Re: [h-cost] Cameras for photographing costumes in poor light?

2011-05-19 Thread Andrew T Trembley

On 5/19/2011 5:02 PM, Aylwen Gardiner-Garden wrote:

http://dicksmith.com.au/product/XG6600/olympus-sp-600-ultra-zoom-digital-cameraand


Oooh. Bad choice. Superzoom cameras tend to have sensors smaller than 
your pinky-nail, and small sensors mean lots of noise (speckles) in your 
pictures.


If you want something really flexible, the Olympus EP-L1 or EP-2 are 
going to cost more than the SP-600 but the sensor is big and the quality 
in low light is good. The Panasonic G-series is also a good choice (and 
supports the same lenses), and the Panasonic Lumix DMC-GF1 is very 
compact. If I wasn't already invested in Nikon equipment, I would 
seriously consider the Olympus EP-2 or the Panasonic GF1 instead of a 
digital SLR.


If you want small, the Panasonic Lumix DMC-LX5 has a big sensor and a 
fast lens in a pocket size. The Canon Powershot S95 and the Canon 
Powershot G12 also both have excellent reputations as pro-quality 
cameras in pocket-size bodies. I haven't upgraded my pocket camera, but 
if I was going to it would be one of these models.


And, yes, those are the Australian model names and numbers, they're the 
same as the US names and numbers.


andy
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Re: [h-cost] Costume Con

2011-01-29 Thread Andrew T Trembley

On 1/27/2011 7:09 PM, penn...@costumegallery.com wrote:

Last year the topic came up on h-costume about newbies worried that they
didn't have a costume to wear.  I haven't worn a costume either year and
didn't feel bad and no one treated me differently.


There were a pair of women who came to the opening day Costume-Con 101 
panel that Elaine Mami (who attended nearly every Costume-Con and is 
chairing 2012), Nora Mai (probably almost 20, chaired the 1998 con), 
Aurora Celeste (probably the last 5) and I (missed 3 in the last decade) 
did last year. Their first day they were wearing decorated shirts that 
said This is my first Costume-Con.


It was a very effective way for them to break the ice, and we had a 
great time with them.


andy
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Re: [h-cost] Google's Sewing logo

2010-04-02 Thread Andrew T Trembley

On 4/1/2010 10:59 PM, Käthe Barrows wrote:

Sorry, but the April Fool's Day joke was renaming Google to Topeka.
 

Yeah, I sat that this afternoon and had to wonder.  Definitely not in
Kansas anymore...
   


Well, if you hadn't been reading the news, last month Topeka, KS 
renamed itself to Google, KS in hopes of attracting Google's attention 
and their prototype super-broadband free network project.


They obviously got the attention, but I'm wondering if this is a hint 
they're not in the running for the project.

andy
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Re: [h-cost] A strange question

2010-03-25 Thread Andrew T Trembley

On 3/24/2010 6:55 PM, Käthe Barrows wrote:
I personally don't know how Steampunk picked up the punk part of its 
name.


It was a spin-off of the cyberpunk science fiction movement of the 80's. 
Several cyberpunk writers decided that, after exploring near-future 
technological advancement, it might be fun to explore near-past 
technological advancement. It was kind of a quiet sub-genre that didn't 
get a lot of love until only a few years ago.



And, unlike the common perception of Goths, black clothing is not
universally worn by the Steampunk crowd.
   


The running joke is Steampunk is what happens when goths discover brown.

andy
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Re: [h-cost] OT - Facebook concern

2009-12-31 Thread Andrew T Trembley

Shea Munroe wrote:

Facebook kept this one quiet, just like Yahoo does with their changes. For
those of you concerned about your information being distributed without your
knowledge:

Facebook will automatically index all your info on Google, which allows
everyone to view it. To change this option, from your Facebook page, go to
Settings -- Privacy Settings -- Search -- then UN-CLICK the box that says
'Allow indexing'. 


Hope this will help keep our lists from being plished.
  


Facebook may be flawed and evil, but this is incorrect. The Allow 
Indexing setting does not bypass Facebook's (admittedly confusing and 
inadequate) privacy controls. It only allows Google to index content 
that you've already made public.


Please note: *content that you've already made public.* If this concerns 
you, you need to go into the privacy settings, read them, understand 
them, and set them appropriately, not just believe and spread around a 
fake internet security chain letter.


We now return you to the discussion of costume.

andy
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Re: [h-cost] Berina sewing machines

2009-10-09 Thread Andrew T Trembley

On Oct 9, 2009, at 1:33 PM, Julie wrote:
There is a current model 830 that has lots of embroidery  fancies  
on it.  Can be confusing.  At $20 it must be the 30 yr old one G


That would be the Artista 830 (I think, I can't remember if the new  
830 is in the Artista or Deco line). Knowing how some manufacturers  
recycle model numbers, it's important to give the full name...


andy
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Re: [h-cost] Berina sewing machines

2009-10-08 Thread Andrew T Trembley

On Oct 8, 2009, at 2:45 PM, cc2010m...@cs.com wrote:
Anyone here familiar with the model 830? There is an auction for one  
here

in Wisconsin. Opening bid is $20.


The Bernina Record 830 is a tank. I think Karen and Ricky use them as  
shop machines.


andy
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Re: [h-cost] Query on sewing machines

2009-10-07 Thread Andrew T Trembley


On Oct 6, 2009, at 10:55 PM, Don Eisele wrote:


So, the short story is that I'm getting a divorce, and her sewing
machines are not going to be accessible to me anymore (or her sewing
skills for that matter).


Read the articles here:
http://www.bovil.com/index.php?option=com_contenttask=blogcategoryid=23Itemid=48 



Then make your own decision...

andy

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Re: [h-cost] Amazing textile in today's New York Times

2009-09-23 Thread Andrew T Trembley

On Sep 23, 2009, at 2:19 PM, e...@huskers.unl.edu wrote:
I want to know what the hand is like.  Is it springy or drapy? We  
know about its strength, but how is its elasticity?


The article compares the elasticity to a bike courier's chain (the  
ones used to chain up the bike to whatever is nearby).


andy
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Re: [h-cost] HELP!

2009-08-25 Thread Andrew T Trembley

Kim Baird wrote:

Justine--
To make enlarging easier, you can buy pattern paper that is printed with a
grid. Or it may be sold as interfacing, not paper. It is white with a blue
grid.
  


There are two versions of this: Quilter's Grid is usually heat-bond 
non-woven interfacing material with a printed 1 grid. True-Grid is 
no-adhesive non-woven interfacing material with a printed 1 grid. I 
tend to order True-Grid by the bolt, since I have to adjust almost every 
pattern.


andy
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[h-cost] Madison/Milwaukee (was Re: Laser scissors

2009-08-22 Thread Andrew T Trembley

Marjorie Wilser wrote:

Hi Henry,

How far, in hours, is Milwaukee from Madison? I'm thinking of staying 
there  dragging my bff with me for CC28.
It's been a decade since I lived there, but I'm thinking 90 minutes 
optimum, longer if traffic isn't with you.


The days at Costume-Con are long. Come to Milwaukee, bring your friend, 
stay at the hotel, have fun with all the costuming peeps instead of 
spending over 3 hours a day for 4 days on the road.


andy
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[h-cost] WWI Khaki Drill?

2009-07-07 Thread Andrew T Trembley
A friend of mine is working on a uniform reproduction and needs khaki  
cotton drill (about 4 yards). He's got the supplier in the UK who has  
made it for the British armed forces for the last 150 years or so, but  
is wondering if there's a supplier here in the states that might be  
cheaper and quicker.


Any suggestions for sources?

andy
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Re: [h-cost] Historic sewing conferences in the US?

2009-06-23 Thread Andrew T Trembley

Robin Netherton wrote:

Pierre  Sandy Pettinger wrote:
Since Costume Con is held by a different group every year, there is a 
variability in what classes are offered, and their quality.  It all 
depends on who is running Programming, and who is attending and 
willing to teach.  Different regions bring in different people.  CC 
28 next year in Milwaukee will be quite different from CC 27 this 
year - different people, different classes.


Speaking of which, I'll be doing a track of classes at CC28 in 
Milwaukee -- probably the equivalent of a full day of lectures, maybe 
some panels here and there. (Topics still to be decided, but they'll 
include some of my usual ones, like the Gothic fitted dress.)


...and I know the chair and the programming head. Think about doing the 
class you never thought you could get away with, or the class no 
organizer ever asks for.


andy
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Re: [h-cost] CC27 historical judge talks about workmanship and historical interpretation

2009-05-07 Thread Andrew T Trembley

On May 7, 2009, at 2:03 PM, Heather Rose Jones wrote:
It's probably bad manners to say this on the list rather than  
privately, but I'm a bit concerned for what the lurkers might think  
if this isn't responded to.


No, it's really not bad manners.

If that had been something I entered, I would be extremely hurt and  
horrified to see a judge talking about it in this fashion.  A hat is  
stupid simply because you had a bad experience with '50s fashion?   
An entire historical fashion era makes you gag?  I would find it  
very difficult to trust a judge to be impartial who expresses  
opinions like this.  You say it shouldn't matter, but I'd look for  
a bit more evidence that the judges control their rendered judgement  
better than their expressed opinions.


There are no judges who don't have any stylistic biases. We need to  
admit that up front, rather than embrace a myth. A good masquerade  
director will consider the biases of potential judges and build a  
panel that provides balance.


That said, some of the comments about entries are borderline at best.  
Like Vegas, what happens in the judging space should stay in the  
judging space, privy to only the judges, the clerk and the director,  
unless the entrant (and only the entrant) asks for critique from the  
judges. The goal is to encourage people to enter by rewarding  
excellent research and execution, not to scare them away by offering  
unsolicited criticism.


andy
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Re: [h-cost] Ikat - Was: Vietnamese loom

2009-02-08 Thread Andrew T Trembley

Saragrace Knauf wrote:

And it even is period in Europe - I am on my way out of town - I'll have to 
look for the pictures when I get home.  Seems I have a picture somewhere of a young boy 
in it in the 15th or 16th century Europeand of course later in the 18th/19th.
  


I can document it to 9th century (I think, it might be 10th) Japan...

andy
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Re: [h-cost] OT: Does anyone know of an Indian grocery in Palo Alto CA or thereabouts?

2009-02-01 Thread Andrew T Trembley

Lavolta Press wrote:
A relative used to buy my husband and me really great bags of bulk 
spices, bulk tea, dohkla mixes, etc. at an Indian grocery near where 
he lived (out of state).  He has passed away and well, now we're 
wondering if there is an Indian grocery in Palo Alto or between there 
and San Francisco. My husband works in Palo Alto and could shop on the 
way home (but given the length of his commute does not want to drive 
further south).  We don't know of an Indian grocery in San Francisco 
and anyway, by the time you get there and park, shopping in the city 
is not really very convenient.


Don't know about Palo Alto or northwards. There's an Indian grocery in 
Sunnyvale at Lawrence  El Camino (just north/west of Lawrence).


