Re: (313) Movement 2013

2013-06-11 Thread Lori Polemenakos
+1 on the underground sound system and visual layout, it sounded AMAZING
compared to previous years. That said, I felt there was a bit too much
soundbleed between the Electric Forest and Red Bull/Main Stage areas,
honestly. And while slightly less so, some soundbleed was still noticeable
between the RB/Main area and the Made in Detroit stage setup -- which also
kind of shocked me with the sheer amount of house music that was played
throughout most people's sets. It created a sort of cognitive dissonance
for me, based on the talent booked this year and what I've come to expect
from the Made in Detroit area at previous festivals.

Now, I'm an old-school and now-reformed househead who has no trouble
singing along with 99% of the anthems (it's a soul thing, a body, thing, et
al), but that's totally NOT what I'm flying to Detroit to listen to every
year. I was kind of disappointed that there wasn't nearly as much minimal
or even militant-sounding techno as I'm used to being exposed to --
especially from new (or at least undiscovered-to-me) artists -- at this
year's Movement. Nicole Moudaber's set was one of the standout surprises
for me; hearing a set like hers that blows me away and I instantly fall in
love with is one of my favorite things about the festival, and for that,
I'm extremely grateful. To hear a woman playing such a hardcore,
relentlessly banging set made me both proud and hopeful that the whole
female DJs are just gimmicks mindset will eventually fade out of the
public's musical consciousness, though how long that'll take is anyone's
guess...DJ Minx had her audience on lockdown as well, but I thought Magda's
festival set was kind of meh this year (though her afterparty set
delivered everything I'd hoped to hear earlier that day, so I really
shouldn't complain...).

Despite having tickets to the Bass Ain't on The Boat afterparty (because
hey, The Upbeats! They flew all the way from NZ - when am I gonna get THAT
opportunity again?), it got relocated to a less pedestrian-friendly spot
than the original boat setup had been, so the only one I actually made it
to was the Life and Death Detroit gig on Sunday at St. Andrew's Hall.. and
oh my GOD, so glad I had my earplugs in!! Nothing can compare to being
massaged from my scalp to the soles of my feet by a well-engineered wall of
sound in the wee hours of the morning. It took me a couple hours to realize
there was a different stage setup downstairs, and I was pleasantly
surprised at the level of sound distinction/speaker muffling between the
two (even moreso because one was essentially stacked right on top of the
other, with the venue above packed to capacity with people dancing and
everything that wasn't tied down vibrating along with the beat).

Cheers to all the sound engineers, artists, volunteers and talent bookers
who pulled this year's level of professionalism off -- especially the
massive sound, camera and lighting rigs, nicely designed visual set-ups,
streaming video/sound recordings via be-at.tv, Red Bull software/hardware
demo room near the Underground stage, etc. Plus, everyone booked at the
festivals and the only afterparty I went to seemed to be playing during
their assigned slots, and each artist's gear looked like it got swapped out
in a timely and safe manner between sets. There weren't any last-minute
schedule changes due to talent not being able to get into the country or
missing a flight (that I'm aware of, anyway), which I know has caused some
headaches for Paxahau in the past. All of the stuff mentioned above
requires massive amounts of coordination, party-throwing experience and
teamwork to pull off seamlessly, and I know from personal experience how
hard that is... especially by day 3, when everyone's sleep-deprived and
hungover to the Nth degree. :)

Didn't see any people passing out from heatstroke this time around, and the
crowd seemed a bit smaller than it was during my last visit in 2011, which
was... what, nearly 100k attendees? Curious to know how many people
actually went this year... at any rate, it was a vacation well-spent!


On Mon, Jun 10, 2013 at 11:39 PM, Darnistle McKuik darnis...@gmail.comwrote:

 I know this is long overdue, but I felt an obligation (misplaced, no
 doubt) to post something about the festival.

 First of all, I think Paxahau should be commended for having improved
 the sound quality at the Underground Stage.  The area had already
 begun sounding less and less murky each year, but this year I was
 quite surprised by the degree of aural clarity.  I did not go down
 into the pit this year, but the quality of the sound near the
 walkways (behind the soundboard and near the bathroom) was very
 impressive.

 Second kudos to Paxahau for altering the orientation for the Electric
 Forest stage speakers, which worked very well.  Though I wasn't keen
 on any of the music I heard from that stage all weekend, the sound was
 very full and rich, much more than previous years when the speakers
 were facing the 

Re: (313) Movement 2013

2013-06-11 Thread Andrew Duke In The Mix/Cognition Audioworks
Thanks much for the reflections on the festival and the shout out.
Take care.
Andrew

http://andrewdukeinthemix.com




On Tue, Jun 11, 2013 at 3:39 PM, Lori Polemenakos girly...@gmail.comwrote:

 +1 on the underground sound system and visual layout, it sounded AMAZING
 compared to previous years. That said, I felt there was a bit too much
 soundbleed between the Electric Forest and Red Bull/Main Stage areas,
 honestly. And while slightly less so, some soundbleed was still noticeable
 between the RB/Main area and the Made in Detroit stage setup -- which also
 kind of shocked me with the sheer amount of house music that was played
 throughout most people's sets. It created a sort of cognitive dissonance
 for me, based on the talent booked this year and what I've come to expect
 from the Made in Detroit area at previous festivals.

 Now, I'm an old-school and now-reformed househead who has no trouble
 singing along with 99% of the anthems (it's a soul thing, a body, thing, et
 al), but that's totally NOT what I'm flying to Detroit to listen to every
 year. I was kind of disappointed that there wasn't nearly as much minimal
 or even militant-sounding techno as I'm used to being exposed to --
 especially from new (or at least undiscovered-to-me) artists -- at this
 year's Movement. Nicole Moudaber's set was one of the standout surprises
 for me; hearing a set like hers that blows me away and I instantly fall in
 love with is one of my favorite things about the festival, and for that,
 I'm extremely grateful. To hear a woman playing such a hardcore,
 relentlessly banging set made me both proud and hopeful that the whole
 female DJs are just gimmicks mindset will eventually fade out of the
 public's musical consciousness, though how long that'll take is anyone's
 guess...DJ Minx had her audience on lockdown as well, but I thought Magda's
 festival set was kind of meh this year (though her afterparty set
 delivered everything I'd hoped to hear earlier that day, so I really
 shouldn't complain...).

 Despite having tickets to the Bass Ain't on The Boat afterparty (because
 hey, The Upbeats! They flew all the way from NZ - when am I gonna get THAT
 opportunity again?), it got relocated to a less pedestrian-friendly spot
 than the original boat setup had been, so the only one I actually made it
 to was the Life and Death Detroit gig on Sunday at St. Andrew's Hall.. and
 oh my GOD, so glad I had my earplugs in!! Nothing can compare to being
 massaged from my scalp to the soles of my feet by a well-engineered wall of
 sound in the wee hours of the morning. It took me a couple hours to realize
 there was a different stage setup downstairs, and I was pleasantly
 surprised at the level of sound distinction/speaker muffling between the
 two (even moreso because one was essentially stacked right on top of the
 other, with the venue above packed to capacity with people dancing and
 everything that wasn't tied down vibrating along with the beat).

 Cheers to all the sound engineers, artists, volunteers and talent bookers
 who pulled this year's level of professionalism off -- especially the
 massive sound, camera and lighting rigs, nicely designed visual set-ups,
 streaming video/sound recordings via be-at.tv, Red Bull software/hardware
 demo room near the Underground stage, etc. Plus, everyone booked at the
 festivals and the only afterparty I went to seemed to be playing during
 their assigned slots, and each artist's gear looked like it got swapped out
 in a timely and safe manner between sets. There weren't any last-minute
 schedule changes due to talent not being able to get into the country or
 missing a flight (that I'm aware of, anyway), which I know has caused some
 headaches for Paxahau in the past. All of the stuff mentioned above
 requires massive amounts of coordination, party-throwing experience and
 teamwork to pull off seamlessly, and I know from personal experience how
 hard that is... especially by day 3, when everyone's sleep-deprived and
 hungover to the Nth degree. :)

 Didn't see any people passing out from heatstroke this time around, and
 the crowd seemed a bit smaller than it was during my last visit in 2011,
 which was... what, nearly 100k attendees? Curious to know how many people
 actually went this year... at any rate, it was a vacation well-spent!


 On Mon, Jun 10, 2013 at 11:39 PM, Darnistle McKuik darnis...@gmail.comwrote:

 I know this is long overdue, but I felt an obligation (misplaced, no
 doubt) to post something about the festival.

 First of all, I think Paxahau should be commended for having improved
 the sound quality at the Underground Stage.  The area had already
 begun sounding less and less murky each year, but this year I was
 quite surprised by the degree of aural clarity.  I did not go down
 into the pit this year, but the quality of the sound near the
 walkways (behind the soundboard and near the bathroom) was very
 impressive.

 Second kudos to Paxahau for altering the 

Re: (313) movement represent

2013-05-28 Thread Suzanne Heinrichs
Hi Fred-
Long time 313 lurker here. I just wanted to add some feedback:

- Loved KDJ -- especially the fact that he actually spun vinyl. I think he even 
played some Genesis (Phil Collins era no less) in that crazy set.
- Richie Hawtin was really fun. I enjoyed the whole thing.
- DJ Minx! Amazing. That woman can command an audience.
- Audion -- loved Audion live. He really took advantage of the Red Bull Academy 
sound.
- Dan Bell -- great groove in his set. Made in Detroit's sound was perfect for 
his set. (And vinyl again!). I can't believe I've never seen him DJ.
- Rrose -- unbelievable. My favorite set of the festival despite the crowded 
underground stage/weather.

I was a little disappointed with the MID sound system on Monday. It didn't do 
justice to what Carlos Souffront had to offer.

Detroit notes: Drove by the Packard Plant. I was sad to see how it's 
deteriorated in the past (almost 20 years). Loved the Heidelberg Project. I'm 
so glad it's still there (at least in part).

Back to lurking…. :-)

-Suzane





On Sunday, 26. May 2013 at 14:01, Fred Heutte wrote:

 How y'all feeling out there?
  
 Met up with John Sokolowski yesterday and heard rumors that
 Mr. Earle is in the house...
  
 Good sets yesterday from 16 Lolitas, KDJ, CC, Alton MIller.
 Mr. Parker, playing the classics. But the difference
 between me playing those classics (Nightcrawlers, No UFOs,
 and on and on) is what makes Terrence so special. He was
 on -fire- despite playing in a t-shirt in 50 degree weather.
  
 Dubstep has arrived at the festival (in its highly fragmented genre
 state). Nuff said.
  
 The weather is actually very nice if on the coolish side, and there
 was a great full moon rising over the Detroit River last night.
  
 See you on the plaza and at the parteez... because there's no
 way back, at all...
  
 fh
 503.757-6222




Re: (313) movement represent

2013-05-27 Thread denisedalphond
I hope to see more of you today!! I was out sick on Saturday and missed all the 
greatness. Mala, Adult., Minx, and Dan Bell were my highlights yesterday. 

Got to see Lori!

Adult. played Sharevari and I actually liked it! Dan Bell melted everything and 
it was funky as hell. 

I plan to check out Dabrye today among others. And then Francois K of course!

Get at me!

Denise
812-606-1741

On May 26, 2013, at 16:30, John Sokolowski jrsokolow...@hotmail.com wrote:

 Confirming Mr Earle is in the house. Last spotted getting down in the middle 
 of the floor at city club at 5am. 
 
 TP and Dave Clarke were highlights yesterday for sure. Mo Reese was also 
 amazing at bookie's Friday night. 
 
 May need a disco nap before going no way back at all...
 
 From: the...@gmail.com
 Date: Sun, 26 May 2013 12:59:43 -0700
 To: girly...@gmail.com; ph...@sunlightdata.com
 CC: 313@hyperreal.org
 Subject: RE: (313) movement represent
 
 Fbk is likely lurking around, wearing an absoloop t shirt and wearing orange 
 :)
 
 Sent from my Windows Phone
 From: Lori Polemenakos
 Sent: 5/26/2013 3:42 PM
 To: Fred Heutte
 Cc: 313@hyperreal.org
 Subject: Re: (313) movement represent
 
 Dave Clarke had the set of the night, IMO.
 
 On Sunday, May 26, 2013, Fred Heutte wrote:
 How y'all feeling out there?
 
 Met up with John Sokolowski yesterday and heard rumors that
 Mr. Earle is in the house...
 
 Good sets yesterday from 16 Lolitas, KDJ, CC, Alton MIller.
 Mr. Parker, playing the classics.  But the difference
 between me playing those classics (Nightcrawlers, No UFOs,
 and on and on) is what makes Terrence so special.  He was
 on -fire- despite playing in a t-shirt in 50 degree weather.
 
 Dubstep has arrived at the festival (in its highly fragmented genre
 state).  Nuff said.
 
 The weather is actually very nice if on the coolish side, and there
 was a great full moon rising over the Detroit River last night.
 
 See you on the plaza and at the parteez... because there's no
 way back, at all...
 
 fh
 503.757-6222
 


Re: (313) movement represent

2013-05-26 Thread Lori Polemenakos
Dave Clarke had the set of the night, IMO.

On Sunday, May 26, 2013, Fred Heutte wrote:

 How y'all feeling out there?

 Met up with John Sokolowski yesterday and heard rumors that
 Mr. Earle is in the house...

 Good sets yesterday from 16 Lolitas, KDJ, CC, Alton MIller.
 Mr. Parker, playing the classics.  But the difference
 between me playing those classics (Nightcrawlers, No UFOs,
 and on and on) is what makes Terrence so special.  He was
 on -fire- despite playing in a t-shirt in 50 degree weather.

 Dubstep has arrived at the festival (in its highly fragmented genre
 state).  Nuff said.

 The weather is actually very nice if on the coolish side, and there
 was a great full moon rising over the Detroit River last night.

 See you on the plaza and at the parteez... because there's no
 way back, at all...

 fh
 503.757-6222




RE: (313) movement represent

2013-05-26 Thread Kevin Kennedy
Fbk is likely lurking around, wearing an absoloop t shirt and wearing
orange :)

Sent from my Windows Phone
--
From: Lori Polemenakos
Sent: 5/26/2013 3:42 PM
To: Fred Heutte
Cc: 313@hyperreal.org
Subject: Re: (313) movement represent

Dave Clarke had the set of the night, IMO.

On Sunday, May 26, 2013, Fred Heutte wrote:

 How y'all feeling out there?

 Met up with John Sokolowski yesterday and heard rumors that
 Mr. Earle is in the house...

 Good sets yesterday from 16 Lolitas, KDJ, CC, Alton MIller.
 Mr. Parker, playing the classics.  But the difference
 between me playing those classics (Nightcrawlers, No UFOs,
 and on and on) is what makes Terrence so special.  He was
 on -fire- despite playing in a t-shirt in 50 degree weather.

 Dubstep has arrived at the festival (in its highly fragmented genre
 state).  Nuff said.

 The weather is actually very nice if on the coolish side, and there
 was a great full moon rising over the Detroit River last night.

 See you on the plaza and at the parteez... because there's no
 way back, at all...

 fh
 503.757-6222




RE: (313) movement represent

2013-05-26 Thread John Sokolowski
Confirming Mr Earle is in the house. Last spotted getting down in the middle of 
the floor at city club at 5am. 

TP and Dave Clarke were highlights yesterday for sure. Mo Reese was also 
amazing at bookie's Friday night. 

May need a disco nap before going no way back at all...

From: the...@gmail.com
Date: Sun, 26 May 2013 12:59:43 -0700
To: girly...@gmail.com; ph...@sunlightdata.com
CC: 313@hyperreal.org
Subject: RE: (313) movement represent

Fbk is likely lurking around, wearing an absoloop t shirt and wearing orange :)


Sent from my Windows Phone
From: Lori Polemenakos

Sent: 5/26/2013 3:42 PM
To: Fred Heutte

Cc: 313@hyperreal.org
Subject: Re: (313) movement represent


Dave Clarke had the set of the night, IMO.

On Sunday, May 26, 2013, Fred Heutte  wrote:

How y'all feeling out there?




Met up with John Sokolowski yesterday and heard rumors that

Mr. Earle is in the house...



Good sets yesterday from 16 Lolitas, KDJ, CC, Alton MIller.

Mr. Parker, playing the classics.  But the difference

between me playing those classics (Nightcrawlers, No UFOs,

and on and on) is what makes Terrence so special.  He was

on -fire- despite playing in a t-shirt in 50 degree weather.



Dubstep has arrived at the festival (in its highly fragmented genre

state).  Nuff said.



The weather is actually very nice if on the coolish side, and there

was a great full moon rising over the Detroit River last night.



