RE: PESO - My Favourite Model

2006-08-30 Thread McRae, Max MS
You did good Jens.

The pose is excellent, the composition, perfect!
It has an exciting dynamic that starts from the lower left of the frame 
and thrills, and delights all the way up to the top right.
 
The angles made by the hat, tipping down and to the left, is nicely
balanced 
by her shoulders to form a pleasing triangle that fills the frame
beautifully.

It's not easy to capture such a shot, you excelled IMHO.

Regards, Max




Jens wrote:
What I am looking for is Attitude, Sex Appeal, Expression etc. Not
photographic excellence, what ever that is. Photography is often about
feelings. Not technical excellence.
Even though tecnical excellence is appreciated by some - even by me :-)
In this respect I believe I did rather well, cosidering I'm only a
beginner in girl photography, photographing real models.This was my
second shooting of this kind.

How about this:
http://www.flickr.com/photos/bladt/228911656/in/set-72157594259168563/


BTW:
Most people look at the person IN the picture - not AT the picture. Most
people only notice the PICTURE if its' really very bad. I believe I have
said so before and I believe this is in fact very often the case.





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RE: Was which camera to buy - now: *IstD failure.

2006-03-08 Thread McRae, Max MS
Godfrey wrote:
The likelihood of failure is quite low anyway, 
but any sensible photographer who needs his 
equipment to always be ready should have two bodies anyway.

Never a truer word spoken.

Here's what happened to me:

Covering a new restaurant opening, and after about 30 shots
started getting battery depleted error messages.
Turning power on and off powered it up again, but only for 
a few more shots until it got progressively worse and failed 
completely.

I had been using disposable CR V3's in both grip, and body, but
after exhausting them, refreshed with new AA lithiums.
They should have been just as good as the CRV3's, and I was
horrified to see the message in the LCD.
Swapped them for some rechargeables I had as back up, and the same
thing happened.

I never had a back up camera, and lost my fee for that job.

Camera is in the repair agency as we speak, and the last report was 
the technicians have no idea what's wrong with it.

I've bought a new DL, and the budget zoom 18-55 as a back up.

So hard lesson learnt...if you're doing paid assignments,
don't leave home without one!

Max.








  




RE: I Hate Valentines Day

2006-02-14 Thread McRae, Max MS
Frank wrote:
It reminds me that I'm single, with no prospects, and getting older,
more cynical and more bitter.

It's a big club Frank...and I feel your pain, but as they say, 
don't let the bastards get you down.

You saw this, the shot of a life time, and you nailed it bro.

It is stunning, evocative, stylish, the power of the diagonal 
working it's magic, and that hand, bent outwards from the wrist, reaching up,
seeking, offering, hope - love - tenderness - all that it means to be human. 

A truly powerful, and touching image...I view it with tears in my eyes.
Very few photos do that to me.

Thanks for posting...I must have missed it first time around.

Max



http://photos1.blogger.com/blogger/5806/2203/1600/haley.jpg

cheers,
frank

--
Sharpness is a bourgeois concept.  -Henri Cartier-Bresson





RE: new AF system soon (when D2 arrives)?

2006-01-15 Thread McRae, Max MS
John Francis wrote:

The buffer size is a limitation - I have lost shots because the
camera is still writing out earlier images.  But I've been able
to use AF, even with big, heavy lenses.

Agreed, any fast moving event is a problem with capture speed,
jpegs are bad enough - don't even think about using RAW.

can auto-focus as well as competitive bodies such as the 20D with
USM lenses.   I've used Pentax, Nikon  Canon bodies at events,
and I'm firmly convinced that the Pentax AF is neither as fast
nor as reliable as the competition; if my livelihood depended on
my ability to bring home the results I would have switched by now.
But to suggest auto-focus is unusable is overstating the case.

For me, it's not so much auto focus per se, it's in low light conditions

I've found the greatest problems with unacceptable noise levels at 800
ISO 
speeds and above.

The D is now so hopelessly outdated, compared with the latest offerings
from Nikon 
and Canon, that unless a significantly updated model arrives soon, 
Pentax can kiss an even greater number of it's die hard supporters
goodbye.

Such is the digital age we live.

Max















RE: *istD and built-in flash

2005-10-30 Thread McRae, Max MS

I had my first one replaced in January 2004, for this exact same fault.
Repair agents, here in NZ, had it for about two months trying to fix it, but
gave up in the end and sent me a new one.

Max


Reading about Don's problems with his *istD and built-in flash has 
prompted me to write.
My *istD developed a similar problem while using the built-in flash - no 
charging, coupled with apparent draining of the batteries and refusal to 
trip the shutter. The flash charging circuitry is obviously damaged and 
it needs a repair.
If this is an unfortunate one-off then so be it, but if this is a common 
fault I'll try to persuade the retailer to fix it for free (of course, 
warranty has expired ...).
So - how many other *istD owners have had this problem?

