-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 08 April 2003 15:32
House was eventually referred to as Acid House,
so the Jazzheads parried by referring to their
scene as Acid Jazz.
I'm sure that the acid prefix was a semi-ironic jibe about the fact
that,
-Original Message-
From: Sven Venema [mailto:[EMAIL PROTECTED]
Sent: 08 April 2003 14:38
Wow Marsel, that's the complete opposite of my opinion.. :) One of the
things that I like about Orlando Voorn's music is that I believe that
his style is very distinctive. I think that he
-Original Message-
From: Max Duley / ARCart [mailto:[EMAIL PROTECTED]
Sent: 03 April 2003 10:39
Eevo 1 is by Florence (aka Stefan Robbers) but Eevo 2 is
under the name of Wladimir M., does anyone know if this is
actually Robbers under one of his many monikers (Terrace,
Acid
| -Original Message-
| From: spw [mailto:[EMAIL PROTECTED]
| Sent: Monday, March 31, 2003 11:30 PM
|
| Really?
|
| How does The Seawolf, echo the idea of the
| various *resistance* efforts to WWII Nazism?
Check it out - it refers to Terror from Below and exhorts us to beware
the seawolf!
Funnily enough, I have that track on now!
These are as much of the lyrics as I can make out (the latter part I'm
straining to hear over Scion's Emerge which is coming in over it on
the mix I'm listening to...)
stand up
(h)
hey hey
stand up
yeah, hey...
yeah, hey...
Rising sun, shine your
-Original Message-
From: Otto [mailto:[EMAIL PROTECTED]
Sent: 24 March 2003 14:40
Or if it's the politically-incorrect language: would you
rather have him
saying Tsk, tsk, you naughty people of unknown skin color
living in the
UK. You must not bootleg my records.
Maybe it
That's Ol' Dirty B'stard, Got Your Money...
-Original Message-
From: Langsman, Marc [mailto:[EMAIL PROTECTED]
Sent: 21 March 2003 12:34
To: 313@hyperreal.org
Subject: (313) Friday Quiz - Name that tune...
Im trying to identify an RnB/HipHop tune with these lyrics...
So I
Sorry for being so forgetful, but I've lost the link to that page with
the list of 313ers' mixes. I have ended up working at an mp3-less
computer and need to download some good music! So if someone could
repost that link my ears would be very grateful...
Brendan
I used to work in Ambient Soho (when it was alive!) and was amazed at
the sheer number of people who apparently misread the shop's name as
80s Spandex Metal, Progressive Rock and Indie Guitar Soho. At least
they were all quite easy to get rid of (hello, do you have any def
leppard? no), unlike the
Oops! I should have mentioned this earlier, but as with all WIDE nights
(or at least the ones I'm playing at), 313 members can get on the
concessions guest list if you mail me in advance. So just let me know if
you feel like coming down and I'll sort you out!
Brendan
| -Original Message-
I have had some serious James Brown fans tell me that, in their honest
opinion, Hyman's cover rocks harder than the original!
Brendan
| -Original Message-
| From: Güclüer, Hansi [mailto:[EMAIL PROTECTED]
| Sent: Friday, March 14, 2003 10:14 AM
| To: 313
| Subject: SV: (313) dick hyman,
It's probably Norksopp or something! That's the advert electronica
album of the moment (kicking Leftfield's Leftism off the number one
slot for the first time in years... :)
| -Original Message-
| From: Langsman, Marc [mailto:[EMAIL PROTECTED]
| Sent: 28 February 2003 14:05
| To:
Oh yeah... Royksopp not Norksopp (told you I rarely read music
magazines! but I've seen enough posters around London so should have the
word implanted on my brain by now...)
| -Original Message-
| From: Ryan Snowden [mailto:[EMAIL PROTECTED]
| Sent: 28 February 2003 14:06
| To: 'Langsman,
That's true! And it beats the usual Royksopp/Moby/Leftfield axis of
advert music too...
| -Original Message-
| From: Allday, Andrew [mailto:[EMAIL PROTECTED]
| Sent: 28 February 2003 14:15
|
| erm...sorry about the octave one...beats the usual trance !!