See you on the plaza and at the parteez... because there's no

way back, at all...



fh

503.757-6222




  

Re: (313) Movement, Music and Detroit

2013-05-11 Thread David Powers
Definitely agree!

My comments only pertained to trying to obtain SPECIFIC (limited
quantity) records that you already know you want. However, rest
assured you will find some vinyl goodness at Detroit Threads during
festival weekend.

~dp

On Fri, May 10, 2013 at 2:40 PM, John Sokolowski
jrsokolow...@hotmail.com wrote:
 One exception is certainly Detroit Threads. I know that folks like Huckaby,
 Theo, Kyle Hall, BMG and Juan Atkins personally walk their new releases into
 the store. These are some of the names the owner of Threads has mentioned to
 me and I am sure there are many others. They usually get about $5 cash for
 each 12 before it is sold for a few bucks more on the floor. If you are
 there at the right time you will see definitely see new Detroit records
 before they pop up on places like Juno.

 Then there are the records that are released by Detroit labels for the
 festival. Many labels have historically timed their new releases to coincide
 with the festival. You get those in Detroit first. Some of these are also
 exclusive to Detroit, such as Theo's spray painted Skteches, Deepchord DEMF
 editions, etc. And then on top of that you have people like KDJ who pull out
 a box full of mint copies of Shades of Jae and JAN to sell at the festival.

 When it comes to this time of year, I agree with Darnistle's comment that
 Detroit is the best place to shop for Detroit techno (and house for me).
 There is a bunch of new stuff I have been holding out on because I know it
 can be had there.

 Cheers,
 John


Re: (313) Movement, Music and Detroit

2013-05-10 Thread David Powers
Sadly, due to rising costs, poor US market, and poor US distributors,
the brutal truth is that most of the best new Detroit records are now
ONLY available in Europe; basically, although I live in Chicago, when
I want new Detroit music, I order from Juno, Boomkat and Hardwax. I
don't even bother checking US stores anymore if I am looking for
specific records, though of course I do shop at Gramaphone here in
Chicago from time to time as well.

It seems that the whole EDM popularity over here has not helped with
the US vinyl market for underground house and techno at all. I had
hoped that increasing vinyl sales would help things, but I can only
assume that the rising popularity of vinyl is limited more to indie
rock type music, here in the US...

~David

On Thu, May 9, 2013 at 10:14 PM, Richard Hester gwrenc...@sbcglobal.net wrote:
 Unless you happen to be in Berlin, sad to say...



RE: (313) Movement, Music and Detroit

2013-05-10 Thread John Sokolowski






One exception is certainly Detroit Threads. I know that folks like Huckaby, 
Theo, Kyle Hall, BMG and Juan Atkins personally walk their new releases into 
the store. These are some of the names the owner of Threads has mentioned to me 
and I am sure there are many others. They usually get about $5 cash for each 
12 before it is sold for a few bucks more on the floor. If you are there at 
the right time you will see definitely see new Detroit records before they pop 
up on places like Juno. 
 
Then there are the records that are released by Detroit labels for the 
festival. Many labels have historically timed their new releases to coincide 
with the festival. You get those in Detroit first. Some of these are also 
exclusive to Detroit, such as Theo's spray painted Skteches, Deepchord DEMF 
editions, etc. And then on top of that you have people like KDJ who pull out a 
box full of mint copies of Shades of Jae and JAN to sell at the festival. When 
it comes to this time of year, I agree with Darnistle's comment that Detroit is 
the best place to shop for Detroit techno (and house for me). There is a bunch 
of new stuff I have been holding out on because I know it can be had there. 
Cheers,John Date: Fri, 10 May 2013 13:27:55 -0500
 From: cybo...@gmail.com
 To: gwrenc...@sbcglobal.net
 CC: 313@hyperreal.org
 Subject: Re: (313) Movement, Music and Detroit
 
 Sadly, due to rising costs, poor US market, and poor US distributors,
 the brutal truth is that most of the best new Detroit records are now
 ONLY available in Europe; basically, although I live in Chicago, when
 I want new Detroit music, I order from Juno, Boomkat and Hardwax. I
 don't even bother checking US stores anymore if I am looking for
 specific records, though of course I do shop at Gramaphone here in
 Chicago from time to time as well.
 
 It seems that the whole EDM popularity over here has not helped with
 the US vinyl market for underground house and techno at all. I had
 hoped that increasing vinyl sales would help things, but I can only
 assume that the rising popularity of vinyl is limited more to indie
 rock type music, here in the US...
 
 ~David
 
 On Thu, May 9, 2013 at 10:14 PM, Richard Hester gwrenc...@sbcglobal.net 
 wrote:
  Unless you happen to be in Berlin, sad to say...
 


  

Re: (313) Movement, Music and Detroit

2013-05-10 Thread ja...@iridite.com
Plus buying a record in a certain place gives you additional associations
when you listen to it in the future!

cheers

Jason


On 10 May 2013 20:40, John Sokolowski jrsokolow...@hotmail.com wrote:

  One exception is certainly Detroit Threads. I know that folks like
 Huckaby, Theo, Kyle Hall, BMG and Juan Atkins personally walk their new
 releases into the store. These are some of the names the owner of Threads
 has mentioned to me and I am sure there are many others. They usually get
 about $5 cash for each 12 before it is sold for a few bucks more on the
 floor. If you are there at the right time you will see definitely see new
 Detroit records before they pop up on places like Juno.

 Then there are the records that are released by Detroit labels for the
 festival. Many labels have historically timed their new releases to
 coincide with the festival. You get those in Detroit first. Some of these
 are also exclusive to Detroit, such as Theo's spray painted Skteches,
 Deepchord DEMF editions, etc. And then on top of that you have people like
 KDJ who pull out a box full of mint copies of Shades of Jae and JAN to
 sell at the festival.

 When it comes to this time of year, I agree with Darnistle's comment
 that Detroit is the best place to shop for Detroit techno (and house for
 me). There is a bunch of new stuff I have been holding out on because I
 know it can be had there.

 Cheers,
 John
  Date: Fri, 10 May 2013 13:27:55 -0500
  From: cybo...@gmail.com
  To: gwrenc...@sbcglobal.net
  CC: 313@hyperreal.org
  Subject: Re: (313) Movement, Music and Detroit

 
  Sadly, due to rising costs, poor US market, and poor US distributors,
  the brutal truth is that most of the best new Detroit records are now
  ONLY available in Europe; basically, although I live in Chicago, when
  I want new Detroit music, I order from Juno, Boomkat and Hardwax. I
  don't even bother checking US stores anymore if I am looking for
  specific records, though of course I do shop at Gramaphone here in
  Chicago from time to time as well.
 
  It seems that the whole EDM popularity over here has not helped with
  the US vinyl market for underground house and techno at all. I had
  hoped that increasing vinyl sales would help things, but I can only
  assume that the rising popularity of vinyl is limited more to indie
  rock type music, here in the US...
 
  ~David
 
  On Thu, May 9, 2013 at 10:14 PM, Richard Hester gwrenc...@sbcglobal.net
 wrote:
   Unless you happen to be in Berlin, sad to say...
  



Re: (313) Movement, Music and Detroit

2013-05-10 Thread Richard Hester
Of course there's the S.I.D. series only available to those who actually 
show up at Submerge. I got three of the series when I was in the D for 
the Metroplex 10th Anniversary do (I hauled away two boxes of 
records/CDs from Submerge, 7th City, and Record Time). I still cherish 
those SID discs, and you'll hear bits from two of them tonight on my show...


ja...@iridite.com wrote:
Plus buying a record in a certain place gives you additional 
associations when you listen to it in the future!


cheers

Jason


On 10 May 2013 20:40, John Sokolowski jrsokolow...@hotmail.com 
mailto:jrsokolow...@hotmail.com wrote:


One exception is certainly Detroit Threads. I know that folks like
Huckaby, Theo, Kyle Hall, BMG and Juan Atkins personally walk
their new releases into the store. These are some of the names the
owner of Threads has mentioned to me and I am sure there are many
others. They usually get about $5 cash for each 12 before it is
sold for a few bucks more on the floor. If you are there at the
right time you will see definitely see new Detroit records before
they pop up on places like Juno.

Then there are the records that are released by Detroit labels for
the festival. Many labels have historically timed their
new releases to coincide with the festival. You get those in
Detroit first. Some of these are also exclusive to Detroit, such
as Theo's spray painted Skteches, Deepchord DEMF editions, etc.
And then on top of that you have people like KDJ who pull out a
box full of mint copies of Shades of Jae and JAN to sell at the
festival.
When it comes to this time of year, I agree with Darnistle's
comment that Detroit is the best place to shop for Detroit techno
(and house for me). There is a bunch of new stuff I have been
holding out on because I know it can be had there.
Cheers,
John
 Date: Fri, 10 May 2013 13:27:55 -0500
 From: cybo...@gmail.com mailto:cybo...@gmail.com
 To: gwrenc...@sbcglobal.net mailto:gwrenc...@sbcglobal.net
 CC: 313@hyperreal.org mailto:313@hyperreal.org
 Subject: Re: (313) Movement, Music and Detroit


 Sadly, due to rising costs, poor US market, and poor US
distributors,
 the brutal truth is that most of the best new Detroit records
are now
 ONLY available in Europe; basically, although I live in Chicago,
when
 I want new Detroit music, I order from Juno, Boomkat and Hardwax. I
 don't even bother checking US stores anymore if I am looking for
 specific records, though of course I do shop at Gramaphone here in
 Chicago from time to time as well.

 It seems that the whole EDM popularity over here has not
helped with
 the US vinyl market for underground house and techno at all. I had
 hoped that increasing vinyl sales would help things, but I can only
 assume that the rising popularity of vinyl is limited more to indie
 rock type music, here in the US...

 ~David

 On Thu, May 9, 2013 at 10:14 PM, Richard Hester
gwrenc...@sbcglobal.net mailto:gwrenc...@sbcglobal.net wrote:
  Unless you happen to be in Berlin, sad to say...
 






RE: (313) Movement, Music and Detroit

2013-05-09 Thread Daniel Bean
What sort of music are you interested in?

From: Darnistle McKuik [mailto:darnis...@gmail.com]
Sent: 08 May 2013 19:34
To: 313@hyperreal.org
Subject: (313) Movement, Music and Detroit


So it looks like I will be going to the festival again this year!!  YAY!!! I 
can hardly wait!

As always,  shopping for music is de rigueur.

That said, other than Detroit Threads and Melodies and Memories, can any of you 
local peeps recommend other stores worth checking out? Have any new stores of 
interest opened to fill the void?





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Re: (313) Movement, Music and Detroit

2013-05-09 Thread Darnistle McKuik
Techno- especially Detroit-related
Drum n Bass
Goth/Punk
IDM

I prefer CDs, but I do buy vinyl as well.
On May 8, 2013 2:34 PM, Darnistle McKuik darnis...@gmail.com wrote:

 So it looks like I will be going to the festival again this year!!  YAY!!!
 I can hardly wait!

 As always,  shopping for music is de rigueur.

 That said, other than Detroit Threads and Melodies and Memories, can any
 of you local peeps recommend other stores worth checking out? Have any new
 stores of interest opened to fill the void?



RE: (313) Movement, Music and Detroit

2013-05-09 Thread Daniel Bean
I’ve never found much IDM in Detroit but for those other genres I’d recommend 
the following spots for vinyl (can’t really comment on CDs):

Stormy Records in Dearborn
Goth/Punk + plenty more rock vinyl

Record Collector in Ferndale
I’ve found quite a lot of very good condition old techno 12”s here over the 
years

People’s Records on Woodward
Quite a random mix of industrial, old techno and drum and bass (e.g. 
Reinforced) can be found in the dollar bins but you’ve got to dig

Street Corner in Oak Park
Found plenty of old techno here + they sell quite a lot of CDs

From: Darnistle McKuik [mailto:darnis...@gmail.com]
Sent: 09 May 2013 16:21
To: 313@hyperreal.org
Subject: Re: (313) Movement, Music and Detroit


Techno- especially Detroit-related
Drum n Bass
Goth/Punk
IDM

I prefer CDs, but I do buy vinyl as well.
On May 8, 2013 2:34 PM, Darnistle McKuik 
darnis...@gmail.commailto:darnis...@gmail.com wrote:

So it looks like I will be going to the festival again this year!!  YAY!!! I 
can hardly wait!

As always,  shopping for music is de rigueur.

That said, other than Detroit Threads and Melodies and Memories, can any of you 
local peeps recommend other stores worth checking out? Have any new stores of 
interest opened to fill the void?





http://www.bbc.co.uk
This e-mail (and any attachments) is confidential and may contain personal 
views which are not the views of the BBC unless specifically stated.
If you have received it in error, please delete it from your system.
Do not use, copy or disclose the information in any way nor act in reliance on 
it and notify the sender immediately.
Please note that the BBC monitors e-mails sent or received.
Further communication will signify your consent to this.

-


Re: (313) Movement, Music and Detroit

2013-05-09 Thread Mike Taylor
You definitely want to hit Stormy, but make sure you get there before the
weekend because they close on Sunday and Monday that weekend. If you get in
touch with Windy she will go out of her way to give you a comprehensive
list of the remaining record stores in Detroit.

Record Collector closed their doors earlier this year.

m


On Thu, May 9, 2013 at 12:14 PM, Daniel Bean daniel.b...@bbc.co.uk wrote:

   I’ve never found much IDM in Detroit but for those other genres I’d
 recommend the following spots for vinyl (can’t really comment on CDs):

 ** **

 Stormy Records in Dearborn

 Goth/Punk + plenty more rock vinyl

 ** **

 Record Collector in Ferndale

 I’ve found quite a lot of very good condition old techno 12”s here over
 the years

 ** **

 People’s Records on Woodward

 Quite a random mix of industrial, old techno and drum and bass (e.g.
 Reinforced) can be found in the dollar bins but you’ve got to dig

 ** **

 Street Corner in Oak Park

 Found plenty of old techno here + they sell quite a lot of CDs

 ** **

 *From:* Darnistle McKuik [mailto:darnis...@gmail.com]
 *Sent:* 09 May 2013 16:21
 *To:* 313@hyperreal.org
 *Subject:* Re: (313) Movement, Music and Detroit

 ** **

 Techno- especially Detroit-related
 Drum n Bass
 Goth/Punk
 IDM

 I prefer CDs, but I do buy vinyl as well.

 On May 8, 2013 2:34 PM, Darnistle McKuik darnis...@gmail.com wrote:***
 *

 So it looks like I will be going to the festival again this year!!  YAY!!!
 I can hardly wait!

 As always,  shopping for music is de rigueur.  

 That said, other than Detroit Threads and Melodies and Memories, can any
 of you local peeps recommend other stores worth checking out? Have any new
 stores of interest opened to fill the void?



 

 http://www.bbc.co.uk
 This e-mail (and any attachments) is confidential and may contain personal
 views which are not the views of the BBC unless specifically stated.
 If you have received it in error, please delete it from your system.
 Do not use, copy or disclose the information in any way nor act in
 reliance on it and notify the sender immediately.
 Please note that the BBC monitors e-mails sent or received.
 Further communication will signify your consent to this.

 -



Re: (313) Movement, Music and Detroit

2013-05-09 Thread Darnistle McKuik
Thanks for the suggestions!

I've always wanted to check out Stormy Records, but Saturday has
traditionally been the day I make the trek out to Flat, Black and Circular
in East Lansing then Encore in Ann Arbor on the way back to Detroit, time
permitting, before I check out the festival.  Perhaps I'll skip Ann Arbor
this year and do Dearborn instead.

Regardless, over the course of the weekend I'd like to ensure that I go to
stores that carry Detroit techno, since Detroit is still the best place for
me to shop for it.




On Thu, May 9, 2013 at 12:21 PM, Mike Taylor disconihil...@gmail.comwrote:

 You definitely want to hit Stormy, but make sure you get there before the
 weekend because they close on Sunday and Monday that weekend. If you get in
 touch with Windy she will go out of her way to give you a comprehensive
 list of the remaining record stores in Detroit.