David




RE: ist D Battery Grip

2005-10-04 Thread McRae, Max MS
It was the first thing I bought for mine.
Couldn't live without it.
Load 'em both up with CR V3 batteries and you have no worries 
for at least 3000 plus exposures.

The only thing I miss on it is the green button ability.
It's doable, but a bit awkward with manual lenses. 


Max.






RE: GESO: IstDS and concert photography - manual focus is the best way!

2005-09-25 Thread McRae, Max MS
Charles wrote:

I tried to take some photos at a show with my kit lens and figured  
out after about 5 minutes that it was a hopeless disaster.  Too dark,  
the focus would take forever. remainder snipped  

I had exactly the same problem on the weekend trying to photograph
dancers in a hall lit only with spots.

I wasn't allowed to use flash, so had to use 1600 ISO, keep my
2.8 Sigma 70 -200 wide open, and override the shutter to read
1/250th to try and stop movement.

What a joke...I took over 1000 exposures and 99% are complete junk.

The auto focus on the *IstD is hopelessly inadequate for this kind of
low light work.

I lost a lot of money on this shoot, so I'm looking to buy a camera that
will do
the job...possibly a Canon D20.

Any advise out there welcomed.

Max 


EOM

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RE: Are your photos too good?

2005-06-22 Thread McRae, Max MS
Rooster eh?
Queer bird and no mistake!

-Original Message-
From: Kenneth Waller [mailto:[EMAIL PROTECTED]
Sent: Thursday, 23 June 2005 11:52 AM
To: pentax-discuss@pdml.net
Subject: Re: Are your photos too good?


Here's another

A rooster lays an egg on a pitched roof that runs exactly north/south. The
question is

ready for this

Will the egg roll off the roof on the east or west side?

A 1000 pixels to the one with the correct answer.




EOM

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*IstD default resolution settings

2005-06-07 Thread McRae, Max MS
Guys, been thinking...

Wouldn't it be nice to have the ability of dialing in your own preferred ppi 
resolution, instead of being limited to the 72ppi for JPeG, and 250ppi for RAW?

Neither of those figures work for me, and I wonder why that option wasn't 
offered
as part of the specs.

What do you do to get round this problem...Photoshop action? 

Regards,

Max.

  


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RE: Hello and Sensor cleaning

2005-05-03 Thread McRae, Max MS
John Forbes mentioned:

As an ex-diver, I would say that it wouldn't be a good idea to use the air  
from that compressor for diving either.  I'd rather have oil on my sensor  
than oil in my lungs.
In normal circs, air from a diving compressor should be pretty damn clean.

Yes, your right of course John, but I only use the tank to fill a precharged 
pnuematic
air rifle, and had just had the fittings and hose assembled to enable me to do 
that.
It was this hose that I thought would double nicely as a dust remover.
  
Even so I was suprised to learn that the shop where I got the work done had 
left the contaminant
in the hose.
I was told that it would be done to food quality standards, so expected total 
cleanliness.

Regards,

Max



RE: Hello and Sensor cleaning

2005-05-02 Thread McRae, Max MS
Mark Cassino inquired:
Who was it who posted about a problem trying to clean his sensor with scuba 
gear (a flow of compressed air from his scuba tank.)
I missed the posts with the conclusion of that situation (if any ever 
appeared), but it sounded like he had a problem on his hands.

That would be me...

Actually the problem was easily fixed by the Pentax importer's repair division.
What had happened was that there had been some sort of contaminant in the hose 
that
I used to decant from the tank.
I think it was a lubricating oil of some sort that had been used when the hose 
assembler
attached the fittings.

This residue was cleaned off, and it was returned to me as good as new.
The cost was minimal too, so a good outcome all round.

Not recommended to use scuba tanks on digital cameras...not even underwater 
ones!

Max
 




Disaster cleaning CCD.

2005-02-15 Thread McRae, Max MS
I have a tale of woe to tell:
 
I have a scuba tank with a decant valve and hose that I thought would be 
ideal to clean my dusty *istD sensor with.

I set the valve so that the air pressure from the hose sprayed what I thought 
was a soft and gentle stream, and proceeded to wave it over the sensor for a 
few seconds.

Went off to cover an event and came home with a Gigabyte of images.
To my horror, all the images looked like they had been taken through a 
sheet of very wet, and crazed glass.

Had a look at the sensor and saw the surface had been bubbled and creased.

I'm at a loss as to how this could happen.
The air is breathing quality, free from impurities, and contaminants.
The pressure was low, now more than you could expect from a hand blower,
although continuous and finely focused. 

I'm hoping it's just a protective film that has been damaged and it can be 
replaced.
What is worrying is that the repair agents have had it for a week now and still 
no word
from them yet.

