit you - and thanks for the research, I
will try to check out the SE100s as I'll be needing some ear phones
myself soon I think.
One thing puzzles me though: how did you mannage to return used in-ear
ear phones?!?!? :)
Ken
-Original Message-
From: darnistle [mailto:[EMAIL PROTECTED] Sent: Monday, September
22, 2008 3:18 AM
To: 313
Subject: Re: (313) OT: earbud recommendations?
Update to this week-long drama:
The Shure E4c-N earphones arrived in the mail. Though they are good
earphones, they don't really hold a candle to the Shure SE100s.
The Shure E4c-N has much more noticeable bass, but the mids and highs
aren't as crisp and clear as the SE100s. Feeling disappointed and thwarted,
I decided to return the E4C-Ns and buy the SE100s once again.
This time, I experimented with the different earpads for the SE100 and
found the right one for my ear. The increase in bass and overall richness
was immediate. The bass now is very clear and I'm very surprised that these
earphones are able to produce some of the really low bass in certain dubstep
or techno tracks.
So my final assessment is that the Sennheiser CX300s and the Shure E4C-N
are pretty similar in quality, though the CX300s were a little less
expensive. Either of them would be a very good replacement for the Sony
MDR-EX71SL earphones.
However, the SE100s win the prize for clarity and richness!!! It is
really worth paying the extra money for such a marked improvement in the
sound quality!! Making the effort to try the different earpads will pay
off when you find the ones that fit your ears in just the right way.
{}0+|
darnistle wrote:
Funny that this topic should come up at this time. My favorite Sony
MDR-EX71SL earbuds developed a short in the cord last week, so it was
time to buy another pair. The last set lasted for more than two
years,
which is really good considering that I use them daily for hours at a
time and am not as careful with them as I should be.
This time, I decided to try some other brands and took the plunge and
bought the Shure SE100s from a store in town. At $100 it was
expensive,
but I was curious to see if there was any significant increase in
sound
quality.
The clarity and imaging were astounding!! Truly!! Listening to tracks
I was well familiar with was like hearing them anew: all sorts of
nuances I'd never heard before were suddenly very clear. The
earphones
also did an excellent job of blocking outside sounds. I felt like I
was
in a wonderfully exquisite aural cocoon.
My only complaint about them was the lack of bass, even though I tried
pushing the earpads further in my ear. It helped somewhat, but not as
much as I would have expected. I thought to put on one of the
alternate
earpads to ensure a better fit, but had trouble getting the pads off.
I
didn't want to risk ripping the rubber cover since I wasn't sure if
I'd
keep the earphones. I never got to experiment to see if using
different
earpads would help with the bass problem.
I convinced myself to return the earphones to the store because of the
bass issue, but the sheer clarity of the sound haunted me for days
after.
Instead, I bought a pair of Sennheiser CX300s, which sounded just as
good as my old Sonys. They aren't really sound isolating, but they
deliver a good, even sound. No complaints at all. Problem is that those
Shure earphones were SO good, I couldn't deny the massive difference in
quality.
Now that my ears got a taste of the really good stuff, they weren't
havin' the Sennheisers, so I went online this evening and finally decided
to buy the Shure E4c-N earphones today on Amazon.com ($89!!!),
since they got even better reviews than the ones I tried a few days
ago!
Assuming the E4C-N is as good as I hope it'll be, I'll probably keep the
Sennheiser earphones as a standby in case something happens to the
Shures.
{}0+|
Frank Glazer wrote:
I'm in the market for some new earbuds for ipod listening on the train.
It's been about a year since this subject was last mentioned on list, I
checked the archives but thought an update
Re: (313) OT: earbud recommendations?
hate the little rubber earpieces that pop off and disappear at the worst times. - Original Message - From: Kowalsky [EMAIL PROTECTED] To: [313] 313@hyperreal.org Sent: Monday, September 22, 2008 9:59 AM Subject: Re: (313) OT: earbud recommendations? Sennheiser CX-300 will do the job very properly – although they're not very solid built. And, when you compare them with any Shure or M- audio, you'll see that they sound much better even though they're much cheaper! Kw On Sep 14, 2008, at 8:51 PM, Frank Glazer wrote: I'm in the market for some new earbuds for ipod listening on the train. It's been about a year since this subject was last mentioned on list, I checked the archives but thought an update wouldn't hurt. I want something very loud with strong, clear defined bass response. They need to block a significant amount of outside sound so that i don't have to hear chatter or rail noise. So what's everybody using for earbuds these days? I'm considering one of the following: http://www.amazon.com/Shure-E2c-n-Sound-Isolating-Earphones/dp/B000E5GKW8/ref=sr_1_1?ie=UTF8s=electronicsqid=1221435680sr=1-1 http://www.amazon.com/V-MODA-Vibe-Earbuds-Gunmetal-Black/dp/B000V5L5MG/ref=sr_1_1?ie=UTF8s=electronicsqid=1221436093sr=1-1 http://www.amazon.com/Etymotic-Research-ER4S-Reference-Earphones/dp/B000300Y9O/ref=wl_it_dp?ie=UTF8coliid=I3TBZ27N3IMN3Ocolid=2ZPLTMQTI9YUX http://www.amazon.com/Etymotic-Research-Portable-Earphones-Black/dp/B000XPG2QI/ref=pd_bbs_sr_1?ie=UTF8s=electronicsqid=1221434596sr=8-1 http://www.amazon.com/M-Audio-IE-10-Professional-Reference-Monitors/dp/B000JNNNBQ/ref=sr_1_1?ie=UTF8s=musical-instrumentsqid=1221436137sr=1-1 http://www.amazon.com/Philips-SHE9850-Headphones-Advanced-Acoustics/dp/B00176TEGM/ref=sr_1_1?ie=UTF8s=electronicsqid=1221435109sr=1-1 or your recommendation under $175 Thanks in advance! -- peace, frank dj mix archive: http://www.deejaycountzero.com
Re: (313) OT: earbud recommendations?
jr makes you feel like a criminal for returning something that isn't
even opened!!! (believe me it happened) - I only go there for things
I know that I really have to use and that I won't be returning... they
really do have one of the cheapest prices if you don't want to wait
for your things in the mail
i recs going to best buy (or any other store for that matter) and
getting them to match price.
amazon is ok for returns (as far as I have experienced)...
On Tue, Sep 23, 2008 at 8:10 AM, Frank Glazer [EMAIL PROTECTED] wrote:
jr down by city hall in new york will not allow earbud returns which
is why i did not make a purchase when i went there today to buy two or
three sets to test.
On Mon, Sep 22, 2008 at 6:07 PM, darnistle [EMAIL PROTECTED] wrote:
Very simple: I took them back to the store.
The first place didn't ask why I was returning them. They simply issued the
refund.
The second place asked and I told them I wasn't happy with the sound
quality. They didn't ask any more questions after that.
I got the third set through the mail, but I told that company the same
thing, namely that I was unhappy with the sound quality. They didn't make
an issue out of it and said they'd refund the money once they received the
item in the mail.
{}0+|
Odeluga, Ken wrote:
Cool. Glad you find ones that suit you - and thanks for the research, I
will try to check out the SE100s as I'll be needing some ear phones
myself soon I think.
One thing puzzles me though: how did you mannage to return used in-ear
ear phones?!?!? :)
Ken
-Original Message-
From: darnistle [mailto:[EMAIL PROTECTED] Sent: Monday, September
22, 2008 3:18 AM
To: 313
Subject: Re: (313) OT: earbud recommendations?
Update to this week-long drama:
The Shure E4c-N earphones arrived in the mail. Though they are good
earphones, they don't really hold a candle to the Shure SE100s.
The Shure E4c-N has much more noticeable bass, but the mids and highs
aren't as crisp and clear as the SE100s. Feeling disappointed and thwarted,
I decided to return the E4C-Ns and buy the SE100s once again.
This time, I experimented with the different earpads for the SE100 and
found the right one for my ear. The increase in bass and overall richness
was immediate. The bass now is very clear and I'm very surprised that these
earphones are able to produce some of the really low bass in certain dubstep
or techno tracks.
So my final assessment is that the Sennheiser CX300s and the Shure E4C-N
are pretty similar in quality, though the CX300s were a little less
expensive. Either of them would be a very good replacement for the Sony
MDR-EX71SL earphones.
However, the SE100s win the prize for clarity and richness!!! It is
really worth paying the extra money for such a marked improvement in the
sound quality!! Making the effort to try the different earpads will pay
off when you find the ones that fit your ears in just the right way.
{}0+|
darnistle wrote:
Funny that this topic should come up at this time. My favorite Sony
MDR-EX71SL earbuds developed a short in the cord last week, so it was
time to buy another pair. The last set lasted for more than two
years,
which is really good considering that I use them daily for hours at a
time and am not as careful with them as I should be.
This time, I decided to try some other brands and took the plunge and
bought the Shure SE100s from a store in town. At $100 it was
expensive,
but I was curious to see if there was any significant increase in
sound
quality.
The clarity and imaging were astounding!! Truly!! Listening to tracks
I was well familiar with was like hearing them anew: all sorts of
nuances I'd never heard before were suddenly very clear. The
earphones
also did an excellent job of blocking outside sounds. I felt like I
was
in a wonderfully exquisite aural cocoon.
My only complaint about them was the lack of bass, even though I tried
pushing the earpads further in my ear. It helped somewhat, but not as
much as I would have expected. I thought to put on one of the
alternate
earpads to ensure a better fit, but had trouble getting the pads off.
I
didn't want to risk ripping the rubber cover since I wasn't sure if
I'd
keep the earphones. I never got to experiment to see if using
different
earpads would help with the bass problem.
I convinced myself to return the earphones to the store because of the
bass issue, but the sheer clarity of the sound haunted me for days
after.
Instead, I bought a pair of Sennheiser CX300s, which sounded just as
good as my old Sonys. They aren't really sound isolating, but they
deliver a good, even sound. No complaints at all. Problem is that those
Shure earphones were SO good, I couldn't deny the massive difference in
quality.
Now that my ears got a taste of the really good stuff, they weren't
havin' the Sennheisers, so I went online this evening
Re: (313) OT: earbud recommendations?
Update to this week-long drama:
The Shure E4c-N earphones arrived in the mail. Though they are good
earphones, they don't really hold a candle to the Shure SE100s.
The Shure E4c-N has much more noticeable bass, but the mids and highs
aren't as crisp and clear as the SE100s. Feeling disappointed and
thwarted, I decided to return the E4C-Ns and buy the SE100s once again.
This time, I experimented with the different earpads for the SE100 and
found the right one for my ear. The increase in bass and overall
richness was immediate. The bass now is very clear and I'm very
surprised that these earphones are able to produce some of the really
low bass in certain dubstep or techno tracks.
So my final assessment is that the Sennheiser CX300s and the Shure E4C-N
are pretty similar in quality, though the CX300s were a little less
expensive. Either of them would be a very good replacement for the Sony
MDR-EX71SL earphones.
However, the SE100s win the prize for clarity and richness!!! It is
really worth paying the extra money for such a marked improvement in the
sound quality!! Making the effort to try the different earpads will pay
off when you find the ones that fit your ears in just the right way.