Loads of techno tunes do it for me - too much to mention! But at the
moment the main ones that do it, aside from the obvious contenders, are:
Fix - Flash (especially the part about halfway through when the
stuttered synth parts come in)
Dimension 5 - Computer Groove (the arrival of the strings is
It is in fact called Hoes Get Naked - he's certainly into descriptive
titles for his tracks :)
| -Original Message-
| From: Matthew MacQueen [mailto:[EMAIL PROTECTED]
| Sent: 28 February 2003 16:53
| To: [EMAIL PROTECTED]; Langsman, Marc; 313@hyperreal.org
| Subject: RE: (313) techno
I think the earliest Peacefrog I own is the Adam X '808 Terror' one... I
remember reading a review of that in Under One Sky in which Peacefrog is
described as a new acid label, and even the Apogee 12 is quite acidic
in places!
Peacefrog's back catalogue certainly reads like a summary of the
I'd never come across anything by Black Strobe before this weekend, when
I heard Russ Gabriel's remix of Paris Acid City in a shop and had to
lift my jaw off of the floor before asking for a copy...
What else has Black Strobe done - and, for anyone who knows that Russ
Gabriel mix, does it compare
| -Original Message-
| From: Klaas Jan Jongsma [mailto:[EMAIL PROTECTED]
| Sent: 25 February 2003 16:25
|
| I believe strongly in freedom of speech: you should be
| allowed to say
| whatever you want.
|
| Nobody said that this list should be censored
Who was that guy who said the
| -Original Message-
| From: Robert Taylor [mailto:[EMAIL PROTECTED]
| Sent: 25 February 2003 16:18
|
| They're currently the darlings of the British music press...
That'll be why I've never heard of them then! I don't read any
publication unless I'm in it (ie, I don't read anything :)
Like Jay Jay's Cosmic Wig? That's one of the housier ULRs that I
managed to pick up - pretty nice stuff!
| -Original Message-
| From: Rob Jarvis. Victoria Music Ltd. [mailto:[EMAIL PROTECTED]
| Sent: 21 February 2003 10:24
| To: Dave Bate; 313@hyperreal.org
| Subject: Re: (313) [Fwd: ULR
I always saw the next level up from Minimal Nation as being Hood's
Spectral Nomad EP on Metroplex, so if you liked Minimal Nation but
haven't heard Spectral Nomad, you should definitely pick it up...
Explain The Style is an almost religious experience!
| -Original Message-
| From: Arne
| -Original Message-
| From: Tom Serna [mailto:[EMAIL PROTECTED]
| Sent: 21 February 2003 14:43
|
| by the way, does anyone know where I can get a copy of
| 'journey home' ep by drexciya? It's the only record
| thats been on top of my wants list for so long..
I know the feeling... I was
Another Orlando Voorn question - is his track Boomerang available on
vinyl anywhere?
| -Original Message-
| From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
| Sent: 18 February 2003 10:49
| To: 313@hyperreal.org
| Subject: Re: (313) Blake Baxter Orlando Voorn
|
|
|
| Get the basic
Who are the bores? Can you name names?
| -Original Message-
| From: Rob Jarvis. Victoria Music Ltd. [mailto:[EMAIL PROTECTED]
| Sent: 18 February 2003 10:55
| To: [EMAIL PROTECTED]; 313 Mailing List
| Subject: Re: (313) playlists and conversations
|
|
| FINALY SOMEONE SAID SOMETHING
That's not relevant! As we all know, there are just good parties and bad
parties. Discussing when they actually happen is fuggin geeked out... :)
| -Original Message-
| From: Ralf Gill [mailto:[EMAIL PROTECTED]
| Sent: 18 February 2003 12:42
| To: '::)'; '313@hyperreal.org'
| Subject: RE:
|
| From: Ralf Gill [EMAIL PROTECTED]
| Date: Wed, 19 Feb 2003 01:49:18 +1300
| To: 'Brendan Nelson' [EMAIL PROTECTED],
| '313@hyperreal.org'
| 313@hyperreal.org
| Subject: RE: (313) playlists and conversations (changing topic)
|
| Yeah, but sometimes it makes the bad party more
| relevant
| -Original Message-
| From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
| Sent: 18 February 2003 16:08
|
| I think it's about time DJ Bone played a London venue ;o)
That's just what I was going to say! I saw him at the metroplex birthday
party back in.. what year was it again???
A lot of this talk of Drumcode, Adam Beyer and so forth has put me in
mind of when trance completely split off from techno.
