:Or the album, Pub - Do you ever regret pantomime?
Im pretty sure I got it from rub-a-dub - www.rad69.com
No but ive been up all weekend programming for it!
:-Original Message-
:From: Ryan Snowden [mailto:[EMAIL PROTECTED]
:Sent: Tuesday, May 13, 2003 3:03 PM
:To: 313@hyperreal.org
:Subject: (313) E3
:
:Any of you LA guys going/been to E3?
:
:--
:Ryan Snowden
:Warthog Games PLC
:Tel: +44 (0)1
My mate actually had a mixer with those exact same noises (complete with
volume and pitch control). Quality times had by all - you could drop a
grenade as you unleashed dancefloor mayhem.
:-Original Message-
:From: Mann, Ravinder [CCS] [mailto:[EMAIL PROTECTED]
:Sent: Wednesday, April 30,
Definitely - summer = house, winter = techno
:-Original Message-
:From: robin pinning [mailto:[EMAIL PROTECTED]
:Sent: Thursday, April 17, 2003 3:03 PM
:To: 313@hyperreal.org
:Subject: (313) the weather
:
:
:simple question:
:
:does the weather strongly influence the music you listen to?
:But we run a club and rig so they money always goes somewhere, 12' are
a
:luxury to us...
I think 12ft records are a luxury for most of us :P
These look ok:
http://www.spybox.co.uk/
in my mind the fact they are separate units is a bonus as if you move
house or whatever they can be easily moved - you could probably build
something similar yourself out of something a bit nicer than MDF.
:-Original Message-
:From: Dan Kurzius [
Some friends from my work are doing visuals at this - sounds cool
:-Original Message-
:From: ::) [mailto:[EMAIL PROTECTED]
:Sent: Tuesday, March 04, 2003 6:53 PM
:To: 313@hyperreal.org
:Subject: (313) london symphony covers aphex twin
:
:http://www.warprecords.com/news/index.php?ti_id=570
Yep - to my mind minimal nation and the vision ep ARE techno. I found
hearing them for the first time similar to hearing tubby or scratch dubs
for the first time - s spatial, really opens up your head.
:-Original Message-
:From: robin pinning [mailto:[EMAIL PROTECTED]
:Sent: Friday, F
http://members.lionhead.net/nwallace/dynine.mp3
[2003] ;)
it's a bit of a rough and ready mix but I think its quite nice
some older stuff can be found at:
http://www.lionhead.com/personal/nwallace/music.html
cheers
neil
:
:I often wonder if the reason why Kraftwerk don't perform more new
material
:(I know their
:capable
:of better music than Expo 2000) is because their views are sidered too
:facist
:and controversial.
:I can see them on stage with 3D computer modeled projection of a DNA
:strand,
:singing about
:h
http://www.ruben.fm/videos/ghetto.mov
is a 10 minute documentary featuring dj funk, deeon, ray barney etc.
:-Original Message-
:From: [EMAIL PROTECTED] [mailto:Michael.Elliot-
:[EMAIL PROTECTED]
:Sent: Friday, February 14, 2003 5:26 PM
:To: 313@hyperreal.org
:Subject: (313) music video w
nline long enough to check out a full-length
:mix,
:anyhow.
:
:Matthew
:
:> -Original Message-
:> From: Neil Wallace [mailto:[EMAIL PROTECTED]
:> Sent: Sunday, February 09, 2003 2:21 PM
:> To: Matthew Mangold
:> Subject: RE: (313) downloading real audio?
:>
:>
:>
:>
rsday, February 06, 2003 4:49 PM
:To: 313@hyperreal.org
:Subject: RE: (313) ipod/archos (was) Fw: Jeff Mills Crate Diggin'
:
:-- Original Message --
:From: "Neil Wallace" <[EMAIL PROTECTED]>
:
:>Im waiting for the new archos video player - a
Im waiting for the new archos video player - all the same functionality as the
mp3 ones but also plays divxs, reads various memory cards and has a module so
that you can record video from any source.
:-Original Message-
:From: Gerald [mailto:[EMAIL PROTECTED]
:Sent: Thursday, February 0
Yeah - I have tons of tones 2 but its not as good as the first imo - dunno if
there were more than this.