{}0+|
darnistle wrote:
Funny that this topic should come up at this time. My favorite Sony
MDR-EX71SL earbuds developed a short in the cord last week, so it was
time to buy another pair. The last set lasted for more than two years,
which is really good considering that I use them daily for hours at a
time and am not as careful with them as I should be.
This time, I decided to try some other brands and took the plunge and
bought the Shure SE100s from a store in town. At $100 it was expensive,
but I was curious to see if there was any significant increase in sound
quality.
The clarity and imaging were astounding!! Truly!! Listening to tracks
I was well familiar with was like hearing them anew: all sorts of
nuances I'd never heard before were suddenly very clear. The earphones
also did an excellent job of blocking outside sounds. I felt like I was
in a wonderfully exquisite aural cocoon.
My only complaint about them was the lack of bass, even though I tried
pushing the earpads further in my ear. It helped somewhat, but not as
much as I would have expected. I thought to put on one of the alternate
earpads to ensure a better fit, but had trouble getting the pads off. I
didn't want to risk ripping the rubber cover since I wasn't sure if I'd
keep the earphones. I never got to experiment to see if using different
earpads would help with the bass problem.
I convinced myself to return the earphones to the store because of the
bass issue, but the sheer clarity of the sound haunted me for days after.
Instead, I bought a pair of Sennheiser CX300s, which sounded just as
good as my old Sonys. They aren't really sound isolating, but they
deliver a good, even sound. No complaints at all. Problem is that
those Shure earphones were SO good, I couldn't deny the massive
difference in quality.
Now that my ears got a taste of the really good stuff, they weren't
havin' the Sennheisers, so I went online this evening and finally
decided to buy the Shure E4c-N earphones today on Amazon.com ($89!!!),
since they got even better reviews than the ones I tried a few days ago!
Assuming the E4C-N is as good as I hope it'll be, I'll probably keep the
Sennheiser earphones as a standby in case something happens to the Shures.
{}0+|
Frank Glazer wrote:
I'm in the market for some new earbuds for ipod listening on the
train. It's been about a year since this subject was last mentioned
on list, I checked the archives but thought an update wouldn't hurt.
I want something very loud with strong, clear defined bass response.
They need to block a significant amount of outside sound so that i
don't have to hear chatter or rail noise. So what's everybody using
for earbuds these days? I'm considering one of the following:
http://www.amazon.com/Shure-E2c-n-Sound-Isolating-Earphones/dp/B000E5GKW8/ref=sr_1_1?ie=UTF8s=electronicsqid=1221435680sr=1-1
http://www.amazon.com/V-MODA-Vibe-Earbuds-Gunmetal-Black/dp/B000V5L5MG/ref=sr_1_1?ie=UTF8s=electronicsqid=1221436093sr=1-1
http://www.amazon.com/Etymotic-Research-ER4S-Reference-Earphones/dp/B000300Y9O/ref=wl_it_dp?ie=UTF8coliid=I3TBZ27N3IMN3Ocolid=2ZPLTMQTI9YUX
http://www.amazon.com/Etymotic-Research-Portable-Earphones-Black/dp/B000XPG2QI/ref=pd_bbs_sr_1?ie=UTF8s=electronicsqid=1221434596sr=8-1
http://www.amazon.com/M-Audio-IE-10-Professional-Reference-Monitors/dp/B000JNNNBQ/ref=sr_1_1?ie=UTF8s=musical-instrumentsqid=1221436137sr=1-1
http://www.amazon.com/Philips-SHE9850-Headphones-Advanced-Acoustics/dp/B00176TEGM/ref=sr_1_1?ie=UTF8s=electronicsqid=1221435109sr=1-1
or your recommendation under $175
Thanks in advance!
Re: (313) OT: earbud recommendations?
Funny that this topic should come up at this time. My favorite Sony
MDR-EX71SL earbuds developed a short in the cord last week, so it was
time to buy another pair. The last set lasted for more than two years,
which is really good considering that I use them daily for hours at a
time and am not as careful with them as I should be.
This time, I decided to try some other brands and took the plunge and
bought the Shure SE100s from a store in town. At $100 it was expensive,
but I was curious to see if there was any significant increase in sound
quality.
The clarity and imaging were astounding!! Truly!! Listening to tracks
I was well familiar with was like hearing them anew: all sorts of
nuances I'd never heard before were suddenly very clear. The earphones
also did an excellent job of blocking outside sounds. I felt like I was
in a wonderfully exquisite aural cocoon.
My only complaint about them was the lack of bass, even though I tried
pushing the earpads further in my ear. It helped somewhat, but not as
much as I would have expected. I thought to put on one of the alternate
earpads to ensure a better fit, but had trouble getting the pads off. I
didn't want to risk ripping the rubber cover since I wasn't sure if I'd
keep the earphones. I never got to experiment to see if using different
earpads would help with the bass problem.
I convinced myself to return the earphones to the store because of the
bass issue, but the sheer clarity of the sound haunted me for days after.
Instead, I bought a pair of Sennheiser CX300s, which sounded just as
good as my old Sonys. They aren't really sound isolating, but they
deliver a good, even sound. No complaints at all. Problem is that
those Shure earphones were SO good, I couldn't deny the massive
difference in quality.
Now that my ears got a taste of the really good stuff, they weren't
havin' the Sennheisers, so I went online this evening and finally
decided to buy the Shure E4c-N earphones today on Amazon.com ($89!!!),
since they got even better reviews than the ones I tried a few days ago!
Assuming the E4C-N is as good as I hope it'll be, I'll probably keep the
Sennheiser earphones as a standby in case something happens to the Shures.
{}0+|
Frank Glazer wrote:
I'm in the market for some new earbuds for ipod listening on the
train. It's been about a year since this subject was last mentioned
on list, I checked the archives but thought an update wouldn't hurt.
I want something very loud with strong, clear defined bass response.
They need to block a significant amount of outside sound so that i
don't have to hear chatter or rail noise. So what's everybody using
for earbuds these days? I'm considering one of the following:
http://www.amazon.com/Shure-E2c-n-Sound-Isolating-Earphones/dp/B000E5GKW8/ref=sr_1_1?ie=UTF8s=electronicsqid=1221435680sr=1-1
http://www.amazon.com/V-MODA-Vibe-Earbuds-Gunmetal-Black/dp/B000V5L5MG/ref=sr_1_1?ie=UTF8s=electronicsqid=1221436093sr=1-1
http://www.amazon.com/Etymotic-Research-ER4S-Reference-Earphones/dp/B000300Y9O/ref=wl_it_dp?ie=UTF8coliid=I3TBZ27N3IMN3Ocolid=2ZPLTMQTI9YUX
http://www.amazon.com/Etymotic-Research-Portable-Earphones-Black/dp/B000XPG2QI/ref=pd_bbs_sr_1?ie=UTF8s=electronicsqid=1221434596sr=8-1
http://www.amazon.com/M-Audio-IE-10-Professional-Reference-Monitors/dp/B000JNNNBQ/ref=sr_1_1?ie=UTF8s=musical-instrumentsqid=1221436137sr=1-1
http://www.amazon.com/Philips-SHE9850-Headphones-Advanced-Acoustics/dp/B00176TEGM/ref=sr_1_1?ie=UTF8s=electronicsqid=1221435109sr=1-1
or your recommendation under $175
Thanks in advance!
Re: (313) OT: earbud recommendations?
Err the Koss earbuds: http://www.amazon.com/Koss-SPARKPLUG-Stereo-Ear-Plugs/dp/B00081A2DQ/ref=sr_1_1?ie=UTF8s=electronicsqid=1221442341sr=1-1 On Sun, Sep 14, 2008 at 8:31 PM, kent williams [EMAIL PROTECTED] wrote: I've tried earbuds, and the ones that were the best balance between price, sound, and comfort for me were the dirt cheap Koss:
Re: (313) OT: earbud recommendations?
I've tried earbuds, and the ones that were the best balance between price, sound, and comfort for me were the dirt cheap Koss: But earbuds in general bug me -- I haven't found any that were comfortable or held an acoustically valid seal in my ear canals, so my vote goes to these: http://www.amazon.com/Sennheiser-HD-202-Headphones/dp/B65BP9/ref=pd_bbs_sr_1?ie=UTF8s=electronicsqid=1221441987sr=8-1 They're very light, only cost $25, and do a surprisingly good job cutting ambient noise. And they sound pretty good to me. I've spent too much on expensive headphones that have gotten broken or stolen, so if it leaves my house it has to be basically disposable. The HD202s have lasted 6 months riding around in my backpack and still look new, despite being light, plastic, and cheap looking. I'm done crying over Grado SR80s when I lose the earmuff and the plug goes wonky. TP told me that he DJ's with a telephone because they work, they're cheap, and no one wants to steal them.
Re: (313) OT: Burial, revealed.....
the anticipation is better than the arrival of the moment itself, because its perfection exists only within your mind and has not yet been sullied by reality. therefore, i would like to state on record that i only like artists who haven't actually released any music yet. On Thu, Aug 7, 2008 at 9:43 AM, kent williams [EMAIL PROTECTED] wrote: I don't really think it's here nor there. I'm a fan of the music, and getting too caught up in the 'legend' gets in the way, which from his blog post, was precisely why he gave it up. Drexciya's identity was kept under wraps for two reasons -- the people that knew were asked to keep quiet and did, and because Drexciya were famous to at most a couple thousand people world wide - whatever prominence they achieved, they achieved it inside the dance music scene, with a penumbra of renown amongst the chinstrokers who read The Wire.. Thanks to Pitchfork et al, Burial is a pop star to a load of kids who don't know two-step from happy hardcore. Not necessarily a bad thing, but like rich Americans appropriating indigenous music from around the world to make a buck, any time something breaks out to a larger audience, it loses its context, and becomes devalued artistically even as its value as a commodity increases. Plus, blowing up is a two-edged sword. Being the flavor of the month means next month you won't be. While it's a good thing when artists can make a living from their art, once they become ubiquitous they have to deal with living in a hall of mirrors -- their detractors, their imitators, their record labels demands of duplicating past success. When a bazillion people have glommed onto your art as something they regard as 'theirs' your own worst competition is what you did yourself a few years back. It's not any big prognostication to say that no matter what he actually release next, some people will say he's fallen off. On Wed, Aug 6, 2008 at 2:50 PM, [EMAIL PROTECTED] wrote: it's a bummer that his anonymity became an issue - wouldn't have been that big of a deal back in '96 when half the techno producers were in the shadows MEK 1-11 [EMAIL PROTECTED] wrote on 08/06/2008 02:44:01 PM: http://www.factmagazine.co.uk/index.php? option=com_contenttask=viewid=824Itemid=26 ...or is it (and do you care anyway)? -- Play more things that make me dance around and less things that make me sit and look miserable in a plastic chair - Brian Eno Blind faith in bad leadership is not Patriotism.
Re: (313) OT: Burial, revealed.....