I remember that, for a while, the snare rolls, big breakdowns, 303 lines
and druggy chords that later came to characterise trance had permeated
deeply into more pure techno.
| -Original Message-
| From: spw [mailto:[EMAIL PROTECTED]
| Sent: 17 February 2003 11:47
|
| When I say retro it represent how people saw the future in
| the early 80's.
Yeah, Steve has a point. Kraftwerk is often referred to as
retro-futuristic in that their view of the future is
| -Original Message-
| From: Hans Veneman [mailto:[EMAIL PROTECTED]
| Sent: 17 February 2003 13:10
|
| No, Kraftwerk's not retro-futuristic, it's just old records you're
| listening to :)
Ah, but they are nowadays! You might also say that Fritz Lang's
Metropolis is retro-futuristic these
| -Original Message-
| From: spw [mailto:[EMAIL PROTECTED]
| Sent: 17 February 2003 13:27
|
| They are as bad as the people Steve is slagging off,
| because again they are just remaking the early Axis
| releases over and over again.
|
| You would categorize all the pounding loop
| -Original Message-
| From: Cyborg K [mailto:[EMAIL PROTECTED]
| Sent: 12 February 2003 22:22
|
| You have some good points, and I don't entirely disagree. I
| might want to talk about this more with you off-list.
Aaargh, no! This seems to be the only conversational strand out of all
Yep - I can confirm that a mass protest against 313 off-topicness is
taking place on Saturday 15th Feb in London! A keynote address from
George Smiley is expected to be the highlight, and banners saying if it
kick, it kick period are being sold by the bucketload...
| -Original Message-
|
But the thing with good techno is that it shouldn't really endeavour to
sound a hell of a lot like music that was being made ten or fifteen
years ago, surely? Obviously a lot of the music on Drumcode is
influenced by early techno, but I personally don't like something just
because it's derived
thing about this list, it keeps you in touch...
|
| - Original Message -
| From: Brendan Nelson [EMAIL PROTECTED]
| To: spw [EMAIL PROTECTED]; 313@hyperreal.org
| Sent: Wednesday, February 12, 2003 4:36 PM
| Subject: RE: (313) t-1000 interview (techno rant)
|
|
| But the thing with good
So we've nailed it down to a massive difference in interpretation of the
word techno. So by your definition things like Sonic Sunset aren't
techno either; it has to have a hard looping 909 to be techno. Oh, and
not sound very European (which immediately discounts early Model 500,
Kraftwerk, and,
| To: Brendan Nelson; 313@hyperreal.org
| Subject: Re: (313) t-1000 interview (techno rant)
|
|
| If you showed toady's techno to someone in the mid 90's it
| would sound more advanced, they might not like what they
| hear though.
| I think this was T1000's point about not enough quality
| techno
They were selling the 12 of Zapp's More Bounce To The Ounce for about
£15 - I bought it anyway, and remarked to the guy behind the desk that
you kind of expect to pay through the nose for More Bounce anyway. The
guy looked at me as if I was insane, and told me that Computer Love -
the soppy ballad
| -Original Message-
| From: Matthew MacQueen [mailto:[EMAIL PROTECTED]
| Sent: 10 February 2003 15:52
|
| The guy looked at me as if I was insane, and told me that
| Computer Love - the soppy ballad which was also on the 12
| - was the reason for the inflated price! Which made me
A lot of the ULR records are labelled the ambient division of Great Asset,
even though none of them are actually ambient at all. The Juan Atkins EP has
this on the label, in fact, although Jay Jay's Cosmic Wig (another release
on ULR I've dug out recently) doesn't.
I've got quite a few old ULR
Yep:
A1 - Urban Tropics
A2 - Serene
B1 - Sundog
B2 - Interpret
(Urban Tropics being my favourite track)
Submitted on discogs.com by yours truly! :)
Brendan
| -Original Message-
| From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
| Sent: Thursday, February 06, 2003 11:14 AM
| To:
Speaking of Interface and Juan Atkins, is Vision's Other Side Of Life rare
at all? Bizarrely enough, I had bought it back in 1993 but then forgot I had
it. I downloaded an mp3 of the track in around 1996 and spent years
thinking, I really need to get this on vinyl, and searched everywhere for
it.