 Record Collector closed their doors earlier this year.

 m


 On Thu, May 9, 2013 at 12:14 PM, Daniel Bean daniel.b...@bbc.co.ukwrote:

   I’ve never found much IDM in Detroit but for those other genres I’d
 recommend the following spots for vinyl (can’t really comment on CDs):***
 *

 ** **

 Stormy Records in Dearborn

 Goth/Punk + plenty more rock vinyl

 ** **

 Record Collector in Ferndale

 I’ve found quite a lot of very good condition old techno 12”s here over
 the years

 ** **

 People’s Records on Woodward

 Quite a random mix of industrial, old techno and drum and bass (e.g.
 Reinforced) can be found in the dollar bins but you’ve got to dig

 ** **

 Street Corner in Oak Park

 Found plenty of old techno here + they sell quite a lot of CDs

 ** **

 *From:* Darnistle McKuik [mailto:darnis...@gmail.com]
 *Sent:* 09 May 2013 16:21
 *To:* 313@hyperreal.org
 *Subject:* Re: (313) Movement, Music and Detroit

 ** **

 Techno- especially Detroit-related
 Drum n Bass
 Goth/Punk
 IDM

 I prefer CDs, but I do buy vinyl as well.

 On May 8, 2013 2:34 PM, Darnistle McKuik darnis...@gmail.com wrote:**
 **

 So it looks like I will be going to the festival again this year!!
 YAY!!! I can hardly wait!

 As always,  shopping for music is de rigueur.  

 That said, other than Detroit Threads and Melodies and Memories, can any
 of you local peeps recommend other stores worth checking out? Have any new
 stores of interest opened to fill the void?



 

 http://www.bbc.co.uk
 This e-mail (and any attachments) is confidential and may contain
 personal views which are not the views of the BBC unless specifically
 stated.
 If you have received it in error, please delete it from your system.
 Do not use, copy or disclose the information in any way nor act in
 reliance on it and notify the sender immediately.
 Please note that the BBC monitors e-mails sent or received.
 Further communication will signify your consent to this.

 -





Re: (313) Movement, Music and Detroit

2013-05-09 Thread Richard Hester

Unless you happen to be in Berlin, sad to say...

Darnistle McKuik wrote:

Thanks for the suggestions!

I've always wanted to check out Stormy Records, but Saturday has 
traditionally been the day I make the trek out to Flat, Black and 
Circular in East Lansing then Encore in Ann Arbor on the way back to 
Detroit, time permitting, before I check out the festival.  Perhaps 
I'll skip Ann Arbor this year and do Dearborn instead.


Regardless, over the course of the weekend I'd like to ensure that I 
go to stores that carry Detroit techno, since Detroit is still the 
best place for me to shop for it.





On Thu, May 9, 2013 at 12:21 PM, Mike Taylor disconihil...@gmail.com 
mailto:disconihil...@gmail.com wrote:


You definitely want to hit Stormy, but make sure you get there
before the weekend because they close on Sunday and Monday that
weekend. If you get in touch with Windy she will go out of her way
to give you a comprehensive list of the remaining record stores in
Detroit.
Record Collector closed their doors earlier this year.
m


On Thu, May 9, 2013 at 12:14 PM, Daniel Bean
daniel.b...@bbc.co.uk mailto:daniel.b...@bbc.co.uk wrote:

I’ve never found much IDM in Detroit but for those other
genres I’d recommend the following spots for vinyl (can’t
really comment on CDs):

Stormy Records in Dearborn

Goth/Punk + plenty more rock vinyl

Record Collector in Ferndale

I’ve found quite a lot of very good condition old techno 12”s
here over the years

People’s Records on Woodward

Quite a random mix of industrial, old techno and drum and bass
(e.g. Reinforced) can be found in the dollar bins but you’ve
got to dig

Street Corner in Oak Park

Found plenty of old techno here + they sell quite a lot of CDs

*From:*Darnistle McKuik [mailto:darnis...@gmail.com
mailto:darnis...@gmail.com]
*Sent:* 09 May 2013 16:21
*To:* 313@hyperreal.org mailto:313@hyperreal.org
*Subject:* Re: (313) Movement, Music and Detroit

Techno- especially Detroit-related
Drum n Bass
Goth/Punk
IDM

I prefer CDs, but I do buy vinyl as well.

On May 8, 2013 2:34 PM, Darnistle McKuik
darnis...@gmail.com mailto:darnis...@gmail.com wrote:

So it looks like I will be going to the festival again this
year!!  YAY!!! I can hardly wait!

As always,  shopping for music is de rigueur.

That said, other than Detroit Threads and Melodies and
Memories, can any of you local peeps recommend other stores
worth checking out? Have any new stores of interest opened to
fill the void?



http://www.bbc.co.uk http://www.bbc.co.uk
This e-mail (and any attachments) is confidential and may
contain personal views which are not the views of the BBC
unless specifically stated.
If you have received it in error, please delete it from your
system.
Do not use, copy or disclose the information in any way nor
act in reliance on it and notify the sender immediately.
Please note that the BBC monitors e-mails sent or received.
Further communication will signify your consent to this.

-







RE: (313) Movement Line Up

2012-02-15 Thread John Sokolowski

Not too shabby. That is only one day worth of music as well.
 

 Date: Wed, 15 Feb 2012 11:12:55 -0600
 From: cybo...@gmail.com
 To: 313@hyperreal.org
 Subject: (313) Movement Line Up
 
 Okay, this is better than expected!!!
 
 Headliners = Public Enemy :: Lil Louis :: The Wizard
 http://www.movement.us/?page_id=8
 
 ~David
  

RE: (313) Movement Line Up

2012-02-15 Thread Fred Heutte
Good start.  I'm bemused by whether Major Lazer will bring it
pon de floor :)

But for the remainder I still want more local content than we have
seen in the last couple of years.

fh

-

Not too shabby. That is only one day worth of music as well.


 Date: Wed, 15 Feb 2012 11:12:55 -0600
 From: cybo...@gmail.com
 To: 313@hyperreal.org
 Subject: (313) Movement Line Up

 Okay, this is better than expected!!!

 Headliners = Public Enemy :: Lil Louis :: The Wizard
 http://www.movement.us/?page_id=8

 ~David
   



Re: (313) Movement Festival pre-sale - $35 early-bird special

2009-03-19 Thread kent williams
For a 3 day festival of this caliber, you can't argue with the price.

Though i have a bone to pick with the Shorecrest.  A double room is up
to $130 a night.

On Thu, Mar 19, 2009 at 6:49 PM, Greg Earle ea...@isolar.dyndns.org wrote:
 WanTickets has a couple of links up for Festival tickets already.  One is
 for VIP and the other is an early-bird special - a weekend pass for $35.00
 (about £24, UK'ers):

 http://www.wantickets.com/EventDetail.aspx?e_id=54349

 Gotta hurry though - deadline for purchase at that price is 8:45 AM EDT next
 Monday morning, March 23rd!

 (Nothing like being put on the spot - I hadn't even thought about plane
 flights yet)

        - Greg




RE: (313) Movement Festival pre-sale - $35 early-bird special

2009-03-19 Thread Holly Macdonald-Korth
Does anyone know what a VIP pass entails? Doesn't say much on want tickets...

-Original Message-
From: kent williams [mailto:chaircrus...@gmail.com] 
Sent: Thursday, March 19, 2009 9:05 PM
To: 313@hyperreal.org
Subject: Re: (313) Movement Festival pre-sale - $35 early-bird special

For a 3 day festival of this caliber, you can't argue with the price.

Though i have a bone to pick with the Shorecrest.  A double room is up
to $130 a night.

On Thu, Mar 19, 2009 at 6:49 PM, Greg Earle ea...@isolar.dyndns.org wrote:
 WanTickets has a couple of links up for Festival tickets already.  One is
 for VIP and the other is an early-bird special - a weekend pass for $35.00
 (about £24, UK'ers):

 http://www.wantickets.com/EventDetail.aspx?e_id=54349

 Gotta hurry though - deadline for purchase at that price is 8:45 AM EDT next
 Monday morning, March 23rd!

 (Nothing like being put on the spot - I hadn't even thought about plane
 flights yet)

        - Greg




Re: (313) Movement Festival pre-sale - $35 early-bird special

2009-03-19 Thread Frank Glazer
you get to be teabagged by your superstar dj of choice

On Thu, Mar 19, 2009 at 9:14 PM, Holly Macdonald-Korth
hko...@jwkorth.com wrote:
 Does anyone know what a VIP pass entails? Doesn't say much on want tickets...

 -Original Message-
 From: kent williams [mailto:chaircrus...@gmail.com]
 Sent: Thursday, March 19, 2009 9:05 PM
 To: 313@hyperreal.org
 Subject: Re: (313) Movement Festival pre-sale - $35 early-bird special

 For a 3 day festival of this caliber, you can't argue with the price.

 Though i have a bone to pick with the Shorecrest.  A double room is up
 to $130 a night.

 On Thu, Mar 19, 2009 at 6:49 PM, Greg Earle ea...@isolar.dyndns.org wrote:
 WanTickets has a couple of links up for Festival tickets already.  One is
 for VIP and the other is an early-bird special - a weekend pass for $35.00
 (about £24, UK'ers):

 http://www.wantickets.com/EventDetail.aspx?e_id=54349

 Gotta hurry though - deadline for purchase at that price is 8:45 AM EDT next
 Monday morning, March 23rd!

 (Nothing like being put on the spot - I hadn't even thought about plane
 flights yet)

        - Greg






-- 
peace,

frank

dj mix archive:  http://www.deejaycountzero.com


RE: (313) Movement Festival pre-sale - $35 early-bird special

2009-03-19 Thread Holly Macdonald-Korth
Well, then I'm in...

-Original Message-
From: Frank Glazer [mailto:cpe1704...@gmail.com] 
Sent: Thursday, March 19, 2009 9:23 PM
To: Holly Macdonald-Korth
Cc: 313@hyperreal.org
Subject: Re: (313) Movement Festival pre-sale - $35 early-bird special

you get to be teabagged by your superstar dj of choice

On Thu, Mar 19, 2009 at 9:14 PM, Holly Macdonald-Korth
hko...@jwkorth.com wrote:
 Does anyone know what a VIP pass entails? Doesn't say much on want tickets...

 -Original Message-
 From: kent williams [mailto:chaircrus...@gmail.com]
 Sent: Thursday, March 19, 2009 9:05 PM
 To: 313@hyperreal.org
 Subject: Re: (313) Movement Festival pre-sale - $35 early-bird special

 For a 3 day festival of this caliber, you can't argue with the price.

 Though i have a bone to pick with the Shorecrest.  A double room is up
 to $130 a night.

 On Thu, Mar 19, 2009 at 6:49 PM, Greg Earle ea...@isolar.dyndns.org wrote:
 WanTickets has a couple of links up for Festival tickets already.  One is
 for VIP and the other is an early-bird special - a weekend pass for $35.00
 (about £24, UK'ers):

 http://www.wantickets.com/EventDetail.aspx?e_id=54349

 Gotta hurry though - deadline for purchase at that price is 8:45 AM EDT next
 Monday morning, March 23rd!

 (Nothing like being put on the spot - I hadn't even thought about plane
 flights yet)

        - Greg






-- 
peace,

frank

dj mix archive:  http://www.deejaycountzero.com


Re: (313) Movement Pics

2008-05-31 Thread Greg Earle

Michael Kuszynski wrote:

I saw a pretty sane looking guy in his forties standing in the lawn in
front of the Hawtin close out on Sunday, and was curious what the deal
was.  Kind of looked like Ned Flanders but not weird.


I've been known to see the dawn in after late night Richie sets,
and I'll be 50 in 5 months.  gulp

I don't look like Ned Flanders, but when I've buzzed my hair down
super-short I've been known to be called Uncle Fester  ;)

   - Greg




RE: (313) Movement Pics

2008-05-30 Thread Mann, Ravinder
don't know, but its good to see some old fogies down with the dubstep
 : )

Rav


-Original Message-
From: Frank Glazer [mailto:[EMAIL PROTECTED] 
Sent: 29 May 2008 22:10
To: fab.
Cc: 313@hyperreal.org
Subject: Re: (313) Movement Pics


i am going to regret asking this, because i should probably know, but
does anybody know who the fogies are in this pic:

http://www.residentadvisor.net/photo-view.aspx?set=3869i=dsc09817.jpg

they give me hope that maybe i can still do something that people will
pay attention to even though i am relatively old

On Thu, May 29, 2008 at 4:43 PM, fab. [EMAIL PROTECTED] wrote:
 hi there,
 there are several galleries from Movement over at Resident Advisor, as
well
 as from Soul Skate (links on the left):

 http://www.residentadvisor.net/photo-gallery.aspx?set=3868

 enjoy




-- 
peace,

frank

dj mix archive: http://www.deejaycountzero.com


To view the terms under which this email is distributed, please go to 
http://disclaimer.leedsmet.ac.uk/email.htm


Re: (313) Movement Pics

2008-05-30 Thread Detroit Techno Militia
Here are some of the pictures I took this year:
http://www.flickr.com/photos/technochick/

1300 pictures if you're bored.

Enjoy!!

On Thu, May 29, 2008 at 4:43 PM, fab. [EMAIL PROTECTED] wrote:
 hi there,
 there are several galleries from Movement over at Resident Advisor, as well
 as from Soul Skate (links on the left):

 http://www.residentadvisor.net/photo-gallery.aspx?set=3868

 enjoy




-- 
Detroit Techno Militia
http://www.detroittechnomilitia.com


Re: (313) Movement Pics

2008-05-30 Thread Frank Glazer
says a lot about dubstep if you ask me.

On Fri, May 30, 2008 at 3:53 AM, Mann, Ravinder [EMAIL PROTECTED] wrote:
 don't know, but its good to see some old fogies down with the dubstep
  : )

 Rav


 -Original Message-
 From: Frank Glazer [mailto:[EMAIL PROTECTED]
 Sent: 29 May 2008 22:10
 To: fab.
 Cc: 313@hyperreal.org
 Subject: Re: (313) Movement Pics


 i am going to regret asking this, because i should probably know, but
 does anybody know who the fogies are in this pic:

 http://www.residentadvisor.net/photo-view.aspx?set=3869i=dsc09817.jpg

 they give me hope that maybe i can still do something that people will
 pay attention to even though i am relatively old

 On Thu, May 29, 2008 at 4:43 PM, fab. [EMAIL PROTECTED] wrote:
 hi there,
 there are several galleries from Movement over at Resident Advisor, as
 well
 as from Soul Skate (links on the left):

 http://www.residentadvisor.net/photo-gallery.aspx?set=3868

 enjoy




 --
 peace,

 frank

 dj mix archive: http://www.deejaycountzero.com


 To view the terms under which this email is distributed, please go to 
 http://disclaimer.leedsmet.ac.uk/email.htm




-- 
peace,

frank

dj mix archive: http://www.deejaycountzero.com


Re: (313) Movement Pics

2008-05-30 Thread theREALmxyzptlk

Frank Glazer wrote:

says a lot about dubstep if you ask me.

On Fri, May 30, 2008 at 3:53 AM, Mann, Ravinder [EMAIL PROTECTED] wrote:

don't know, but its good to see some old fogies down with the dubstep
 : )

Rav




Interesting - what does dubstep have to do with anything?
Unless they cracked into it when I wasn't listening (entirely possible, 
btw, as I didn't see the entire set)



jeff


Re: (313) Movement Pics

2008-05-30 Thread Matt Kane's Brain
On Fri, May 30, 2008 at 8:30 AM, Frank Glazer [EMAIL PROTECTED] wrote:
 says a lot about dubstep if you ask me.

 On Fri, May 30, 2008 at 3:53 AM, Mann, Ravinder [EMAIL PROTECTED] wrote:
 don't know, but its good to see some old fogies down with the dubstep
  : )

Weren't we just complaining about old fogeys being the only ones into techno? ;)

-- 
matt kane's brain
biweekly techno radio at: http://hydrogenproject.com http://wzbc.org


Re: (313) Movement Pics

2008-05-30 Thread kent williams
1. Maybe he just liked the T-Shirt?
2. there are 2 kinds of fogies -- those that stopped buying new music
once they had a kid and bought a house, and those of us who are
addicted to hearing new music.  We, the latter fogies, manage to stay
hep and groovy.

On Fri, May 30, 2008 at 2:53 AM, Mann, Ravinder [EMAIL PROTECTED] wrote:
 don't know, but its good to see some old fogies down with the dubstep
  : )

 Rav



RE: (313) Movement Pics

2008-05-30 Thread Mann, Ravinder
1. true true

2. groovy old fogies in the house, hollaar !

hollar !





-Original Message-
From: kent williams [mailto:[EMAIL PROTECTED] 
Sent: 30 May 2008 14:03
To: list 313
Subject: Re: (313) Movement Pics


1. Maybe he just liked the T-Shirt?
2. there are 2 kinds of fogies -- those that stopped buying new music
once they had a kid and bought a house, and those of us who are
addicted to hearing new music.  We, the latter fogies, manage to stay
hep and groovy.