Brillian!! Nice Statement Mark!! I personally have a favorite producer named Waj, based out of the Northwest of UK... most brilliant producer I've ever heard... never released... or there's Donnie James based out of Detroit... also never released, but made thousands of tracks and very very talented... oops... I guess my saying their names puts them into the stratosphere... maybe I shouldn't have said anything... On Wed, Aug 13, 2008 at 2:36 PM, [mark ] [EMAIL PROTECTED] wrote: the anticipation is better than the arrival of the moment itself, because its perfection exists only within your mind and has not yet been sullied by reality. therefore, i would like to state on record that i only like artists who haven't actually released any music yet. On Thu, Aug 7, 2008 at 9:43 AM, kent williams [EMAIL PROTECTED] wrote: I don't really think it's here nor there. I'm a fan of the music, and getting too caught up in the 'legend' gets in the way, which from his blog post, was precisely why he gave it up. Drexciya's identity was kept under wraps for two reasons -- the people that knew were asked to keep quiet and did, and because Drexciya were famous to at most a couple thousand people world wide - whatever prominence they achieved, they achieved it inside the dance music scene, with a penumbra of renown amongst the chinstrokers who read The Wire.. Thanks to Pitchfork et al, Burial is a pop star to a load of kids who don't know two-step from happy hardcore. Not necessarily a bad thing, but like rich Americans appropriating indigenous music from around the world to make a buck, any time something breaks out to a larger audience, it loses its context, and becomes devalued artistically even as its value as a commodity increases. Plus, blowing up is a two-edged sword. Being the flavor of the month means next month you won't be. While it's a good thing when artists can make a living from their art, once they become ubiquitous they have to deal with living in a hall of mirrors -- their detractors, their imitators, their record labels demands of duplicating past success. When a bazillion people have glommed onto your art as something they regard as 'theirs' your own worst competition is what you did yourself a few years back. It's not any big prognostication to say that no matter what he actually release next, some people will say he's fallen off. On Wed, Aug 6, 2008 at 2:50 PM, [EMAIL PROTECTED] wrote: it's a bummer that his anonymity became an issue - wouldn't have been that big of a deal back in '96 when half the techno producers were in the shadows MEK 1-11 [EMAIL PROTECTED] wrote on 08/06/2008 02:44:01 PM: http://www.factmagazine.co.uk/index.php? option=com_contenttask=viewid=824Itemid=26 ...or is it (and do you care anyway)? -- Play more things that make me dance around and less things that make me sit and look miserable in a plastic chair - Brian Eno Blind faith in bad leadership is not Patriotism.
Re: (313) OT: Burial, revealed.....
Is Donnie James the hip hop guy who samples No UFOs? If so, he's pretty damn good- Mike and the guys dropped off a CD at Rubadub when they were over in July and we often get asked what it is when we're playing it in the shop. I definitely have a nostalgia for the days before I knew what every record was before I'd even heard it- it was defintely more fun not knowing all the details. Jason 2008/8/13 UI Design [EMAIL PROTECTED]: Brillian!! Nice Statement Mark!! I personally have a favorite producer named Waj, based out of the Northwest of UK... most brilliant producer I've ever heard... never released... or there's Donnie James based out of Detroit... also never released, but made thousands of tracks and very very talented... oops... I guess my saying their names puts them into the stratosphere... maybe I shouldn't have said anything... On Wed, Aug 13, 2008 at 2:36 PM, [mark ] [EMAIL PROTECTED] wrote: the anticipation is better than the arrival of the moment itself, because its perfection exists only within your mind and has not yet been sullied by reality. therefore, i would like to state on record that i only like artists who haven't actually released any music yet. On Thu, Aug 7, 2008 at 9:43 AM, kent williams [EMAIL PROTECTED] wrote: I don't really think it's here nor there. I'm a fan of the music, and getting too caught up in the 'legend' gets in the way, which from his blog post, was precisely why he gave it up. Drexciya's identity was kept under wraps for two reasons -- the people that knew were asked to keep quiet and did, and because Drexciya were famous to at most a couple thousand people world wide - whatever prominence they achieved, they achieved it inside the dance music scene, with a penumbra of renown amongst the chinstrokers who read The Wire.. Thanks to Pitchfork et al, Burial is a pop star to a load of kids who don't know two-step from happy hardcore. Not necessarily a bad thing, but like rich Americans appropriating indigenous music from around the world to make a buck, any time something breaks out to a larger audience, it loses its context, and becomes devalued artistically even as its value as a commodity increases. Plus, blowing up is a two-edged sword. Being the flavor of the month means next month you won't be. While it's a good thing when artists can make a living from their art, once they become ubiquitous they have to deal with living in a hall of mirrors -- their detractors, their imitators, their record labels demands of duplicating past success. When a bazillion people have glommed onto your art as something they regard as 'theirs' your own worst competition is what you did yourself a few years back. It's not any big prognostication to say that no matter what he actually release next, some people will say he's fallen off. On Wed, Aug 6, 2008 at 2:50 PM, [EMAIL PROTECTED] wrote: it's a bummer that his anonymity became an issue - wouldn't have been that big of a deal back in '96 when half the techno producers were in the shadows MEK 1-11 [EMAIL PROTECTED] wrote on 08/06/2008 02:44:01 PM: http://www.factmagazine.co.uk/index.php? option=com_contenttask=viewid=824Itemid=26 ...or is it (and do you care anyway)? -- Play more things that make me dance around and less things that make me sit and look miserable in a plastic chair - Brian Eno Blind faith in bad leadership is not Patriotism.
Re: (313) OT: Burial, revealed.....
That sounds akin to something a dying, egregious philosopher on DMT would spout. Original Message - From: [mark ] [EMAIL PROTECTED] To: kent williams [EMAIL PROTECTED] Cc: [EMAIL PROTECTED]; 1-11 [EMAIL PROTECTED]; 313@hyperreal.org Sent: Wednesday, August 13, 2008 7:36 PM Subject: Re: (313) OT: Burial, revealed. the anticipation is better than the arrival of the moment itself, because its perfection exists only within your mind and has not yet been sullied by reality. therefore, i would like to state on record that i only like artists who haven't actually released any music yet. On Thu, Aug 7, 2008 at 9:43 AM, kent williams [EMAIL PROTECTED] wrote: I don't really think it's here nor there. I'm a fan of the music, and getting too caught up in the 'legend' gets in the way, which from his blog post, was precisely why he gave it up. Drexciya's identity was kept under wraps for two reasons -- the people that knew were asked to keep quiet and did, and because Drexciya were famous to at most a couple thousand people world wide - whatever prominence they achieved, they achieved it inside the dance music scene, with a penumbra of renown amongst the chinstrokers who read The Wire.. Thanks to Pitchfork et al, Burial is a pop star to a load of kids who don't know two-step from happy hardcore. Not necessarily a bad thing, but like rich Americans appropriating indigenous music from around the world to make a buck, any time something breaks out to a larger audience, it loses its context, and becomes devalued artistically even as its value as a commodity increases. Plus, blowing up is a two-edged sword. Being the flavor of the month means next month you won't be. While it's a good thing when artists can make a living from their art, once they become ubiquitous they have to deal with living in a hall of mirrors -- their detractors, their imitators, their record labels demands of duplicating past success. When a bazillion people have glommed onto your art as something they regard as 'theirs' your own worst competition is what you did yourself a few years back. It's not any big prognostication to say that no matter what he actually release next, some people will say he's fallen off. On Wed, Aug 6, 2008 at 2:50 PM, [EMAIL PROTECTED] wrote: it's a bummer that his anonymity became an issue - wouldn't have been that big of a deal back in '96 when half the techno producers were in the shadows MEK 1-11 [EMAIL PROTECTED] wrote on 08/06/2008 02:44:01 PM: http://www.factmagazine.co.uk/index.php? option=com_contenttask=viewid=824Itemid=26 ...or is it (and do you care anyway)? -- Play more things that make me dance around and less things that make me sit and look miserable in a plastic chair - Brian Eno Blind faith in bad leadership is not Patriotism.
Re: (313) OT: Burial, revealed.....
Donnie James does all genres, so its very possible he did some hip-hop. He's been talking to Mike and them about putting out his first release, but its a slow process by his own personal design. He played a sampling of his tunes for me one day and every track was a different genre. All very very good. I'll left a message for Donnie to ask if that was his. I'll keep you posted as soon as I know. On Wed, Aug 13, 2008 at 3:16 PM, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote: Is Donnie James the hip hop guy who samples No UFOs? If so, he's pretty damn good- Mike and the guys dropped off a CD at Rubadub when they were over in July and we often get asked what it is when we're playing it in the shop. I definitely have a nostalgia for the days before I knew what every record was before I'd even heard it- it was defintely more fun not knowing all the details. Jason 2008/8/13 UI Design [EMAIL PROTECTED]: Brillian!! Nice Statement Mark!! I personally have a favorite producer named Waj, based out of the Northwest of UK... most brilliant producer I've ever heard... never released... or there's Donnie James based out of Detroit... also never released, but made thousands of tracks and very very talented... oops... I guess my saying their names puts them into the stratosphere... maybe I shouldn't have said anything... On Wed, Aug 13, 2008 at 2:36 PM, [mark ] [EMAIL PROTECTED] wrote: the anticipation is better than the arrival of the moment itself, because its perfection exists only within your mind and has not yet been sullied by reality. therefore, i would like to state on record that i only like artists who haven't actually released any music yet. On Thu, Aug 7, 2008 at 9:43 AM, kent williams [EMAIL PROTECTED] wrote: I don't really think it's here nor there. I'm a fan of the music, and getting too caught up in the 'legend' gets in the way, which from his blog post, was precisely why he gave it up. Drexciya's identity was kept under wraps for two reasons -- the people that knew were asked to keep quiet and did, and because Drexciya were famous to at most a couple thousand people world wide - whatever prominence they achieved, they achieved it inside the dance music scene, with a penumbra of renown amongst the chinstrokers who read The Wire.. Thanks to Pitchfork et al, Burial is a pop star to a load of kids who don't know two-step from happy hardcore. Not necessarily a bad thing, but like rich Americans appropriating indigenous music from around the world to make a buck, any time something breaks out to a larger audience, it loses its context, and becomes devalued artistically even as its value as a commodity increases. Plus, blowing up is a two-edged sword. Being the flavor of the month means next month you won't be. While it's a good thing when artists can make a living from their art, once they become ubiquitous they have to deal with living in a hall of mirrors -- their detractors, their imitators, their record labels demands of duplicating past success. When a bazillion people have glommed onto your art as something they regard as 'theirs' your own worst competition is what you did yourself a few years back. It's not any big prognostication to say that no matter what he actually release next, some people will say he's fallen off. On Wed, Aug 6, 2008 at 2:50 PM, [EMAIL PROTECTED] wrote: it's a bummer that his anonymity became an issue - wouldn't have been that big of a deal back in '96 when half the techno producers were in the shadows MEK 1-11 [EMAIL PROTECTED] wrote on 08/06/2008 02:44:01 PM: http://www.factmagazine.co.uk/index.php? option=com_contenttask=viewid=824Itemid=26 ...or is it (and do you care anyway)? -- Play more things that make me dance around and less things that make me sit and look miserable in a plastic chair - Brian Eno Blind faith in bad leadership is not Patriotism.