Bharat Bazaar
3680 /El Camino Real
Sunnyvale

andy
/
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Re: [h-cost] Eyelets with a buttonholer?

2009-01-31 Thread Andrew T Trembley

Zuzana Kraemerova wrote:
Wow, I've never heard of an eyelet plate before!!! I've found a video on in and it looks great! My sewing machine has a pre-programmed eyelet, but it's too small and weak. 
It seems only Pfaff and Husqvarna have these plates... does Janome have it, too??? I have a 6600P.
  


They were commonly available for older zig-zag machines. I've seen Elna 
eyelet plates (they're little clamp-on rectangles that cover the feed 
dogs), and I think for the older Singers. I would kill for the eyelet 
plate to match my Pfaff 332; it's really sophisticated.


The great thing about an eyelet plate is you use an awl to stretch a 
hole in your fabric, push the hole over the plate, and the eyelet 
stitching is just there to hold the eyelet open, not to provide 
structure. It's incredibly sturdy.


andy
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Re: [h-cost] Eyelets with a buttonholer?

2009-01-30 Thread Andrew T Trembley


On Jan 30, 2009, at 3:42 PM, Margo Anderson wrote:

I'm thinking of buying a 1950's sewing machine with a buttonholer  
attachment, the kind that uses templates to make different size  
buttons.  Some of them have templates that make round eyelets, and  
I'm wondering, has anyone used them for lacing eyelets on period  
corsets and bodices?


An eyelet plate will serve you better. The brick buttonhole foot  
still only does zig-zag, so you don't get the radial stitching of a  
true eyelet.


andy
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Re: [h-cost] Eyelets with a buttonholer?

2009-01-30 Thread Andrew T Trembley

Margo Anderson wrote:
I tried an eyelet plate and found it nearly impossible to use on large 
garments like dresses with big skirts, because of having to spin the 
fabric around it. They didn't want to fit through the (mind blip, 
whatever the name is for that space between the needle part and the 
body of the machine) How do you handle that?


Besides origami or a long-arm quilting machine?

I'm a serious fan of creative rolling, folding and pinning to reduce the 
bulk into the smallest managable volume. Yes, it makes your reset time 
between eyelets longer.


I'm also a fan of old flat-bed sewing machines built into huge cabinets 
with large work-spaces.


Of course, if appropriate, you could always make eyelet self-tape and 
stitch it down to the garment to save the big fiddling.


andy
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Re: [h-cost] - sergers

2008-11-30 Thread Andrew T Trembley

julian wilson wrote:

Gentles of the Historic costume List,
just for the education of my House, who are still muddling along making medieval garb and other fabric items, using a collection of fully-serviced, secondhand but older [i.e. - no computers] domestic sewing machines,  - 
 would any Gentle of the List explain to us [ and other beginners similarly ignorant] what is the difference between a serger and a normal domestic machine; - and what are the advantages of having a serger for use in the making of replica historical fabric items?

I have done an internet search - but - due to my online ineptitude, I have no 
doubt,  - have not found any answers we can readily understand.

with thanks for your clarifications,
Lord Matthew Baker, of the SCA-[UK]
  


You've got some mostly good information from others on the list. A few 
years back I wrote an introductory article on sergers; it's still up at:

http://tinyurl.com/3xpw2a

The folks who talk about sergers not being appropriate for historical 
costume are short-sighted. They are entirely appropriate for early 20th 
century manufactured clothing recreation.


andy
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Re: [h-cost] early 20th century serger use (was sergers)

2008-11-30 Thread Andrew T Trembley

Kimiko Small wrote:

Would you mind sharing what you know about how sergers were used for the early 
20th century garments? I presume they were similar, but not the same as used 
today, or were they? I have this Edwardian coat I want to work on, but the 
directions with the pattern is rather scant on fully period techniques. I am 
still debating in my head how period, or how modern I want to be when working 
on it.
  


2-thread overlocking dates back to at least 1890 with a Wilcox  Gibbs 
overlock patent that uses a looper system very familiar to serger owners 
of today.


As to how they were used, the best thing you can do is, if possible, 
look at extant Edwardian garments. An ex-boyfriend of mine has a 
fabulous pre-WWI West Point Cadet's Dress Uniform; IIRC 2-thread 
overlock stitch was used to bind the edges of the pattern pieces to 
prevent the heavy wool from fraying.


andy
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Re: [h-cost] Jazz Color

2008-11-18 Thread Andrew T Trembley


On Nov 18, 2008, at 1:03 PM, Rickard, Patty wrote:

Thanks for your response, Penny. The book sounded pretty specific  
for jazz being a color, as in 'a jazz colored dress.' I couldn't  
imagine what that would be.

Patty


Let us know what book it's from. That may provide a more solid lead.

andy
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Re: [h-cost] sewing machines and button holes

2008-11-10 Thread Andrew T Trembley


On Nov 10, 2008, at 12:08 PM, [EMAIL PROTECTED] wrote:


The newest computer machines will even measure the button for
you, and make the hole the correct size. They memorize the size,  
and sew

all the holes the same.


Actually I remember something from wy back, maybe in the  
70s, a

style where you would place your button in the attachment rather than
a cam. Not sure if it made allowances for button thickness, though. A
thick or domed button needs a bit more than the usual diameter+
buttonhole.


I had a Singer Futura II 920 (the last good machine Singer ever made)  
with a one-step buttonhole system. You attached the buttonhole foot,  
inserted the button, and flipped a lever to complete the set-up. It  
did account for button thickness by using an angled stop; thicker  
buttons would result in a longer buttonhole.


andy
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Re: [h-cost] Corsetry issues- interior pillows?

2008-10-03 Thread Andrew T Trembley


On Oct 3, 2008, at 9:49 AM, Natalie wrote:


Andrew T Trembley wrote:

snip
The Elizabethan corset is a perfect example. It doesn't cinch down  
the waist much, it just produces a very flat front and the illusion  
of a smaller waist. For larger women it often includes a little  
interior support pillow for the breasts to rest upon, reducing the  
need for compression to provide support. It doesn't have to be  
really tight to do its job.


I confess that my knowledge of period correct corsetry is still  
rather new, within the last two years or so, but I have not seen  
reference to this interior pillow before. Do you have some sources  
you can refer me to? I am a larger woman myself and if this is a  
more comfortable alternative then compression, I'll be glad to  
experiment with it.


Haven't got doc for it. Wasn't my corset.

It was a way of coping with the solid (often wood) busk in the front  
of an Elizabethan corset. Many of my friends at faire put in a firm  
twinkie sized support pillow, without which they would not have been  
able to achieve the right silhouette.


Without the pillow they would have had over-mashed breasts, falling  
breasts, or (with a less-rigid busk to compensate) a non-flat front.  
None of them would have matched the silhouette represented in  
portraits and sculpture.


If you're doing something for competition, I would worry about  
documentation. If you're using machine stitching and other modern  
techniques to make your costume, I wouldn't worry. If it's a cheat,  
it's a completely invisible cheat.


andy
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Re: [h-cost] Corsetry issues (was Looking for bad examples)

2008-10-02 Thread Andrew T Trembley

On Oct 2, 2008, at 4:03 PM, Carmen Beaudry wrote:
I have fibromyalgia and arthritis, and I find that my properly  
fitted corsets are MUCH more comfortable that any bra.  I do have  
days that there's too much pain to wear anything fitted, but on  
those days I'm usually in bed with a lot of pain medication, not  
trying to do anything.


I think you've hit the nail on the head here. If the corset doesn't  
fit, it's going to be uncomfortable.


On top of that, there are many different styles of corsets and  
bodices. Someone who would find a wasp-waisted Victorian or Edwardian  
corset (which, face it, is what inexperienced folks think every corset  
is) very uncomfortable may be perfectly happy in a simpler Renaissance  
style.


The Elizabethan corset is a perfect example. It doesn't cinch down the  
waist much, it just produces a very flat front and the illusion of a  
smaller waist. For larger women it often includes a little interior  
support pillow for the breasts to rest upon, reducing the need for  
compression to provide support. It doesn't have to be really tight to  
do its job.


andy
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Re: [h-cost] FLDS Clothing

2008-07-08 Thread Andrew T Trembley


On Jul 8, 2008, at 5:35 PM, Kimiko Small wrote:

--- On Tue, 7/8/08, monica spence [EMAIL PROTECTED] wrote:


WHY is it that men make the rules of what women wear?
Monica


Is this a hypothetical question, or a real one? I am not sure.


It's one that's probably way outside the scope of this list, at least  
as it's phrased. Discussing strictures, sumptuary laws and appropriate  
dress for a period may be appropriate (and necessary to understand how  
to recreate historical costume properly) and it may be possible to  
have a dispassionate discussion about the cultural circumstances in  
which historical costume developed...


...but gross generalization is always inappropriate.

andy
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Re: [h-cost] old pfaff industrial

2008-06-23 Thread Andrew T Trembley


On Jun 23, 2008, at 6:19 PM, Megan wrote:

First thing - try turning the needle around. If it is in backwards  
(as is common) it could be the problem.  I've seen several broken  
machines where that turned out to be the only problem.


...or sideways; most industrial machines I've used are round-shank  
needle systems, so it's not difficult to mis-align a needle.


andy
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Re: [h-cost] Knitting machines

2008-05-14 Thread Andrew T Trembley
On May 14, 2008, at 12:23 PM, Lavolta Press wrote:
 The computer control sounds cool.

 Earlier I was looking at some bottom of the line machines where you  
 had
 to get a machine for either fine, medium, or thick yarn--but you could
 not use all three on the same machine. Are there any machines that you
 can just adjust to your yarn thickness?

Carol K appears to have far greater knowledge on knitting machines  
than I do, but I can answer this one.

Knitting different size yarns by hand requires different size knitting  
needles. Knitting different size yarns by machine requires different  
size knitting needles, and this necessitates different needle spacing.  
The only way to adjust to different size needles would be to replace  
the whole needle bed, and that's the largest part of the machine.

Even the high-end machines have these limitations.

It is possible to run thicker yarns on machines designed for thinner  
yarns if the needles allow, but the needle spacing can still be an  
issue. One of the tricks is to move alternating needles into the non- 
working position to create extra space, but you're effectively  
halving the size of your machine when you do this, and probably  
wonking up the punch card or computer-controlled patterns.

andy
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Re: [h-cost] Knitting machines

2008-05-14 Thread Andrew T Trembley
On May 14, 2008, at 1:14 PM, Lavolta Press wrote:
 Pity, I thought the miracles of computerization might now allow  
 sliding
 in a new unit.  Still, the computer controls instead of punch cards  
 are
 good to know about.

Alas, this is a question of precision machining, not of computer  
control.

andy
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Re: [h-cost] Knitting machines

2008-05-14 Thread Andrew T Trembley
On May 14, 2008, at 1:34 PM, Lavolta Press wrote:
 And here I thought precision machining had improved over the years  
 too.

Oh, it has, but that doesn't change the design of a knitting machine  
bed.