On Fri, May 30, 2008 at 2:53 AM, Mann, Ravinder [EMAIL PROTECTED]
wrote:
 don't know, but its good to see some old fogies down with the dubstep
  : )

 Rav



To view the terms under which this email is distributed, please go to 
http://disclaimer.leedsmet.ac.uk/email.htm


RE: (313) Movement Pics

2008-05-30 Thread therealmxyzptlk
52 in September - still buying what I can afford to buy on an ex-GM worker 's 
(now part-time college prof) pension.
Thank God for working wives!!! :-)

 jeff


 -- Original message --
From: Mann, Ravinder [EMAIL PROTECTED]
 1. true true
 
 2. groovy old fogies in the house, hollaar !
 
 hollar !
 
 
 
 
 
 -Original Message-
 From: kent williams [mailto:[EMAIL PROTECTED] 
 Sent: 30 May 2008 14:03
 To: list 313
 Subject: Re: (313) Movement Pics
 
 
 1. Maybe he just liked the T-Shirt?
 2. there are 2 kinds of fogies -- those that stopped buying new music
 once they had a kid and bought a house, and those of us who are
 addicted to hearing new music.  We, the latter fogies, manage to stay
 hep and groovy.
 
 On Fri, May 30, 2008 at 2:53 AM, Mann, Ravinder [EMAIL PROTECTED]
 wrote:
  don't know, but its good to see some old fogies down with the dubstep
   : )
 
  Rav
 
 
 
 To view the terms under which this email is distributed, please go to 
 http://disclaimer.leedsmet.ac.uk/email.htm



Re: (313) Movement Pics

2008-05-30 Thread therealmxyzptlk
I spaced his Skull Disco T and was just thiking about the set they played. My 
bad.

  jeff



 -- Original message --
From: kent williams [EMAIL PROTECTED]
 1. Maybe he just liked the T-Shirt?
 2. there are 2 kinds of fogies -- those that stopped buying new music
 once they had a kid and bought a house, and those of us who are
 addicted to hearing new music.  We, the latter fogies, manage to stay
 hep and groovy.
 
 On Fri, May 30, 2008 at 2:53 AM, Mann, Ravinder [EMAIL PROTECTED] wrote:
  don't know, but its good to see some old fogies down with the dubstep
   : )
 
  Rav
 



RE: (313) Movement Pics

2008-05-30 Thread Mann, Ravinder
easy pops : )

about 10 years behind you.

Likewise I cant afford to buy too much. Last techno I bought was B12 -
Last Days of Silence, good to see the UK coming with releases this
strong.

off topic bit, keeping up with the youngers with
some of the techy dubstep  2562, Pinch
Berlin dubby dubstep Scuba
and d/ling grime mixes

Rav




-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] 
Sent: 30 May 2008 15:13
To: Mann, Ravinder; kent williams; list 313
Subject: RE: (313) Movement Pics


52 in September - still buying what I can afford to buy on an ex-GM
worker 's (now part-time college prof) pension.
Thank God for working wives!!! :-)
 
jeff


 -- Original message --
From: Mann, Ravinder [EMAIL PROTECTED]
 1. true true
 
 2. groovy old fogies in the house, hollaar !
 
 hollar !
 
 
 
 
 
 -Original Message-
 From: kent williams [mailto:[EMAIL PROTECTED] 
 Sent: 30 May 2008 14:03
 To: list 313
 Subject: Re: (313) Movement Pics
 
 
 1. Maybe he just liked the T-Shirt?
 2. there are 2 kinds of fogies -- those that stopped buying new music
 once they had a kid and bought a house, and those of us who are
 addicted to hearing new music.  We, the latter fogies, manage to stay
 hep and groovy.
 
 On Fri, May 30, 2008 at 2:53 AM, Mann, Ravinder
[EMAIL PROTECTED]
 wrote:
  don't know, but its good to see some old fogies down with the
dubstep
   : )
 
  Rav
 
 
 
 To view the terms under which this email is distributed, please go to 
 http://disclaimer.leedsmet.ac.uk/email.htm



To view the terms under which this email is distributed, please go to 
http://disclaimer.leedsmet.ac.uk/email.htm


RE: (313) Movement Pics

2008-05-30 Thread therealmxyzptlk
I'm fine with all you chilluns - just stay the f^%$ of of my lawn, and for 
God's sake, get rid of those troll dolls and pacifiers.

 -- Original message --
From: Mann, Ravinder [EMAIL PROTECTED]
 easy pops : )
 
 about 10 years behind you.
 
 Likewise I cant afford to buy too much. Last techno I bought was B12 -
 Last Days of Silence, good to see the UK coming with releases this
 strong.
 
 off topic bit, keeping up with the youngers with
 some of the techy dubstep  2562, Pinch
 Berlin dubby dubstep Scuba
 and d/ling grime mixes
 
 Rav
 
 
 
 
 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] 
 Sent: 30 May 2008 15:13
 To: Mann, Ravinder; kent williams; list 313
 Subject: RE: (313) Movement Pics
 
 
 52 in September - still buying what I can afford to buy on an ex-GM
 worker 's (now part-time college prof) pension.
 Thank God for working wives!!! :-)
  
 jeff
 
 
  -- Original message --
 From: Mann, Ravinder [EMAIL PROTECTED]
  1. true true
  
  2. groovy old fogies in the house, hollaar !
  
  hollar !
  
  
  
  
  
  -Original Message-
  From: kent williams [mailto:[EMAIL PROTECTED] 
  Sent: 30 May 2008 14:03
  To: list 313
  Subject: Re: (313) Movement Pics
  
  
  1. Maybe he just liked the T-Shirt?
  2. there are 2 kinds of fogies -- those that stopped buying new music
  once they had a kid and bought a house, and those of us who are
  addicted to hearing new music.  We, the latter fogies, manage to stay
  hep and groovy.
  
  On Fri, May 30, 2008 at 2:53 AM, Mann, Ravinder
 [EMAIL PROTECTED]
  wrote:
   don't know, but its good to see some old fogies down with the
 dubstep
: )
  
   Rav
  
  
  
  To view the terms under which this email is distributed, please go to 
  http://disclaimer.leedsmet.ac.uk/email.htm
 
 
 
 To view the terms under which this email is distributed, please go to 
 http://disclaimer.leedsmet.ac.uk/email.htm



Re: (313) Movement Pics

2008-05-30 Thread Michael Kuszynski
i say a pretty sane looking guy in his forties standing in the lawn in
front of the hawtin close out on sunday, and was curious what the deal
was. kind of looked like ned flanders but not weird.

On 5/30/08, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote:
 I'm fine with all you chilluns - just stay the f^%$ of of my lawn, and for
 God's sake, get rid of those troll dolls and pacifiers.

  -- Original message --
 From: Mann, Ravinder [EMAIL PROTECTED]
 easy pops : )

 about 10 years behind you.

 Likewise I cant afford to buy too much. Last techno I bought was B12 -
 Last Days of Silence, good to see the UK coming with releases this
 strong.

 off topic bit, keeping up with the youngers with
 some of the techy dubstep  2562, Pinch
 Berlin dubby dubstep Scuba
 and d/ling grime mixes

 Rav




 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
 Sent: 30 May 2008 15:13
 To: Mann, Ravinder; kent williams; list 313
 Subject: RE: (313) Movement Pics


 52 in September - still buying what I can afford to buy on an ex-GM
 worker 's (now part-time college prof) pension.
 Thank God for working wives!!! :-)

 jeff


  -- Original message --
 From: Mann, Ravinder [EMAIL PROTECTED]
  1. true true
 
  2. groovy old fogies in the house, hollaar !
 
  hollar !
 
 
 
 
 
  -Original Message-
  From: kent williams [mailto:[EMAIL PROTECTED]
  Sent: 30 May 2008 14:03
  To: list 313
  Subject: Re: (313) Movement Pics
 
 
  1. Maybe he just liked the T-Shirt?
  2. there are 2 kinds of fogies -- those that stopped buying new music
  once they had a kid and bought a house, and those of us who are
  addicted to hearing new music.  We, the latter fogies, manage to stay
  hep and groovy.
 
  On Fri, May 30, 2008 at 2:53 AM, Mann, Ravinder
 [EMAIL PROTECTED]
  wrote:
   don't know, but its good to see some old fogies down with the
 dubstep
: )
  
   Rav
  
 
 
  To view the terms under which this email is distributed, please go to
  http://disclaimer.leedsmet.ac.uk/email.htm



 To view the terms under which this email is distributed, please go to
 http://disclaimer.leedsmet.ac.uk/email.htm




-- 
---
Michael Kuszynski
[EMAIL PROTECTED]
[EMAIL PROTECTED]
http://www.planerecordings.com
New York, NY


Re: (313) Movement Pics

2008-05-30 Thread theREALmxyzptlk

Michael Kuszynski wrote:

i say a pretty sane looking guy in his forties standing in the lawn in
front of the hawtin close out on sunday, and was curious what the deal
was. kind of looked like ned flanders but not weird.


'twarn't me. I'm in my fifties and I can still kick Ned's can.
Nothing against Richie, but with C2 a few feet down the way, the Hawtin 
tent is not the lawn I'd be guarding.


jeff


Re: (313) Movement Pics

2008-05-30 Thread Frank Glazer
what do you mean you wondered what the deal was???

On Fri, May 30, 2008 at 11:42 AM, Michael Kuszynski [EMAIL PROTECTED] wrote:
 i say a pretty sane looking guy in his forties standing in the lawn in
 front of the hawtin close out on sunday, and was curious what the deal
 was. kind of looked like ned flanders but not weird.

 On 5/30/08, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote:
 I'm fine with all you chilluns - just stay the f^%$ of of my lawn, and for
 God's sake, get rid of those troll dolls and pacifiers.

  -- Original message --
 From: Mann, Ravinder [EMAIL PROTECTED]
 easy pops : )

 about 10 years behind you.

 Likewise I cant afford to buy too much. Last techno I bought was B12 -
 Last Days of Silence, good to see the UK coming with releases this
 strong.

 off topic bit, keeping up with the youngers with
 some of the techy dubstep  2562, Pinch
 Berlin dubby dubstep Scuba
 and d/ling grime mixes

 Rav




 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
 Sent: 30 May 2008 15:13
 To: Mann, Ravinder; kent williams; list 313
 Subject: RE: (313) Movement Pics


 52 in September - still buying what I can afford to buy on an ex-GM
 worker 's (now part-time college prof) pension.
 Thank God for working wives!!! :-)

 jeff


  -- Original message --
 From: Mann, Ravinder [EMAIL PROTECTED]
  1. true true
 
  2. groovy old fogies in the house, hollaar !
 
  hollar !
 
 
 
 
 
  -Original Message-
  From: kent williams [mailto:[EMAIL PROTECTED]
  Sent: 30 May 2008 14:03
  To: list 313
  Subject: Re: (313) Movement Pics
 
 
  1. Maybe he just liked the T-Shirt?
  2. there are 2 kinds of fogies -- those that stopped buying new music
  once they had a kid and bought a house, and those of us who are
  addicted to hearing new music.  We, the latter fogies, manage to stay
  hep and groovy.
 
  On Fri, May 30, 2008 at 2:53 AM, Mann, Ravinder
 [EMAIL PROTECTED]
  wrote:
   don't know, but its good to see some old fogies down with the
 dubstep
: )
  
   Rav
  
 
 
  To view the terms under which this email is distributed, please go to
  http://disclaimer.leedsmet.ac.uk/email.htm



 To view the terms under which this email is distributed, please go to
 http://disclaimer.leedsmet.ac.uk/email.htm




 --
 ---
 Michael Kuszynski
 [EMAIL PROTECTED]
 [EMAIL PROTECTED]
 http://www.planerecordings.com
 New York, NY




-- 
peace,

frank

dj mix archive: http://www.deejaycountzero.com


Re: (313) Movement Pics

2008-05-30 Thread Matt Kane's Brain
On Fri, May 30, 2008 at 2:49 PM, Frank Glazer [EMAIL PROTECTED] wrote:
 what do you mean you wondered what the deal was???

Bouncers don't let in non-beautiful people without some interesting reason.

-- 
matt kane's brain
biweekly techno radio at: http://hydrogenproject.com http://wzbc.org


Re: (313) Movement Pics

2008-05-30 Thread Richard Hester
Nice pics- gives my nasty old corpuscles a charge. I may be old, but I 
ain't dead...


Jeffrey Richards wrote:

Take that 313...Mr Siko isn't the only one who can
find that Paxahau dancers!

http://www.residentadvisor.net/photo-view.aspx?set=3868i=014.jpg

and once again, no one is arguing with the fishnets.

Jeff
--- fab. [EMAIL PROTECTED] wrote:



hi there,
there are several galleries from Movement over at
Resident Advisor, as well 
as from Soul Skate (links on the left):





http://www.residentadvisor.net/photo-gallery.aspx?set=3868

enjoy 








  





Re: (313) Movement Pics

2008-05-30 Thread theREALmxyzptlk

Matt Kane's Brain wrote:

On Fri, May 30, 2008 at 2:49 PM, Frank Glazer [EMAIL PROTECTED] wrote:

what do you mean you wondered what the deal was???


Bouncers don't let in non-beautiful people without some interesting reason.



Those bouncers (and prettier people) all have dads and grandads - or 
did, at some point. And a lawn can be anywhere a disoriented, post-fifty 
techno fan decides it to be.


jeff



Re: (313) Movement has competition...

2008-05-29 Thread Jeffrey Richards
Yes...

I thought everyone had heard of Delta 9 and Danny tha
Wildchild.  I read over almost all of the
names...probably only 5 or 6 that I recognized.  Most
of these guys are the locals in each city represented.
 Mark Anthony was a pretty good disco house DJ in the
late 90s...But I am going to assume that most of this
is [EMAIL PROTECTED]  

This is one of them things where each DJ gets an hour,
with the exception of the headlines who probably get
2.  I see no signs of Paul Johnson, DJ Slip, DJ Funk,
Mark Almaria, or Terry Mullan, who used to be all over
Chicago's rave fliers along side Delta 9 and DtWC.
This appears to be typical behavior of the mid to late
90s rave fliers, with out all the talent and big
names.

With 19 stages and 3 days of work, I have a feeling
that there is going to be a huge let down and a
massive sucking sound.  A lot of production companies
are going to lose $$.

Jeff 
--- Klaas-Jan Jongsma [EMAIL PROTECTED] wrote:

 Should i worry if i really never have heard of any
 of the DJ' s on  
 there?
 
 kj
 
 On 28 mei 2008, at 21:26, Carlos De Brito wrote:
 
  wow! that is so 1994.
 
   Original-Nachricht 
  Datum: Wed, 28 May 2008 15:11:35 -0400
  Von: Frank Glazer [EMAIL PROTECTED]
  An: [EMAIL PROTECTED]
  CC: list 313 313@hyperreal.org
  Betreff: Re: (313) Movement has competition...
 
  oops.  meant to say more than that.
 
  ROFLMAO this is good to see.  it reminds us that
 as awful as the demf
  lineup was this year (moby, cool kids, other
 nonsense) it could be
  infinitely worse.
 
  2008/5/28 Frank Glazer [EMAIL PROTECTED]:
  ROFLMAO
 
  2008/5/28  [EMAIL PROTECTED]:
 
 http://www.raymondbaer.com/memf2008/memf2008dj.jpg
 
  m
 
 
 
 
 
  --
  peace,
 
  frank
 
  dj mix archive: http://www.deejaycountzero.com
 
 
 
 
  -- 
  peace,
 
  frank
 
  dj mix archive: http://www.deejaycountzero.com
 
  -- 
  Der GMX SmartSurfer hilft bis zu 70% Ihrer
 Onlinekosten zu sparen!
  Ideal für Modem und ISDN:
 http://www.gmx.net/de/go/smartsurfer
 
 



  


RE: (313) Movement has competition...

2008-05-29 Thread Jeffrey Richards
u...aren't they Atomic Babies in real life?


--- [EMAIL PROTECTED]
[EMAIL PROTECTED] wrote:

 Absolutely.  Personally I'm particularly looking
 forward to The Germ Vs.
 Vial, I hear they're the bomb.
 
  From: Klaas-Jan Jongsma [mailto:[EMAIL PROTECTED]
  Sent: 28 May 2008 20:35
  
  Should i worry if i really never have heard of any
 of the DJ' s on
  there?
 
 
 



  


RE: (313) Movement has competition...