Hard lesson learnt here people.

Max.









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RE: Disaster cleaning CCD.

2005-02-15 Thread McRae, Max MS
Ryan Brooks answered: 

Is it possible you froze it?   There's no protective film, just a 
coating, which likely means replacing the sensor.


I guess I must have, what other explanation can there be.
Although it's high summer here in NZ, and the air did not feel very cold, 
when I tried it on my hand.

What's the cost of a new sensor I wonder?

Max 




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RE: Disaster cleaning CCD.

2005-02-15 Thread McRae, Max MS
Oh god...I really didn't wanted to hear that.

From: Herb Chong [mailto:[EMAIL PROTECTED]
Sent: Wednesday, February 16, 2005 12:59 PM
Subject: Re: Disaster cleaning CCD.


there is no protective film on the sensor. it is a glass IR filter over the 
sensor and that sounds like what is damaged. in any event, it is a sensor 
replacement that is required. unless you have a replacement warrantee, that 
means about the price of a new camera. since the glass is thick and strong 
though, i think you have managed to get something on the sensor. it may be 
very hard to remove.



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RE: flash for *ist D

2005-01-19 Thread McRae, Max MS
Mark Roberts wrote

There's a third option, but it's non-Pentax: Get the new Sigma 500 DG
Super. The latest version supports P-TTL. I just bought one for my ist-D
and it's brilliant (in every sense of the word!)


Mark, does this new Sigma flash have an auxiliary power inlet jack like
the Pentax FTZ 500?

Max


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RE: ZX5-N/MZ-S flash compensation

2002-12-11 Thread McRae, Max MS
Title: RE: ZX5-N/MZ-S flash compensation





David wrote:


I have noticed that on my ZX5-N  MZ-S Camera's, the exposure compensation 
dial becomes a flash compensation dial if either the on-camera flash is 
popped up or an external flash unit is attatched--that is, setting the 
exposure compensation dial no longer changes the camera's shutter speed or 
the aperture setting, it only changes the flash output--this is true in 
program mode, shutter priority, and aperature priority mode. Pentax does 
not include this information in their manuals and from what I understand 
this is not how most camera's exp. comp. dials work. Has anyone else 
noticed this? I am just looking for some confirmation that I am not crazy. 
I think this is a wonderful feature because it in effect allows me to 
control the fill flash ratio.


Hmmm, that's very interesting David.
Tell me what you did to test it.


I find it very hard to believe, but would be delighted if it were true.


Max.


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Speaking of turkeys...

2002-11-28 Thread McRae, Max MS
Title: Speaking of turkeys...





Turkeys were introduced to New Zealand as domesticated birds with the English settlers, and inevitably some escaped and formed feral, self maintaining flocks all over the country.

Just yesterday, I stopped on my way home from work to shot a flock on a dairy farm that were close enough to the road for me to get at.

As I was getting a few shots off the farmer pulls up in his car and asks me what I'm doing.
He sees my camera and immediately realises I'm a photographer and asks me if I was an ornithologist.
I explained I'm interested in birds and was trying for a shot of the gobbler displaying.
He very kindly invited me to drive into his property where I could approach the birds from a better angle.


I had seen these birds earlier in the week so I had my MZs with a 300mm Tamron SP 2.8 coupled with a Sigma 7 element doubler, and a monopod all prepared in the car.

The birds proved quite difficult to get really close to and I never got my male in full display before they all wandered off under a fence into another property.

A fascinating creature the turkey...hideously ugly and yet compellingly attractive.
The feather texture is quite exquisite and they make excellent subjects to add to a collection.


The farmer gave me permission to film them from his property, so I'm hoping I can get something worthy to put up on the PUG.

Regards,


Max
Auckland NZ


EOM 


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Grip strap for the MZ-s

2002-08-20 Thread McRae, Max MS

Guys,

Did I read an earlier post where somebody knew of a grip strap that could be
fitted to the MZ-s?

This camera sorely needs the stabilising effects of a decent grip strap.
It just don't feel comfortable in my hands without one.

I tried modifying the Z1p strap, but it just don't fit no matter what I do
to it.

My kingdom for a grip strap...

Max


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RE: Next Pentax Flagship Camera?

2002-08-18 Thread McRae, Max MS

Cameron Hood wrote with intelligence and decisiveness:huge snip

I reiterate, their new camera better be bloody good, or there will be a
LOT of nice FA* lenses on the market. And they had better introduce a decent
flash or two to match, because a guide number of 30 (barely) just doesn't
cut it for me, or for anyone who is serious. Not two mention the gaps in
their high end lens lineup.

Right on Cameron...my thoughts exactly!
Roll on Photokina.