A modern knitting machine bed is usually a long chunk of aluminum with  
small carefully spaced machined channels in which the needles lie.  
It's a simple and effective design, with very tight tolerances. The  
practicality of engineering a bed with variable-depth and variable- 
width channels so hundreds of needles can be replaced with a different  
number of different-sized needles that require different spacing in  
the same area is absurd.

andy
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Re: [h-cost] Knitting machines

2008-05-14 Thread Andrew T Trembley

On May 14, 2008, at 1:55 PM, Lavolta Press wrote:
 But y'know, I love equipment, and I want the latest in knitting
 machines. They seem to be rather out of fashion. There was a time when
 everybody had to have a sewing machine and a knitting machine, then  
 they
 had to have a sewing machine and a serger, now they have to have an
 embroidery sewing machine.

Unfortunately, your impression seems to be about right. Both Passap  
(the most advanced European manufacturer) and Brother (the biggest  
Japanese manufacturer) no longer produce knitting machines.

I'm not sure if it's that knitting machines don't lend themselves to  
multi-purpose designs, or if it's that they're pretty much useless  
without at least basic knowledge of hand-knitting. Then again, it  
could just be that serious knitting machines are large, too large for  
apartment-dwellers.

andy
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[h-cost] Costume-Con 26 and Flickr: Spread the word!

2008-04-30 Thread Andrew T Trembley
The photo workflow office is back in Orange County, and is still  
working like mad to process the over 20,000 pictures that volunteers  
shot and turned in. It's going to take a few days for these to get  
uploaded.

But don't wait! There's hope!

If you're a Flickr member, and you shot photos at Costume-Con 26,  
please consider adding your convention sets to the Costume-Con 26  
group photo pool. We've already got two members who have added their  
sets, but we would love to see more.

http://www.flickr.com/groups/cc26/

andy

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Re: [h-cost] scanning large format items Was:How Many Costume Books

2008-04-30 Thread Andrew T Trembley
On Apr 30, 2008, at 12:42 PM, Alexandria Doyle wrote:
 In the last five years are so I've worked in companies that had large
 format scanners, but the document is fed into the machine, not laid on
 a flat bed.  Most of these are gentle enough with the material being
 scanned - some of the drawings I've worked with were originally done
 in the 1950's and are pretty fragile considering the use they have
 had.

 So if it's not bound in a book, it could go into the scanner, if it  
 is bound...

What you want for something like this is a copy stand and a high- 
resolution digital camera.

Lay the large original on the table. Position the copy stand so the  
object is completely in frame. Adjust the lights to ensure the  
document is evenly lit. Shoot.

It's just the evolution of film copying.

andy
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[h-cost] OT-ish Seeking folks regarding the Thursday 4/24 pre-CC26 tour...

2008-04-22 Thread Andrew T Trembley
I received reservations for the following folks for the CC26 pre-con  
Chocolate  Spirits tour, but haven't received a confirmation message  
from them:

Deborah Cardillo, Martin Harriman
Renata O'Connor-Rose, Leah O'Connor, Patrick O'Connor (+2, yes we have  
room for your +2)

I still have some seats on the bus left. Tickets are $35/person,  
leaving from the San Jose Doubletree at 9:45 AM on Thursday.   
Convention members, of course, have priority to buy tickets, but if  
I've got space I'll take other reservations.

please send any reservation requests to [EMAIL PROTECTED] If you've  
reserved and haven't received a note from me, it means I never got  
your reservation; if that's the case (I beg the moderators  
forgiveness) answer on-list to ensure that your mail isn't being eaten  
by SPAM filters somewhere.


andy


Here's the original details:
It's about an hour's trip to Berkeley, but it's worth it. Scharffen  
Berger Chocolate Maker is a first-tier chocolate manufacturer,  
starting with the raw beans and controlling every step in the process  
of making the best small-batch chocolate in the country. After the  
tour, we'll take lunch at Café Cacao, right in the Scharffen Berger  
factory.

 From lunch we'll continue the short jaunt from Scharffen Berger to  
St. George Spirits, a cradle of craft-distilling in the US. Located at  
the northwest end of Naval Air Station Alameda (a site familiar to the  
fans of Mythbusters) in an old hangar, St. George Spirits is classic  
Schwartzwald, Germany transplanted to California. Under the St. George  
name, Jörg, Lance and their crew distill eaux de vie, liqueuers and a  
superb single-malt whisky. Their recent Absinthe release rocked the  
spirits world. They're also well-known for distilling the Hangar One  
series of flavored vodkas. In a partnership with John Scharffenberger,  
they produce Qi tea liqueurs and Essence of Cacao perfume. Taste  
carefully.
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Re: [h-cost] ball jointed dolls

2008-03-28 Thread Andrew T Trembley
On Mar 28, 2008, at 10:31 AM, Leif og Bjarne Drews wrote:
 Dear Cindy,
 Thanks a lot!

 The one i have is a Volks Super Dolfie.

A bit of a warning... most of the online doll communities I know of  
have a pretty high drama quotient.

andy
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[h-cost] OT-ish... Tudor and Elizabethan printing

2008-03-27 Thread Andrew T Trembley
I need some help (or you can translate this to I'm feeling too lazy  
to do the research myself right now).

I'm looking for two things:
• Fonts: anybody know any good renaissance-y fonts? I'm looking for  
something that is both relatively period-accurate for Tudor and  
Elizabethan printed books, broadsheets and handbills, and something  
that the less-than-educated viewer will think Oooh, old! when they  
see it. Free preferred, but feel free to recommend commercial fonts.  
OpenType preferred, but feel free to recommend TrueType or PostScript.
• Tudor  Elizabethan printed things: Books, broadsheets, handbills  
and signs. Yes, of course, facsimiles preferred, and online sources  
preferred. At work I've got access to a number of academic online  
collections, so feel free to recommend restricted services; I might be  
able to get to them.

Andy Trembley
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[h-cost] Costume-Con 26 FB Tours info

2008-03-23 Thread Andrew T Trembley
Have you been asking yourself
Why should I go to San Jose for Costume-Con?

Well, you should go to San Jose because Costume-Con is there. While  
you're in San Jose, though, the Bay Area beckons with unique  
opportunities for fun. If you're in to decadent food and beverage,  
we've definitely got you covered.

Come out a day early. Check in to our hotel on Wednesday night,  
because on Thursday morning (4/24) chocolate awaits!

It's about an hour's trip to Berkeley, but it's worth it. Scharffen  
Berger Chocolate Maker is a first-tier chocolate manufacturer,  
starting with the raw beans and controlling every step in the process  
of making the best small-batch chocolate in the country. After the  
tour, we'll take lunch at Café Cacao, right in the Scharffen Berger  
factory.

 From lunch we'll continue the short jaunt from Scharffen Berger to  
St. George Spirits, a cradle of craft-distilling in the US. Located at  
the northwest end of Naval Air Station Alameda (a site familiar to the  
fans of Mythbusters) in an old hangar, St. George Spirits is classic  
Schwartzwald, Germany transplanted to California. Under the St. George  
name, Jörg, Lance and their crew distill eaux de vie, liqueuers and a  
superb single-malt whisky. Their recent Absinthe release rocked the  
spirits world. They're also well-known for distilling the Hangar One  
series of flavored vodkas. In a partnership with John Scharffenberger,  
they produce Qi tea liqueurs and Essence of Cacao perfume. Taste  
carefully.

If a chocolate maker and a distiller aren't enough, you'll have to  
wait until Tuesday (4/29). They're more than enough for any single day.

If you stay until Tuesday, you can ensure your California visit is  
complete. Our Tuesday food  beverage tour is wine tasting. Forget  
Napa and Sonoma, though; they're a long drive and expensive to boot.  
Much closer to San Jose is the Livermore Valley, home to Lawrence  
Livermore Labs and the oldest wine-growing region in California.

Livermore is still a town of boutique wineries where 5000 cases a year  
is big production and folks squander their retirement making small  
amounts of great wine. Bent Creek Winery is a great example of this,  
run by best friends who retired from the Livermore School district,  
and wizards with Syrah. Cedar Mountain Winery has been making wine a  
bit longer, and this pair of retired physicists from Lawrence  
Livermore Lab are well-known for their award winning Cabernet  
Sauvignon and Merlot. Finally, it wouldn't be Livermore without  
someone who retired from the wine business to run a winery, and Thomas  
Coyne Winery, housed in the oldest standing winery in California, has  
made a name working with ugly-duckling grapes like Malbec, Petit  
Verdot and Mourvédre. We'll be stopping at all three, and (like almost  
every day in almost every tasting room in Livermore) the wine makers  
will be present.

Please, plan to stay the extra days and enjoy the region. As the  
convention approaches, we'll be working out the logistics of these  
trips. If you're interested in going on either tour, email [EMAIL PROTECTED]

On the web:
Costume-Con 26
http://www.cc26.info/

Scharffen Berger Chocolate Makers
http://www.scharffenberger.com/

Café Cacao
http://www.cafecacao.biz/

St. George Spirits
http://www.stgeorgespirits.com/

Hangar One Vodka
http://www.hangarone.com/

Bent Creek Winery
http://www.bentcreekwinery.com/

Cedar Mountain Winery
http://www.wines.com/cedarmountain/cedarmtn.html

Thomas Coyne Winery
http://thomascoynewinery.com/
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Re: Ball Jointed Dolls - was [h-cost] danish renaissance costumes.

2008-03-19 Thread Andrew T Trembley

On Mar 19, 2008, at 2:44 PM, Dawn wrote:

Saragrace Knauf wrote:
Aren't they the coolest! Wish I could afford one.  Cool dress and  
waistcoat.


The look like they would be fun to make costumes for. I don't have  
one myself, but I know there are some lower-priced models out there,  
in the $100 or under range. I'd probably spend more than that on  
fabrics for it


obligatory_pimping
If you're coming to Costume-Con 26 http://www.cc26.info, we've got  
some very knowledgeable ball-joint doll (sometimes referred to as  
resin dolls) folks attending, and there's going to be a ball-joint  
doll reception in our doll exhibit.

/obligatory_pimping

Japanese ball-joint dolls (exemplified by the Volks Dollfie lines)  
are usually very expensive. There are Japanese brands like Obitsu that  
are more reasonably priced.


There are several Korean manufacturers who make dolls that are as well- 
crafted as the Japanese dolls, and while their design sense is  
sometimes different, they're often very beautiful too. They're also a  
lot cheaper.


A warning, though: These dolls can be habit-forming. I don't think  
it's unintentional that one of the largest US retailers of BJDs is  
named Junky Spot. http://www.junkyspot.com/


andy
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Re: [h-cost] semi-OT: getting smoke smell out of fabrics

2008-03-10 Thread Andrew T Trembley


On Mar 10, 2008, at 6:12 PM, A. Thurman wrote:


My mom is quitting smoking and my sister is trying to get the smoke
smell out of her clothes and linens (only reason I'm not is because I
live too far away!)

So far she's tried 2 washes with baking soda-based laundry detergent
and drying with a scented dryer sheet, but the stink is still there.