:-Original Message-
:From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
:Sent: Thursday, February 06, 2003 11:59 AM
:To: [EMAIL PROTECTED]
:Cc: 313@hyperreal.org
:Subject: Re: (313) st
Personally I like mixing records with strange rhythms or records with
very different tempos. They are good records that are challenging to
mix.
Trance crap is much easier to mix because is just so 4/4.
Whats the challenge in playing "bad" records?
:-Original Message-
:From: spw [mailto:
Here are some details for a warp thing at the RFH (also featuring some
stuff by stockhausen, cage and ligeti). Sounds interesting.
Hi All,
After our success at the Warp Records Christmas Rave, Alex and I will be
performing at the Royal Festival Hall, Main Hall with the Sinfonietta, a
side arm
I have a 12 with a different mix called 'spaz' I don't know if this is
perhaps what you are referring to?
:-Original Message-
:From: Elephanthaus Records [mailto:[EMAIL PROTECTED]
:Sent: Thursday, January 30, 2003 6:14 PM
:To: 313@hyperreal.org
:Subject: Re: (313) Spastik (was DEMF ID)
:
Music for airports is certainly the album of choice when I am ill. As
for sleeping I used to be able to have music playing but now I can not I
pay too much attention to the music and never get to sleep - similarl
when I reading I used to be able to listen to any music, nowadays if it
has any sort
The first track on the second shellac album is, to my mind, very techno
- heavy on the repetition so that when the (very slight) change comes
its all the more powerful.
I think im right in saying that shellac build a lot of their own
equipment (amps etc) in order to get a very unique sound (albin
A friend and I have a track on the new fabric cd mixed by keith
tenniswood. Further details can be found in the cd section at
http://www.fabric-london.com/ and more info on takeover records can be
found at http://www.thetakeover.co.uk
Cheers
neil
Ive posted some tracks at:
http://www.lionhead.com/personal/nwallace/music.html
theyre all quite old and most are in their 'perpetually unfinished'
stage.
Any feedback welcome.
Cheers
neil
-Original Message-
From: Neil Wallace [mailto:[EMAIL PROTECTED]
Sent: Wednesday, December 04, 2002 11:47 AM
To: 'Langsman, Marc'
Subject: RE: (313) mixer advice
Yeah the gains are on the back - I dont find it a particular problem at
the moment as ive only got one deck and
Agreed, I got a xone:32 for around 400 and it seems really nice and
solid too - having a filter on the mixer is quite a cool and worthwile
addition (specially when it has an LFO to modulate it :)
:-Original Message-
:From: Toby Frith [mailto:[EMAIL PROTECTED]
:Sent: Wednesday, December 04
Sorry - marc just pointed out that I am a dumb ass and in fact a
complete tracklisting was posted along with the mix - so thats what
those scroll bars on the side of the window are for :)
:-Original Message-
:From: Neil Wallace [mailto:[EMAIL PROTECTED]
:Sent: Wednesday, November 27
Agreed - a cool mix - a full track listing would be appreciated as there
are lots of cool tracks on there :)
:-Original Message-
:From: Langsman, Marc [mailto:[EMAIL PROTECTED]
:Sent: Wednesday, November 27, 2002 11:09 AM
:To: 'Maarten Baute'; 313@hyperreal.org
:Subject: RE: (313) << NEW
Ive always avoided this book as ive seen kodwo on a few music
documentaries and he always seems to be completely up his own a$$
:-Original Message-
:From: dave cronin [mailto:[EMAIL PROTECTED]
:Sent: Saturday, November 23, 2002 6:39 PM
:To: Ron; 313
:Subject: Re: (313) books on techno: m
Samplespotter.com seems to have dissapeared. Have I got the wrong url or
alternatively does anyone know of an alternative database where you can
search for an artist/song and see who has sampled it or vice versa
Cheers
neil
Its just because the speed of the turntable varies slightly and so the
dots are used to tell when it is going at exactly 33 1/3rm or 45rpm
:-Original Message-
:From: Langsman, Marc [mailto:[EMAIL PROTECTED]
:Sent: Thursday, November 21, 2002 2:10 PM
:To: 'Michael Lees'; seth redmond
:Cc: 3
I don't see how it can possibly be faster - if the record is too slow
you must move the pitch control too far in order to overcompensate and
then shift it back down once its caught up whereas if you touch the
record you can just give it a nudge and adjust the pitch control which
is instant.