2008-05-29 Thread [EMAIL PROTECTED]
Alas, I haven't heard of them either!  Of the all the many artists on the
memf and the other Xemf link (deleted all the mails so I can't remember what
that was) I had heard of exactly one on each (and I did look properly as a
sort of game).  Then, when I read the description on memf, I realised that
their Karizma was not the same one I was thinking of!
Of course it obvious that the line ups were local or US national rave DJs
and I wouldn't have heard of them.  But I'm surprised that you were able to
give a decent analysis of the line ups, I'm now so far into my own bunker on
these things it just looked like a nightmare to me.  Don't take that the
wrong way, nothing wrong with knowing a bit more about what other people are
actually interested in (even if it's not your thing) rather than just being
horrified like me! 


 From: Jeffrey Richards [mailto:[EMAIL PROTECTED]
 Sent: 29 May 2008 07:14
 
 u...aren't they Atomic Babies in real life?



RE: (313) Movement has competition...

2008-05-29 Thread Odeluga, Ken
Or, alternative interpretation: many of us are simply getting old and this *is* 
the new consensus for what's considered progressive in dance music in 2008. The 
fact that we don't like it merely reinforces the notion that we are behaving 
like every other generation of older people who think that it was 'never this 
bad' in their day ... 

[I could be wrong and I hope I am].

I do take heart that even the design of the flyers is so low-brow, it's not 
even ironic!


-Original Message-
From: Frank Glazer [mailto:[EMAIL PROTECTED] 
Sent: Wednesday, May 28, 2008 8:34 PM
To: Carlos De Brito
Cc: [EMAIL PROTECTED]; 313@hyperreal.org
Subject: Re: (313) Movement has competition...


but see, that's the thing.  it's so NOT 1994 at all.  it's so very 2008 rave 
kiddies.  it's this bizarre phenomenon that seems to be happening in the youth 
culture in the US that the death throes of the rave scene circa 2000 are being 
replayed over and over again with complete disregard for the contemporary adult 
electronic music industry.  the music focuses primarily on hard house and 
hardcore. what's even stranger is that trance (ala tiesto and his ilk) doesn't 
even seem to be that popular amongst these rave kiddies.

i'd love to really delve into some research, but i think my brain would explode 
from the dumb.

On Wed, May 28, 2008 at 3:26 PM, Carlos De Brito [EMAIL PROTECTED] wrote:
 wow! that is so 1994.

  Original-Nachricht 
 Datum: Wed, 28 May 2008 15:11:35 -0400
 Von: Frank Glazer [EMAIL PROTECTED]
 An: [EMAIL PROTECTED]
 CC: list 313 313@hyperreal.org
 Betreff: Re: (313) Movement has competition...

 oops.  meant to say more than that.

 ROFLMAO this is good to see.  it reminds us that as awful as the demf 
 lineup was this year (moby, cool kids, other nonsense) it could be 
 infinitely worse.

 2008/5/28 Frank Glazer [EMAIL PROTECTED]:
  ROFLMAO
 
  2008/5/28  [EMAIL PROTECTED]:
  http://www.raymondbaer.com/memf2008/memf2008dj.jpg
 
  m
 
 
 
 
 
  --
  peace,
 
  frank
 
  dj mix archive: http://www.deejaycountzero.com
 



 --
 peace,

 frank

 dj mix archive: http://www.deejaycountzero.com

 --
 Der GMX SmartSurfer hilft bis zu 70% Ihrer Onlinekosten zu sparen! 
 Ideal für Modem und ISDN: http://www.gmx.net/de/go/smartsurfer




-- 
peace,

frank

dj mix archive: http://www.deejaycountzero.com


Re: (313) Movement has competition...

2008-05-29 Thread Thor Teague
No in fact I think you're hitting the nail on the head.

I heard once, entertainment for the current generation is often a
threat to the previous generation.

I wonder how young the youngest list member is. Particularly from
Detroit. I'd be floored if there were any teenagers on 313. Maybe,
though.

On Thu, May 29, 2008 at 9:25 AM, Odeluga, Ken [EMAIL PROTECTED] wrote:
 Or, alternative interpretation: many of us are simply getting old and this 
 *is* the new consensus for what's considered progressive in dance music in 
 2008. The fact that we don't like it merely reinforces the notion that we are 
 behaving like every other generation of older people who think that it was 
 'never this bad' in their day ...

 [I could be wrong and I hope I am].

 I do take heart that even the design of the flyers is so low-brow, it's not 
 even ironic!


Re: (313) Movement has competition...

2008-05-29 Thread Michael Kuszynski
i am 25 and i imagine i may be towards the younger set, though not by too much.

On 5/29/08, Thor Teague [EMAIL PROTECTED] wrote:
 No in fact I think you're hitting the nail on the head.

 I heard once, entertainment for the current generation is often a
 threat to the previous generation.

 I wonder how young the youngest list member is. Particularly from
 Detroit. I'd be floored if there were any teenagers on 313. Maybe,
 though.

 On Thu, May 29, 2008 at 9:25 AM, Odeluga, Ken [EMAIL PROTECTED]
 wrote:
 Or, alternative interpretation: many of us are simply getting old and this
 *is* the new consensus for what's considered progressive in dance music in
 2008. The fact that we don't like it merely reinforces the notion that we
 are behaving like every other generation of older people who think that it
 was 'never this bad' in their day ...

 [I could be wrong and I hope I am].

 I do take heart that even the design of the flyers is so low-brow, it's
 not even ironic!



-- 
---
Michael Kuszynski
[EMAIL PROTECTED]
[EMAIL PROTECTED]
http://www.planerecordings.com
New York, NY


Re: (313) Movement has competition...

2008-05-29 Thread robin


Lat time I asked this Tom Cox was the youngest. My challenge was that  
we were all over 25. I think I may have been right.


:)

robin...

On 29 May 2008, at 15:50, Thor Teague wrote:


No in fact I think you're hitting the nail on the head.

I heard once, entertainment for the current generation is often a
threat to the previous generation.

I wonder how young the youngest list member is. Particularly from
Detroit. I'd be floored if there were any teenagers on 313. Maybe,
though.


Re: (313) Movement has competition...

2008-05-29 Thread Matt Kane's Brain
On Thu, May 29, 2008 at 12:22 PM, robin [EMAIL PROTECTED] wrote:
 Lat time I asked this Tom Cox was the youngest. My challenge was that we
 were all over 25. I think I may have been right.

Youth is at a higher premium then ever. Corporations are lusting after
brand loyalty as early as birth. 25-year-old consumers are already
past their prime. We need to get middle school kids hooked into the
'subculture' advertising model and divided into the appropriate camps
(preferably by 6th grade) in order to sustain our revenue feeding
frenzy.

-- 
matt kane's brain
biweekly techno radio at: http://hydrogenproject.com http://wzbc.org


Re: (313) Movement has competition...

2008-05-29 Thread Chris Czub
I'm 20 but I just lurk

On Thu, May 29, 2008 at 12:22 PM, robin [EMAIL PROTECTED] wrote:

 Lat time I asked this Tom Cox was the youngest. My challenge was that we
 were all over 25. I think I may have been right.

 :)

 robin...

 On 29 May 2008, at 15:50, Thor Teague wrote:

 No in fact I think you're hitting the nail on the head.

 I heard once, entertainment for the current generation is often a
 threat to the previous generation.

 I wonder how young the youngest list member is. Particularly from
 Detroit. I'd be floored if there were any teenagers on 313. Maybe,
 though.



Re: (313) Movement has competition...

2008-05-29 Thread theREALmxyzptlk

robin wrote:


Lat time I asked this Tom Cox was the youngest. My challenge was that we 
were all over 25. I think I may have been right.



How about the 'over 50s'?

j


RE: (313) Movement Pics

2008-05-29 Thread Lee Herrington
Hah hah  TP on the telephone pic.  I remember seeing him in Cleveland,
OH. several years ago.  That telephone handset monitoring get-up blew me
away.

Cheers,

lrh

-Original Message-
From: fab. [mailto:[EMAIL PROTECTED] 
Sent: Thursday, May 29, 2008 4:44 PM
To: 313@hyperreal.org
Subject: (313) Movement Pics

hi there,
there are several galleries from Movement over at Resident Advisor, as well 
as from Soul Skate (links on the left):

http://www.residentadvisor.net/photo-gallery.aspx?set=3868

enjoy 



Re: (313) Movement Pics

2008-05-29 Thread Frank Glazer
i am going to regret asking this, because i should probably know, but
does anybody know who the fogies are in this pic:

http://www.residentadvisor.net/photo-view.aspx?set=3869i=dsc09817.jpg

they give me hope that maybe i can still do something that people will
pay attention to even though i am relatively old

On Thu, May 29, 2008 at 4:43 PM, fab. [EMAIL PROTECTED] wrote:
 hi there,
 there are several galleries from Movement over at Resident Advisor, as well
 as from Soul Skate (links on the left):

 http://www.residentadvisor.net/photo-gallery.aspx?set=3868

 enjoy




-- 
peace,

frank

dj mix archive: http://www.deejaycountzero.com


Re: (313) Movement Pics

2008-05-29 Thread kent williams
I had 'the phone conversation' with TP a few years ago:

1. They don't break.  A friend of his has made him a couple, and they
last for years.  Contrast and compare with DJ headphones.
2. When he mixes he's listening for high frequencies -- high hats etc
so the lack of low end is no problem.  In fact if you listen to what
he's hearing through him, it's not very musical but it cuts through
the onstage sonic hash and gives you a good idea of where the beat is.
3. It's a kind of trademark now, but it grew out of practicality.
4. He has loads of stories about people thinking he's talking on the
phone when he's supposed to be dj'ing.

On Thu, May 29, 2008 at 4:00 PM, Lee Herrington
[EMAIL PROTECTED] wrote:
 Hah hah  TP on the telephone pic.  I remember seeing him in Cleveland,
 OH. several years ago.  That telephone handset monitoring get-up blew me
 away.

 Cheers,

 lrh



Re: (313) Movement Pics

2008-05-29 Thread Thomas Ainslie
That looks like Chris McNamara (of Thinkbox?) on the left.  He was my
animation professor in college.  Awesome guy.
http://www.thinkbox.ca/

On Thu, May 29, 2008 at 5:09 PM, Frank Glazer [EMAIL PROTECTED] wrote:
 i am going to regret asking this, because i should probably know, but
 does anybody know who the fogies are in this pic:

 http://www.residentadvisor.net/photo-view.aspx?set=3869i=dsc09817.jpg

 they give me hope that maybe i can still do something that people will
 pay attention to even though i am relatively old

 On Thu, May 29, 2008 at 4:43 PM, fab. [EMAIL PROTECTED] wrote:
 hi there,
 there are several galleries from Movement over at Resident Advisor, as well
 as from Soul Skate (links on the left):

 http://www.residentadvisor.net/photo-gallery.aspx?set=3868

 enjoy




 --
 peace,

 frank

 dj mix archive: http://www.deejaycountzero.com



Re: (313) Movement Pics

2008-05-29 Thread UI Design
The guy on the right is named Walter Wasacz.  He's a DJ and also a
music reviewer for one of the newspapers, I think Real Detroit.

Not sure who the guy on the left is..

And if you pay attention to the ages of most of the very famous DJs,
they're all in their 40s-60s.



On Thu, May 29, 2008 at 5:09 PM, Frank Glazer [EMAIL PROTECTED] wrote:
 i am going to regret asking this, because i should probably know, but
 does anybody know who the fogies are in this pic:

 http://www.residentadvisor.net/photo-view.aspx?set=3869i=dsc09817.jpg

 they give me hope that maybe i can still do something that people will
 pay attention to even though i am relatively old

 On Thu, May 29, 2008 at 4:43 PM, fab. [EMAIL PROTECTED] wrote:
 hi there,
 there are several galleries from Movement over at Resident Advisor, as well
 as from Soul Skate (links on the left):

 http://www.residentadvisor.net/photo-gallery.aspx?set=3868

 enjoy




 --
 peace,

 frank

 dj mix archive: http://www.deejaycountzero.com



Re: (313) Movement Pics

2008-05-29 Thread theREALmxyzptlk
Yup - he is 1/3 of Nospectacle ( http://nospectacle.com/ ), 2/3 of which 
appear in the pic from Resident Advisor.




Thomas Ainslie wrote:

That looks like Chris McNamara (of Thinkbox?) on the left.  He was my
animation professor in college.  Awesome guy.
http://www.thinkbox.ca/

On Thu, May 29, 2008 at 5:09 PM, Frank Glazer [EMAIL PROTECTED] wrote:

i am going to regret asking this, because i should probably know, but
does anybody know who the fogies are in this pic:

http://www.residentadvisor.net/photo-view.aspx?set=3869i=dsc09817.jpg


Re: (313) Movement Pics

2008-05-29 Thread Bill VanLoo
Yes, that's Chris McNamara of Thinkbox on the left. He played as part
of nospectacle on Saturday.

Bill

On Thu, May 29, 2008 at 5:31 PM, Thomas Ainslie [EMAIL PROTECTED] wrote:
 That looks like Chris McNamara (of Thinkbox?) on the left.  He was my
 animation professor in college.  Awesome guy.
 http://www.thinkbox.ca/

 On Thu, May 29, 2008 at 5:09 PM, Frank Glazer [EMAIL PROTECTED] wrote:
 i am going to regret asking this, because i should probably know, but
 does anybody know who the fogies are in this pic:

 http://www.residentadvisor.net/photo-view.aspx?set=3869i=dsc09817.jpg



-- 
http://www.billvanloo.com || http://www.chromedecay.org


Re: (313) Movement has competition...

2008-05-29 Thread Richard Hester
Sure, I'll be 55 in a few months. I got Techno for a 40th birthday 
present...


theREALmxyzptlk wrote:

robin wrote:



Lat time I asked this Tom Cox was the youngest. My challenge was that 
we were all over 25. I think I may have been right.




How about the 'over 50s'?

j





Re: (313) Movement Pics

2008-05-29 Thread Jeffrey Richards
Take that 313...Mr Siko isn't the only one who can
find that Paxahau dancers!

http://www.residentadvisor.net/photo-view.aspx?set=3868i=014.jpg

and once again, no one is arguing with the fishnets.

Jeff
--- fab. [EMAIL PROTECTED] wrote:

 hi there,
 there are several galleries from Movement over at
 Resident Advisor, as well 
 as from Soul Skate (links on the left):
 

http://www.residentadvisor.net/photo-gallery.aspx?set=3868
 
 enjoy 
 
 



  


Re: (313) movement stage sound system reviews

2008-05-28 Thread Fred Heutte
The main stage was basically the small version of the Grateful Dead
concert rig, which Meyer Sound and the Dead co-evolved through about
25 years of hard work.  It is exceptionally efficient and clean and with
proper EQing -- someone take a bow -- it works for electronic as well
as acoustic/amplified music.  The main problem was that when it was
pushed too hard the bass got all mushy and drowned out the midrange
in the bowl, which was a function of too much SPL and not any kind of
distortion; believe me, at no time was that system really working all
that hard.

But at moments -- Dan Bell's live work with the crisp sound of the analog
gear and the middle of Mark Farina's set are the two that come to mind --
it was really about as good as you can get with open air concert sound.

They tried hard, really hard, in the Underground stage, with an unusual
arrangement of stacks flanking the stage and a curved bank of stacks
along the walls.  There was certainly enough power to overcome the
un-overcomeable deficiencies of a concrete box, but then the rest is
left up to the DJ, and only Punisher, who really knows how to work
that room with her sparse but potent beats, got the idea right.  Although
when TP dropped Plastic Dreams to good effect I knew he knew as
well, but his kind of melodic house doesn't work sonically in that
situation.  The rest I heard in there was from forgettable to atrocious,
the less said the better.

The waterfront stage was a modification of last year's with the high end
now floating in air and some super-modern compact bass bins that
really sounded great especially with the Newcleus and BMG.

Didn't spend hardly any time in the tents, but there was serious gear
there too.  Paxahau certainly spares no effort on staging, sound and
lighting, so good on them for that.

fh

-
what did you all think of the stages. i thought, unfortunately, the
real detroit underground stage had weak sound, and the main stage had
great broad range. the hawtin tent was really crisp and rich, but i
actually thought the stuff coming out of the pioneer pacha stage might
have been great too, though i did not venture into it to listen to
performances.

--
---
Michael Kuszynski
[EMAIL PROTECTED]
[EMAIL PROTECTED]
http://www.planerecordings.com
New York, NY




Re: (313) Movement has competition...

2008-05-28 Thread Frank Glazer
ROFLMAO

2008/5/28  [EMAIL PROTECTED]:
 http://www.raymondbaer.com/memf2008/memf2008dj.jpg

 m





-- 
peace,

frank

dj mix archive: http://www.deejaycountzero.com


Re: (313) Movement has competition...