Yep - him and Aqua Regia were the two mainstays of Irdial for most of the
late '80s and early '90s...
| -Original Message-
| From: Robert Taylor [mailto:[EMAIL PROTECTED]
| Sent: Thursday, February 06, 2003 11:43 AM
| To: 'Jongsma, K.J.'; 313@hyperreal.org
| Subject: RE: (313) Fw: Jeff
| -Original Message-
| From: Odeluga, Ken [mailto:[EMAIL PROTECTED]
| Sent: Tuesday, February 04, 2003 2:47 PM
|
| You know, I think techno has a point here - UK members - remember: The
| Tweets The Birdie Song also The Flying Pickets and Black Lace?
Actually, the Flying Pickets might
Are they very collectable though? You see pretty much all of the Axis
back catalogue around in quite a few shops.
I'd suggest:
HM: Tranquiliser EP
HM: Drama EP
Final Cut w/ True Faith: Take Me Away (US Paragon, UK Network)
Dark Matter: The Subjects (features quite rude remixes by Mills,
:)
| -Original Message-
| From: Robert Taylor [mailto:[EMAIL PROTECTED]
| Sent: 03 February 2003 10:19
| To: Brendan Nelson; Robert Taylor; Tom Robbins/Magic Feet; 313 mailing
| list
| Subject: RE: (313) Fw: Jeff Mills Crate Diggin'
|
|
| Not collectible but they're some of his biggest trax
| To: 'Wibo Lammerts'; 'innercity records'; Brendan Nelson;
| Robert Taylor;
| Tom Robbins/Magic Feet; 313 mailing list
| Subject: RE: (313) Fw: Jeff Mills Crate Diggin'
|
|
|
| They clearly saw you coming ;)
|
| Jeez £250 for a tune that's unreal
|
| -Original Message-
| From: Wibo Lammerts
| -Original Message-
| From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
| Sent: 27 January 2003 11:41
|
| 2. Would anyone in London/UK be intersted in coming/contributing to
| an event based on this kind of music if I organised it, in a
| warehouse rather than a club? (Possibly Sunday
| To: Brendan Nelson; [EMAIL PROTECTED]; 313@hyperreal.org
| Subject: RE: (313) sleep music
|
|
| Brendan, this proves to me that the distance in musical terms, between
| ambient and booty bass is but mere, tiny step ;-)
|
| -Original Message-
| From: Brendan Nelson [mailto:[EMAIL PROTECTED
Well, what would be wrong in setting up a mailing list basically
discussing the social and political contexts - both historical and
contemporary - that the 313-type music scene operates within? I agree
with Matt that discussions on this subject are out of bounds for 313,
although I have strong
Odd to think that an old English granny can be termed an unsung pioneer
of techno - but when you look at the life of the person who proposed
the creation of the BBC Radiophonic Workshop, and who did so much to
popularise electronic music since the 1960s (she wrote the theme song
for Dr Who, among
Are you sure that Slo Moshun record wasn't by Ashley Beedle? (I'm trying
to regain the trainspotter-points I lost to you over Dr Who :)
It's an odd coincidence - I was browsing a US record shop's catalogue
today, and they had that record listed as a US release. The scam has yet
to wear off,
Yeah, I am strongly tempted to head on over too - we should make sure
there's a strong UK contingent this year! But I'm not going to book a flight
until this confusion over the exact dates is sorted out :)
Brendan
| -Original Message-
| From: Anya Stang [mailto:[EMAIL PROTECTED]
| Sent:
| -Original Message-
| From: diana potts [mailto:[EMAIL PROTECTED]
| Sent: 17 January 2003 11:47
|
| Disco D lives in the NYC area, but I'm talking about
| the detroit pioneers...like Wax Tax and
| Godfather...what are they doing these days?
As far as I'm aware, Godfather is running a
Some of the Smart Systems tracks had rapping on them too - one verse I
distinctly remember ending, in a shouty English accent, ..and come down
/ to the future sound of London!
| -Original Message-
| From: Robert Taylor [mailto:[EMAIL PROTECTED]
| Sent: 16 January 2003 13:29
| To: 'Wibo
It's interesting to see how the discussion on drum'n'bass has focussed
more on the intelligent side of that scene - I was pretty immersed in
the pirate radio scene during jungle's peak years here in London
(1994-1996), and even played on one for a bit. The station I played on
was Rage FM, whose
I saw a bizarre-looking compilation in the shop yesterday - a cartoony
bulldog and a cartoony eagle square off on the cover against a backdrop
of clashing American and British flags. I think the compilation was
called The Showdown! or something like that, with the general idea
being that it
The background: Rolando is playing at BASE on the 31st January, which is
at Crash in Vauxhall. Colin Dale, Jim Masters and Brenda Russell provide
support, with us playing booty, electro and ghetto tech in the second
room.