:
echnics and had
:> > to piss about subtely speeding the other record up /
:> down
:> >
:> > it's not the first time I've heard doubts about the
:> build quality, but don't
:> > know anyone who's had them long enough for it to be
:> an issue. their mi
bout subtely speeding the other record up / down
:> >
:> > it's not the first time I've heard doubts about the build
:> quality, but don't
:> > know anyone who's had them long enough for it to be an issue.
:> their mixers
:> > have al
speeding the other record up / down
:> >
:> > it's not the first time I've heard doubts about the build quality,
but
:don't
:> > know anyone who's had them long enough for it to be an issue. their
:mixers
:> > have always been pretty nice mind.
:> >
:
I got one pdx 2000 (as it was all I could afford at the time) and I
really love it: -50% is actually really useful as use you can mix things
at half tempo to do some weird x2s, having a reverse button is also very
useful and yes they seem to have quite a lot more torque - which may not
be a good t
This got posted around work a wekke or two back - the last guy is pretty
impressive
homepage.ntlworld.com/daniel.deptford/kolla2001.wmv
:-Original Message-
:From: Jason Hogans [mailto:[EMAIL PROTECTED]
:Sent: Wednesday, November 20, 2002 5:37 AM
:To: 313 list
:Subject: Re: (313) b-boys
Red passion 2 (I think but it might be three) is a really good two
copies record since not only do the two sides mix together really nice
but you can produce some cool stuff with one of the tracks where if you
play the second copy 2 beats behind the first you can cut back and forth
and you just ge
Interestingly in my interview for my job I got asked I ever went to
pure!
:-Original Message-
:From: Jonny McIntosh [mailto:[EMAIL PROTECTED]
:Sent: Wednesday, November 13, 2002 6:35 PM
:To: 313@hyperreal.org
:Subject: Re: (313) nightclubs - the good, the bad, the ugly
:
:Yeah! And proper
Yeah I really like venues like the venue & studio 24 in edinburgh - dark
and dingy - it means that most of the people are there to listen to the
music rather than be seen so you can avoid the trendy poseur set. And
while the PA in both these venues is nothing special its normally loud
enough to do
I don't think so as the pc version doesn't run in windows AFAIK but in
some sort of linux (which will be an i386 build and so wont work on a
mac)
:-Original Message-
:From: Kookie [mailto:[EMAIL PROTECTED]
:Sent: Tuesday, November 12, 2002 7:34 PM
:To: scotto; 313@hyperreal.org
:Subject:
PROTECTED]
:Sent: Thursday, November 07, 2002 12:53 PM
:To: 'Neil Wallace'; 313
:Subject: RE: (313) need...moreelectro
:
:Depth Charge is the other.Track listings for all 3 available on All
:Music Guide..Although they mixx most of thier own materail...unlike the
:oth
I find ive been listening to virtually nothing but electro lately in
particular Drexciya, Dopplereffekt, Japanese telecom, Arpanet and
Anthony Rother. Can anyone suggest any other stuff in a similar vein?
(Preferably available on CD)
Cheers
neil
Not strictly 313 but a no-one has mentioned and a couple of guys from my
work are doing visuals at it (along with the legend that is jeff minter
- creator of llamtron etc)
http://www.warprecords.com/news/?offset=0&ti_id=514
Its on "more songs about food and revolutionary art"
:-Original Message-
:From: Placid [mailto:[EMAIL PROTECTED]
:Sent: Thursday, October 24, 2002 12:31 AM
:To: 313
:Subject: (313) At les
:
:Probably my favorite c craig cut..