RE: (313) OT Isaac Hayes RIP
*I* laughed. However, it's still a sad loss - not least for his family and friends who no doubt were expecting him to be around for longer than just 65. Whatever setting it was. -Original Message- From: Paul Thurston [mailto:[EMAIL PROTECTED] Sent: Monday, August 11, 2008 5:35 AM To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) OT Isaac Hayes RIP I wonder what setting he had the treadmill on? -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Monday, August 11, 2008 10:24 AM To: Dan Bean Cc: 313@hyperreal.org Subject: Re: (313) OT Isaac Hayes RIP http://www.mtv.com/news/articles/1592489/20080810/hayes_isaac.jhtml :-( RIP Black Moses MEK Dan Bean [EMAIL PROTECTED] wrote on 08/10/2008 03:59:06 PM: Sad news. No virus found in this incoming message. Checked by AVG - http://www.avg.com Version: 8.0.138 / Virus Database: 270.6.0/1603 - Release Date: 8/10/2008 6:13 PM
Re: (313) OT Isaac Hayes RIP
http://www.mtv.com/news/articles/1592489/20080810/hayes_isaac.jhtml :-( RIP Black Moses MEK Dan Bean [EMAIL PROTECTED] wrote on 08/10/2008 03:59:06 PM: Sad news.
RE: (313) OT Isaac Hayes RIP
I wonder what setting he had the treadmill on? -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Monday, August 11, 2008 10:24 AM To: Dan Bean Cc: 313@hyperreal.org Subject: Re: (313) OT Isaac Hayes RIP http://www.mtv.com/news/articles/1592489/20080810/hayes_isaac.jhtml :-( RIP Black Moses MEK Dan Bean [EMAIL PROTECTED] wrote on 08/10/2008 03:59:06 PM: Sad news. No virus found in this incoming message. Checked by AVG - http://www.avg.com Version: 8.0.138 / Virus Database: 270.6.0/1603 - Release Date: 8/10/2008 6:13 PM
Re: (313) OT: Burial, revealed.....
I don't really think it's here nor there. I'm a fan of the music, and getting too caught up in the 'legend' gets in the way, which from his blog post, was precisely why he gave it up. Drexciya's identity was kept under wraps for two reasons -- the people that knew were asked to keep quiet and did, and because Drexciya were famous to at most a couple thousand people world wide - whatever prominence they achieved, they achieved it inside the dance music scene, with a penumbra of renown amongst the chinstrokers who read The Wire.. Thanks to Pitchfork et al, Burial is a pop star to a load of kids who don't know two-step from happy hardcore. Not necessarily a bad thing, but like rich Americans appropriating indigenous music from around the world to make a buck, any time something breaks out to a larger audience, it loses its context, and becomes devalued artistically even as its value as a commodity increases. Plus, blowing up is a two-edged sword. Being the flavor of the month means next month you won't be. While it's a good thing when artists can make a living from their art, once they become ubiquitous they have to deal with living in a hall of mirrors -- their detractors, their imitators, their record labels demands of duplicating past success. When a bazillion people have glommed onto your art as something they regard as 'theirs' your own worst competition is what you did yourself a few years back. It's not any big prognostication to say that no matter what he actually release next, some people will say he's fallen off. On Wed, Aug 6, 2008 at 2:50 PM, [EMAIL PROTECTED] wrote: it's a bummer that his anonymity became an issue - wouldn't have been that big of a deal back in '96 when half the techno producers were in the shadows MEK 1-11 [EMAIL PROTECTED] wrote on 08/06/2008 02:44:01 PM: http://www.factmagazine.co.uk/index.php? option=com_contenttask=viewid=824Itemid=26 ...or is it (and do you care anyway)?
Re: (313) OT: Burial, revealed.....
On Thu, Aug 7, 2008 at 9:43 AM, kent williams [EMAIL PROTECTED] wrote: It's not any big prognostication to say that no matter what he actually release next, some people will say he's fallen off. Especially when people already said that about Untrue! -- matt kane's brain techno radio at: http://hydrogenproject.com http://wzbc.org capoeira in boston http://capoeirageraisusa.com aim - mkbatwerk
Re: (313) OT: Burial, revealed.....
it's a bummer that his anonymity became an issue - wouldn't have been that big of a deal back in '96 when half the techno producers were in the shadows MEK 1-11 [EMAIL PROTECTED] wrote on 08/06/2008 02:44:01 PM: http://www.factmagazine.co.uk/index.php? option=com_contenttask=viewid=824Itemid=26 ...or is it (and do you care anyway)?
RE: (313) OT? Metropolis
Thanks Matt. This is quite momentous for film buffs and should be for techno too ... -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Matt Kane's Brain Sent: Wednesday, July 02, 2008 11:26 PM To: list 313 Subject: (313) OT? Metropolis http://www.metafilter.com/73000/The-Head-the-Hands-and-the-Heart#comment A complete version of Metropolis has been discovered in Argentina. -- matt kane's brain techno radio at: http://hydrogenproject.com http://wzbc.org capoeira in boston http://capoeirageraisusa.com aim - mkbatwerk
Re: (313) OT? Metropolis
that's fantastic! I wonder if Criterion is going to do the restoration/transfer? MEK [EMAIL PROTECTED] wrote on 07/02/2008 05:26:29 PM: http://www.metafilter.com/73000/The-Head-the-Hands-and-the-Heart#comment A complete version of Metropolis has been discovered in Argentina. -- matt kane's brain techno radio at: http://hydrogenproject.com http://wzbc.org capoeira in boston http://capoeirageraisusa.com aim - mkbatwerk
Re: (313) OT - Buenos Aires
hi there! i'm from Buenos Aires, you plan to come visit us? On Wed, 28 May 2008 13:00:20 -0300, Kowalsky wrote is there Anyone from Buenos Aires, or near cities, here in the list? Kw
Re: (313) [OT] Russian and Old Skool Dance
I was instantly reminded of this: http://www.youtube.com/watch?v=ZMKCLyhBBwI m 2008/5/12 Martin Dust [EMAIL PROTECTED]: Check those Hip Hop moves http://www.youtube.com/watch?v=KoQb8vb4blA Old Skool http://www.youtube.com/watch?v=WTiAU-w1KyI m -- Play more things that make me dance around and less things that make me sit and look miserable in a plastic chair - Brian Eno Blind faith in bad leadership is not Patriotism.
Re: (313) [OT] Russian and Old Skool Dance
Yes, Martin, a lot of funky people live in Russia :)) Dmitry. -Original Message- From: Martin Dust [EMAIL PROTECTED] To: 313 Mailing List 313@hyperreal.org Date: Mon, 12 May 2008 19:20:10 +0100 Subject: (313) [OT] Russian and Old Skool Dance Check those Hip Hop moves http://www.youtube.com/watch?v=KoQb8vb4blA Old Skool http://www.youtube.com/watch?v=WTiAU-w1KyI m Школьная подруга, где она сейчас? Найди одноклассников http://r.mail.ru/cln3709/my.mail.ru/?from_commercial=14
Re: (313) OT: Acquaviva?
John is listed as being from Windsor. He's also, not to put too fine a point on it, white. Mike Aquaviva's story of being an addict in Detroit would suggest he is African American -- not because black==junkie, but because inner-city Detroit is almost entirely black. So any connection between John and Mike would be pretty tenuous. On Sun, May 4, 2008 at 8:12 AM, Jeffrey Richards [EMAIL PROTECTED] wrote: Does anyone know if the guy from this story is related to John? Acquaviva isn't exactly a common name, but I suppose it could be in the Detroit area. Anyway...the guy in this story is doing some good things. http://www.baltimoresun.com/news/nation/bal-te.chess04may04,0,7949447.story Jeff Be a better friend, newshound, and know-it-all with Yahoo! Mobile. Try it now. http://mobile.yahoo.com/;_ylt=Ahu06i62sR8HDtDypao8Wcj9tAcJ
Re: (313) OT: Acquaviva?
john is italian, if the surname doesn't give it away - Original Message - From: kent williams [EMAIL PROTECTED] To: list 313 313@hyperreal.org Sent: Sunday, May 04, 2008 10:00 AM Subject: Re: (313) OT: Acquaviva? John is listed as being from Windsor. He's also, not to put too fine a point on it, white. Mike Aquaviva's story of being an addict in Detroit would suggest he is African American -- not because black==junkie, but because inner-city Detroit is almost entirely black. So any connection between John and Mike would be pretty tenuous. On Sun, May 4, 2008 at 8:12 AM, Jeffrey Richards [EMAIL PROTECTED] wrote: Does anyone know if the guy from this story is related to John? Acquaviva isn't exactly a common name, but I suppose it could be in the Detroit area. Anyway...the guy in this story is doing some good things. http://www.baltimoresun.com/news/nation/bal-te.chess04may04,0,7949447.story Jeff Be a better friend, newshound, and know-it-all with Yahoo! Mobile. Try it now. http://mobile.yahoo.com/;_ylt=Ahu06i62sR8HDtDypao8Wcj9tAcJ
RE: (313) OT: Acquaviva?