Max



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RE: Tall Ships Challenge 2002

2002-08-14 Thread McRae, Max MS

James wrote:
BTW, the New Zealand R. Tucker Thompson won the race from Yokohama to
Richmond.

R Tucker Thompson...Hmmm..I wonder who he is..the name's not familiar to me.

NZ defends the America's Cup later this year.
Just about the same time Pentax will announce the digital back I shouldn't
wonder.
 
Know a thing or two about boats duz us Kiwi's.
But not me in particular you understandor digital backs for that matter.

I've no idea why I responded to this post actually.

Pentax can do that...

Max

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RE: Re[2]: MZ-S gripe and Oly pics from the weekend

2002-07-30 Thread McRae, Max MS

Pål wrote:
 It's almost incredible that so many people don't understand the MZ-S
interface.

Then Bob wrote:

I don't know anything about the MZ-S interface, but I do know
something about user interfaces in general because it's part of my
job.

Yours is a strange sentence to write in defence of an interface, because if
it
is so misunderstood by so many people then it has failed, by definition.

In retrospect I think Pentax has made a bad mistake by not refining and
retaining
the Z1p interface for the MZ-S.

I own both cameras and the Z1p is the one I reach for first when I have a
job to do.
I find it's interface easy to use and bullet proof under pressure, where as
the MZ-S
is a jumble of confusing dials and buttons that is far from intuitive and
frankly APITA.
And don't get me started on it's flash capabilities.
I own two AF500FTZ's and I was devastated to learn I had to buy the less
powerful and less
versatile flash, the AF360FGZ, just to get auto fill flash!
Is that dumb or what!!!

Why they didn't professionalise the Z1p by including the extra features of
the MZ-S is a
huge mistake IMO.
A Z1p with a battery grip, the upgraded SAFOX system, better sealing, data
imprinting, etc would have made it a camera to die for.

No, I'm sorry I much prefer my Z1p's, for me, it's ergonomics (with the grip
straps) make this camera a joy to use.
I thought I would have enjoyed using the portrait release on the MZ-S with
the battery grip, but in fact I find it too uncomfortable and unbalanced to
be used successfully, and it's overall ergonomics just don't compare for me.

And I will be disappointed if they base their DSLR on the MZ-S chassis.

Regards,

Max















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RE: Need a new digital camera, what now?

2002-07-28 Thread McRae, Max MS

Steve wrote:

 Well I wrote Pentax, and the reply I got was not very promising regarding
 a DSLR.
Because the market is demanding more popular-priced digital cameras, PENTAX
has decided to postpone indefinitely the six-megapixel SLR project shown at
PMA and to redirect our resources toward developing more new consumer-level
products, which are receiving widespread popular support in the marketplace.

Pål wrote:
Huh? You don't find it promising that they will manufacture a digital slr
that doesn't cost $7000?
Their own words:
 Additionally, the knowledge and experience we have gained through
 development of the six-megapixel SLR concept will be used in developing
 other SLR-type digital cameras, which we expect will be priced more
 competitively, will address consumer needs more directly, and will be
 brought to the market in a more timely manner.

So what may we glean from all this:
Forget a DSLR based on anything the opposition has.
Expect a radical new body with redesigned lenses to match.
Don't expect it any time soon.
Don't expect it to be up to professional standards.

Frankly, not what I wanted to hear.

Regards,

Max





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RE: Need a new digital camera, what now?

2002-07-23 Thread McRae, Max MS

Pål Jensen wrote:

 Pentax is working on a digital slr but nothing has leaked out about it's
 specifications. The Pentax distributors expect it at Photokina. There has
been
 rumors posted on PDML that it will be released now in July but I have not
been
 able to get this confirmed by Pentax people. Quite the opposite in fact;
nobody
 is expecting anything major until Photokina in september.

Rob Studdert wrote:
This repetition is getting a little tedious (not the fault of the listers)
Maybe it's time that we should consider harvesting Pentax email addresses
from
all over the world and start a mini avalanche of DSLR development queries
via
the members PDML and various other news groups?

I agree...Pentax's complete lack of information regarding it's DSLR  is fast
becoming an intolerable situation.
I'll also give them until Photokina, but that's as long as I'm prepared to
wait.

A great pity, I certainly don't want to change marques, but enough is
enough.

How they could stand idly by and let Sigma (for god's sake), and Fuji film
(for god's sake), Canon and Nikon, all pass them as major players in the
digital SLR stakes is beyond me.

We need some direction now as to what the company is doing.
I just wish they could put everyone out of their misery by admitting they
won't be competing in the pro digital stakes or they give us some indication
they will.

The longer we wait, the more their credibility erodes.

Regards,

Max (Auckland NZ)






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RE: Sigma 70-200 vs. Tokina 80-200 f2.8

2002-07-08 Thread McRae, Max MS

Joe agonised thusly: Specifically, how do they perform wide open?