The Sharper Image ionic breeze air cleaners are actually  
surprisingly good on getting out smoke odors if you use them in an  
enclosed space. Hang your stuff in a closet, plug in the air cleaner,  
and close the door. Leave it for a week or so. The cleaner produces a  
small amount of ozone, and that just eats up the smoke smell.


Then there's the old theatrical trick; fill a pump-spray bottle full  
of vodka. Hang the stuff you want to deodorize, and mist lightly with  
vodka. Repeat daily for a few days.


If all else fails, Febreeze.

andy
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Re: [h-cost] It ain't the iron? Was: How do you like your iron? - again - OT

2008-02-06 Thread Andrew T Trembley

On Feb 6, 2008, at 5:30 PM, Wicked Frau wrote:
Okay -C, just have to ask  do you really mean the tool has  
nothing to do

with it?


When we were young, we made our irons out of adobe. Sure, you moisten  
the fabric you're pressing and you'll get mud all over it, but they  
were real, and we liked it!


andy
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Re: [h-cost] How do you like your iron? - again - OT

2008-02-05 Thread Andrew T Trembley


On Feb 5, 2008, at 3:47 PM, Saragrace Knauf wrote:

I just dropped my Rowenta on my hard tile floor for the fifth or  
sixth time, and it finally started to leak.  Wha!


I just looked at Consumer Reports - their last iron review was in  
2006.  (I wrote them and asked them to do another soon.)
I also contacted Threads magazine since most of their recent reviews  
are on more expensive ironing systems.


I've got the Rowenta SuperPress 055 (external boiler) but it's a few  
years old. That said, I can heartily recommend an iron with an  
external boiler. No spitting, no lime, no staining ***ever*** because  
the water is below the iron and it's just steam being piped to it.  
Also, you can steam with a cold sole-plate.


Costco Online has the EuroPro Shark external tank iron for $99  
usually; I haven't tried it, but if it works that's an excellent price.


andy
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Re: [h-cost] How do you like your iron? - again - OT

2008-02-05 Thread Andrew T Trembley

On Feb 5, 2008, at 4:24 PM, Lynn Downward wrote:
To help a bit, I don't iron much but press while sewing, weight  
isn't a
problem for me, I like to have steam and optional spray. If I was  
able to
get one without the automatic shut-off, I'd be happy but I don't  
know if

anyone is making those anymore...


The external-boiler models generally don't have auto shut-off. Mine  
doesn't.


I don't want spray in my iron, just steam. I got a Polder Ironing  
Station (board) and it's got a shelf for a little trigger-spray  
bottle. Easy to refill and one less thing on the iron that could break  
or leak.


andy
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Re: [h-cost] How do you like your iron? - again - OT

2008-02-05 Thread Andrew T Trembley

On Feb 5, 2008, at 4:22 PM, Andrew T Trembley wrote:
Costco Online has the EuroPro Shark external tank iron for $99  
usually; I haven't tried it, but if it works that's an excellent  
price.


Someone just pointed out that the Shark isn't on Costco online  
anymore, and they're right. I haven't looked in a few months.


andy
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Re: [h-cost] Colored shirts in the 16th century?

2008-01-17 Thread Andrew T Trembley

On Jan 17, 2008, at 2:35 PM, Jane Stockton wrote:
I'm no expert, but could blue refer to a super bleached fabric?  
Isn't a bluing agent sometimes used to whiten discoloured white  
fabric?



True white, as measured by a spectrometer, is, to most of our eyes, a  
touch yellow. What we expect when we think of white is biased a little  
bit towards the blue.


What does this mean to us?

A blue wash acts to blunt the yellowing in fibers and make them look  
more white. It's the original reason that old ladies used blue wash  
to tint their hair. Like so many things that started out as a good  
idea, it's often a touch over-done.


andy
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Re: [h-cost] Bamboo fabric

2008-01-15 Thread Andrew T Trembley

On Jan 15, 2008, at 3:32 PM, Lavolta Press wrote:
Fabric.com has some bamboo fabric among their new arrivals for  
fashion fabric.  Dpes anyone know what the hand/drape of bamboo  
fabric is like?


Bamboo cloth is technically a rayon. I'd generalize and say it's a  
bit softer than cotton in the same weave or knit. It really varies,  
though.


andy
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[h-cost] For your Belle Époque inspiration. ..

2007-12-06 Thread Andrew T Trembley

Alameda's own St. George Spirits just received label approval for

St. George Absinthe Verte

Yep, the first US-made US-legal absinthe since 1912. I tasted a  
distiller's proof earlier this year, and it was fabulous. Strong,  
delicate, complicated, not just bitter with black licorice. It comes  
in a cool vintage-style bottle too.


The first commercial bottle sold on Monday, and general sales open on  
December 21.


http://www.stgeorgespirits.com/
http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2007/12/05/ 
MNQJTO9FM.DTL

http://www.nytimes.com/2007/12/05/dining/05absi.html

andy
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betweens (was RE: [h-cost] sewing needles

2007-11-29 Thread Andrew T Trembley

On Nov 29, 2007, at 12:09 PM, [EMAIL PROTECTED] wrote:
I was trained to use betweens for most sewing - they're shorter  
than sharps

and tend to be a bit stronger.


I'll admit that I do very little hand sewing, but...

I'm completely on-board with betweens. They're great for doing  
running stitch; since they're shorter there's less drag from the  
needle. I've been working my way through a big pack of vintage  
betweens with flat-ground eyes (much like suture needle eyes) and  
I'll be very disappointed when I get to the last one and have to  
start using new ones.


andy
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Re: [h-cost] Costume Con

2007-11-28 Thread Andrew T Trembley

On Nov 28, 2007, at 1:15 PM, Jane Pease wrote:
For the incogniscenti among us, what exactly is Costume Con? Who  
sponsors it  Where is information available?


Costume-Con is the international conference of fantasy, science  
fiction, historical and fashion costumers. It's attended by costume  
hobbyists, professionals and academics.


The Costume-Con history website is at http://www.costume-con.org/.  
There you will find documentation and pictures from conferences up to  
Costume-Con 24 in Des Moines.


This spring Costume-Con 25 was held in St. Louis, and the local  
committee persuaded Robin Netherton to present there.


Costume-Con 26 will be held April 25-28, 2008 at the San Jose  
Doubletree in California. Find more information at http:// 
www.cc26.info/.


Costume-Con 27 will be held May 1-4, 2009 at the Holiday Inn Select  
Timonium in the Baltimore, MD area. There's a PDF flyer at http:// 
www.costume-con.com/cc27/cc27flyer2.pdf.


Costume-Con 28 is scheduled for 2010 at the Hilton Milwaukee City  
Center in Wisconsin. Website at http://www.cc28.org/.




andy
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Re: [h-cost] CC 2009 whine...

2007-11-27 Thread Andrew T Trembley

On Nov 25, 2007, at 6:00 AM, cahuff wrote:
So I went to Darkover Grand Council (had a great time! Saw people,  
got cool books...)

and got the flyer for CC in 2009...in Baltimore!! Yah!!!
on the first weekend in May WAHH!!
That is Maryland Sheep and Wool Festival weekend.
So once again I'll be missing CC and it's right in my backyard  
grumph
Please could those in charge look and see what might just conflict  
the next time they plan an event. Please?



So putting on my cranky hat:
Try scheduling an international-scope event. There are no good  
weekends. Our Costume-Con in San Jose (for which we picked dates  
nearly 6 years ago) is booked against the West Kingdom 2008 Spring  
Collegium Occidentalis. No matter how wide you cast your net for a  
conflict-free date, you'll never find one.


Putting on my practical hat:
You can go to Maryland Sheep and Wool Festival any year, if it's in  
your backyard. CC won't be in your backyard again for at least half a  
decade. Go to the event that you'll regret missing for years instead  
of the one that you'll also be able to go to in 2008 and 2010.


andy
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Re: [h-cost] Embroidery sewing machine

2007-11-09 Thread Andrew T Trembley

On Nov 9, 2007, at 12:34 AM, juliana foulare wrote:

Greetings all,
 I have a question for everyone. I have been wanting a machine  
that does embroidery for yearsss. It now seems that this will  
become a reality. After looking at s many I'm confused (not  
that it takes much to do that) and can't make up my mind. My  
question is this  in your opinion which one do you feel is best  
and why you feel this way? You can either answer on the list or to  
me privately.


You don't buy an embroidery machine, you buy a sewing machine dealer.

You don't buy an embroidery machine, you buy digitizing software.

Seriously. You're talking about a very powerful machine that can do a  
lot of things and that can cost more than I've paid for most of my cars.


It is worth buying from a dealership with good classes. You'll want  
the classes so you can learn the full range of techniques available  
to you. Otherwise you're buying a really expensive machine that you  
will barely know how to use.


It is worth doing a serious evaluation of the digitizing software.  
It's how you tell the machine to do what it does. Many of the  
stitches and embroidery techniques aren't in the machine. The  
machine just moves a hoop around and drops the needle; the digitizing  
software defines the fill stitches, the satin stitches, everything.


That all said, when I finally buy an embroidery machine, I'm getting  
a Husqvarna Designer SE. I've got a good local dealer I trust.  
Husqvarna has the most sophisticated software on the market right  
now. It's simply the most flexible home embroidery machine on the  
market.


andy
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Re: [h-cost] Halloween and the perception of costume

2007-10-31 Thread Andrew T Trembley

On Oct 31, 2007, at 1:15 PM, Audrey Bergeron-Morin wrote:

I wanted to go to work all dressed up. I looked at my medieval
clothing and I just couldn't bring myself to wear this to work. For
one thing, it would be like cheating. And it wouldn't really be
something unusual to wear, from my perspective, even if people at work
have never seen me wearing it. And it would be kind of boring. And,
also, well... they're not really costumes, are they?



I worked Faire. I don't wear Elizabethans for anything other than  
Elizabethan events anymore (not that I've gone to Elizabethan events  
in recent years nor do any of my Elizabethans fit, but neither is  
relevant).


I'm wearing 18th century Japanese in gaudy plaids and prints, because  
Japanese is still a relatively new costuming phase for me, and it's  
barely 2 months old.


andy


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[h-cost] If there's anybody who would know...

2007-10-19 Thread Andrew T Trembley

...it would be here.

I'm looking for North American retailers/wholesalers of ramie cloth.  
For that matter, I'm interested in any vendor who ships to the US...


andy
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Re: [h-cost] Used book sources

2007-10-08 Thread Andrew T Trembley
I prefer to buy from dealers I know, but usually it's just combing  
through the stock and seeing if there's anything interesting. I'll  
still ask if they can find something they don't have in stock,  
usually waiting until I decide I can't live without it anymore.


In that case, I've used Amazon marketplace with good results.

I still:
1. review the seller feedback.
2. check where the seller is located.
3. see if the seller has any other web presence.