And John Thomas is French, not English. Go figure. -Original Message- From: /0 [mailto:[EMAIL PROTECTED] Sent: 04 May 2008 15:31 To: kent williams; list 313 Subject: Re: (313) OT: Acquaviva? john is italian, if the surname doesn't give it away - Original Message - From: kent williams [EMAIL PROTECTED] To: list 313 313@hyperreal.org Sent: Sunday, May 04, 2008 10:00 AM Subject: Re: (313) OT: Acquaviva? John is listed as being from Windsor. He's also, not to put too fine a point on it, white. Mike Aquaviva's story of being an addict in Detroit would suggest he is African American -- not because black==junkie, but because inner-city Detroit is almost entirely black. So any connection between John and Mike would be pretty tenuous. On Sun, May 4, 2008 at 8:12 AM, Jeffrey Richards [EMAIL PROTECTED] wrote: Does anyone know if the guy from this story is related to John? Acquaviva isn't exactly a common name, but I suppose it could be in the Detroit area. Anyway...the guy in this story is doing some good things. http://www.baltimoresun.com/news/nation/bal-te.chess04may04,0,7949447.story Jeff Be a better friend, newshound, and know-it-all with Yahoo! Mobile. Try it now. http://mobile.yahoo.com/;_ylt=Ahu06i62sR8HDtDypao8Wcj9tAcJ No virus found in this incoming message. Checked by AVG. Version: 7.5.524 / Virus Database: 269.23.8/1413 - Release Date: 03/05/2008 11:22 No virus found in this outgoing message. Checked by AVG. Version: 7.5.524 / Virus Database: 269.23.8/1413 - Release Date: 03/05/2008 11:22
RE: (313) [OT] record shops in Paris and Egypt
www.crocodisc.com -Original Message- From: Guilherme Menegon Arantes [EMAIL PROTECTED] Sent: 09 April 2008 03:19 To: Dan Bean [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: Re: (313) [OT] record shops in Paris and Egypt On Tue, Apr 08, 2008 at 11:32:01PM +0100, Dan Bean wrote: I've heard Crocodisque is a good second hand spot. Yes, was told that too. But, where is it? I read it is near St. Germain, but which street? Greetings G -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __
Re: (313) [OT] record shops in Paris and Egypt
In Paris Betino's is a pretty nice find, but you've gotta check the opening hours http://www.betinos.com/ -- chuck Hi folks, Sorry for the off-topic, but your help is always appreciated. I am travelling to Egypt for a conference, and wondering if there are decent 2nd hand record shops there (Cairo and Alexandria). I also have a 12hs stop-over in Paris, so should have some time to record shop there too. Any tips??? (I am already aware of 12 and Techno Import). Regards, G -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __
Re: (313) [OT] record shops in Paris and Egypt
this thread on djhistory forum has some useful info on record shops in paris: http://195.238.232.184/~djhistory/forum/showthread.php?t=13620 c* p.s.: i'd be curious to know if there's ANY 2nd and record shop in cairo. remember reading hans nieswandts book disko ramallah and he mentioned that it was very, very difficult to get any records in the middle east. Original-Nachricht Datum: Tue, 8 Apr 2008 13:14:25 -0300 Von: Guilherme Menegon Arantes [EMAIL PROTECTED] An: 313@hyperreal.org Betreff: (313) [OT] record shops in Paris and Egypt Hi folks, Sorry for the off-topic, but your help is always appreciated. I am travelling to Egypt for a conference, and wondering if there are decent 2nd hand record shops there (Cairo and Alexandria). I also have a 12hs stop-over in Paris, so should have some time to record shop there too. Any tips??? (I am already aware of 12 and Techno Import). Regards, G -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __
Re: (313) [OT] record shops in Paris and Egypt
On Tue, Apr 08, 2008 at 06:59:22PM +0200, Carlos de Brito wrote: this thread on djhistory forum has some useful info on record shops in paris: http://195.238.232.184/~djhistory/forum/showthread.php?t=13620 Checked this y'day Carlos. some good tips for Paris, including Betino (but not the nice www link posted here). p.s.: i'd be curious to know if there's ANY 2nd and record shop in cairo. remember reading hans nieswandts book disko ramallah and he mentioned that it was very, very difficult to get any records in the middle east. Yep. That is the question... I guess none of the Nigerian or western Africa beats would get there. But it does not hurt to ask. G -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __
RE: (313) [OT] record shops in Paris and Egypt
I've heard Crocodisque is a good second hand spot. -Original Message- From: Guilherme Menegon Arantes [EMAIL PROTECTED] Sent: 08 April 2008 17:14 To: 313@hyperreal.org Subject: (313) [OT] record shops in Paris and Egypt Hi folks, Sorry for the off-topic, but your help is always appreciated. I am travelling to Egypt for a conference, and wondering if there are decent 2nd hand record shops there (Cairo and Alexandria). I also have a 12hs stop-over in Paris, so should have some time to record shop there too. Any tips??? (I am already aware of 12 and Techno Import). Regards, G -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __
Re: (313) [OT] record shops in Paris and Egypt
On Tue, Apr 08, 2008 at 11:32:01PM +0100, Dan Bean wrote: I've heard Crocodisque is a good second hand spot. Yes, was told that too. But, where is it? I read it is near St. Germain, but which street? Greetings G -- Guilherme Menegon Arantes, PhD São Paulo, Brasil __
Re: (313) OT: DEMF 2008 attendance
FYI for bay area peeps Northwest has some $250 flights right now leaving from SFO. The bay area looks to be well represented at the Shorecrest again this year, so watch out. Quoting Fred Heutte [EMAIL PROTECTED]: I'm going of course, as is my buddy Mikebee from San Francisco. Though I'm torqued, he got a spot at the Shorecrest before they filled up and I didn't! fh
RE: (313) OT: DEMF 2008 attendance
Yes. -Original Message- From: [EMAIL PROTECTED] Sent: 01 April 2008 23:08 To: 313@hyperreal.org Subject: (313) OT: DEMF 2008 attendance Okay, so now that we've argued about what the lineup looks like, down to the nitty gritty: You going? m50
Re: (313) OT: DEMF 2008 attendance
Are you going to be doing BBC work or are you going to have time to hang out with the rest of us punters? On Wed, Apr 2, 2008 at 4:39 AM, Dan Bean [EMAIL PROTECTED] wrote: Yes. -Original Message- From: [EMAIL PROTECTED] Sent: 01 April 2008 23:08 To: 313@hyperreal.org Subject: (313) OT: DEMF 2008 attendance Okay, so now that we've argued about what the lineup looks like, down to the nitty gritty: You going? m50
Re: (313) OT: DEMF 2008 attendance
Yup, technoir and co. roll about 10 deep each year. jw On Tue, Apr 1, 2008 at 6:08 PM, [EMAIL PROTECTED] wrote: Okay, so now that we've argued about what the lineup looks like, down to the nitty gritty: You going? m50 -- Technoir Audio http://www.technoiraudio.com dealing with your imperfect world
Re: (313) OT: DEMF 2008 attendance
it is definitely crucial to roll with a crew. On 4/2/08, jwan allen [EMAIL PROTECTED] wrote: Yup, technoir and co. roll about 10 deep each year. jw On Tue, Apr 1, 2008 at 6:08 PM, [EMAIL PROTECTED] wrote: Okay, so now that we've argued about what the lineup looks like, down to the nitty gritty: You going? m50 -- Technoir Audio http://www.technoiraudio.com dealing with your imperfect world -- --- Michael Kuszynski [EMAIL PROTECTED] [EMAIL PROTECTED] http://www.planerecordings.com New York, NY
Re: (313) OT: DEMF 2008 attendance
Indeed. This year we're springing for matching shiny jackets. On Wed, Apr 2, 2008 at 11:01 AM, Michael Kuszynski [EMAIL PROTECTED] wrote: it is definitely crucial to roll with a crew. On 4/2/08, jwan allen [EMAIL PROTECTED] wrote: Yup, technoir and co. roll about 10 deep each year. jw On Tue, Apr 1, 2008 at 6:08 PM, [EMAIL PROTECTED] wrote: Okay, so now that we've argued about what the lineup looks like, down to the nitty gritty: You going? m50 -- Technoir Audio http://www.technoiraudio.com dealing with your imperfect world -- --- Michael Kuszynski [EMAIL PROTECTED] [EMAIL PROTECTED] http://www.planerecordings.com New York, NY -- http://www.mamapop.com http://kdiddy.org
Re: (313) OT: DEMF 2008 attendance
our jackets will say ultimate party crew and be baby blue. On 4/2/08, Kelly B. Delaney [EMAIL PROTECTED] wrote: Indeed. This year we're springing for matching shiny jackets. On Wed, Apr 2, 2008 at 11:01 AM, Michael Kuszynski [EMAIL PROTECTED] wrote: it is definitely crucial to roll with a crew. On 4/2/08, jwan allen [EMAIL PROTECTED] wrote: Yup, technoir and co. roll about 10 deep each year. jw On Tue, Apr 1, 2008 at 6:08 PM, [EMAIL PROTECTED] wrote: Okay, so now that we've argued about what the lineup looks like, down to the nitty gritty: You going? m50 -- Technoir Audio http://www.technoiraudio.com dealing with your imperfect world -- --- Michael Kuszynski [EMAIL PROTECTED] [EMAIL PROTECTED] http://www.planerecordings.com New York, NY -- http://www.mamapop.com http://kdiddy.org -- --- Michael Kuszynski [EMAIL PROTECTED] [EMAIL PROTECTED] http://www.planerecordings.com New York, NY
Re: (313) OT: DEMF 2008 attendance
I'm going of course, as is my buddy Mikebee from San Francisco. Though I'm torqued, he got a spot at the Shorecrest before they filled up and I didn't! fh
Re: (313) OT - video subscription services (US)
On Apr 2, 2008, at 3:21 PM, [EMAIL PROTECTED] wrote: Are there any reliable subscription video services that offer a good selection of underground/indie films music films/music video collections? Have you tried GreenCine? Slower and more expensive than NetFlix, but a much broader selection. (including adult films of all varieties) -- matt kane's brain http://hydrogenproject.com aim - mkbatwerk [EMAIL PROTECTED]
Re: (313) OT: DEMF 2008 attendance
yea. duh. its its how i reunite with the techno friends that live all over the place. On 4/1/08, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote: Okay, so now that we've argued about what the lineup looks like, down to the nitty gritty: You going? m50 -- --- Michael Kuszynski [EMAIL PROTECTED] [EMAIL PROTECTED] http://www.planerecordings.com New York, NY
Re: (313) OT- recall name of northern soul record shop (on east coast)
Nevermind - it's Val Shively's - however, if anyone has the link the the video I'd appreciate it thought I had it in my fav's but can't find it MEK [EMAIL PROTECTED] wrote on 12/10/2007 03:00:16 PM: Can't recall the name of it but there was a video on youtube - all 45s - millions of northern soul type things don't recall where - Philly maybe? Cleveland? Help? MEK
Re: (313) OT- recall name of northern soul record shop (on east coast)
Can't say which one specifically without more detail, but chances are it was in Pittsburgh. On Dec 10, 2007 4:00 PM, [EMAIL PROTECTED] wrote: Can't recall the name of it but there was a video on youtube - all 45s - millions of northern soul type things don't recall where - Philly maybe? Cleveland? Help? MEK -- peace, frank dj mix archive: http://www.deejaycountzero.com
RE: (313) (OT) Burial Interview
Yeah read that, was kinda surprised to see the Robert Hood mention. -Original Message- From: Nik Stoltzman [mailto:[EMAIL PROTECTED] Sent: 06 December 2007 13:34 To: 313@hyperreal.org Subject: (313) (OT) Burial Interview http://www.thewire.co.uk/articles/347/ As with the Mad Mike transcript, I think the original is better than the print version. It doesn't have all the circumlocutious intellectual ponderings attached to it. N To view the terms under which this email is distributed, please go to http://disclaimer.leedsmet.ac.uk/email.htm
Re: (313) (OT) Burial Interview
Quote of the day: I don't really go on the internet, it's like a ouija board, it's like letting someone into your head, behind your eyes. It lets randoms in. http://www.thewire.co.uk/articles/347/
Re: (313) OT probably, Snoop Dogg
what are the beats? i didn't recognize any samples.. the beat reminds me a lot to shake's stuff... On Nov 30, 2007 6:52 PM, Daniel Troberg [EMAIL PROTECTED] wrote: and some well known beats :)
Re: (313) OT probably, Snoop Dogg
Well, it's Snoop f/ Antares Autotune :) On Nov 30, 2007, at 10:45 AM, Joel Gajewski wrote: I heard a clip of this track yesterday and thought, Is this really Snoop? - Original Message From: Nathan [EMAIL PROTECTED] To: 313 Mailing List 313@hyperreal.org Sent: Friday, November 30, 2007 12:23:01 AM Subject: Re: (313) OT probably, Snoop Dogg cheers for posting that. i like. - Original Message - From: [EMAIL PROTECTED] To: 313 Mailing List 313@hyperreal.org Sent: Friday, November 30, 2007 4:20 PM Subject: (313) OT probably, Snoop Dogg http://www.youtube.com/watch?v=gv8xmnodeU0 The new single. Wow. -- matt kane's brain http://hydrogenproject.com aim - mkbatwerk [EMAIL PROTECTED]
Re: (313) OT probably, Snoop Dogg
I heard a clip of this track yesterday and thought, Is this really Snoop? - Original Message From: Nathan [EMAIL PROTECTED] To: 313 Mailing List 313@hyperreal.org Sent: Friday, November 30, 2007 12:23:01 AM Subject: Re: (313) OT probably, Snoop Dogg cheers for posting that. i like. - Original Message - From: [EMAIL PROTECTED] To: 313 Mailing List 313@hyperreal.org Sent: Friday, November 30, 2007 4:20 PM Subject: (313) OT probably, Snoop Dogg http://www.youtube.com/watch?v=gv8xmnodeU0 The new single. Wow.