Anyway, it turns out that I can get 313ers on a concessions list where
| -Original Message-
| From: techno [mailto:[EMAIL PROTECTED]
| Sent: 10 January 2003 13:13
|
| I hear the same stuff about techno except people think back
| to 2 Unlimited, and Moby.
Exactly - in fact, Moby is still often referred to as a techno artist
by a lot of journalists. Popular
| -Original Message-
| From: techno [mailto:[EMAIL PROTECTED]
| Sent: 10 January 2003 13:48
|
| I guarantee a lot of people who claim they are into deep
| house or knowable about disco and funk music your not
| going to see a lot of Motown in their parents LP collection.
So what? I
Well you know what Eminem says - nobody listens to techno anyway :)
| -Original Message-
| From: Stang Anya [mailto:[EMAIL PROTECTED]
| Sent: 10 January 2003 14:59
| To: 313
| Subject: RE: (313) ron hardy track id
|
|
| And I'm astounded there's still folks who rise to his baits.
|
Just to let 313ers know about the Hackney Gun Siege Special which will
be taking place next Friday at District in Hackney.
£3 entry, free to gun siege evacuees (the gun siege had been taking
place just round the corner from the venue, y'see, so a few regulars
actually were evacuated), Non Stop
| -Original Message-
| From: Wibo Lammerts [mailto:[EMAIL PROTECTED]
| Sent: 10 January 2003 12:58
|
| 5 Goon Squad - 8 Arms (to hold the key to your heart)
This Goon Squad has nothing to do with Detroit's Goon Sqwad, does it?
That track title doesn't sound like something they'd do, I
| -Original Message-
| From: Fabrizio Nahum [mailto:[EMAIL PROTECTED]
| Sent: 07 January 2003 11:40
|
| Paris - The devil made me do it
And don't forget that there is a new Paris album on the way, called
Sonic Jihad. No stranger to pissing off Bush family members in his
packaging and
I'm reserving my vitriol for people who grew up going to the Loft every
week and playing bongos on Larry Levan productions, but who now think
they're Mr Minimal Techno or that they know everything about Neil
Landstrumm. God, those people make me sick!
Fake techno-ass superficial people...
At the same time, I somehow doubt that while Afrika Bambatta was
plagiarising Kraftwerk on Planet Rock, he would have been able to go
to Dusseldorf and show just how in touch he was with German culture...
The history of musical development and evolution involves
cross-pollenation from genre to
As someone who lives in the same postal region as Plastic People, I
hereby grant you consent to attend the event! The question of whether or
not you will be allowed to dance will be assessed by the appropriate
authorities upon your arrival...
| -Original Message-
| From: Odeluga, Ken
I've got that one and indeed it is a beautifully-crafted piece of deep
techno, although not living in Scandinavia I may not be qualified to
pass comment! There is an emphasis more on atmosphere and texture than
there is on Mr Brikha's main project, imho, with the melodies and chord
progressions
A restaining order? Just what *is* this crazy dance of Ken's that
needs to be re-stained??? I dread to think! ;)
| -Original Message-
| From: Robert Taylor [mailto:[EMAIL PROTECTED]
| Sent: 06 January 2003 15:28
| To: Brendan Nelson; Odeluga, Ken; Toby Frith; [EMAIL PROTECTED] Org
Well, it's not *all* that far from London... I am seeing if I can get
enough of a gang together to justify hiring a 4-person chalet! I'm not
normally a weekender sort of person but the line-up looks pretty good -
I'm sure I could keep myself pretty busy trying to track down every DJ
I'd like to
Ah, but back before the London telephone numbers got mangled you had
Code 071, an early 4 Hero pseudonym
| -Original Message-
| From: ian cheshire [mailto:[EMAIL PROTECTED]
| Sent: 06 January 2003 17:22
| To: Tom Robbins/Magic Feet; 313 mailing list
| Subject: RE: (313) Fw: SYSTEM -
Soul??? What do *you* know about soul???