:
:Did it get released on anything other than virtualsex lp
:
:
I was in town today and in a shop I heard strings of life, as it played
it sounded different somehow, firstly slower then just plain worse, then
a really cheesy vocal came in ('reach for the sky' or something about as
imaginative). Does anyone know what this is? Does it actually sample the
origina
Paisley actually but close enough :)
It is run by the guys from rub-a-dub in glasgow I believe
www.rad69.com
:-Original Message-
:From: Williams, Howard [mailto:[EMAIL PROTECTED]
:Sent: Friday, October 18, 2002 10:06 AM
:To: 313 (E-mail); 'Odeluga, Ken'
:Subject: (313) RE: Red Planet?
:
I don't think its quite that simple since (I think) a big metal plate is
produced for each side of the record and then this is used to press the
vinyl.
I don't see why you couldn't press the whole thing at 33rpm effectively
but have a track recorded as pitched down so that it would be slow at 33
Veering dangerouly off topic - wasn't there a bit of controversy over
the fact that the lyrics had been bought off someone - cant remember the
name - oh yes I can cassanova fly (in facy there is even a bit which
goes 'im the C-A-S an the O-V-A and the rest is F-L-Y' which they never
even bothered
I absolutely *hate* sennheisers, I got a set of beyer dynamic phones
about 4years ago - they sound *really* clear at any volume, theyre
comfortable, everything is replaceable and at 100GBP they seemed
expensive at the time but given how long they've lasted I reckon its
very reasonable.
My only sli
Just out of interest how are stephen browns transmat releases? I have
pretty much all his sativae/drought/djax/realtime releases and love them
all but ive never heard any of his workfor transmat.
Cheers
neil
:-Original Message-
:From: Andy Mitchell [mailto:[EMAIL PROTECTED]
:Sent: Sunda
Yeah I read it on fark last night - I didn't think it even deserved
posting
Daniel beddingfield beautifully blends techno and pop apparently - I
hear hes doing a cover of energy flash as his next single - I believe
hell be singing the 'a wuh, wuh, wuh, wuh, a wuh, wuh, wuh, wuh, wah,
wah, wah, wah
Ive not heard this but I saw an ad on tv last night for a death in vegas
album with what sounded like the girl from adult singing on it - the
beats and the rest of the track sounded incredibly second rate and even
the vocal seemed a bit lack lustre - is this the girl from adult or some
young prete
Obviously you can get info the final scratch from the net but I would
much rather hear what someones opinion I trust more than some random
punters. For instance im sure you can find any number of reviews of CDJ
machines on the internet saying how fantastic they are, how they are
better than turnta
Yes trance is overated - are you happy now? Can we move on?
:-Original Message-
:From: DJ HEAT [mailto:[EMAIL PROTECTED]
:Sent: Thursday, September 19, 2002 2:41 PM
:To: DETROIT
:Subject: [313] Is soul overrated?
:
:According to some people they say soul is overrated?
:Trance is Overated
rd everything.
:-Original Message-
:From: Kent williams [mailto:[EMAIL PROTECTED]
:Sent: Thursday, September 19, 2002 1:48 PM
:To: Neil Wallace
:Cc: 'Langsman, Marc'; [EMAIL PROTECTED]; 313@hyperreal.org
:Subject: RE: [313] Final Scratch - thoughts...
:
:Maybe. If you can sell all
And knowing people that run small label that can only afford to press
around 500 copies of a release I'm sure they'd be more than happy that
their release could reach a much larger audience.
:-Original Message-
:From: Langsman, Marc [mailto:[EMAIL PROTECTED]
:Sent: Thursday, September 19,
Old style curver boxes are the perfect fit and have good solid handles
thatll take the weight. I think the new ones are a bit more fancy
looking but arent as good a fit and he handles aint too hot.
Having said that im not sure they still make the old ones
:-Original Message-
:From: rob w
The ministry of sound mayday mix is one of my favourite mixes.