Re: (313) OT probably, Snoop Dogg
and some well known beats :) On 30 nov 2007, at 17.31, Matt Kane's Brain wrote: Well, it's Snoop f/ Antares Autotune :) On Nov 30, 2007, at 10:45 AM, Joel Gajewski wrote: I heard a clip of this track yesterday and thought, Is this really Snoop? - Original Message From: Nathan [EMAIL PROTECTED] To: 313 Mailing List 313@hyperreal.org Sent: Friday, November 30, 2007 12:23:01 AM Subject: Re: (313) OT probably, Snoop Dogg cheers for posting that. i like. - Original Message - From: [EMAIL PROTECTED] To: 313 Mailing List 313@hyperreal.org Sent: Friday, November 30, 2007 4:20 PM Subject: (313) OT probably, Snoop Dogg http://www.youtube.com/watch?v=gv8xmnodeU0 The new single. Wow. -- matt kane's brain http://hydrogenproject.com aim - mkbatwerk [EMAIL PROTECTED]
Re: (313) OT probably, Snoop Dogg
cheers for posting that. i like. - Original Message - From: [EMAIL PROTECTED] To: 313 Mailing List 313@hyperreal.org Sent: Friday, November 30, 2007 4:20 PM Subject: (313) OT probably, Snoop Dogg http://www.youtube.com/watch?v=gv8xmnodeU0 The new single. Wow.
RE: (313) OT: Portable Recorder (same question as always)
Probably via a USB connector? -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 23 November 2007 14:27 To: 313@hyperreal.org Subject: RE: (313) OT: Portable Recorder (same question as always) Sounds useful - how does it do the line in? Presumably an adapter cable with a 3.5mm jack line socket to proprietary connector on the phone? From: /0 [mailto:[EMAIL PROTECTED] Sent: 23 November 2007 13:28 believe it or not, I use my cellphone, which is a walkman branded sony ericsson. records in wav or mp3 with mic or line in. hotswappable 4gb m2 cards. For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) OT: Portable Recorder (same question as always)
What's the model? -Original Message- From: /0 [mailto:[EMAIL PROTECTED] Sent: 23 November 2007 13:28 To: [EMAIL PROTECTED]; Odeluga, Ken Cc: Toby Frith; Mann, Ravinder; [EMAIL PROTECTED]; 313@hyperreal.org Subject: Re: (313) OT: Portable Recorder (same question as always) believe it or not, I use my cellphone, which is a walkman branded sony ericsson. records in wav or mp3 with mic or line in. hotswappable 4gb m2 cards. - Original Message - From: Nik Stoltzman [EMAIL PROTECTED] To: Odeluga, Ken [EMAIL PROTECTED] Cc: Toby Frith [EMAIL PROTECTED]; Mann, Ravinder [EMAIL PROTECTED]; [EMAIL PROTECTED]; 313@hyperreal.org Sent: Friday, November 23, 2007 5:41 AM Subject: RE: (313) OT: Portable Recorder (same question as always) Toby... Are you using Rockbox? That should address those problems. I use Rockbox on my iRiver exclusively. It is far better - especially for recording. And yes, Ken, it can record wavs (amongst other things). I keep think about buying a fancy new slim mp3 player, but I have yet to find anything as good as my sturdy iRiver. Plus, it is large and heavy enough to be used in hand to hand combat :) N Hang on, did someone say it records wavs post the upgrade? Interesting ... -Original Message- From: Toby Frith [mailto:[EMAIL PROTECTED] Sent: 23 November 2007 10:34 To: Mann, Ravinder; [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) OT: Portable Recorder (same question as always) The only thing about the H320 is that it will cut out after a certain time at higher kbps rates of recording and you can't monitor the levels. -Original Message- From: Mann, Ravinder [mailto:[EMAIL PROTECTED] Sent: 16 November 2007 11:11 To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) OT: Portable Recorder (same question as always) It does record tho ive rarely used it. I can speak up for its : robustness - its tough reliability - not one disk crash or glitch with 3 yrs of almost daily use sound - one of the best for an mp3 player The Rockbox upgrade works wonder apparently. Rav -Original Message- From: The Archiver [mailto:[EMAIL PROTECTED] Sent: 16 November 2007 00:46 To: 313@hyperreal.org Subject: RE: (313) OT: Portable Recorder (same question as always) The European version of the iRiver H320/340 comes highly recommended, we've recorded everyone (well everyone who agreed...) from DJ Bone, Akufen, Stefan Roberts/Terrace, UR, local producers, local dj's and even the occasional D1SCO, at least 90% of The Archiver sets. The Archiver http://www.thearchiver.net http://www.d1.ie -Original Message- From: Michael Kuszynski [mailto:[EMAIL PROTECTED] Sent: 15 November 2007 22:29 To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: Re: (313) OT: Portable Recorder (same question as always) zoom h4 if i say the model correctly comes very highly recommended. i think its a good list topic. On 11/15/07, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote: What portable do you guys use for recording sets / field recordings. My latest MD player is dying. Please reply off-list unless other interested folks reply on-list. Thanks, m50 -- --- Michael Kuszynski [EMAIL PROTECTED] [EMAIL PROTECTED] http://www.planerecordings.com New York, NY No virus found in this incoming message. Checked by AVG Free Edition. Version: 7.5.503 / Virus Database: 269.15.33/1132 - Release Date: 15/11/2007 09:34 No virus found in this outgoing message. Checked by AVG Free Edition. Version: 7.5.503 / Virus Database: 269.15.33/1132 - Release Date: 15/11/2007 09:34 To view the terms under which this email is distributed, please go to http://disclaimer.leedsmet.ac.uk/email.htm For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
Re: (313) OT: Portable Recorder (same question as always)
believe it or not, I use my cellphone, which is a walkman branded sony ericsson. records in wav or mp3 with mic or line in. hotswappable 4gb m2 cards. - Original Message - From: Nik Stoltzman [EMAIL PROTECTED] To: Odeluga, Ken [EMAIL PROTECTED] Cc: Toby Frith [EMAIL PROTECTED]; Mann, Ravinder [EMAIL PROTECTED]; [EMAIL PROTECTED]; 313@hyperreal.org Sent: Friday, November 23, 2007 5:41 AM Subject: RE: (313) OT: Portable Recorder (same question as always) Toby... Are you using Rockbox? That should address those problems. I use Rockbox on my iRiver exclusively. It is far better - especially for recording. And yes, Ken, it can record wavs (amongst other things). I keep think about buying a fancy new slim mp3 player, but I have yet to find anything as good as my sturdy iRiver. Plus, it is large and heavy enough to be used in hand to hand combat :) N Hang on, did someone say it records wavs post the upgrade? Interesting ... -Original Message- From: Toby Frith [mailto:[EMAIL PROTECTED] Sent: 23 November 2007 10:34 To: Mann, Ravinder; [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) OT: Portable Recorder (same question as always) The only thing about the H320 is that it will cut out after a certain time at higher kbps rates of recording and you can't monitor the levels. -Original Message- From: Mann, Ravinder [mailto:[EMAIL PROTECTED] Sent: 16 November 2007 11:11 To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) OT: Portable Recorder (same question as always) It does record tho ive rarely used it. I can speak up for its : robustness - its tough reliability - not one disk crash or glitch with 3 yrs of almost daily use sound - one of the best for an mp3 player The Rockbox upgrade works wonder apparently. Rav -Original Message- From: The Archiver [mailto:[EMAIL PROTECTED] Sent: 16 November 2007 00:46 To: 313@hyperreal.org Subject: RE: (313) OT: Portable Recorder (same question as always) The European version of the iRiver H320/340 comes highly recommended, we've recorded everyone (well everyone who agreed...) from DJ Bone, Akufen, Stefan Roberts/Terrace, UR, local producers, local dj's and even the occasional D1SCO, at least 90% of The Archiver sets. The Archiver http://www.thearchiver.net http://www.d1.ie -Original Message- From: Michael Kuszynski [mailto:[EMAIL PROTECTED] Sent: 15 November 2007 22:29 To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: Re: (313) OT: Portable Recorder (same question as always) zoom h4 if i say the model correctly comes very highly recommended. i think its a good list topic. On 11/15/07, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote: What portable do you guys use for recording sets / field recordings. My latest MD player is dying. Please reply off-list unless other interested folks reply on-list. Thanks, m50 -- --- Michael Kuszynski [EMAIL PROTECTED] [EMAIL PROTECTED] http://www.planerecordings.com New York, NY No virus found in this incoming message. Checked by AVG Free Edition. Version: 7.5.503 / Virus Database: 269.15.33/1132 - Release Date: 15/11/2007 09:34 No virus found in this outgoing message. Checked by AVG Free Edition. Version: 7.5.503 / Virus Database: 269.15.33/1132 - Release Date: 15/11/2007 09:34 To view the terms under which this email is distributed, please go to http://disclaimer.leedsmet.ac.uk/email.htm For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) OT: Portable Recorder (same question as always)
Toby... Are you using Rockbox? That should address those problems. I use Rockbox on my iRiver exclusively. It is far better - especially for recording. And yes, Ken, it can record wavs (amongst other things). I keep think about buying a fancy new slim mp3 player, but I have yet to find anything as good as my sturdy iRiver. Plus, it is large and heavy enough to be used in hand to hand combat :) N Hang on, did someone say it records wavs post the upgrade? Interesting ... -Original Message- From: Toby Frith [mailto:[EMAIL PROTECTED] Sent: 23 November 2007 10:34 To: Mann, Ravinder; [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) OT: Portable Recorder (same question as always) The only thing about the H320 is that it will cut out after a certain time at higher kbps rates of recording and you can't monitor the levels. -Original Message- From: Mann, Ravinder [mailto:[EMAIL PROTECTED] Sent: 16 November 2007 11:11 To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) OT: Portable Recorder (same question as always) It does record tho ive rarely used it. I can speak up for its : robustness - its tough reliability - not one disk crash or glitch with 3 yrs of almost daily use sound - one of the best for an mp3 player The Rockbox upgrade works wonder apparently. Rav -Original Message- From: The Archiver [mailto:[EMAIL PROTECTED] Sent: 16 November 2007 00:46 To: 313@hyperreal.org Subject: RE: (313) OT: Portable Recorder (same question as always) The European version of the iRiver H320/340 comes highly recommended, we've recorded everyone (well everyone who agreed...) from DJ Bone, Akufen, Stefan Roberts/Terrace, UR, local producers, local dj's and even the occasional D1SCO, at least 90% of The Archiver sets. The Archiver http://www.thearchiver.net http://www.d1.ie -Original Message- From: Michael Kuszynski [mailto:[EMAIL PROTECTED] Sent: 15 November 2007 22:29 To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: Re: (313) OT: Portable Recorder (same question as always) zoom h4 if i say the model correctly comes very highly recommended. i think its a good list topic. On 11/15/07, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote: What portable do you guys use for recording sets / field recordings. My latest MD player is dying. Please reply off-list unless other interested folks reply on-list. Thanks, m50 -- --- Michael Kuszynski [EMAIL PROTECTED] [EMAIL PROTECTED] http://www.planerecordings.com New York, NY No virus found in this incoming message. Checked by AVG Free Edition. Version: 7.5.503 / Virus Database: 269.15.33/1132 - Release Date: 15/11/2007 09:34 No virus found in this outgoing message. Checked by AVG Free Edition. Version: 7.5.503 / Virus Database: 269.15.33/1132 - Release Date: 15/11/2007 09:34 To view the terms under which this email is distributed, please go to http://disclaimer.leedsmet.ac.uk/email.htm For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) OT: Portable Recorder (same question as always)