2008-05-28 Thread Frank Glazer
oops.  meant to say more than that.

ROFLMAO this is good to see.  it reminds us that as awful as the demf
lineup was this year (moby, cool kids, other nonsense) it could be
infinitely worse.

2008/5/28 Frank Glazer [EMAIL PROTECTED]:
 ROFLMAO

 2008/5/28  [EMAIL PROTECTED]:
 http://www.raymondbaer.com/memf2008/memf2008dj.jpg

 m





 --
 peace,

 frank

 dj mix archive: http://www.deejaycountzero.com




-- 
peace,

frank

dj mix archive: http://www.deejaycountzero.com


Re: (313) Movement has competition...

2008-05-28 Thread Carlos De Brito
wow! that is so 1994.

 Original-Nachricht 
 Datum: Wed, 28 May 2008 15:11:35 -0400
 Von: Frank Glazer [EMAIL PROTECTED]
 An: [EMAIL PROTECTED]
 CC: list 313 313@hyperreal.org
 Betreff: Re: (313) Movement has competition...

 oops.  meant to say more than that.
 
 ROFLMAO this is good to see.  it reminds us that as awful as the demf
 lineup was this year (moby, cool kids, other nonsense) it could be
 infinitely worse.
 
 2008/5/28 Frank Glazer [EMAIL PROTECTED]:
  ROFLMAO
 
  2008/5/28  [EMAIL PROTECTED]:
  http://www.raymondbaer.com/memf2008/memf2008dj.jpg
 
  m
 
 
 
 
 
  --
  peace,
 
  frank
 
  dj mix archive: http://www.deejaycountzero.com
 
 
 
 
 -- 
 peace,
 
 frank
 
 dj mix archive: http://www.deejaycountzero.com

-- 
Der GMX SmartSurfer hilft bis zu 70% Ihrer Onlinekosten zu sparen! 
Ideal für Modem und ISDN: http://www.gmx.net/de/go/smartsurfer


Re: (313) Movement has competition...

2008-05-28 Thread Frank Glazer
but see, that's the thing.  it's so NOT 1994 at all.  it's so very
2008 rave kiddies.  it's this bizarre phenomenon that seems to be
happening in the youth culture in the US that the death throes of the
rave scene circa 2000 are being replayed over and over again with
complete disregard for the contemporary adult electronic music
industry.  the music focuses primarily on hard house and hardcore.
what's even stranger is that trance (ala tiesto and his ilk) doesn't
even seem to be that popular amongst these rave kiddies.

i'd love to really delve into some research, but i think my brain
would explode from the dumb.

On Wed, May 28, 2008 at 3:26 PM, Carlos De Brito [EMAIL PROTECTED] wrote:
 wow! that is so 1994.

  Original-Nachricht 
 Datum: Wed, 28 May 2008 15:11:35 -0400
 Von: Frank Glazer [EMAIL PROTECTED]
 An: [EMAIL PROTECTED]
 CC: list 313 313@hyperreal.org
 Betreff: Re: (313) Movement has competition...

 oops.  meant to say more than that.

 ROFLMAO this is good to see.  it reminds us that as awful as the demf
 lineup was this year (moby, cool kids, other nonsense) it could be
 infinitely worse.

 2008/5/28 Frank Glazer [EMAIL PROTECTED]:
  ROFLMAO
 
  2008/5/28  [EMAIL PROTECTED]:
  http://www.raymondbaer.com/memf2008/memf2008dj.jpg
 
  m
 
 
 
 
 
  --
  peace,
 
  frank
 
  dj mix archive: http://www.deejaycountzero.com
 



 --
 peace,

 frank

 dj mix archive: http://www.deejaycountzero.com

 --
 Der GMX SmartSurfer hilft bis zu 70% Ihrer Onlinekosten zu sparen!
 Ideal für Modem und ISDN: http://www.gmx.net/de/go/smartsurfer




-- 
peace,

frank

dj mix archive: http://www.deejaycountzero.com


Re: (313) Movement has competition...

2008-05-28 Thread Klaas-Jan Jongsma
Should i worry if i really never have heard of any of the DJ' s on  
there?


kj

On 28 mei 2008, at 21:26, Carlos De Brito wrote:


wow! that is so 1994.

 Original-Nachricht 

Datum: Wed, 28 May 2008 15:11:35 -0400
Von: Frank Glazer [EMAIL PROTECTED]
An: [EMAIL PROTECTED]
CC: list 313 313@hyperreal.org
Betreff: Re: (313) Movement has competition...



oops.  meant to say more than that.

ROFLMAO this is good to see.  it reminds us that as awful as the demf
lineup was this year (moby, cool kids, other nonsense) it could be
infinitely worse.

2008/5/28 Frank Glazer [EMAIL PROTECTED]:

ROFLMAO

2008/5/28  [EMAIL PROTECTED]:

http://www.raymondbaer.com/memf2008/memf2008dj.jpg

m






--
peace,

frank

dj mix archive: http://www.deejaycountzero.com





--
peace,

frank

dj mix archive: http://www.deejaycountzero.com


--
Der GMX SmartSurfer hilft bis zu 70% Ihrer Onlinekosten zu sparen!
Ideal für Modem und ISDN: http://www.gmx.net/de/go/smartsurfer




Re: (313) Movement has competition...

2008-05-28 Thread Matt Kane's Brain
On Wed, May 28, 2008 at 3:33 PM, Frank Glazer [EMAIL PROTECTED] wrote:
 it's this bizarre phenomenon that seems to be
 happening in the youth culture in the US that the death throes of the
 rave scene circa 2000 are being replayed over and over again with
 complete disregard for the contemporary adult electronic music
 industry.  the music focuses primarily on hard house and hardcore.

What universe are you from where this kind of this actually went away
for a while?

DOWN WITH THIS SORT OF THING

-- 
matt kane's brain
biweekly techno radio at: http://hydrogenproject.com http://wzbc.org


Re: (313) Movement has competition...

2008-05-28 Thread Matt Kane's Brain
On Wed, May 28, 2008 at 3:34 PM, Klaas-Jan Jongsma [EMAIL PROTECTED] wrote:
 Should i worry if i really never have heard of any of the DJ' s on there?

No.

-- 
matt kane's brain
biweekly techno radio at: http://hydrogenproject.com http://wzbc.org


Re: (313) Movement has competition...

2008-05-28 Thread Kelly B. Delaney
On Wed, May 28, 2008 at 3:36 PM, Matt Kane's Brain
[EMAIL PROTECTED] wrote:

 What universe are you from where this kind of this actually went away
 for a while?

Pittsburgh. Sh*t's weird here.


-- 
http://www.mamapop.com
http://kdiddy.org


Re: (313) Movement has competition...

2008-05-28 Thread Frank Glazer
i didn't say it went away???

but kelly is right, to an extent, in pittsburgh big raves like that
are pretty much over and have only seen a slight resurgence due to one
particular acid-casualty promoter who markets to the little rave
kiddies.

On Wed, May 28, 2008 at 3:36 PM, Matt Kane's Brain
[EMAIL PROTECTED] wrote:
 On Wed, May 28, 2008 at 3:33 PM, Frank Glazer [EMAIL PROTECTED] wrote:
 it's this bizarre phenomenon that seems to be
 happening in the youth culture in the US that the death throes of the
 rave scene circa 2000 are being replayed over and over again with
 complete disregard for the contemporary adult electronic music
 industry.  the music focuses primarily on hard house and hardcore.

 What universe are you from where this kind of this actually went away
 for a while?

 DOWN WITH THIS SORT OF THING

 --
 matt kane's brain
 biweekly techno radio at: http://hydrogenproject.com http://wzbc.org




-- 
peace,

frank

dj mix archive: http://www.deejaycountzero.com


Re: (313) Movement has competition...

2008-05-28 Thread Matt Kane's Brain
On Wed, May 28, 2008 at 3:45 PM, Frank Glazer [EMAIL PROTECTED] wrote:
 i didn't say it went away???

Well, you said resurgence, whereas in New England there's been a
steady stream. (without the 25 stages though)

-- 
matt kane's brain
biweekly techno radio at: http://hydrogenproject.com http://wzbc.org


Re: (313) Movement has competition...

2008-05-28 Thread theREALmxyzptlk

Matt Kane's Brain wrote:

On Wed, May 28, 2008 at 3:33 PM, Frank Glazer [EMAIL PROTECTED] wrote:

it's this bizarre phenomenon that seems to be
happening in the youth culture in the US that the death throes of the
rave scene circa 2000 are being replayed over and over again with
complete disregard for the contemporary adult electronic music
industry.  the music focuses primarily on hard house and hardcore.


What universe are you from where this kind of this actually went away
for a while?


Really.

They were handing out flyers for this one years ago at DEMF. Not *quite* 
as obscure as MEMF, but W(E)TF? http://wemf.com/


jeff




Re: (313) Movement has competition...

2008-05-28 Thread Frank Glazer
i didn't even say resurgence in the original post.   i said replayed
over and over.  go read my OP again.  i only said resurgence
specifically with regard to pittsburgh.

On Wed, May 28, 2008 at 3:46 PM, Matt Kane's Brain
[EMAIL PROTECTED] wrote:
 On Wed, May 28, 2008 at 3:45 PM, Frank Glazer [EMAIL PROTECTED] wrote:
 i didn't say it went away???

 Well, you said resurgence, whereas in New England there's been a
 steady stream. (without the 25 stages though)

 --
 matt kane's brain
 biweekly techno radio at: http://hydrogenproject.com http://wzbc.org




-- 
peace,

frank

dj mix archive: http://www.deejaycountzero.com


Re: (313) Movement has competition...

2008-05-28 Thread Frank Glazer
yeah, but my point was that it never really died all the way, it just
mutated (in one respect) into this bizarre youth culture that seems
like a hilarious and horrible caricature of US (candy) rave in the
late 90s

On Wed, May 28, 2008 at 3:49 PM, Matt Kane's Brain
[EMAIL PROTECTED] wrote:
 Oops, it was 'death throes' that tipped me off.

 On Wed, May 28, 2008 at 3:48 PM, Frank Glazer [EMAIL PROTECTED] wrote:
 i didn't even say resurgence in the original post.   i said replayed
 over and over.  go read my OP again.  i only said resurgence
 specifically with regard to pittsburgh.

 On Wed, May 28, 2008 at 3:46 PM, Matt Kane's Brain
 [EMAIL PROTECTED] wrote:
 On Wed, May 28, 2008 at 3:45 PM, Frank Glazer [EMAIL PROTECTED] wrote:
 i didn't say it went away???

 Well, you said resurgence, whereas in New England there's been a
 steady stream. (without the 25 stages though)

 --
 matt kane's brain
 biweekly techno radio at: http://hydrogenproject.com http://wzbc.org




 --
 peace,

 frank

 dj mix archive: http://www.deejaycountzero.com




 --
 matt kane's brain
 biweekly techno radio at: http://hydrogenproject.com http://wzbc.org




-- 
peace,

frank

dj mix archive: http://www.deejaycountzero.com


Re: (313) Movement has competition...

2008-05-28 Thread Guilherme Menegon Arantes

Or else: should one worry if he/she actually does know any of the DJs on 
there?

G

On Wed, May 28, 2008 at 09:34:56PM +0200, Klaas-Jan Jongsma wrote:
 Should i worry if i really never have heard of any of the DJ' s on  
 there?
 
 kj
 
 On 28 mei 2008, at 21:26, Carlos De Brito wrote:
 
 wow! that is so 1994.

--

Guilherme Menegon Arantes, PhD   São Paulo, Brasil
__



Re: (313) Movement has competition...

2008-05-28 Thread Matt Kane's Brain
I saw the Atomic Babies twice. Once before I knew better and the other
before Juan Atkins!

On Wed, May 28, 2008 at 4:15 PM, Guilherme Menegon Arantes
[EMAIL PROTECTED] wrote:

 Or else: should one worry if he/she actually does know any of the DJs on
 there?

 G

 On Wed, May 28, 2008 at 09:34:56PM +0200, Klaas-Jan Jongsma wrote:
 Should i worry if i really never have heard of any of the DJ' s on
 there?

 kj

 On 28 mei 2008, at 21:26, Carlos De Brito wrote:

 wow! that is so 1994.

 --

 Guilherme Menegon Arantes, PhD   São Paulo, Brasil
 __





-- 
matt kane's brain
biweekly techno radio at: http://hydrogenproject.com http://wzbc.org


Re: (313) Movement has competition...

2008-05-28 Thread Michael . Elliot-Knight


Frank Glazer [EMAIL PROTECTED] wrote on 05/28/2008 02:33:33 PM:

 the contemporary adult electronic music industry.

dear lord Frank, what the hell is that???

;-)

MEK



Re: (313) Movement has competition...

2008-05-28 Thread Matt Kane's Brain
On Wed, May 28, 2008 at 4:29 PM,  [EMAIL PROTECTED] wrote:
 the contemporary adult electronic music industry.

 dear lord Frank, what the hell is that???

Kruder and Dorfmeister without the weed.

-- 
matt kane's brain
biweekly techno radio at: http://hydrogenproject.com http://wzbc.org


Re: (313) Movement has competition...

2008-05-28 Thread Michael Kuszynski
as amusing as it is, and as unfortunate as the talent and the
promotional individuals are, at least it helps get kids into raving
instead of indie rock.

On 5/28/08, Matt Kane's Brain [EMAIL PROTECTED] wrote:
 On Wed, May 28, 2008 at 4:29 PM,  [EMAIL PROTECTED] wrote:
 the contemporary adult electronic music industry.

 dear lord Frank, what the hell is that???

 Kruder and Dorfmeister without the weed.

 --
 matt kane's brain
 biweekly techno radio at: http://hydrogenproject.com http://wzbc.org



-- 
---
Michael Kuszynski
[EMAIL PROTECTED]
[EMAIL PROTECTED]
http://www.planerecordings.com
New York, NY


Re: (313) Movement has competition...

2008-05-28 Thread Michael . Elliot-Knight
news flash - they're into both

which is perfectly ok
there's lots of great indie rock made by very nice people

MEK

Michael Kuszynski [EMAIL PROTECTED] wrote on 05/28/2008 05:00:59 PM:

 as amusing as it is, and as unfortunate as the talent and the
 promotional individuals are, at least it helps get kids into raving
 instead of indie rock.

 On 5/28/08, Matt Kane's Brain [EMAIL PROTECTED] wrote:
  On Wed, May 28, 2008 at 4:29 PM,  [EMAIL PROTECTED]
wrote:
  the contemporary adult electronic music industry.
 
  dear lord Frank, what the hell is that???
 
  Kruder and Dorfmeister without the weed.
 
  --
  matt kane's brain
  biweekly techno radio at: http://hydrogenproject.com http://wzbc.org
 


 --
 ---
 Michael Kuszynski
 [EMAIL PROTECTED]
 [EMAIL PROTECTED]
 http://www.planerecordings.com
 New York, NY



Re: (313) Movement has competition...

2008-05-28 Thread Michael Kuszynski
nice or not, i know who i would rather brainwash the youth of america,
and it involves buttons and knobs.

On 5/28/08, [EMAIL PROTECTED]
[EMAIL PROTECTED] wrote:
 news flash - they're into both

 which is perfectly ok
 there's lots of great indie rock made by very nice people

 MEK

 Michael Kuszynski [EMAIL PROTECTED] wrote on 05/28/2008 05:00:59 PM:

 as amusing as it is, and as unfortunate as the talent and the
 promotional individuals are, at least it helps get kids into raving
 instead of indie rock.

 On 5/28/08, Matt Kane's Brain [EMAIL PROTECTED] wrote:
  On Wed, May 28, 2008 at 4:29 PM,  [EMAIL PROTECTED]
 wrote:
  the contemporary adult electronic music industry.
 
  dear lord Frank, what the hell is that???
 
  Kruder and Dorfmeister without the weed.
 
  --
  matt kane's brain
  biweekly techno radio at: http://hydrogenproject.com http://wzbc.org
 


 --
 ---
 Michael Kuszynski
 [EMAIL PROTECTED]
 [EMAIL PROTECTED]
 http://www.planerecordings.com
 New York, NY




-- 
---
Michael Kuszynski
[EMAIL PROTECTED]
[EMAIL PROTECTED]
http://www.planerecordings.com
New York, NY


Re: (313) Movement has competition...

2008-05-28 Thread Matt Kane's Brain
On Wed, May 28, 2008 at 6:12 PM, Michael Kuszynski [EMAIL PROTECTED] wrote:
 nice or not, i know who i would rather brainwash the youth of america,
 and it involves buttons and knobs.

Anyone doing any brainwashing is a knob, yes.