Don't let the ministry tag put you off it is definitely worth grabbing,
tracklist:
Derrick May / Maydays Intro
Fruit Loops / The Message Is Love
Earth People / Dance
The Groove Essentials / Make Up Your Mind
Lil Louis / French Kiss
Ho
I know when it was coming out they were pimping it as being able to play
'any digital media' id be interested to see what someone could do with
it playing video and audio
:-Original Message-
:From: ::) [mailto:[EMAIL PROTECTED]
:Sent: Monday, August 19, 2002 3:26 PM
:To: Maarten Baute; Se
Dem young sconies (sp?) as well (only the tempo makes it easier to mix
with housier stuff - or it did til I got my lovely pdx 2000 :)
:-Original Message-
:From: Dave Bate [mailto:[EMAIL PROTECTED]
:Sent: Tuesday, August 27, 2002 5:35 PM
:To: 313@hyperreal.org
:Subject: Re: [313] KDJ
:
:>
:>the point is that james newton created
:>the original piece; it's his work, so he has the right to do with it
what
:>HE wants.
:
:Does he really have that right?
:There is a school of thought that once a piece of work is in the public
:domain it belongs to everyone.
Yes but this is usually accom
aaron carl - down (metroplex)
fantastic - and some cool mixes on the 12 too
:-Original Message-
:From: Data General [mailto:[EMAIL PROTECTED]
:Sent: Monday, August 05, 2002 4:16 PM
:To: 313@hyperreal.org
:Subject: [313] another track id
:
:
:
:for a song with a male voice singing the ref
http://www.electroradio.com/archives.html
dr indulgent - plastic ego
27mins in, electro cover of 'i wanna be you dog' (or it just the vocal
dropped over something else?)
cheers
neil
-
To unsubscribe, e-mail: [EMAIL PROTECTED
just looking at music dvds and spotted these:
808 State - Opti Buk
"17 '808 State' videos produced between 1987 and 1999, many available for
the first time."
Autechre - Gantz Graf
"A hypnotic blend of beats and tones, featuring the tracks 'Gantz Graf',
'Dial' and 'Cap.IV'."
theres probably more
hi
have any europe peoples had any experience ordering from submerge? theres a
few things i want to get and im just wondering if its worth just trying to
track them down from various places here in the uk or if submerge are
reasonably fast at filling orders?
cheers
neil aka mr impatient
-
anyone know what the track about 48 mins in on the andre lucero mix is
http://www.electroradio.com/archives.html
cool vocal electro number - "Cn you feel a little love"
sounds like its probably old industrial/goth sort of thing.
cheers
neil
wow - never heard of this before but it looks very cool. great line up and a
very reasonable looking price tag. has anyone been before/know what to
expect?
cheers
neil
:-Original Message-
:From: robin pinning [mailto:[EMAIL PROTECTED]
:Sent: Tuesday, July 23, 2002 12:29 PM
:To: [EMAIL P
an mix wise live at the liquid rooms is hard to beat and features quite a
lot of his own material
:-Original Message-
:From: Toby Frith [mailto:[EMAIL PROTECTED]
:Sent: Monday, July 22, 2002 2:20 PM
:To: Rusty Blasco; 313@hyperreal.org
:Subject: Re: [313] mills CDs
:
:
:Don't think you ca
i would recommend _not_ using XP for audio - 98/ME seem to be the last
windows' that audio worked properly on. i recently upgraded and both my
sound cards have not functioned since.
:-Original Message-
:From: :P [mailto:[EMAIL PROTECTED]
:Sent: Tuesday, July 16, 2002 8:11 PM
:To: 313@hype
:R3dshift wrote:
:
: >for the music he makes, Jeff Mills sure makes himself sound like he does
: >something intellectual or complex.
: >
: >there is a lot of much much better music out there, why does everyone
: >worship the guy who tries to make 4/4 techno sound like physics?
:
:Perhaps because a
i think the vision ep is strrets ahead of anything else he has done though
b2 on minimal nation is also really nice ("the rhythm of vision" that one)
ive not been buying records for _ages_ so any recommendations of hood stuff
from the last couple of years i should be checking would be cool :)
ch
does anyone have contact info / website for sativae or any of its sub/sister
labels other than the PO box?
cheers
neil
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i could be wrong but i think the fact that it is a CD-R would suggest that
it is not a proper CD release, no?