The only thing about the H320 is that it will cut out after a certain time at higher kbps rates of recording and you can't monitor the levels. -Original Message- From: Mann, Ravinder [mailto:[EMAIL PROTECTED] Sent: 16 November 2007 11:11 To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) OT: Portable Recorder (same question as always) It does record tho ive rarely used it. I can speak up for its : robustness - its tough reliability - not one disk crash or glitch with 3 yrs of almost daily use sound - one of the best for an mp3 player The Rockbox upgrade works wonder apparently. Rav -Original Message- From: The Archiver [mailto:[EMAIL PROTECTED] Sent: 16 November 2007 00:46 To: 313@hyperreal.org Subject: RE: (313) OT: Portable Recorder (same question as always) The European version of the iRiver H320/340 comes highly recommended, we've recorded everyone (well everyone who agreed...) from DJ Bone, Akufen, Stefan Roberts/Terrace, UR, local producers, local dj's and even the occasional D1SCO, at least 90% of The Archiver sets. The Archiver http://www.thearchiver.net http://www.d1.ie -Original Message- From: Michael Kuszynski [mailto:[EMAIL PROTECTED] Sent: 15 November 2007 22:29 To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: Re: (313) OT: Portable Recorder (same question as always) zoom h4 if i say the model correctly comes very highly recommended. i think its a good list topic. On 11/15/07, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote: What portable do you guys use for recording sets / field recordings. My latest MD player is dying. Please reply off-list unless other interested folks reply on-list. Thanks, m50 -- --- Michael Kuszynski [EMAIL PROTECTED] [EMAIL PROTECTED] http://www.planerecordings.com New York, NY No virus found in this incoming message. Checked by AVG Free Edition. Version: 7.5.503 / Virus Database: 269.15.33/1132 - Release Date: 15/11/2007 09:34 No virus found in this outgoing message. Checked by AVG Free Edition. Version: 7.5.503 / Virus Database: 269.15.33/1132 - Release Date: 15/11/2007 09:34 To view the terms under which this email is distributed, please go to http://disclaimer.leedsmet.ac.uk/email.htm For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) OT: Portable Recorder (same question as always)
Hang on, did someone say it records wavs post the upgrade? Interesting ... -Original Message- From: Toby Frith [mailto:[EMAIL PROTECTED] Sent: 23 November 2007 10:34 To: Mann, Ravinder; [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) OT: Portable Recorder (same question as always) The only thing about the H320 is that it will cut out after a certain time at higher kbps rates of recording and you can't monitor the levels. -Original Message- From: Mann, Ravinder [mailto:[EMAIL PROTECTED] Sent: 16 November 2007 11:11 To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) OT: Portable Recorder (same question as always) It does record tho ive rarely used it. I can speak up for its : robustness - its tough reliability - not one disk crash or glitch with 3 yrs of almost daily use sound - one of the best for an mp3 player The Rockbox upgrade works wonder apparently. Rav -Original Message- From: The Archiver [mailto:[EMAIL PROTECTED] Sent: 16 November 2007 00:46 To: 313@hyperreal.org Subject: RE: (313) OT: Portable Recorder (same question as always) The European version of the iRiver H320/340 comes highly recommended, we've recorded everyone (well everyone who agreed...) from DJ Bone, Akufen, Stefan Roberts/Terrace, UR, local producers, local dj's and even the occasional D1SCO, at least 90% of The Archiver sets. The Archiver http://www.thearchiver.net http://www.d1.ie -Original Message- From: Michael Kuszynski [mailto:[EMAIL PROTECTED] Sent: 15 November 2007 22:29 To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: Re: (313) OT: Portable Recorder (same question as always) zoom h4 if i say the model correctly comes very highly recommended. i think its a good list topic. On 11/15/07, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote: What portable do you guys use for recording sets / field recordings. My latest MD player is dying. Please reply off-list unless other interested folks reply on-list. Thanks, m50 -- --- Michael Kuszynski [EMAIL PROTECTED] [EMAIL PROTECTED] http://www.planerecordings.com New York, NY No virus found in this incoming message. Checked by AVG Free Edition. Version: 7.5.503 / Virus Database: 269.15.33/1132 - Release Date: 15/11/2007 09:34 No virus found in this outgoing message. Checked by AVG Free Edition. Version: 7.5.503 / Virus Database: 269.15.33/1132 - Release Date: 15/11/2007 09:34 To view the terms under which this email is distributed, please go to http://disclaimer.leedsmet.ac.uk/email.htm For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) OT: Portable Recorder (same question as always)
I think I looked into installing Rockbox once, but it got messy as I have a Mac. I'll have a look again on misticriver. -Original Message- From: Nik Stoltzman [mailto:[EMAIL PROTECTED] Sent: 23 November 2007 10:42 To: Odeluga, Ken Cc: Toby Frith; Mann, Ravinder; [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) OT: Portable Recorder (same question as always) Toby... Are you using Rockbox? That should address those problems. I use Rockbox on my iRiver exclusively. It is far better - especially for recording. And yes, Ken, it can record wavs (amongst other things). I keep think about buying a fancy new slim mp3 player, but I have yet to find anything as good as my sturdy iRiver. Plus, it is large and heavy enough to be used in hand to hand combat :) N Hang on, did someone say it records wavs post the upgrade? Interesting ... -Original Message- From: Toby Frith [mailto:[EMAIL PROTECTED] Sent: 23 November 2007 10:34 To: Mann, Ravinder; [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) OT: Portable Recorder (same question as always) The only thing about the H320 is that it will cut out after a certain time at higher kbps rates of recording and you can't monitor the levels. -Original Message- From: Mann, Ravinder [mailto:[EMAIL PROTECTED] Sent: 16 November 2007 11:11 To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) OT: Portable Recorder (same question as always) It does record tho ive rarely used it. I can speak up for its : robustness - its tough reliability - not one disk crash or glitch with 3 yrs of almost daily use sound - one of the best for an mp3 player The Rockbox upgrade works wonder apparently. Rav -Original Message- From: The Archiver [mailto:[EMAIL PROTECTED] Sent: 16 November 2007 00:46 To: 313@hyperreal.org Subject: RE: (313) OT: Portable Recorder (same question as always) The European version of the iRiver H320/340 comes highly recommended, we've recorded everyone (well everyone who agreed...) from DJ Bone, Akufen, Stefan Roberts/Terrace, UR, local producers, local dj's and even the occasional D1SCO, at least 90% of The Archiver sets. The Archiver http://www.thearchiver.net http://www.d1.ie -Original Message- From: Michael Kuszynski [mailto:[EMAIL PROTECTED] Sent: 15 November 2007 22:29 To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: Re: (313) OT: Portable Recorder (same question as always) zoom h4 if i say the model correctly comes very highly recommended. i think its a good list topic. On 11/15/07, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote: What portable do you guys use for recording sets / field recordings. My latest MD player is dying. Please reply off-list unless other interested folks reply on-list. Thanks, m50 -- --- Michael Kuszynski [EMAIL PROTECTED] [EMAIL PROTECTED] http://www.planerecordings.com New York, NY No virus found in this incoming message. Checked by AVG Free Edition. Version: 7.5.503 / Virus Database: 269.15.33/1132 - Release Date: 15/11/2007 09:34 No virus found in this outgoing message. Checked by AVG Free Edition. Version: 7.5.503 / Virus Database: 269.15.33/1132 - Release Date: 15/11/2007 09:34 To view the terms under which this email is distributed, please go to http://disclaimer.leedsmet.ac.uk/email.htm For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) OT: Portable Recorder (same question as always)
The max file size it can record with the iriver firmware is 200MB. G -Original Message- From: Toby Frith [mailto:[EMAIL PROTECTED] Sent: 23 November 2007 10:34 To: Mann, Ravinder; [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) OT: Portable Recorder (same question as always) The only thing about the H320 is that it will cut out after a certain time at higher kbps rates of recording and you can't monitor the levels. -Original Message- From: Mann, Ravinder [mailto:[EMAIL PROTECTED] Sent: 16 November 2007 11:11 To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) OT: Portable Recorder (same question as always) It does record tho ive rarely used it. I can speak up for its : robustness - its tough reliability - not one disk crash or glitch with 3 yrs of almost daily use sound - one of the best for an mp3 player The Rockbox upgrade works wonder apparently. Rav -Original Message- From: The Archiver [mailto:[EMAIL PROTECTED] Sent: 16 November 2007 00:46 To: 313@hyperreal.org Subject: RE: (313) OT: Portable Recorder (same question as always) The European version of the iRiver H320/340 comes highly recommended, we've recorded everyone (well everyone who agreed...) from DJ Bone, Akufen, Stefan Roberts/Terrace, UR, local producers, local dj's and even the occasional D1SCO, at least 90% of The Archiver sets. The Archiver http://www.thearchiver.net http://www.d1.ie -Original Message- From: Michael Kuszynski [mailto:[EMAIL PROTECTED] Sent: 15 November 2007 22:29 To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: Re: (313) OT: Portable Recorder (same question as always) zoom h4 if i say the model correctly comes very highly recommended. i think its a good list topic. On 11/15/07, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote: What portable do you guys use for recording sets / field recordings. My latest MD player is dying. Please reply off-list unless other interested folks reply on-list. Thanks, m50 -- --- Michael Kuszynski [EMAIL PROTECTED] [EMAIL PROTECTED] http://www.planerecordings.com New York, NY No virus found in this incoming message. Checked by AVG Free Edition. Version: 7.5.503 / Virus Database: 269.15.33/1132 - Release Date: 15/11/2007 09:34 No virus found in this outgoing message. Checked by AVG Free Edition. Version: 7.5.503 / Virus Database: 269.15.33/1132 - Release Date: 15/11/2007 09:34 To view the terms under which this email is distributed, please go to http://disclaimer.leedsmet.ac.uk/email.htm For all the latest news and comment visit www.telegraph.co.uk. This message, its contents and any attachments to it are private, confidential and may be the subject of legal privilege. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Incoming and outgoing telephone calls to our offices may be monitored or recorded for training and quality control purposes and for confirming orders and information. Telegraph Media Group Limited is a limited liability company registered in England and Wales (company number 451593). Our registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.
RE: (313) OT: Portable Recorder (same question as always)
Sounds useful - how does it do the line in? Presumably an adapter cable with a 3.5mm jack line socket to proprietary connector on the phone? From: /0 [mailto:[EMAIL PROTECTED] Sent: 23 November 2007 13:28 believe it or not, I use my cellphone, which is a walkman branded sony ericsson. records in wav or mp3 with mic or line in. hotswappable 4gb m2 cards.