(sorry!)
| -Original Message-
| From: Robert Taylor [mailto:[EMAIL PROTECTED]
| Sent: 06 January 2003 17:53
| To: 'Maarten Baute'; Robert Taylor; [EMAIL PROTECTED]; ian cheshire; Dennis
| Donohue; 313@hyperreal.org
| Subject: RE: (313) Top tunes
For the benefit of London 313ers who aren't up to anything on January
31st, DJ Rolando of UR fame will be coming over from Detroit to play at
a BASE all-nighter in Vauxhall! OK, so the date won't be 3/1/3, but it
will be 31/1/3 which is close enough... :)
While Colin Dale, Brenda Russell and Jim
| -Original Message-
| From: Tristan Watkins [mailto:[EMAIL PROTECTED]
| Sent: 02 January 2003 10:46
|
| I don't know a whole lot about [Portable], but I'm sure
| that anyone who's into the idea of African-at-heart laptop
| f*ckery should give this a listen. I didn't realize this came
|
No, it was Rodney Jerkins/Darkchild... nice piece of glitch-RB, that
track!
| -Original Message-
| From: robin pinning [mailto:[EMAIL PROTECTED]
| Sent: 20 December 2002 12:49
| To: 313@hyperreal.org
| Subject: Re: (313) top tunes 2002
|
|
|
| 'coloured section' lp i guess], so i can
| -Original Message-
| From: robin pinning [mailto:[EMAIL PROTECTED]
| Sent: 20 December 2002 13:40
|
| Brandy's producer is Rodney Jerkins. But the Neptunes,
| Timbaland, Dr. Dre, and Scott Storch should also be
| getting props...
|
| does anyone know if the timbaland/dre thing is
As tempted as I was by the PCV-275, its lack of an adjustable crossfader
curve put me off in the end. In my quest to find something that can
support the more hip-hop inspired mixing style of booty with my typical
techno/house mixing activities, however, I came across this, the Stanton
SMX-501:
I'd also heard that it was going to be produced by Trevor Horn, who had
had some strange ideas about a black-futurist-hetero Pet Shop Boys... as
interesting an idea as it sounds, I can imagine that not doing it was
the right thing to do...
| -Original Message-
| From: Dan Sicko
808 State is basically Pacific 707 - I tend to think of their New
Build-era material as passable but generic early techno, and their post
Ex:El material as noodly, overproduced electronica, but the Pacific
track is an absolute classic. In many ways it is underrated by a lot of
Detroit techno fans,
| -Original Message-
| From: P dircon [mailto:[EMAIL PROTECTED]
| Sent: 13 December 2002 20:47
| To: Brendan Nelson; Toby Frith; Mann, Ravinder [CCS]; 313
| Subject: Re: (313) 808 State
|
|
| Personally, in early days 88-89 when 808state included a
| guy called gerald
| they were pretty
| -Original Message-
| From: techno [mailto:[EMAIL PROTECTED]
| Sent: 13 December 2002 12:22
|
| on 12/13/02 6:41 AM, Brendan Nelson at
| [EMAIL PROTECTED] wrote:
|
| If you own Ex:El then you get Pacific but also quite a few
| tracks which
| have dated really badly.
|
| Pacific
If you go to http://www.microlovr.com/313party/, my mix on there starts
off fairly fast modern, but then goes into a sequence of old
transmat/kms tracks... also, there's a mix called my dancefloor at
http://www.sharesite.org/music.html which has some old Detroit stuff too
- juan atkins (as
in the UK were aware of
what was coming out of the US, so a lot of early UK techno producers did
plagiarise a bit...
Brendan
| -Original Message-
| From: Odeluga, Ken [mailto:[EMAIL PROTECTED]
| Sent: 13 December 2002 13:40
| To: Tristan Watkins; Brendan Nelson; Toby Frith; Mann, Ravinder [CCS
| -Original Message-
| From: techno [mailto:[EMAIL PROTECTED]
| Sent: 13 December 2002 13:29
|
| on 12/13/02 7:40 AM, Odeluga, Ken at [EMAIL PROTECTED] wrote:
|
| As for 'Cubik', although I'm not sure if I made the
| connection at the time,
| I now think it's a poor copy of
| -Original Message-
| From: Tristan Watkins [mailto:[EMAIL PROTECTED]
| Sent: 13 December 2002 14:19
|
| I think the first album 'Accelerator' holds up well today.