If possible I'll spend a bit more to go with a seller that's within  
easy driving distance, should there be a problem with the book not  
matching the description and quality listing.


andy
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Re: [h-cost] costume photos

2007-10-04 Thread Andrew T Trembley

On Oct 4, 2007, at 12:02 PM, Lavolta Press wrote:



Fair use, people. Fair use.
http://www.utsystem.edu/OGC/IntellectualProperty/copypol2.htm#test
The general counsel of a major university system, writing in plain  
English for folks who aren't lawyers. It's directed at the faculty  
in his system.
Of course, if you do want a more generic (and far more detailed)  
view, you can check out the Stanford Copyright  Fair Use Center  
http://fairuse.stanford.edu/. They've got their own explanation  
of the Fair Use Test, but it's a bit more detailed:
http://fairuse.stanford.edu/Copyright_and_Fair_Use_Overview/ 
chapter9/9-b.html



The problem is that many people want to take _one_ criteria, such  
as I'm not making any money from it or I work for an educational  
institution and assume that everything they want to do with  
material they want to use is fair use. There are actually a variety  
of criteria they must meet.  Also, even, some people wave around  
the term fair use, as if to say, Well it exists, so whatever I'm  
doing must be fair use.  Not so.


And yet you argue against generalizations with more generalizations.

Sylvia was describing (although I look to her to verify this) copying  
individual photographs from sources of historical fashion for class  
presentation and/or course packs. At first glance, that qualifies as  
fair use.


Let's run through the tests (I'll use the UT version, it's easier to  
understand) to confirm:

FACTOR 1: What is the character of the use?
It's educational, a high-ranking use under this test. It may also be  
non-profit (another high-ranking use), but I don't know anything  
about the institution or organization for which she's teaching this  
class.


FACTOR 2: What is the nature of the work to be used?
It's probably fact (the material in the images isn't likely to be  
original to the copyright holder on the work and may, itself, be in  
the public domain even if the photograph itself isn't) and it's  
published. High-ranking classifications under this test


FACTOR 3: How much of the work will you use?
A small amount, if you're qualifying the book as the work and not the  
photo (which is the norm). Since #1 and #2 already point towards fair  
use, even if it was claimed that the photo was the work, it may be  
justifiable as fair use.


FACTOR 4: If this kind of use were widespread, what effect would it  
have on the market for the original or for permissions?
After evaluation of the first three factors, the proposed use is  
tipping towards fair use


So it looks like Sylvia is in the clear at a basic level.

andy
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Re: [h-cost] costume photos

2007-10-04 Thread Andrew T Trembley

On Oct 4, 2007, at 1:31 PM, Lavolta Press wrote:


FACTOR 4: If this kind of use were widespread, what effect would  
it  have on the market for the original or for permissions?


It can have a great deal of effect.  Bear in mind that the  
copyright owner has a much better grasp of the effect on sales than  
the copyright violator, and the copyright owner can present that  
evidence in court.


I stated at the beginning that I was using the UT test as an example.  
Go back and read http://www.utsystem.edu/OGC/IntellectualProperty/ 
copypol2.htm#test.


Then come back with answers again, or with citations explaining how  
the analysis of their general counsel (who is trying to give their  
faculty as much freedom as possible while avoiding litigation) is  
incorrect.


andy


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repurposed fabric... Re: [h-cost] What's your dressmakers dummy wearing?

2007-10-04 Thread Andrew T Trembley

On Oct 4, 2007, at 2:38 PM, Dawn wrote:
There's a lot of embroidered linen out there that either has so  
many motifs, or glued applique, that it probably isn't worth  
bothering with.


If it's not bulky embellishment, it may still be good as lining or  
interlining. I've got some ugly olive-drab linen with an uglier umber- 
ish basketweave embroidery pattern on it. Got it dirt cheap. I've got  
enough to line quite a few garments...


andy
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[h-cost] Licensed art images for educational institutions...

2007-10-04 Thread Andrew T Trembley
If you're working for for a school or university that is a  
subscriber, check out ARTstor.

http://www.artstor.org/

Alas, my employer isn't a participant.

andy
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Re: [h-cost] costume photos

2007-10-04 Thread Andrew T Trembley

On Oct 4, 2007, at 4:06 PM, Lavolta Press wrote:
Because I brought the analysis to the table, I said that it was  
the  foundation of my example, and you're taking the lazy way out  
by not  arguing on the points and positions.


Nope.  It's quite as reasonable for me to run you around and waste  
your time--or rather, act as an e-list troll--and insist that  
unless you write little essays on the books that I assign YOU to  
read that you are taking the easy way out, as for you to try that  
game on me.  I've been a publishing professional, I've dealt with  
copyright professionally for over 23 years, and in my brother, I  
have a lawyer to consult close at hand.  I don't need to prove  
myself to you.



I work for a university. We participated in the CSU-SUNY-CUNY Work  
Group on Ownership, Legal Rights of Use
and Fair Use. I listen to our general counsel, who continues to  
update the work group's Fair Use
of Copyrighted Works: A Crucial Element in Educating America. I  
chose the UT website because it provides a more detailed explanation  
of the fair use test, but it's exactly the same fair use test that  
our general counsel provides to faculty

http://www.calstate.edu/GC/Docs/Fair_Use.doc.

andy
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Re: [h-cost] costume photos

2007-10-03 Thread Andrew T Trembley

On Oct 3, 2007, at 10:52 AM, Rickard, Patty wrote:
Be sure you make sure that the pics are not under copywrite, though  
- or

get permission first.


Copywriting is what a copywriter does.

Copyright is an intellectual property. Simply put, it's the right to  
control reproduction and use of a work. That's why it's right and  
not write.


Copywrite is, well, nothing. It's kind of like irregardless. It's a  
non-word substituted for a real one.


If this is for non-profit educational use, it may fall under fair  
use. The University of Texas has an excellent Crash Course in  
Copyright with an extensive section (that's understandable by the  
hoi polloi, not just lawyers) on fair use.

http://www.utsystem.edu/OGC/IntellectualProperty/copypol2.htm

andy
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Re: [h-cost] costume photos

2007-10-03 Thread Andrew T Trembley

On Oct 2, 2007, at 8:55 PM, Sylvia Rognstad wrote:
Do any of you costume instructors know of a source for costume/ 
fashion history cds?  I've been trying to take photos out of books  
but either I can't keep the book flat or I can't keep the camera  
steady enough so the pictures come out decently.  I bought a tripod  
but that didn't help, so now I'm wondering if I can just buy a  
collection somewhere.


I'm all for scanners if you can do it without breaking the binding.  
If the originals are too large, use a camera and a copy stand.  
They're available on eBay pretty cheap. I've been meaning to get a  
copy stand to photograph patterned fabrics with a large repeat.


andy


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Re: [h-cost] costume photos

2007-10-03 Thread Andrew T Trembley

On Oct 3, 2007, at 3:50 PM, Sylvia Rognstad wrote:
Does one need permission just to take pics to show for a class?   
There's no way I am going to try to do that for all the books I'm   
copying out of.


http://www.utsystem.edu/OGC/IntellectualProperty/copypol2.htm

UT's Crash Course in Copyright.

Short answer: probably not. Read it, though.

andy

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Re: [h-cost] middle ages: braies for women?

2007-09-14 Thread Andrew T Trembley

On Sep 14, 2007, at 6:06 AM, Melanie Schuessler wrote:

On Sep 14, 2007, at 4:03 AM, Zuzana Kraemerova wrote:
It is surely interesting to think logically about such a problem,  
but, just as you say, we can never rely on it, and, as we all  
know, people didn't always act very logically and didn't choose  
the most comfortable garments they could. Think of all those  
corsets and hoop petticoats and cage crinolines - the latest being  
worn even by lower-class working women that would surely need a  
more practical dress than the bourgeoise and nobility.


While it's certainly true that some fashions are more inconvenient  
than others on a purely practical level, I think that saying that  
people acted illogically and chose uncomfortable garments is  
misleading.  We tend to think that our current fashion is the most  
logical, comfortable, and lovely one, but people in the past  
thought the same thing.  Susan Vincent's _Dressing the Elite:   
Clothes in Early Modern England_ has some wonderful information on  
this.  Every fashion has its own internal logic, supported by  
cultural assumptions about what is healthful, beautiful,  
appropriate, etc.


Comfort is what you're used to, and it's not synonymous with  
practicality.


Having worn Elizabethan menswear (drafted from Arnold) for a season  
of faire, I can say that over time the posture it encourages was  
uncomfortable for me. That doesn't mean that someone who developed  
that posture from childhood by wearing those clothes daily would find  
it uncomfortable.


Having now worn 16th century Japanese, I have to say that while all  
that yardage is hardly practical, it's incredibly comfortable (and a  
great reminder of how hot a country Japan is in summer, in the hot  
snap a few weeks ago I would have been comfortable even under more  
layers).


andy
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Re: [h-cost] Using Feathers in Costume

2007-09-05 Thread Andrew T Trembley

On Sep 5, 2007, at 11:16 AM, Tori Ruhl wrote:
What feathers are best for sewing onto fabric in order to get a  
nice sleek look?
The project is going to consist of a sheath type dress, covered in  
feathers.
I don't have any experience working with them, so advice is greatly  
appreciated.

(best way to layer, attach...etc)



I'd go with 4-6 ostrich drabs (body feathers) http:// 
www.ostrichesonline.com/feather/of-db-5-nat.html. They're flexible  
and sturdy, so they would hold up pretty well on a dress. They're  
available in many colors, and if you're going for dark colors you  
could just buy the naturals cheap and dye them yourself with acid dye.


As to how to attach? In horizontal tiers from the bottom to the top.  
Stitch the shafts down to your fabric with a strong thread (carpet  
thread or artificial sinew) using a glover's needle that you can  
punch through the shaft. To avoid having obvious straight lines of  
feather tips (even if they're not exactly the same length), you may  
want to do a zig-zag or sawtooth-wave tier pattern instead of a  
straight horizontal line. Another good (and perhaps more economical)  
layout would be to do it in a scale pattern.


andy
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Re: [h-cost] fake fur in Sacramento, CA?

2007-09-04 Thread Andrew T Trembley

On Sep 4, 2007, at 6:35 PM, Joan Jurancich wrote:

At 03:13 PM 9/4/2007, you wrote:
For those of you in the area, where would you go for a good  
selection at a decent price?


Dawn


I have not found any local Sacramento source for anything other  
than very inexpensive fake fur.  If I were looking for decent fake  
fur, I'd try on-line sources.  You can always request samples  
before placing an order.


I've found Hancock's to often have good (if somewhat expensive) fake  
fur. I don't know, though, if there are any Hancock's left in  
Sacramento after the big reorganization.


Otherwise I'd suggest doing a run to San Francisco. Discount Fabrics  
(4 shops around town, the one in the Haight is pretty good, and the  
one in the SOMA is huge) has always had a good selection of fake fur.  
Mendel's Art (also in the Haight, about 3 doors down from Discount)  
has great fake fur.


Online, check out Monterey Mills http://www.montereymills.com/.  
Their website is frightening, but their product is excellent.


andy
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Re: [h-cost] re: Speaking of Chinese Costume...