Truly I sayeth unto you young man - go forth and invest your ducats in
either of these contrivances and disenheartnment shall not be your
companion, all the days of your life. 

In short, they are both top of their respective lines and equally as good as
each other.

I bought Sigma, mainly because of better after-sales service here in New
Zealand (Aotearoa), 
and have been delighted with it.
The whole point of a fast 2.8 zoom in this range is to be used wide open.

If price difference is not a big deal, ask your dealer what his choice would
be, and be guided about what he says about each respective distributor.

But do buy one, it will fast become one of your most favourite lenses...as
it has mine.

Max

(Auckland NZ)

 


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RE: MZ-S Review: Part 1

2001-06-27 Thread McRae, Max MS

tv:
Why are my palms itching...?

You should check for hair.

Yeah, and my tongue's hanging out too :)-

tv
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RE: MZ-S Second Impression

2001-06-27 Thread McRae, Max MS

Darryl Lafferty wrote:

Pentax may have created a couple of classics.  Huge snip
Both the MZ-S and the 24-90 were a pleasure to work with.  This camera
works for me!

Great news Darryl, thanks for that.

I aim to buy the 24-90 when I take delivery of mine, and I use the Portra VC
films as well, so your review is just what I wanted to hear.

Things just seem to be getting better and better.

Max.

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RE: FTZ 500 flash question...

2001-06-26 Thread McRae, Max MS

Quoc Bao Raphael Tran wrote:
i'm using a pocket bounce flash by lumiquest on my FTZ 500.  the recycle
times are quite horrible in my opinion.  could anybody point me to good AND
not-so-expensive battery pack options?  and what connectors connect to it?
answer me off list (or on-list if u feel ppl are going to appreciate it!)

Hi Raph,

I use a Quantum Turbo Z with my FTZ and find it excellent.
Recycle times, even at full power, are less than 2 seconds.
The unit is quite small and light and fits easily in the breast pocket
of my photographer's jacket.
It has a set of 4 little lights that all light up when it's fully charged 
and then go out one by one as the charge is used up.
The recharger takes about a hour to fully restore the pack from 
an exhausted state.
The cable for the flash is a curly cord type and the connector
to the flash is very snug fitting, and well designed.

The Quantum wasn't cheap, I think I paid nearly NZ$800.00
for mine, but I have never regretted it.
I do a lot of flash work and the Quantum has more than enough power
for me to do a wedding of 20+ rolls of 36exp. and still have power left over.

I agonised over paying out all that money, but now that I have it, I look
forward to doing jobs like weddings, knowing that not only do I look like a 
professional, I can do a professional job as well.

Regards,

Max

Auckland, NZ






  

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RE: MZ-S First use

2001-06-25 Thread McRae, Max MS

Bruce wrote:

The body does not have any flash compensation - I'm hoping that the new
flash has it.  This is one area where I prefer my PZ-1p.  It worked just
fine with my FTZ500.  

This is a major loss for me also.
Flash compensation is a must for weddings.
Looks like I'll have  to fork out for the new flash as well.

Can anyone confirm that the new flash can do compensation?

Max

Auckland, NZ

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RE: MZ-S questions

2001-06-21 Thread McRae, Max MS

Brilliant!

Thanks Darryl.


The answer to your question is yes to allow easy viewing with glasses.  I have no 
problem seeing the entire viewfinder with the MZ-S with my glasses on.  Where the I 
could not see the entire frame of the viewfinder on the PZ1.


EOM 

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RE: OT: Graphics Pad?

2001-06-19 Thread McRae, Max MS

William Robb wrote:

circles when I am using the mouse. This leads to great
confusion.

That must be where the photographic term circles of confusion comes from Rob :)

Always wondered 'bout that.

Max

Auckland, NZ

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RE: MZ-S Report

2001-06-13 Thread McRae, Max MS

Burt wrote: 

REPORT:huge snip
In one word, GREAT!
 Fast low learning curve with 19 functions that serve you well. 

Burt,

Can you tell us exactly what those 19 functions are please?
Or does anyone have a URL where I can read up on them?

Dying to know..


Max

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RE: OT: seeking advice on shooting a live music show in a bar.

2001-06-05 Thread McRae, Max MS

Stan Halpin answered Jody's question thusly:

One additional variation. Instead of attaching camera to monopod, add a head
of some sort. I use a Bogen/Manfrotto 3262QR ball head on the top of my
monopod. For normal horizontal shots, this is meaningless, but it makes a
huge difference if you want to shot vertical format! I can quickly loosen
the tension on the ball, flop the camera over to vertical, and retighten.
Exactness is not important as final front-to-back and side-to-side leveling
is handled by moving the monopod. And be choosing a head with a
quick-release rather than a direct connection to the camera, I can both
switch among different cameras and/or just more easily move one camera on
and off the monopod (on for photos, off for walking down the trail to the
next spot . . .)