-- 
matt kane's brain
biweekly techno radio at: http://hydrogenproject.com http://wzbc.org


Re: (313) Movement has competition...

2008-05-28 Thread Placid
Do people get 20 minute slots or something...  I cant quite believe they 
get so many people to play over 3 days..


Matt Kane's Brain wrote:

On Wed, May 28, 2008 at 6:12 PM, Michael Kuszynski [EMAIL PROTECTED] wrote:
  

nice or not, i know who i would rather brainwash the youth of america,
and it involves buttons and knobs.



Anyone doing any brainwashing is a knob, yes.

  



--
Placid on the t'interweb - http://www.acid-house.net

Placid on myspace - http://www.myspace.com/placid_88

Placid's Muzik Jamboree - http://www.facebook.com/group.php?gid=12854449841

Placid live on internet radio.  Alternate Thursdays

http://www.future-music.co.uk: Future Music 8 - 10pm
http://www.purple-radio.co.uk: Purple Radio 6 - 8pm




Re: (313) Movement has competition...

2008-05-28 Thread Michael . Elliot-Knight
hell, half the audience is on meth so the faster they play the better

MEK

Placid [EMAIL PROTECTED] wrote on 05/28/2008 05:17:32 PM:

 Do people get 20 minute slots or something...  I cant quite believe they
 get so many people to play over 3 days..

 Matt Kane's Brain wrote:
  On Wed, May 28, 2008 at 6:12 PM, Michael Kuszynski
 [EMAIL PROTECTED] wrote:
 
  nice or not, i know who i would rather brainwash the youth of america,
  and it involves buttons and knobs.
 
 
  Anyone doing any brainwashing is a knob, yes.
 
 


 --
 Placid on the t'interweb - http://www.acid-house.net

 Placid on myspace - http://www.myspace.com/placid_88

 Placid's Muzik Jamboree -
http://www.facebook.com/group.php?gid=12854449841

 Placid live on internet radio.  Alternate Thursdays

 http://www.future-music.co.uk: Future Music 8 - 10pm
 http://www.purple-radio.co.uk: Purple Radio 6 - 8pm





RE: (313) Movement has competition...

2008-05-28 Thread [EMAIL PROTECTED]
Absolutely.  Personally I'm particularly looking forward to The Germ Vs.
Vial, I hear they're the bomb.

 From: Klaas-Jan Jongsma [mailto:[EMAIL PROTECTED]
 Sent: 28 May 2008 20:35
 
 Should i worry if i really never have heard of any of the DJ' s on
 there?




RE: (313) Movement has competition...

2008-05-28 Thread Anton Banks (www.antonbanks.com)
AMEN!

-Original Message-
From: Frank Glazer [mailto:[EMAIL PROTECTED]
Sent: Wednesday, May 28, 2008 3:12 PM
To: [EMAIL PROTECTED]
Cc: list 313
Subject: Re: (313) Movement has competition...


oops.  meant to say more than that.

ROFLMAO this is good to see.  it reminds us that as awful as the demf
lineup was this year (moby, cool kids, other nonsense) it could be
infinitely worse.

2008/5/28 Frank Glazer [EMAIL PROTECTED]:
 ROFLMAO

 2008/5/28  [EMAIL PROTECTED]:
 http://www.raymondbaer.com/memf2008/memf2008dj.jpg

 m





 --
 peace,

 frank

 dj mix archive: http://www.deejaycountzero.com




-- 
peace,

frank

dj mix archive: http://www.deejaycountzero.com



RE: (313) Movement has competition...

2008-05-28 Thread Anton Banks (www.antonbanks.com)
To be fair, there are 'some' small local events that do better than what you 
see on that flyer however they are extremely few and very far between.

For the most part though, Frank hit it dead on. At least here in the New 
England area, local events seem to have musicaly gotten stuck in 2000 and never 
managed to break free. Promoters tend to book the known quantities to be sure 
that they bring in some numbers. Most people here only know (and show up to 
hear) the acts that they've already been exposed to.

This is one of the main reasons why I'm glad that there are a couple of us 
doing regular college shows in the area. Promoters generally won't bring 
unknown acts to this area. So, if you can't bring Mohammad to the mountain 
bring the mountain to Mohammad...

-ant-

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Behalf Of
Matt Kane's Brain
Sent: Wednesday, May 28, 2008 4:20 PM
To: Guilherme Menegon Arantes
Cc: Klaas-Jan Jongsma; Carlos De Brito; Frank Glazer; [EMAIL PROTECTED];
313@hyperreal.org
Subject: Re: (313) Movement has competition...


I saw the Atomic Babies twice. Once before I knew better and the other
before Juan Atkins!

On Wed, May 28, 2008 at 4:15 PM, Guilherme Menegon Arantes
[EMAIL PROTECTED] wrote:

 Or else: should one worry if he/she actually does know any of the DJs on
 there?

 G

 On Wed, May 28, 2008 at 09:34:56PM +0200, Klaas-Jan Jongsma wrote:
 Should i worry if i really never have heard of any of the DJ' s on
 there?

 kj

 On 28 mei 2008, at 21:26, Carlos De Brito wrote:

 wow! that is so 1994.

 --

 Guilherme Menegon Arantes, PhD   São Paulo, Brasil
 __





-- 
matt kane's brain
biweekly techno radio at: http://hydrogenproject.com http://wzbc.org



Re: (313) movement stage sound system reviews

2008-05-27 Thread theREALmxyzptlk
Personally, I thought the Red Bull/Myspace stage (riverfront) kicked the 
biggest share of tail this time out. The Pioneer stage was also really, 
really nice - Andy Toth's set was quite memorable there for me.
When there wasn't a monkey blowing out the bass signals at the Beatport 
tent (rarely was that the case when I walked over there), the sound was 
good. I avoided most of the few artists I was interested in hearing on 
that side of Hart Plaza simply because they couldn't be HEARD.

I liked Guillaume and the Coatu Dumonts' set.
 Hauling up those bottoms and lining the top of the underground 
stage was a good idea; it opened up some of the highs and cleared out 
some of the 'basement mud.'
Main stage was fine as long as the bass wasn't pushed too hard/signal 
overcompressed/ over whatever the f*^ one does to blow the entire mids 
 and most of the highs out of range (maybe they heard them in Windsor?).
I can do boom-boom as well as the next person, but way too often it was 
just a complete waste of what, by all appearances, was some fine 
technology. Mind you, nothing came close to that wonderful Funktion One 
setup at the riverfront last year, but everything else was definitely 
raised a notch. The canopies (vs. the tents) were good ideas too.
 Let's talk numbers. What I noticed is that there were more people 
EARLY on Saturday than I've ever seen...and less people mid-day and into 
the evening on all three nights (not that I stayed all 3).

Correct me if I'm wrong, but it looked like a low turnout to me.
And, to be honest, despite some nice sets, it wasn't the most memorable 
fest. I always go. I hope I always will (?)


jeff



Michael Kuszynski wrote:

what did you all think of the stages. i thought, unfortunately, the
real detroit underground stage had weak sound, and the main stage had
great broad range. the hawtin tent was really crisp and rich, but i
actually thought the stuff coming out of the pioneer pacha stage might
have been great too, though i did not venture into it to listen to
performances.



Re: (313) Movement Vitamin Water Main Stage - line up and times

2008-04-22 Thread rob theakston
It's funnier with all of the question marks. Like they're not sure if
Echospace will perform or if Moby will be playing at 10 or 12.



On Tue, Apr 22, 2008 at 1:06 PM,  [EMAIL PROTECTED] wrote:

  maybe this is throwing gas on the fire but I'm sure some would like to know

  MOVEMENT 2008 DETROIT ELECTRONIC MUSIC FESTIVAL ANNOUNCES LINEUP FOR
  vitaminwater MAIN STAGE

  Detroit, April 21, 2008 ? Paxahau, producers of MOVEMENT 2008, announces
  the line-up of artists set to appear on the vitaminwater Stage. For the
  third consecutive year, festival partner, GlacÈau vitaminwater is
  sponsoring the festival ? this will be their first year as the main stage
  sponsor. The vitaminwater Stage will showcase Moby on Saturday, May 24th
  from 10:00 pm to 12:00 am.

  vitaminwater was Paxahau's first supporting sponsor, stated Jason
  Huvaere, festival director. We love having vitaminwater on board because
  they truly understand what the Movement festival is all about ? great
  music, great energy and a great audience.

  This year's diverse and eclectic roster showcases established electronic
  acts and vanguard artists who exemplify the event's global fan appeal,
  confirming the Detroit festival as a destination for the international
  techno circuit.

  As a third year Movement sponsor, vitaminwater is proud to partner with
  musicians, DJ's, artists and other creative individuals who incorporate the
  product into their busy lifestyles as a simple way to stay healthy,
  explained Mari Lee, Director of Marketing for GlacÈau. Plus, we all need
  to stay hydrated while we dance the night away.

  about glacÈau
  it all started when one thirsty man named darius wanted better water, but
  couldn't find any worth drinking, so he decided to make his own. along came
  a guy from queens named mike (he's like darius' robin? but don't tell him
  that) and because mike has a gift for the gab, it's no wonder word got
  around, thus emerged glacÈau, a fresh new approach to bottled water. today
  glacÈau, the leader of the enhanced water category, is the maker of
  vitaminwater?, smartwater? and vitaminenergy?. Now with 750+ full and
  part-time employees, (that's a big holiday party) glacÈau is all about
  helping thirsty people like you hydrate responsibly with something truly
  good for your body. for more information visit www.glaceau.com.

  About Paxahau
  Since 1998 Paxahau has promoted electronic music and has grown to include a
  web archive, booking agency, record label and an event production company
  which produces an average of 20 events a year.? With a network of alliances
  and resources that span the globe, Paxahau has emerged as a premier
  promotions group within the electronic music industry.? Please visit
  myspace.com/detroitmusicfest to find the latest news about the festival as
  it develops.

  vitaminwater Stage

  Saturday, May 24th
  2:00-4:00 pm TBC
  4:00-5:30 pm Deepchord Presents Echospace ? live
  5:30-7:00 pm Half Hawaii ? live
  7:00-9:00 pm Zip
  9:00-10:00 pm DBX ? live
  10:00 pm ? 12:00 am ? Moby

  Sunday, May 25th
  2:00-3:30 pm Keith Worthy
  3:30-5:00 pm Alton Miller
  5:00-7:00 pm Lawnchair Generals
  7:00-9:00 pm Miles Maeda
  9:00-11:00 pm Mark Farina
  11:00 pm?? 12:00 am Carl Craig ? live

  Monday, May 26th
  2:00-4:00 pm Rex Sepulveda - live
  4:00-6:00 pm Cassy
  6:00-7:00pm Cobblestone Jazz ? live
  7:00-8:00 pm Paul Ritch ? live
  8:00-9:00 pm Joris Voorn ? live
  9:00-11:00 pm Oscar Mulero
  11:00 pm ? 12:00 am Speedy J -live w/ Scott Pagano VJ




Re: (313) Movement Update (Redbull, Myspace and Dieselboy)

2008-03-28 Thread Matt Chester

That's good news at least...

 Movement 08 will also bring back the underground stage, where
 Paxahau?s involvement in the festival began. 



--
*matt chester
11th hour recordings*

www.myspace.com/mattchester1
www.myspace.com/11thhourrecordings
www.virb.com/mattchester
www.11-hour.com


Re: (313) Movement Update (Redbull, Myspace and Dieselboy)

2008-03-28 Thread Gil Yaker

I'm sure the Detroit purists won't agree, but if for some reason this festival 
congeals as the US's (other) large electronic music festival (besides WMC), I 
don't think it's a bad thing at all. I'm still scarred from the late 80s/90s 
when there was such strong animosity toward any kind of dance music. So getting 
Myspace sized visibility and year after year momentum can only be seen by me as 
a positive, as long as it doesn't completely betray its roots. And If I were to 
be completely pessimistic and assume that in 5 years whatever the festival 
evolves into only maintains 25% detroit musical presence, that would still be 
so insanely out of line with the greater  dance/festival culture that I'd call 
it a success.



- Original Message 
From: [EMAIL PROTECTED] [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Thursday, March 27, 2008 8:21:28 PM
Subject: (313) Movement Update (Redbull, Myspace and Dieselboy)


discuss:

Detroit - May 24, 25 and 26th will bring Detroit alive with sounds from
Movement 08:
Detroit?s Electronic Music Festival in Hart Plaza with the Red Bull Music
Academy, MySpace promotion and a higher level of production. Movement 08
also announces discounted tickets on sale now.

The Red Bull Music Academy will join Movement 08 by producing a stage that
reflects a broad range of musical talent from around the world. The Red
Bull Music Academy Stage will replace the Pyramid Stage and include
performances by: Newcleus, Egyptian Lover, Shawn Michaels, James Zabiela,
Benny Bennassi, The Cool Kids,Girl Talk, DATABASS (featuring Godfather),
Justin Kruse, Tech Itch and Dieselboy.

Also joining this year as a media partner is the vastly popular, global
online social networking site MySpace. Having grown over the previous years
to become the largest online social network, MySpace is utilized by many
artists and fans to connect and keep in touch with each other, adding an
intimate element to the usual marketing channels. MySpace?s interest in
working with the Movement Festival validates an already well known fact -
Detroit?s Electronic Music Festival is an event that is continuing to grow
and attract attention on a worldwide scale.

After the last two years of progress and reviews the festival is getting
some well deserved attention, notes festival director Jason Huvaere,
there will be no question what?s happening in Detroit on Memorial Day
weekend.

In addition, this year?s event will increase the level of production
regarding sound at the main stage and weather structures to protect
attendees. Movement 08 will also bring back the underground stage, where
Paxahau?s involvement in the festival began. We have taken great measures
to bring the production to an even higher level, says Mike Fotias,
Movement Production Manager, We understand that attendees come here
expecting nothing but the best and we are determined to deliver.


also there's this FREEP article
http://www.freep.com/apps/pbcs.dll/article?AID=/20080327/ENT04/803270434

MEK






  

Be a better friend, newshound, and 
know-it-all with Yahoo! Mobile.  Try it now.  
http://mobile.yahoo.com/;_ylt=Ahu06i62sR8HDtDypao8Wcj9tAcJ


Re: (313) Movement Update (Redbull, Myspace and Dieselboy)

2008-03-28 Thread Michael . Elliot-Knight
Five years?  Do the math.  There is, at the moment, only a 25% detroit
musician presence on the posted list of artists playing
With Dieselboy I think it's now dropped slightly below 25%.

I'd like to know how you think James Zabiela (a DJ schooled by non other
than Sasha of Sasha  Digweed fame) and Benny Benassi (who's latest album
Rock  Rave is out on Ultra records) don't betray the roots of Detroit.
Are you ok with this sort of thing?  So next year if they have Pete Tong,
Paul Van Dyk, and Paul Oakenfold you'd be alright with that - as long as
they keep a Detroit stage.
Yeah, I suppose if there's a little corner in Detroit where Detroit artists
can play

:-/

MEK

Gil Yaker [EMAIL PROTECTED] wrote on 03/28/2008 07:02:29 AM:


 I'm sure the Detroit purists won't agree, but if for some reason
 this festival congeals as the US's (other) large electronic music
 festival (besides WMC), I don't think it's a bad thing at all. I'm
 still scarred from the late 80s/90s when there was such strong
 animosity toward any kind of dance music. So getting Myspace sized
 visibility and year after year momentum can only be seen by me as a
 positive, as long as it doesn't completely betray its roots. And If
 I were to be completely pessimistic and assume that in 5 years
 whatever the festival evolves into only maintains 25% detroit
 musical presence, that would still be so insanely out of line with
 the greater  dance/festival culture that I'd call it a success.



 - Original Message 
 From: [EMAIL PROTECTED]
[EMAIL PROTECTED]
 To: 313@hyperreal.org
 Sent: Thursday, March 27, 2008 8:21:28 PM
 Subject: (313) Movement Update (Redbull, Myspace and Dieselboy)


 discuss:

 Detroit - May 24, 25 and 26th will bring Detroit alive with sounds from
 Movement 08:
 Detroit?s Electronic Music Festival in Hart Plaza with the Red Bull Music
 Academy, MySpace promotion and a higher level of production. Movement 08
 also announces discounted tickets on sale now.

 The Red Bull Music Academy will join Movement 08 by producing a stage
that
 reflects a broad range of musical talent from around the world. The Red
 Bull Music Academy Stage will replace the Pyramid Stage and include
 performances by: Newcleus, Egyptian Lover, Shawn Michaels, James Zabiela,
 Benny Bennassi, The Cool Kids,Girl Talk, DATABASS (featuring Godfather),
 Justin Kruse, Tech Itch and Dieselboy.