2007-08-31 Thread Andrew T Trembley

On Aug 31, 2007, at 2:34 PM, Cin wrote:

Found it myself.  Peacock Cantonese Opera Association,  Sunnyvale. The
services page has pictures of costumes.
http://peacock-opera.com/services.html
Again, you can see the water sleeves sewn directly to the cuffs.  The
groups gives lessons in opera skills.  I'm sure someone will be
thrilled to tell an interested wairen all about the costumes.


Oh, now that's funny. It's a different group.

The folks presenting the trunk show aren't the Peacock Cantonese  
Opera Association, they're the Chinese Opera Association of Silicon  
Valley http://www.chineseoperausa.org/.


andy


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Re: [h-cost] Re: Speaking of Chinese Costume...

2007-08-30 Thread Andrew T Trembley

On Aug 30, 2007, at 3:21 PM, Cin wrote:

...I know where there's going to be a trunk show of vintage Cantonese
Opera costumes from the Cantonese Opera Society of Sunnyvale at the
end of September. You can probably get a look at original garments of
this type.

andy


And you're just going to tease instead of actually telling us where?


I don't have permission to repost the announcement. Email me offlist  
about it and I'll forward your request to the host. She's in Japan  
right now, though, so there may be a delay in responses.


andy


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Re: [h-cost] Speaking of Chinese Costume...

2007-08-29 Thread Andrew T Trembley

On Aug 29, 2007, at 2:14 PM, Sharon Henderson wrote:

I am attempting to replicate the look of this for a non-opera purpose.
 In an online article about the Chinese traditional opera (an article
I cannot now find... alas...) there is a picture of three actors who
have brought some children up on stage with them and put them in the
garments, and on one child you can see that the undergarment
apparently crosses over the front wrap-style, like a kimono, and that
while the sleeves are huge and long--the body of the garment itself is
barely waist-length.  If it's that short on a child, I can imagine it
must be like the little white blouse worn with traditional dirndls:
very short indeed!  :-)



If...

...you're in the SF Bay Area...

and

...you don't need to finish this quickly...

...I know where there's going to be a trunk show of vintage Cantonese  
Opera costumes from the Cantonese Opera Society of Sunnyvale at the  
end of September. You can probably get a look at original garments of  
this type.


andy

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Re: [h-cost] Chinese costuming help

2007-08-28 Thread Andrew T Trembley

On Aug 28, 2007, at 3:46 PM, Julie wrote:

It'll be a smidge expensive on the used/rare book market, but find a
copy of 5000 years of Chinese Costume.

It's the most comprehensive resource I've ever found on Chinese
clothing.

andy

*
Wow!  I found it from $81 to $300 but no pictures, darn it.  I'd  
have to see a bood that expensive before I bought it.  Thanks for  
the lead.


The $81 copy is in Australia. The others in the $200-300 range are in  
the US and reflect the standard pricing.


There's a picture at
http://www.amazon.com/exec/obidos/tg/detail/-/0835118223/ 
ref=ord_cart_shr/104-5086103-7604733?%5Fencoding=UTF8v=glance


andy


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[h-cost] Book!

2007-08-28 Thread Andrew T Trembley
So I've been told about what is essentially the holy grail of  
Japanese Historical costume books:

Jidai Issho no Nuikata (ISBN: 4773984058)
http://www.amazon.co.jp/時代衣裳の縫い方-改訂―復元品 
を中心とした日本伝統衣服の構成技法-栗原-弘/dp/ 
4773984058/ref=sr_11_1/503-4426301-8840760? 
ie=UTF8qid=1188256160sr=11-1


I probably can figure out the patterns without reading Japanese, but  
I can't figure out the cost or whether it's available. Anybody read  
enough Japanese to check out the Amazon.co.jp webpage and tell me if  
it's worth it to figure out how to buy the thing?


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Re: [h-cost] Book!

2007-08-28 Thread Andrew T Trembley

On Aug 28, 2007, at 5:24 PM, Saragrace Knauf wrote:
Also I read elsewhere that at one time it was sold by the Kyoto  
Costume Museum...maybe you could try there?


It's not currently in the Kyoto Costume Museum online shop.

andy

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Re: [h-cost] Chinese costuming help

2007-08-27 Thread Andrew T Trembley

On Aug 27, 2007, at 2:33 PM, Julie wrote:
My daughter has now decided on a Chinese personna, ca 1575.  We  
don't have to be particularly authentic, just recognizably  
Chinese.  She's supposed to be the widow of a Chinese trader in  
spices, silks  opium visiting the Spanish court.


It'll be a smidge expensive on the used/rare book market, but find a  
copy of 5000 years of Chinese Costume.


It's the most comprehensive resource I've ever found on Chinese  
clothing.


andy
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Costume College 2008 registration (was Re: [h-cost] King Tut exhibit (WAS: More Comments: Costume Content)

2007-08-23 Thread Andrew T Trembley

On Aug 23, 2007, at 12:39 PM, Gytha Stonegrinder wrote:
Annie's a wonder!  I've missed Costume College the last 2 years...  
hope to get back to it next year... Kathy


I'm sorry to inform you of this, but Costume College 2008  
registration sold out around lunch on Sunday of this year's College.  
I believe there is a waiting list, but I also believe it's pretty  
long already. If you're not already registered, your chances of  
getting in are pretty slim.


The CGW board is considering how to solve this issue while  
maintaining the quality of their classroom instruction, but that's  
not going to change things for College 2008 registration.


If you need your costume event fix for next year, please check out  
Costume-Con 26 in San Jose (April 25-28, 2008) http://www.cc26.info/ 
. Many of the Angelenos are planning to come up for our event.  
We've got folks with extensive historical costume background on our  
committee, including Shelly Monson, Aurie Bradley, Elanor Farrell and  
Jennifer Tifft. Our Friday night Social is the Victorian Underwear  
Party. Our vice-chair is in the used luxury car business and is an  
antique car show judge; she's working her connections to get some  
interesting vintage cars for early-20th century photo shoots. There  
should be plenty of activities for historical costume enthusiasts.


You can check out the history of Costume-Con in the Costume- 
ConNections Photo archive; you can find 24 years of historical  
competition entries there http://www.costume-con.org/gallery2/.


andy
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Re: [h-cost] It's time for Japanese...

2007-08-13 Thread Andrew T Trembley

On Aug 13, 2007, at 6:14 AM, Helen Pinto wrote:

andy wrote:
Does anybody have better resources

on earlier Japanese costume, say Heian and Kamakura styles?


There's a great new book:

Kure, Mitsuo, _Samurai: Arms, Armor, Costume_, Chartwell Books,
London, UK, 2007, ISBN: 0785822089, ISBN-13: 9780785822080

It lists for $19.99US, but lots of places have it cheaper; I got my  
copy for

around $12.  Most of the costumes depicted are pre-Edo, and each is
given at least four pages of pictures, text, and diagrams.   
Costumes are
shown from different angles, and in various stages of assembly.   
There are

much more of the mens' costumes than the womens', and lots of armor.
The text is very entertaining.


Thank you, this is exactly the sort of thing I'm looking for  
(menswear is often an afterthought in so many costume books).


andy

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Re: [h-cost] Heat n Bond Hell

2007-07-30 Thread Andrew T Trembley

On Jul 30, 2007, at 1:12 PM, Sharon Collier wrote:

I just bought a new machine and the salesman said Gutermann thread is
horrible and recommended against using it in my new machine. He  
recommended
some thread (I don't remember the name, started with a M). Of  
course, I

have 50 colors of Gutermann.


It's probably Mettler Metrosene polyester thread, or perhaps  
Mölnlycke polyester thread. This is the first time, though, that I've  
heard bad things about Gütermann thread.


There's a fun page at http://sewing.about.com/library/weekly/ 
aa102100a.htm of microphotography of different threads. Metrosene,  
Mölnlycke and Gütermann all look really good in the microphotography  
test.


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Re: [h-cost] Help with 'breaking down' costume

2007-07-16 Thread Andrew T Trembley

On Jul 16, 2007, at 11:30 AM, Pauline Loven wrote:
Can anyone direct me to some good tips on breaking down or ageing  
costume -
does anyone know of any books, booklets or web sites that might be  
useful?


The term you should be searching for is distressing a costume.

What sort of effects do you want to create, though? Are we talking  
visible wear, dirt, stains, fading?


andy


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Re: [h-cost] Order of the Phoenix

2007-07-16 Thread Andrew T Trembley

On Jul 16, 2007, at 7:23 AM, Abel, Cynthia wrote:
So putting the movie Umbridge in bad Chanel knockoffs 60's suits  
was not

such a bad idea, I think. Also as a Ministry of Magic official, she
would be more intimidating to the students and the audience by being
tall--we associate height with authority.


It's Imelda Staunton. I've seen her in a lot of stuff; she often  
works with Stephen Fry and Hugh Laurie. She's not at all a tall  
woman. Positively tiny standing next to Fry and Laurie. 5' even  
according to the bio information I was able to find.


Of course, I haven't watched the movie yet, I suppose they may have  
put her in heels.


andy
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Re: [h-cost] The Golden Age(film)

2007-07-11 Thread Andrew T Trembley

On Jul 11, 2007, at 5:12 PM, Anne Moeller wrote:

It's a pity she looks like Gary Oldman in Dracula in one of the
pictures!! (The bifurcated wig and lime green silk dress one.)



Suzi



I knew that dreadful look was familiar.  Yuk!!
I would love to know what inspired that!  Does anyone know who the  
costume

designer is on this movie?


the funny thing is the Old Oldman Dracula butt-hair costume was one  
of the more historically-consistent designs in that film...


andy
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[h-cost] Now it can be read!

2007-05-11 Thread Andrew T Trembley
The second edition of the Costume-Con 26 Progress Report, *Seams To  
Me*, is on its way to registered members, which means it's now  
available to download from http://www.cc26.info!


Get the latest on our comfy hotel, our fabulous dealers' room, our  
stunning exhibits, and the eagerly-awaited Fashion Folio rules!  
Download the PR now, but beware – it’s so full of goodies it may take  
a little while to load!

http://www.cc26.info/progress_reports/CC26_PR_2.pdf
You'll need the free Acrobat reader to view the downloadable version.

Of course, CC26 members receive a copy in the mail – if you’re not a  
member, you can register online and be sure of getting the next PR  
delivered directly to your door, as well as being able to get in on  
the education, competition, art, and pleasure of spending a weekend  
with fellow costumers and costume lovers!

http://www.cc26.info/main.php?section=membership

Costume-Con is a premiere venue for professional and hobbyist  
costumers to meet, compete, share, and socialize. CC-26 takes place  
April 25-28, 2008 in San Jose, CA. Stay up to date with Costume-Con  
26! Write us at [EMAIL PROTECTED] if you have questions or want to  
volunteer.


Please forward freely.