I use similar set up, but with the addition of the Manfrotto Flash Extension Bracket
screwed onto the monopod first. This allows me to fix my AF500FTZ on the right hand 
side
of the bracket and have the ball head on the other, which means I have the flash fixed 
in a 
portrait light position no matter what angle I rotate the camera on the ball head.

The bracket has an all way adjustable arm that allows you to raise or lower the flash 
as desired, 
This is helpful for eliminating red-eye, while giving some degree of a modelling 
effect at the same time.
It's perfect for use with the Z1p's RTF and 500FTZ in contrast control mode as well.

You could say it's a portable studio on a stick... {8-D

Max 







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RE: HELP! - Have I ruined my PZ-1p's shutter curtains by touching them?

2001-06-05 Thread McRae, Max MS


- Original Message -
From: Chaso DeChaso
Subject: HELP! - Have I ruined my PZ-1p's shutter curtains by
touching them?

snip

Suck it up big boy!! It ain't that serious.

Compared to what happened to one of my Z1p's the other day,
you got nothing to worry about!

I had mine eaten by my pet Sulphur Crested Cockatoo.
I wasn't going to tell anybody but your story's changed my mind.

The bird has his wings clipped but he occasionally gets down on the ground and 
walks about the garden.
This day I had one of my camera bodies in a polystyrene chilly bin on a table 
in my garage and had gone away and left the door open.
The bird walks into the garage, climbs the leg of a chair and hops on to the table.
Showing impeccable taste, he naturally goes straight for the bin and eats him way
into that, drags the camera out, prises of the lens opening cap and dines on prime
mirror assembly, shutter curtain, all the switches, and any thing else he can get 
his mandibles around.
 
The repair agents have given me a letter to say it's a total write off, and I'm in 
deep 
discussion with my insurance compony as we speak.

Parrot's fine though...

Max





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RE: HELP! - Have I ruined my PZ-1p's shutter curtains by touching them?

2001-06-05 Thread McRae, Max MS


Gary L. Murphy wrote:
That's one lucky bird! I'm not so sure the above would have been true if the bird was 
mine. :-)

Yeah, I thought hard about making parrot pie for tea that night, but my partner
loves the critter much more than me. and she doesn't eat meat either.

Max 



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RE: hi all!

2001-05-01 Thread McRae, Max MS




  Quoc Bao Raphael Tranwrote:
  
  hiit's been a while since i've been on 
  herebut i've got a question for y'all.
  
  a girl i met while photographing this year's 
  chinese new year parade in san francisco (she admired my big f/2.8 zoom lens) 
  asked me i could do some photography for a fashion show she and her friend are 
  putting together. i would be taking pictures of subjects with my PZ-1p 
  and FTZ-500. i know that close up shots with a direct flash are kinda 
  harshso i was wondering, what would fit the FTZ-500 to diffuse the 
  light? i looked at the Lumiquest Softbox...but wasn't sure if it would 
  fit (haven't been to the store with my FTZ-500 and credit card in hand). 
  oh yah, i'm using a Lindahl Specialites off camera flash bracket too--that 
  should help too. anybody using a diffuser on the FTZ-500?
  
  Idid something similar a few 
  months ago, with a similar lens and never usedanything on my 
  500ftz.
  I used a professional Manfrotto monopod 
  withthe Manfrottoextendable flash arm bracket that raises the 
  flash high enough to eliminate the red eye problemand still allowed me 
  to mount my camera on asimple ball head fitting for portrait or 
  landscape orientation.
  Simple, effective, and a pleasure to 
  use.
  I used an off camera cable of course, 
  and a Quantum Turbo Zbooster to allow for quick 
  recycling.
  
  I 
  was a fair way away from the cat walk so I stood on a chair against a wall and 
  balanced everything on that while using the wall
  for support and safety and just waited for the models 
  to momentarily pause as they strode down the run way and snapped them 
  
  when I thought I had a good 
  composition.
  
  It was so much fun..photographing beautiful, 
  gracious, elegant ladies is so cool.
  
  
  oh yah, one more question. the Lumiquest 
  Softbox sez that 1 1/2 stops would be loss due to the diffuser...does that 
  mean i set the exposure comp to - or + 1 1/2 on my PZ-1p?
  No, it simply means the flash will have to pump out 1 
  + 1/2 more stops of light to get correct exposure.
  The TTL circuitry will automatically take care of 
  this if you have the Pentax Function 7 set to off.
  All the more reason not to use a diffuser if you are 
  shooting from afarpower consumption and recycle times will be that much 
  slower.
  
  
  please send any comments directly to mei 
  don't wanna clutter the list
  
  Hey, that what this list is all 
  aboutsharing and learning.
  
  thanks for your time!
  