:-Original Message-
:From: Mxyzptlk [mailto:[EMAIL PROTECTED]
:Sent: Friday, July 05, 2002 10:46 PM
:To: [EMAIL PROTECTED]; 313 Mailing List
:Subject: Re: [313] AXIS 009CD
:
:
:At
i didnt particularly rate volume 2 but selected ambient works 85-92 was
probably one of the first 'techno' albums that opened my eyes/ears. i still
really like the way it sounds - manages to tread the fine line between
ambience and still being beat driven (as opposed to the forest sound/whale
song
who makes the pro-tools software which i have heard mentioned here a few
times? URL greatly appreciated.
cheers
neil
-
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from the k7 page
"The X-Mix series cruised to a triumphant conclusion with a final sequence
of dazzling dance mixes illustrated in time by prodigious visual designs.
With Electro Boogie, which went on to inspire a short CD mix series of its
own, X-Mix moved away from house and techno and into the
:> > ... "Belfast" (The Orb) always seemed to also have a nice
:> 'Berlinish'
:> flavor
:> > to me; maybe now I know why.
:>
:> Erm... i believe Belfast was by Orbital, who have nothing to
:> do with The
:> Orb...
:Still, worthy of this "techno songs that..." list, the version I have in
:mind being
this track is probably my favourite ever - it just doesnt get any cooler
unfortunately i dont know the name!
but its rob hood off the vision ep on metroplex
neil
:-Original Message-
:From: Grammenos, Peter [mailto:[EMAIL PROTECTED]
:Sent: Thursday, June 06, 2002 5:02 PM
:To: '313@hyper
:> > And I can remember the "electro revival of 1994", where all
:> > the StreetSounds
:
:> question 1 : are these comp really interesting ? what volume
:> should I start with ?
:
:I would definitely advise you to aim for the lower numbers rather than
:higher. From around vol 6 or so they started t
:actually if you look at the article closely you would see that she
:was attacked not only for her actions but also for being
:female...anytime people use buzzwords like "too emotional" they
:are bringing sexism into the picture.
without wanting to spark a huge and OT debate just because someone s
but then again so 90% of design these days seems to knock of designers
republic stuff.
:-Original Message-
:From: Giles Dickerson [mailto:[EMAIL PROTECTED]
:Sent: Monday, May 20, 2002 5:11 PM
:To: 313@hyperreal.org; [EMAIL PROTECTED]; fab
:Subject: RE: [313] Speedy J - o.t. sleeve design
:I think there actually is some truth to this, and it's not
:necessarily a bad
:reflection on European DJs. The most plausible theory I've heard is that
:it's to do with the higher age limit for buying alcohol in America.
:Americans from 18-21, when they go out to a club, can't (legally)
:drink, a
well youre in luck - a load of the albums (not sure if its all of them) have
been repressed - and tago mago is definately one of them as i managed to
scoop a copy :)
:-Original Message-
:From: scotto you know [mailto:[EMAIL PROTECTED]
:Sent: Thursday, May 09, 2002 5:55 PM
:To: 313@hyperre
i was looking on samplespotter.com and noticed this:
Moodymann / Sharon Jones
I'm Gonna Get Ya House/Techno
apparently samples:
Air Modular Downtempo
?!?! h i presume they both sample the same original track rather than
KDJ sampling air?
:-Original Message-
:From: Neil Wa
surely that should be unfinished sympathy? and on that note i heard at the
weekened an ike and tina turner version - i always thought the strings had
been lifted frm somewhere but im not sure that it was definately this as it
sounded reasonably recent - any one know the score?
cheers
neil
:
check out the track by track page - notice anything strange about the sleeve
for french kiss? :p
:-Original Message-
:From: Tosh Cooey [mailto:[EMAIL PROTECTED]
:Sent: Thursday, May 02, 2002 5:26 PM
:To: 313@hyperreal.org
:Subject: [313] You can all worship me now...
:
:
:...because I'm t
http://www.bbc.co.uk/radio1/
then you can listen to whatever is on.
http://www.bbc.co.uk/radio1/alt/peel.shtml
for peel stuff
:-Original Message-
:From: Giles Dickerson [mailto:[EMAIL PROTECTED]
:Sent: Thursday, May 02, 2002 2:59 PM
:To: Ian Cheshire; [EMAIL PROTECTED] Org; Toby Frith;
er and me...