 Also joining this year as a media partner is the vastly popular, global
 online social networking site MySpace. Having grown over the previous
years
 to become the largest online social network, MySpace is utilized by many
 artists and fans to connect and keep in touch with each other, adding an
 intimate element to the usual marketing channels. MySpace?s interest in
 working with the Movement Festival validates an already well known fact -
 Detroit?s Electronic Music Festival is an event that is continuing to
grow
 and attract attention on a worldwide scale.

 After the last two years of progress and reviews the festival is getting
 some well deserved attention, notes festival director Jason Huvaere,
 there will be no question what?s happening in Detroit on Memorial Day
 weekend.

 In addition, this year?s event will increase the level of production
 regarding sound at the main stage and weather structures to protect
 attendees. Movement 08 will also bring back the underground stage, where
 Paxahau?s involvement in the festival began. We have taken great
measures
 to bring the production to an even higher level, says Mike Fotias,
 Movement Production Manager, We understand that attendees come here
 expecting nothing but the best and we are determined to deliver.


 also there's this FREEP article
 http://www.freep.com/apps/pbcs.dll/article?AID=/20080327/ENT04/803270434

 MEK










 Be a better friend, newshound, and
 know-it-all with Yahoo! Mobile.  Try it now.  http://mobile.yahoo.
 com/;_ylt=Ahu06i62sR8HDtDypao8Wcj9tAcJ



RE: (313) Movement Update (Redbull, Myspace and Dieselboy)

2008-03-28 Thread Toby Frith

Virtually any festival of any note in the last few years has grown in this 
manner. The first few line-ups are always amazing, and then as it grows, costs 
escalate and other factors concerning the future viability of the project 
become prominent, and as such other, more commercial aspects get involved. It's 
also difficult to try to downscale such a project once it gets to a certain 
size. 

I think what Gil says has some pertinence - Miami is the only American 
electronic music festival of any note and that's got unfortunate associations. 
At least having something in Detroit is a worthwhile start.










-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]
Sent: 28 March 2008 14:20
To: Gil Yaker
Cc: 313@hyperreal.org
Subject: Re: (313) Movement Update (Redbull, Myspace and Dieselboy)


Five years?  Do the math.  There is, at the moment, only a 25% detroit
musician presence on the posted list of artists playing
With Dieselboy I think it's now dropped slightly below 25%.

I'd like to know how you think James Zabiela (a DJ schooled by non other
than Sasha of Sasha  Digweed fame) and Benny Benassi (who's latest album
Rock  Rave is out on Ultra records) don't betray the roots of Detroit.
Are you ok with this sort of thing?  So next year if they have Pete Tong,
Paul Van Dyk, and Paul Oakenfold you'd be alright with that - as long as
they keep a Detroit stage.
Yeah, I suppose if there's a little corner in Detroit where Detroit artists
can play

:-/

MEK

Gil Yaker [EMAIL PROTECTED] wrote on 03/28/2008 07:02:29 AM:


 I'm sure the Detroit purists won't agree, but if for some reason
 this festival congeals as the US's (other) large electronic music
 festival (besides WMC), I don't think it's a bad thing at all. I'm
 still scarred from the late 80s/90s when there was such strong
 animosity toward any kind of dance music. So getting Myspace sized
 visibility and year after year momentum can only be seen by me as a
 positive, as long as it doesn't completely betray its roots. And If
 I were to be completely pessimistic and assume that in 5 years
 whatever the festival evolves into only maintains 25% detroit
 musical presence, that would still be so insanely out of line with
 the greater  dance/festival culture that I'd call it a success.



 - Original Message 
 From: [EMAIL PROTECTED]
[EMAIL PROTECTED]
 To: 313@hyperreal.org
 Sent: Thursday, March 27, 2008 8:21:28 PM
 Subject: (313) Movement Update (Redbull, Myspace and Dieselboy)


 discuss:

 Detroit - May 24, 25 and 26th will bring Detroit alive with sounds from
 Movement 08:
 Detroit?s Electronic Music Festival in Hart Plaza with the Red Bull Music
 Academy, MySpace promotion and a higher level of production. Movement 08
 also announces discounted tickets on sale now.

 The Red Bull Music Academy will join Movement 08 by producing a stage
that
 reflects a broad range of musical talent from around the world. The Red
 Bull Music Academy Stage will replace the Pyramid Stage and include
 performances by: Newcleus, Egyptian Lover, Shawn Michaels, James Zabiela,
 Benny Bennassi, The Cool Kids,Girl Talk, DATABASS (featuring Godfather),
 Justin Kruse, Tech Itch and Dieselboy.

 Also joining this year as a media partner is the vastly popular, global
 online social networking site MySpace. Having grown over the previous
years
 to become the largest online social network, MySpace is utilized by many
 artists and fans to connect and keep in touch with each other, adding an
 intimate element to the usual marketing channels. MySpace?s interest in
 working with the Movement Festival validates an already well known fact -
 Detroit?s Electronic Music Festival is an event that is continuing to
grow
 and attract attention on a worldwide scale.

 After the last two years of progress and reviews the festival is getting
 some well deserved attention, notes festival director Jason Huvaere,
 there will be no question what?s happening in Detroit on Memorial Day
 weekend.

 In addition, this year?s event will increase the level of production
 regarding sound at the main stage and weather structures to protect
 attendees. Movement 08 will also bring back the underground stage, where
 Paxahau?s involvement in the festival began. We have taken great
measures
 to bring the production to an even higher level, says Mike Fotias,
 Movement Production Manager, We understand that attendees come here
 expecting nothing but the best and we are determined to deliver.


 also there's this FREEP article
 http://www.freep.com/apps/pbcs.dll/article?AID=/20080327/ENT04/803270434

 MEK










 Be a better friend, newshound, and
 know-it-all with Yahoo! Mobile.  Try it now.  http://mobile.yahoo.
 com/;_ylt=Ahu06i62sR8HDtDypao8Wcj9tAcJ


For all the latest news and comment visit www.telegraph.co.uk.  This message, 
its contents and any attachments to it are private, confidential

Re: (313) Movement Update (Redbull, Myspace and Dieselboy)

2008-03-28 Thread jwan allen
Well with that announcement, it shows that perhaps they haven't
completely gone to the darkside. So I'll wait and see if the yet to be
announced additions make up for some of the wackness presented here
and on the rest of the announced line-up.

Now I know there's a large contingent that see most of this discussion
asmindless bickering, and sometimes it is, but the bickering more
often than not has good intentions. At this stage in the game we all
expect more, so pardon me for having standards.

jw


On Thu, Mar 27, 2008 at 8:21 PM,  [EMAIL PROTECTED] wrote:

 discuss:

 Detroit - May 24, 25 and 26th will bring Detroit alive with sounds from
 Movement 08:
 Detroit?s Electronic Music Festival in Hart Plaza with the Red Bull Music
 Academy, MySpace promotion and a higher level of production. Movement 08
 also announces discounted tickets on sale now.

 The Red Bull Music Academy will join Movement 08 by producing a stage that
 reflects a broad range of musical talent from around the world. The Red
 Bull Music Academy Stage will replace the Pyramid Stage and include
 performances by: Newcleus, Egyptian Lover, Shawn Michaels, James Zabiela,
 Benny Bennassi, The Cool Kids,Girl Talk, DATABASS (featuring Godfather),
 Justin Kruse, Tech Itch and Dieselboy.

 Also joining this year as a media partner is the vastly popular, global
 online social networking site MySpace. Having grown over the previous years
 to become the largest online social network, MySpace is utilized by many
 artists and fans to connect and keep in touch with each other, adding an
 intimate element to the usual marketing channels. MySpace?s interest in
 working with the Movement Festival validates an already well known fact -
 Detroit?s Electronic Music Festival is an event that is continuing to grow
 and attract attention on a worldwide scale.

 After the last two years of progress and reviews the festival is getting
 some well deserved attention, notes festival director Jason Huvaere,
 there will be no question what?s happening in Detroit on Memorial Day
 weekend.

 In addition, this year?s event will increase the level of production
 regarding sound at the main stage and weather structures to protect
 attendees. Movement 08 will also bring back the underground stage, where
 Paxahau?s involvement in the festival began. We have taken great measures
 to bring the production to an even higher level, says Mike Fotias,
 Movement Production Manager, We understand that attendees come here
 expecting nothing but the best and we are determined to deliver.


 also there's this FREEP article
 http://www.freep.com/apps/pbcs.dll/article?AID=/20080327/ENT04/803270434

 MEK





-- 
Technoir Audio
http://www.technoiraudio.com
dealing with your imperfect world


Re: (313) Movement Update (Redbull, Myspace and Dieselboy)

2008-03-28 Thread Thomas D. Cox, Jr.
On Fri, Mar 28, 2008 at 10:25 AM, Toby Frith [EMAIL PROTECTED] wrote:

  Virtually any festival of any note in the last few years has grown in this 
 manner. The first
 few line-ups are always amazing, and then as it grows, costs escalate and 
 other factors
 concerning the future viability of the project become prominent, and as such 
 other, more
 commercial aspects get involved. It's also difficult to try to downscale such 
 a project once it
 gets to a certain size.

everybody else is doing it is a good reason to become wack? i dont
see what the problem with scaling back in order to not turn this
festival into a joke is.

tom


RE: (313) Movement Update (Redbull, Myspace and Dieselboy)

2008-03-28 Thread Toby Frith

You're not taking into account the commercial viability of this. In Europe 
we're lucky because a lot of festivals have considerable funding from various 
councils and organisations in order to get them to go ahead. The only festival 
I can think of that that doesn't really run according to commercial foibles is 
Montreux, and that's been backed from the start by rich philanthropy.

Although I've not been, I don't think that is the case in Detroit. It has to be 
commercially viable in order to succeed in the future. Now, it may be that in 
say, 5 or 6 years time, the festival may be successful enough nationwide for 
them to realise their dreams of putting on at least in part the festival that 
everyone on 313 wants it to be. You may have to be patient for it to happen I'm 
afraid. They either put on a festival that no-one turns up to and they lose all 
their money on, or they pocket enough money to be able to do it next year. 

The fact that Paxahau are doing it I think means that those guys I'm sure will 
be carrying the flame for Detroit Techno all along, but it'll take time. 
Landscapes and crowds change - and mindsets have to as well.

 



-Original Message-
From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED]
Sent: 28 March 2008 15:05
To: 313@hyperreal.org
Subject: Re: (313) Movement Update (Redbull, Myspace and Dieselboy)


On Fri, Mar 28, 2008 at 10:25 AM, Toby Frith [EMAIL PROTECTED] wrote:

  Virtually any festival of any note in the last few years has grown in this 
 manner. The first
 few line-ups are always amazing, and then as it grows, costs escalate and 
 other factors
 concerning the future viability of the project become prominent, and as such 
 other, more
 commercial aspects get involved. It's also difficult to try to downscale such 
 a project once it
 gets to a certain size.

everybody else is doing it is a good reason to become wack? i dont
see what the problem with scaling back in order to not turn this
festival into a joke is.

tom

For all the latest news and comment visit www.telegraph.co.uk.  This message, 
its contents and any attachments to it are private, confidential and may be the 
subject of legal privilege.  Any unauthorised disclosure, use or dissemination 
of the whole or part of this message (without our prior written consent) is 
prohibited.  If you are not the intended recipient, please notify us 
immediately. Incoming and outgoing telephone calls to our offices may be 
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registered office address is: 111 Buckingham Palace Road, London, SW1W 0DT.





RE: (313) Movement Update (Redbull, Myspace and Dieselboy)

2008-03-28 Thread Michael . Elliot-Knight

 The fact that Paxahau are doing it I think means that those guys I'm
 sure will be carrying the flame for Richie Hawtin all along, but
 it'll take time. Landscapes and crowds change - and mindsets have to as
well.

fixed

MEK



Re: (313) Movement Update (Redbull, Myspace and Dieselboy)

2008-03-28 Thread Thomas D. Cox, Jr.
On Fri, Mar 28, 2008 at 11:10 AM, Toby Frith [EMAIL PROTECTED] wrote:

 You're not taking into account the commercial viability of this. In Europe 
 we're lucky
 because a lot of festivals have considerable funding from various councils 
 and organisations
 in order to get them to go ahead. The only festival I can think of that that 
 doesn't really run '
 according to commercial foibles is Montreux, and that's been backed from the 
 start by rich
 philanthropy.

see, i think this is the problem. everyone got dollar signs in their
eyes due to the unexpectedly large crowds that had wildly incorrect
estimates in the early years. then when they started charging and
keeping the entrances gated, it became obvious that these numbers were
not right. instead of scaling back to something that could be done to
serve all groups of people who had been actually attending the
festival (let's break it down into say the international techno crowd,
ravers, and locals who might not have known much if anything about the
music but came through to have a good time) and who would be likely to
continue to support it, they decided to go the megarave route. now
they are pushing out the other groups of people (international
presence definitely seems way way way down in the past couple of years
likely due to the type of lineups, the locals mostly got out when the
festival got crazily expensive) at the expense of the groups LEAST
likely to continue to support the festival on a regular basis: the
transient fickle raver crowd.

 Although I've not been, I don't think that is the case in Detroit. It has to 
 be commercially
 viable in order to succeed in the future. Now, it may be that in say, 5 or 6 
 years time, the '
 festival may be successful enough nationwide for them to realise their dreams 
 of putting on
 at least in part the festival that everyone on 313 wants it to be. You may 
 have to be patient
 for it to happen I'm afraid. They either put on a festival that no-one turns 
 up to and they lose
 all their money on, or they pocket enough money to be able to do it next year.

why be patient for something that already happened to happen again? if
you think this is the future of where this festival is going, i think
you are sorely mistaken. the goodness of the festival already
happened, and a large part of what made it so interesting has been
banished. and then suddenly in 5 or 6 years when DEMF is trying to
straight up compete with WMC (which is stupid anyway, why would
someone go to detroit when they could go to florida instead?) why
would they switch back? it doesnt make sense. this is not the route to
take in order for the festival to be what it should be and has been.

 The fact that Paxahau are doing it I think means that those guys I'm sure 
 will be carrying
 the flame for Detroit Techno all along, but it'll take time. Landscapes and 
 crowds change -
 and mindsets have to as well.

right.

tom


Re: (313) Movement Update (Redbull, Myspace and Dieselboy)

2008-03-27 Thread Thomas D. Cox, Jr.
interesting that some of the most interesting and the absolute worst
of the announced lineup will be on the RBMA stage. considering the
people theyve had at their sessions, youd think that they would have
better selections. myspace? deez? weakness.

tmo

On Thu, Mar 27, 2008 at 8:21 PM,  [EMAIL PROTECTED] wrote:

  discuss:

  Detroit - May 24, 25 and 26th will bring Detroit alive with sounds from
  Movement 08:
  Detroit?s Electronic Music Festival in Hart Plaza with the Red Bull Music
  Academy, MySpace promotion and a higher level of production. Movement 08
  also announces discounted tickets on sale now.

  The Red Bull Music Academy will join Movement 08 by producing a stage that
  reflects a broad range of musical talent from around the world. The Red
  Bull Music Academy Stage will replace the Pyramid Stage and include
  performances by: Newcleus, Egyptian Lover, Shawn Michaels, James Zabiela,
  Benny Bennassi, The Cool Kids,Girl Talk, DATABASS (featuring Godfather),
  Justin Kruse, Tech Itch and Dieselboy.

  Also joining this year as a media partner is the vastly popular, global
  online social networking site MySpace. Having grown over the previous years
  to become the largest online social network, MySpace is utilized by many
  artists and fans to connect and keep in touch with each other, adding an
  intimate element to the usual marketing channels. MySpace?s interest in
  working with the Movement Festival validates an already well known fact -
  Detroit?s Electronic Music Festival is an event that is continuing to grow
  and attract attention on a worldwide scale.

  After the last two years of progress and reviews the festival is getting
  some well deserved attention, notes festival director Jason Huvaere,
  there will be no question what?s happening in Detroit on Memorial Day
  weekend.

  In addition, this year?s event will increase the level of production
  regarding sound at the main stage and weather structures to protect
  attendees. Movement 08 will also bring back the underground stage, where
  Paxahau?s involvement in the festival began. We have taken great measures
  to bring the production to an even higher level, says Mike Fotias,
  Movement Production Manager, We understand that attendees come here
  expecting nothing but the best and we are determined to deliver.


  also there's this FREEP article
  http://www.freep.com/apps/pbcs.dll/article?AID=/20080327/ENT04/803270434

  MEK




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