RE: (313) My Zoom H4 recorder as terrorist tool (was Re: (313) OT: Portable Recorder (same question as always))
On the other hand Kent, when I recently passed through Newark on my way
back from Colombia - I naturally fully expected to be at worst detained
for a few days, especially because I had this small 'sinister-looking'
('sinister looking' if you're a homeland security automaton, that is)
notebook-sized box, in peculiar brushed gold colour, with a few dials
and many levers. It's a BOSS BR-600, the latest in BOSS's portable
recorder line. When the 'What is that?' question came, I was fully
prepared to have to spark it up and give a little demo. But they just
said 'have a nice day'.
OnT: I don't think much of the recorder for lengthy recordings - the
proprietory file format architecture creates problems in transferring
the data easily. However for 'song-by-song' sessions - meaning shorter
(smaller) individual files I've found it to be fine.
Ken
-Original Message-
From: kent williams [mailto:[EMAIL PROTECTED]
Sent: 20 November 2007 21:07
To: list 313
Subject: (313) My Zoom H4 recorder as terrorist tool (was Re: (313) OT:
Portable Recorder (same question as always))
I was held up for 20 minutes at Berlin Tegel airport for having a Zoom
H4 Handy Recorder in my backpack. Even after turning it on, explaining
it was an audio recorder, they still had to call in 2 levels of
management to decide it was OK to fly with.
I wonder if they changed the design on the H2 because too many people
thought the H4 looked like a Tazer.
Re: (313) OT: Portable Recorder (same question as always)
there are pretty some iTunes lookalikes around, who can do the recording, straight to wav or mp3, and usb connection George Jones IV - Logic7 schreef: Old school laptop loaded with SoundForge 5. In particular, I use an old Dell Latitude CP. Pentium 233MMX, 128MB RAM, running Win2000. Works like a charm and I can prep the mix to burn it immediately after I'm done. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Thursday, November 15, 2007 2:53 PM To: 313@hyperreal.org Subject: (313) OT: Portable Recorder (same question as always) What portable do you guys use for recording sets / field recordings. My latest MD player is dying. Please reply off-list unless other interested folks reply on-list. Thanks, m50 -- No virus found in this incoming message. Checked by AVG Free Edition. Version: 7.5.503 / Virus Database: 269.15.33/1133 - Release Date: 11/15/2007 8:57 PM
RE: (313) OT: Portable Recorder (same question as always)
Iriver x20. Cheap but records mp3 only via line in. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Tuesday, November 20, 2007 2:16 AM To: 313 Subject: Re: (313) OT: Portable Recorder (same question as always) there are pretty some iTunes lookalikes around, who can do the recording, straight to wav or mp3, and usb connection George Jones IV - Logic7 schreef: Old school laptop loaded with SoundForge 5. In particular, I use an old Dell Latitude CP. Pentium 233MMX, 128MB RAM, running Win2000. Works like a charm and I can prep the mix to burn it immediately after I'm done. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Thursday, November 15, 2007 2:53 PM To: 313@hyperreal.org Subject: (313) OT: Portable Recorder (same question as always) What portable do you guys use for recording sets / field recordings. My latest MD player is dying. Please reply off-list unless other interested folks reply on-list. Thanks, m50 -- No virus found in this incoming message. Checked by AVG Free Edition. Version: 7.5.503 / Virus Database: 269.15.33/1133 - Release Date: 11/15/2007 8:57 PM -- No virus found in this incoming message. Checked by AVG Free Edition. Version: 7.5.503 / Virus Database: 269.16.0/1139 - Release Date: 11/19/2007 12:35 PM
RE: (313) OT: Portable Recorder (same question as always)
Upgrade the firmware to Rockbox and it'll record as WAV. G -Original Message- From: rg [mailto:[EMAIL PROTECTED] Sent: 21 November 2007 07:43 To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) OT: Portable Recorder (same question as always) Iriver x20. Cheap but records mp3 only via line in. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Tuesday, November 20, 2007 2:16 AM To: 313 Subject: Re: (313) OT: Portable Recorder (same question as always) there are pretty some iTunes lookalikes around, who can do the recording, straight to wav or mp3, and usb connection George Jones IV - Logic7 schreef: Old school laptop loaded with SoundForge 5. In particular, I use an old Dell Latitude CP. Pentium 233MMX, 128MB RAM, running Win2000. Works like a charm and I can prep the mix to burn it immediately after I'm done. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Thursday, November 15, 2007 2:53 PM To: 313@hyperreal.org Subject: (313) OT: Portable Recorder (same question as always) What portable do you guys use for recording sets / field recordings. My latest MD player is dying. Please reply off-list unless other interested folks reply on-list. Thanks, m50 -- No virus found in this incoming message. Checked by AVG Free Edition. Version: 7.5.503 / Virus Database: 269.15.33/1133 - Release Date: 11/15/2007 8:57 PM -- No virus found in this incoming message. Checked by AVG Free Edition. Version: 7.5.503 / Virus Database: 269.16.0/1139 - Release Date: 11/19/2007 12:35 PM
RE: (313) OT: Portable Recorder (same question as always)
Get over it -Original Message- From: /0 [mailto:[EMAIL PROTECTED] Sent: 20 November 2007 11:47 To: Williams, Graham; rg; 313@hyperreal.org Subject: Re: (313) OT: Portable Recorder (same question as always) read receipts to mailing lists = :( - Original Message - From: Williams, Graham [EMAIL PROTECTED] To: rg [EMAIL PROTECTED]; 313@hyperreal.org Sent: Tuesday, November 20, 2007 5:50 AM Subject: RE: (313) OT: Portable Recorder (same question as always) Upgrade the firmware to Rockbox and it'll record as WAV. G -Original Message- From: rg [mailto:[EMAIL PROTECTED] Sent: 21 November 2007 07:43 To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) OT: Portable Recorder (same question as always) Iriver x20. Cheap but records mp3 only via line in. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Tuesday, November 20, 2007 2:16 AM To: 313 Subject: Re: (313) OT: Portable Recorder (same question as always) there are pretty some iTunes lookalikes around, who can do the recording, straight to wav or mp3, and usb connection George Jones IV - Logic7 schreef: Old school laptop loaded with SoundForge 5. In particular, I use an old Dell Latitude CP. Pentium 233MMX, 128MB RAM, running Win2000. Works like a charm and I can prep the mix to burn it immediately after I'm done. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Thursday, November 15, 2007 2:53 PM To: 313@hyperreal.org Subject: (313) OT: Portable Recorder (same question as always) What portable do you guys use for recording sets / field recordings. My latest MD player is dying. Please reply off-list unless other interested folks reply on-list. Thanks, m50 -- No virus found in this incoming message. Checked by AVG Free Edition. Version: 7.5.503 / Virus Database: 269.15.33/1133 - Release Date: 11/15/2007 8:57 PM -- No virus found in this incoming message. Checked by AVG Free Edition. Version: 7.5.503 / Virus Database: 269.16.0/1139 - Release Date: 11/19/2007 12:35 PM
Re: (313) OT: Portable Recorder (same question as always)
read receipts to mailing lists = :( - Original Message - From: Williams, Graham [EMAIL PROTECTED] To: rg [EMAIL PROTECTED]; 313@hyperreal.org Sent: Tuesday, November 20, 2007 5:50 AM Subject: RE: (313) OT: Portable Recorder (same question as always) Upgrade the firmware to Rockbox and it'll record as WAV. G -Original Message- From: rg [mailto:[EMAIL PROTECTED] Sent: 21 November 2007 07:43 To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) OT: Portable Recorder (same question as always) Iriver x20. Cheap but records mp3 only via line in. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Tuesday, November 20, 2007 2:16 AM To: 313 Subject: Re: (313) OT: Portable Recorder (same question as always) there are pretty some iTunes lookalikes around, who can do the recording, straight to wav or mp3, and usb connection George Jones IV - Logic7 schreef: Old school laptop loaded with SoundForge 5. In particular, I use an old Dell Latitude CP. Pentium 233MMX, 128MB RAM, running Win2000. Works like a charm and I can prep the mix to burn it immediately after I'm done. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Thursday, November 15, 2007 2:53 PM To: 313@hyperreal.org Subject: (313) OT: Portable Recorder (same question as always) What portable do you guys use for recording sets / field recordings. My latest MD player is dying. Please reply off-list unless other interested folks reply on-list. Thanks, m50 -- No virus found in this incoming message. Checked by AVG Free Edition. Version: 7.5.503 / Virus Database: 269.15.33/1133 - Release Date: 11/15/2007 8:57 PM -- No virus found in this incoming message. Checked by AVG Free Edition. Version: 7.5.503 / Virus Database: 269.16.0/1139 - Release Date: 11/19/2007 12:35 PM
RE: (313) OT: Portable Recorder (same question as always)
FFS, I use my work email with 313, we use read receipts, sometimes I forget to turn it off. No big deal! It's not because I want to see who is reading the email. As I said before, get over it! Find something new to moan about. G -Original Message- From: Matt Kane's Brain [mailto:[EMAIL PROTECTED] Sent: 20 November 2007 15:47 To: Williams, Graham Cc: 313 Mailing List Subject: Re: (313) OT: Portable Recorder (same question as always) On Nov 20, 2007, at 6:58 AM, Williams, Graham wrote: Get over it Why should he? Sending a read receipt to an email list is pretty weak. -- matt kane's brain http://hydrogenproject.com aim - mkbatwerk [EMAIL PROTECTED]
RE: (313) OT: Portable Recorder (same question as always)
ok Williams wrote: Get over it -Original Message- From: /0 [mailto:[EMAIL PROTECTED] Sent: 20 November 2007 11:47 To: Williams, Graham; rg; 313@hyperreal.org Subject: Re: (313) OT: Portable Recorder (same question as always) read receipts to mailing lists = :( - Original Message - From: Williams, Graham [EMAIL PROTECTED] To: rg [EMAIL PROTECTED]; 313@hyperreal.org Sent: Tuesday, November 20, 2007 5:50 AM Subject: RE: (313) OT: Portable Recorder (same question as always) Upgrade the firmware to Rockbox and it'll record as WAV. G -Original Message- From: rg [mailto:[EMAIL PROTECTED] Sent: 21 November 2007 07:43 To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) OT: Portable Recorder (same question as always) Iriver x20. Cheap but records mp3 only via line in. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Tuesday, November 20, 2007 2:16 AM To: 313 Subject: Re: (313) OT: Portable Recorder (same question as always) there are pretty some iTunes lookalikes around, who can do the recording, straight to wav or mp3, and usb connection George Jones IV - Logic7 schreef: Old school laptop loaded with SoundForge 5. In particular, I use an old Dell Latitude CP. Pentium 233MMX, 128MB RAM, running Win2000. Works like a charm and I can prep the mix to burn it immediately after I'm done. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Thursday, November 15, 2007 2:53 PM To: 313@hyperreal.org Subject: (313) OT: Portable Recorder (same question as always) What portable do you guys use for recording sets / field recordings. My latest MD player is dying. Please reply off-list unless other interested folks reply on-list. Thanks, m50 -- No virus found in this incoming message. Checked by AVG Free Edition. Version: 7.5.503 / Virus Database: 269.15.33/1133 - Release Date: 11/15/2007 8:57 PM -- No virus found in this incoming message. Checked by AVG Free Edition. Version: 7.5.503 / Virus Database: 269.16.0/1139 - Release Date: 11/19/2007 12:35 PM