:And mine too:
:
:> My tuppeny worth
:
:I thought the film was almost awful. I'm glad they cut it down. God only
:knows why such a lumbering primary school plot originally required over two
:and half hours.
i guess its due to the fact that this was pretty early in the history of
fil
there is a disco drum loop used by amongst others:
carl craig - chicken noodle soup
easy e - last track on easy does it
blake baxter
anyone know what it is?
cheers
neil
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For addition
ive been listening to morgan geist - i dont have a whole lot of his stuff
but his drum programming and general level of funk in his tracks is
consistently amazing from what ive heard
:-Original Message-
:From: Gregory Lee [mailto:[EMAIL PROTECTED]
:Sent: Friday, April 26, 2002 3:38 PM
:To
yeah the depth charge mix is good - but i didnt think it was particularly
electro despite it's name - its is more industrial sounding imo but with
tainted love thrown in for good measure :)
:-Original Message-
:From: Super Coffee Beans [mailto:[EMAIL PROTECTED]
:Sent: Thursday, April 25,
:i-f's f***ing consumer on disko b should
:also be a must if you're looking for good
:electro
i thought this album was pretty disapointing really - a few good tracks but
a lot of it used really irratating high pitched grinding sort of noises.
just an opinion
---
Bastards living up North
:Dopplereffekt - Gesamtkunstwerk
:
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:Quest Pond
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:-Original Message-
:From: Neil Wallace [mailto:[EMAIL PROTECTED]
:Sent: 24 April, 2002 0:18
:To: [EMAIL PROTECTED]; 313@hyperreal.org
:Subject: RE: [313] Electro CDs - Recommendations Pls
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:Adult - Resus
Adult - Resuscitation
Drexciya - Neptunes Lair
mixwise the dave clarke electroboogie cd is good.
: I'm looking for some recommendations for a good electro CD. I'm told
:there's a good one called 'Futurism' on City Rockers and I've also been
:recommended Detroit Grand Pubahs 'Funk Ya'll." I've al
i believe there is also another dave clark (again without the e) from
glasgow (i think he may be something to do with rub-a-dub/club 69)
neil
:-Original Message-
:From: Phonopsia [mailto:[EMAIL PROTECTED]
:Sent: Friday, April 19, 2002 11:51 PM
:To: Holly MacDonald-Korth; 313@hyperreal.or
mp3 is already compressed so any app will most likely not be able tocompress
it much further - add to this the fact that compression requires a header to
written onto the file you may end up with a file bigger than the mp3
:> i have a charles siegling MP3 set here ...from i think "Plus
:(China) 2
www.samplespotter.com
:-Original Message-
:From: Fabrizio Nahum [mailto:[EMAIL PROTECTED]
:Sent: Wednesday, April 10, 2002 10:26 AM
:To: 313@hyperreal.org
:Subject: [313] Sampling (was:FWD: Letter from Daniel Bell)
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:While were on the subject of sampling is there a website where one ca
er 'his' beat? shouldnt that be ben simms has sampled todd terrys loop on
almost every release? (in fact im noteven sure if the loop originates with
todd terry or if it goes back further? anyone? its teh one from 'to the
batmobile (lets go)' AFAIK)
besides that i think the general idea is samplin
ive not seen the show but i would guess you are talking about the nightmares
on wax track that samples quincy jones' version of summer in the city.
:-Original Message-
:From: L R [mailto:[EMAIL PROTECTED]
:Sent: Monday, April 08, 2002 3:08 PM
:To: 313@hyperreal.org
:Subject: Re: [313] Tra
i guess they will go in the 'veterans' section which is coming soon
:-Original Message-
:From: Jongsma, K.J. [mailto:[EMAIL PROTECTED]
:Sent: Monday, March 25, 2002 12:57 PM
:To: 313@hyperreal.org
:Subject: RE: [313] UR site back online
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:Funny,
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:It looks like Drexciya and Mad Mike a
as far as i remember the other 2 were about 20 quid - i think they were
limited run and more albums than double packs hence the more expensive than
usual price tag. when you consider cds in chain stores are now above 15quid
and thats for a bloody CD which costs virtually nothing to manufacture i
t
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