Definitely - as do the Pulse EPs, which I was lucky enough to pick up in
an Edinburgh record shop for about £3 each two
| -Original Message-
| From: Craig Harrison [mailto:[EMAIL PROTECTED]
| Sent: 13 December 2002 14:56
|
| As for A Guy Called Gerald, he did a response to what
| happened to him when he left/was pushed from 808 State,
| called Specific Hate, in which he uses samples of the
| phone
My number one end of the night track is Drexciya's The Journey Home,
but there's also:
UR - Amazon
808 State - Pacific 707
Planet Patrol - Play At Your Own Risk
Dick Hyman - Topless Dancers of Corfu
Obviously it all depends on your set and the general tone of the night,
but The Journey Home is
I record directly to my hard drive these days, and it's definitely made
me a lot more productive. You don't end up having to reuse media if you
get the levels wrong or cock up the first mix, you don't have to
scrabble around to find a blank tape if you've suddenly got the urge
to do a mix at 2am
PROTECTED]
| Sent: 12 December 2002 11:55
| To: Brendan Nelson; Lee Herrington IV; 313
| Subject: RE: (313) [313] mixtape of a different media.
|
|
| I just put my mixes direct to MD. (And there they stay - thankfully.)
| k
|
| -Original Message-
| From: Brendan Nelson [mailto:[EMAIL
I use Wavelab Lite - not so many features that it loads slowly or is
difficult to use, not so crap that you can't do things like save
selection as. I have other wav editors but the simplicity of Wavelab
Lite means that it suits me down to the ground for recording mixes. If I
want to go and do
It turns out that WIDE is in this month's Sleaze Nation, with pictures
of all the DJs - including me and Guy - which were taken in my flat,
oddly enough! I'm the one smoking a dodgy roll-up, but as I haven't seen
the magazine yet I can't really tell you what page it's on. But if you
get the
There will be a heavy 313 presence at Slices next weekend - it's
Saturday 21st December, and is happening at Public Life which is just
near Liverpool Street. I think there are three or four 313ers playing,
and there will be many more than that on the dancefloor!
Brendan
| -Original
| -Original Message-
| From: fabrice Lig [mailto:[EMAIL PROTECTED]
| Sent: 10 December 2002 22:31
|
| I know what is trance music...It was huge here.
| Could we try to find a list of differences...
| On the paper, finaly there is common points...
| Melodies, chords, ...
| But in the
-
| From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
| Sent: 11 December 2002 11:02
| To: Brendan Nelson
| Cc: fabrice Lig; 313@hyperreal.org
| Subject: RE: (313) Los hermanos/trancey/Detroit techno...
|
|
|
|
| It's all about the 'ghost notes' in drum patterns that fill
| in the gaps
| -Original Message-
| From: Odeluga, Ken [mailto:[EMAIL PROTECTED]
| Sent: 11 December 2002 11:07
|
| if trance so crap, why do so many millions of people like it?
Because if you had a research budget of a billion dollars, and
commissioned a huge team of world-renowned biologists,
| -Original Message-
| From: robin pinning [mailto:[EMAIL PROTECTED]
| Sent: 11 December 2002 12:32
|
| And that's why so many people like trance, I reckon.
|
| not entirely sure that's true cos the same could be said of looped
| banger style techno...
I think that the looped banger
I am still a total sucker for Claude Young's remixes of Jacob's Optical
Stairway's Solar Feelings too - I'm not sure if I can remember a more
successful experiment in fusing jungle-type drum programming with
Detroit melody/sound design aesthetics.
Ultimately, though, I think that the purist in
What was that Chain Reaction record that was a balls-out trance
extravaganza? I remember the controversy when that one came out, but I
never bothered listening to it.
Like it or hate it, you have to take your hat off to trance. If the mass
popularisation of electronic music could be summed up in
| -Original Message-
| From: Tristan Watkins [mailto:[EMAIL PROTECTED]
| Sent: 10 December 2002 16:00
|
| His Black Label record and the Drax - Tales from the Mental
| Plane records were excellent, I thought.
I've got a few of those Drax records, and haven't listened to them for
years -
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