  Your welcome,
  
  Regards...Max
  
  quoc bao raphael tran
  
  psst. the "big" f/2.8 zoom lens in question 
  is a Tokina ATX f/2.8 80-200mmso not tooo great...albeit big 
  =)


RE: Wimberly Sidekick

2001-04-17 Thread McRae, Max MS
[EMAIL PROTECTED] wrote:

I am curious if anybody has used the Wimberly Sidekick with a large
telephoto lens of about 300mm f/2.8 or larger.   If you have, what did you
think of it?

I've just bought the Manfrotto (AKA Bogen) monopod/tripod heavy lens support bracket
which is designed to be used like a gimball head. (Sorry can't remember the article 
number, 
but easy to find on their web site)

It's brilliant!
Doesn't need a separate ball head like all the others, it just screws straight on the 
head 
mounting. 
Comes with variable, friction dampened adjustment for pan and tilt, and 3 separate 
height settings.
It is made of steel and the engineering is up the usual high standard you expect from 
this company
Excellent value at NZ $350.00 which is about US $150.00.

Apparently designed by an Italian fashion photographer who needed something to use 
with big glass
and a monopod when shooting down from above the catwalk.

 
Frankly, I'm amazed nobody's mentioned it before.
Could it be Manfrotto's best kept secret?

Regards,

Max
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RE: F.S Tamron SP 500mm f8.0 CF Tele Macro Mirror lens

2001-04-04 Thread McRae, Max MS

Ken wrote:

Subject: Re: F.S Tamron SP 500mm f8.0 CF Tele Macro Mirror lens
Before I sell this to KEH, I thought I'd see if anyone on the PDML list is
interested. A lightweight and super compact way to get 500mm. It is fixed
aperature @ f8.0. Has all the original accessories (instructions,  hard case
w/strap, 4 -  30.5mm filters with their own case), with original box. Needs
Tamron Adaptal -2 mount to be used. I have several Tamron Adaptall mounts
for screw and bayonett Pentax  that are available. Also available is a
companion Tamron 2X SP BBAR MC converter.  Can be used on a wide range of
SLRs. The current KEH catalog lists three of these in EX+ to BGN condition
for between $119 to $179US. I would place this lens @ LN- to LN. If
interested please contact me off list.
Ken Waller

I, too, bought a used version of this lens, and after having it cleaned and serviced, 
I found it over exposed everything by about one and a half stops.
Very weird, but I solved this problem by manually overriding the film speed setting
by a corresponding amount.

I have seen an explanation of why this happens to this type of lens, but you need 
to be an optical engineer to understand it.

Suffice to say, I consider mine to be a fixed f4.5 instead of the designated f8.

It's main advantages are it's light weight, and size, allowing you to use it with a 
monopod
and, or, a flash, to get critters that you would normally have no chance to capture
with conventional gear of equivalent size.
Resolution is not great, but then, neither is it's price.
 
I'm pleased I bought mine..only cost me NZ $100.00 :-D

Max.




 




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RE: Tamron SP 35-135 F2.8 manual focus

2001-03-29 Thread McRae, Max MS

Further to this, here is the shops answer:

The lens is a
TAMRON SPECIAL PERFORMANCE
35-105MM F2.8 LENS 

So your right Paul I had the wrong zoom length.

I'll look up your URL below and see what the performance
is like.but then again my eyes aren't what they used to be 
and I do like auto focus decisions, decisions

-Original Message-
From: McRae, Max MS 
Sent: Friday, 30 March 2001 13:34
To: '[EMAIL PROTECTED]'
Subject: RE: Tamron SP 35-135 F2.8 manual focus


Hmmm that's interesting Paul.
I'll email the camera shop immediately and have 
them tell me the exact description of the lens.
But I'm certain what I originally wrote is correct.
I'll let you know when they let me.

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]
Sent: Friday, 30 March 2001 12:42
To: [EMAIL PROTECTED]
Subject: Tamron SP 35-135 F2.8 manual focus


Someone is probably mistaken, Max. No such lens is listed in the definitive
list of third-party lenses of the 60s through 80s
(http://www.smu.edu/~rmonagha/third/table1.txt). If such a lens had been
introduced in the 90s, it's more than likeliy I would have taken note of it
during the three years over which I've been building my table of figures,
prices, and comments about every serious K-mount lens. And finally, such a
beast would be prohibitively massive and weighty.

Tamron introduced a 35-135 f/3.5 (constant aperture, I think) in 1985 for a
list price of $325 U.S. (1985 dollars; about $530 today). My records don't
show that it was part of Tamron's SP (Super Performance) line, but such a
lens could well have been, particularly if the aperture was a constant
f/3.5.