Costume-Con is a registered service mark of Karen Dick, used by  
permission.
CC26! Adventures in the Costume Continuum is a project of The  
Unconventional Foundation.___

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Re: [h-cost] Ahem-something interesting

2007-05-08 Thread Andrew T Trembley

On May 8, 2007, at 8:43 AM, Saragrace Knauf wrote:
The only other painting I remember showing this sort of thing is a  
Breughel - (a younger as I recall) of a woman squatting in the  
woods.  I am sure it is more common than we see.  I guess on of the  
big French palaces(Versailles?) didn't originally have any  
bathrooms and I recall hearing often of folks relieving  
themselves in stairways and fireplaces.


I wish I could recall the period source that talked about collecting  
saltpetre (from urine) from church pews...


andy
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Re: [h-cost] new Butterick pattern 5061

2007-05-03 Thread Andrew T Trembley

On May 3, 2007, at 11:09 AM, MaggiRos wrote:

Not that this keeps us from screaming over the
costumes in something like The Tudors. The budget
demands of a show like don't explain some of the
design choices they made.


I'm willing to give historical fantasy more leeway than something  
that claims accuracy. I'm willing to give designers a lot of credit  
if they can use and successfully hide modern techniques because  
they're practical. A performance venue, whether it's stage, screen or  
something interactive like historical faire, is a performance venue.


There's still a point at which I can't suspend disbelief anymore. I  
think the worst case is when there's obviously been a lot of work put  
into accuracy, and one or two costumes (the stars', usually) just  
don't match.


andy
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Re: [h-cost] new Butterick pattern 5061

2007-05-03 Thread Andrew T Trembley


On May 3, 2007, at 3:30 PM, Robin Netherton wrote:
It occurs to me that the productions that get the most criticism on  
this
list are historical drama, particularly those that purport to be  
realistic
(say, Elizabeth, which offered film-linked packets for school  
history
programs as part of its marketing, as opposed to Orlando, which  
was also
set partly at the Elizabethan court but had a strong fantastical/ 
satirical

element).


I remember the uproar in academic circles about Elizabeth offering  
the history packets. This after the director blathered on and on in  
interviews about how he wanted to tell a modern story and discarded  
most of the history.


Shakespeare in Love was much more interesting. It proudly took up  
the mantle of historical fantasy, and yet it captured the period much  
better.


andy
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Re: [h-cost] Monkey Claw Buttons

2007-04-18 Thread Andrew T Trembley

On Apr 18, 2007, at 2:47 PM, Julie wrote:
Apparently I have these links saved at home and not at work.  There  
are several sites devoted to frogs, Chinese knotting.  A Google  
search should turn it up...but look for monkey PAW rather than  
claw.  There's another name as well...Turkish something.


There are two different Monkey's Paw or Monkey's Fist knot.

There's the coil-style (as found by Sharon):
http://www.ropeworks.biz/archive/monkpawcoil.html
It can be formed around a core (as in the link above) or without a  
core (as in Sharon's link), and can produce a very nice ball either way.


Turk's Head knots are different.
http://www.ropeworks.biz/archive/turkhed.html
The basic Turk's Head is a decorative wrap or fastening, made around  
a cylinder. Totally not what we're looking for here.


http://www.ropeworks.biz/archive/monkpaw.html
The Turk's Head style Monkey Paw is formed flat and then bent over  
a core. It gives a different look than the coil-style monkey's paw.


andy
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[h-cost] Costume-Con 26 rates go up May 1!

2007-04-13 Thread Andrew T Trembley

CC26: Rates on the Rise

Been *meaning* to get your Costume-Con 26 membership before the rates
go up? Well, now is the time to act: rates go up on May Day! (5/1/07)

Our current rate is $75. On May 1st, we hop up to $85. Supporting
memberships, Kids-In-Tow and Youth memberships stay at the current
rate. If you voted for CC26 in Silicon Valley, you may apply your $10
voting fee towards your memberships.

What are you getting for your membership you ask?

Answer: Lots of opportunities to compete against and chill with other
costumers and designers - and lots of reasons to get your picture
taken! You'll find plenty of inspiration in our vendors area, and from
the costumes in the halls. Show off your finest doll couture, your
bushiest tail, or your sharpest vest crease. Pick up tips and
techniques for making almost anything from our experts!

Costume-Con offers an abundance of educational workshops,
competitions, and social events. Check out http://www.cc26.info for
the latest on our offerings.

We'll show our town off to its costuming best, guiding you to fabric,
museums, and restaurants. This is California! Expect great weather and
endless opportunities for fun.

Don't forget your time-traveling togs!

Join us at Costume-Con 26. Visit http://www.cc26.info and register
before the fees ascend! The Doubletree Hotel San Jose will soon create
a Private Online Group Page for online reservations. More news soon!

Please forward freely.

Costume-Con is a registered service mark of Karen Dick, used by
permission.
CC26! Adventures in the Costume Continuum is a project of The
Unconventional Foundation.

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[h-cost] I'm keeping a running list...

2007-04-12 Thread Andrew T Trembley
...of Costume-Con 25 photo albums and websites in the Costume-Con  
livejournal community.


http://community.livejournal.com/costume_con/tag/photos

If yours isn't there, post it, or let me know and I'll add it.

andy
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[h-cost] Costume-Con 25 photos: Have I missed anything?

2007-04-11 Thread Andrew T Trembley

I've been keeping track of the photo galleries that were posted.

So far, I've got:

Don McClane
http://www.tancos2.net/costume2/cc07A.html

Kelli Maethoriel
http://www.flickr.com/photos/[EMAIL PROTECTED]/tags/cc25/

John O'Halloran
http://pics.ohalloran.org/gallery2/main.php?g2_itemId=28

Loren
http://www.flickr.com/photos/[EMAIL PROTECTED]/sets/72157600060623903/

Have I missed any others?

andy
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Re: [h-cost] Christian VII's banyan, /Frederik V/now men in makeup

2007-04-10 Thread Andrew T Trembley

On Apr 10, 2007, at 2:37 PM, Sharon Collier wrote:
I use a water based makeup, which I find is less heavy on the skin,  
plus it

washes off with water. Have you ever used this?
Sharon



I love the Grimas water-based face paint from the Netherlands (I  
mail-order it from a shop in the UK). It's very versatile, and very  
sturdy. Best of all, jump in the shower and a bit of soap or shampoo  
takes it off completely.


andy


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Re: [h-cost] Christian VII's banyan, /Frederik V/now men in makeup

2007-04-10 Thread Andrew T Trembley


On Apr 10, 2007, at 4:32 PM, Suzi Clarke wrote:


At 23:19 10/04/2007, you wrote:

On Apr 10, 2007, at 2:37 PM, Sharon Collier wrote:

I use a water based makeup, which I find is less heavy on the skin,
plus it
washes off with water. Have you ever used this?
Sharon



I love the Grimas water-based face paint from the Netherlands (I
mail-order it from a shop in the UK). It's very versatile, and very
sturdy. Best of all, jump in the shower and a bit of soap or shampoo
takes it off completely.

andy



Andy

Is that Fox's Makeup shop?


1st Night in Milton Keynes. They've got an online shop at http:// 
www.showmakeup.co.uk/. They were recommended to me by the Grimas  
wholesaler. They've got the whole line (water and grease). Only thing  
Grimas makes that's crap is their stage blood; the rest is great.


andy
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Re: [h-cost] pleated trim question.

2007-04-10 Thread Andrew T Trembley

On Apr 10, 2007, at 6:06 PM, [EMAIL PROTECTED] wrote:
For ribbon, the standard is just too tiny.  There must be some  
sort of

pleating machine or sewing machine attachment for pleating in 1cm - 3
cm fan  box pleats in grosgrain, satin or velvet face ribbons.  They
do exist for industrial ribbon manufacturing.  How 'bout at the home
or small dressmaker's shop scale?
Know of one?  It would be just the thing.
Dreaming of powertools in Silicon Valley,


Why, yes! I have one!  Let me find a picture.  Here!  What it looks  
like and how

to use it! http://vintagesewing.info/1920s/26-fcm/fcm-07.html


I've got a ruffler foot just like that.
http://www.bovil.com/index.php? 
option=com_gallery2Itemid=47g2_itemId=2624

It can do maybe 1cm ruffles. Nothing big.

For serious ruffles, you want a Johnson Ruffler.
http://www.johnsonrufflingmachines.com/

Neither, though, really creates pleats, and neither is great on heavy- 
ish material. Every ruffler foot I've seen would choke on grosgrain  
ribbon, and a Johnson Ruffler would probably need a reinforced  
ruffler arm.


andy
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Re: [h-cost] Back from Costume-Con

2007-04-06 Thread Andrew T Trembley

On Apr 6, 2007, at 11:55 AM, Ruth Anne Baumgartner wrote:


On Tue, 3 Apr 2007, Dawn wrote:

snip
http://tancos2.pmachinehosting.com/animelog_comments.php? 
id=2992_0_2_0_C


These are mostly from the masquerades. Top, Gypsy Ames in a truly
impressive Hindu-goddess-inspired-something- or-other; I was too  
bedazzled

to note the name as her presentation was a showstopper.



That would be Kali, I imagine. (not enough arms, but the rest is wow!)


It's Vajra, not Kali. (Yes, I remember the title.)

andy

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Re: [h-cost] Back from Costume-Con

2007-04-05 Thread Andrew T Trembley

On Apr 4, 2007, at 4:54 AM, Judy Mitchell wrote:

Dawn wrote:
I was impressed by the overall quality of the costuming there, and  
the relatively large numbers of well-made hostorical costumes that  
were around.


	yup, there are some serious historic costumers around. and in 2  
years it comes to Baltimore where I'm the Historic Masquerade  
Director! I'm hoping for lots of good entries, so come on out.  
We're working on getting a website up, so no url to point you to  
(reg is $70 til the end of the year).


We're expecting an absolutely huge historical competition next year  
in San Jose. California is just loaded with clubs, organizations and  
businesses that organize re-creation events. The Greater Bay Area  
Costumers Guild, Period Events Entertainments and Recreations (known  
as PEERS, a vintage dance group), the Bay Area English Regency  
Society and the Renaissance fairs don't even scratch the surface. Our  
historical masquerade team is very well connected in these circles.


Shelly Monson's community/hobbyist credentials are fabulous; she's  
worked numerous historical fairs in the Bay area and teaches  
workshops on many different period garments and techniques. Ellie  
Farrell is the gal who organized and entered Alice's Restaurant in  
historical masquerade a decade or so back to prove that it was  
possible to document the 1960's just as thoroughly as the 1560's.  
We're expecting great things from them...


andy


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Re: [h-cost] Re: detachable sleeves

2007-03-21 Thread Andrew T Trembley

On Mar 20, 2007, at 8:18 AM, Kirsten Felton wrote:
Not like throwing on a garment like we do today was it? it must  
have taken an hour to get dressed back then.


It all depended on who you were and what your station was. Peasants  
and serfs could dress quickly.


A friend of mine played Queen Elizabeth at a renaissance faire. She  
was visiting a different faire (not as ER), and got into a discussion  
offstage with the Queen there, who was inordinately proud of being  
able to get dressed by herself.