But then, I wouldn't have believed a report of a Vivitar Series 1
55/1.2K...until I bought it in January!

--

Date: Wed, 28 Mar 2001 13:08:13 +1000
From: "McRae, Max MS" [EMAIL PROTECTED]
Subject: Tamron SP 35-135 F2.8  manual focus).

Hi all,

I have just seen this used lens for sale at a local camera shop.
It has an adaptall KA mount and is going for $799.00.
It's quite rare in my country, and seems an ideal portrait lens.
It's nice and compact and seems in excellent order.

Who's got one, and shall I buy it?

Regards,

Max
- -

Paul Franklin Stregevsky
[EMAIL PROTECTED]
W: (703) 834-4648

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RE: Cokin soft filter in Australia

2001-03-29 Thread McRae, Max MS

FWIW I have tried them all... vaseline on a UV filter, black and white 
tulle jobs stretched over cardboard and stuck with glue, 3 different Cokin 
diffusers, and one Jessop's and was disappointed with the lot.

But it all depends on how fussy you are I guess. I did have a lot
of fun making the cardboard ones, but those Cokins..yeeach!


-Original Message-
From: Treena Harp [mailto:[EMAIL PROTECTED]]
Sent: Friday, 30 March 2001 15:17
To: [EMAIL PROTECTED]
Subject: Re: Cokin soft filter in Australia


I haven't yet had occasion to try this myself, but I've heard of numerous
techniques that can provide good results without having to resort to buying
an expensive specialty filter. One involves a thin coat of vaseline on a
skylight filter (leaving a clear spot somewhere so you can have the
face/eyes sharp, or you could do the same thing with a spritz of hair spray.
I've also seen it highly recommended to stretch a piece of black tulle (fine
netting found at fabric stores) over the lens. Black is supposed to better
than white because it provides softening without the flare white netting
supposedly gives. Like I said, I haven't had a chance to try any of these,
but they might provide you with interesting results for not a lot of cash.

e
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RE: Subject: Re: Cokin filters

2001-03-28 Thread McRae, Max MS

Speaking of filters, I've just ordered a screw on Nikon Softar #1 diffusion
filter in 62mm.

I aim to use it with a step ring for my Pentax FA 100 f2.8 macro for portraiture.
The cost was horrendous, NZ $390.00, but the effect from this filter is
just fabulous.

God knows what it is that Nikon do to make these filters so expensive, but
whatever it is, I think it's worth it.

It's the old story... no one ever regrets buying quality.

Max
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RE: 500mmf4.5 Pentax lens modified for Nikon f-mount]

2001-03-28 Thread McRae, Max MS

Yep, love mine...in normal K mount of course.

Just bought the Manfrotto heavy gimbal lens support
for it. (Art.# 393)

Need something like that to steady the thing...it weighs
10lbs.


-Original Message-
From: Todd Stanley [mailto:[EMAIL PROTECTED]]
Sent: Thursday, 29 March 2001 14:02
To: [EMAIL PROTECTED]
Subject: [FS: 500mmf4.5 Pentax lens modified for Nikon f-mount]



Spotted in rec.photo.marketplace
Certainly sounds like an interesting lens!  
http://groups.google.com/groups?oi=djqas_ugroup=rec.photo.marketplace

Todd



Subject: 
 FS: 500mmf4.5 Pentax lens modified for Nikon f-mount
Date: 
 27 Mar 2001 03:13:49 GMT
   From: 
 [EMAIL PROTECTED] (Badnam1)
 Organization: 
 AOL http://www.aol.com
 Newsgroups: 
 rec.photo.marketplace




This is a RARE fast telephoto lens for Nikon. I have used it for bird
photography with my N90s (on manual focus of course). It is super sharp and
comes with its own case with strap. 
Asking $900. I will pay for shipping. It is a heavy lens and built like a
tank.




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Multiple Burst with AF500 FTZ

2001-03-21 Thread McRae, Max MS

Hi All,

Been exploring the multiple flash setting on the AF500 FTZ,
and wondered if anybody has any tips on this feature.

I'll be using mine with a Quantum Turbo Z and a flash 
meter to record just one of the multiple bursts to get the 
aperture setting.
(I'll quickly covered the flash head to prevent the light meter
receiving any more than just a single flash).

I intend to set the aperture one stop less than the meter
indicates to allow for the accumulative effect of the multiple
flashes when I'm shooting for real.

I have worked out a setting, (with the battery pack) that I can 
get 10 nicely spaced pulses at F5.6 at the distance I'll be 
working, over the time period I want to work within.

I intend to go to my local dance school and shoot the ballerinas
practising their routines in the hope I can capture some interesting
imagery.

Am I on the right track do you reckon?

Any advise gratefully accepted. 

Regards,

Max. 
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