My friend was a bit appalled by this; for her, the hour or so of  
being dressed (not getting dressed) was important for her to get in  
to character each morning. It was just what she needed to detach from  
her daily jobs of being a museum tour guide and a voice actress.


--
andy trembley, Bitchy Design Queen - http://www.bovil.com/

Play Internet Argument-Losing Bingo!
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Re: [h-cost] OT: Trip recommendations

2007-02-15 Thread Andrew T Trembley

On Feb 15, 2007, at 4:14 PM, Susan B. Farmer wrote:

I'm going to be in Chicago the first of July (5-11th)

What should I see there?  (yeah, the fabric district, got any  
specific recommendations?)


I've been out of the midwest for quite a few years, but...

Vogue fabrics in Evanston is pretty cool.

The Aurora Bleachery in Aurora used to have a fabulous remnant shop.  
Cotton and poly-cotton solids sold by the pound.


--
andy trembley, Bitchy Design Queen
http://www.bovil.com/
It's not pink; it's peach-colored. Pink is tacky.  --Manfred  
Pfirsich Marie Rommel


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Re: [h-cost] Pattern ease

2007-02-08 Thread Andrew T Trembley


On Feb 8, 2007, at 3:25 PM, Cin wrote:

What is it with Home Ec teachers???  I suffered a similar fate.  I  
had
to take Home Ec as I was female, shop was strictly for the boys.   
I had

been cooking and sewing for years before hand.


Heh, I was in the garage playing powertools with my dad.  I've decided
to re-learn braising (it's kinda like welding) so I can make a huge
wire supportasse.  The wire wrap one I tried was too heavy  warped.


Brazing, please.

Braising is something from home-ec ;)

--
andy trembley, Bitchy Design Queen - http://www.bovil.com/
San Jose, CA - '72 R75/5 '86 R100 (mine) - '92 K75sa '03 R1150R  
(Kevin's)

  It's not pink, it's peach-colored. Pink is tacky.
   --Manfred Pfirsich Marie Rommel

2nd most important safety device on my bike: the one beneath my right  
hand

Most important safety device on my bike: the one inside my helmet

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Re: [h-cost] New Simplicity 1850s design

2007-02-02 Thread Andrew T Trembley

On Feb 2, 2007, at 7:26 AM, [EMAIL PROTECTED] wrote:

12 yards @45 for the dress? 12 yards


It's plaid.

It's all matched.

All the horizontals match (roughly).

Cutting it is going to be wasteful.

--  
andy trembley, Bitchy Design Queen - http://www.bovil.com/
San Jose, CA - '72 R75/5 '86 R100 (mine) - '92 K75sa '03 R1150R  
(Kevin's)

...remaining .sig trimmed for better message/.sig ratio

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GBACG Open House (was Re: [h-cost] Re: Hero costume at Costume Con

2007-01-18 Thread Andrew T Trembley

On Jan 17, 2007, at 12:39 PM, Sharon at Collierfam.com wrote:
I was a Tech theatre major, did some costuming, but really got  
interested
five years ago when I got involved in the Renaissance and Dickens  
Fairs. The
costume requirements are quite strict, so I got much more  
interested in
authentic costume vs. theatrical costume. When I heard about  
this list
last year, I joined. I'd never heard of the Costume Conventions  
before. One

of the women I recently met is a co-founder (I think) of the Bay Area
Costumers Guild, so I am learning more every day.


So, on the off chance you didn't know, the Greater Bay Area Costumers  
Guild is having it's open house on January 28 in San Francisco:

http://www.gbacg.org/Current/OpenHouse.htm

andy

--
andy trembley, Bitchy Design Queen
http://www.irlm.org/  -  mailto:[EMAIL PROTECTED]
Anybody who takes this seriously deserves to
  -- Donna Barr

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Re: [h-cost] Re: Tardis

2007-01-12 Thread Andrew T Trembley


On Jan 12, 2007, at 7:27 AM, Kristin wrote:

On 12/12/06, Andrew Trembley [EMAIL PROTECTED] wrote:


Dianne  Greg Stucki wrote:
 At 04:53 PM 12/11/2006, you wrote:
 I have one in my garage (don't ask),

 -C.

 Now you KNOW we have to ask!
No, if she said she had one in her kitchen, asking would be  
imperative.

Garage, not so much.

(and I know why at least one person would have a police box in their
kitchen)


... yes, Rose and the Dr. visited her mother quite a few times.   
But now

that they're all in the alternate universe, no more Rose. :(


Well... Adam's mom did have a Tardis in her living room once, but I  
was talking person and not fictional character.


--
andy trembley, Bitchy Design Queen - http://www.bovil.com/
San Jose, CA - '72 R75/5 '86 R100 (mine) - '92 K75sa '03 R1150R  
(Kevin's)

  It's not pink, it's peach-colored. Pink is tacky.
   --Manfred Pfirsich Marie Rommel

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Re: [h-cost] CostumeCon (was: Movies and ancient costume)

2007-01-08 Thread Andrew T Trembley

On Jan 5, 2007, at 7:47 PM, [EMAIL PROTECTED] wrote:

Dawn and I wanted to go last year when it was in Des Moines, but I was
dealing with a broken foot and the attendant medical bills and  
couldn't spare  the
price of registration. We drove up and visited the vendor hall, but  
I have a

feeling we missed all the fun stuff.


Sorry to hear about your troubles.

I had a blast at Des Moines, but attendance was pretty low; there are  
just too many other things to go to Memorial Day Weekend. That said,  
I skipped my local science fiction convention (something I haven't  
done since I moved to San Jose) to go to Costume-Con in Des Moines.


--
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Re: [h-cost] CostumeCon and projects

2007-01-08 Thread Andrew T Trembley

On Jan 5, 2007, at 4:34 PM, Suzanne wrote:
Yes, I plan on going to CostumeCon.  Mostly for the Netherton  
sequence  ;-)  but what the heck, might as well stay for Sunday,  
too.  Since I've never gone before, what do I need to know ahead of  
time?  Costuming is a hobby, not my profession, so I'm a little  
worried about how I'll fit in.


Costume-Con was started (and is still organized) by costume hobbyists  
and amateurs. Some of us have gone pro, but most of us haven't; the  
costume business is a real bear to make a decent living in. The pros  
who attend are just as enthusiastic and friendly as the amateurs, and  
often find themselves thankful that the amateurs are content to stay  
amateurs.


Stay for Sunday night. The Historical Masquerade (stage competition)  
is on Sunday night, and people really pull out all the stops for it.  
You'll regret it if you don't.


If you can, come Friday. The Friday night social is always a blast,  
and with the Rock 'n' Roll theme, it's an excuse to throw together  
something more recently historical, like 1950's or 60's fashion. That  
or something based on Sophia Coppola's Marie Antoinette.


Like, what's a hall costume??!?  I'm assuming that we all wear  
our stuff all the time but that you keep the competition main  
entries under wraps until the last minute, so anything else is a  
hall costume... is that about right?


Many of the traditions of Costume-Con come from fan-run science  
fiction conventions.  Hall costumes are an example of that. They're  
any sort of costume you wear around the halls, and they've been  
around since Forry Ackerman and a friend wore futuristic clothes to  
the first World Science Fiction Convention in 1939. There are  
pictures of Forry at

http://www.noreascon.org/masquerade/
http://en.wikipedia.org/wiki/Image:Forrestcostuming.jpg

The term is really just to differentiate between hall costume and  
presentation/competition costume. Presentation costumes need to work  
from the stage, and can be incredibly large and/or impractical. Hall  
costumes should be wearable for as long as you like, and convenient  
for sitting in panels, having dinner, going to parties, taking the  
elevator and other necessities.


Unlike some other costume conferences, Costume-Con encourages  
attendees to wear costumes throughout the weekend. Some people (the  
folks who aren't fighting luggage allowances) will go through several  
changes of clothes each day.


Many people build presentation costumes with the intent to wear the  
costumes (or part of the costume) in the halls at future events.  
Pierre and Sandy are infamous for the level of detail and  
practicality that they work into their stage costumes that you only  
see when they're wearing them (huge wings, floral collars or other  
uncomfortable whatnot removed) in the halls at another event.


And because of CostumeCon, I've bumped the orange Italian Ren aka  
Hobby Lobby Florentine (no spinach, just cabbage) to the top of  
my list of projects to complete this year.  For the Sunday ORANGE  
hall costume contest.


I think I'm wearing my sunglasses all Sunday.

--
andy trembley, Bitchy Design Queen - http://www.bovil.com/
San Jose, CA - '72 R75/5 '86 R100 (mine) - '92 K75sa '03 R1150R  
(Kevin's)

  It's not pink, it's peach-colored. Pink is tacky.
   --Manfred Pfirsich Marie Rommel

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Re: [h-cost] Re: fiber in paper

2006-12-14 Thread Andrew T Trembley

On Dec 14, 2006, at 4:33 PM, Onaree Berard wrote:

On 12/11/06, Gail  Scott Finke [EMAIL PROTECTED] wrote:
I remember the television program Connections from my youth  
saying that

after the Black Plague paper production soared because of the huge
quantities of linen available from dead people. I don't know if  
that's

really true.

Gail Finke


Actually it was the survivors spending their inheritace and when they
(the linen) wore out it was perfect for the printing industry thus the
bone man became the rag and bone man or something to that effect.


On the other side of the equation, mummy wrappings were (for a time)  
a popular source of cloth for rag paper. At one point, a food-borne  
illness outbreak was tracked to butchers using unbleached rag-paper  
from mummy wrappings to wrap meat.


--
andy trembley, Bitchy Design Queen - http://www.bovil.com/
San Jose, CA - '72 R75/5 '86 R100 (mine) - '92 K75sa '03 R1150R  
(Kevin's)

  It's not pink, it's peach-colored. Pink is tacky.
   --Manfred Pfirsich Marie Rommel

read the FAQ... Ridicule: http://www.idiots-r-us.org/
read the FAQ... IBMWR: http://www.ibmwr.org/faq-files/
read the FAQ... AirList: http://www.airheads.org/faq.html
read the FAQ... Hoaxes  Urban Legends: http://urbanlegends.about.com/

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[h-cost] Props (was Re: Tardis in garage 2

2006-12-12 Thread Andrew T Trembley

On Dec 12, 2006, at 5:27 AM, Kate Pinner wrote:

Boy, do I know that one -- not just props, also costumes


So pimp-time...

Costume-Con 26 (San Jose, April 2008, http://www.cc26.info/ has  
approached Chris and Christy Bertani (of the Bay Area English Regency  
Society's Regency Science Fair) to run our Mad Science Fair, a  
mad-science prop-building competition.


Nothing is firm on this yet.

However...

This could be an opportunity to build props based on discredited  
period scientific theories such as alchemy, so it's not just a  
science fiction  fantasy competition.


If anyone is interested, I'll post more information as things solidify.

--
andy trembley, Bitchy Design Queen
http://www.irlm.org/  -  mailto:[EMAIL PROTECTED]
Anybody who takes this seriously deserves to
  -- Donna Barr

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